#where it is used by someone who does not use it for duels
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bobombun · 4 days ago
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I love how in 40k there is a weapon (wrath pattern plasma pistol) that is made for duels only, and therefore it apparently has only a single shot in it. Because if you can't hit your opponent with one shot, then you are clearly a loser and don't deserve a second shot. Idiot. Should've shot better.
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omarwolaeth · 8 months ago
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thinking 'bout how the lads interact with what the bracelets represent, especially in their decks
#marwospeaking#Yuuya is by far hardest to work with on this because he Varies. but that might just be him being opposite to Yuzu so it might count?#anyway Yuuya is a bushfire made by fireworks set off without proper precaution (the improperly set off fireworks being Zarc..#.. being influenced into the position that made the lads through his desire to both destroy and entertain his crowds)#It's small sometimes. but in the right conditions is an unstoppable conflagration#Yuuto literally does not die. In a world where we never truly get the other two (Yuugo and Yuuri) interacting with their host (Yuuya)..#.. outside of duels. he very much does. He is undead in a way the others don't quite match (pre Zarc revival) and it's opposite to..#.. En Bird's life (assuming it counts death too as part of its cycle)#Yuugo uses machine monsters - things that distinctly don't breathe. and in most cases have exhaust pipes billowing fumes#and machines can be warm to the touch at times. which you could feasibly slide against Rin's Windwitches for being Very Cold Ladies#Also he's trapped no matter where he is. Neo Domino has a stronger grip on him as a person than anyone else. and when he might finally..#.. escape that. he's trapped in someone else's body with no canonical recourse. because the story ended on Yuuya's terms and no one elses#Yuuri is hardest to place but I think he's very stationary. Sere's monsters are dancers - constantly moving - and she's very able to#adapt as she goes despite how stupid she can be book-wise. Yuuri is rooted into his role. even when he discards his loyalty his role was..#.. always in Zarc's interest no matter if he knew or not. The Professor's loyalty from him is an add-on to that#... I'd argue Zarc cared more about his pieces than Ray cared about hers also? He made cards for them on the fly so they'd Win#Even in moments where that victory is not in a wholly positive light - Odd-Eyes Raging and Gatlinghoul - but we know he's capable of it..#.. a la allowing Yuuya to debut pendulum monsters on his behalf in order to win against Ishijima#something something this can then apply to the other lads. they never lose except to each other and Ray's girls (at least on screen)#Yuuto survived 3 years of war. even despite Yuugo and Yuuri showing up. so methinks Zarc must've had a role in helping him survive#Like. Zarc's distinctly present for his Lads. Ray's not present for her lasses until one of them speaks through her#Sure it's very possible that's a bracelet thing - they are floodgates at the end of the day - and not a Ray thing. but it also wouldn't..#.. surprise me given Ray is an Akaba. we know they will sacrifice others for a gain later on - Ray's was sacrificing a whole world to make.#.. a safer one for everyone to live in. irrelevant on if they remember it or if they never existed originally. Except Leo Akaba. He does#(with memory reading tech) and it tortures him the whole time. she didn't mean to hurt him but Still#Zarc's distinctly not better than Ray - he's still broken wide open when it comes to his hatred of humanity (but not his human half)#and it resulted in multiple near-deaths the second time around - but I can't say Ray's that much better if it turns out the bracelets..#.. weren't floodgating her ability to help her lasses#Completely unrelated but. I don't like what Arcray represents ngl. makes it seem like Zarc could never move on with the help of his lads#and has to rely on someone who killed him and sent him to purgatory about it in order to heal.
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hyperions-light · 1 month ago
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Varric's Second: Defining Rook's Narrative Role
"That's why you're my second in command."
Is one of the first things Varric says to Rook in the entire story, and it seems innocuous, on its face; a piece of exposition, nothing more. However, it will define Rook's narrative role far more than may be initially obvious, and tells us some key facts about Rook immediately.
A second, especially in a situation where one may get in a fight (i.e., a duel) is someone who stands for one of the primary participants. They negotiate on their behalf, organize the details, and, in some cases, take over for them should they be unable to continue. They must be someone that the primary has absolute confidence in to represent them.
Now, you know Varric. Liar, Author, Handsomest Dwarf in Thedas. You know what kind of person he is, what he values. What kind of person do you think he'd choose to represent him directly?
There have been many complaints about how nice Rook is, but I submit to you that by placing Rook as Varric's second at the beginning of this story, Veilguard is giving you prerequisites for the sort of person they are.
Bioware has always done this; no matter what else they are, the Warden has to be someone who will accept the responsibility of ending the Blight. Hawke must be someone who tries to take care of their family. The Inquisitor must be someone who, when thrust into a position of power against their will, will step up and take the reins. These qualities are immutable; it maybe that Hawke, the Warden, and the Inquisitor are the kind of people who can save the world relatively alone. Veilguard is telling you Rook is not that kind of person.
On an external level, the reason for this is that if you are going to invest heavily into making the companions lifelike and narratively significant, you have to justify the expense. As many people as possible have to see that content, or the studio is going to call it a waste of resources. If Rook can dismiss them they cannot have major plot arcs, because that's a waste of money.
But diagetically, this problem is solved by Varric's introduction. Does anyone seriously believe that Varric would choose someone to DIRECTLY represent him-- stand in for him morally, physically, and philosophically-- that would abandon their friends? VARRIC TETHRAS, the man who bribed the Templars to stay away from Anders' clinic for years, the man who supports Merrill in her quest to summon a demon, the man who stands by Hawke no matter what-- does anyone think THAT MAN would pick someone to stand in for him who doesn't care about their companions? I think implying he would would have been a gross mischaracterization.
Rook is not the kind of character that would want to save the world alone, even if they could, because Varric wouldn't choose that. They are Varric's second, and that one assertion tells you an enormous amount about them.
This feels like a good place to end for now, and makes this post relatively spoiler-free. I want to talk about Varric vs Solas throughout the narrative in future, so watch this space for links to that.
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ikkyfics · 1 month ago
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Little Charms
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Summary: Things James does for love
Warnings: just fluffy
Masterlist
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Since he started dating you, his Patronus changed to something that reflects yours, and he boasts about it to his friends, saying it’s “the power of true love.”
He gifted you a Golden Snitch engraved with both your initials, enchanted to always return to your hand when you throw it.
He loves messing up your hair the same way he does his, just to tease you and because he thinks it makes you two look “perfectly matched.”
Every time he sees you enter the common room, he makes a point of loudly announcing, “Ah, my muse has arrived!” just to make you blush.
When you complain about the cold, he immediately wraps his Gryffindor scarf around you, even if he starts shivering moments later.
He keeps a journal of every little detail about you—how you hold your wand or the way your eyes light up when you laugh—and uses it to surprise you with gifts or inside jokes.
James practices even harder at Quidditch just so he can dedicate his victories to you, pointing at the stands where you’re seated and winking.
He uses the Marauder’s Map to ensure no one interrupts your secret dates in the Astronomy Tower.
Whenever Sirius teases him about being “domesticated,” James replies that you’re “the best thing that’s ever happened to him.”
He loves pulling you into impromptu dances in the middle of the common room, even without music, just to make you laugh.
He insists on writing little notes that magically appear in the air during class, always signing them “From your favorite Marauder.”
He started decorating your chair in the Great Hall with tiny, glowing charms to make sure you know where to sit—and to let everyone else know you’re together.
James loves challenging you to silly competitions, like “who can cast the fastest spell,” just to have an excuse to watch you laugh.
When you’re upset, he enlists Sirius to help plan something utterly ridiculous and fun to cheer you up.
He started wearing cologne because he overheard you mention liking the scent of a flower field, but he overdid it at first and smelled like an entire garden.
Anytime someone asks what he sees in you, James answers without hesitation: “Everything. She’s perfect.”
He made an effort to learn a hobby of yours, even if it was something he never imagined doing, just to spend more time with you.
He loves taking you on broom rides, holding you close, and always making daring turns just to hear you scream in excitement.
He defends you against any rude comments, and his wand is always ready for a duel on your behalf.
He always manages to bring you your favorite treat from the Hogwarts kitchens, claiming it’s “the price for the privilege of being your boyfriend.”
He whispers little confessions during class when the professor isn’t looking, just to distract you and make you smile.
When you fall asleep on the common room couch, he magically conjures a blanket and sits beside you.
He keeps a magical photo of the two of you in a frame by his bedside that never leaves its spot.
James loves writing messages on the edges of your parchment during class, which appear magically when you run your finger over them.
He volunteered to be your date to the Slug Club’s party, even though he hates the events, just to make sure you had the best night possible.
He never lets you carry anything heavy, always using spells to help you, even if you insist you can manage on your own.
He loves inventing completely useless spells with adorable names inspired by you.
When you complain about being tired, he offers you his Invisibility Cloak and suggests you both sneak away from classes to spend time together.
He started keeping every note and letter you’ve written him, saying they’ll someday tell “the greatest love story Hogwarts has ever seen.”
Whenever it’s snowing, he challenges you to a snowball fight and always lets you win, just so he has an excuse to hug you.
James loves enchanting simple objects to surprise you, like flowers that dance or leaves that whisper poems when they fall into your hand.
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happypeachsludgeflower · 15 days ago
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SVSSS BRAINWAVE JUST HIT! I HAD A THOUGHT ™
An average modern person transmitigates into SVSSS. Mind you, I specifically mean SVSSS and not PIDW. That’s right, our protagonist awakens to find themselves as a NPC in the world of Scum Villain Self Saving System. And they think to themselves upon waking up, “Oh, I’m an NPC in a xianxia novel with a happy ending! Cool!!” and goes about their life being a background nerd geeking out about plants, and monsters, and cultivation in general, and neat flying swords.
But this is a world of sex pollen and wife plots and unfortunately the cure for a lot of diseases is duel cultivation with a heavenly demon, and we all know who that demon is going to end up marrying, so it’s best to mess around with meta cultivation knowledge and prep for the worst case scenario, and honestly, they may as well solve some of the minor issues in the plot while their at it, so they invent some new cultivation techniques from some of those nifty svsss fanfictions they read while alive (I’m specifically thinking of this fic’s explanation of duel cultivation and cauldrons, but other weird cultivation methods could be used from other fanfics and xianxia books), so they can tidy up some things.
For instance, is it really necessary for Zhuzhi-lang to be stuck as a weird snake creature for nearly twenty years? Is it really needed for Yue Qingyuan to have crippled cultivation due to his sword?? Does Tianlang Jun have to be stuck under a mountain and then escape only to slowly die in a decomposing body??
They know they can’t change everything without the system interfering, but small nudges should help right? After all, they’re just a background NPC and Shen Yuan will show up eventually and everyone will fall in love with him and no one will even notice the NPC’s existence even if they had noticed something was up during their miraculous healing and salvation spree.
So they go about fixing those things. They catch Zhuzhi-lang unawares and feed him a sun and dew mushroom seed while he’s confused and do some funky cultivation shenanigans and pat him on the head cause he’s really such a cute weird snake creature and give him some vague warning about not trusting in laws and then fucks off to somewhere else.
I’m still caught up on Metagaming’s concept of duel cultivation transactions where you give and take—like taking something from someone’s cultivation, not just power, and returning something else—and keep getting stuck in a brainrot loop of the NPC taking some bloodmite powers from Zhuzhi-lang when they gave him a fully humanoid form that’s not reliant on Tianlang Jun. So my main idea for how the NPC plots to hold Yue Qingyuan in place is feeding him lesser bloodmites (not full ones because they only took a minor ability and can only hold someone for a few minutes before the bloodmites die), while they hold Yue Qingyuan still long enough to draw some ritual to heal his soul and separate it from Xuan Su. But honestly, I’m sure other ideas could apply here too. My Metagaming brainrot is just too strong right now to think of any.
And Tianlang Jun? Simple. Zhuzhi-lang’s got a humanoid form and can easily get the sun and dew mountain flowers for himself. They can’t stop the man from being imprisoned entirely. The system says no since Luo Binghe needs a dramatic entrance. So while they can’t stop the tragedy, they can put some pieces into play for an early escape, maybe a new plan to get him a better body once’s he’s back, and be a ferry for Su Xiyan’s body to revive her at some point as well.
It’s nice being an unnoticeable NPC, isn’t it? You can do whatever you want and no one’s going to know!!
Except. Someone does notice (as we all could have seen coming). And Shen Qingqiu is suspicious as fuck of this obnoxious Shidi because he notices everyone due to paranoid, and he’s even MORE suspicious of the mysterious character that healed Yue Qingyuan’s soul (and wasn’t that a doozy of a realization to have when Yue Qingyuan burst into his bamboo house one day freaking out because some disguised, powerful cultivator somehow did the impossible after ambushing him and holding him down as they healed his soul, and Shen Qingqiu is still reeling from learning that Yue Qingyuan’s SOUL was damaged trying to save Xiao Jiu and the stubborn asshole never told him because he apparently assumed Xiao Jiu knew there wasn’t a single universe where Qi ge didn’t try to come for him). And so yea, Shen Qingqiu is suspicious as all hell and starts snooping and plotting to catch the mysterious cultivator by combing through Cang Qiong because whoever it is has to have an in at the sect somewhere to know about Yue Qingyuan’s soul.
And that’s not even mentioning how suspicious Zhuzhi-lang and Tianlang Jun are now. They might not have realized what that strange cultivator did when they did it, or understood the cryptic in law mention, but they certainly have some suspicions now that Tianlang Jun was as imprisoned by in law like people, and Zhuzhi-lang kept his humanoid form just fine without Tianlang Jun, and now the hunt is ON for the mysterious benefactor, so they can repay the kindness and find out what the fuck is going on.
The NPC is, of course, oblivious to all of this going on and goes about their merry way thinking they’re being the Best ™ at being lowkey. They are SO good at being inconspicuous!! They deserve an award really!!
And then. Shen Qingqiu doesn’t qi deviate.
Shen Yuan doesn’t show up.
Oh shit, the NPC thinks to themselves as they begin to panic. They even check Shen Qingqiu out themselves to see if it’s Shen Yuan just being really good at acting. Maybe he was a better actor in the book than he gave himself credit for or something?? But no. That’s Shen Qingqiu all right. Shen Yuan is missing in action, and someone has to fix the plot of Cang Qiong is doomed.
Thus begins the NPC’s journey to try and unobtrusively fix PIDW’s child abuse problems (that they’re unaware are already fixed), save Liu Qingge from his qi deviation in Ling Xi Caves, make sure Luo Binghe doesn’t raze the sect to the ground someday and hopefully find him some sort of husband replacement to keep him under control when he does return, possibly dispose of the Huan Hua Palace Master at some point because he’s vile trash, and did I mention there are multiple man hunts for this poor oblivious dude currently on going??
And the most important question for them to solve? Where the fuck did Shen Yuan go??
Hmm I wonder where that man could have gone.
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cherrydbear · 6 months ago
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Since y'all seemed to like this I'll keep rambling on the subject, I can do this all day. Here are some of those examples where I think their friendship really shines through:
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From Sanji's perspective, this guy just showed up outside his restaurant one day, dueled the legendary swordsman who slashed Don Krieg's fleet to pieces, willingly got cut almost in two, nearly bled to death, was tied up by his own crew and then captured by the Arlong pirates, still singlehandedly escaped and came back to join the fight and defeated one of Arlong's best fighters, then nearly bled to death again and woke up just in time to drink himself silly at the afterparty. I've heard people say they "match each other's freak" and that's the truth. Sanji watches this absolute wackadoodle of a man and knows he's found someone who matches his freak. From Zoro's point of view, some cook at a floating restaurant just fed all of their enemies out of principle before kicking their butts. How could he not respect that sort of unconditional adherence to a sense of honor and justice? Especially considering he himself experienced starvation not too long ago in Shells Town. Now this cook, the newest stray in Luffy's collection, immediately proves himself to be immensely capable both in the kitchen and on the battlefield, incurs injury to himself without complaint to protect these people he barely knows, and still is the only person to come sit by Zoro and check up on him. So Zoro knows that Sanji has a heart of pure gold, and I think that's a big part of why he gets frustrated when Sanji tries to cover it up with bravado and perviness.
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This scene was really interesting to me because usually when someone demands that Zoro does something, he grouches and grumbles about it, so in this case it seems he just spontaneously started helping out himself. And if there was ever a man whose love language is acts of service, it's Roronoa Zoro. He seems to be more of a "companionable silence" kind of guy, while Sanji's a talker and will say anything to keep feeling connected. Now, I don't know if this is just a me thing, but I like to say my friends' names a lot, even just because the association with them brings me joy, but I rarely use the names of people I'm not close with except to refer to them in third person or to get their attention. In this scene, it seems to me that Sanji keeps repeating Zoro's name as a way to show he's thinking about him and appreciates him being there, though I might just be projecting.
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Now, I know shippers go crazy over this one, but I think it's honestly really solid platonic evidence and I'll tell you why (not to dissuade shipping, I think you have to be friends before you can be more than friends so all of this can be fuel for the ship too if you want it to be). Firstly, they're comfortable enough to sleep this close together. Sanji's resting his sleepy head right on Zoro's shoulder (it should have been me, not him) and Zoro just lets him. Also note real quick, only a short distance away Luffy is using Usopp as a pillow, so they're all a cuddly cozy little family. When Zoro notices Sanji mistakenly trying to kiss him, he doesn't even move away, he just makes a face and waits for Sanji to wake up so he can make fun of him. Sanji, for his part, doesn't act embarrassed or disgusted that it turned out to be Zoro there, only playfully mad about his expression. They squabble for a few moments before Luffy pushes past them and they turn their attention to the next thing, argument forgotten, proving that neither was actually angry about anything and they were merely enjoying the opportunity to bicker.
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This is from the hunting competition in Little Garden that I mentioned before. I just wanted to point out that both of them are grinning and clearly having a grand time.
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(I love how Sanji's hands are just massive sometimes.) They have the entire forest clearing, and Sanji chooses to sit his little booty down right next to Zoro and toss his food at him. They're just like those kids in elementary who had beef over who has a more impressive Pokémon collection and would always sit next to each other at lunch to compare cards and play together at recess but claim they're archnemeses. And for as much as Sanji implied to Usopp (though oblivious) that the heart shaped vegetables were just for the ladies, he did choose to make it and serve it to the whole crew. Speaking of the ladies, Sanji is always adamant about protecting them, but he was perfectly fine with leaving Nami and Robin in Zoro's care, just as Zoro trusted Sanji to take care of Luffy and Usopp.
I also loved how Sanji packed Zoro a cute little lunchbox for exploring and he was NOT going to let no stupid south bird take it from him.
Alright that's all for today folks I gotta wake up in like 5 hours for work lol
Continuation from this post
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tamby-teeze · 10 months ago
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Okay, so I know a solid 40% of the new Fantasy High was about Tracker "There's still deep attraction here" O'Shaughnessy, but HERE ME OUT
Gertie Bladeshield is the perfect woman for Kristen Applebees.
Cause, like, look, there was a lot of talk in episode 11 about impulsivity and chaos as an aspect of Kristen's character, mainly in how it's mirrored in Princess "Kristen if she had money" Naradriel, but it's also been a general focus this season, especially in how she often uses it to guard her emotions. Think back to "That's what you think", an incredible improv moment, but if you look at the big picture, Kristen's estranged parents make an incredibly inflammatory statement about her religion right after actively bullying her little brother, and instead of honoring any of the actual negative emotions she's being filled with in that moment, she pirouettes away. It's brought up in the adventuring party after this exact episode how Kristen is a cleric, a high-wisdom class that is naturally insightful, but uses these silly deflections to hold other people back from being insightful into her (hence Mac & Donna's lifetime insight disadvantage)
This isn't just limited to small moments, too. To take a broader look at the season so far, Kristen's chaotic, shrimp-jumping, wrangler-wearing, salsa-dipping, middle-school-campaigning, steel-workers-union-supporting bid for class president is often shown explicitly as a distraction from her existentially important job as the only cleric of Cassandra. Even when trying to earnestly apologize to Cassandra and prove to them that she's gonna prioritize her over class presidency, the only way she can articulate it is "You're the meat, mama." Her emotions are always guarded by some amount of chaos and impulsivity.
Now, how does that relate to Gertie "I've had a crush on you for a really long time" Bladeshield?
In both of the two scenes we've gotten of The Best D20 NPC (/j (but I do really like her)), Gertie has shown a pretty similar propensity for making bold, chaotic decisions in the heat of the moment. However, in my observation, these decisions do NOT come from a place of emotional suppression. Quite the opposite, actually.
Think back to her Grand Entrance into the narrative. Gertie, being one of the last people awake at Fabian's party, gifts her longtime-crush a jar of honey, something that connects directly to her passion/special-interest of beekeeping, in a homemade container designed as a pun on Kristen's last name. (in hindsight, the crush was very obvious) Then, in the middle of her infodumping to her about honey, Kristen's rich friend makes an incredibly dismissive remark about her good-natured gift. This obviously pisses her off, but unlike Kristen "That's what you think" Applebees, Gertie "I don't give a shit who's kid you are" Bladeshield lets herself feel those emotions very loudly, immediately starts a duel with possibly one of the most accomplished sword-fighters in the history of Aguefort, and declares him a life-long nemesis. She acts very brashly and impulsively, but in a way that doesn't hide her emotions, instead expressing them.
(I know there's a lot of talk about outbursts of anger being tied to Ankarna, but not only does the scene not really seem like foreshadowing to me, it's more interesting to see it through the lens of being Gertie's actual actions)
This trend continues with the 12th most noteworthy thing to have happened in episode 11 (which incredibly high acclaim), where after being explicitly asked to talk about bees by her crush, and being placed inches away from her face, kisses her on the lips. Now, excusing the albeit upsetting lack of consent, it once again shows Gertie acting very impulsively in a way that exposes her feelings to the people she likes. With these two instances of characterization being literally the only two scenes we get with her, it poses her as a very interesting parallel to Kristen, someone who shares in her willingness to make impulsive decisions, but differs wildly from her in the way she uses them to react to strong emotions.
However, does this really make Gertie the Autism to her ADHD?
(idk if Gertie really shows autistic traits, I just wanted to say that) Well, part of what Tracker a good companion for Kristen was that, as a fellow cleric, she naturally had very high wisdom, meaning she had enough insight to look past the layers of shrimp and salsa and engage with her on a deep level. However, clerics aren't the only class that cast spells with wisdom, so do rangers, including swarm-keeper rangers, which is a subclass that both has a good few abilities focused on spell-casting and was confirmed to be Gertie's subclass in an adventuring party. While her highest stat still could be dex (which, come to think of it, is a hilarious contrast to Kristen), there's no doubt that Gertie has a higher chance than most at being able to look past Kristen's barriers and see the complex hive of sweet, buzzing emotions underneath.
Hell, maybe that's where Gertie's crush comes from in the first place. Maybe, seeing this popular, proudly sapphic cleric be incredibly playful and chaotic on school grounds, she not only saw a bit of herself, but a little more. Perhaps, the type of mind that dedicates itself to allowing small, harmless critters to prosper even when no-one cares to join her club, is also the type of mind able to recognize when someone isn't allowing their truest emotions to prosper, making her wonder if they might have something to gain from sharing some of that chaos, using it not to hide, but to be free.
Or maybe it's just cause her last name has "bees" in it, idk.
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sanjisleggy · 22 days ago
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i just need more time to be loved by you (zoro x reader)
req: Could you please do a Zoro x reader (fem or gn)  where the reader is trying to plan a surprise thing for him and has been hanging around Sanji more to help get stuff prepared and in the process accidentally is ignoring Zoro. Zoro starts to worry that he isn't romantic or affectionate enough like Sanji and will loose the reader to him. Maybe Zoro even starts purposefully avoiding the reader like the mindset of 'if we don't talk I can't be broken up with'. Idk hurt comfort please make me cry but end nice 🩷
a/n: ngl i rubbed my hands together like a raccoon or smth when i was brainstorming for this req bc i’m just a sucker for hurt/comfort that isn’t dramatic hehe anyway thanks for 100 followers! :D i’ve been having a great time writing for one piece these past few weeks, everyone has been so kind :3c
contents: some suggestive content (16+ only ty!), insecure! jealous!Zoro, suspicions of cheating (but no actual cheating ofc), miscommunication, hurt/comfort and reverse comfort, angst to fluff
wc. 3.9k
wanna be on my taglist?
i. 
for the first time in over a year, Zoro wakes up in an empty bed.
the absence of a familiar weight resting on his chest nearly startles him awake, his brain skipping over the initial first few minutes of grogginess most feel when they’ve just woken up. he runs his hands over your side of the mattress before crawling over it just enough to check if you’re on the floor. 
it dawns on him, in that moment, that this is the first time you’ve gotten up and left before him since you began seeing each other. usually Zoro would be the one waking up at the break of dawn to get some early morning training in, always carefully taking a few minutes to lift your sleeping form off his body and place you back on your assigned end of the bed without waking you. it never seems to matter if you went to bed cuddling or not, somehow, throughout the night, you always find your way on top of him.
setting aside the foreign feeling in his stomach, Zoro decides to go look for you–he tells himself he’s just curious about the reason for your absence but the part he won’t admit is that he just misses seeing you first thing in the morning. 
it doesn’t take him long to find you, catching a glimpse of your back when he’s walking past the open kitchen door. before he can decide to get your attention, however, Zoro realises you’re not alone.
in front of a counter upon which is laid half-used utensils and uncooked ingredients stands you and the crew’s one and only chef. you’re both deeply engaged in a conversation spoken in a volume low enough that the swordsman can barely make out any of the words. he does, however, notice that you’re wearing Sanji’s favourite apron–it’s a tad too long for someone of your height, or maybe the stupid chef just has freakishly long legs, who knows? –and it causes his heart to stir in a way he struggles to describe to even himself.
if Zoro had to choose a past feeling that comes the closest to comparing, it would have to be when he’d challenged Dracule Mihawk to a duel and lost.
“oh, no, my sweet,” Sanji finally says something loud enough for Zoro to hear from behind the two of you. “you’d want to pinch it more than just squish it,” he continues before repositioning himself behind you to demonstrate. it’s hard to see exactly what the two of you are doing but it’s clear to the swordsman that the pervert chef’s most likely cupping your hands in his to guide your movement with whatever dish you’re seemingly making together.
Zoro isn’t surprised that you don’t try to push Sanji away in any capacity, not due to any lack of trust between him and you but because you’ve always been a very physically affectionate person. it was one of his first impressions of you when you joined the crew at the behest of Luffy. it was common on the Merry–and still is on the Sunny–to see you hugging, holding the hands or even kissing the cheeks of your companions in the most platonic sense. it’s just the way you show your happiness.
although every bone in Zoro’s body is screaming at him to storm in and tear Sanji away from you, a sudden realisation washing over him roots his feet to the ground.
is this what you actually need from me? if i touch you more, would you need it less from the others?
the swordsman can’t help but recall how just last night you’d kept bugging him for pre-sleep cuddles but he pushed your needy hands away every time.
“it’s too hot and humid tonight for that,” he grumbled after you frowned at his rejection.
“you’ve been saying that for the past two weeks,” you whined, wiggling around your side of the bed in protest.
“well, too bad the weather’s just been too hot. it’s not my fault.” he shrugged. when your frown only deepened, he decided to give you a few forehead kisses as compensation. “now stop being a brat and go to sleep.” 
Zoro walks away from the kitchen, opting to leave you and the chef alone; and wonders if you would’ve been in bed this morning when he woke up had he caved in and given you the cuddles you so wanted just last night.
he only sees you again when the sun’s started to set and all of the Straw Hats begin to gather for dinner. instead of taking your usual seat beside him, you end up serving him a plate of onigiri with a wide grin on your face instead.
“here’s your serving, my love,” you say with a satisfied hum that only serves to confuse the man. surely these are just the usual onigiri Sanji occasionally makes for meals, right? “how does it taste?” you ask after he takes a bite.
it tastes richer today and the rice is fluffier.
“it tastes the same as always.” the swordsman shrugs, physically incapable of praising anything remotely made by the crew’s dedicated cook. “why?” he adds when he catches the way your smile falters at his reply.
“nothing, it’s nothing.” you lean over to kiss his temple. his heart has been so deprived of your affection for the entire day that the simple gesture is enough to make him forget about your faltering smile from just mere seconds ago.
ii.
the next morning, after the Thousand Sunny has docked at a new island, Zoro wakes up yet again to an empty bed. this time, though, he wastes no time getting up and jumping into the shower after remembering a specific conversation from a week ago.
“we should go out on a date when we reach the next island,” you’d said, your bare sweaty chest sticking to his as you rested on top of him after an eventful night together.
“whatever you want,” he’d hummed in agreement as he rubbed your sides and back in an attempt to soothe the parts of your skin he’d been a bit too rough with. “we can even go right after we dock.”
rushing out the door of your shared quarters, green locks still dripping with water, Zoro makes it out just in time to catch you alighting the Sunny with two of your fellow Straw Hats: Chopper and, much to his dismay, Sanji. the three of you walk towards the bustling town together with the reindeer in between you and the chef with one hoof holding your right hand as his other holds Sanji’s left. 
Zoro feels the same stirring sensation from yesterday in his chest, except this time its intensity has increased tenfold. a bitterness forms in the back of his throat when he realises, if he wasn’t really paying attention, how much the three of you look like a family: a mother, a father and their child.
for a split second he imagines the kind of future you could have with someone like Sanji–someone who could provide for you and your children in a more meaningful way than a swordsman can. after all, what’s the point of teaching your kid how to wield a sword if you can’t even feed them properly, right?
a part of Zoro considers catching up to your little group and grabbing the basket from your other hand to replace it with his own. it would be a foreign experience to him, not usually being one to initiate even something as simple as hand-holding—aside from the times when your lives were being threatened and he needed to make sure you escaped safely with him.
the swordsman feels his face heat up at the thought of holding your hand for no reason other than the action itself. he tries to recall the last time you wormed your hand into his, intertwining your fingers with his calloused digits. Zoro remembers how soft your skin felt, how cold your hand initially was before it was engulfed in his warmer palm, and his heart skips a beat. 
by the time he snaps himself out of his reverie, he realises you’re nowhere to be seen.
”what’s bothering you, swordsman?” a familiar voice speaks from behind him. without turning around, Zoro simply shrugs in response.
”i don’t know what you’re talkin’ about.”
he hears Robin chuckle before he feels her hands sprouting from his shoulders to gently turn him around. though he really doesn’t want to talk about his feelings to the archeologist, he decides it’s better to comply than to fight it.
her arms are crossed as she looks at him with a smile. Zoro can’t help but compare her expression to that of a person seeing a pitiful baby animal struggling with eating solid foods for the first time—they know the only thing they can really do is watch.
”i think you should talk to her. you won’t know what she’s thinking unless you ask.”
Zoro curses under his breath. had he really been that obvious with his pining? how pathetic he must look to the rest of his crewmates.
how pathetic.
still, he can’t deny that she’s right—Robin always is, most of the time. he knows he’s been making a lot of assumptions lately and it’s not fair to either of you; and yet when he thinks about sitting you down to hear your actual feelings, he fears that not only will he be unable to offer you what you need, you would realise it as well.
would it really be the end of the world? if we go back to just being friends? 
Zoro’s lived his entire life up to this point without any romance, having deluded himself into thinking that any relationship—platonic or romantic—wouldn’t serve his goal of being the best swordsman. if anything, it would only be a distraction. he’d made it far in life with this belief and then, of course, he had to meet Luffy and subsequently: you.
he realises then that he can’t remember what it’s like not being your partner; to not have the privilege of being the one who sleeps beside you every night, to touch and hold and kiss you in ways only appropriate behind closed doors. when he thinks about his future as the world’s greatest swordsman, he can only imagine it with you by his side. it wouldn’t be the same otherwise.
maybe… if we just never talk about this, i can be yours for a little while longer. with a bit more time, maybe i can convince you to keep loving me.
iii.
a few days later, on the morning of the day you’ve been anxiously preparing for for a week now, you wake up, once again, to an empty bed and your heart sinks lower than it did yesterday.
Zoro has been waking up earlier these past few days and you’re unable to find out why. anytime you try to look for him during his usual training hours, you struggle to even find him, let alone spend time with him. for some reason that even the others are unsure of, he’s been training in odd places around the Thousand Sunny, seemingly forgoing the crow’s nest altogether. on the off chance you do manage to run into him, he’ll give you some random excuse for why he “can’t talk right now”.
”Luffy needs me to run some errands.”
”i have an appointment with the local blacksmith.”
”i think i see Chopper drowning.”
clenching your fists in your lap, you stay sitting in bed for a while longer, your heart pounding faster and faster no matter how hard you try to calm it down. you feel your eyes begin to burn with tears as you come to the realisation that maybe Zoro isn’t interested in you anymore. 
under your breath, you curse at whatever god is listening for their horrific timing. you’d spent the past week with Sanji and Chopper meticulously planning for tonight’s surprise birthday picnic and now you’re not sure if you’ll be able to convince your boyfriend to even look at you.
mind racing, you try to recall if you’d done anything to remotely upset him lately but you draw a blank. if anything, you’ve been spending more time away from Zoro in order to maintain the secrecy of your plans but surely that’s not what he’s upset over, right? wouldn’t he have welcomed the me-time with open arms?
finally deciding that it’s really not the time to be overthinking about this, you wipe away your tears and get ready to freshen up for the day. you and the others have put in too much effort into tonight to just throw it all away so you decide that no matter what, you will see it through, even if it ends up being the last time you spend with him as his partner.
iv. 
Zoro’s on the verge of falling asleep whilst sitting upright in bed when the door to your shared quarters bursts open and startles him awake. before he can beat the crap out of whoever it is, Nami’s frantic shouting freezes him in place.
”(Y/N)’s been taken!” his throat tightens as he feels his heart drop and his skin go cold. “quick you need to hurry!” the navigator yells. instinctively he grabs his three swords and leaps out of bed towards the door, more of the Straw Hats coming into view as he exits the room.
”you fucking dumbass mosshead!” Sanji shouts, furious, “sweet (Y/N)’s been kidnapped and you’ve been asleep this whole time?!”
”i-i last saw her being taken away towards the southmost cliff,” Chopper sobs, words muffled by his hooves as he frantically rubs away his never ending tears.
”remember, Zoro,” Sanji grabs the swordsman’s shoulders firmly, “southmost. SOUTH. it’s literally the closest cliff to the dock.”
it does cross Zoro’s mind that the chef’s acting fucking weird but right now isn’t the time for that. without a word, he takes off, running as fast as his legs can carry him toward what he hopes is the right direction. once he’s out of earshot, the Straw Hats let out a collective sigh.
”do you think he’ll make it?” Nami asks no one in particular.
”seeing as he really thinks (Y/N)’s in danger, i’d say so,” Robin replies.
”well, at least we have Usopp keeping an eye on him,” Sanji adds, “if mosshead really gets lost, we can at least rely on Usopp to get him back on the right track.”
a moment of silence passes as they all watch Zoro gradually disappear from view—all except for the sound of Chopper’s sobbing.
”he’s not here anymore, you don’t need to keep crying, Chopper,” Nami says to the doctor. he sniffles as he pulls his hooves away from his face, revealing a mess of snot and tears. 
“i-i know,” he chokes, reaching out to hug Robin’s leg, “i was faking it at first but now i’m scared something will happen and they really do break up.” Chopper lets out another cry, smooshing his face into the archeologist’s pants as he wonders if this is what children feel like when their parents get divorced.
“don’t be silly,” Nami leans down to pat his head, “i’m pretty sure hell would freeze over first before they decide to break up. besides, once Zoro sees all the stuff (Y/N)’s prepared, i think that’ll be the last thing on his mind.” 
v.
the swordsman barely thinks about where he’s going as he makes his way to you, his legs carrying him through twists and turns as though they have a mind of their own. all he can really focus on right now is the sound of his scabbards clicking against one another and the way you’ve been looking at him these past few days.
how your smile would melt away when he gave you another half-assed excuse to leave. how he felt you lingering a distance behind him so many times before your presence disappeared without saying a word. how just last night it seemed like you wanted to ask him something before going to bed, your mouth opening and closing as you laid down beside him, head turned just enough for your eyes to meet his. he’d almost asked you what’s wrong but before he could, you simply shook your head and turned around to go to sleep with your back facing his way.
i’m sorry. i’m sorry i kept avoiding you. i’m sorry i hurt your feelings.
Zoro takes a sharp left turn before he’s halted in his tracks when an entire tree branch falls just a few steps in front of him. before he can manoeuvre his way around the unexpected obstacle, he realises he’s going the wrong way; so he turns around.
i just needed more time to think. i just wanted a bit more time to figure out how to fix myself for you.
through the darkness of the night, his eyes catch a glimpse of light as he nears the edge of the forest that leads to the southmost cliff of the island. heart pounding rapidly in his chest as he continues to run, Zoro readies himself for a fight, to shed as much blood as necessary to bring you home without so much as a scratch on your skin. 
please be okay. this can’t be how it ends for us. i need to tell you that i—
he comes to a sudden stop, the inertia from running at top speed causing him to nearly stumble forwards. still panting heavily as he holds his unsheathed swords by his sides, Zoro simply stands there wordlessly as his eyes take in the sight before him.
you’re by yourself, sitting cross-legged on a large picnic blanket with a large array of food and bottles of alcohol surrounding you. you’re wearing a dress he’s never seen before but it fits you perfectly and he wonders if you’d gotten it just for tonight. you simply smile at Zoro as you wait a good while for the truth to fully dawn on him; to be honest you didn’t expect him to show up so frazzled and upset.
”happy birthday?” you eventually say, unsure yourself why the phrase comes out sounding like a question. still donning a look of shock on his face, Zoro sinks to his knees, dropping his swords onto the grass. he furrows his eyebrows, clearly deep in thought and your own eyes widen when you realise— “did you forget today’s your birthday?”
”i…” he murmurs, “… yeah, i forgot.” he swallows thickly. “is this all for me?”
”of course it is,” you can’t help but laugh a little as you reply, still unable to wrap your head around the fact that he truly did not see this coming at all. “i spent the whole week getting ready for this.”
Zoro feels a pang in his chest.
”you’re not breaking up with me?” he asks, stunning you into silence. for a second you think he’s trying to make some kind of sick joke but you know him well enough to tell from the way he’s staring at you so intensely that he’s being completely honest. “i thought…” the swordsman steadies his voice as best as he can, unable to help the words he’s been keeping hidden from spilling out of his lips, “you’d fallen out of love with me. i thought you just didn’t want to be around me anymore.”
you feel your eyes burn with tears as you hear your own thoughts being spoken aloud in his voice. your bottom lip quivers as you feel an odd mix of relief and sadness wash over you. upon seeing you cry, Zoro scrambles towards you until he’s within arm’s reach.
”no, no,” he clumsily wipes away your tears with the pads of his thumbs as he cups your face in between his hands gently, “please don’t cry. don’t be sad.” you place your own hands over his, keeping them held to your face as you give him a wobbly smile.
”i’m not sad, you silly man,” you reply with fresh tears still running down your face. “i’m so relieved. this whole time i thought you were going to break up with me.”
”what made you think that?” Zoro can’t help but speak with a hint of indignance in his voice.
”you’ve been avoiding me the past few days,” you sniffle, the sound alone twisting his heart even further. “i thought you’d gotten sick of me or something but i didn’t wanna waste all the effort me and the others put into tonight so i thought we could at least have one last date together before you break up with me.” you feel his hands tense up as you speak before a frown spreads across his handsome face once you finish saying your piece.
”i could never,” he responds resolutely, as though offended by the mere idea of ever falling out of love with you. Zoro admits he’d been dodging you in order to avoid being broken up with. “i just thought,” he says, face turning red as he realises how dumb it all sounds now that he’s saying it out loud, “that if i didn’t give you the chance to leave me, i’d have more time to fix myself… to have more time being yours.”
”what’s there to fix?” you can’t help but ask, turning your head ever so slightly to press a kiss against the palm of his right hand. you smile when you notice Zoro’s already blushing face turning a deeper shade of red. “i already love every part of you. don’t you ever dare think again you need to change.”
you let out a squeak of surprise when Zoro lunges towards you without warning, tackling you into a tight hug. his hand reaches out to cushion the back of your head as you fall backwards onto your back with him laying on top of you. running his fingers through your hair, the swordsman gazes down at you warmly as he just now registers the smell of onigiri and sashimi.
”you made all this for me?” he asks in a soft voice, his breath brushing against your face. you nod, smile growing even wider when he leans down to kiss the tip of your nose. “is that why you were hanging around the shitty chef so much?” 
you hum affirmative in response, unable to help the racing of your heart as you bask in the sudden display of physical intimacy he rarely shows you outside of the bedroom. you wonder if he can feel your rapid heartbeat from how closely his chest is pressed against yours.
”the onigiri from earlier this week was my first attempt at making it,” you share before you feel Zoro start to pepper kisses all over your face.
”i lied when i said they tasted the same,” he admits, the occasional syllable muffling from when his lips make contact with your skin. “they tasted really good. i just thought the shitty cook made them so i lied.”
”oh really?” you chuckle as you wrap your arms around his neck, pulling him closer. “i hope you like the ones i made today then.” Zoro brushes the tip of his nose against yours.
”i’d love anything you make for me,” he mumbles before capturing your lips with his own, pulling away only when his lungs begin to scream for air. “thank you for the surprise, (Y/N). i love you.”
”love you, too.” 
taglist: @irethepotato @i-reblog-fics-i-like
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love-marimo · 6 months ago
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Scary Dog Privilege (Zoro x Fem!Reader)
ー just a self-indulgent hcs where a protective zoro would absolutely do anything for u, even if it includes beating shitty men who would dare to even lay their hands on u.
also hi!!! it's been a while since i last wrote something. my asks are open if u want to chat or request something. ♡
cw: swearing, violence, attempts of harassment
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one thing that zoro loves are duels. whether it's a friendly spar or a full on fight with an enemy ー he always gives it his all with no mercy. he is competitive to a T. after all, he is the pirate hunter. his bounty speaks volumes, and he made a pledge to be undefeated in his journey to become a master swordsman.
there is one thing he despises the most though.
it's when these fights involve you.
he trusts that you can protect yourself, and that you can turn down advances from men.
you told him countless times that they don't interest you. and that it's best to just ignore those flirtatious remarks you get whenever it happens.
but it shouldn't happen when he's around.
because oh boy, would it cause a scene.
like when you're walking together around town on an island your crew docked into, and there's a festival going on.
you decide to wear a tight shirt and shorts. it hugged your body well, and it was comfortable enough to wear on a humid night.
he doesn't mind you wearing revealing clothing. hell, you can wear a bikini bra and jeans like nami does and he wouldn't care, unlike a certain love cook who would go crazy.
anyway, you would get passersby to look over your way.
then you'd hear men whistling at you.
then it escalates to drunk men approaching you and ogling at you.
except it was a futile attempt because zoro's already in front of you clutching one of his swords, glaring and ready to attack anytime.
"go ahead. shoot your shot."
"what the fuck do you want from her?"
"need something?"
"what the hell did you say?"
yeah. they're not walking home unscathed tonight.
in some instances, there would be pirates who would take interest on you, and they're willing to fight your boyfriend on the spot.
"oh? someone's offended here. fellas, should we beat him up?" one would say.
"go for it boss! take the girl as a prize too!" one of their crew agrees.
zoro doesn't waste time so that they won't utter another word again.
he doesn't even need to use haki to take them down. only one sword would do the job.
and while you appreciate him being protective over you, you assure him that you can defend yourself just fine.
you would definitely get into a small argument about it.
"zoro, i'm not weak you know. i can defend myself just fine." you say while cleaning a small cut he got from fighting a random creep attempting (poorly and miserably) to make a move on you.
"it's not that you're weak. just let me do my job as your partner."
"i know that but still-"
"if you want to keep entertaining them, just tell me and i'll stop."
"are you serious right now? i'm just telling you that i'm strong on my own too!"
"exactly. that's why i'm asking you that."
you both went back and forth for a while until someone from the crew breaks it up (probably nami or usopp).
at the end of the day, you'll end up in each other's arms and you'll be thanking him for being your loyal scary dog. ღ'ᴗ'ღ
"i thought you didn't like me fighting for you."
"never said that. shut up" you laugh, kissing him on his cheek and feeling him smiling at that.
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ー Lolita
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marikbentusi · 5 months ago
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I wasn't interested much in the Gwenpool Fortnite collab (fingerless gloves are a cute tweak), but someone asked on Twitter about "evil future Gwenpool" being labelled "Dark Gwenpool" ingame (which is what I've been calling my fan character variant since 2020):
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"Dark" is a very common prefix for evil alter egos, so even if people occasionally mistake my comics for official material, I was certain this was a coincidence. But then the person also casually pointed out that she's called "Dark GwenPool" on Wikipedia. Huh?
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No sources cited as far as I can tell. One of the original Gwenpool creators even agreed that "Dark Gwenpool" was never official:
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I hunted down the Wikipedia changelog where apparently someone injected all the Dark Gwenpool stuff on 8th of April this year (2024). So maybe someone on the Fortnite team checked Google/Wikipedia instead of making up the name from scratch.
I tried to hunt down the wiki editor for questioning only to find out they are banned for being a sockpuppet account. In fact, that user was such a prolific sockpuppeteer that they've got their own Wikipedia page listing all 164 suspected alts. One of them is called "Batrocfrogg", what kind of canonization assist from beyond the grave is this?!
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Since that lead went cold, I looked at the sources the wiki edit gave when talking about the character more generally. Aside from the official comics where she isn't called Dark Gwenpool, we've got:
"Peter Parker & Miles Morales: Spider-Men Double Trouble #2" – evil Gwen just has a cosplay background cameo there, no name drop.
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Marvel Duel, a niche F2P mobile card game, where she's an antagonist.
The person who first pointed out to me that "Dark Gwenpool" was also on Wikipedia dug around and found a screenshot that evil Gwen is indeed called "Dark Gwenpool" in Marvel Duel:
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Obviously I assume the Marvel Duel devs just made that one up without knowing about my comics. Case closed on that lead! But I'm not sure if the Wiki edit was based on this.
Marvel Duel, if we can still trust its wiki page, only released in eight countries. They are mostly in the UTC+8 time zone. The edit was finished on ~22:00 UTC+0, which would be Tuesday 05:00 AM local time if the editor is from one of those countries themselves. Of course, maybe the person played an emulated/jailbroken version (the game does come in English), watched a foreign Let's Play, or is just a super night owl. None of these are stranger than having 146 sockpuppet accounts. But it also doesn't exactly help the edit's credibility like I had hoped.
I also don't know if Marvel Duel included the name variations "Dark GwenPool" and "Dark Gwen" that the Wiki editor used specifically (in the screencap above she's stylized differently). The editor also called her the "evil alternator future version" tho, so maybe they aren't a stickler for details.
----
But yeah the TL;DR is that "Dark GwenPool" is currently the main name for evil Gwen on Wikipedia with no source cited. Marvel Duel calling her that as well was probably just coincidence. Maybe Fortnite also made it up, or they copied it from Wikipedia, or maybe they copied it from Marvel Duel itself.
I thought it was weird and funny enough to share. 164 sockpuppets. WTF.
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bloodyshadow1 · 8 months ago
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So I made a post about Adaine being the principal after killing Arthur Aguefort in a duel. And if that happens I think it would be fun for the bad kids to join her as teachers so here's what I think they teach
Kristen- Cleric teacher obviously. I think she's the most powerful and best cleric in the world, or at the very least Elmville even if she stumbles a lot. I think her background as helioic/solesian, who created her own god and found then revived another gives her a very unique perspective for any young clerics out there. I also think as someone who worships a pantheon it would work like Yolanda giving up her path of following a single god to be more fair to the students she teaches, unlike Bobby Dawn. Kristen has made as many mistakes as you can as a cleric so she would be a very good person to teach kids who might have anxiety about their choices.
Fabian- Bard Teacher, dance and sword. Corsica is a young woman as the fighter teacher so there's no real reason to replace her when the bad kids come of age. Fabian also drifted away from fighter so hard to bard it's clear where his heart is even if he's still an amazing fighter. I think he would be the teacher that brags about being the future and present of dance, along with being the Oracool of Dance to his students. He also has made a lot of steps from his stumbles in his school days and assures his students it's okay to fail, it's okay to wallow but you do have to pick yourself up still. Seacaster manor is still used as a study hall for any students who need it and his is the teacher willing to help any and all students, no matter the class or grade
Gorgug- Barbarian teacher. While I think artificing has his heart more, I could see Gorgug as an amazing Barbarian teacher. His goal is to undo a lot of the toxic aspects of rage and being a barbarian that people like Porter tried to force upon the class and the students taking it. He teaches about the positives of rage, that while it's a strong weapon, it can be an amazing shield to protect people. He is also the main multiclass advisor, he never refuses an MCAT request, he does ask questions but to let students talk about their interests not to make thing think their ideas are stupid or pointless
Riz- Rogue teacher. I think Riz starts to work for the CoC (Council of Chosen) for a bit after graduation, but doesn't like it since it feels more like Narc shit than spy work like his dad did. He's more fair than Yolanda, he is on school grounds more so kids have a chance to find him instead of having to go to a town miles away to find Eugenia. He focuses on the practical application of being a rogue, stressing that it's more than just damage for sneak attack. Being a rogue is about team work to make sneak attack easier, knowing your terrain to making hiding easier and not to jump into lava when you're not fire resistant or immune, investigating things not just focus on killing people
Fig- Sorcery teacher. Obviously she wouldn't be the bard teacher. She didn't go to bard classes as a student, why would she go as a teacher, despite being one of the most famous musicians in Spire. At first it seems like she's just another Jace, you know just hanging with her students instead of really teaching because sorcery is innate. But she's actually very good with them, she actually has experience in knowing what it's like to get powers from your blood instead of hard work. she also encourages her students to try multiclassing since they have time at school, she doesn't want them wasting the time they have when their young. Hackysack is fun, but they should try things when they're young and can get easy A's so try other class.
Adaine- Before she became principal she takes over for Tiberia as the wizarding teacher. she is much kinder and sympathetic than the previous teacher. She also doesn't make her students buy their own spell components and she makes sure that they know that they can explore other disciplines. Everyone thinks she's the sweet gentle wizard teacher until one of her students get bullied and she throws the other kid off them, or a monster attacks the school and she just decks it in the face exploding it's skull from the force of the blow. I also think she recommends that her students get exercise more than any previous wizard teacher. Studying and reading is important, but spells aren't everything, sometimes a healthy lifestyle can save you more than just magic.
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logansargeantsbabymom · 6 months ago
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Practice
Oscar Piastri x Fem!Reader x Paul Aron
A/N: I really wasn't going to post anything on Tumblr for a while and to just use the anger and betrayal I feel inside of me to write as a form of an outlet. I've had this request done for a while but with everything going on I didn't want to post it but I already feel bad to the person that requested it for keeping them waiting for so long and since Oscar won today, I feel like this is an appropriate time.
After posting this, I do not know how long until I post again but know whenever I do decide it is the right time for me (mentally) to come back, I will have lots of stories to post along with writing more.
Again, thank you to everyone who has reached out to me and wishing me well and reblogging that post along with sending requests to other writers asking them to spread the word and to block and report that person, I do see them and I do really appreciate all the support.
Farewell, for now. I will see you all again soon.
Requested (idk where the actual ask went but I did write it in my notes app where I do rough drafts): Please could you do a story Oscar piastri x y/n x paul aron smut I'm dying for the two of them 🔥 @deepestrunawaykitty
SMUT
Follow my instagram account (THATS STRICTLY FOR THIS BLOG) for updates on when i post and fun stuff like that!
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It was a hot July Saturday night, and I felt my heart race as I entered the club with my boyfriend, Oscar. The bass pumped through my body, setting the tone for a night of pure, unadulterated pleasure. I wore a tight, black dress that hugged my body in all the right places. my long hair fell loosely and my eyes sparkled with anticipation. Oscar looked dashing as always, his brown hair tussled, and that seductive smirk playing on his lips. He was a Formula 1 driver, and his bad-boy charm had me hooked from the start.
As we made our way through the crowd, hands brushing against each other, the familiar lyrics of Drake's "Practice" filled the room. This was our song, the one that played on repeat during our steamy make-out sessions. Oscar leaned in close, his hot breath tickling my ear as he whispered, "You know what this song does to me, babe. It makes me want to take you right here on the dance floor and show everyone what you're mine."
I felt my core clench at his words, my nipples hardening against the soft fabric of my dress. I loved it when Oscar talked dirty, and tonight, I wanted to give myself completely to him. "Then take me," I purred, pressing my body against his, feeling the hard length of his cock straining against his pants. "I'm yours to do with as you please."
Oscar's hand slid down my back, pulling my body tight against his. With his other hand, he reached under my dress, his fingers teasing the soaked fabric of my panties. "You're so wet already, baby. Who knows, maybe I'll let one of my friends have a taste of this tight pussy tonight." I moaned, my eyes fluttering closed as his fingers found my clit, rubbing slow, torturous circles. "Oh, yes, Oscar," I gasped. "I'm yours to share. Do whatever you want with me."
As if on cue, Oscar's friend, Formula 2 driver Paul Aron, joined us on the dance floor. He was tall and muscular, with a mischievous smile that sent shivers down my spine. "Well, well, well," he said, his eyes roaming over my body. "Looks like someone's ready to play."
"She certainly is," Oscar replied, his hand still working its magic between my thighs. "Why don't you say hello, Paul?"
Paul didn't need to be asked twice. He pulled me against him, his lips crashing down on mine in a passionate kiss. I melted into the kiss, my hands exploring Paul's body as his tongue dueled with mine. I could feel both of their erections pressing into me, and it drove me wild.
Breaking the kiss, Oscar guided me to turn around, pressing my body against the hard planes of Paul's chest. "Such a beautiful view," Oscar murmured, nuzzling my neck. "Seeing your pretty mouth wrapped around my cock while Paul fucks that tight pussy from behind." I moaned, my eyes rolling back as Paul's hands slid up my thighs, lifting my dress. "Mmm, yes, Oscar," I breathed. "I want you both. Please, fuck me. Make me yours."
Without warning, Oscar spun me around and pressed my against the nearby wall, his mouth claiming mine in a voracious kiss. my senses spun out of control as I felt Paul's hands on my waist, lifting me up. I wrapped my legs around his waist as he pressed the length of his hard cock against my aching pussy. "You ready for me, baby?" he growled, grinding his hips against her.
"Please," I begged, my head falling back as Oscar kissed and nibbled on my neck. "Fuck me, Paul. Give it to me hard."
With one swift thrust, Paul impaled me on his thick shaft, burying himself balls-deep inside me. I cried out, my nails digging into Oscar's shoulders as I felt myself stretched around his cock. Paul began to move, his hips snapping as he pounded into me, each thrust hitting me deep and hard.
Oscar's hands roamed over my body, cupping my breasts and pinching my nipples. He kissed and sucked on my neck, marking me as his. "You like that, baby? You like being fucked by my friend while I watch?"
"Yes," I moaned, my head tossing back and forth as pleasure washed over me. "Oh, God, yes. It feels so good, Oscar. Don't stop."
Paul's hands gripped my thighs, holding me in place as he thrust faster and harder, his grunts filling the air. I felt her orgasm building, a coil of pleasure tightening in my belly. "I'm gonna cum," I panted, my fingers tangling in Oscar's hair. "Don't stop, please, don't stop."
As if sensing my impending release, Oscar reached between our bodies, his fingers finding my swollen clit. He rubbed me in slow, firm circles, sending shocks of pleasure coursing through me. "That's it, baby, cum for us. Let me taste that sweet pussy."
And cum I did. With a strangled cry, my body shook as wave after wave of pleasure crashed over me. My juices flowed around Paul's cock, making his thrusts even more delicious. "That's it, take it," Paul grunted, his hips slapping against my ass. "Cum all over my cock, you dirty girl."
As my orgasm began to subside, Paul quickened his pace, chasing his own release. I felt his cock twitch inside her, and with a final, powerful thrust, he filled me with his hot cum. "Fuck, yes," he groaned, his body trembling as he emptied himself inside me.
But the night was far from over.
After a brief respite, Oscar led us to a more secluded area of the club. His eyes were dark with desire as he pushed me against a nearby couch, his lips capturing mine in a fierce kiss. Paul stood beside us, his eyes burning with lust as he watched his friend take what he wanted from my willing body.
Oscar broke the kiss, his breath hot on my face as he said, "Get on your knees, baby. I want your mouth."
I obeyed without hesitation, my heart pounding with anticipation. I knew Oscar loved deepthroating, and the thought of taking him all the way down my throat made my pussy drip. I looked up at him with hooded eyes, my lips parted, as I reached for the belt of his pants.
Oscar undid his belt, freeing his hard length. my eyes widened at the sight of his thick, veined cock, the head already glistening with pre-cum. I licked my lips, leaning forward to flick my tongue over the sensitive tip. "Mmm," I moaned, tasting the salty sweetness of him. "I've been waiting all night for this."
I took him into my mouth, sucking slowly, bobbing my head up and down as my hands stroked his length. Oscar's hands tangled in my hair, guiding my pace as he moaned above me. "That's it, baby, just like that. Take it all."
my lips slid down his shaft, my tongue swirling as I hollowed my cheeks, taking him deeper with each stroke. I could feel his cock hit the back of my throat, and I relaxed, allowing him to slide down my throat. Oscar groaned, his hips bucking as he held me still, his cock buried deep. "Fuck, yes, that's it, take it all," he panted.
Pulling back, I sucked hard, hollowing my cheeks as I swirled my tongue. Oscar's hands tightened in my hair, guiding me in a fast, hard rhythm as he used my mouth for his pleasure. "You love that cock, don't you, baby?" he growled. "You're such a dirty little cock slut."
"Mmm-hmm," I hummed around his shaft, my eyes flashing with desire. "I love it, Oscar. I love sucking your big cock."
Paul stood beside them, stroking his hardening cock as he watched the erotic display. "Damn, that's fucking hot," he muttered. "Seeing her mouth wrapped around your cock is making me hard again, Oscar."
A wicked smile curved Oscar's lips as he pulled me off his cock, a strand of saliva connecting our mouths. "I think it's time for that double penetration I've been craving, don't you?"
my pussy clenched at his words, the thought of being filled by both men at once sending a thrill through my body. I nodded eagerly, my eyes shining with anticipation. "Please, yes. Fuck me, both of you. I want it so bad."
Oscar positioned me on my hands and knees on the couch, my ass raised in the air, my pussy exposed and glistening with my juices. "Ride that cock, Paul," he instructed, his eyes sparkling with lust. "I'm gonna stretch her throat while you pound that tight pussy."
Paul lined himself up, sliding into my wet heat with ease. I moaned, my eyes fluttering closed as I felt myself stretched around his thickness once again. Oscar guided my head down onto his cock, holding me still as he thrust his hips, fucking my mouth hard and fast.
The sensation of being filled at both ends pushed me closer to the edge. I felt Paul's hands grip my hips, setting a brutal pace as he slammed into me. Oscar's cock pumped in and out of my mouth, his balls slapping against my chin. "That's it," Oscar grunted. "Take it, you dirty slut. Take both our cocks."
The sounds of their grunts and my muffled moans filled the room. “So dirty for us, such a slut” Oscar grunted. His words sent me over the edge. I cried out around Oscar's cock as my orgasm ripped through me, my body shaking with the force of it. Paul roared his release, his cum shooting deep inside me as he rode out his orgasm.
With a final, hard thrust, Oscar held my head down on his shaft, his hips bucking as he filled my mouth with his hot load. I swallowed, milking him with my mouth as he groaned my name.
Collapsing onto the couch, all three of us panted, a tangle of sweaty, satisfied bodies. I smiled, my body buzzing with satisfaction. This was definitely a night I would never forget.
—————
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anachronistic-falsehood · 2 years ago
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Vash and Femininity: Trigun Stampede and its Themes of Bodily Autonomy, Exploitation, and Vague Gender Fuckery
alright sit the fuck down. we're gonna talk about THEMES
I was on Twitter- terrible idea usually, but a couple people I follow made some tweets that got me thinking about Trigun's overall themes, and here we are. So let's talk about some themes in Tristamp! And I'll take a couple looks at Trimax as well, just for fun :3
Let's look at how the showrunners utilize gender roles and exploitation of feminine characters to show how unhealthy Knives' obsession with his ideal of Vash is, and how horrific his exploitation of Vash and the Plants is.
Vash, from the beginning of Tristamp, is someone who cares about people's choices. When people kill others in front of him, he reiterates that whether someone lives or dies is not another person's choice to make. This is something he learned from Rem (a prominent female figure in his life). He refuses to kill people because that is not his choice to make. To kill someone is the ultimate removal of their bodily autonomy. They can no longer make any choices at all; they're dead.
Vash is also someone who has almost no choice in what path his life takes. He's constantly dragged around by outside forces, namely situations that are caused by Knives (which we'll get into later). Vash doesn't make things happen, things happen to Vash. The majority of events that occur are not his fault. He's pushed and pulled in a thousand different directions. His entire life is completely out of his control.
This can be seen as early on in his life as the Fall, something he had no control over and had no idea he even had a part in. Even later, in the ship with Luida and Brad, after he's been rescued from the desert, he's kept in handcuffs right up until he's shown to be of use to them and the Plant on their ship. After that, he could theoretically say "no, I don't want to go to other ships and heal their plants," but he doesn't. He's Vash. He's helpful and nurturing at his core, and these people have done so much for him just by letting him stay, so he'll do whatever they ask, no question.
This carries over into his adulthood. At Jeneora Rock, he goes to look at their Plant at one simple request, doesn't protest when he's dragged into a duel-- he doesn't take initiative unless someone's life is immediately at stake. He lets people tell him what to do and lets himself get dragged around by the wrist. He doesn't even pretend to have control over his life like Trimax Vash does, which I mean. Fair. Why pretend to have a grip on your existence when it's impossible to do anything without a gun pointed at your head?
Vash is a very passive character. He's nurturing, kind, gentle- he's a guy that fits a lot of very typical feminine character stereotypes. If you wrote this same story but made him a woman, I wouldn't bat an eye (but I would definitely be looking at it a lot more critically, what with the amount of stereotypically nurturing/motherly female characters in media already.)
This contrasts directly with Knives. He makes a decision and carries through no matter what stands in his way. He takes initiative. If Vash is a passive character, Knives is an active character. Wherever he goes, he leaves a lasting imprint. He makes shit happen! If outside forces make things happen to him, he'll go out of his way to make sure that particular force doesn't affect him again.
These two tweets I saw are what got me thinking about this originally. I just feel like here's a good place to put them as a segue into talking about episode 11.
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Episode 11 is where a lot of this feminine imagery really just. Explodes in your face. IT'S RIGHT THERE. You can't dance around it if you try. And it kind of reaches a peak when the connection reaches 100%, the gate opens, and. well. THIS happens to the Plants.
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Plants, in both Trimax and Tristamp, are almost always typically feminine-looking. Knives and Vash are the only two who are male or even masculine at all. Knives, as the most masculine out of all of them, is the one trying to take charge, and mould the world as he sees fit, to a degree that is detrimental to both him and everyone else. And Vash-- passive, feminine, kind and nurturing, whose Angel Arm in the manga always sprouts decidedly feminine-looking Plant parts-- is the one being exploited for Knives' plans. It's no mistake that they made the giant plant formation at the end of ep 11 look like a giant woman that almost resembles Rem.
Vash wants people to make their own choices and keep their autonomy when it comes to their bodies and lives. Knives is the exact opposite. He wants all Plants to become independent and he uses Vash to achieve that goal, without asking what Vash wants or even knowing what the Plants themselves would prefer. He exploits Vash for the soul purpose of trying to make these Plants have Independent Plant babies. He's completely incapable of seeing that his choices are not for the greater good! He thinks he's saving them, but none of his actions are for the good of anyone but himself. He’s just violating them for his own gain.
They're really leaning into gender roles for these guys, but in a way that screams "HEY, LOOK AT THIS! ISN'T IT FUCKED UP? LOOK AT HOW FUCKED UP THAT IS. LOOK AT THIS, AND BE UNCOMFORTABLE, AND KNOW THAT IT IS FUCKED UP."
Because it is! It's so extremely fucked up. They're using this imagery and these roles, something that makes most of us intrinsically uncomfortable, to drive home how unhealthy Knives relationship with his ideal of Vash is. That's the point. We're supposed to be uncomfortable with this.
Now of course there's some nuance to it. Like, you could see Knives as somewhat of a feminine and/or queer-coded figure as well, ESPECIALLY if you look at some of his panels in the manga, which could in turn lead to themes about infighting and control within marginalized communities, but that might be something for another post. :3
And there's definitely different ways you could take this! Vash, with all this feminine imagery, could be either transfem or transmasc coded, depending on what way you'd rather see it, which could lead into themes of how people outside the norm constantly face a lack of bodily autonomy and are exploited for purposes outside their boundaries. We could also look at Wolfwood and his lack of choice over joining the Eye of Michael and becoming the Punisher, and how masculine men (particularly men of colour) are often forced into violent roles against their will. If we look at Trimax, the exact same could be said for Livio/Razlo and people with disorders such as DID/OSDD.
There are many different ways you could spin these themes, some of which I don't feel personally qualified to discuss. If anyone who is qualified to talk about Wolfwood or Livio/Razlo or even other characters related to these themes, then god PLEASE add onto this post or make a post and tag me or something. I would love to read it!
Anyway, in conclusion: Vash is a feminine figure constantly taken advantage of and exploited and and he's so incredibly trans/nonbinary-coded that it drives me insane. Thank you
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howtofightwrite · 9 months ago
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How good would a whip be as a weapon? I'm not interested in it being a lethal weapon but more of it being a weapon that can defend someone long enough to get away or at least disarm or disable someone. I don't see a lot of people or character or referrals on how to use it and that's probably because it's not good enough?
Not great. The whip, like the goad and cattle-prod, aren't really designed for use as weapons. They're designed to control animals. (...and, yes, that does sometimes include humans, but again, in a non-combat, control role.) Part of the problem with the whip is, it's not much use against someone wearing armor. Or, even, heavy clothing.
Now, whips do have a legitimate military history as discipline tools, but that's very different from trying to take them onto the battlefield.
The reason reason you'll still see characters using whips, when you've probably never even heard of a goad, is because the whip is visually dynamic. It looks cool. You don't see Indiana Jones using a whip because it's the best choice of weapon, you see him using one because it stands out, and as a result, it has become iconic. It's delivering a specific vibe.
At the same time, the goad is just a pointy stick.
Whip disarms are a neat trick. And, very doable in a controlled environment. However, successfully disarming someone who's actively trying to kill you is going to be a bit more challenging, and also raises the question, “If you're putting this much effort and attention into taking away someone's weapon, shouldn't you be spending that effort and attention taking their life instead?”
This is probably little thought experiment about combat disarms. There's no point in disarming a corpse. So, why not just skip the middle step and go straight to the corpse-making? A question that Indiana Jones famously answered when, instead of dueling a sword master, simply pulled out his .455 Smith & Wesson and dropped the guy. (The real reason was that Harrison Ford was ill from food poisoning, and in no condition to shoot a prolonged fight sequence. So instead we accidentally got a character defining moment of pragmatism.)
To be clear, if it seems that I'm a bit negative on the subject, I do think the whip is a neat weapon. It's visually dynamic. It's loaded with symbolism. I think it's fantastic in a fictional context. It's just not practical.
There are fantastical versions of the whip that are better options. William Gibson's use of monowire comes to mind as an immediate example. Where the whip itself is created from a monomolecular carbon fiber, and can, as a result, cut through basically anything it strikes. Similarly, I still have serious reservations about the Lightwhip from Star Wars' old Expanded Universe, but it would carve through anything pretty effectively (including the wielder.)
Even in those cases, the whip is a weapon you choose for the aesthetic, more than the practicality.
-Starke
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the-flowerwolf · 2 years ago
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Let's talk about canonical Sebastian
For some reason Sebastian got a reputation of another dark Slytherin who's obsessed with power. Many added him to ✨the Slytherins✨ list. Although in fact he's nothing like Draco, Snape and especially Voldemort. So let's forget about fanons where he's obsessive and possessive and remember some FACTS about him. All based on his behaviour in the game.
He's a brilliant student. Professor Weasley and Scribner both said it. And teachers don't usually praise you for nothing;
He's the BIGGEST NERD in Hogwarts. "What I do with every book. Read it." Had me. He also mentioned his parents tought him to love books. Dude goes to the restricted section not to become another dark lord, but because curiosity in his nature;
He's loyal and protective. I don't even beed to comment on this one;
He is full of youthful maximalism. Which is completely normal at the age of 15. That's why he thinks he knows better than anyone else and hates ALL the goblins just because one cursed his sister (as he thinks);
He expects everything from his beloved. But just because he would do everything for them too. Like risk his life and soul to safe your life? So he doesn't use people, he just thinks it's normal;
He's understanding and supporting. Yes, part of him saw mc as someone who can save his sister. But he only mentioned it once or twice. Beside of that he saw them as partners. When mc said they can't tell him their secret, he understood. He didn't push or try to trick them into telling him. But when they decided to share he was nothing but supportive (although he didn't understand a thing);
Again, he's like super smart. Reading books isn't enough. He actually taught himself the unforgivables and could decrypt Slytherin's book;
He has a healthy self-esteem. He knows his worth and don't have a need to prove something to someone. You can see it in his reaction when he lost in the duel. He doesn't shout about how cool he is (cough Leander cough);
He knows exactly what he wants from life and does everything to get it. Like a good Slytherin he is;
He's not even violent. You heard him screaming? Me neither (expect this one time with Solomon but oh well). Usually he just says he needs some time to think and calm down. He's very mature (If not for his maximalism, but it'll pass). At least more mature than any grown up I know. He only called mc "arrogant", but never screamed or bit anyone.
That's just a few things I could think of! Sebastian is not only cocky boy, who would kill anyone to protect his family. He's a kind, decent person, who only tried to help. What happened was Solomon's fault and not Sebastian's. He was only a child, after all. It was Solomon's job to protect and support them. And he failed.
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hauntingofhouses · 13 days ago
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yall ever think about how one of the first times we see taigen kill anyone onscreen it's a "dishonourable" kill he does out of revenge.
like before this we hear akemi's father mention him killing 24 people in duels, but we never actually see taigen kill anyone onscreen until this moment. he helps mizu temporarily evade the archers in episode 3, but he doesn't actually kill anyone; the archers are invisible to them and the viewers. then he gets caught and tortured and when mizu finds him again, he's too weak to actually do any damage to anyone and mizu just slaps him away during the "bell tolls" fight sequence. and then skip to the final episode, there's that moment where he and ringo charge through the front door to meet the shogun, but even then it doesn't really look like they did any real damage and that's why they get easily caught after. only is it in this scene do see him in the background killing fowler's men alongside mizu, before finally taking centre stage and making this kill.
him killing heiji shindo in this way just shows how far he's come as a character. it's symbolic of him following in mizu's footsteps, not only in getting revenge against a man who's wronged him, but also in shedding his usual code of honour.
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like this man got everything stripped from him by the boy he used to bully as a kid and then proceeded to be completely changed by that same boy.
his entire worldview and values were flipped all the way upside down. from wanting to be rich and powerful to just wanting to be happy. and all because of this one person, who, by "ruining" his life, actually made him a better person.
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this beautiful badass stoic mysterious incredible strong arrogant intelligent person whom taigen has come to completely respect and admire by the end of the season.
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someone whom he'd thought was ontologically evil by the nature of their birth, someone whom he himself had tormented in the past, now just constantly changing and saving his life and showing him there's more important things than ambition and pride.
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imagine being so changed by your greatest rival. oh taimizu nobody is doing enemies to lovers like you!
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