#when we have this to dig into?

[fincalinde]

nie huaisang and/or nie mingjue for the ask meme 🧋

Bold! Very bold. Standard disclaimer that I'm aware not everyone is aiming for canon consistency in their fan content, but I find it disheartening that there is so little content produced where the end result is canon consistent. When I express frustrations it is in relation to trends and not specific fics or individuals.

Nie Huaisang

a song that reminds me of them

I honestly don't have any songs that remind me of him, beyond the very weak connection of the results of the impact he has on other characters. He's not a character with much interiority, so nothing really clicked for me in that regard.

what they smell like

I imagine he smells pretty good since he likes to dress well and wear jewellery and that implies he's relatively fastidious. I am guessing he probably smells like clean human in the early part of his life, and then maybe once he's clan leader he has more scope to have whatever incenses he wants floating through the Unclean Realm so then he might smell of those. And obviously there's various hair oils—he's got his signature look with his rings and his fan so it's possible he has a signature hair oil. But maybe it would be declassé to wear so much hair oil that everyone else can smell it and you'd only be able to tell up close and personal oh my god why have I written this many words about how NHS smells

an otp

There's certainly no one in the cast he makes sense with. My personal feeling is that he's really not the type of person who's ever going to work effectively in any kind of partnership, so I don't see him ever being in a relationship that would be a healthy and successful one. I imagine he does marry postcanon though - now is the time to sire heirs and keep the Nie on top.

a notp

The idea of NHS with JGY is particularly distasteful to me.

favorite platonic/familial relationships

Personally, I think the collective dynamic of the Venerated Triad isn't complete without NHS as the unofficial fourth member. LWJ, as is typical, opts out and doesn't give LXC the courtesy of referring to his sworn brothers with fraternal address (not that LXC minds, ilhsm). NHS however is all in on this bonus brother scheme. Not only does he address LXC and JGY as er-ge and san-ge, but he actually treats them like big brothers. He's pleased to see LXC, he's even more pleased to see JGY (omg presents), and it's quite nice that JGY in particular is trying to make up for NMJ's weaknesses in this area. That's not to say that JGY is correct to not make any demands of NHS at all, but he's certainly attempting to be a moderating influence and it's just all really interesting to me.

Of course once NMJ is dead, there's presumably not much time before his corpse first escapes its tomb and NHS concludes there was foul play. So we can't read too much into the way NHS runs back and forth to JGY and LXC, in the sense that obviously a large part of this is an act. But it's still interesting, and I think a lot of people forget that the narration says NHS is bothering LXC at the Cloud Recesses just as often as he's flinging himself on san-ge for fuss and support. This could become its own very long post, so I'll stop here.

a headcanon that is popular in the fandom but that i disagree with

Obviously there are numerous 'headcanons' I disagree with, but to pick one of the most irritating ones, I really dislike this recurring theme I see of NHS showing his hand either postcanon or in divergences. This is a man who never broke character in all of canon—why on earth is he suddenly monologuing at length about his grievances in front of [insert characters here]? Canonically, all he does is obliquely confirm to WWX that he was behind setting the arm on the Mo family, manipulating MXY, killing the cats and luring the juniors, desecrating MS' body etc. But it's all implied and he does not ever relinquish plausible deniability.

It really makes no sense to me to think that NHS would drop his act postcanon, either in the canon scenario of dead JGY, or in a divergence scenario where JGY survives. As infuriating as it would be for him if JGY escaped, he's going to redouble his efforts rather than sabotage himself by confirming WWX's suspicions to literally anyone. He's held it together thus far even when it looked like his plan might go awry, and there's no reason to think he can't continue to hold it together through any further plans and/or confrontations.

NHS' greatest weapon is his ability to not break character, and we already know he doesn't break character in victory. So, a setback as basic as JGY surviving would just not be enough for him to relinquish his modus operandi. I really think he'd be privately furious and distressed, but would continue to disguise that and simply attempt to regroup. (Although, as I have also said before - in a divergence where JGY knows NHS is his enemy, NHS is toast. JGY outclasses NHS on every level and the only advantage NHS has is JGY's profound belief in his harmlessness. Once that is gone, it's game over.)

the position they sleep in

I've never really thought about this but I bet when he was little he would crawl into NMJ's bed and proceed to keep him awake all night by fidgeting.

a crossover au i’d love to see them in

Maybe one day I'll confirm how he fits in to my ATLA AU and write that. I do know where he is and what he's doing.

my favorite outfit they’ve ever worn

I can't say I've ever paid much attention, but I definitely find the wardrobe of CQL NHS to be disappointingly bland and unmemorable, so maybe just his default official artwork outfit? Seems like it fits the canonical brief of being sharp and fashionable with bonus fan.

—

Nie Mingjue

a song that reminds me of them

Definitely Running Deep by Delara.

Looking deep inside my thoughts And reflected shit I thought I could control But I'm paralysed and terrified And it's killing me but maybe that is fine

what they smell like

Human being + something a little bit metallic.

an otp

He's canonically ace as in no interest in relationships or sex, so none. As a side note I do think it's interesting that he doesn't marry and father children - I assume before the war he thinks he'll have more time, and afterwards he realises time is too short for him to raise and train his own children. But there's just a whisper in there of the classic NMJ 'do as I say not as I do' approach, because it's still a choice he's made that was influenced by his own preferences rather than solely his duty as clan leader.

a notp

I cannot think of any ship I dislike more than Nieyao. If I get into this it will become a dissertation, so we'll just leave it there. Suffice to say:

Physical abuse and mortal terror are not things that interest me when I'm shipping.

I am not in the habit of ignoring canonical character dynamics for my own convenience.

favorite platonic/familial relationships

Perhaps weirdly, I really enjoy NMJ and LXC because of the layers. I really like that the affection between them is genuine but that they just do not get each other and you can see throughout the flashbacks the way their relationship is eroding. And it's not drastic, dramatic erosion like NMJ and JGY, but instead the kind of sad recognisable drifting apart of two people who became friends in their youth because they're from similar backgrounds and have unique and heavy responsibilities—but those similarities are just not enough the older they get, and the more time passes the more apparent it becomes that they have fundamentally different outlooks on life.

I like that NMJ refuses to engage with LXC's basic point about context mattering, yet before he's fully in the grip of the sabre spirit maxing out his worst instincts, he's still capable of being moved by human sympathy when it's LXC making the argument. I like that LXC is the only person NMJ is ever visibly pleased to see. I really believe NMJ cares deeply about LXC, his only actual friend.

And, conversely, I also really like that NMJ is able to see that LXC has a closer bond and rapport with JGY and is frustrated by that. I don't know that I'd go all in on the theory that he's jealous of how close LXC and JGY are as a primary motivation as that's a bit too basic, but I do think that feeling of exclusion is one of the many factors swimming around in the murky depths of the dynamic of their sworn brotherhood.

Finally, I just love the contrast between LXC's relatively clear-eyed view of JGY, where he has a very good understanding of who JGY is and what he's all about even if he's not aware of all the lengths JGY ultimately has to go to, with his absolute obliviousness to who NMJ really is. NMJ is literally trying to stab JGY to death in public and only LXC's intervention prevents murder and yet another inter-clan war, and LXC is still like oh dear, Da-ge really is under a lot of stress. LXC is drifting further and further from NMJ (see the excellent meta from @xiyao-feels for a breakdown of this). Yet he still thinks of NMJ as being at heart the youthful clan leader he first befriended, rather than the current worst self incarnation whose negative qualities have been turned up to the max and who is a lethal ticking time bomb, a danger to everyone around him.

a headcanon that is popular in the fandom but that i disagree with

As always, do not get me started. I am absolutely baffled as to where cuddly wuddly giant teddy gym bunny biker Etsy crafter in touch with his fee-fees all bark and no bite NMJ comes from, because he certainly does not feature in canon. I'll stand by this for both MDZS and CQL. I've probably spilt enough ink on MDZS NMJ and we are given very detailed insight into his state of mind so that's a lot easier to reference, but it's worth noting that CQL NMJ is just as profoundly hypocritical and violent and it's vital to incorporate that into his character. Writing only his superficial righteousness, his love for NHS and his affection for LXC is really not enough. It annoys me when aspects of characters are excised in order to sanitise them for what appears to be mainly shipping purposes.

the position they sleep in

I think maybe it varies but he doesn't move much in the night unless he has nightmares. Which no one knows about because he always sleeps alone.

a crossover au i’d love to see them in

I also know what this guy is doing in my ATLA AU, and I'm super boring and not a huge fan of genuine crossovers—usually I prefer mashups where the characters of one canon are integrated into the setting of another without aping the original plot. I think it's really important to retain his arc of a) losing himself to all his worst qualities, and b) acknowledging that he's choosing to lose himself and handling it badly, but also it's not much of a choice when he can't opt out of the system he's in. I'm thinking maybe an X-Men AU where he has some kind of power that causes sabre-spirit-type degeneration and violence? It would need some kinks worked out of it but might be a decent shout.

my favorite outfit they’ve ever worn

Obviously his best look is when WWX is flicking his naked disembodied torso. Iconic.

[bluemoontarot]

I have found that the biggest deterrent to assholes is asking "why?" Over and over.

"We can't have universal healthcare!"

Why?

"Because I don't wanna pay for a strangers health!"

Why?

"Because if they can't afford their own health care that isn't my problem!"

Why?

And so on and so on. Keep making them dig. Keep making them explain until they can't anymore and are faced with nothing but the ugly mask of bias and prejudice. Only then can they truly see that taking it off is an option. Whether they do or not is up to them. And that choice tells you whether they deserve more of your energy or not.

Trans kids can't be trans. Why? Why not? Why?

Free food is bad for ppl. Why? Why? Why? Why is feeding ppl bad?

Why?

Why is helping one another bad?

Why is doing what humans are genetically designed to do, to help and care for one another to ensure survival, bad?

[jellojolteon]

Saw the thing @ modmad was putting forth about what pokemon you'd realistically have as a first partner and had to jump on the will to draw while it was manifested lol I grew up on a few acres in an area that was mostly farming and mining and I loved helping my mom garden because we might find worms!!! There is not a shadow of a doubt in my mind that I'd have come across a few orthworms and wanted to be BFFs with the first particularly good-natured and patient (and small) one I found lol

Would have also been a lot of bugs and stuff because we had a small magikarp pond in the garden. The wild seismitoads would come lay their eggs in it. Bonus family purugly keeping watch just to make sure everyone was being nice to the 4-year-old

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 4 - Nuthin' but Boothill Edition

[Pt. 1] [Pt. 2] [Pt. 3] [Pt. 5] [Pt. 6]

[pondslime]

Kurt Russell as R.J. MacReady THE THING (1982) dir. John Carpenter

[skelecentral]

Wasn’t gonna post this because it’s only semi-UT related, but. I really wanted to lmaooo— here’s my faeu self insert (post-turned-fae!)

Faeu is by @/antlered-prince

[ofthebrownajah]

Rand al'Thor:

[geraskierfanficprompts]

Prompt 12

Geralt has a thing for biting. Jaskier has a thing for not looking like a mauling victim the day he performs at a very prestigious court. Geralt agrees he'll hold off on the biting for a few nights, so Jaskier is "presentable." But now he looks unclaimed. He looks like he has nobody that loves him and watches over him. Nobody that can bite him in the heat of passion. Geralt sucks it up and decides that he'll just have to come along to make sure nobody gets any ideas about doing anything to his bard. And so what if he spends most of the night staring longingly at Jaskier's neck like some kind of starved vampire? Who says you get to judge? *grumpy witcher noises*

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[velvet-games]

I think I've said a couple times that seeing too much radiosilence angst made me want a fluffier qpr version, but tbh I still want all of the angst; it just needs to be framed as eventually leading to a happy ending.

alastor and vox hating each other is thematically inevitable. I am in love with the fake enemies trope; I tried playing around with that, but there is no universe where these characters are remotely close to canon and actually like each other lmao. I think it needs to be more "vox pretends he only hates alastor and alastor pretends he doesn't care about vox but they actually both understand that they really had something and destroyed it because of mutual differences." like, symbolically, it's old vs. new, right? and alastor is good because he values what worked in the past and cares about artistic integrity but bad because he refuses to see progress or accept change; vox is good because he's innovative and ambitious but bad because he's tacky and too profit-driven. that dynamic has way too much potential for us to skip the part where they grow to see the good side of each other's perspectives while keeping their own identities intact.

AUGH the angst would just be too good; vox and alastor kind of being on the same wavelength at first when they weren't too far apart era-wise, alastor not really taking his ambitions seriously and finding them entertaining, vox actually caring at first about making TV as a legitimate creative endeavor and them connecting over a love for entertainment ... but eventually vox gains power, he starts getting distracted by money and takes shortcuts, he stops creating almost completely because it's easier to make contracted souls do it instead. alastor's cute plaything (that maybe was actually interesting to talk to and had good ideas ...) becomes this tacky capitalist that he can't manipulate as easily, so he gets bored of him. vox is so happy when he finally becomes an overlord; alastor is gonna be so proud! only for him to realize that alastor never saw him that way. alastor never actually liked him, did he?

cue them getting mad at each other and starting a feud that is much more comical on the outside than it is privately. vox is still a little confused and very much in pain ... he knows his own flaws but his greed has too much of a hold on him to make him actually change for alastor (vox: I'll do anything! just tell me what to do, what to change, and I will. please just stay. alastor: would you give up your company? power? money? would you stay with *me*? vox: ...). alastor is disappointed and tries to make it seem like he really had no affection for vox, but those memories of drinking together on sunday nights, listening to how excited vox was about a new invention ... maybe, in the very back of his mind, he realizes he misses that. that he feels left behind.

[identifying-cellphones-in-posts]

Super slow day at work so I identified and labeled every recycled android we have in our parts bin.

Isn't it beautiful

[blorbocedes]

2013 bbc with D.C, lewis hamilton talks about karting with nico rosberg and how they used to dream about being teammates, having boats, and what they would call their boats

[fictionadventurer]

What was the point of Scrooge's trip with the Ghost of Christmas Yet to Come? On a structural level, it makes sense--three is the fairy tale number, and you can't visit the past and present without also including the future--but on a character level, it doesn't quite seem necessary. Showing a man that he'll die alone, unloved, and unmourned seems like the strategy you take as the last-ditch effort to convince a guy that he needs to change his ways. But that situation doesn't apply to Scrooge. He started softening immediately after he first arrived in his past. By the time he finished with the Ghost of Christmas Present, he was fully onboard with the need to reform, so the Ghost's vision of his future seems like unnecessary cruelty. Why show him all this when he was already planning to change his ways?

A few things come to mind. One is that this vision of the future wouldn't have affected Scrooge unless he had already changed his ways. A cold, hard businessman could have seen his lonely death as just the way of the world, might have viewed the people who stole the clothes from his corpse as just people doing what's practical in this world. He needed to relearn the value of the intangibles--human connection, respect for others--to see the true horror of the lonely death and the vultures who defiled the dead man.

But why the horror? Can't he reform without being threatened with doom? It's possible--but it's also possible such a reform would be temporary. After all, Scrooge started as a friendly, loving young man, but retreated into himself and his business out of fear of poverty and fear of the way the world looks down upon poor people. Even if a reformed Scrooge started on a course of Christmas charity, there was always a chance that the enthusiasm would fade, and the worldly fears would start creeping back in. The only way to beat those fears is to give him something to fear that's even worse than poverty. He needs to see the horrible end that his selfish ways would lead to, so he won't be tempted to slide back into them.

There's also the fact that seeing his death makes him ecstatically happy to find that he's alive after the Ghost is gone. Had Scrooge been spared the vision of his future, he might have been happy to find himself on Christmas Day, but his joy would have been nowhere near the manic glee he experiences after coming back from the future. Now, he doesn't just get a new start--he gets a second chance. Coming back from his own grave makes him mindful of his death, but it also makes him hyperaware of the fact that he's still alive. He isn't in the ground yet. He still has time to do good and make connections with others so he doesn't die alone.

Seeing the past reminded him of the innocence he'd lost. Seeing the present reminded him of the people whose lives he was missing out on. Seeing the future reminded him that death is waiting, so it's important to live virtuously while we can. All three are important because all three brought him outside of himself and taught him to value the wider world, just in time to live through another Christmas Day.

[pinacoladamatata]

both hands full....

[blessedarethebinarybreakers]

Polyamorous Christians & their supporters

This is soooo last minute but! Starting this evening, QueerTheology is holding a "Poly Possibilities" virtual workshop — 90 minutes at 7:30pm EST on Tuesday Sept 10, 17, 24.

"Each week, Brian will bring some discussion questions to get us started exploring the intersections of polyamory and faith AND working through the real world implications of how polyamory and our faith communities impact one another"

I decided on going just now haha, they're leaving registration open till the last minute it seems! It's $72 to register (and with that cost you also get access to other resources they have).

If that cost is prohibitive for you but you really want to go, hit me up — I can help you cover $30 of it, or I'm happy to tell you about what gets discussed and share any resources they promote.

Here's the link with more info + to register!

[wistfulwatcher]

The Girls on the Bus | 1.04 Two Americas