#what the fuck is going on LMAO

[nadjasnandor]

yeah so i doubt that was anyone's preferred ending but i'm listening

[kwanisms]

me coming back to tumblr after working multiple 12 hour shifts to see the absolute dumpster fire that is happening in a small section of atinyblr like:

[the-tenth-arcanum]

felt a sudden pang of nostalgia for my first corporate boss idk why

[ink-the-artist]

Love the contrast between the Americans’ “Apollo” and the Soviets’ “Sputnik.” You got the Americans naming their rocket after a Greek god trying to communicate the grandness and importance of this rocket. And you got the Soviets naming their rocket “fellow traveler.” Like a friend you go on an  adventure with together. This rocket is our little friend lol 

[yeyinde]

John deciding to blow off steam by subscribing to a cute camgirl's onlyfans account and quickly becoming the top contributor. a harmless way to relax, and spoil a pretty girl with gifts and money, the sort of thing he doesn't have time for in his personal life but craves. hungers for. pays for lingerie and toys, private shows and videos. eagerly devours any time she has to spare on him, but the more he gets to know her, the more obsessed he becomes. the more possessive. wanting. monopolizing all of her time so that she never has a minute to spare on others.

and then she sends him a birthday video. congrats on your fortieth, she whispers into the camera, wearing the ensemble he bought for her. a mould of his cock in her hands, a whim he decided to go for after she pouted at him for a few minutes about how she wanted to feel him inside of her. or a (not so) cheap imitation, anyway. it's good. so good. she's perfect. and all his for tonight.

but she makes a mistake. his kitten is so good at hiding her face, her features. keeping herself a mystery. but as she gives him the sexiest performance he's ever seen, she slips up. shows more of herself than she wants to.

wish i could say happy birthday in person, she winks at him through the cheap plastic of her mask. a fox. isn't she coy? but it's an invitation he won't turn down.

after all, it'd be rude not to give the cute little secretary that greets him every morning exactly what she asked for, wouldn't it?

[tagerrkix]

Eden was their ✨disney princess era✨

[basket-of-loquats]

oh crowley, nothing lasts forever.

no. no, i suppose it doesn't.

[Image ID: a digital sketch of the Crowley and Aziraphale kiss from Good Omen Season 2 Episode 6. End ID.]

[forgetfulmachineart]

[ID: A mostly cool colored, digital three page comic of teen Gojo Satoru talking to young Tsumiki Fushiguro. Page one: Gojo makes a sandwich for Tsumiki who's leaning on the kitchen island. Tsumiki says "Thanks for the snacks, dad" and Gojo responds "No problem, Tsumi." In the next panel Gojo complains "Man... I wish Megumi didn't hate me so much. At least you call me dad..." Tsumiki comments "Megumi does that too, though?" In the third panel, Gojo activates his Six Eyes like a flashlight and yells "When!? Where!? Do you have it on camera!?" to a surprised Tsumiki. Page two: Tsumiki thinks about the various times Megumi has called Gojo 'dad,' including when Gojo gave them a bad hair cut, when the divine dogs bit Gojo, when Gojo made soup, and lastly when Megumi asked Tsumiki to ask Gojo to make snacks which is all represented in blue tinted drawings. In the last panel she has a devious smile and is labeled "8 yr old who just realized how funny she can be" Page three: Tsumiki cheerfully says to a gleeful Gojo "In your dreams!" The second panel shows them zoomed out with a lighting strike going through Gojo's shattered heart while Tsumiki has a cat like smile. In the third panel with a light orange background, Tsumiki is smiling while Megumi comes up behind her and asks "Why's dad crying?" /End ID]

Before this happened

Edit: It has kindly been brought to my attention that Tsumi means sin in Japanese I'm so sorry Tsumiki I should've taken five seconds to check I just wanted matching nicknames with Gumi 😭

[lotus-pear]

the dialogue choices in this game should be more diabolical

[knifearo]

being aromantic is like. hey btw you're going to live a life that is the culmination of most of society's worst nightmares. sorry lol ✌️ but then you turn around and take a really good hard look at it and it turns out that living in that nightmare is fucking awesome and you get to wake up every day and take that fear that other people have and laugh and hold it close until it's a great joy for you instead. and being happy is a radical act that you define instead of someone else. and you're sexy as fuck that's just a fact of life i don't make the rules on that one

[sea-buns]

i feel insane

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[crazycatmilo]

I definitely headcanon that Martin developed some kind of germaphobia after his initial run in with Prentiss. Cleaning things compulsively, checking his food thoroughly to make sure it’s clear of worms, feeling unclean and trying to clean himself off more than necessary, etc. The archives staff eventually realize what’s going on but aren’t really sure how to handle it. It takes him quite a while to recover from the effects of it, even after Prentiss’s death

[spitblaze]

If you’re gonna care about prison abolition and justice you are necessarily going to have to care about the people who DID do those crimes and just want to reintegrate and live a normal life without hurting anyone. You're gonna have to be cool with the fact that the guy scanning your groceries might’ve raped someone. You're gonna have to relax about the possibility that your bank teller used to be a career criminal. The person sitting next to you on the bus might’ve committed three different murders, and as long as he's not about to commit a fourth right now, that's not your fuckin' problem. People don't disappear from society after they commit crimes, and most of them really just want to live a normal, stable life instead of going back to that. And the best way to make sure they don't relapse is to ensure they're able to live that peaceful life instead of freaking out because the guy next door used to run a dogfighting ring. You don’t have to be friends with them, you don't even have to like them, but you're gonna need to be okay with them existing in society. Sorry.

[unforth]

Young queers.

I know you're scared.

But take it from an older queer who grew up in New York City in the 80s - we do not go quiet into this night. Queer people aren't a funeral dirge, we are a community, a celebration, a riot.

Be loud.

Get angry.

Take up space.

Fight with whatever weapons you have, with honesty and integrity and determination and hand-in-hand with other oppressed targeted groups.

I'm scared too, and I have been fighting for as long as I can remember, and I will keep fighting, and you can join us and fight too.

Endure.

We will not go quietly.

We are gonna be *huge* bitches about it.