#what a fantastic scene
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LINK CLICK 2.10 ↳ 「 i m p r o v i s e 」
#link click#linkclickedit#linkclicknet#shiguang daili ren#shiguang dailiren#link click spoilers#lu guang#cheng xiaoshi#shiguang#*mine#*linkclick#*gifs#ummmm this scene... yeah#what a fantastic scene#so much is said through just their eyes#the expressions are *chef's kiss*#I wish we had gotten less repeated scenes so this scene could last longer#still love what we got though
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At your side [End of Season 2]
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#wen ning#jin ling#wen qing#jiang yanli#a-yuan#It may have taken a year but we did it! The end of season 2!!!#(Granted: this season was nearly twice the length of season one.)#It's been a really fantastic season to draw for. So many iconic moments! It was a lot of work but I had a blast B*)#I also enjoyed experimenting more and more with my comic style. I'm growing as a comic artist bit by bit!#There is even a little bit of shadowing in this one for next season. As a treat. All the fun (and not heart breaking) scenes to come!#Comic talk time: Recently saw 12 angry men for first time and I love the coincidence of the themes aligning here.#They both touch upon the horror of judicial systems - in which the most persuasive argument wins and the truth is a nuisance.#All it takes is one person to stand against the crowd and say 'I do not know what is true. And that is reasonable doubt enough.'#When the majority is for condemning someone guilty - that in itself is persuasive enough.#One will set their mind to what the 'truth' is and refuse to see it any other way. That their perspective is the only correct one.#No one is born with a monopoly on the truth.#Everyone has biases and agendas. Some care not for the outcome - only that they can be on the convenient side.#Lan Wangji is putting everything on the line to say 'I'm not going to go with the majority vote.'#And that is a huge deal in a story that is so politically focused as MDZS is. Everything is a careful chess move to these sects -#and to not play the game is basically sacrificing everything you are and your families name. For some it is unthinkable.#And there is no doubt in LWJ's mind. He would stand there and lose everything if it means upholding justice.#More importantly - these two have each other's backs. The bond is unbreakable. This is the most ride or die I have seen two people be.
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It's been some beautiful spring days that made me think of the summer to come. So, I decided to give this game another whirl
Also peak summer moment. I wanted Jeremy to come back just so I could pour another cup on him.
#our life#our life beginnings & always#gb patch games#cove holden#mc ash cha#fanart#derek suarez#jeremy king#lee (i guess she doesnt have an offical last name?)#i was gonna name mc aashi again but ash was a voiced name and its practically the same thing#and ash isnt really the same person as me so they might as well have a different name#aashi doodles#olba fanart#this game is fantastic guys you pksy the same general story no matter what BUT#the flavor of how you want things to go is SO expasive and immersive i was able to play almost every scene excatly how i interpreted#it would go in my head#fantastic visual novel#gb patch
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Watched Rear Window last week. Went a little overboard on what was supposed to be a simple expression/design study.
Maybe one of the most bone-chilling scenes in film.
Individual shots:
#my art#character design#fanart#seriously tulli and i were watching and we've already seen#spoilers for a 70 year old movie but the scene where lisa's in thorwald's apartment and thorwald's walking up and she doesn't know#we were all cringing and gripping our seats#and the moment thorwald realizes what's he's being watched and stares DIRECTLY into the camera at you. ugughghhg the entire theater made#an audible “OHHHOHOHOHOH” sound of discomfort#such a fantastic movie one of my favs. definitely go check it out it's a wild and really fun ride
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remembered @hehe-hoho-ohno's misfits au it's sooooo good and i love it. CHEERS AND APPLAUSE. YAY
#submas#misfits au#<- it gets it own tag i might draw more. it's good#sketches#(if you want me to tag as something else lmk though i don't wanna encroach on your guys or anything)#BUT ANYWAYS. best fucking submas writer ON the planet the characterization is sooooo good to me. chefs kiss#like generally i'm not big into aus at ALL (especially ones that aren't super related to the source material and world)#but the worldbuilding is so interesting and the characterizations of ingo and emmet are sooo fantastic like genuinely phenomenal#in all of their works#I LIKE IT BASICALLY.#i wanted to do a scene redraw but i couldn't pick and because so much of what captivates me is the like. it's very emotionally driven#that a little more to me than the physicality of the scenes is what i like so much. so idk if i could do it justice LMAO#i've been following the story since it started being posted and it's just really good. probably my favourite submas fic#the author posted another chapter 7 wip today SPECIFICALLY for me 💖(<- not actually)
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You know what, I figured out why we're having so many errors in Destiny 2 now. It's because with the addition of Micah-10, we've finally reached a critical mass of women with drop dead gorgeous voices, and the game simply can't handle it anymore. It's like Telesto. Too powerful. If they'd actually put Ikora Rey in a rendered cutscene for more than 5 seconds it would have shut down the servers for good
#destiny 2#destiny the game#destiny spoilers#the final shape#the final shape spoilers#micah 10#ikora rey#eris morn#mara sov#elsie bray#savathûn#we're really quite spoiled for women with amazing voices#you know what we're Not spoiled for?#ikora rey being allowed to be part of the fucking story#look its a fantastic expansion ok.#its just incredibly galling that my least favorite thing is Also happening alongside it.#once again ikora gets shoved out of the limelight in favor of everyone else#gets relegated back to emotional support#is allowed one Tiny outburst of her own hurt feelings only for it to be swept under the rug because there are always Bigger Problems#why didnt we get to hear from ophiuchus?#we got beautiful interactions between every other guardian and their ghost#literally everyone else got a nightmare gauntlet exploring their insecurities and flaws#but no ikora gets to quietly meditate and fail to commune with the traveler#and then cayde gets to contact it instead#all i wanted this expansion was some emotional resolution for ikora#i was so excited after her reunion scene with cayde i was like oh god we're really doing it!#but no. no no.#the sexism of it. the racism of it. the misogynoir#im so tired this has happened in every goddamn fandom ive been in for the past decade#sourghost.jpeg
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Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.
Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.
I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.
However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.
You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.
Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!
That's always the conclusion, right? One good, one bad.
This is incredibly limiting and it drives me nuts.
They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.
One is not good and the other bad, they're different, and I think that's worth exploring.
Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.
Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.
However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.
Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.
Marlon and Minerva are also reflective of Clementine's worst outcomes.
Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.
After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."
When she chooses Louis, he does for her what he never did for Marlon: he steps up.
Clementine proves she won't become Marlon just as she proves she won't become Minerva.
After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.
When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.
They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.
Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.
What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.
Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?
So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.
Actually, let's talk about that a little more.
In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.
An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.
On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.
These are interesting to me because I get where they're coming from... but they ultimately miss the point.
The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me.
Louis is about challenging Clementine's perception of survival, and Violet is about validating it.
Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”
Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.
This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.
Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out.
Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified.
But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.
Except it’s really not.
Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.
Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon.
Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good.
He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together.
That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet.
By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.
They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc.
People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in.
We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.
Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her.
While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."
That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins.
There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”
In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them.
The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school.
It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses.
All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing.
I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision.
There are several more examples of how this all fits together, buuuuut–
Ya’ll wanna compare some allegories?
Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past.
You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin.
I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…
And that makes me fucking feral.
But I'm also so normal about it.
As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory.
Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers.
Now, look… you might think I’m going somewhere not great with this but hear me out.
I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment.
I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one.
Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.
It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.
Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.”
This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead!
If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’.
Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada.
But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened.
And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned.
Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.
Okay just let me talk about their reactions to Tenn's death and then I'll shut up.
This makes me want to gnaw my own foot off, I can barely handle it.
AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.
When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"
AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."
If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"
If Clementine says nothing, Louis says, "Tenn was just a little boy!"
The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!
When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"
AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"
If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"
And there it is.
Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.
This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.
Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"
Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."
As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."
"So you're mad, but sad."
"Can I be that for a while?"
And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.
Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.
Let me put it to you in simple terms... they react the same.
After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.
The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.
It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."
Do I need to say it again? I'm gonna say it again.
One is not good and the other bad. They're different.
There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!
That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."
Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.
There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.
I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!
I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.
I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"
So yeah, that's my ramble for the night.
I'm gonna go replay TFS for further research.
#twdg#twdg clementine#twdg louis#twdg violet#twdg aj#twdg tenn#twdg marlon#twdg minerva#twdg clouis#twdg violentine#clouis#violentine#i'll be real honest with you--i had a larger essay planned on this topic#that expanded on these ideas i've put forth here; especially the challenge vs validation thing and the allegories#but there were some parts where i could feel my personal bias slipping in too much...#like i had more to say about clouis than violentine at points because i'm more familiar with it#but then it didn't feel fair y'know? that's why i wish more people would talk about them like this#so that i could get different perspectives without having to deal with terrible 'one good one bad' arguments like they're so UNHELPFUL#i don't wanna hear about how much of a bitch you think vi is because she's angry in her cell scene#and i don't wanna hear about how 'well ACTUALLY it doesn't make sense that ANY clementine would romance louis because of the vote' STOP#to be fair tumblr isn't as bad with this. i'm mostly referring to fandom spaces outside of tumblr like reddit insta youtube etc#though tumblr certainly has had its moments#i dunno i'm just gonna throw this out there and then continue to work on the essay i want to and am able to fully write#and if people want to engage with it then fantastic can't wait to see what y'all have to say
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I'm pretty sure I watched Nirvana in Fire during the height of the pandemic so I'll confess I've forgotten a lot of the details and am mostly left with a general impression of the series, but I will never forget how much the scene of this woman sitting and talking for ten minutes while holding a piece of paper had me jumping on my chair about to go apeshit from the tension and quality of writing build up to this point
#ramblings of a bystander#nirvana in fire#if you have seen it. you Know what this scene is. and i'm sure you were hooting and hollering too#JUST WATCHING THE CLIP TO GET THIS SCREENSHOT INCREASED MY HEARTRATE AND I PUT A HAND UP TO COVER MY MOUTH AS IF TO COVER A SHOCKED GASP#how is it just to gooooooood#(also wow the costumes were fantastic)#i need to rewatch itttttttt
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Just give it time, Sammy. Give it time.
#jurassic world#jurassic world: camp cretaceous#bumpy#bumpy the ankylosaurus#ankylosaurus#sammy gutierrez#ben pincus#jwcc#camp cretaceous#my gifs#yasmina fadoula#first of all: close call for Sammy#she's lucky she got a dismissive bump from the club and not from the SHARP SPIKES ALONG THE TAIL#but also why is ben such a troll here#look at him#he's messing with her#the amount of time I put into this though...transcribing it properly and on-beat#turned out pretty good though#sorry about the squished format but this one just had to be this long#also the visuals in this scene...writers and boards knew what they were up to#this is a setup man#also can I just say how much I LOVE Bumpy's design??????????#rugged spikes and perfect colors#she's a BEAST and looks fantastic#but she moves so adorable#have a tiny tortoise and there's so many similar emotions and gestures#and yes they will spurn you in the same#safe harbor
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I'm sorry I let down my guard.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#xue yang#xiao xingchen#God DAMN this scene was brutal. Season 2 episode 2 is almost nothing but misery and anguish#Helena by Nickle Creek does not quite fit the comic's vibe but it is absolutely a Xue Yang song so I linked it.#The change from “Helena don't walk away...(gentle)” to “HELENA. DON'T WALK AWAY (threat)” is fantastic.#And “Don't waste your pretty sympathy - I'll always be just fine”. Xue Yang core.#Okay now for the real meat. Disclaimer first: *I really like XY.* I think he's a great character. I think his actions consistently-#come from a place of deep trauma. While his reactions and actions put him in a villainous role he is still human about his hurt#and what I'm about to say is NOT intended to be a statement of causality or villianize a group of misunderstood people.#So with that said...Man oh man does Xue Yang have a lot of BPD traits. More that just 'character who is chronically manipulative'.#The impulsivity and emotional reactions and seeking stability makes him feel like he needs that control. What other choice is there?#The part that really gets me is how he *wants* to be safe and happy. But his past experiences tell him how thats impossible#He's the kind of person who goes 'if you don't like me then you better hate me for something substantial". All (pos) or All (neg)#''Love me entirely or Hate me. But don't you dare leave me or forget about me.''#Not at all comfortable saying 'BPD coded'. Im not a psychiatrist. Just that he has TRAITS. Feel free to disagree or add your thoughts.#ppl with bpd also are not a monolith and everyone has very different experiences. Xue yang is very complex. People more so.
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btw Still thinking about the moment where Tula first realizes she's literally, mechanically unable to keep up with / catch Jaysohn when he bolts and runs his full speed. That revelation that she's not fast enough to stop him, or get alongside him, much less get in front of him to protect him if he needed it. The dread terror of it. :(
#N posts stuff#dimension 20#d20: stupendous stoats#burrow's end#Siobhan said it almost like a joke but then Aabria put Weight behind it and oh boy. oh boy. there's Terror there babey!!!!!!#sure hope that doesn't come back in any significant way in any significant scene. ...........#It's like the moment in ep 2 when Tula's initiative fell behind Both Lila and Jaysohn and the only thing she could do was Watch#as they both jumped into the battle ahead of her. because she couldn't keep up with them...#look Sometimes catching a recurring theme in an actual play show doesn't necessarily Mean anything bc of the improv nature of it#but Obviously the dice also tell stories. and Aabria is a Fantastic GM. and the players are Excellent at role play. so it's..... 👀#certainly not off the table. G-D i'm so invested in this season i'm fully gonna lose my mind no matter what happens lmao#i'm on the edge of my SEAT
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now all he has to do is figure out how to leave
#fenhawke#hawke#fenris#dragon age#da2#i love making little dragon age funnies when i dont know what to draw#im sure this has been done before but i needed to draw SOMETHING#it was a good warm up. i want to do some more fenris later too#and maybe i'll redraw some screenshots#i got some fantastic screenshots of the last straw and theres a few scenes i'd love to do color studies with
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Essek with shoulder-length hair? Astrid "I'm no successor to him. I'm his usurper" Beck?? I am LIVING.
#c3e94#all of Liam's former love interests at one table basically#critical role#what a fantastic scene and reveal
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Consumed.
#until dawn#jess riley#mike munroe#jessmike#tw gore#midnight draws#beginning to think the gore tag will be a permanent feature.#quote from Cronenberg!#this is one of those associations i dont quite know how to explain. i just think getting mike pov for these scenes was a Fantastic choice.#their beautiful love language of hurting each other. what more could you want#Yeah I Love the Canon Ships i say. continuing to draw shit like this. ITS OUT OF LOVE!
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When Thunder stays with Clear Sky for a while, does Clear ever insist on referring to him as Thunder Sky?
Towards the end yes, as the final detail to Thunder Storm that Clear Sky doesn't love him. He wants to ERASE him.
If Clear Sky recognizes he's made a mistake in casting Bright Storm away with their child, he's incapable of seeing it was wrong because it was cruel. He wants what he realizes he threw away, because he now sees it has value. He wants to own his oldest son the way he wants to own the entire forest-- as a reflection of his greatness.
Anything that makes Clear Sky uncomfortable about Thunder Storm has to be sanded down. The assertiveness was the first thing, he feels insecure when he's challenged, the child must learn to follow before he may learn to lead.
The second is that leg, presenting a prosthetic as a gift (that he isnt allowed to refuse), because he can't have been wrong about the choice that killed his younger brother-- here is a SOLUTION that simply didn't exist before! Behold how resourceful and wealthy his cats are, compared to your old group. We've fixed you.
(This prosthetic is a clunky piece of shit that is annoying to strap on every day, gets in the way and makes a ton of noise, and itches like hell, but the change in Clear's demeanor is immediate if Thunder doesn't wear it.)
But somehow, Thunder Storm was willing to take all of that. In hindsight, it bothers him that the tipping point wasn't the other two things.
Bright Storm gave her son her own last name. When Clear Sky sent them away and the Mountain Cats permanently split, it was pointed. "My only survivor is named for myself." SHE would raise him, alone.
Bright Storm herself slowly seemed to lose sight of the meaning, encouraging him to understand his father's good aspects, but in the meanwhile it took on a new meaning to Thunder. His mother raised him. He found a father in Shaded Flower. He grew up next to Lightning Cry and Acorn Swoop. Thunder Storm means this. It's the person he made himself, and the love they've all put into him.
Thunder SKY is just another monument to Clear Sky, stripping away the life he lived without him. And WHY? For ego? For comfort?
"What am I letting him DO to me?!"
It wasn't the final STRAW, but it was the tipping point. Once Thunder Storm had this realization, the minute he was not going to budge on something, that confrontation was inevitable. The blowout fight was making reservations.
Sunlit Frost is still the breaking point, the injury from his burn going sour, but I'm going to emphasize the way that Clear Sky only called that meeting in the first place as an abuse game. Thunder Storm knew it was coming-- but it still sickens him that it was something THIS monstrous.
#And then he had to rescue bumble just a day or two later#That event is shuffled. In canon it's often forgotten that Bumble's murder and the fantastic lie come before the Frost scene#In fact he's like visibly agitated because Turts didn't buy his shitty lie and gray didn't obey an egotistical order#Gray is completely capable of being wise when he realizes the patrol is going to kill him if he doesn't shut up#Guywho was TOTALLY going to get help because uhh it was a fox actually and i didnt beat some woman to death:#''Anyway spongeboy me son kill this man''#Bb!dotc#Better bones au#Tw ableism#Cw ableism#Ableism#Also if anyone went thru something similar with the prosthetics feel free to share annoying quirks#Due to the nature of them being four legged it's kind of backwards that it's a leg prosthetic that he's dissatisfied with#From what I read leg prosthetics are usually better built and have a higher satisfaction rate#But in a cat it would be very different because being a tripod is not as big of a deal#Especially the back leg#It really would do nothing but get in the way
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Frieren already takes the cake for my favorite portrayal of “active” casting/casters, where they are clearly in combat but it doesn’t just feel like melee with glowy bits
This moment in particular is The Moment to me, the casual stance one handed behind the back blast that still is inarguably casting but with clear martial excellence
It’s a thing of beauty, and sets the standard for what I’d wanna see a caster be in an action game/spectacle fighter
#the whole scene is fantastic but this was the shot that made me sit up#sousou no frieren#in my heart this is what Mostima fights like
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