#welp it got long anyway

[shinesurge]

I, for one, would love to read your thoughts on comics vs novels.

A similar bugbear I have is the conflation or comics and animation, two mediums that are both lamentably infantilized. In my opinion we've seen this more in the past twenty years with the mainstream acceptance of anime in the US, the idea that comics are just a storyboard for animation, or just an ancillary tie in.

Utterly foolish.

Hard same about the lack of respect for animation AND viewing comics as a jumping off point for more """legitimate""" forms of art, that's a whole different conversation but UGH ughgjsldjf. Guillermo Del Toro has a lot of good stuff to say about it and he's smarter than I am hehe

ANYWAY I reserve the right to come back and write another essay on this later when I have more time and stamina but my opinion here mostly boils down to the difference between looking at a picture and reading a word, right

In prose, as an author, I have room to take time and use the EXACT words I want to communicate. Those words have definitions, and while I can already hear poets (and my fellow english majors i'm sure) complaining that words are extremely malleable and context dependent, ultimately they DO have definitions no matter what because the writer chose them.

Like, okay, Phineas is looking at Ulrich and I go, in a scene where Phineas is leading, "Ulrich's face is unreadable." It doesn't MATTER what other ways you could read that, I THE AUTHOR have indicated that the thing to take away from this is "Phineas cannot get information from Ulrich's face." Ultimately there's no other way to interpret that sentence in that context, literally just by virtue of having to describe the interaction with words that have definitions I have dictated what I want the takeaway to be. We can discuss that decision all day long, but it IS a concrete aspect that can only ever be concrete, and it must be acknowledged in any analysis; jumping to prose is WILD because I suddenly have infinitely more influence over the audience. Not an inherently bad thing! It is a feature of the medium! BUT

In a comic (IGNORING the thousand billion framing/coloring/lighting/paneling/layout decisions that could multiply the context) this scene would probably be the audience looking at two characters from the outside, with zero concrete guidance from me the author for how exactly to interpret the interaction. Every single reader who looks at those panels could find something different about the art to extrapolate different data from and ALL of their findings could be correct. Looking at their expressions could feel different to everybody, maybe she CAN read his face and still feels confused, maybe she DOES get it and is choosing not to share for reasons. Could be anything!!

And again, listen listen to me I respect prose SO so much and I am not saying at all that it isn't an equally complex and nuanced medium worth analyzing. I went to school specifically for this, almost ALL my biggest artistic influences are prose writers. This is apples and oranges don't anybody dare take this as me putting down writing as art. My point here is I am goddamn tired of comics not getting their due as an extremely complex form of art on its own from anybody anywhere, audiences or publishers or critics or (it often feels like) anyone besides us freaks who are masochistic enough to make them. It's the single most frustrating thing I've encountered in my career and I have no idea what to do about it tbh.

Tangentially, I'm also sick of people going "no totally, comics ARE art. I read Watchmen AND Sandman :)" or like, trotting out some harrowing black and white autobio. Those are fine! It's FINE, I love Sandman, but please fucking god I am begging people to consider newer comics and more varied art styles too, additional good comics HAVE been produced in the last 20 years, and also comics aren't ONLY worth something when they're either working hard to downplay the fact that they're cartoons or dealing with fully realistic heavy topics (or in Sandman's case, allowed a pass because Gaiman is a respected enough creator to be allowed to do his thing).

I'm just tired dude I love comics so much and I believe in telling stories with them that are allowed to be just as weird and varied as stories any other format. We shouldn't have to constantly justify our existence to everybody before we even get to discuss the art itself, I'm so fucking frustrated lmao

[anewp0tat0]

i lied i had like atleast one more weston thought to expell from my brain, before i miss this boat entirely. we're heading to green lands woooo

[daily-odile]

AUGH I’d love to see more time looping odile if possible,,,,, how do you think she’d like; “devolve” over each of the acts as compared to Siffrin over time :O

ok im gonna be honest i did like portrait edits months ago and just never finished them. so here you go

act 3:

act 5:

[kijeu]

favourite bang chan fancams 2 / ∞ [ 210828 music core - thunderous ⋆ ]

[seyaryminamoto]

Fic-to-Art #39: Gladiator's ELEVENTH Anniversary! (+ BONUS: Fic-to-Art #36...)

And here we are! March 26th arrived and I did not forget about it, but I paid for my ambitious madness with my wrist and forearm. Somehow, I finished my intended pieces on time, but I do not advise that you ever try to make 9 artworks in 3 days. No, sir. Bad life decisions, that's what that was... but this fic, as anyone knows, moves me to do things I never thought possible, starting with writing the fic itself!

It's really crazy every time it hits me that I've been doing this for as long as I have. It's been a complicated, chaotic journey, with its many ups and downs, but ultimately, it has been our journey. For some people, this is just one more fic in the pile: for me, it's been the best adventure of my life so far. Everyone who has ever been touched by Gladiator, who has ever cherished this story, who's looking forward to the big conclusion, who wants to see how the chaotic war is going to end... you're all part of this crazy adventure along with me, and I can only thank you for joining me.

This year, I had no time to make as big a project as I usually go for. Thus, I did a sort of free-for-all edition of Fic-to-Art over at Patreon and challenged myself to draw as many scenes as I could, out of their suggestions. I even sprinkled in a few scenes I impulsively wanted to draw because I loved writing them or because I look forward to writing them... and this is the result!

In order, the scenes are as follow:

Sokka combing Azula's hair, a common occurrence throughout the story.

Azula watching over a convalescing Sokka in the Chase of Jeong Jeong arc.

The outcome of Sokka's final battle in the Superior Gladiator League, namely a moment where Sokka and Azula more or less gave away their relationship's true nature to the public by raising their hands towards each other...

And now, spoiler territory! Some were by my choice, some by Patreon requests:

An important moment shortly after Sokka and Azula reunite.

Azula confronting her father, with a LOT of backup.

Xin Long's long-awaited freedom.

The aftermath of the final battle.

The full-blown confirmation of their relationship to the general Fire Nation populace.

Sokka, Azula and Hotaru's first night together

And the big final one is ACTUALLY Fic-to-Art #36 but hahaha woops I didn't post it here on time because it was super hard to finish since I had a LOT of things going on... but here it is now! :'D it's a glimpse VERY far into the future of this fic's timeline!

Alright, that should be enough talking and explaining. Some things are vague, some things aren't, but ultimately I really hope you guys will be looking forward to the scenes you haven't seen yet, and to Gladiator's eventual outcome.

So now... with all this being said and done, I'm gonna go take a trip down memory lane and watch my Tenth Anniversary video once more! Feel free to do the same thing if you'd like to commemorate the fic, I think it's a good way to experience Gladiator all over again, hahaha.

Thank you if you read all this, and if you read all THAT: 5 million word landmark, here we come! Thanks for hanging out with me across ELEVEN years of Gladiator!

[ganondoodle]

i have grown kinda tired of all the studio ghibli and totk comparisons bc i love most of miyazakis movies and its so annoyingly obvious that if totk actually took inspiration from them its all just the surface level aesthetic and none of the good story telling

[leviiackrman]

Had a surge of inspiration so enjoy Mineyo’s Completed Timeline!

Tag list (ask to be added or removed): @carrionsflower @statichvm @risingsh0t @simonxriley @tommyarashikage @kanos @confidentandgood @unholymilf @florbelles @thedeadthree @shellibisshe @roofgeese @aezyrraeshh @faerune @tekehu @jackiesarch @minaharkers @sergeiravenov @carlosoliveiraa @rosenfey @greenecreek @queennymeria @heroofpenamstan @alexxmason @tethrras @jamessunderlandgf @a-treides @solasan @bigbywlf @delzinrowe @fenharel @imogenkol

[ruelin024]

Of course I've gotta make fanart for you. 😙 @littleyukki5033

Yukki: "Hey some of them tried to kill me at first, but we're all friends now. Come here."

[yusuke-of-valla]

My hot take is that if regulators taxed the shit out of ai companies to offset the amount of water and energy they're using it would fix a lot of problems

[l0rd-0f-c0ws]

I frequently feel completely isolated no matter how much I talk to people. So that's fun

[rubiesintherough]

.

[keeps-ache]

a quick thing i had doodled to show my mother how the glasses were working :D

[0kami-19]

This is what happens when you're working on something and... you end up doing something completely different.

I promise that I'm still working on the comic, I swear.

[alildritten]

Ah yes, the scariest story of all:

G A Y

(/j)

[risingsunresistance]

o h

[sharkieboi]

everyone’s talking all these sophisticated points about Glass Onion but i personally cannot get over the lingering camera shot on the ass of the statue Benoit hides behind to eavesdrop on Miles and Peg