#well you KNOW they cannot do that. No human can do so. No human can get that hungry

[stellardeer]

I feel like a lot of people in various reblog chains of this post have kinda lost the plot, so I'm reblogging this version to bring the emphasis back on the AI "detectors".

Whether something like Grammarly is considered AI or not is a little irrelevant, but most people consider using a spelling/grammar checker to not "count" as AI (despite the fact that you may be able to write out a bunch of nonsense and have Grammarly correct it over and over until it passes as a sentence)

And what a teacher will generally use an AI detector for is to check if the student wrote the paper or prompted an AI to give them a paper. As far as I know, Grammarly can't finish your entire document for you based on prompts (but I haven't used it so feel free to correct me) so I feel like a lot of the notes trying to argue whether it counts as AI or whether auto correct is useless now are just getting away from the point this point was supposed to be making:

You can't trust an AI detection software to accurately predict whether something was AI generated.

And part of the reason for that is that AI-detection software could ALSO be considered a form of AI. It is limited both by the dataset being fed to it to determine whether something is or isn't AI, and by any biases of the human who programmed it. If the programmer writes a program that says "look for anything that isn't perfect English and flag it as AI", they are showing that they don't trust anything written in broken English. I'm not sure why it might flag a word like "devoid", but if the AI detector is looking for patterns amongst known AI samples and the word "devoid" comes up a lot, it might just assume that any text using the word "devoid" has a higher chance of being AI generated.

Let's go back to the Both Of These Are Bad part.

It shouldn't need explaining why AI detectors falsely flagging ESL writers' works as AI is just bad and just contributing to systemic racism, so let's talk about the ways in which it can be harmful to native English speakers.

As stated above, it's interesting that an AI detector might flag words that seem "complex", while much of mainstream writing is trending towards simplification, for better or for worse. It could mean that since a lot of non-AI writing is so simplistic, anything that deviates from that is considered abnormal. Or it could, again, just be a programmed bias of the author of the program. I think this is more the point that thebibliosphere might have been trying to make, not that Grammarly specifically is evil AI that's making everyone write bad, but that a larger cultural shift to more simplistic language is happening and when things like Grammarly tell you to simplify your phrases or an AI detector tells you that your essay was AI generated because you used a big word, it's encouraging this simplification at a much faster rate than if human editors and teachers were directing their writers/students to do so.

Grammar software is perfectly optional for professionals, of course, but if a student is going to fail a class because their essay can't pass an AI detector, well, they can't really opt out of that. They have to change their wording to something that might not be as vibrant as what they originally wrote, or risk failing and potentially worse action depending on a school's plagiarism policies. It's essentially going to train kids to write in specific ways to get around it, and they might not understand why their paper was flagged or what AI even is yet, they're just going to assume that their writing was wrong and needs to be fixed. And let's not assume that only the kids writing their own essays are doing this, either. If kids can write a whole paper using AI and then change a couple of words so that it passes the detector, they're going to do that too!

Again, the point here is that the AI detectors are not infallible, often make racist assumptions, and cannot be the only method used to check whether something was AI generated.

I don't really have a good conclusion because I don't have the answer to this problem, because it goes beyond students in a classroom and you won't always get a document history to check. I just felt like this post was losing it's direction and I needed to clarify it for my own sanity.

[euthymiya]

You believe in soulmates. Alhaitham does not. It’s not as though he loves you any less for his beliefs, but he certainly doesn’t entertain your baseless theories.

You’re determined to change his mind.

“What would you do if we never met?” You ask, staring up at him with your cheek pressed against his chest.

He glances down at you, sighing as he shakes his head. Here we go, he thinks silently. “I probably wouldn’t do anything, considering I wouldn’t know you existed.”

“You wouldn’t be sad?” You frown.

“How can I be sad about something that I don’t know exists?”

“Well, you could know of me,” you insist, “just because you don’t know me doesn’t mean you don’t know I exist.”

“In that case, I probably would not do anything,” he snorts. You don’t like that answer, glaring up at him as he adds, “I wouldn’t know what I’m missing if we never met.”

“You’re a real romantic, has anyone ever told you that?” You grumble. There’s a vibration of his chuckle through his chest, right under your cheek in a soft, rhythmic feeling that you’re so used to, you think it might be familiar from another life.

Over the course of the Akademiya’s years, there have been two prominent theories that have been debunked about soulmates:

1. The law of conservation of mass-energy states that matter and energy cannot be created or destroyed—but only transformed. When a person dies, their body decomposes, breaking down into atoms that return to the earth, air, and water. These atoms then get recycled by nature, eventually becoming part of other living organisms, thus reincarnating from their previous life forms. It is possible, then, that two individuals could fundamentally be linked to reincarnate together from the same set of atoms in every lifetime.

It was later debunked by a scholar named Lamiya. Atoms themselves don’t retain information about where they’ve been or what they’ve been part of. They are interchangeable at a fundamental level, which means there is no difference between an atom in a human and a rock.

2. The heart and brain generate electromagnetic fields that extend outward from the body, with the heart’s field reaching several feet. Studies suggest these fields may be sensed by others nearby, subtly shaping feelings of comfort, attraction, and connection. It is possible that certain individuals’ frequencies may naturally align, creating a sense of harmony between electromagnetic fields, thus indicating that two individuals are naturally connected and could be labeled soulmates.

This theory was later disproven by a scholar named Dharmakirti. While human bodies do generate electromagnetic fields, there is no evidence that these fields influence interpersonal attractions or emotional resonance. Fields produced by the heart and brain are exceptionally weak and rapidly diminish with distance, making it unlikely they could be sensed or create harmony between individuals in measurable ways.

They fascinate you enough that Alhaitham pulls strings to allow you access to the archived files, but it doesn’t go unnoticed by you how he scrunches his nose in distaste as he sifts through them himself.

Soulmates have no plausible evidence of existing, he argues.

Lots of things have no plausible evidence, yet they exist, you always argue back.

You like to think despite all the differences, you and Alhaitham are soulmates—that some form of you, outside of your physical bodies, exists for each other and each other alone.

You think it must be the case when your eyes seem to find his in a crowd without even trying. What are the odds that in a sea of people, they always happen to come across his by chance? And what other explanation would there be for the way he always seems to just know you’re staring at him while he sleeps every morning, waking up not too long after your eyes fall on his face in admiration? And how else would you rationalize the fact that you could tell his presence apart from anyone. You’re certain that if two bodies were standing behind you from a distance, your heart would know which one belonged to him.

Soulmates, you argue. That has to be the answer.

“I think we were always meant to meet,” you murmur quietly, tracing a finger along the pale skin of his chest. “Don’t you?”

“We’ve shared numerous classes together and have offices within within the same hall,” he states blandly, “I think the chances of not meeting would be rather improbable.”

“Or maybe,” you huff, “we were always meant to meet because we’re soulmates.”

“I think that theory has been sufficiently disproven—”

“You never know! We believe in the divine even if we’ve never seen them, haven’t we? Who’s to say Celestia aren’t fake—”

“The Archons have spoken of them multiple times, and The Gods, in fact, do exist for us to see, so I think we can trust—”

“Maybe Celestia decide soulmates,” you reason, raising a pointed brow at him, “how will you disprove that? There’s no evidence that they haven’t, and you can’t collect much evidence about them, so I think it’s safe to say that it’s possible.”

“But then it’s equally as safe to say it’s not possible by that logic, as well,” he says smugly.

“Fine,” you huff, glowering up at him through puffed cheeks, “I guess you’re just too stubborn to convince.”

“I’m not stubborn,” he argues (which he does quite stubbornly, you want to say), “I apply logic and reasoning to my theories. Which is why they are hardly disproven.”

“Do you at least think we’d be soulmates in another world if they did exist?” You ask hopefully.

He looks like he wants to argue about the likelihood of another world existing altogether—it irritates you enough that it pulls a frown on your face before you grumble a quiet forget it, shuffling out of his arms and turning away to face your back at him.

He chuckles, shaking his head. Something fond blooms in his chest, like a fresh padisarah in May.

“If,” he emphasizes as his arms wrap around you from behind, pulling you flush against his chest once more, “if in another world we existed where soulmates were real, then yes. I do think it would be you and I.”

“Really?” You ask quietly.

“Yes,” he whispers. Suddenly, he sounds rather sure about a theory he never even believed in the first place.

“I wonder what we’re doing in that other world,” you hum thoughtfully.

He sighs, bringing the blanket back up to cover both of your bodies and mumbles, “I would hope we’d be sleeping at a reasonable hour before a work day.”

—————

Stay tuned for them being soulmates after all in another world *wink wink* ;)

[celerifleuri]

i'm gonna sound SO stupid but I need to know what the HELL that snuggle ending was about. I feel like I'm just holding onto a thread of understanding. Like, I feel like I'm able to comprehend what happened but that's just unconsciously. If someone asked for me to explain it then I cannot. SO WHAT HAPPENED?!?!?!

under the cut you're getting the short answer and then a longer one with some lines straight from the script (both contain spoilers)

with the base of the wing made of wood surrounded by intestine, his body couldn't reject what was foreign. it forcibly tried to assimilate the wing and that's why he ended up rotting (dying)

bones, organs can be assimilated by his body while wood can't

but why didn't this happen with the little branch + intestine test then?

because it wasn't as big and heavy, his body wouldn't react so fast, so badly and because the organ didn't fully trap the branch in

(see when he sews the intestine around the actual branch, he makes sure it's properly sewn/covered)

now ill be bringing up a couple lines

starting with the ones right before the branching

first sentence there, she was on the right track! but right after, her thoughts shift because of what eric taught her (not physically, he did not break her bones), and because of how she views bones as weak. if weak and flawed humans have them, they can't be that strong now can they?

she's not objective and she doesn't test any more than that. after the eric line she simply lets him choose because she herself doesn't feel like she can/should

there you learn that nothing is visibly wrong, yet clearly something must be.

this goes back to the fact that the foreign is completely trapped between the intestine and his body (see silly drawings). nothing is showing there because the rotting is still happening inside for now, it hasn't spread enough to be visible on his skin

but how do you actually know that he's rotting inside? well!

opening him up leads you to the answer!

that "rotten cage of his" comes from eric thinking 'starling isn't that much better, he has bad intentions, he won't let you free' but it also hints at a) rot being the cause of starling's current state and b) his ribcage weakening, decaying

it's confirmed right when she's able to break his bones to fit in!

(slightly unrelated but i am a bit obsessed with this idea of breaking a cage to willingly trap yourself/be a part of something)

as for his death itself, it's confirmed by the lines that follow and of course eric had to blame her for it ("How suffocating.") right after she put her cheek on one of his lungs...

i could go on for longer but ill stop there before this gets too out of hand

hope that answered the question and if it didn't, feel free to tell me!

[hannahssimblr]

Morning, as snow drifts pile upon the sills, I wander towards the fridge and rummage through for something to eat. I haven’t been to the supermarket in a while, on account of eating out far more than I should, but it isn’t my fault. It’s Astrid who likes to go out for dinner, and who am I to deny her the opportunity to try a new cuisine, five, six nights a week? There’s a bag of frozen pretzels in the freezer. As soon as I jiggle the bag free of the over-iced drawer, Jonas pipes up from the living room. 

“Don’t eat my pretzels, please.”

“I’m not.”

“I know the sound the pretzel bag makes.”

“It’s… I’m hungry, okay?”

“Then you should have gone to Lidl.”

I pad across the hallway and into the living room where he sits, as always, on the left side of the couch, coffee mug on a coaster, and the newspaper in hand. 

“Really? I can’t have one?”

“No.”

“If I have to queue for the bakery now, I’ll be late for college.”

“You should plan things more. Maybe if you had thought about this, you would have bought your own bag of frozen pretzels.” He takes a long, satisfied sip. “Anyway, you shouldn’t be so worried about your breakfast, when there are these ongoing, violent demonstrations in Tunisia and such. Worse things are happening in the world than your lack of pretzels.”

“Jonas, please.” I groan. He loves regaling me with tales of war, death and destruction in the morning, as if I can do anything to fix it. I know that being a human rights student fills you with this kind of permanent dread, cursed forever with knowledge of the happenings of the world, but I paint pictures at college. Sometimes I make things out of clay which explode in the kiln. That’s about as bad as it gets, and I’d prefer to keep it that way. I don’t want to hear about violence and unrest before breakfast on a Monday morning. 

“You are late for college already,” he adds casually. “It’s already 8:30, and it takes thirty-seven minutes to get there.”

“It’s fine. I was going to get a taxi, anyway.”

“A taxi?”

“Yeah. I’m not walking in the snow.”

“You could have shared one with Astrid this morning.”

“Oh, you saw her.”

“Yes. In a very terrible kind of outfit of track pants and a sweatshirt far too big. She usually doesn’t look quite so dishevelled like this.”

My ears get hot. “Yes, Jonas, obviously those were my clothes.”

He pauses thoughtfully. “Well, I cannot imagine the terrible things you must have done to her clothes. I’m sure you were tearing buttons off and such ridiculous things.”

“Okay, I’m going now.”

He calls to me as I yank on my shoes by the door. “You have not yet sent the water bill money to me.”

“Oh, yes,” I reply distractedly. “I will. I’ve just forgotten the pin number for my account.”

“Again?”

“Yes, again. I’ll find it later.”

“I think if I forgot something so many times, I would write it down.”

“I’m sure you would. See you later!”

“Are you home before dinner?”

“No, I’ll meet you at the restaurant.”

“Okay! Tschuss!”

“Tschuss.”

Beginning // Prev // Next

[teencopandthesourwolf]

op re your tag: #do you think they played 20 questions

yes! yes, i absolutely do! because—as you said—two hours is a very long time to spend treading water while maybe possibly probably about to die, but especially with somebody you don't know all that well.

and this is stiles we're talking about! adhd motormouth stiles stilinski, who cannot bear uncomfortable (or even comfortable lol) silences at the best of times. so put him in an incredibly tense situation? with somebody he doesn't know very well? somebody he is nervous around (because contrary to popular belief stiles does actually have some self preservation instincts! plus, y'know, there's the whole derek is objectively hot as all sin thing)? of course he would start babbling away incessantly! ofc he would!

so yes yeah uh-uh you can absolutely bet your bottom dollar that he's gonna rope the local creeper wolf into playing 20 questions!

that boy will absolutely be getting derek to play the “i go to the shops and buy...” recall game that his mom used to play with him when he was a little kid! he will absolutely be forcing der to sing the national anthem with him (derek does not sing, he doesn't, but he's maybe about to possibly die and is losing his mind a little so sue him if he grumbles through the verses an octave deeper than stiles's ridiculous soprano)! stiles absolutely asks derek what his favourite thai order is (it's pad thai, which stiles mocks him for over it being such an unbelievably basic choice, and derek resolutely tells him to fuck off for) and stiles in turn shares with derek that his favourite is tom yum goong which obviously means he is more adventurous than derek (which is when derek tells stiles that hot and sour shrimp soup is not really that adventurous, and then reminds stiles that stiles can resolutely fuck off)! and then, what with the whole probable death thing, stiles absolutely starts to wonder if derek might be thinking about his family, and wonders when the last time was that derek got to talk about them, so he asks derek to tell stiles stuff about them, and at first derek is stubborn (too upset) to talk about them but stiles keeps asking him more and more questions about his mom and dad and brothers and sisters and cousins and aunts and uncles and grandparents, and derek realises that he really does want to talk about them all so starts answering stiles's questions in short sentences at first but then finds himself regaling all sorts of funny stories about them all and thinks of other fond memories because of this and ends up telling stiles things he hasn't thought about in years and it's really nice so he's then asking stiles about his family, and stiles says he never had that much really but talks about how losing his mom when he was little was and is the fucking worst because she was his best friend in the whole world (he loves his dad too, but saw even less of him back when he was a deputy) and he tells derek how he misses her like a lung and that he talks to her sometimes (which derek does with laura, too, but isn't about to admit to that) and that derek's deadpan humour often reminds him of her, and then he hears derek huff a little bit and it's the kind of huff that sounds almost like a laugh, a kind one, and stiles knew that talking and talking and not shutting up to try and break the ice in this week's perilous situation would pay off and hey! look at that! he absolutely got the local trauma edgelord lycanthrope to not only open up about his life but to cheer up and not be such a sourwolf and even laugh a little, too! which hey, if they're about to die, that's objectively actually the best thing a human and werewolf could do together, right?

so yeah, maybe op is spot on and we don't talk about this scene enough, which is a shame because there is SO much scope and we absolutely should delve into it more, again and again and again—because it is absolutely what stiles (and derek) would do xp

We really need to talk about the fact the stiles was prepared to drown to keep Derek alive.

He was treading water for two hours with Derek weight on him and only when his muscles started to give up did he try and hang onto the diving board. If Scott didn’t get there in time both stiles and Derek would have drown.

Also they couldn’t have been completely silent the entire time. Do you think as they both felt stiles weaken that they’d have to come to grips with the idea of dying. Do you think how Derek was paralyzed in the arms of a human (he doesn’t trust humans) and spent the entire time thinking “well this is the moment he’s going to let me go and I drown”; and how shocked he must of been when stiles refused to let him go. I know that stiles was definitely thinking about his dad. I wonder when the moment was that they realized they might die in that pool. The final moments before they both went under when stiles is trying so hard to keep them both alive. The way that stiles talks about drowning after this incident.

I really feel like we don’t talk about this enough.

[myechoecho]

Love Game in Eastern Fantasy, ep 19-20

Miao Miao is still defending Zi Qi and protecting his secret about being a demon. Despite the bracelet she still wants to go to him and check on him

Fu Yi and Zi Qi bonding over heartbreak is funny yet sad

Miao Miao is completely torn about wanting to stay to take care of Zi Qi and leaving. She eventually only left because others convinced her. But that was still not enough. She was able to break away to go back to him even if she cannot explain why. The bracelet cannot completely break their bond. She knows she's lost something

Maybe it's his sister, but I still think it huge for Zi Qi to admit that he likes Miao Miao. He sure sobered up quick

Poor Cui Cui being betrayed by the humans

Princess, how many more times can Fu Yi say no? I don't like you but honestly, RESPECT yourself. You know he does not love you

Well I guess I need to give some credit Ruo Shi. When he found out about the bracelet, he did go her and take it off. Even though I still firmly believe he should have questioned why she she agreed in the first place. And only did it because he thought she'd stay so I don't know how much credit I should give him. At the same time he didn't stop so he can have a cookie.

Once the bracelet was off, everything about Zi Qi came back to Miao Miao and all she wanted was to see him

How Zi Qi decorated her room was so pretty and she knew that he did it all for her. I love the dust demons in the bubbles

I love how despite the bracelet she was able to write how she felt about Zi Qi.

I adored her throwing herself into his arms and the absolute shock on his face when she did. He just leans into her and holds her tight She said she was sorry, and he forgives her. 99% affection!

I do hope they address the bracelet though at some point

The Four Bamboo Masters back together. They are a team and I like the touch of them wearing the little badges

[utilitycaster]

#reblogging for the “see: girlfailure” tag#caus I have opinions on the insular fandom memeification of characters but I don't - as this post highlights - have the words for it#but I keep those to dms caus anytime I or a friend has challenged it in a public space it gets shot down#it reeks of my troubles with the general fear of using the word woman these days and how it's girldinner this girlmath that#also what do you call as intentional character traits vs a flopped dice roll

(via @distant--shadow)

so I agree and this is interesting to me because what always frustrated me about "girlfailure" outside the more general issue of "um, coquette/bimbo/girl dinner/uwu soft divine feminine cottagecore domesticity don't you mean u want to braid her hair is actually TRUER feminism than being the surly woman who loves math and sword fights and hates sewing" and the fact that, as you said, it mostly came from bungled dice rolls and no real intent, is that the same people who call her a girlfailure insist that Imogen is the main character. And like, she kind of is! And yet - and I've said this about Imogen and Laudna in the context of their relationship but I'm going to not include that because I actually don't think that's even relevant, it's about them as individual characters as well - people want them to simultaneously be The Main Character or at least heavily in focus and also never, ever have any agency. Like, they want "capable" to mean that everyone likes you, and not that you are a person who makes hard choices for the better.

Maybe it's because I'm playing Baby's First RPG right now, but the deal with RPGs and I think(?) especially this one, is you must make every choice and it is laden with consequences (not that I as a D&D player, or, you know, a human woman, am unfamiliar with that already) but what drives me nuts about the just a silly guy! girlfailure! she chooses to be good and therefore is good narrative for Imogen, and the "stripped of choice" (another highly repeated turn of phrase) for both her and Laudna is that it's untrue and it means nothing. For all my criticism of What Doesn't Break, Laudna makes choices. I frequently dislike them and wish they had more gravity, but she does make them. She doesn't make every choice - notably, her death and Delilah's presence are huge things that happen to her without her input - but even while barely herself she frequently brushes off Delilah. You can imagine the dialogue trees and the paths she takes, to intervene or not. She decides to renew her pact; she decides to run into the desert. Imogen decides to attack the villagers with lightning to defend Laudna. She decides to leave, she decides to keep burning their rivals in the Twilight Mirror Museum, she decides to tell her mother that she won't join her, she decides not to help assassinate her mother.

Fearne has a wonderful line when she's talking with Chetney after shardgate, in which she explains that she's terrified of making bad choices. Not of being a bad person, but of making the bad choices. And that's the thing. You cannot choose to be good. You cannot choose to be bad. At least not in any general sense. You can, however, make choices that harm people or help them. You constantly must do this. You can stray, or change the type of choices you've made, but they do accumulate to a point, eventually, where it becomes harder and harder to stray. However, the premise of D&D is very much that your character hasn't become locked in, yet. Is Imogen making choices that will be better for other people? If the world rests on her shoulders, is she making better choices for the world?

This is perhaps the core theme of this campaign, dating as far back as Downfall. Aeor made their choice - many, many choices. The gods made theirs. Ludinus kept making his, over, and over. It's particularly resonant among the women of the campaign. Obviously there's Fearne, and I've covered Imogen and Laudna, but going over to the Crown Keepers, Morrigan becomes a paladin in a few short weeks - an immense choice. Fy'ra advises others on what they are going to do. And Opal is where she is now because in one moment she put the crown on her head - and in doing so, ceded further choice in the long run. The deities of both fate and free will in this world are given considerable presence in this story, and both use female pronouns.

Maybe I'm making a mountain of a molehill, but I don't think I am. I really do think people cling to "girlfailure" and act like we're just being meanie haters who don't believe Imogen is good because she can be the central character who has power to change the world and the narrative; or she can be pure and innocent of all wrongdoing. she cannot be both. No one can. And deep down I think the "girlfailure" proponents prefer a useless innocent girl to a powerful woman who sometimes makes choices or does things that hurt other people. So I don't think that one's just harmless meme-ing, and if you want to see Imogen as an exceptionally important part of this narrative I think you have to reject the girlfailure, and anyone saying "oh it's just a joke" is either unthinkingly repeating or is pushing a story where Imogen is just a MacGuffin without agency, and neither is worth, in my opinion, listening to. Someone "stripped of choice" in real life is worth our pity and deserves our assistance but they make for a pretty terrible fantasy protagonist, and it's maddening to see a woman in the center of the story and then to be attacked if you want her to be treated like a person who, as a result of being a key protagonist, holds particular power and isn't just a girlfailure.

[pomefioredove]

Hi, I saw that the requests were closed, but I wanted to share with you one of my thoughts, maybe even an idea. This looks more like an AU, but let's imagine that Maleanor is alive and her son brings his partner to meet her. How do you think she would react to the fact that her son's partner is a human? Considering that she hates humans, it would hardly be a happy meeting, but for the sake of her son, I think she would try to find a compromise. Of course, on my part, this would be a romanticization of the character, but I would like to think that after some time, she will treat her son's partner like her own child.

I think more about the logistics of malleyuu than I'd care to admit. even without Maleanor in the picture, there are many influential nobles and senators(?) in Briar Valley who would surely be opposed to Malleus choosing a human

while fae/human relationships aren't "forbidden" or even that uncommon at this point in history from what we know about Sebek, this is the future king of Briar Valley we're talking about. I can't imagine that having a human queen/king/monarch etc after thousands of years of a pure fae lineage wouldn't be a problem. at least for some. it would cause considerable unrest amongst the older fae, and most of the senate would object to it. but Malleus is... Malleus. it's an unstoppable force meets an unmovable object, and would cause political unrest no matter what. even if Yuu is perfect, even if Lilia takes their side, even if Malleus throws a temper tantrum that kicks off overblot 2.0...

tradition in a place like Briar Valley is... kind of important. in canon it's stated over and over again that Briar Valley is extremely old-fashioned and traditional, to the point where basic technology isn't available to most of the population (can I assume that most don't have electricity or running water, too?). I wouldn't be surprised if there's some ancient laws preventing humans marrying into the royal bloodline that would have to be overturned just so malleyuu could happen

I'm sure not everyone would have a problem with it, like I said, fae/human marriages aren't a taboo (thank god), but there will be a lot of fae who would. not only is Yuu non-royal, a commoner, but also a human, and a human who can't perform magic. not only will Yuu die long, long before Malleus does, but there's a chance their children, if they're able to have them, won't inherit any magic (is this a problem? well, not to me, and not to malleyuu, but to the senate and people of Briar Valley, I cannot doubt it would be)

but like I said, Malleus is Malleus. he's like a toddler, stubborn and selfish, he loves his toys and doesn't want to share them. if he truly falls in love with Yuu, and they love him back, there's surely nothing anyone could do to prevent him from marrying them. I dare say he'd sooner step down as heir to the throne than to give them up. he'd at least threaten to

this is like, period-drama type civil unrest. marie antoinette type civil unrest. the political and social ramifications of malleyuu are the most interesting part of their dynamic to me tbh!

as for Maleanor? I love her. and she would 100% be against malleyuu for the listed reasons. unstoppable force vs immovable object, again. but she also loves her son, and I do think she would warm up to Yuu eventually, just... with that lingering sense of dread

[sillyblues]

The strongest Jujutsu Sorcerer, Gojo Satoru, but also the weakest human.

Gojo can hollow purple a curse whenever and wherever and activate his domain one billion times a day, but he cannot stutter even a syllable out of his affections. He can wipe an enemy out without so much as looking at it in the eye or even lifting a pinky, but fuck, he can’t look at you straight in the eyes when you look at him with wide eyes and tilt your head. He doesn’t know what to do, only flushing red which he hopes you don’t notice when your pinky fingers brush against each other as you two walk side by side.

So he only does what he does best. Show off. 

You see that, [Name]? Didn’t even take a minute. Bet you can’t even do the same. Heh.  Well, what can I say? You’re weak.

So why don’t you just lean on me—

Hey. Where are you going?

Why aren’t you looking at me anymore?

[soft-pine]

1.14 nightmare // cn discussion of domestic violence and suicide

what an aptly named episode. this is one of the most upsetting episodes of the whole show for me. while it touches on themes that i love - what if the monster was family - the way it handles ms miller is deeply uncomfortable. and max's story is just downright awful.

i do find it interesting that this is the second time this season where dean is arguing that they have to stop someone even if they happen to be human. while sam is vehemently insisting that them being "human" means they have to take another approach.

the first is in faith:

DEAN: Sam the guys playing God, he's deciding who lives and who dies. That's a monster in my book. SAM: No. We're not going to kill a human being Dean. We do that we're no better than he is.

and then again here:

SAM: Dean. He's a person. We can talk to him. 

i've said and i'll say again that dean understands that monstrosity is the result of actions and choices not something intrinsic. i think sam sees monstrosity and humanity as more of an intrinsic dichotomy and that's one reason he struggles so much in season 2. anyway.

but really what i want to talk about is ms miller. and how clear it is that she is also a victim of domestic violence. i understand, deeply, why max is so angry with her and why he sees her as an extension and enabler of his abusers. but i simply cannot fathom a world where max is experiencing the torrential abuse he's suffering where those people are not also harming ms miller deeply.

max accuses her, "You didn't do anything. You didn't stop them, not once!" their old neighbor says, "the worst part was the stepmother. She'd just stand there, checked out, not lifting a finger to protect him." the neighbor's claim always strikes me as a remarkably cruel reading of someone who is clearly also suffering and likely dissociating. like idk man of course i think adults have responsibility in situations like this (and i do appreciate the nod to the cops being useless) but like... "the worst part" THE WORST PART was the stepmother. i kinda feel like the worst part was the abuse, no?

but the upshot of it all is that ms miller's implied abuse seems like it has no witnesses. and that's of interest to me because of some interactions we've already dealt with in season 1.

in 1.03, we get this exchange:

DEAN: ... all that anger, you can't keep it burning over the long haul. It's gonna kill you. You gotta have patience, man. SAM: How do you do it? How does Dad do it?

then this in 1.08:

SAM: Remind you of somebody? Dad? DEAN: Dad never treated us like that. SAM: Well, Dad never treated you like that. You were perfect. He was all over my case. You don't remember?

and at the end of 1.14, sam says:

SAM: Well I'll tell you one thing. We're lucky we had Dad. DEAN: Well I never thought I'd hear you say that. SAM: Well, it coulda gone a whole other way after Mom. I little more tequila and a little less demon hunting and we woulda had Max's childhood. All things considered, we turned out ok. Thanks to him.

listen, i would never argue that john winchester didn't abuse sam. but i think it's interesting that though sam is critical of john's parenting and though he has complaints about how john treated him, he doesn't seem to think john treated dean poorly.

which, we just simply know he did. we know it because john does it in 1.09, 1.12, 1.20, 1.21. and because we're told he did in 1.18, 1.22, 2.01, 4.19, 9.07, 14.11, 14.12, 15.20, i mean i could go on.

and not that i have to filter everything through season 14 episode 12 prophet and loss. but i will. because it very clearly lays out how 1. dean was forced into the role of keeping the peace and 2. john would treat dean badly in ways dean wasn't sure sam was witnessing.

DEAN: I know things got dicey… you know, with dad… the way he was. And I just… I didn’t always look out for you the way that I should’ve. I mean, I had my own stuff, you know. In order to keep the peace, it probably looked like I took his side quite a bit. Sometimes when I was… when I was away, you know it wasn’t ‘cause I just ran out, right? Dad would… he would send me away when I really pissed him off. I think you knew that.

the uncertainty behind, "i think you knew that." ough.

but bad boys goes even farther here:

SAM: Hey, Dean ... I mean, why didn't you just tell me you went to a boys' home? DEAN: I don't know. Uh, it was Dad's idea. And then it just – you know, the story became the story. I was 16.

john told dean to lie to sam about what was happening to him.

so what does this all mean in an episode where dean is somewhat mirrored to and protective of the allegedly bystanding stepmother?

that abuse is shitty, cruel, secretive, and protects itself by pitting its victims against each other.

i don't know i wish i had something a bit clearer to say than all this. but it's just sad.

[adamnagaitits]

so you're telling me not only does this parody of a game doubled it (the systematic racism elves experience throughout across the entirety of thedas which they didn't show one fucking jot of lest they had to remember that dragon age isn't an intermarriage of marvel writing steven universe morality tiktok therapy and gender PSAs for straight people and that tevinter imperium goes beyond alienages and mirroring antiroma sentiment in attitudes towards the dalish with how they treat the elves and put slay in slavery) and gave it to the next person (qunari who are almost solely represented by the dehumanised faceless renegade barbarian colonisers who speak in monstrous unnatural voices and wear fuck knows what and skull masks and all they do is oppress and wreak havoc because If You Didn't Know They're Bad And Scary And Not Human Actually), not only does the narrative of this ridiculement of lore that they went out of their fucking way to make revolve around that FUCKASS egg cunt makes the only character who's not antaam and still follows the qunari tradition if not the qun itself an abusive dismissive and dissatisfied incompetent mother trope for like 95% of the time you spend with that character and tries to frame her as a transphobic tradwife who bestows the gift of internal misogyny upon her child and who only remembers that the qun is strict about social roles but not specifically gender ones and that transgender people are accepted and accommodated as long as they transition in terms of their responsibilities under the sun as well AFTER her gender-nonconforming child whom she's been somefuckinghow displeased with for not presenting and behaving like what she thinks a woman should be and do for quite some time tells her they're non-binary (without the narrative ever addressing taash's confirmed!!! internalised misogyny and dealing with it first because if you do that you're transphobic actually and it magically goes away if you transition in case you were wondering and using that EXACT modern terminology no less, why the fuck does my non-binary rook talks about their gender and their experience like you would expect someone from a setting like this and taash just goes "so i'm non-binary"?), not only does this absolute shitshow only redeems shathann through sacrifice and death because this is the only way a mother can be forgiven apparently, but also makes you force the character with a mixed cultural background to choose one and forsake the other because trick fucking weekes cannot begin to fathom the concept of mixed people and diaspora is not once but fucking TWICE EVEN if you chose to tell them that being mixed (culturally in taash's case since they're rivaini through having been raised there but not in terms of origin but the sentiment clearly extends to mixed people) is good and whoever tells them what they should be can fuck right off?????????? i hate this fucking game so much it hurts

[moominvalleysunset]

Jack & Joker episode 10 thoughts on P'Oh's death

I saw a poster who said they were abandoning the show because of their treatment of Trans characters (Their examples: making P'Saran's character Nulek the butt of a joke and killing off P'Jennies character P'Oh quite gruesomely.) And while I completely understand that this is a sensitive topic, especially right now, where Trans rights are being attacked in many if not almost all parts of the world and the result of the US-election does not bode well for a fair and inclusive future (and as you don't know me, let me emphasize: Trans rights are human rights, end of story!), I cannot agree in this instance. Loooong-ass Essay under the cut, be warned!

First of all, Thai culture is a special case as far as gender, gender identity and gender expression goes, both historically and in the progressive movements that are happening both in Thai society and in the entertainment (specifically the BL) industry. You simply cannot judge it solely by Western (or even other Asian) cultural conventions and standards, and by viewing it even more exclusively through an USA-centric perspective you are not doing anyone any favors.

I think that everyone watching Thai BLs regularily at least knows a little about the underlying cultural issues and practices, but for those who would like to learn more, I would recommend reading Dr. Thomas Baudinette's extremely fascinating and well-researched book Boys Love Media in Thailand (https://thomasbaudinette.com/boys-love-media-in-thailand-2022-3/) , where he also touches on the development of presenting trans and genderqueer characters in Thai TV and film (though only up until 2021/22, and the last two years have seen significantly more progress, diversity and inclusivity in Thai media both in front of and just as if not more importantly, behind the camera.) It's a great read, and I'm looking forward to the updated edition coming out next year. Or at least read a Wikipedia article or two about the subject if you haven't already, it's extremely interesting!

Now secondly, I want to take a look at the narrative. First of all, the two trans/genderqueer characters mentioned above are not the only ones in the show. We have Nulek's friend Pharao, Joke's disguise as Jessie (not a girl but a genderqueer person in drag, and emphatically NOT a caricature), Arun as a femme character and not to forget P'Oh's business – and maybe life – partner, a Trans man. Neither of them has been singled out, ridiculed or punished for their not conforming to any hetero- or cisnormative standards in the story (except for Arun by his dad, and nowhere is this presented as anything but reprehensible behaviour by a father). They are normal people struggling with social injustice and mundane problems, like anyone else. Which brings me to the first of the two instances mentioned, Nulek. While I understand that leaving them at a trash heap (I think we all can agree that getting them out of the way was just a plot thing that needed to happen) might raise some hackles, they are not the only one left there. The – very cismale – driver that Joke impersonated was also left at the landfill, so it is maybe not all that symbolic? Especially because Nulek and Arun's other subordinate Pharao get their comeuppance later on when they get their wonderfully petty revenge on their fallen boss. They have gained agency, rightfully enjoy their upper hand and are again not being ridiculed by the narrative.

And now P' Oh, played by the wonderful P'Jennie. I am horribly saddened by her senseless death, angry and frustrated, because it was so preventable and unfair, but her being Trans is not the most important part here IMO. She was trying, she was struggling, she was failing, she was succeeding, she was funny and sassy and beautiful and a smart businesswoman, and she was the only character apart from the mains, Toi Ting and Ama (who were not spared, either), whose death would send a big enough shockwave through the community to finally rattle them into fighting back  (but also leave the mains able to function and not utterly paralyse them in grief). That's why neither Toi Ting's dad nor Tattoo's mom were viable options. P'Oh was respected and liked in her community. Having her die was dark as fuck, but narratively speaking IMO necessary, and she didn't die because she was Trans. She died because she was the only character whose death would have the right amount of repercussions. So I cannot agree with the other poster that killing her was "shitting on Trans women". Really not.

Thirdly, we have to leave the show and look beyond, behind the camera. These people are longtime collaborators and by all accounts great friends and business partners. P'Jennie is a star who has written lakorn and BL history with her roles. There is nothing but love and respect for her from the makers of the show, you can be sure of that. And I would really like to hear her speak about her character and her role here. And Nuleks actor P'Saran and their friend Pharao have been collaborating with War, Yin and their managers since the first En of Love Anthology in 2019/20. YWPBs managers P'Go and P'Aun themselves can be read as femme. YWPBs work environment and the people they choose to collaborate with seem to be progressive, inclusive, diverse and definititely neither cisheteronormative nor tone-deaf to social issues, as we can see in all their works and public presence. Even more so in War and Yin themselves and in what they choose to say, do and stand for publicly. Are they all perfect? No (who is?), but it seems to me that they are trying really hard to do what's right.

So while I of course understand why someone could be triggered, angry and disappointed at what they see as yet another instance of a Trans character being treated unfairly, I would argue that here this anger might be misdirected and this reading neither does justice to the characters, the narrative, the actors and makers of this show nor to the very real issues Trans and genderqueer people still face in Thailand and around the world.

If you made it this far, thank you for reading my essay/rant and I would be extremely interested in what you have to say in return!

[bansheeoftheforest]

more thoughts! this time even more loose points that is mostly about Anubis' stay at camp half-blood

Also! Everyone is very welcome to add onto this, send questions/suggestions for the au, etc! :D I also do have the urge to turn this into a fic but that is quite unlikely since i haven't read any of the books since i was. 12 (Same as before, eventual updates will be found in the reblogs until I come up with a good AU tag!)

I know that realistically, this lil au would follow the plots of the book(s) but I also cannot for the life of me remember more about the third book other than "demigods find the hades kids and then Bianca dies" so at this point this is just me throwing out whatever feels nice between my brain wrinkles.

You know who would have been the first one to figure out that Anubis is an egyptian god? Rachel, but she doesn't show up properly until multiple books later, at which point he definitely would have been revealed. She could have taken one look at him and notice that he is both a god and definitely not (entirely) greek, and then promptly pull him aside and demand answers. I think she would agree to keep quiet about his secret but also would find some way to tease him about it.

It could possibly be Annabeth that figures him out first but I also do not really think she would have any reason to suspect that he is an non-greek god, just perhaps not entirely human/demigod-y. The more time Annabeth spends trying solve whatever tf is up with Anubis, the more happy he is that there are no demigods of Thoth.

I also assume Hades kids don't typically end up at the camp since there is no Hades cabin and all, which means that Chiron and Dionysos either A) have absolutely 0 idea why Anubis came along with the other demigods, or B) they do know what he have been up to, but decide he isn't enough of a threat to have to be dealt with.

(I HC that Anubis is very charming and respectful to elder/higher ranking gods, so I could imagine that Dionysos was sceptical until Anubis like. Bowed and greeted him with "Lord Dionysos" and shit, to which he was totally on board with letting him stay at the camp).

Since the "claim your damn kids and pay your child support" oath isn't taken until the last book, I don't think Hades would claim any of the siblings until like. He has threatened both Zeus and Poseidon to the point of compliance, if even then, so Anubis kinda has to balance not being suspicious, not seeming like he knows to much, making sure the kids' death abilities don't go haywire, and also reassuring them that no, their godly parent doesn't hate them, they (the gods in general) are just weird.

I am very inbetween no one suspecting anything weird with any of the siblings, or the campers thinking Anubis specifically is just really uncanny for some reason. Like, first of all, he claims to be a 16 year old demigod, which is rare in itself and especially so with no prior contact to Camp Half-Blood, and secondly, he probably hates lying outright bc of his whole work with Maat so like every other sentence sounds like he is hiding something because he has to lie but he doesn't want to, and he also probably doesn't really know how. Not to even mention the fact that he is the most intimidating out of these 70+ year old siblings in the first place.

NGL, I think he would try to keep Bianca from joining the hunters of Artemis, only because. Well. she is 12 and has absolutely 0 training in her godly powers or weaponry/fighting at all. Whether or not he is successful in convincing her to join the lesbian commune when she is older is an entirely different story. But hey, if she does and she still dies, he can feel really guilty about it!

No matter if it is PJO or actual mythology, I am always convinced Anubis and Hermes are really good friends, so I do find it funny to imagine Anubis having to bunk with the children of one of his best friends or exes. Although I think out of all the demigods (other than Nico and Bianca) he would like the Hermes kids most.

Anubis would still put most of his focus on the siblings/Nico, but I also feel like Dionysos and Chiron would still tell him that, if he is going to stay at the camp with the Di Angelos, he has to do what the campers does and follow their schedules. Imagine being an egyptian god of death and funerals but now you are a babysitter doing arts and crafts or playing capture the flag with like. Children.

I also quite like the thought of like. How Anubis would be found out. Did Bianca and Nico get suspicious when he keeps disappearing to talk privately to Chiron/Mr. D/Hades? Do they assume he knows something because, before CHB, he claimed to know quite a lot about their father's "testament"? Do the other campers just get really really suspicious? Did he do the classic folly of "I have to play fighting games with children and while I am good, I am not that good and oh shit they see that my blood is quite literally liquid gold. Whoops."? Is he forced to reveal the truth on Hades' orders, or because he has to deal with whatever the fuck is going on with the egyptian pantheon? Or did Annabeth simply figure out what he is and confront him about it?

(Honestly there could be a big chance he just got really fucking tired, stayed in his jackal-form for a while, and Annabeth decided the only reason a black jackal would be at camp could be an egyptian god infiltrating said camp, and technically she is right).

I also do like, in the very small chance that Hades decides to claim his kids, since Zeus and Poseidon know he would murder the fuck out of what is left of their children if they tried to hurt them, he also claims Anubis to keep up appearances for the time being. Like eventually the entire "I got the egyptian god of death to babysit my kids" thing turned into "well, I guess I am fighting for custody over the egyptian god of death".

With the above point, I do love Anubis being super duper confused about it because THAT was definitely not part of the plan. And it is not like he can explain to anyone why he is so confused when some might already have assumed he knew who their godly parent was.

Honestly the thought of Anubis doing the equivalent of attending kindergarten to keep the Di Angelo siblings safe is quite funny to me.

Still refusing to reread PJO/TKC but it is still infesting my brain so woe crossover au be upon yall

Au where Anubis casually gets assigned to be Bianca's and Nico's older brother, anyone?

(messy points below, mostly from Anubis' pov coz he is my pookie)

Like, once the other Egyptian gods start dropping like flies because the magicians are imprisoning them, assuming they may also go after Anubis, he turns to Hades as a very very very last resort because, well, he would like to not be imprisoned for all eternity, thank you very much. Hades agrees on the condition that Anubis looks after his demigods, since he otherwise really isn't to any use of him, which Anubis accepts. So, Anubis is basically the Hades/Pluto demigods' divine babysitter in exchange for some protection from the magicians who may or may not also want to imprison him.

I shall say that this either works bc A) Hades kids radiate enough death so that he can be around them without a host or B) it is all just bureaucracy so when the rest of the Egyptian gods are gone those rules simply do not really apply.

Anyways, once the Big Three ProphecyTM rolls around and Maria Di Angelo kicks the bucket, Anubis is left in charge of making sure the Di Angelo siblings survive, taking them to and staying with them at the Lotus Casino and the different schools that Hades moves them around to, either as their "older brother"/guardian or as their pet dog that the authorities simply don't bat an eye at.

The siblings, with their memories absolutely fucked up, simply accepts that they either have a brother, a dog, an older brother who is occasionally a dog, or a dog that only conveniently shows up when their brother isn't there and vice versa.

And since I haven't read any RR books since I was 12 and I never read the HOO series, I can't really talk much about the logistics from here on out but. I have some thoughts in general.

Anubis makes sure that he takes the majority of the responsibilities, so that Bianca can be a little more happy and a little less stressed than she would have been if she was alone looking after her little brother.

He also happily distracts Nico when Bianca needs a break, he can genuinely listen to Nico ramble about whatever for hours, remembers it quite well and can return the conversation, which Bianca rarely has energy for.

(He was the exact same when he was young and wants to make sure Nico has someone that listens to him)

Genuinely cannot rest until he makes sure the siblings are fine and safe, which becomes a bit of a problem when Bianca goes on her first and last quest, and even more of a problem when he is more stuck in the Brooklyn House and he has to keep contacting Nico before he allows himself or Walt to rest as a result of that.

He is so so so so SO protective of the siblings. He is absolutely ready to die or kill for them. He is not a fighter, more often than not a pacifist, but when it comes to them he is the first to throw hands.

Also him absolutely being ready to kill the demigods that find the siblings at the military school coz he is so used to the "any demigod or magician is here to kill one of us and I have to protect them at all costs" mode that he has been kinda stuck in for the last 70 or so years, minimum.

He is merely an older sibling running on the equivalent of 3 hours of sleep and 2 strong coffees, which really doesn't help the situation once shit starts going down in Brooklyn/the Egyptian pantheon.

Speaking of the Brooklyn House. After being a Divine BabysitterTM for like 2000 years he genuinely cannot get rid of those base instincts, which ends up with him fussing over the Kanes/Walt/Zia and the rest of the initiates because those are CHILDREN and they need to REST and be SAFE and EAT PROPERLY and TAKE YOUR DAMN VITAMINES, WALT.

Because of those 2000 years of babysitting, Anubis is genuinely amazing with kids. You'd think they'd be scared by him, but no. He is the first one they run to when they scraped their knee and need a band aid and a hug.

He also 100% stares right into Percy's and Will's souls the moment he finds out Nico has/had crushes on them. Despite being raised in an entirely different time he definitely is a "no dating until you are at least 25 otherwise I might have a heart attack" sibling and he is not letting some random demigod break his lil brother's heart. He accepts Will well enough though coz he makes Nico laugh which in the end is the most important thing.

Will might actually be more intimidated by Anubis than Hades but that doesn't stop him. Nico is his babygirl and he knows Anubis is (probably) more bark than bite (most of the time).

No matter if Hades allows him to like. stop being a babysitter once the gods are restored and Ma'at is balanced and all, Anubis still sticks around and checks in on Nico (and eventually Hazel). He gets antsy if he hasn't heard from them at least once a day.

He probably has a good base relationship with Jason and Reyna (bc both are protective older siblings when it comes to Nico) but he keeps Percy at a distance ever since Bianca's death (not that he blames him). But he isn't particularly close to any of them, as his priorities lay with Nico, Hazel, and the Brooklyn House.

Assuming Anubis doesn't like. Introduce himself to the greeks as "Anubis" and instead says he is someone else, I have absolutely no idea when or if he would ever tell any of the greek demigods what he truly is. But I suppose Nico would eventually find out that his older brother actually isn't related to him at all, or even from the greek pantheon, and instead only happened to become his older brother as a favour to Hades. Depending on how he finds out he definitely could get upset but I like to believe he sorta figures eventually, and is just happy Anubis genuinely cares for him.

I also like to think that the greek gods they meet when the demigods take the siblings from the school to camp half-blood, just gives Anubis A LookTM. Either they are fully aware he is protecting the Hades kids or they think an Egyptian god is just casually hanging out with some random demigods. Which must certainly be a sight to behold.

Can yall for a moment imagine being the Kane siblings, trying to get the feather of truth from the god of death to avoid the impending apocalypse, who then says "sorry I am mostly on babysitting duty so I can't really help yall more than this, good luck tho."

Walt who meets Nico and is so conflicted because in one way he is slightly weirded out by this tiny depressed gremlin, but in another way the Anubis PartTM of him is just going "protect protect protect protect", which is a weird first impression.

One of the Kane siblings would be interested in Mythomagic, I just know it. Either Sadie coz it is funky or Carter bc it is nerdy. Either way, Nico has at least one Kane to bond with bc of it.

Nico just has the ultimate diplomatic immunity because he can go between Camp Half-blood, Camp Jupiter, and the Brooklyn House basically as he pleases.

On a completely different topic, the majority of Nico's wardrobe is just shit he has stolen from Anubis, he just lets it happen, in part because it is not like he as a god has a limited wardrobe, and in part bc Nico is absolutely adorable when he drowns in Anubis' jackets bc they are too big for him.

Also, Anubis helping Nico train his death magic, and teaching him the easiest ways to build endurance while using it.

Frankly the thought of the rest of the gods being banished, imprisoned, in exile or attempting to free themselves while Anubis is playing babysitter is very funny to me in general. Imagine being Isis or Osiris and attempting to ask your nephew/son what he did during the 2000 years yall were imprisoned and he goes "I took a side job as a babysitter to pay the bills".

Honestly I might reblog this with more thoughts eventually. They are all just so pookie.

[ruvviks]

PLEASE DO NOT TAG AS YOUR OWN OC OR PAIRING.

Nathan and Ruben share a bond more powerful than most; mutual understanding through past experiences no one should ever have to go through, and through past actions so horrible they cannot be spoken of. Their grief and the blood on their hands binds them to the STEM technology they created, which has alienated them from the rest of the world— but they give each other the comfort they have both longed for so desperately for years, and that is all they need. They are each other's counterpart; you cannot imagine one without the other, like two sides of the same coin. Through their pain, their grief, their desire, and their regret, they have become one.

anna akhmatova, the guest // bones; equinox // 'i won't become' by kim jakobsson // agustín gómez-arcos, the carnivorous lamb // by oxy // achilles come down; gang of youths // czeslaw milosz, from 'new and collected poems: 1931-2001' // 'extended ambience portrait from a resonant biostructure' and 'migraine tenfold times ten' by daniel vega // a little death; the neighbourhood // marina tsvetaeva, from 'poem of the end' // by drummnist // katie maria, winter // 'nocturne in black and gold the falling rocket' by james abbott mcneill whistler // micah nemerever, these violent delights // body language; we are fury // 'the penitent' by emil melmoth // chelsea dingman, from 'of those who can't afford to be gentle'

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree

[sengoku-nadeko]

[icewindandboringhorror]

I occasionally wish to reach out to old friends/acquaintances I haven't spoken to since high school/some other even earlier time in my life, but I have SOOO little social energy even for required tasks (like making dr phone calls or etc), I never have any leftover for extra ones, and it would be very odd to message someone I haven't spoken to in like 5 years out of the blue but then take 4 entire months to respond back lol.. My natural curiosity with nostalgia/collecting details of the past/etc. (literally if I were born a little earlier I would definitely do scrapbooking or something lol) is very strong, but, alas, not strong enough to beat out the Social Issues Demons apparently