#we need socialism
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too-cool-for-facebook · 2 years ago
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Is there a word to describe "having been traumatized by Capitalism"? Such as, if I'm being"unproductive" I feel like a failure? Or if I walk out of a store without having bought anything, I feel like security assumes I've stolen something so I'm scared and anxious?
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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inkskinned · 1 year ago
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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my-autism-adhd-blog · 7 months ago
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Autistic Callum
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emo-batboy · 1 year ago
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Battinson and the JL ft. His Eventual Identity Reveal
(If you’re just here for the cutesy bits, skip to Attempt #2. Otherwise, STRAP IN CUZ IT’S A LOT)
Bruce Wayne of Matt Reeves’ The Batman is not the founder type.
He wouldn’t voluntarily join a book club, much less join a league of super powered vigilantes whom he does not know personally.
So in this universe, you probably wouldn’t call him one of the three Founding members.
But he’s still integral to the formation of the Justice League
It starts out with a friendly visit :)
Bruce is patrolling on a random night in Gotham when he notices a weird thing in the sky. It’s floating just far enough behind him that a less vigilant person wouldn’t have noticed, but Bruce is always watching his own back, and he takes it as a threat.
He strays from his usual path and then heads to a warehouse roof before turning to face the threat.
It’s Superman. All smiley and dressed in primary colors. The strongest, most powerful being on Earth just floating over like he wasn’t stalking Batman a second ago. Bruce does not like that.
“What do you want with Gotham?” He asks. “I don’t,” Superman says. “I wanted to talk to The Batman.” So this is some kind of fight? An intervention? A warning? Then Superman frowns. “You…are The Batman, right?”
Bruce only nods as he considers his options, but he can’t really do that when Superman has super speed, super sight, super strength, super breath, super lots-of-things-that-Batman-probably-doesn’t-know-of.
Then Superman surprises him by landing on the roof and giving him this pitch about a superhero group.
Superman and a few other vigilantes have been bouncing around the idea of teaming up together so they can help one another protect their cities. And The Batman was a “perfect candidate.”
“I’m not joining your club.” “It’s not a club. It’s a league.” “What’s your mission statement, then?” “A what?” Bruce fights the urge to roll his eyes. He still doesn’t trust this guy. “Take your league idea back to the drawing board then we can talk.” He does not intend on talking.
But two months later, Superman is back. This time, he brings another super powered vigilante named Wonder Woman.
She smiles, politely approaches him, and says “Superman tells me you want to learn more about our league.” That is not what he said, but he doesn’t bite.
Bruce can’t decide which they remind him of more: college recruiters or cult leaders. But because Wonder Woman genuinely seems to care about seeing this project through, and the roster she has of current like-minded vigilantes is impressive, he lets her talk.
And to give her credit, she definitely thought out the logistics more. It almost makes up for the time they’re wasting.
Okay, fine. They’re still way behind on concept, and it’s pitiful. He actually feels bad.
They obviously care! They just have no idea how to run a business like he does. Is it a bit cynical to think of this league of Justice as a business? Yes, but that’s the only way he can even conceive this happening and working.
Bruce asks about their organization’s leadership structure, and that’s when Wonder Woman falters a bit. “We want to work with each other, not for.” Bruce bites his tongue on that subject.
He asks about their scope of work. “We want to help as many people as we can, but that can be ironed out later.” Bruce bites his tongue on that subject.
He asks “Who’s funding this?” She answers, “We have a few members willing to pitch in, but the majority will have to come from generous citizens.” And that’s when he just stops asking questions. Because what?
If he could cry the grease paint off, he would.
They can’t just think every super-powered vigilante is going to sing Kumbaya and braid each other’s hair. There needs to be checks and balances within the organization to avoid tyranny and corruption. They need a reliable source of donations (that doesn’t immediately out Bruce.) They need a proper chain of command. They need to map out their area of responsibility. They need to design a VERY strict vetting process. It’s not sunshine and rainbows. It’s hard work!
So he says he’ll think about it again and complains to Alfred about the weird super stalkers.
But for SOME reason, Alfred doesn’t see the problem
Alfred encourages him to join so he can “make some friends.” But how can he trust these people if they can’t even make a half-decent pitch? It’s like a bad episode of Shark Tank.
And “make friends?” They’re all masked
But after a week of gentle nudging (read: very firm lectures), Bruce agrees. ONLY to keep tabs on the rest of the vigilante world and possible threats to Gotham
(And without his help, they’ll probably butt-dial Lex Luthor the nuclear codes or something)
And he is damn well going to figure out who these people really are before he helps them make a Super Organization.
Alfred figures out about half of their secret identities purely as a brain exercise while Bruce is out fighting crime and collecting head injuries like Pokémon cards. They figure out the rest together.
They also develop contingency plans for every single member. Just in case.
And after months of Batman being visited by random vigilantes, whom he has several choice words for about personal space—“This is my city. Go away.”—he accepts. On several conditions.
Not all of them are appreciated.
Attempt #1: “Making Friends”
After several scheduling conflicts, a lot of prep work, and a really good hype session in front of the mirror, Bruce heads on over to the first official meeting.
Batman arrives with a long list of things they need to do before going public. The first thing on the list?
Write A Mission Statement
What the fuck are they actually trying to do? Bruce thinks this is a great starting point.
And you’d think (you’d think) this Justice League thing would be easier to tolerate than the drawn-out exec meetings he has to sit through with boring, old businessmen who keep delaying things so they can hash out every little detail.
To Bruce’s absolute horror, he BECOMES the boring businessman who’s delaying things so they can hash out every little detail. He misses the boring, old businessmen. At least they knew what they were doing.
Every turn, he is argued with.
“Why do we need a mission statement?” “‘Power Structure’ feels authoritarian. Can’t we just share leadership duties?” “Do we really need this much paperwork?”
Bruce has the audacity to say, “We need to develop some sort of protocol that helps us analyze any possible threat.” But no. “Why can’t I just jump in? I have eyes.” “Jumping in without studying an opponent’s behavior could cause more harm than good,” he insists. “So what? I’m going to watch an alien monster go on a rampage through my city instead of fighting it?” “Yes. You don’t know what it’s capable of.”
Bruce already regrets joining.
All he hears is the others gossiping. “Is this guy really telling us how to be heroes?” “He’s got a major stick up his ass.” “I knew we shouldn’t have let him join.” And if that doesn’t dissuade him, he doesn’t know what will.
“How was the first meeting?” Alfred asks. Bruce scowls. “I’m not making friends.”
Nonetheless, Bruce sticks it out for weeks until they have some semblance of an organization. And, to his shock and amazement, it…kind of works.
The Justice League makes its debut, and Wayne Enterprises generously donates some money “out of spite” after Lex Luthor publicly denounces the league. (Honestly, Bruce would too if he hadn’t personally duct-taped it together himself.)
But the league starts small, just like he told them, they respond to natural disasters and public safety threats first (as per the outreach initiative) and focus on protecting communities in need (as per the mission statement.)
Yes, they still think Batman has a stick up his ass because he’s a stickler for writing incident reports, but no one else reads them so he has the right to be pissed.
He’s almost kind of sort of content with how it’s going. Even his reputation as a vigilante is improving.
That’s when another glaring difference between him and the other members appears.
Despite looking the same age as the rest of the team, Bruce is actually much younger?? Even excluding the aliens, gods, etc.
Most of his teammates are in their late 30’s, early 40’s. Meanwhile, Bruce is at the ripe age of 29 and a half.
He is the youngest by ten years.
Everyone kind of just assumes he’s the same age, though, so they make references to 80’s kids stuff that he only vaguely understands through Alfred and his business partners. He just sits there in silence like a child who snuck over to the adult table and is waiting to get caught.
So on top of the rift he (accidentally) created when they started the organization, it’s even harder to connect through similar interests. Other than punching people together.
And Bruce Wayne has a bad case of imposter syndrome when it comes to their superpowers.
He’s always in the corner brooding, and everyone’s like ummm antisocial much?
But 50% of the time, it’s because he’s thinking “I’ll never amount to the incredible heroic feats everyone else has accomplished. How can I possibly make a difference to the world if I’m already struggling to save Gotham?” Like a little emo freak 🖤
(Meanwhile, you couldn’t pay those mf’s to step foot in Gotham. This Bat guy’s crazy and he’s human apparently?! No way. Nuh uh.)
The OTHER 50% of his “brooding” is Bruce standing to the side with a mixture of concern and judgment because his teammates’ competency in certain areas is…alarmingly low sometimes.
One week, he finds himself thinking, “How do these grown-ass adults not know their way around a digital map? They’re 40, not geriatric.”
Then like a week later, it’s “These fucking war fossils don’t even know Morse code. I gotta do everything around here.”
One of the final straws is when he says, “Did they just break another fucking Keurig? Who does that, Alfred? It’s the fifth one.”
Suffice it to say, he’s not very personable. But is it his fault? Well yeah, a little bit. Like……..65% his fault.
(The remaining 35% is their moaning and groaning whenever Batman calls a meeting.)
Bruce’s irritation is totally justified.
God, he just wants to go home.
Why is he doing this again?
Attempt #2: Actually Making Friends
The first JL member to break through his cold, black exterior is Wonder Woman. She needs help with search and rescue after a sinkhole opens up near an elementary school, but no one’s available until Batman responds to her call.
He’s on the scene in less than an hour and makes quick work in securing the area. Thankfully, she catches him once it’s over. (He always runs off without saying goodbye.)
“Thanks for helping. Everyone else was just so busy. I’m glad you could fly over.” Batman mumbles something that she can’t quite hear. “What was that?” she asks. “I was busy too,” he repeats. She gives him a weird look, and he freezes up for a second as he realizes that probably wasn’t appropriate to say. “I mean…this was more important. There were kids in danger so it didn’t…matter if I was busy.”
Wonder Woman considers how awkward The Batman looks for a moment then smiles. So he really is human. “Well, thank you. The help was very much appreciated.”
Since then, several small acts of kindness and solidarity earn Batman some respect from the rest of the team.
One day, Flash complains about how boring their meetings are so Batman brings a massive bin of fidget toys. After placing them in front of the Flash, he mumbles, “These are for ADHD. They’re useful.” Flash almost cries with relief. He is very touched.
Another day, Green Arrow is severely injured in battle. Without a word, Batman leaves the fight, takes him to a safe location, stops the bleeding, and does it all while repeatedly making sure he’s awake and asking permission to remove certain pieces of clothing.
In another fight, Plastic Man’s mask is thrown off, and Batman sees his face. In a second, Batman tosses a smoke bomb, picks up the mask, and hands it back before anyone else can look. It costs them time and the element of surprise, and Plastic Man knows it, but Batman did it anyway.
A JL member’s stomach grumbles during one too many meetings. Suddenly, their little break room becomes a fully stocked kitchen with shelf-stable meal items and all the basic necessities. There’s a nut-free section, a gluten-free section, everything. The only reason they know it’s him is because anyone else would have admitted to it.
(He renovated the whole fucking thing. In one night. By himself.)
And they all see how gentle he is with children. Countless times, The Batman is spotted prioritizing young civilians at any given moment.
He has lollipops in his belt. And Bluey bandaids too.
It’s the little things that make them feel closer to him :)
And okay maybe his goddamn Mission Statement lecture wasn’t so bad
So they stop moaning and groaning
Okay, now it’s bonding time WOOHOO!!
Attempt #3: Kinda? Friends??
One day, Superman says he isn’t too fond of billionaires (because of Lex, obviously) and goes on a rant about capitalism. Bruce doesn’t dare contribute because 1) he’s the richest man in the world and 2) every other billionaire he’s met is insufferable.
(Including Oliver Queen who Bruce refuses to look at while Green Arrow “defends his city’s billionaire.”)
(And while we’re on the topic of Green Arrow, Bruce cannot forget the disappointing almost-fling two summers ago. He still holds a grudge.)
Green Arrow: “You’re all fashion nightmares. Who wears a cape in the 21st century?” Batman: “At least my facial hair isn’t longer than my dick.” GA: “What was that, Batman?” B: “What?”
Also Bruce is very attracted to Superman.
(He likes older men.)
(Yes, I am referring to Henry Cavill’s Superman.)
(Sue me.)
(But don’t get your hopes up. He does literally nothing about it.)
(Coward.)
One of the JL members complains about how sore they are after a few missions so Bruce cashes in his Monthly Attempt to Socialize and says, “Try yoga. It helps me.” “…Batman, you do yoga?” “Yes. My son got me into it….It’s good for you.” “You have a son?!” He is never socializing again.
They also learn that Batman has the smallest frame on the team. (Like yeah, he’s tall, but he’s also lanky, and everyone else is either an alien or a human dorito.)
One night, they need to sneak through the vents of some building so Bruce offers to do it. Someone says, “It’s a tight squeeze. Are you sure you can fit?” Then he just takes his cape and pauldrons and shoulder pads off and is suddenly like a foot skinnier
“Wait…is this why you’re so good at hiding in the shadows?” Bruce just glares at the Flash for a second before climbing into the vents.
(The answer is yes.)
A betting pool is started over whether or not Batman is part Bat.
In fact, several betting pools begin because no one knows anything about the guy??
Aquaman and Plastic Man go to great lengths to figure out what his hair color is.
They lose their shit once Bruce tells them he’s vegetarian.
Green Lantern: “Every time he opens his mouth, we learn something new. Next, he’s going to tell me he speaks Swahili!” Batman: “I do.” GL: “Oh, come on!”
Superman: “We need someone on the inside for this international operation to work, but that’ll take at least three months undercover.” Batman: “Don’t worry. I have connections.” S: “…In Shanghai?” B: “Yes.”
The Flash adds SHANGHAI?? to his conspiracy board
Bruce needs to stop trying to socialize. It’s better for everyone’s cardiovascular health.
A year or two in, they’re all introduced to Captain Marvel. Bruce is the first and only person to learn his true identity (kid Billy Batson) because Bruce is the only one with a kid. That way, he understands the weird Gen-Alpha humor and references.
Millennia-old deities don’t use the term Flop Era.
And, of course, they play FMK at some point.
(I mean, come on. There are like TWO mature adults on this team, but Martian Manhunter doesn’t know what’s going on until it’s too late, and Wonder Woman is busy at her day job.)
During that particular round, the celebrities are Bruce Wayne, Lex Luthor, and Kylie Jenner. Bruce does, in fact, want to kill himself, but he chooses Fuck instead because of this exact conversation:
Green Lantern: Come on, Bats. It’s just a game! Choose already. Batman: No. I’m against killing. GL: Oh, go fuck yourself. This situation is completely hypothetical, and you know it. B: Fine! Fuck Bruce, Marry Kylie, Kill Lex. GL: See? That wasn’t so hard :) Bruce:
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He tried
Attempt #4: Ah shit, FRIEND?
The identity reveal comes about three years after he joins. He’s 32, has three kids, he’s been on hundreds of missions with them, the team’s over twice its original size, and there are domestic terrorists overtaking Manhattan.
Superman, Wonder Woman, The Flash, Green Lantern, Martian Manhunter, and The Batman try to extract as many civilians as possible, but now they’re being hunted. After hiding in a warehouse and considering their options, MM finally suggests that they pose as civilians, which immediately creates uproar.
Bruce, however, realizes this is the only way out.
But it’s not dramatic or badass like that one JL episode. No, instead, he thinks about it, swallows the regret, and just—
Takes off his cowl.
And the whole room falls dead fucking quiet.
Then, “Oh fuck.”
(That was Green Lantern.)
Bruce just shrugs and mumbles, “Martian is right. It’s the only way.” And really fucking hopes the grease paint hides his red face because he is not having a good time right now.
He would rather die, actually, but they need to get somewhere safe and Fast.
The others look him up and down then nod slowly. “Uh yeah.” “Okay, sure.” “This is fine.” “We’ll do that.”
The others begin slowly taking off their suits and changing into something more casual. Bruce takes his off, revealing the skin-tight compression suit underneath, and stuffs his armor in the roll-up duffel bag that’s kept in his belt.
He changes into his drifter outfit, wipes his face clean, and suddenly, The Batman’s just a normal guy. (A very pretty normal guy, mind you. His teammates have eyes.)
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“We can head to my place,” Bruce says. “It’s closer, and I know the train system pretty well.” And yes, he’s pretty soft-spoken outside of the suit, but now it feels even more obvious.
Meanwhile, the others are like—
Oh. My. God.
Oh my god, he’s fucking shy. Batman is acting shy in front of us. Dear fucking god. Batman is Bruce Wayne. And Bruce is shy so Batman is fucking shy?? Bruce is pretty too. Holy fuck. He is very pretty.
And he’s so young?? Oh my god, he’s a BABY wtf?! He’s like four inches shorter. Four inches tall! They’re all towering over him without his massive boots and armor, and he just hunches over with the big duffel bag like he wants to sink into the floor, and he’s so small.
Wonder Woman wants to put him in her pocket.
Sue her.
They end up taking the train back. Bruce has on the mask and cap that hides his face (poor Superman, he really likes his jawline) and they all follow Bruce as he gets off and on several trains at seemingly random stops. THEN when they’re finally in Gotham, they head into an abandoned-looking subway station that leads them into a…cave?? WTF
And in the middle of the cave is an elderly man with a cane and a three-piece suit just lounging on a recliner. (WHAT THE ACTUAL FUCK—)
He looks up from his crossword puzzle and says, “Ah! You’ve finally made friends, I see?” Bruce rolls his eyes. “This is not a sleepover,” he gripes. “Shame. I was about to grab your footie pajamas for you.”
The man smiles at them. “A pleasure to meet Master Wayne’s work friends in person. Would you like some coffee? Tea? If you’re like him, this is going to be a long night.”
No one dares to question why this man recognizes them in their civvies
They also can’t tell if the footie pajamas line was a joke or not. After tonight, nothing is off the table.
(This is a minefield of information. Barry is having flashbacks to his conspiracy board. No one is going to fucking believe him.)
They all settle into one corner of the cave. Bruce leaves to change and comes back looking like this:
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(Goddamnit, Clark is having a meltdown. His hair looks so good wet.)
At one point while they’re plotting, Wonder Woman glances over his shoulder to see Bruce checking some sort of security camera. A boy, maybe nine or ten, is sleeping in bed. “Is that your son?” Bruce clearly doesn’t want to answer, but Alfred gives him a look, and Bruce sighs. “One of them. Yes.”
Later, they have to analyze some explosive samples in the cave, and Barry, forensic scientist extraordinaire, has some choice words about the non-sterile environment.
Barry: This doesn’t look safe. Bruce: My lab is perfectly clean and functional. *bat screeches* Don’t worry about that.
For the rest of the night, they use the evidence they have to track down the organization while the rest of the JL suits up and saves NYC.
After a few hours, they’re safe to return to NYC for damage control. But Alfred refuses to let Bruce go with them. “Your sons are worried. Drive them to school, then you’re coming home and sleeping.”
Bruce clearly wants to argue, but the mention of his kids stops him. He sighs and turns to the others who are already changed. “Let me know if you need anything. I can be there in ten minutes.”
They all nod, knowing full well they will not be doing that. The guy clearly needs rest.
(Also, he is a single father of three and still goes out every night to punch robbers and crime bosses? Is he doing okay?)
Then they head back to NYC with so many questions.
But a lot of it makes sense too, actually. Maybe they just weren’t thinking about the man behind the mask enough to see it.
They learned a lot about their friend that night.
And they have a lot of bets to cash in.
FIN
Okay :D that was a lot! If you enjoyed it, please let me know. This has been simmering in the back of my head for months <3 Have a great day and drink some water :)
Hey bestie @bruciemilf
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silvermoon424 · 1 year ago
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I'm so fucking sick of amatonormativity dude. Someone on Reddit left a comment that was basically like "the majority of people need a romantic relationship to be happy, it's how we're wired" and I responded saying that I disagreed and that more and more people (especially women) are finding fulfillment in other relationships and are happy being single.
I got heavily downvoted.
Of course most people like being in a committed relationship, but you don't have to be aromantic or asexual to enjoy being single. Maybe more people would like being single if we as a culture stopped pushing the narrative (especially on women) that being single is lonely, horrible, and depressing and that you need a romantic partner to be a complete person.
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fuckyeahchinesefashion · 2 years ago
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Happy Spring Festival/Chunjie. Happy Year of the Rabbit/Tunian 兔年吉祥
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too-cool-for-facebook · 2 years ago
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insertsomthinawesome · 1 year ago
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[requests are closed] Anon i'm sorry this is so late I finished these months ago. I meant to draw more but never got around to it UUUH. SORRY SLDKJSLDGKJSD I love them so much. I need to draw them more. ;;v;;
-NO ROMANCE INCLUDED-
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i vote that next year instead of reading Dracula we do a Jeeves & Wooster Book Club. those two never got the rabid tumblr shipping fandom they deserved (disqualified for the sheer technicality of being published a century too soon). we must correct this injustice
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randomalistic · 21 days ago
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Wait you guys are actually buying Disney products I thought it was a joke
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(READ TAGS FOR FULL CONTEXT Sorry it’s long dies
#Honestly I’m only bothered bc I feel partially responsible (WTF EGOMANIAC OVER HERE)#I know I can’t control other people’s spending habits and my own habits are. Less than ideal !!#But when I wanted to spread my love for Wreck it Ralph I didn’t want people to get that takeaway 😔#IMPORTANT NOTE ‼️It’s okay to express your love for something through buying official things !!! That DOESN’T make you a “bad person” !!!#Still ! I think we have to let ourselves feel bothered by things and we need to be more critical of exploitative companies#Of course I chose to watch inside out 2 with my mom in theaters so I’m not immune lmao. Also using amazon / Etsy … just as a whole#But if you need help finding Disney movies without supporting them please just ask me!! PLEASE don’t use Disney+ if you can avoid it#I know we are all capable of finding our fulfillment from better places. But sometimes it’s hard#Capitalism sucks and yet that’s how we are endlessly pressured to live :(#We’re all at different points in our lives. Sometimes self care involves consumerism#Be hopeful that it someday won’t have to#Txt#again I’m sorry if this comes off as horribly egotistical to even consider being single-handedly responsible for#Social media is bad …. numbers bad…. Distorts reality and your perception of yourself…..#Or as me trying to guilt trip people in any way. Genuinely do what makes you happy but WE CAN BE HAPPIER & HEALTHIER I KNOW WE CAN#Wreck it ralph#Rant#Also sorry I have huge beef with streaming services I don’t mean to enforce that on other people but also. Sharing my opinion
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fairuzfan · 1 year ago
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Meta (aka facebook) being just flat out racist:
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emo-batboy · 2 years ago
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A Wild Battinson (Social Media AU)
Part 35 (Masterlist)
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(Part 36)
@bruciemilf I’m just spoiling everyone today, aren’t I??
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lazylittledragon · 8 months ago
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what do you mean youre technically a detransitioner cause of terf bullshit?
it's a v long story but i detransitioned for a couple of years when i was 16/17, for multiple reasons but mostly because i fell into the blaire white/kalvin garrah chamber of "you have to be This way to be trans otherwise you're not real".
i was already Deeply insecure about myself and my 'passing' and i was led to believe that i couldn't want to wear makeup or skirts, and i couldn't choose not to have bottom surgery, and i couldn't do anything but bind for 12+ hours a day to the point that my ribcage is still misshapen. basically i thought that if i wasn't suffering enough doing 'feminine' things, i couldn't really be trans, so i should just go back to being a girl and suck it up.
the terf bullshit is because i'd seen a lot of terfs/detransitioners talking about the 'dangers' of testosterone and how it would turn me into a horrible ugly evil monster and how there was nothing worse than wanting to be a man. which combined with 'you need to fully medically transition to be valid at all' creates some very dangerous and upsetting feelings to cope with.
it also came from trying really hard to put myself in a little box before i realised that my sexuality/gender are very fluid and it's FINE for me not to have a label and just do whatever i want. when i was 19 or so i went back to using they/them (and eventually he/him) and changed my name again because even though i like doing 'feminine' things, i don't want to be seen as a woman.
tldr: i was conditioned by transphobic/terf rhetorics to think that i was being trans the 'wrong' way so i couldn't be trans at all, so i believed i must actually be a girl if i still wanted to do 'feminine' things. nowadays i am a transmasc who does feminine things because i don't give two shits about what any transmed prick thinks of me anymore.
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silvermoon424 · 19 days ago
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Y'all the amount of posts from "liberal" men on Reddit crying about how women are being too mean to men after the election is making me want to commit a war crime.
"Men are being radicalized by online misandry" I know man vs. bear tweets hurt your feelings but you will never be at risk of bleeding out from a miscarriage because doctors were too afraid of anti-abortion laws to save your life. You are not the victims here.
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dykedvonte · 5 days ago
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You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.
-Shrimp Anon
The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.
Get ready cause this is a yap session:
Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.
I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.
The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.
This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.
Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...
These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.
I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.
Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.
It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.
I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.
It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.
There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.
End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.
#i also think it is because mouthwashing is first and foremost a game about rape culture and the patriarchy especially in work spaces#regarding women and centering conversation around Curly a man rubs people wrong because it does overshadow that commentary#but it still mixes other topics into its initial theming and message on how abuse conditions you to accept certain things that are harmful#and how getting used to a culture/enviornment does not mean you are happy healthy or most importantly safe in it. I personally like to#explore those aspects where it mixes all the themes so we can discuss the ways you have to watch out for things because there is a differen#in the idea Curly enabled Jimmy just because they were bros and because he was an example of another man afraid to step out from what#is a still oppressive system that does try to punish those who act against it even if they fall in the category of those who would benefit#from it as Jimmy and PE 100% represent that sort of misogynistic system where men that would be “good” are altered until they follow line#in a way both on the personal and professional level as PE is the corporate lock out and Jimmy represents the social and its just the issue#that the discussion of it sounds like “in defense of men” when I am more so trying to discuss how it is much deeper than men being scared t#upset other men but complacency is rewarded by not becoming another person subjugated hence as all the moments Curly does try to do#something we can tie it back to how Jimmy reacts and a possible penality from PE where we now need to address the ways to combat those#two concepts so we dont get cases like Curly or Daisuke or Swansea where male avoidance of the issue is considered neutral or even good.#i think most of this boils down the perfect victim mentality to where if someone who underwent or is being abused is not a perfect example#or accpetible type than their abuse can not be considered a valid or substantial reason for effects on their behavior compounded with the#fact that Anya's abuse at the hands of Jimmy is a systematic issue that Curly is a part of even if unwillingly and was more physically#violating and topical cause sometimes i have to remind myself that all media is still critiqued through the lens of the culture it came out#in cause i do think about what if this game came out inlike 2014 like the conversations would be sooooooo different could you imagine it?#but back the before statement Curly isn't perfect but I feel like boiling it down if hes a good person or man is not the point of the game#but more so good people can still be part of the problem and the idea of condemning a person for one act creates a false sense of#rightouesness and justice that does not aid the victim and in fact aids the abusers in escaping blame for their mulitple behaviors as we se#how the men on the ship tend to blame Jimmy for just one act against them including himself while there is a plethora of things Anya is#concerned about with Jimmy#and its not that Curly just made one mistake with Jimmy but more so we consider his actions more damning because he didn't stop Jimmy#instead of focusing on the fact Jimmy did what he did regardless of Curly and the consequence because we already know he's bad n maladjuste#which is problem in the conversation where the individuals are blamed but the system and perputrator are overlooked in a sense of acceptiab#complacency as we know how they are and the lack of tangibility to personally affect them on a larger scale like I should just make a post#on like cutting out the face when it comes it confronting systems of oppression rather than tag talking but just ask me to clarify if#you want that like im jus trying to say we avoid talking about Jimmy and PE so much cause it is obvious what they do wrong that we make#the initial and inherent problem out to be one aspect someone in this case Curly does and the the constraints they use to force actions
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