#we love people who vote

[tswwwit]

familiar!au thoughts:

i've been mentally handwaving all of dipper's reincarnations having the same names, bc it would just be confusing to read, if they didn't (and bc tbh i feel like bill would just ignore it anyway, lmao. this is pine tree! that's all that matters. what, is bill supposed to remember whatever dumb new thing his mortal parents have named him every lifetime?)

HOWEVER, a funny alternative- do you think, after bill & dipper have gained enough notoriety for dipper to be recognized as a Big Heroic Demon Hunter, there's a sudden spike in people naming their kids "mason", and/or "dipper" becomes a new & notable given name?? are there magical families out there naming their baby boys mason or dipper, in the hope that they'll grow up to be powerful practitioners, or that they'll be especially resistant to demonic temptation? (lol. lmao, even.)

second: imagine familiar-verse's pop culture landscape once enough time has passed that bill & his mortal have passed into legend. 😭 what do you think it's like to be a teenager growing up in the Between Times, when there's mythologized history, daytime TV dramas, and bad historical romance novels about these two?

do you think there's like, tiktoks about how to tell if you're regaining past memories in dreams, of your time as bill's mortal? IG reels of kids who have Wildly misunderstood the situation, w/ captions like "13th bday, i think my birthmark is finally starting to come in?!! 🤯😱 #ChosenMortal #BeastWithOneEye #WelcomeBackDipper" and the comments are full of people going "bestie that is a rash, please go to the doctor 🙏😭"

Thank you for accepting my handwaving of Dipper's name in the reincarnations! A majority is of course the readability and understanding it's the same guy, but bit of it is 'I don't wanna come up with new names for each one'. I also agree with 'Mason' and 'Dipper' becoming much more common after Dipper's first life! Turns out he made quite the impression. That'll happen when you're a clever guy with the full power of Bill Cipher behind your spellcraft. God, though. The cultural phenomenon behind this weird Demon Bond. With how little information the public has on how things went down, imagine all the fictional interpretations. Dramas, of course. Soap operas, even! Horror movies! Tons of different versions of what happened! Of course there's tweens daydreaming about being next, it's a Pretty Cool Thing to happen to someone - if you don't know Bill very well. I will also take your rash story and invite another possibility - A Dipper who thinks he's totally gotten away scot-free from any involvement with Bill. After all, he doesn't have the birthmark.

Only to wake up one day, wash his face at the sink, and look up to see the damn birthmark plastered right on his forehead.

[musical-chick-13]

This is the only thing I'm going to say about the election until it's over:

Anyone who did not vote for Harris or who attempted to dissuade people from voting for Harris, you are indirectly responsible for whatever shit Donald Trump does if he gets elected. That blood is primarily on his hands, yes. But it is also on yours. I hope you can live with that because I sure as hell wouldn't be able to.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint ��� and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[flying-cat]

I can't imagine being anywhere near as insane as Trump supporters because my dad told me that he, earlier, drove past a guy putting a "Harris Walz 2024" sign outside his house and decided to yell out at him "TRUMP 2024 YOU COCKSUCKER" and flip him off. And he laughed when he told me because he thinks that yelling at a man (emphasized man because he thinks men should be "better" than women, and "better" would be voting for Trump in this case) who is voting for a "whore who slept her way to the top" (his exact words) is funny. And expected me to laugh with him. And got angry when I didn't and just stared at him in disbelief. Even though he already knows that I don't like Donald Trump. These people fully expect others to find their weird ass derogatory words and behavior FUNNY. Donald Trump is leading a cult of old people who he brainwashed into being delusional with him.

[icedb1ackcoffee]

to my fellow creatives: never stop making art. art is an act of protest.

[eugenedebs1920]

Trumps desperation is dangerous. To see the schedule and theme to each rally like this. It’s dangerous. These fabrications have gone beyond bending the truth, they’ve gone beyond stretching reality, they’ve gone beyond false accusations, these are wild, outlandish lies! I guess my faith in my fellow Americans may have been a bit overinflated in its belief that we are, for the most part, a reasonably intelligent, overall good, decent people. This is by far not the first time I’ve heard/read/seen a Trump rally, but it’s getting off the rails. The more i interact with my fellow countrymen, whether in person or via social media, the more I’m observing that people believe the sh*t he says. They believe these wild, far fetched, absurd, lies. Maybe I’m just cynical and over analyze anything that I hear into a, is this real, is this contorted, is this false, or is this complete bullsh*t, categories, never taking anything as a hundred percent, full on fact (unless it’s math or something. I’ve had people argue that too though) always leaving room for growth, giving my perspective some space for the potential that new elements get introduced to the situation. I especially don’t take anything a politician says, or claims, or promises at even face value. But I only see the world through my eyes. Sometimes what you observe can be deceiving. What the most dangerous part about trumps mendacities are is the rift, the division, the wedge driven between us. I don’t know how many of you have used a steel wedge when splitting logs, but if you do it wrong, which I have many times because I’m an idiot, and that wedge gets driven in there dumb, it’s a frickin pain to get out. I worry that’s happening to us. I was talking with a guy I’ve never met, don’t know him in the real world, some guy who commented on whatever rambling diatribe I was going on about. I was trying to tell him, ‘we/Dems/I don’t hate you. I don’t have a problem with you person Y. I have a problem with the candidate you support, because I think he is dangerous. Dangerous for our democracy, dangerous for our country and dangerous for our society. Yet you person Y. It’s not you I have a problem with.’ I think that’s a major revelation we need to keep in mind. WHY are we so mad at the other side? WHY is there such hostility towards each other ? WHY is there such distrust between us as fellow Americans?. It’s because our would be, so called “leaders” are sinking that wedge further and further into the core of America. I worry it’s going to be real hard to get out.

[a-list-of-moods]

stop telling people that voting doesn't matter stop it stop it

incremental change is frustrating and feels like it gets nothing done but it's how the american government works (for better or for worse) and if you get paralyzed by 'we need to revolt voting doesn't matter' that's one more effective vote for the fascists since it's one vote we lose.

I'd much rather have slow but tangible progress (or even just prevention of fascist progression) than everyone sitting around going 'let's wait for the revolution' when no revolution is likely to come while everything gets worse around us.

Obviously, still do whatever it is else to support the antifascist movement. Donate where you can (and do your research!) Go to protests if you feel safe doing so. But do all that AND vote.

[escapewriter]

3 more days!!! im kind of excited to see which will win.

also after this is decided and i actually post the wip and finish it, then ill continue lost cities.

guys… i have this wip that i know if i post it would take me a million years to finish. but the plot is so good🫠 if i did plan to post it, it would be after i finish chd.

and idk who i want the main love interest to be anymore. conflicted. im gonna try this poll thing out. im also not gonna tell you who it is lol. i picked math subjects bc im doing my math hw rn

anyway, ive convinced myself to do it now lol. catch updates of chd now if i dont forget.

[headaching]

part 1 part 2 part 3

[drumlincountry]

I love tucking my hair up under a flatcap. Makes me feel like a daring young lassie on her way to become a sailor or a soldier or some such.

[funkle420]

Don't fucking blame Palestinians and the people who support them for this. Don't blame people who couldn't bring themselves to vote for a genocide-loving centrist for this. Even if all of them voted for Harris it wouldn't have changed the outcome.

The blame you put on the people belongs on HARRIS for refusing to explicitly promise an end to weapons and money to Israel, and end to America's enthusiastic support of the genocide. She refused to listen to the bipartisan majority of Americans who want an end to the genocide! This is not democracy, there is no choice and the people don't have enough leverage over our president if every single election is a choice between the rapid end of the world and a slightly slower end of the world.

[cinary]

god we have so many people voting in Poland (and polish people abroad) right now, I'm so fucking proud. and we're doing so well too fucking christ people I love you all

[buddiebitch]

opinions on Tommy

sorry i just like posting polls

[aurosoulart]

HEY GUYS I NEED YOUR HELP!!

ok so first off WE GOT INTO THE FINALIST ROUND FOR AWE'S FIGHT CLIMATE CHANGE CHALLENGE!!!!!!! 🎉🎉🎉🎉🎉🎉

we're in the running to win $100,000 to help us make digital objects into a realty for everyone. this is a huge deal. I am in a daze writing this and literally cannot articulate how major this is

we need people to watch our announcement video on Twitter multiple times to help more people see it! the twitter algorithm boosts things based on watch time, so just opening the link and letting the video run a couple times will be a HUGE help 🙏

VIDEO LINK IS HERE

Figmin XR will never have a subscription based cost model, and ALL of the things shown above are FREE to download within the app right now.

when this technology becomes as ubiquitous as smartphones (and it WILL, possibly even sooner than we think), this is the future we want people to be able to look forward to... and the first step of getting to that future is proving that it's one people actually want.

[windvexer]

Boring take: If your only exposure to divination is tarot, then it is probably a good idea to frame your beliefs about what divination can and can't do as what tarot can and can't do.

Even other card oracles can readily provide answers that tarot struggles with. This is to say nothing of very different oracles, like casting charms or scrying.

[booksinmythorax]

This has basically become a "DEAR GODS PLEASE VOTE AND VOTE BLUE" blog, but I feel justified in this because libraries and librarianship depend on not living under fascism. This applies to libraries everywhere, not just the USA.