#we don't know half these characters they don't do shit

[escapedaudios]

Popular YouTubers "reacting" to audio roleplay by trying to exaggerate how cringe they think it is fucking exhausts me man. Half the time they do Cinema Sins-style commentary but from this "what if I don't like beans" point of view of just refusing to suspend disbelief and roleplay as the listener character. The commentary is always them talking back at the audio like "uh, you're not my boyfriend, actually my boyfriend's name is Steven and he's in the living room right now" or just failing to accept the premise of the video they clicked on. Acting shocked when a character kisses them and going "UHHH WHY IS HE KISSING ME". It's because you clicked on a boyfriend ASMR video tagged [kissing], that's why. Don't be dense.

It feels like they want for it to be way more cringe than it actually is, so they put on this exaggerated display, or act shocked that an audio matches its premise. This shit would be like making a video called "Reacting to Horror Movies (try not to cringe)" and being like "UHHH WHY IS THE KNIFE GUY STABBING PEOPLE???? I'M SO UNCOMFORTABLE". Man shut up. Then there's YouTubers reacting to videos that are very obviously ironic, absurdist humor and refusing to get that it's a joke. No, "Boyfriend Gets Hit By a Car [Spicy]" isn't actually supposed to be spicy, it's a joke.

These reaction videos are, for many outside of the niche, their only window into audio roleplays. Anything that has a plot that takes more than two minutes to understand is left out because they don't have the patience to watch the whole thing and only want to "react" to thirty-second clips. Anything that doesn't look like it'll make for good cringe bait is left out because they decided ahead of time that they want to cringe to it.

The whole medium is already so unfairly stigmatized and poorly understood by most people. It's so agonizing seeing this be our community's main source of free publicity. I know I've taken a few shots at cheap fluff boyfriend/girlfriend ASMR before but like, it's friendly jabbing from someone very much adjacent to them. I still understand the value that comfort roleplays have to their audiences, even if their plots aren't as deep. The whole medium-wide dismissal that these YouTubers give for some cheap reaction content on a newer medium they don't understand is actually the worst.

I need to make a video essay or something to act as propaganda for audio roleplays because the publicity we get passively could not be worse I swear to God.

[inexplicifics]

Hello Inex! I was just wondering how the Progress bunnies are cooperating; it seems like that will be a massive trip for the Kaer Morhen gang. Have you outlined it at all? Do you plan on having all the interactions in a few long fics? A bunch of short ones? An absolutely massive fic? You seem to keep each fic as a chapter in the characters’ lives, and while I would’ve originally thought of it as one big chapter in their lives, I imagine that some interactions could be important enough to warrant little sub-chapters. Not trying to overwhelm or be pushy or anything, I’m just constantly intrigued trying to guess what kind of story will come out of that series next (I’ve been wrong every time, but I feel like that’s half the fun)!

The Progress bunnies are fighting me vigorously.

I don't have an outline, because I don't use outlines; they actively kill the story-writing process for me, unfortunately. I know roughly where I want the Progress to go, but the details are very sketchy.

It's going to be a bunch of fics, because there's going to be different character focuses. I have a first draft of what we might call the first fic in the Progress arc (The Tide Is Turning) and a first draft of what might be one of the last fics in the arc (Grown Wise At Last) and a few drafts for other fics in the middle, but the overall story of it is fighting me.

Have a snippet from Raindrops the Children of Rain, a fic that will take place during the same winter as Morvran's visit to Kaer Morhen:

Lambert hears Milena make a soft, strange sound, and then smells tears. His head shoots up. She’s curled on the couch as usual, reading through the letters she’s gotten from her surprisingly numerous correspondents, and she was perfectly happy and content not ten seconds ago, but now she has a hand pressed to her mouth and a sheet of parchment clutched tightly in her other hand, and her eyes are bright, and her scent is horribly muddled. Lambert can’t tell what she’s feeling at all. “Shit, does Geralt have to go invade another kingdom?” he asks, hastening to his feet from his sprawl on the hearth and crossing the room to sit down next to her and wrap an arm around her shoulders.

[drpvnk]

people who hate the direction of kit's character because he's upset with ty while also knowing ty is autistic... are the same people who fail to realize that while kit is more knowledgable in that area than most nephilim, he was STILL only 15 years old, and while he did go along with ty until last minute even ty questioned his authenticity at some point...

(also did we all collectively forget kits entire storyline? this kid was in NO position to make any life-altering decisions... tbh the only person who might have an inkling of what he's going through is clary, cause yea not even jace and his reassurance can fully encompass kits issues...

i mean here is a kid who was abused by neglection and harsh treatment, a kid who has only ever know to crave love and never felt it. and then one day his abuser/protector is ripped in half right in front of him, and he's promptly told that he is apart of a society who he was taught to hate his entire life. so there goes his first identity crisis. but oh wait, this entirely new society has been taught to expect tragedy to happen at anytime of the day so suck it up cause your one of us now and also we're placing you in a super tight-knit family that is going through their own traumatic shit, so they won't have time to even TRY and make you feel welcomed or acknowledged... like AT ALL. (cause wow, how many times was kit left on the sidelines while the entire LA institute had a giant group hug... LOL) but then you get accepted by these twins and become apart of their little group, and now you don't want to let go, you CAN'T, because this is the closest you've ever been to being apart of a family, so you have to bury your grief and be likeable and cool and strong. but then one of the twins die and suddenly everyone is looking at you to comfort the other twin, but you haven't even been able to figure out how to grieve yourself before having to experience this additional loss of a budding relationship. but you love this boy so OK you do what you can, even if it means going along with something that makes you sick to your stomach. but your still new here, you don't know which lines to cross, you don't know whats ok and what's not, who to tell and who not to tell, you dont want this boy to hate you, you can't lose this "home" even as it's being held by the thinnest string ready to break. even as you look at yourself and can only see the same look of disappointment and hate and secrets upon secrets, an exact copy of his fathers expression when he looked at kit, a man your not sure you even love. there goes your second identity crisis. (funny how much kit hates secrets and yet thats been the only revelation of his entire existence)

you suck it up until you can't anymore, until your feelings spill over in the purest words that you can express, words that mean a lifetime to you because these are words no one has have uttered to you, because these are words you know you probably need to hear too.

except now your left soppin wet and punched by your inconsolable crush and watching as he performs a failed resurrection. and then after being kept in confinement for some days its revealed that your part faerie, another race hellbent on being hated by the world. except your not just any faerie but the one true heir to TWO thrones... and there's your third identity crisis.))) also,,, dont get me started on the short stories where we expect to read about kit healing and then we actually just see him sink deeper and deeper into this pit of self-loathing as he's continuously put in positions that have him viewed as a threat and danger to his family... i.e. his heritage, tessa and jems reaction to him holding james' gun, mina's kidnapping, etc.

yea, by all means kit be angry!

and to address kit being older and still holding this grudge years later with the assumption that he knows more and maybe understands ty's thought process better,,, he's already admitted to being mad at ty for putting kit in a position that had him looking in the mirror and seeing johnny rook... NOT at the fact that he was "rejected" or even the resurrection itself...

is kit in the right for his misplaced anger? ofc not,,, but he also went through a lifetime of trauma that you can't simply let go of just because another person might not have fully understood the headspace that he was in at the moment

kits characterization within the fandom really makes me realize how privileged many people are to never having to go through the messy process of grieving your abuser while now figuring out who you are after them, all while their shadow is still casted over your entire being... like, no kit didn't runaway from being rejected by a boy, he ran away from being rejected despite his desperate efforts to be loved, even if it meant sacrificing his own sanity by becoming someone who resembled the catalyst of ALOT of his trauma,,,ofc this is all in his pov since we the readers are aware of tys feelings)

thats all to say that kit really is good at suppressing his feelings if even the readers glossed over the multiple times his mind began to stray towards the death of his father throughout the tda series. like, we're aware of johnny's treatment towards kit and we're also aware of the envirommemt he was raised in,,, so why is it that people focus on him "knowing" about the spectrum b/c he lives in modern society than they are about the life he's personally lived that influenced his decision and thought process throughout the story?

and if it wasn't obvious this post was entirely for kit's pov, ty has a completely different view of things and where kit might not fully understand how ty processes things, neither does ty towards kit. they're both on completely different pages!!

but thats the point of their story!! theyre gonna heal together! we will explore ty's pov and see what he REALLY saw during that time period and maybe kit can finally love himself the way he wants others to love him,,,,

[arceus-insanity]

Endeavor Deserves No Sympathy!

I don't understand how anyone can think Endeavor was ever a good dad. It also always comes off as incredibly victim blamie, especially towards Touya, and often Shoto too.

He literally only got married and had kids to use them. He never gave a shit about their well being, never even thought about it until he had the one thing he cared about and was still miserable. I've already gone over the math proving he gave up on achieving his dream himself at 21 at the absolute latest. (https://www.tumblr.com/arceus-insanity/763259515356512256/i-liked-endeavors-character-when-he-was?source=share)

And basic math will once again be used to prove just how little this waste of flesh actually tries.

This time the focus is on how quickly he abandoned Touya and immediately went to emotional abuse via neglect & literally replacing him, and once again risking that more children be born with self-destructive quirks.

For context we only see Endeavor doing anything with his kids that's not him literally walking through and ignoring them in two circumstances. Once when Fuyumi's a newborn and Touya is attempting to crawl (not walk) over to her. And training. Those are the only times he tries to spend with any of them, even after he starts his 'atonement'

Now comparing Touya in the scene of them training and himself as a toddler and all the child imagery this series loves to use instead of actually saving imperfect victims, Touya is at least 3 (probably closer to 4) when he's taken to the doctor and they are informed of his condition

Natsuo is 4 and a half years younger than him.

We know for a fact Natsuo (& Shoto) was conceived after they got the news, not willingly either. Pregnancy takes 40 weeks average, so Touya would still be 3 when Natsuo was conceived. So once again it took this 'man' less than a year to give up and have another child he hoped to use as a tool, and was explicitly making to hurt his existing son. And as I have said plenty of times before, risking that the new kids could be born with the same disorder, I hate how convenient it is that Shoto gets near zero negative quirk side effects.

Want to know what we never see, Endeavor doing something else with Touya and Touya demanding training, it's always him walking past/ away from Touya. Considering all of the shit they've pulled to soften Endeavor's abuse both in the manga and even more so in the anime, they wouldn't skip something like this. It's not hard to tell that Touya's 'obsession with training' is really about spending time with his dad, you know like a human child that literally needs love, proven by numerous studies and research in the real world.

He throws all parenting responsibilities onto Rei, adds more children to that load, and when Touya suffers for it (like everyone else) he does nothing, doesn't even hire a nanny

Another are you kidding me take I've seen is that somehow Touya's quirk issues are worse than Midoriya's and Yuga's. Touya managed to train his quirk to produce blue fire at 13 with zero equipment and less than no help, and only lost control of it, because of the mental abuse Endeavor had inflicted on him leading him to a mental breakdown. And/ or the theory I've only seen once of AFO using his ability to force quirk activation (seen with a passed out chapter 90 during his first confrontation with All Might)

Midoriya was breaking his bones all the way into the Shie Hassaikai arc and was only able to fight because Eri and was breaking support equipment in the following arc as well. Yuga had a support belt all the way back in the entrance exam and was still struggling with that.

Speaking of Yuga let's compare parental effort here, because as much as it backfired Yuga's parents tried a whole lot more. For starters they nearly bankrupted themselves to get him a quirk, so he could feel equal. All For One is a mythic man prior to his arrest, and those who knew of him were shown to be serious long-term villain groups, so they had gone to quite a bit of effort to find that he existed to begin with. They also got him support gear (the navel belt thing) as a kid to help him with said quirk, he literally had it in the entrance exam. Endeavor never looked into that, Endeavor is not only rich too but he's a top hero he would have direct access to support equipment companies that would jump at the opportunity and it never even occurred to him.

Endeavor's name is an irony as endeavour means to try hard to do or achieve something. He never tries hard he gives up incredibly quickly the second there's any road block, but instead of moving on he makes everyone suffer for it. He's a toxic pageant mom who'd rather force their child into a toxic world and a role they don't want than work on himself

And what finally makes him change? Getting exactly what he wanted and still being miserable, and he still expects through his actions his family to cater to him.

Not his son getting a major disability due to his actions, no, he decided to double down, mentally abusing and neglecting the son he supposedly loves, raping his wife who didn't want more kids or participate in this abuse, and again risking that Natsuo & later Shoto might have that same issue. Not when his wife breaks down and permanently scars his precious masterpiece, who proceeds to rightfully blame him, and he just thinks of it as a tantrum despite it lasting a fucking decade. Not when his eldest literally dies as the result of his selfishness. Not literally during any part of this entire process!

Dabi is 23 when Endeavor finally starts to 'try' to be better, that means that for at least 24 years he has only been caring about his fucking precious number one spot in a popularity contest that he couldn't even bother to try to be likeable for, this wasn't one bad decision, this was him constantly choosing to be so insanely selfish that he found ways that shouldn't even be possible for over two decades. And it was all him.

[mrhrns]

Astarion issue

Consider this post as another meaningless shitpost from me. After it I'm going back to my endless work. I was silent about this for gods know how much time, and now I can't hold it inside. Not anymore. Important note: I do realise that I am nobody and my word has no power and blahblahblah, yet I think it is significant, at least for my own self, and who knows, maybe I'll find people with same thoughts. There is... a reason I would like to stay out from BG3 community and fandom. I do wish to contribute my own art someday, however, because my love for this game, its characters and Larian st is huge, but getting inside of fandom, searching for things here and there? ...I don't think I want it. And yeah, that bloodsucker bastard is a main reason for it. Not him directly, but how people perceive him. What they think about him. What they feel. What they show, draw, tell and discuss with everyone else about him. And mostly all of it is... Well... I have complicated feelings about it. None of them are pleasant. Disturbance, disgust, disappointment, and many more similar to it. Why? Here where I realise that mostly the problem is myself. "It's just a fictional character, just some pixels on your screen with voice, why care?" I do. If only anybody knew how much he means to me. I don't have light and easy life, I am in a constant state of survival, I have a list of many different traumas, and holding him in my little silly head helps getting through that shit. Pure shit. Believe me. Because, hell, surviving all he had in his undead life and still managing to be that charismatic (even if it's just a mask), that willing to move forward (even with mood "well, we are doomed")? An icon. Imperfect and by doing so relatable in almost everything for me. And that is why my brain can't help it but feel about him everything like he is alive. Existent. Just somewhere else, far away with no chance of meeting him. And that is why whenever I see porn arts with him, thirsty commentaries, erotic merch like statues, discussions whether he will drink the menstrual blood or not (and even getting his main scenarist involved in that crap) and god damn, that full-sized sex-doll? A bitter irony that his whole point as of fictional character was also showing him as a person with sex-trauma, who was always perceived as a pretty toy-thing for a night against his will with no care for his actual personality in his world, and it is exactly what people do in real life. Here I am glad he isn't real. All of it isn't surprising, though, considering that steam achievements have shown that only a half of players got through the first act.They don't know and they don't want to know. Am I going to tell people what to do and how they should enjoy these fictional things? Of course not. But I would be damn glad if people were digging just a bit more under the surface, but it's a whole other problem that goes with everything else in our world. I just really needed to pull this all out from my brains and put it somewhere, sitting in my dark corner and grumbling at people, just like always. And in the end - yes, I do understand that not all of his fans are like that. Doesn't really help with going frustration.

[beck-a-leck]

So I started rewatching Voltron over the weekend.

I was home sick on friday and was scrolling through netflix trying to find something low-effort to nap to. Preferably something I'd seen before, because naps. And I saw that netflix is removing VLD in early December.

And I've low key had the thought that it would be worth the time to rewatch the show now that we're like 7 years removed from The Fucking Insanity TM. Would be interesting to see how the show feels after that long and knowing where it goes and how it ends.

I'm 4 seasons in now, halfway through. And through the early stuff i rewatched several times during The Insanity, and I'm not gonna lie I forgot how charming and fun the show was.

Like I smiled again at the jokes and silly moments, and I got all soft over the characters and their dynamics and how compelling they were.

And yeah, the giant robot lions are still fucking cool.

But what i really forgot was how Fucking Beautiful the show is.

Like the background designers were told to make some cool space settings and they went Balls To The Fucking Walls with it! There's not a landscape, or a spacescape, or a view of a planet that's not just stunning.

And the way they played with the wild space shit is so delightful too! Here's a planet that's a thin crust over hot and deadly acid, tardigrade aliens live there. Oh look, we slapped two black holes and a star going super nova So Close to each other, and by the way we also hid a base there because Why Fucking Not!

I don't remember much of the later seasons. I honestly thought there were only 6 seasons, not 8. (I think maybe in my head I combined the four half-seasons into two regular-length seasons) but I do remember being pretty put off by the end of the show. Not in the way a lot of people were (I did not then, and still do not give a shit about any of the ships in the show). But I vaguely remember just feeling disappointed by the endings the characters got, and that the finale just was really anticlimactic.

I guess we'll see if that holds up while I go through the back half of the show over the next couple weeks.

Anyways. If you have any interest in legally watching VLD before it goes away forever (i have no idea if netflix ever made physical dvds of the show) you have until Dec 6. After that it'll only be found upon the high seas 🏴‍☠️

[agalychnisspranneusroseus]

I don't like complaining about S3 too much, it's kind of a bummer to focus on what I don't like when there's so much I love, but one thing that I can't help but feel disappointed by is how we never got to see the new Marcy.

We got to see the new Sasha all through S3, who is completely different from S1 and S2 Sasha, and she's such a wonderful and loveable person, you can't help but adore her. Peak girlfriend material. It makes her oddly homoerotic friendship with Anne so sweet! And Anne herself, as the literal star of the show, had her development front and center from day 1. All of S1 was about her growth, and while she still had some work to do in S2, by then she had already changed a lot. Much like Sasha, she goes from being a selfish little shit to becoming a noble, honorable young woman, driven by love and responsability, with the emotional intelligence necessary to face any challenges coming her way.

Marcy... doesn't get that chance. The content of her arc is fine - she realizes she was selfish and self-centered, she understands how that's wrong and she decides to be a better person. But when Sasha (and I'm comparing her to Sasha because Anne, as THE protagonist, is not a fair comparison) had like... all of season 2 to change and develop, and half of S3 to truly shine as her new, improved self, Marcy... well, she did get some development in S2, true - the First Temple and New Wartwood are important moments that come to mind, but...

Okay, so, we knew everything about Sasha's situation from the start. She's lying to the other characters but not to the audience, so everything she goes through in Toadcatches, Barrel's Warhammer, the Dinner, Battle of the Bands and True Colors is very visible to us. We see her going up and down and we always understand what's up with her. We get a very clear view into her mind. We know Sasha. Marcy, on the other hand, has been lying to the audience up until True Colors, so everything we knew about her prior to that has to be recontextualized given the new information, and what we inevitably conclude is that nothing she learned was enough to make her question her plan. She understood the concepts, but she didn't apply it to her particular situation. That's not a bad thing! She's just halfway through her arc - accepting the Truth without letting go of the Lie. But when so much of her arc is hidden from the audience and further recontextualized through more flashbacks near the finale, what we get is a very mysterious Marcy who tells us "everything you thought you knew is more complicated that it seemed", and given that this is the season finale, that set-up inevitably promises a deeper exploration of the REAL Marcy in S3. No more scheeming and lying and manipulating, just Marcy in real time, with no need for flashbacks to recontextualize things again.

But S3 gives us very few chances to see Marcy in Real Time. We see her in Olivia and Yunan, All In and The Hardest Thing. Three episodes. I'm not gonna complain about that because I think we all feel the same way. There's no need. But I will insist that a good solution would have been to have at least two or three episodes about Marcy inside the Core. The King and the Core should have been about Marcy uncovering that ancient information in Aldrich's memory without him noticing, for example. This would have been an improvement in several ways:

More Marcy screentime and development

More exploration on the nature of the Core

We have a present day character knowing all about the Box's lore, and it's not just Andrias randomly thinking about in with a vintage filter on.

Marcy having more agency inside the Core in general would have allowed her to fight back in some way, which would be necessary for another change I'd like to suggest below.

Other episodes could be about her "bonding" with Aldrich and slowly realizing he's delulu, her learning about some old Olm lore, and unlocking a secret that will help them later with like, Anne's powers or the Moon or something, and just... her thinking and realizing she fucked up. If the Core knows her memories, it could recreate a more prolongued scenario with Anne and Sasha, maybe a sleepover? In general, I think Marcy would need someone in there to bounce off of, whether it is a bad guy like Aldrich or lifeless projections of Anne and Sasha, or even someone in there that's actually on her side, sick of living forever in this fantasy, maybe.

She needs time to define her new, changed self after learning her lesson, just like Sasha got to do. Because we barely see who Marcy has become after the events of Amphibia. We got like... TWO scenes to tell us ANYTHING about it.

"No! Only a coward would hide away in this place! Well, I reject this sick fantasy, and I reject you!"

"Even if your friends win, your parents will still tear the three of you apart."

"I started this whole mess because I wanted to escape that reality, but I won't run away from it anymore!"

And later near the end:

"I came to this world thinking only of myself. It was wrong of me, and I wish I'd gotten to know you both better"

These are like... the only indicator of the person Marcy became in Amphibia. They're not worthless - she learned to be more aware of the people around her, and to be stronger in the face of change. Her final scene with Aldrich is her most confrontational scene in the show, and certainly her most angry one. Before, she'd only been like... mildly annoyed one time because Anne was being too overprotective, and she glared at Andrias for like two seconds during O&Y but didn't actually say anything. Marcy is not an angry person, and she does seem to be scared of conflict, so to slap Aldrich's hand away, call him a coward, and proudly raise her fist and declare she's done running makes her look much stronger, and I appreciate that. And she does pretty much declare she refuses to be a coward. But this isn't nearly enough. If I want to write fanfic about Marcy post-Amphibia, I shouldn't have to sit down to analyze these two moments to extrapolate what her characterization would have been like. It should be like with Sasha. We know exactly who the new Sasha is, but we never get to see the new Marcy shine. I think that's why her arc feels so rushed in comparison to Sasha, whose beginning of her arc arguably took up one 11 minutes episode, and the rest happened mostly off-screen: the new Sasha was radiant in S3B, even if we didn't see much of the transition.

I know that, due to structural reasons, Marcy wasn't going to have much screentime so they had to rush her arc quite a bit, and while my suggestion to give her more time inside the Core stands, I think that's not enough either. I think she needs time to interact with Anne and Sasha, and also King Andrias, her Amphibia friend. It's hard to think of a solution to this problem given the way the finale is structured, but my first idea is to make it longer: The Beginning of the End stays the same, All In stays the same except for the way Marcy is released: instead of just, cutting a cable, Sasha needs to reach her with the Power of Friendship. Think something like the Running Up That Hill scene from Stranger Things, or the Toothless Found scene from HTTYD2

Because we can't miss a chance to develop Sasha and Marcy's relationship here. AND since they both share the roles of the Betrayer, the Liar, the Manipulator, of Anne's toxic friend in the path of redemption, it's poetic that Sasha, who has held Marcy under her thumb for years, is the one to help her break free, not through brute force like in canon, but by actually putting into practice what she's learned. Kinda like how, in AtLA S3, Zuko is playing the role of group therapist to the rest of the Gaang. Sasha figured things out first, now she wants to help Marcy find redemption too. Make it a callback to Anne's little speech from TBOTE

"It's not easy. Forgiveness is hard, and it can take time. But believe me: it's worth it. I mean, just look at what you and I have now."

Because redemption isn't easy. It's hard, and it can take time. But you still need to show up, even when you think they don't want you, even when you think you ruined everything. Getting up to so the right thing is always worth it.

Of course, if we want Sasha to save Marcy, a little bit of previous development wouldn't hurt. What if we add a little episode in S3A about the girls all thinking about each other? Anne finding a copy of War of the Warlocks that Marcy forgot in her house, Sasha being reminded of Marcy while helping Maddie with curses for the resistance, and Marcy just... thinking about them, in general, while in the Core. A simple 11 minutes segment, 3 minutes and a half of screentime for each of them. You don't need much, just a moment for them to explore their conflicting feelings for each other.

But then... then, we still need to see Marcy - the new Marcy - interact with her friends, so let's add one or two more episodes to the finale, between All In and The Hardest Thing. Maybe we can shift the Olms storyline here? Would that mess with the pacing too much? Tbh the writers did put themselves in a predicament with Marcy, so it's hard to find a perfect solution. I guess we can keep the tension if the moon is falling veeeeeery slowly, giving our girls just enough time for one more quick adventure together while not making it feel like they're taking their sweet time. So we have one or two extra episodes, and what do we do here?

We challenge Marcy. Just like how Sasha was challenged in Commander Anne, Marcy has to prove she's changed too. Tempt her with her past self-centeredness, her possessive instincts, the easy way in which she lies to herself, her impulse to plan around Anne and Sasha and not with them, hiding important information. Her fear of change. She knows what she needs to do, and she's ready to sit with the uncomfortable feeling of change instead of rejecting it immediately. Maybe she has to let Joe Sparrow go, for example, to be with other sparrows or something, idk. Whatever it is, it needs to be an opportunity to show her newfound emotional maturity. Show how, just like Anne and Sasha before her, she became a more noble person, one who, from now on, is honest, selfless and brave. One who embraces change, and who may even seek it out, because she understands this is how you grow.

Anyway. Yeah, that. I guess I'm just disappointed we never got to see the person Marcy became, but at least it's not hard to extrapolate it from what little the show gave us. We're not 100% in the dark. Though it's not nearly enough. If they ever give us more Amphibia, it would be awesome to see more of this new Marcy, but until then, we have a beautiful community here of galaxy brained people to put the pieces together 🥰

[themthistles]

was s2 of sweet home sponsored by the korean army whats going on

[fiona-fififi]

"Why doesn't their side call out the bad behavior they accuse us of??"

Because they've blocked all the crazies on their side and aren't seeing it. Just like you're not seeing all the bullshit on your side because you've blocked all the crazies over there, too.

Also, they ARE calling it out. You just have everyone on the other side blocked, so you aren't seeing the callouts.

Like jesus fucking christ, can we stop generalizing giant portions of fandom based on the behavior of the worst fucking people in them?? Because I promise you, whether you are seeing it or not, there are really fucking shitty people in ALL corners of fandom.

[unsurebazookacore]

hot take, mike and el arent in love, because they are fourteen

well i guess mike is fifteen but still like as someone who has been fourteen/fifteen

GUESS WHO I WAS NOT DATING:

A. THE LOVE OF MY LIFE

B. MY FUTURE SIGNIFICANT OTHER

C. ANYONE WHO I WOULD BE ABLE TO SAY "I LOVE YOU" TO AND ACTUALLY FUCKING MEAN IT

D. ALL OF THE ABOVE (the answer is D by the way)

LIKE Y'ALL THEY ARE FOURTEEN

THEY MET WHEN THEY WERE TWELVE

"I knew right then and there in that moment that I loved you" MY ASS

[especiallyhaytham]

Is it just me or do new-engine video games feel like they're getting worse rather than better. Like yeah the textures and physics and FX themselves are improved, but at the same time why does it feel like I'm playing a game from 2001. Something's wrong here.

[unproduciblesmackdown]

among the boundless billions zaniness like laugh track as it definitely has that moment of expressing "rolling my eyes as The Left makes a kerfuffle of Acting like they have a stance as a veneer over the true belief that [xyz] is cool & chill actually" like what, approximate 0.000% chance wendy isn't, as usual, given the Objective Stance of "yeah yeah ohh we are cancelling involved parties talking about how we Don't watch this But. we all love this damn epic movie & already have it memorized so shut the fuck up, kids today" like. don't wanna really delve into how much billions thinks taylor or anyone is "really" trans / nonbinary like not too much benefit of the doubt in this material including what does provide info abt that specifically

& the general like [head in hands. what do you think any of this could possibly be about (you're the one that made your show at all about Power)] of "yes, it's bad/wrong to be someone that someone has done something to / victim of something" like that to be anti misogyny All Women Must Be Epic Winners b/c there's something to be proved: that they don't Deserve to be victims (of misogyny), not taken as a Given. while when we see some epic winner men stepping on other men (who need not all be guaranteed Winners so as to say misogyny is wrong), that's often Good, well beyond any assumption that various forms of basic disrespect / violation / patterns of emergent/entrenched power difference as Bad (for being things done to people, not for there being people they're being done to), & generally billions has to take an extra step when ppl get shitted on & tell us the Specific Cases when it was undeserved actually & someone was being mean to a specific person who didn't deserve that. & the specific cases when hey guess it wasn't that bad(tm) or when hey It's Okay that you're someone something was done to, in this case. & tell us what we were supposed to know all along like when someone who something was being done to (wrong Of Them, whether b/c they inherently deserve it no matter what, &/or b/c they failed to be someone who could make it Impossible to do anything to them, which, how do you do that besides being The Authority / Superior yourself, exactly? nonrhetorically? what if the in group vs out group / fascism / authoritarianism protected Me?) was actually being treated Too Well b/c ah well the abuse meant you were getting any attention, maybe it meant you were claimed as any superior's property, maybe it meant you weren't Already disposed of, as all Losers were in the end, You're Welcome.

obviously referring to winston where it's spelled out all the abuse towards him was deserved, & More than he deserved in the case of rian having more access & taking advantage of that, all for billions' enjoying its own sendoff there of, again, maximizing violation & violence short of [real violence is physical & leaves bruises / draws blood / Literally kills] which would be distasteful in general But doesn't it make wags look like the winner & winston the loser is that the former's completely unrelated completely impersonal ego blow gets way amplified taken out on winston, the most vulnerable recurring character when spyros as [first & ultimate Everyone Hates Him role] is more entrenched in there & billions still magnanimously pities tuk, as it does winston too, just not quite as much. again that like completely surface level realized power fantasy of forcing the mirror up to the Inferior so they're like nooo my inferiorityyyy & in doing so like, the projection in that lmao, we get it re: the valuing of & need(tm) for such Power Tripping & Reaffirming My Superiority & My Ego Restored; Everyone Claps like good god. & then for all ben & tuk are the slightly softer Two Too Nice Boys duo to the rian & winston quant duo, also like too nice i guess but not as much, ben is in charge of tuk but Any instance of rian being in charge of winston outstrips them in that "yay interpersonal abuse" dynamic, like then in the end billions may be like "yeah it's possible to be mean to them unlike how being mean to winston is actually Nice b/c he deserves everything he gets, we only vicariously enjoy it vs Feeling Bad for tuk & ben sometimes (still magnanimously & it's Not That Bad / just goofin)" like ben & tuk still Fail by not being people it's impossible to do anything to. & not Exceptions who anyone is really being Too Mean to. like if they were women, in which case, no problem surely with a "positive" kind of victim blaming where there is something Inherent that Will be victimized so hey how about to cancel that out there's this special Paternal Protection you Need always, Or Else? :) but instead they are men who are asian & is ben gay & w/tuk & winston nobody mentions glasses or fatness but billions doesn't really do much or very in depth textual mentioning of Anything, even w/nonzero mention that there may be gender & race in this world. a gay man, once. no disability. we just Know who are the inferiors who deserve it when they're treated inferiorly, or if they don't, they start deserving it when they fail to stop/avoid it, but if you start mentioning the factors behind who we all totally agree is inferior like whoa nobody was Saying any of that? being the real agent of oppression on the basis of the factors only You spelled out, much? nonbinary? i never say anything about the Gender Binary when i'm subscribing to it, sounds like You've created & enforced it. obfuscation & deflection onto [so Just Normal nobody has to label, explain, or argue it] couldn't serve a purpose & protect the existing power differences as they are. maybe You're the problem? perhaps you brought it upon yourself & now you're causing too much trouble standing up for yourself while everyone else's criticism is laser focused on you as the prior & continuing negative actions done to you are taken as a given / unquestioned / covertly protected to overtly encouraged?

anyway so wild if the Completely Normal(tm) Victim Blaming is uncritically recreated & oft embraced for "if you're watching this & don't wish you were axe / find him appealing" [billions as a sequence of vicarious power trips] purposes in this series....but a bit wild considering like this is your multiseason show that wasn't just purporting to be those power trips for [enough demographic & apparently specific personal tastes overlap w/creators] & was at all purporting to question the matters of power at play in the material, or yknow, at least to not be completely superficial material while said material is textually & thematically all about power difference being leveraged, how, the consequences, & so on. thus i will have to intermittently talk about it forever like this like lord unbelievable. & the funny little & sometimes less funny less little characters it has trapped in there so that those of us who were never meant to be in the audience can be cursed with this knowledge. like i have some feedback. "imagine not victim blaming" & "imagine adjusting your perspective can go beyond superficial layers added to politely defer to some other ppl while they're present but really like cmon do they deserve that. am i not just saying what we're allll thinking"

[cursed-spirit-manipulation]

lot of ppl upset abt the lack of. Any Real Acknowledgement of Gojo dying and I'm not saying they're wrong but I did realize that I think that's pretty much just how JJK is. Like Riko died. Anyway. Kuroi maybe? We don't know. Haibara died. Ok. Geto died. Like that's a big part of the plot but Gojo doesn't tell the first years SHIT about him. They just know there's a weird monk fucking everything up (and that's fucking Kenjaku lmao). Nanako and Mimiko. Nanako and fucking Mimiko. Like I'm not saying this is... Okay I'm mad about Riko bc like. She's a big part of the reason Geto BECAME A MASS MURDERER I'd enjoy if he mourned her more. I JUST REMEBERED THAT YUKI DIED. And Choso. ANYWAY I don't think this is Terrible Storytelling bc it does feel indicative of the way Jujutsu Society treats sorcerers (and potentialy civilians) where you're just expected to fucking Move Along. And I think there might be something genuine in Gojo, being a part of that system, still feeling like what he wants is to fade away after he dies, arguably showing that in the end he is the same as everyone else, he's human, he's mortal. And that being both a genuine desire and warped coping mechanism, and the way that's hard to truly parse. But also it does kinda sucks when the characters seem to straight up Forget the ppl who died... Like. Sorry I just got so mad Abt Larue and Miguel and THEY DONT EVEN TALK ABOUT NANAKO AND MIMIKO? TBEY TALK ABOUU MISSING GETO BUT WE CANT GET A SINGLE FUCKING MENTION OF HIS GOD DAMN DAUGHTERS? anyway the treatment of death in JJK is a good Foundation for themes and emotional resonance but uhhh Gege kinda sucks at writing so it's. It's eh

[heloflor]

You know, considering that new untitled Peach game is a bit like Luigi’s Mansion with how it puts a Mario character in a new environment with new game mechanics, I’m kinda hoping Peach gets her own original villain the same way Luigi was given King Boo.

Hell, with Super Mario RPG coming back, which has many original characters, and with the characters from the Peach teaser being something other than Toads, it seems Nintendo might be willing to dip their toes into original characters again. So what’s better to start making new characters than by giving Peach her own bad guy ! Also the new Mario Bros game has some new characters as well from the looks of it, so again, it’s possible !

And don’t get me wrong, Bowser is absolutely iconic and I do enjoy the irony of Peach battling against him. But with this game not being a platformer, and again taking into consideration Luigi’s Mansion, it would be a fun change of pace for Peach to have a new villain in her own series (god I hope this game becomes a series of several games!!!). Plus, it seems Peach will be more and more playable in mainline games, meaning more Bowser beat-up from her anyways.

And yes, part of me wants that new villain to be a female character as it's been forever since Mario games has had one and I am very much aware of how people would go crazy over it for the shipping.

(Also going back to Bowser, it’s more of a “me” thing but I always found it slightly weird to see Bowser attack Peach, since he’s supposed to be in love with her (Paper Mario games prove it well) and in all the games she gets captured, there are no indications he ever raises a hand on her. Hell in Odyssey he’s very gentle when putting Tiara on Peach’s head. Also Peach is never particularly afraid of him despite how horrible he can be, which implies he doesn’t physically hurt her.

Fun fact : this is why I headcanon Super Princess Peach as taking place very soon after Super Paper Mario, since the two of them would have just spent weeks working together and getting along. So it would work for Bowser to lose his shit upon getting rejected yet again “despite doing everything right” and thus be willing to fight her. As for 3d World, there’s three other people Bowser can focus on to avoid hurting her)

[apatheticlexicographer]

to be completely honest, the stranger things fandom has damn near ruined the show for me lmfao

[iridescentoracle]

@eglerieth replied to your post: Hello! I am here to ask about your Dior headcanons…

What’s your Galadriel headcanon?

Oh man, I didn’t see this!! Thank you for asking, i fully did not expect anyone to actually get far enough into the Dior post to see that let alone actually want to know. Sorry I’m two days late!

So! What we know about Galadriel in the Silmarillion:

She hated Fëanor but thought being a queen sounded pretty sweet/desired power

She’s named as one of the leaders of the Noldor across the Helcaraxë

Instead of founding her own kingdom (like she’d explicitly originally wanted) or moving in with her brother she got married and stayed in Doriath and learned a lot from Melian

Eventually Melian was like “hey so you should explain the weird ominous evil metaphysical cloud i can see hanging over the Noldor so i can explain about it to my husband bc he should really learn about whatever happened before it blows up in everybody’s faces” and Galadriel was like “yeah he probably should but i’m not telling”

At some point Galadriel asked Finrod why he wasn’t married yet

One time Melian casually foreshadowed Beren’s existence to Galadriel, who has no recorded response

That’s it. That’s literally all we know about what she was up to. She was super jazzed about the prospect of Ruling A Kingdom and then made friends with a queen and learned a bunch from her and… was still alive after the War of Wrath, and in between we have nothing.

We don’t know how she survived the Second Kinslaying, we can assume she made it to the Havens of Sirion but don’t know how she survived the Third Kinslaying let alone what she did/where she went after that… we don’t know what her reaction was to the death of her only remaining family member in Middle-earth, for which her cousins and the great-uncle in whose kingdom she lived were both partially responsible…

Like, that's weird, right? Galadriel is firmly established as someone bold and interested in being a ruler and stubborn as all get out, and then she… does nothing and everybody seems to forget she exists for several hundred years and some major political upheavals that should have personally affected her? It's not just me? That's really weird?

So, my Galadriel headcanon is that she’s inexplicably absent for most of the Quenta Silmarillion because she was deliberately erased/left out by the scribes writing things down because there was no way to acknowledge her presence in Doriath during and after Beren & Lúthien’s whole everything without getting into the messiest bit of Sindar-Noldor political tension that didn’t involve the Fëanorioni, because (again, headcanon) Galadriel Did Not Respond Well to her uncle getting her brother killed as a side effect of trying to get her cousin’s boyfriend killed and there was A Lot Of Tension for a while there (when you’ve got that kind of interpersonal tension between people who are both essentially Political Figures, i figure it’s probably going to turn into political tension unless they’re both trying very very hard to avoid that and potentially even then)

…and then after Thingol’s death a few years later, I think one of the primary contenders for Next Ruler of Doriath was Galadriel “Well I Came Here For A Kingdom In The First Place” Granddaughter-of-Olwë and also her husband is related to Thingol* and Lúthien’s clearly removed herself from contention so if the Sindar want a monarch who’s actually related to the last one they both qualify, it’s perfect and obviously Galadriel should be the next queen of Doriath (it is not obvious to everyone)

* on a side note, Celeborn is mentioned twice in the Quenta Silm: #1, Galadriel stays in Doriath because she’s marrying a “kinsman of Thingol,” while #2, shortly after Thingol’s death, Celeborn is referred to as a “prince of Doriath.” Not actual evidence, but it sure fits in nicely!

Like I said in the Dior post, I don’t think anything ever came to outright surface-level conflict; a civil war in Doriath is not getting left out of the Silmarillion. Tension between Galadriel and Thingol, though? and then between Galadriel and [various other contenders for the throne after Thingol, potentially including Dior himself when he arrived] that had everyone a little nervous? when she didn’t become queen and did (however begrudgingly) accept that Dior was the closest thing to a consensus pick and did survive the next several thousand years only to finally wind up as functional queen of most of the remaining Sindar despite eschewing the actual title? That I can see getting diplomatically left out of the histories, and explaining why she’s completely during the parts of the story where you’d think she’d be most involved.