#way too long post again

[vladimpale]

here we have a late submission for day 6 of zukki week 2024: heist au (click for better quality)

@zukki-week

more thoughts under the cut

i got back into leverage this week so of course i couldn't not draw zukki as the ot3. i think suki would work better as a grifter than a thief (maybe even a hitter) but yk. i also stayed up way too long thinking about who is the mastermind and who is the grifter/thief remaining and i got to the following conclusions:

song as the mastermind and jin as a grifter just butters up my heart like i missed these girls like crazy and i think it would fit them (also azula as jim sterling is way too funny)

but then we have azula as nate (which i think is equally funny) and ty lee as thief

also mai as nate but thats just because i ship mailee and i wanted them together

[doomdoomofdoom]

With the ongoing investigation into the CEO Killer, it's interesting to see how little people know about police investigations. Which is funny, because most of that stems from Copaganda and is now kinda biting the cops in the ass.

Semi-Educated rambles about copaganda and real procedures below the cut

I say semi-educated because I am writing a thesis paper on copaganda, but much more about the brutality aspects and not the crime solving ones. I did write a much less intense paper on that almost ten years ago, and presumably some things have changed. Take my "expertise" with a grain of salt.

The Copaganda Thing

Copaganda (Cop Propaganda) is basically what the name suggests. Anything that makes police look good. Social media posts about community outreach, the adorable little K-9 units, kneeling next to a protestor that you brutalize after the camera turns off. But the massive elephant in the room here are Cop Shows. There are literally too many for me to name. NCIS, Blue Bloods, True Detective, any of those weird "live" police shows, and yes, Brooklyn 99, too. These shows (often produced in cooperation with the police btw) serve to humanize cops and portray them as good, honest people, who maybe have to cross the line sometimes but it's always for a good reason and they're always right and save the day! The other half of it is vastly misrepresenting how (and if) crimes get solved.

Reality

Ripping this band-aid off first: Police are dogshit at solving crimes. There are aspects technically outside their control, like that only about half of all crimes (excluding murder) actually get reported to the police. (Based on comparing the 'Uniform Crime Reports' and the 'National Criminal Victimization Survey') But this also means that the Police Clearance rates are only half of what they calculate. Numbers get further skewed by not accounting for a lot of online crimes because the system hasn't caught up with like, the 90s. Anyway, for reported crimes, investigations will lead to an arrest in about 20-25% of cases. Three out of Four cases die without ever apprehending a suspect. (While there are ways to deal with a case without an arrest, ask yourself if you think that's likely in a system that measures success by arrest numbers) Conviction rates (which vary massively depending on crime) even out to about 4%, or 2% of total known crimes. (x) Worth noting: Generally, violent crimes have higher clearance and conviction rates. For murder, the conviction rate is around 60% while larceny-theft can dip below 1% of reported crimes. (It's generally assumed that the number of known and reported murders is the same, as the NCVS doesn't track it. Because murder victims are bad at filling out surveys.) To recap: Police solve about 4% of crimes reported to them. Meanwhile in your average cop show, you've got a success rate of about 100%. That's a stark difference, even if you take only murder rates of 60%. If you're an average citizen who's the victim of a crime, the most helpful thing the cops will do is file a report you can submit to your insurance.

Forensics & Procedures

I've seen these float around a bit and it's mildly ridiculous. Supposedly they've found a bottle and a protein bar of our killer and will be testing fingerprints and DNA. If those worked flawlessly, they still would only bring up results if the killer has been detained before. Databases of random civilian fingerprints/DNA samples are not kept by law enforcement. These analyses only work by having a point of comparison (and even then fingerprint analysis remains subjective), so they won't actually help finding the culprit, but they would be relevant to confirm the identity of an apprehended suspect and as evidence in an eventual trial. (There is also something called familial DNA which would work if they had a couple of relatives in the system, but that's both a flawed and incredibly time intensive approach. We're talking months of drawing family trees.) Also your average DNA test takes like 24 hours and fingerprint analysis is algorithmically supported now, but still mostly done manually. And both require a clear sample, so good luck with that. Fingerprint might as well be the clerk who sold the bottle. There's an infamous case of a serial killer whose DNA kept being found on crime scenes all Central Europe with no connection to each other. Turned out the Swabs were contaminated during production. There was no serial killer. Quickfire round of unrelated notes: 1) Lie detectors don't detect lies, they detect stress, anyone can trick one with some practice. the guy who popularized their use thought they could detect stress in plants too and that the plants could read his mind. 2) We're not actually sure if all fingerprints are completely unique. 3) Bite mark analysis is a pseudoscience that needs to be removed from criminal and legal proceedings asap. 4) Any algorithmic detections inherit the flaws of their human predecessors. Those are their training data. (That's also how they keep turning up racist)

And as a final note, it's common for the police to not share details on their ongoing investigations. That's just common sense. The only details that get released to the public are ones that could lead to direct hints or vague ones if there's a lot of public attention, to assure everyone there is progress. For similar reasons, while everyone and their grandma has put together the motive from the bullet casings, cops can't actually go out and confirm that. It's like how Bulbapedia has to say Flamigo appears to be based on a flamingo. Contrary to the cops, Bulbapedia does not have to carefully watch what data they release that might elicit more sympathy for Flamigo.

Why tho

So after literal decades of copaganda brainwashing, the public perception of crime and punishment is heavily skewed. We've been told over and over that cops can catch any criminal in a matter of a 60 minute episode, max. And that's by design. Aside from the image polishing, copaganda is a deterrent. If you're convinced you'll be caught after committing a crime, you wouldn't commit it, right? You don't wanna go to jail. And the bad guys always get what they deserve on TV, no matter how smart they are. You're not gonna risk that, are you?

That's why we keep using lie detectors, that's why the news are full of arrests being made constantly, that's why cop shows get so much support from the police. That's also why we keep pouring money into policing. Part of it, at least. We've built a police force that isn't about solving crimes. If that was priority, we'd invest more into forensics and labs to keep up with the demand of samples that need to be analyzed. Instead, we built a police force that gets new tech gadgets and military gear. It's an arms race against the general public that isn't even running. We take cops and we give them paranoia, weapons, justifications for violence, and targets to brutalize. I don't have to remind you of the riot gear and responses to peaceful protests. The police isn't your friend and helper. You must fear them. Fear their superior intellect, fear their crime solving abilities, fear the high tech arsenal at their disposal. Fear them so much, you won't even think of doing a crime unless you're rotten to the core. And if someone's rotten to the core, then surely the violence is justified.

But that's also why this guy in particular is so dangerous. They've built up this image of being near infallible (to anyone who never actually interacted with police proceedings, at least) and being able to stop any threat, catch any criminal. And yet, this guy shot someone in broad daylight, in the juristiction of the country's largest police department, and he's currently getting away with it.

[heartorbit]

the star you've longed for

[valgeristik]

This scene for Gale triggered for me in the funniest place possible

[canon-gabriel-quotes]

Transcript:

Machine.

Does my ass look fat in this armor?

Audio source

[akascow]

i keep thinking about the end of this post i made lmfao:

"i like that in the last battle he just accepts it: realizes hes in the same position as future jayce, but just closes his eyes... he knew the only way to get through to viktor wasnt through fighting, but talking. which has been the basis of both of their worldviews for the whole show,, which is WHY IT WORKED"

bc wow i kinda cooked with that one HAHA

(also it like totally relates to the act3 message about how killing is a cycle and the only way to stop the killing is to literally Stop The Killing lmao)

but like, to elaborate on it i just think its so significant given that jayce and viktor were always opposed to killing others or using hextech against ppl less equipped:

-jayce's anti shimmer plan crumbles the second he accidentally kills a zaunite child.

-viktor adamantly opposes the idea of building weapons the entire first season because theyre scientists, not soldiers.

-jayce throws up and almost has a panic attack seeing a bunch of enforcers stain the bridge with blood after the firelight bombs.

-viktor abandons his whole hexcore idea the moment sky dies from it, begging jayce to destroy it

-jayce completely disagrees in the use of hextech weapons even after viktor dies from the attack on the council

their goal was always to use hextech to help, not hurt.

and yes they do stray from that ideology a couple times bc of like,, moments of weakness or wtvr lol:

viktor in his Machine Herald basically killing the body and leaving the soul of everyone who joins his cult i mean harem i mean community,, ((although im pretty certain the hexcore was kinda like a virus- influencing his actions with the main goal of spreading,, and i truly believe he genuinely thought he was helping people and not like, literally killing them lol))

and jayce making some weapons for the strike team later, but you can see hes clearly distraught from breaking another promise to viktor (his wound literally reopens as a metaphor lmao)

and they try to fight each other in order to share their disagreement of the other's actions, viktor tries to make jayce see his vision, doesnt work, he tries to choke him to death. jayce tries to make viktor see that what hes doing is wrong, doesnt work, he blasts vik's puppets with his hammer lmao.

but what does work ? putting down the weapons. in the end they accomplish the mutual goal without violence. mainly because they literally cannot bring themselves to kill the other but

they never really wanted to fight, no less kill, each other in the first place. because they shared that mutual worldview, they were never in favor of violence against their enemies. both of them even show regret while trying to kill each other too. jayce's anomaly screaming trying to pull away from blasting viktor in the chest, and viktor failing to persuade jayce to his side, voicing his apology before attempting to kill him.

jayce gets to the tower and sees hes in the same position as his future self. realizing he cant beat viktor like this, and everything he saw in the future timeline is inevitable, he closes his eyes, tired from fighting. but what does viktor do? does he kill him? turn him into a puppet like the others? no, viktor lets him into his world, letting him see what he sees.

viktor shares his motivation, humanity's weaknesses causes senseless war. but instead of arguing at that, jayce just talks to him, sharing his words of affection. yes humaity has weakness, but what viktor always viewed as weakness is actually what makes people admirable. and jayce hugs him, he shows viktor the truth of what is to come continuing this path, letting viktor know what he knows.

and thats how viktor breaks free. with a hug. practically the exact opposite of violence.

and again, they fix their mistake together, holding hands and embracing each other, sharing that pain and guilt of the fact that they did hurt people, and choosing to take themselves out in pursuit of correcting that mistake.

...and isnt that just beautiful HAHA

[twisting-in-wonderland]

Silver + glasses = wise old man trope...

. this has been a wip for like. weeks - i had no energy left to finish it properly lol so i'm posting it as is-----

'bonus' (VERY. UNFINISHED- )

[deoidesign]

Return date for my webcomic, Time and Time Again!

It's been set for a while but sometimes they change the date without warning, so I'll keep you updated if anything changes!

I'm extremely proud of the work I've been doing on it, I can't wait to share everything!

See you then!

[somegrumpynerd]

Cross has trouble getting to sleep alone in his room and goes looking for a distraction, but ends up finding a solution for both of them

[definitelynotshouting]

your half of the ransom

inspired by this post and scar's tweets about secret life :] i speedran this just in time for the first eps of the new season to drop!! as always likes and reblogs and especially comments in the tags are appreciated❤️ enjoy!!

Scar wakes to a field of sunflowers.

The sun itself is a swollen yolk bleeding gold at its edges when he blinks, cascading down from the horizon to melt over the earth with indiscriminate fervor. It dips the petals of each field-flower in honey, honing their silhouettes to supple knife-points— even the soil beneath him, packed firm from countless nights of sleep, has burnished to a fine, patinated bronze. In the amber of its rays stray pebbles transmute to pyrite, the subtle scrabble of roots to filigree, and caught in the open mouth of such gaudy resplendence, Scar digs an elbow into the dirt and hauls himself, reluctant, back to his own unsteady feet.

Even at full height the sunflowers still tower, blocking all signs of hearth and home. But the sun (popped, bleeding, all gored-out gold in the upturned belly of the sky) remains his guide— Scar picks his legs up in a faltering stumble to follow it before catching rough fingers against the stalk of a nearby sunflower. He flinches; this early, it's too easy to perceive each stalk as part of a swarm, a yellowed panoptic presence bearing down on the world-weary muscles of his shoulders.

Their seeds will need harvesting soon. Scar hums, a match-strike against unyielding silence, and casts his gaze back to the sun above to orient himself in the direction of his base.

Until they're ready, he has nowhere else to be.

Trader Scar's is too-empty for so comely a morning, a hollowed-out shell long rebuilt and bristling with more wares than he has those to sell them to. But it's a familiar charade— Scar slips into the back with a single sunflower clenched tight in his palm, bruising the petals and scratching against the insides of his fingers. He changes in rapid, efficient motions; last night's poncho is discarded over a nearby chest in exchange for a brighter one, yellow wool lovingly dyed; his hair is released from its tie, combed through, then braided again; the soft leather shoes he'd worn underneath the stars are left to clump by the doorway in favour of far-keener diamond. Worn in but undamaged, the crystal chimes without dents or scratches— there's nothing left to fight here, anymore.

When Scar steps back out to the front, a ghost is waiting patiently for him at the counter.

Or— the ghost of a ghost, if he's being generous. The outline of a shadow, the flicker of a distant mirage. "Oh," Scar says, and the word scrapes like rust from the well of his throat. He'd recognize those wings anywhere. "Well, hello there, Grian."

Grian's filmy outline says nothing. They never do, when the shades appear for a rare visit. The barrier between living and dead remains a clear divide, a gorge through which Scar cannot pass— all that's left between them now are the soft, faded echoes of what was, and what it could have been.

Still, in the year he's spent here, that's never deterred him from a potential sale. Scar props a hip up against the counter, eyeing the flickering shadow and mustering up his best imitation of an enthusiastic smile. "So what brings you out here to my neck of the woods? Looking for something to buy? Some fine goods to trade, perhaps? Man, I don't think I've seen you around in a dog's age. How about some catching up?"

The back of his neck prickles, electric; Grian's shade is a stygian blot in his vision, a fuzz of static that extends its presence from floor to ceiling. His ghost keeps his silence.

Scar tugs his smile wider, flashing two rows of bright, gleaming teeth in Grian's direction until the strain threatens to choke him. "No? Not even a little bone for ol' Scar? Well, tell you what, don't you go standing on su— se— oh, ceremony! Come in, come in! You make yourself at home, you know how I just love a visitor— how about I make us a drink to share and you tell me where in the world you've been, mister."

He doesn't bother waiting for a non-existent reply; instead, Scar swoops down to snag his fingers against the cupboard he'd installed within the counter months ago, fumbling with the latch before throwing its doors wide open with a gust of musty air. Inside, an eclectic mix of quite high-quality wares and some of Scar's own humble belongings tangle, speckled with cobwebs and the first faint stirrings of freshly disturbed dust.

Scar purses his lips, eyeing each item in turn. A nautilus shell here, a few scraps of wood there, some glass bottles, the handle of a ladle he'd cracked over six months back.... Squinting, he thrusts his hand deep into the mess, sweeping the items aside and shuffling new ones into view until— there!

Toward the back lies a dented iron kettle, brittle with disuse. Scar snaps forward, straining out his arm until the tips of two fingers meet the edge of its dusty wooden handle. With a grunt, he flicks it closer, wincing at the shrill scrape of iron on wood as it inches toward him.

SCAR.

It is not a voice. No mere voice can resonate a single word like that in his chest, trembling in his bones and drumming out from the chambers of his very heart. Like a ripple on the still surface of a lake, it rattles through him, scattering each thought to the far corners of his mind and stripping him raw, flaying open his ribs to splay beneath the scorching sun. The yelp that bubbles up to his lips flies past them unbidden, rocketing out with such force that he jolts, and rams his skull straight into the overhanging lip of the counter.

White-on-red sparks, a cherry-hot bolt of fire centered on his crown. "OW! Oh, oh my gosh, I-I— Grian?"

None of the shades haunting him and this server have spoken. They've never spoken. They've never— so why now, when he's made his peace with that—

Scar wets his lips, tongue dry as desert bone, and drags the kettle out of the cupboard with one quick yank. Clutching it to his chest, he rises back up on shaky feet, holding it up as if to ward off an incoming attack. Some shield; its hollow interior reverberates with a screech when he raps his knuckles against it. "Now— now hang on, mister, you can't just— you— oh my gosh, I-I think you just made my heart stop there for a second." A bracing breath. Two. "Y-You can't just shock a man in his own home like that! You...."

Scar trails off. The misty impression hovering on the other side of the counter remains impassive, impersonal— this is not the Grian he knows.

The Grian he knew.

Deep within the static writhe of his shade, the after-image burn of greyed-out eyes begin to squirm to the surface. Scar flicks his gaze back to the kettle with instinctive, long-honed deference, staring hard into the distorted lines of his own reflection.

YOU WON. Once again the words rip something vital in him, boil up through his veins to tear themselves, wet and coppery, on the limp meat of his tongue. Scar risks a peek up, lump hanging heavy in his throat; each syllable comes out as a squeak, threatening to crack the smooth silver of his voice.

"I— yep, I sure did! I sure did, and— thank you very much, for noticing! I, uh, I still don't know how I did that, what with— oh, you know how it is, with, with the, uh, the— friends situation, how that all panned out. Y'know, actually, I wonder if that's wh—"

The eyes blink at him, asynchronous and blank. Hollow. In the heartbeat it takes for them to train back on his own, a soul-wrenching wave of gooseflesh ripples up over Scar's arms.

He whirls himself away so fast his vision spins. "So, uh— tea! You like tea, right Grian?" Without ceremony Scar scrambles to the other side of the room, forcing the counter still between them, every nerve in his body winding tighter, tighter, kinetic energy in a bottle. "How about, um, a—" he rifles through a new cabinet, clumsy with frenzy— "oh, shoot, now where did I put that— I've got some, uh, some dandelion root! Hand roasted by yours truly, of course. Not that anyone else could do it now, but— oh, oh, and look at the lavender, now that's just delicious, you've gotta try it, G, I know you'll just absolutely love it."

Silence. Scar's hand pauses, braced tight on the handle of the cabinet.

"Grian," he says, slow, quiet. Lets the words drift up, shining soap bubbles, to pop against the ceiling. "Why— what are you doing here?"

To his credit, Grian is direct. IT'S TIME.

Without permission, Scar's fingers tighten around the handle of the cabinet. "It's— what? Wait, wait—" He blinks. Does not turn around. "Time for what?"

Silence.

Scar licks his lips, worrying at the split still stinging at the right hand corner. "Time for what, Grian?"

The distinct pall of burning ozone scalds through the air. Tentatively, Scar shoots a glance back down into the kettle, peering at the distinct smudge still smearing the wall behind him. No eyes in its reflection; some of the tension riding in his shoulders loosens, slackens his tendons and begins to uncurl his fingers from the cabinet knob.

Without warning, a wash of ice wisps forward to numb the small of his back. COME HOME, Grian says simply. The words echo in the gap beneath his sternum, drag themselves up each vertebrae in his spine, and Scar freezes stiff, solid.

"This is home," Scar says, blank.

NO.

Some hot ember, banked countless months ago, sparks back to life in the pit of his stomach. "It is," he says, more firmly this time. "It's— that's it. You said it yourself: I won. And I did it fair and square, I'll say. I followed every rule, every task to the— to the nth degree, and... and now I, um." He falters. Grits his teeth until the molars ache. "I get to live with it."

But a sudden chill that has nothing to do with the shade behind him abruptly slips beneath his skin. Hesitantly, still clutching the kettle in one hand like a lifeline, Scar says belatedly: "... Right?"

Despite the sun nearing midday, the temperature around him plummets. NOT ANYMORE.

"Oh," Scar says. The metal surface of the kettles creaks as his second hand joins the first, digging nails into rust and grime. "I— again?"

YES.

"... And what if I don't want to do it again."

He does not phrase it as a question. They both know his answer.

Scar sucks in a sharp shock of air anyway, rattling the kettle against his chest and daubing a blotch of dust over the soft wool of his poncho. "Is—" he bites his lip— "will everyone... be there?"

YES.

Ah. Scar's eyes slip shut of their own accord; behind them, dozens of veins brim over, webs of blood welling up and spilling to slake a thirst so abyssal it could drink and drink for years without satiation.

"... Will you be there?"

For one long, nightmare-eternity, Grian does not reply. Then, a knife between his ribs: YES.

With slow, halting steps, Scar turns. "Okay," he breathes, and drags a hand over his eyes to cloak them both in darkness, and sags back until his skull knocks against the cabinet door with a dull, tender thunk. Each exhale emerges as a series of shaky puffs, damming up his lungs and swallowing all the air in his esophagus. Scar shudders, scrapes his bitten-down nails against iron, and breathes with the roiling of his gut. "... Okay."

When he opens his eyes again, Grian's ghost has vanished.

The spot it occupied is still frigid when he waves a trembling hand through it; Scar inhales, exhales, inhales again. Rinse and repeat, the perfect cycle, the mantra against extraneous thought. Then, solemn and deliberate, he holds the kettle out in front of him, trailing one wandering finger over its dents and bruises, tracing the paths between the known and the new.

"Guess I'll see you there," he tells it, and lifts its grubby handle up in absent toast.

High above, the bleeding sun strikes noon at last. Scar does not harvest the sunflowers.

[arttsuka]

I LOVE Teen Stan and Ford, it’s sad they don’t get drawn enough, so thank you so much!

Does Ford ever help Stan when he gets overstimulated? Or maybe when he has a rage response and suddenly starts crying and calls himself stupid?

Here's the other post with Ford

[coinsucks]

He matches now!

[doomedclockworkdotmp3]

heeyyy gaaanggg

the pose and the background of the album version (left) are based on oingo boingos only a lad album art. not cause i think he has anything to do with it but just cause ive been wantin to draw that pose for like. weeks and i didnt know who to put there. so why not my latest bug man.

[gramnel]

absolutely unrelated arts because I didn't want to spam post it

[beatsheetromanroy]

it is very important to me that dean and cas were NOT sleeping together during gamble and carver eras. S4-5 crazy new chemistry i dont know you/ i’m in awe of you/ i’m terrified of you/ i hate you/i wonder why i want to spend time with you so badly backseat handjobs yes! then 6-10 it’s crickets. no sexual contact whatsoever (which doesn’t mean there’s no pining or attraction.) there’s just too much going on, one problem to solve after another, the new butterflies have been replaced by solid friendship and they never see each other enough. they don’t talk about it, they wonder if the other even remembers. maybe. maybe! there is a kiss or two in s11 but that’s it!!! then BAM! season 12. Immediately domestic boyfriendhusbands keeping a normal sex schedule of several times a week. it’s so routine it’s not exciting which is exciting in and of itself. and they even have sides of the bed.

[fumifooms]

What if we were both magic prodigies and it otherized us in different ways and we devoted ourselves to protecting a family member who has general other goals & priorities. What if we both did self-sacrifical devotion in opposite ways.

What if we were dark mirrors of each other and where I've grown overcontrolling you've grown complacent. What if, bought as a servant into a pretty loving home, ownership and control is what love looks like to me, and to you neglected and lonely growing up, love is gratefully taking any scraps of it you’re lent.

By belonging to someone, even if she comes back injured or fails at finding Delgal, she feels like she belongs and is cherished, by owning someone he feels safe in them not leaving him.

She’s what’s tethering him do you see… And he’s the only thing giving her direction and purpose in her state. She needs a compass and he needs a support.

They’re both so out of it 😭 It’s the weirdly intense and unearned mutual trust and reliance on each other?? They’re each other’s weird little comfort codependent teddy bear. Or at least they were headed towards that before SHE DIED THEN HE DIED THEN THEY BOTH FORGOT ABOUT EACH OTHER AND NEVER MET EVER AGAIN. Though she’s also the guard attack hound keeping him safe… And vice versa he heals her and can rewrite her very being with just one wave of his hand. They’re both so so mentally and physically vulnerable both but they cling onto each other. They can’t perceive things accurately but despite it all someway somehow they stumble into something closer to resembling companionship just before they both die. Falin is just that kind and Thistle is just that lonely. Overworked.

We both haven’t lived for ourselves in a very long time, haven’t we.

They both have a similar devotion to the people they love but again the difference is that Thistle starts overtsepping while Falin is self-effacing. The other difference between them is that people care about Falin <3 People have given up on Thistle long ago, and he has given people reasons to, while people refuse to give up on Falin. Yaad has a mini arc about it dw about it it’s ok he’s not all alone in the end 😭😭 He reached out for Marcille’s hand but they already all wanted to help him, they just had to be given the chance to, Yaad just had to be given the chance to, it’s okay I’m okay

Hey what if we learned to get in touch with our own identity and the world around us and living in the present again through being in the worst codependent situationship ever.

Falin and Thistle sitting in a tree, sucking on flowers together because they’re h-u-n-g-r-y 💕💕💕

I bet he’s only ever thought of flowers as useless ornaments. Weak weeds. But she shows him they’re tasty and useful and good and pretty in their own right too and deserve existing without proving their worth and waaa <33 Thistles…... Did you know thistles taste sweet if you remove the thorns and eat them?

"Even as a chimera, her kind nature remains" you can’t suppress her in the way that matters. You can’t soothe him in the way that matters. It’s doomed. You’re doomed. It’s all doomed. Save me.