#was that okay to do.... was that okay to do...... dennis has never seen affection from his parents
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the way dennis asks "was... that okay to do?" after kissing the top of frank's head makes me implode on myself like a bouncy castle with a slow leak
#ada speaks#ill be honest i think that scene got me more than mac finds his pride i made an absolutely inhuman sound to accompany the deflating#it still kills me every fucking time i think about it#was that okay to do.... was that okay to do...... dennis has never seen affection from his parents#here he is at 45 asking if its okay that he kissed the man he thought was his father for the majority of his life#dennis 'words like no or stop have never worked on me' reynolds is asking if it was okay to kiss frank on the top of his head#was that okay to do..............#iasip#dennis reynolds
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Oooh it’s ‘Eve coming in hot with a lukewarm take’ time! (I am about to rag on AI bros and their devaluation of art)
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Every time I see an AI bro talk like this, I’m convinced that they think that being constantly fed pleasing images without any effort on their part is the peak of human existence when it’s just. not. Like, they cannot fathom that working for something can be rewarding, that there can be joy in the process and in collaboration (dude, I hated group projects too, but these things are not the same).
I just… what kind of miserable existence do you lead if the thought that creative projects take effort and time and intention is seen as an inconvenience to be eliminated? As if those things aren’t how we make art that affects each other? How we are able to express the things that can’t just be stated?
I will fight AI bros behind a denny’s to stop this nonsense any day, but also… have you never done or made something meaningful in your life? Have you never partaken in art that has touched some secret and tender part of your soul? Are you okay???
I don’t get mad easily, but this kind of stuff makes me furious. Go do some community theater. Maybe then you’ll realize how art connects us as people and how each individual involved in a production makes it what it is, and that AI is fundamentally incapable of recreating that.
#why do they hate people#why do they hate art#I am legitimate concerned for their emotional well being#not to mention that I watched the ‘trailer’ and it only looks good if you intentionally blur your eyes#I vote for community theater as therapy for these guys because#the collaboration with cast mates and the connection and reaction you receive from your audience#genuinely. performing can be so exhilarating. profound. fulfilling#ai bros#eve talks
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The GrimBee Story
Chapter 9
~~~~~~~~~~
"You'd think it would be easy finding a T-Rex Dinobot," Patchy grumbled.
"Well, this planet is big."
"Not as big as Cybertron," the smaller mech replied as he stepped into a mud puddle. Exclaiming in disgust he did his best to shake the mud off, "And we didn't have to deal with this planet's weird things."
"I know, this planet has some really weird stuff."
"I mean what's the point in those tall brown and green things? They're just in the way."
"From what I understand it provides a way of life of some sort to the planet's inhabitants, it's also known as a food source for the animals."
"I guess. Do you think Amberblade is okay? I thought she was coming with us."
"Eh, maybe Ripjaw held her back to give her another punishment for leaving Shadowrunner."
"Maybe. What do you think he could be doing?" Patchy asked with a small hint of excitement.
"Not sure. What do you think he's doing?"
"I would say throwing her against the wall in his Dino form."
"Yeah, or cutting her up with his claws."
"Or slamming his tail on her back."
"Or chewing her up like a chew toy."
Patchy giggled softly if only he could see it.
"If only we could have stayed to watch it," Diamondback stated.
"Yeah, but I don't want to be on his bad side. Best to look for this guy while he's punishing Amberblade."
"But where can we find him?"
"I don't know."
"Well, let the hunt begin then."
~~~~~~~~~~~~~~~
Grimlock was looking at the mountains as he headed back to the scrapyard with Bumblebee. He wasn't sure of what to say after the other day when he interfaced with him.
"The mountains are beautiful on this planet," Bumblebee spoke, "I really like the ones with snow, they look so pretty."
"I've never seen one with snow before."
"You haven't? Well, maybe Denny has a picture of one."
"Or we could go to one," Grimlock suggested.
"Or we could do that."
"When would you like to go?"
"How about when we get back to the scrapyard?" Bumblebee suggested.
"Sure, but shouldn't we be on the lookout for Ripjaw and his group?"
"Do you want to see the mountains or not?"
"Yes."
"Alright then. Don't always be so worried about Ripjaw."
"I'm sorry. He just scares me and I'm scared that he may hurt you or the others."
"Stop worrying so much, you need to learn to relax."
"OK."
They get back to the scrapyard and Bumblebee arranges to take Grimlock to one of the snowy mountains. The Ground Bridge activated and the two walked through it. Grimlock shivered when he felt the cold air.
"You okay?"
"Yeah, it's just cold."
"Exactly why I was just gonna have Denny show you a picture. We can't stay for long as the cold can affect our systems if we're exposed to it too long."
"I guess, but I'm sure I would have asked to go see one in person afterward."
"That's true."
Grimlock saw something moving around in the snow and wanted to take a closer look. As soon as he took a step he slipped and fell on his back, "Are you alright, Grimlock?" Bumblebee asked trying to keep from laughing.
"Yeah, I'm okay," he replied as he sat up, shaking the snow off.
"Good. What were you looking at?"
"I saw something moving in the snow. It was really small and it had these long ears."
"Sounds like it may have been a rabbit."
"OK, I'm suddenly glad I slipped."
"Yeah, if you hate cats you'll really hate rabbits, they're so cute and adorable."
Grimlock shuddered, "I don't see why you think that. Their eyes are so big and they keep staring at you," he explained. He was talking about the cat but he was sure the rabbit was the same way.
Bumblebee chuckled, "But they're just so adorable."
"If you say so," Grimlock shuddered. Bumblebee just laughed. Grimlock scooped up the snow making a small snowball. When he was finished it had a few lumps in it but other than that he had made his first snowball.
"That's pretty good, Grim."
"Thanks. Do you want to build a snowman?"
"Did you really just take the reference from Frozen?"
"Sorry, it just came out like that," Grimlock chuckled with embarrassment.
"It's okay, Grim," Bumblebee said with a chuckle. "But sure I would like to build a snowman."
"Sweet. I'll start on the base," he replied as he started making his snowball bigger.
"I'll work on the head."
The two worked on the snowman for the afternoon, and by the time they were finished, it was already sunset. "We better head back before our functions freeze over," Bumblebee said as he started shivering. Grimlock walked over to Bumblebee and wrapped his arms around him to help him keep warm.
"Thanks, Grim."
"You're welcome, 'Bee."
:: Soundwave, we need a Ground Bridge back to base. :: Bumblebee commed and not too long after the request, a Ground Bridge sprung to life just a few feet from them. They went through to the scrapyard.
"Are you still cold?" Grimlock asked as they headed to the Energon shack.
"I'm warming up."
"That's good," the Dinobot replied as he picked up a cube.
Bumblebee picked up a cube as well, "Did you enjoy the view of the mountain?"
"Yep, it was really neat and I had fun."
"Good, I'm glad."
Grimlock drank his Energon, he was happy to spend the day with Bumblebee. Bumblebee drank his as well trying to think of something he could say. "Do you think there's going to be a storm tonight?" Grimlock asked as he looked at the cloudy sky.
"Either that or it's just overcast."
Grimlock looked at the sky with worry, hoping it was just an overcast. He didn't like it when it would rain, "Don't worry about it," Bumblebee told him in hopes to cheer him up.
"Alright. Would it be okay if I stay with you tonight?"
"Yeah, sure."
Grimlock just smiled as he drank his Energon, happy that he could stay with him.
"What shall we do next?" Bumblebee asked after they finished their Energon.
Grimlock blushed as he thought of something, "Um, could we... interface again?" He asked quietly.
Bumblebee looked at him a bit surprised then smirked, "You liked that, didn't you?"
Grimlock just nodded.
"OK, we can do it again."
The two headed towards Bumblebee's quarters. Grimlock was excited and nervous at the same time, he was excited that they were going to do it again. However, he wondered if they would take off all of their armor as well.
~~~~~~~~~~~~~~~
The Wolf-Con and the Cadet
Chapter 1
Next Chapter
#fanfic#transformers fanfic#robots in disguise 2k15#rid 2k15#grimlock#bumblebee#rid grimlock#rid bumblebee#grimlock x bumblebee#grimbee#romance
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what we owe to each other (a 6x02 coda)
This is usually a really good part of Eddie’s day; getting off a shift, and slumping into this booth; feeling his muscles sigh with relief of finally not having to be so on edge anymore. A subdued celebration that everything is okay - because each time they get off shift, and all of them are alive, that’s something worth celebrating, which is absolutely something they’ve learned at this point. It doesn’t mean they can’t mourn all the other tragedies they witness - but if they’re alive, at least that's something.
Not that it’s ever been said out loud - but everyone knows that’s what these brunches are. The thick pancakes, twice as fluffy as Eddie - or Buck - can ever manage to get them at home; the fresh squeezed juice, and the coffee that is - well, decent, at best - but coffee, nonetheless.
Today is not a celebration, though - and the bites of pancake merely seem to swell and grow in Eddie’s mouth; even with a gulp of coffee, he struggles to swallow them down.
Usually, he has Buck right next to him, shovelling them down like a barbarian, his elbow constantly hitting Eddie’s bicep. (Sometimes Eddie complains, playfully - if they’ve had a really good shift - and Buck will say something back that could, under the right circumstances, perhaps be swayed as something flirtatious.) Then they’ll turn to Hen and Chim - Hen will complain about the stress of med school, or talk about Karen or Denny; then Chim will chime in with something about Jee or Maddie.
If they’ve had a good shift, sometimes they’ll talk about it - but for the most part, they tend to stay away from it. It’s a silent agreement. Once they’re in this booth, they’re off work. Completely.
That’s the way it usually goes; today is not one of those days.
“Think they’re okay?” Chimney is the first one to break the silence in between them, looking at Eddie from across the table, fingers loosely holding onto the fork as it hovers above his own stack of pancakes. It’s been silent for a long time - which isn’t all that common, even when it’s just Eddie and Chim. They’re friends - good friends; Eddie loves Chim a lot. There’s usually plenty of conversations to hold. Today is not one of those days.
“Yeah,” Eddie nods. “Yeah, they’re - they’re gonna be fine,” he nods, looking back down to his plate. Did the stack of pancakes grow from the last time he looked at them? It must have. “Actually, I…” Eddie changes his mind soon, looking back up at Chimney, their eyes connecting across the table. Because no - isn’t this exactly what he’s been working so hard not to do? Lie to people, lie to himself? Hasn’t he spent all of these months in therapy, just so that he can sit across the table from his friend - whichever one it may be - and be honest with them? “I’m… I’m a little worried,” he admits. Chimney nods - not in the way that means ‘I hear you’ but rather in the way that means ‘Yeah. Yeah, me too.’
Eddie isn’t sure how long they spend there - sharing the occasional comment, but mostly forcing each bite of food down with far too much coffee; neither of them say anything about it, but they both throw the occasional glance towards the door. Just in case.
Once they finally make it out onto the sidewalk, the warm sunshine of LA’s fall bathes them in its glow, and Eddie almost regrets shrugging on his jacket. Almost.
“You heading home?” Chimney asks, and without any real hesitation, Eddie shakes his head. He can’t. He’s never seen Buck quite like that; he was busy during the call, and he wasn’t close enough to hear exactly what was going on, but Buck was clearly affected. Eddie can’t just… go home and take a nap until it’s time to get Christopher. No way. “That’s good,” Chimney says.
“You?” Eddie asks, then, and Chimney lifts his shoulders once.
“Think I’m gonna go home for a while. See my girls. But I’m - I’m gonna check up on her in a while,” he says, as they both start backing up a little bit, walking backwards towards their respective cars. “You go check on your boy. Let me know how he’s doing.”
“I will,” Eddie assures him. After that, they exchange another few words, and then Eddie is suddenly in his truck, taking the fastest route to Buck’s apartment. He doesn’t know if he’ll be there, but if he’s not, Eddie will take a seat in that hideous, uncomfortable sofa chair, and he’ll wait until Buck is there with him. It’s what he’s always going to do - wait.
Because this is what it’s all about, isn’t it? This is what they are always going to do. They are going to save each other. Again, and again, and again.
tags 💕
@dickley-buddie @bitchfacediaz @goldenretrieverfirefighters @prettyboybuckley @eddiediazisascorpio @mmtions @fearlessdiaz @ashavahishta @imsupposedtobewritting @nouseance @canonesasangrienta @jacksadventuresinwriting @letswishuponastar @taketheplanspinitsideways @two-cut-lines @leothil @wild-fire-heart @hippolotamus @eddiediazes @messyhairdiaz @aka-hawkguy @hayley-thelostone @hetrez @shortsighted-owl @1stbonesfan @spotsandsocks @gaydisasterdiaz @imstillatherestaurant @eddiediass
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Blood, Sex, and the American Dream: X review
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Pictured above is the “X” poster. Image credit: A24
I’m aware that this movie came out on March 18, 2022 which makes me a little late to do this review, but it’s better to be late than never covering this movie. The reason I haven’t covered this movie yet is because I didn’t have a Tumblr account or the “X” DVD yet. So, let’s just cut to the chase and start this review. I’m going to give you my spoiler free thoughts on this movie.
X is a 2022 slasher horror film directed by Ti West who also produced and edited this movie (The House of The Devil and The Sacrament). X is produced by Jared Connon, Scott Mescudi, Dennis Cummings, Jacob Jaffke, Harrison Kreiss, Ashley Levinson, Sam Levinson, Karina Manashil, Peter Phok, and Kevin Turen. The soundtrack is done by Tyler Bates and Chelsea Wolfe. The cast involves Mia Goth as Maxine “Max” Minx/Pearl, Jenna Ortega as Lorraine, Scott Mescudi (Kid Cudi) as Jackson, Martin Henderson as Wayne, Owen Campbell as RJ, Brittany Snow as Bobby-Lynne, Stephen Ure as Howard, James Gaylyn as Sheriff Gentler, Simon Prast as Televangelist, Geoff Dolan as Deputy, Matthew J. Saville as Officer Mitchell, and Bryony Skillington as Store Clerk.
The plot:
A group of actors set out to make an adult film in rural Texas under the noses of their reclusive hosts---an elderly couple with a farm and boarding house for rent. But when the couple catches their young guests in the act, the cast finds themselves in a desperate fight for their lives in this tantalizing slasher from writer-director Ti West.
Positives:
One positive I have about this movie is the cast, each cast member played their parts perfectly…especially Mia Goth and Jenna Ortega. I think that every horror fan must have seen the Jenna Ortega scream scene in the trailer, and it gave me chills when I was watching that scene. That might have been one of the best screams I have ever heard…in my opinion. The characters were extremely likeable, and you feel bad when something awful happens to them…the movie also makes you sympathize with the villains in this movie…especially the character of Pearl.
Pictured above is Jenna Ortega in X (2022)
Image Credit: A24
The second positive I have about this movie was the special effects as it seems like every kill has been done practically which has been missing in modern horror films…okay not all modern horror films. The special effects in this movie are amazing and the makeup and special effects department deserve more credit. The elderly makeup on Mia Goth makes her look unrecognizable.
The third positive I have about X was the atmosphere as I feel like they nailed the 70’s aesthetic with the clothing choice, the cinematography, and the music. It felt like a 70’s-late 80’s slasher which is one of my favorite eras in horror history.
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Pictured above is Mia Goth as Pearl in this stunning red lighting.
Negatives:
The only negative I have about X is that the motives of Pearl and Howard aren’t clear, we get hints throughout, but it doesn’t pay off. However, don’t let that negative affect your viewing of X as this movie is rewatchable.
My overall thoughts:
After watching this movie, I can say that this is an excellent throwback to late 70’s-early 80’s slashers. This is a fun movie, and it gives you likeable characters to keep you invested. Oh, and I forgot to mention that this movie keeps you on the edge of your seat.
Where to watch X?
X (2022) can be watched on digital retailers, Showtime, Blu-Ray, and DVD.
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Buddie #1
There is not a bone in my body that can accept that in any other universe they wouldn't be perfect together. Post 4x14 so SPOILERS for that. This got so much longer than I thought it would be. Sorry in advance, there's much more under the cut.
· Eddie tells him about the will. Chris goes to Buck if anything happens to Eddie. Which it very nearly did.
· It causes Buck to actually stop and think things through before rushing into danger.
· The rest of the team question it while Eddie's recovering but he just says there's someone relying on him now.
· They take it to mean Taylor - well Chimney and Albert do, Hen and Bobby are more clued in.
· Buck talks about Eddie and Chris like he did when they quarantined together - like they're living together again.
· They are.
· Buck moved in to help Eddie and his recovery, with Ana stepping in when he was on shifts - even if she tended to undo everything Buck had done.
· He tells himself it's because she's not used to the way he and Eddie do things - yes that one singular bowl and plate live in the lower cupboard, it's so Eddie can reach them easily. Chris always picks the movie on movie nights, Eddie and Buck alternate when he's gone to bed.
· Eddie is stubborn as always, but has managed to allow Buck to help him dress and shower - Ana is very much not allowed, despite her protests they're barely in a relationship.
· Eddie explains to Buck that yes, they've been together for six months but they've not really been togetherand he quietly admits that he regrets telling Chris so soon.
· Buck calms him and says that it was right to introduce Chris to the idea of Eddie dating, but yeah, maybe it wasn't smart to spring Ana on him so early - especially because she decided she had to be a bigger part of his life now he was aware.
· Chris manages to get to the station once while Buck is on shift.
· Buck comes back to Albert making him pancakes and Chris scribbling with the things they keep for the school trips.
· 'What are you doing here, bud? Does your dad know?'
· 'Kinda.'
· 'What does kinda mean here?'
· 'He knows I wanted to see you. I don't think he knows that I came here.'
· Albert quickly jumps in saying he's texted Eddie and he and Carla are on their way, it just happens that the rig got back before they got there.
· Buck sits down with Chris, leaning his head on his arms and looks at the picture. It's him, Eddie and Buck with Carla and her husband in the background.
· 'What's wrong, Chris?'
· 'Ana.'
· 'Ok, what did she do?'
· 'Tried to get me to bath before I ate and then said I had to do my homework before TV time.'
· 'Buddy, you always have to do your homework before TV time.'
· 'But she tried to help me.'
· 'Your dad and I try our best to help you. She's a teacher, she's better use than us.'
· 'No that's not it.'
· Chris has tears in his eyes and a death grip on his crayon.
· 'She told the poor boy his handwriting was ineligible and took his pencil, tried to get him to tell her the answers and that she would write them for him.' Carla sighs.
· She stands with her arms open and Chris runs into them. Eddie looms behind them, looking sad.
· Well, neutral really, but Buck knows his micro expressions well enough.
· After that Ana is banned from the house in the afternoons/evenings and Carla steps back in. The new problem is Ana turning up when Buck has days off - their schedule was she was here when Buck wasn't, for multiple reasons.
· Ana's great, there's just something about her that Buck doesn't like and she definitely doesn't like Buck. Maybe it's because they're just opposites.
· Eddie tries to gently tell her that he barely gets to see Buck anymore and he needs it for his mental health. Ana starts pestering about the fact that he should want to see his girlfriend more than his best friend.
· It's one of their biggest fights and turns into a screaming match one night (Chris is at Hen's with Denny but Buck is hiding away in the guest room) where Eddie shouts that she had decided that she was his girlfriend without asking Eddie if that was what he wanted and she was suffocating.
· She leaves pretty quickly after that and Buck is incredibly happy as their paths never cross again.
· There's an emptiness settling in his chest when he finds out that the two are still together and are treating the relationship as though they're just dating again. He hates that he really doesn't like the idea that it's working out now that they're on even footing.
· He decides to push it away and starts getting reckless again. Taylor's hanging around the station more like she wants more from Buck, but he'd given up. She liked being chased and now that he's tired of it, she wants him. He knows she'll get bored if he shows interest again.
· It's interest he doesn't have. Eddie had called him Evan and told him he deserved more. How was he supposed to go back to normal after that?
· Why doesn't Eddie see how life changing that was?
· Eddie does. But in typical Eddie fashion, he pushes it deep down and replaces it with his content being with Ana. She makes his parents happy, which makes him happy. She gets along with Pepa and Isabel and his sisters, but they act a lot more familial with Buck.
· It makes sense, he tells himself - they've had years with Buck.
· Nothing really changes for Buck until TK and Judd find themselves in LA. Buck hastily explains to TK that he wasn't asking him out back in Austin, he just wanted a friend and really he wasn't attracted to guys.
· TK just straight up laughs at Buck.
· 'Buckley, you checked me, Carlos, and the barista out in the span of like five minutes. You're a little attracted to guys.'
· 'Wait, you mean you and Diaz ain't datin'?'
· Judd's question throws Buck through a loop.
· 'What? No...we're just...we're friends. Best friends.'
· TK laughs again, patting Buck on the shoulder.
· Once they're on their last day, TK takes Buck out for a drink like he'd promised. Buck tries to ignore the fact he's brought him to a gay bar.
· He gets hit on at least three times in an hour, not to mention the building collection of beers for both him and TK and he decides he doesn't actually mind it.
· 'Ok, I want you to do something for me. Scan the crowd and pick a guy, any guy, and tell me what you find attractive about him.'
· Buck picks out a shorter man, tanned skin and dark hair.
· 'He's got a cute smile.'
· 'Oh boy, you have a type.'
· 'Huh?'
· 'He looks like Eddie.'
· And he does. Like a Walmart version of Eddie though. He didn't laugh like Eddie, didn't have the same laugh lines. Or frown lines. His eyes weren't as warm when he met Buck's nor did he smile as fondly. And...
· 'Fuck.'
· 'You just now realizing your feelings for him?'
· 'Yeah. How did I not know?'
· 'Honestly, it was probably such a subtle shift. From what you've told me you've basically been a couple for a year and a half, so you didn't realize anything had changed for you.'
· 'I've never denied it.'
· 'I mean you clearly must have.'
· 'No. I meant that there have been so many times people assumed Eddie and I were a couple and I never denied it, I went along with it all.'
· 'Shit man, you had it bad before you even realized.'
· Buck groans as TK throws an arm around him, leaning against his shoulder.
· Things change after that. Buck is hesitant with physical touch with Eddie - it's his main love language and he needs to make sure he's not overdoing it and making Eddie uncomfortable.
· Eddie notices because of course, he does. Buck has pulled away from him for seemingly no reason. The second Eddie can dress, shower, and reach the high cabinets himself Buck is talking about going home.
· He is home.
· Eddie doesn't say it, he just hums, not really agreeing. He's gotten used to Buck being around and so has Chris. They'd easily fallen back into their quarantine routine and now Buck would be leaving again.
· A quick thought of getting shot again fills Eddie's head. Though this time it's nothing to do with his PTSD and more so that he doesn't want Buck to leave. So he exaggerates just a little.
· 'You know, my PTSD is still acting up. Maybe, you could stay until it balances out a little?'
· 'You'd want me to?'
· 'Yeah, you're great at getting me out and calming me and Christopher down.'
· 'You don't think Ana should start taking up some night shifts?'
· 'I don't really want her to deal with that side of me yet.'
· 'Okay.'
· 'Okay?'
· 'Yeah, I'll stay.'
· Eddie keeps an eye on Buck just as much as he keeps an eye on Eddie. He quickly realizes that Buck is holding in his own troubles. He knows from experience that Buck does not think his problems are anywhere near as bad as everyone else's. He has a lot of unlearning to do.
· Subtly, Eddie starts talking to him about his mental state, his worries, trying to let Buck know it's ok to do the same.
· When he and Ana inevitably break up not even a month later, it's Buck that he tells first.
· Buck, who has his back.
· Buck, who loves Christopher as his own.
· Buck, who is insecure about everything he does except saving people.
· Buck, who thinks he is unworthy and undeserving of love.
· Buck, who shows his love through acts of kindness and physical affection.
· Buck, who Eddie is so unapologetically in love with and probably has been for years.
· The revelation doesn't shock him like he thought it would. More so, it was a natural progression of their relationship.
· Friends. Best friends. Co-parents. Co-habiting. Partners. Partners.
· Eddie sees a future with Buck, a future he'd only ever seen with Shannon but it's so much brighter.
· He comes home from his first shift back - Buck wasn't working and offered to look after Christopher so Eddie knew he was safe - to find Buck on the couch, staring into an empty beer bottle.
· 'Hey?' it's broken and Eddie drops his things to rush over to him.
· 'You good?'
· 'No. I'm not.'
· Buck looks up, tears in his eyes, cheeks red and puffy.
· 'What's going on, Evan?'
· That's all it takes. He breaks. He babbles about watching Eddie die over and over in his dreams. How sometimes the shower will splash his face just so and he's thrown back with Eddie's blood on his face. How he was trying to get through it with Dr. Copeland but it wasn't helping.
· Nothing was helping.
· 'It's ok. I'm here, I'm okay.'
· 'You weren't. You died, Eds. You died on me.'
· 'You saved me.'
· 'What if I hadn't? I don't know a life without you anymore. I can't lose another person I love.'
· 'You love me?'
· 'Of course I do. Why wouldn't I?'
· Buck registers his words, quickly backing away from Eddie and tries to make a break for the open door. Eddie isn't letting him run away anymore. His wrist snakes around Buck's.
· 'Evan. I told you there wasn't anyone else I'd want to look after Christ. I told you you weren't expendable. I said that because I love you and you needed to hear it. You had to learn you deserved love. Love that Chris shows you. Love that I can show you. I love you so much, Evan Buckley.'
· Buck crumples in Eddie's arms, Eddie rocks him gently until the sobs subside.
· It's not an immediate or obvious change. There are still things the two need to work through.
· It's different but the same. There's more contact now; hugs, tactile hands on waists, and backs at work. Kisses in the bunk, soft and slow.
· It's new and exciting. Especially when they finally get together, officially and exclusively.
· Chris loves telling everyone about his two dads.
· Eddie and Buck are happier, closer.
· Buck had always been a Diaz. He'd always had a family who loved him. The big change was he got to love them both endlessly in return.
#buddie#911#911 headcanons#buddie headcanons#evan buck buckely#911 fox#firefam#buckley diaz family#buddie fic#buddie drabble#christopher diaz#edmundo diaz#eddie diaz#eddie x buck#christopher diaz is an absolute angel#slow burn#oblivious idiots#oblivious buddie
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Damsels, Chapter Eleven: Street Fighter
By SisterSpooky1013 / Read previous chapters here
Rated E / Tagging @today-in-fic
“Angel, I didn’t think we’d see you tonight,” Magenta greets her, stealing a quick hug.
“I took one more day off, but I was getting bored so I thought I’d come say hi,” Mila replies.
Her hair is down, chin length with yellow bleached tips against the jet-black regrowth; a pixie cut several months grown-out. Her face is bare, her eyes appearing smaller without the heavy lashes and liner, her face rounder without all the contour and blush.
Scully can’t stop staring. She can’t stop the hammering of her heart that seems to be saying Angel. Is. Mila. You. Fucking. Idiot. Mila meanders across the room, stopping to greet people before she finally makes her way to Scully, smiling sheepishly.
“Hey, Desi. You don’t look super stoked to see me.”
Scully shakes her head, her lips rooting for words. “No, I am,” she finally stammers, “I am happy to see you. I just...you look so different.”
Mila chuffs a nervous laugh. “They don’t call it catfishing for nothin’,” she jokes, tucking her silky locks behind her ear.
“Are your eyes a different color?” Scully asks dumbly.
“Yeah, contacts. Maybe you’ve heard of them?” It’s clear that Mila is growing increasingly perturbed by Scully’s response to her appearance.
“M- Angel,” Scully starts, looking at her intensely. “Can we talk, someplace private?”
Mila’s eyebrows furrow in concern and a little confusion, but she nods. Scully stands and takes her hand, guiding her down the hall and out onto the floor. The evening is in full swing now and it’s noisy and dark as she pulls Mila into a VIP room, snapping the curtain shut. She tries not to notice that this is the same one she spent time in with Mulder last night.
Mila stands near the coffee table, eyeing Scully skeptically. “Look, Desi, if you regret what happened that’s fine, we don’t ever have to talk about it again. But you’re acting really fucking weird right now.”
“Are you Mila Chamberlain?” Scully asks, her body postured for a whisper though she’s shouting to be heard over the music.
Mila’s face drains of color as she sucks in a startled breath. Her mouth opens and closes a few times before her lips begin to tremble and tears well in her eyes.
“Who the fuck are you?” she spits back at Scully, her body tensing as though she’s preparing for a fight.
Scully holds up her hands in defense. “I’m not here to hurt you, Mila. I’m here to help you. I’m with the FBI.”
Mila’s fear gives way to confusion. “Help me do what?” she asks, wiping the back of her hand across her nose.
“Get out of here, out of Damsels,” Scully offers, but this only seems to confuse Mila more. “Okay, let me start at the beginning. Your parents requested help from the FBI because they believe you’re being held against your will. I was sent here undercover to locate you so we can get you out.”
Mila’s eyes narrow. “My parents?” she asks dubiously, and Scully nods. “My parents, who I told you are awful people, who raised me to hate myself?” Her tone is growing increasingly angry.
Scully’s face falls as she finally pieces it all together. M.C. The conversion therapy. Their kiss. Mila was never being held captive. She was trying to escape.
“Do you know they tried to have me involuntarily committed?” Mila says angrily, nostrils flaring. “If they find me, they’re going to have me locked away. Better a crazy daughter than a gay one, as far as they’re concerned.”
Scully can’t find the right words to say. She doesn’t know what the right thing to do is. She’s found Mila; that’s why she’s here. But Mila doesn’t want to be found.
After watching Scully try and fail to speak for a full minute, Mila scoffs and moves past her towards the opening in the curtain. Before she leaves she turns back and speaks again, her tone dripping with sarcasm. “Thank you, so much, for your help, Desi. Or whoever the fuck you are.” And then she’s gone.
Scully scrambles for the right next step. This isn’t in any of her FBI handbooks. What do you do when it turns out the victim wasn’t a victim at all? Or that they are, but not of whom you had thought? She needs to talk to Mila again, to understand the situation. She rushes out of the VIP room and looks around, unsure if Mila returned to the back or left out the front. She’s headed towards the bar to ask Queenie if she saw Angel leave when she runs smack into Mulder.
“Sc-Desiree,” he says, putting his hands on her shoulders, “I need to talk to you.”
“Not now, Mulder,” she hisses, looking around for any sign of Mila.
“Please, it’s important. Can we go to a private room?”
She raises her arms and pulls his hands down, moving to pass him. “Get the hell out of here, Mulder, I’m working,” she growls.
He catches her wrist, pulling her back to him. He opens his mouth to speak, but instead lets loose a yelp as Denny’s fist closes around his forearm with a vice grip.
“Time to go,” Denny says in that funny flat affect she’s come to enjoy. As Mulder releases his grip on her, Denny guides him towards the door.
“Desiree! He calls over his shoulder, “tell him it’s okay!”
“Go home,” Scully says with a glare, then heads to the bar as Denny pushes Mulder outside.
“Queenie, did you see Angel go by in street clothes?” she shouts across the rail, and Queenie shakes her head.
Scully is about to go check in the back when a stricken look falls over Queenie’s face, her hand coming up to cover her mouth. Scully follows her gaze to the stage, where a moment ago Lexie was doing her set. Lexie is still up there, but so is a tall, muscled man. Lexie is cowering at the base of the pole, her hands covering the back of her head as the man kicks her repeatedly.
Scully instinctively reaches for her weapon, which is decidedly not holstered to her panties, and then scans the room for her bird dogs. Denny hasn’t yet come back from eighty-sixing Mulder. The other bird dog working tonight is nowhere to be seen. She suddenly remembers something Tibet had told her.
“Queenie!” she shouts, and it takes a couple attempts before the woman peels her eyes away from the stage and looks at her. “You have a baseball bat back there, right? Give it to me.”
Queenie lifts a wooden baseball bat from behind the bar and hands it to her with a horrified look on her face. “Don’t do something stupid, Desi. I’m calling the cops.” She turns and picks up the phone as Scully stalks away from the bar, muttering to herself “I think they’re already here.”
As she weaves through the crowd, she sees the other bird dog lying on the floor; his head is bleeding and he appears to be unconscious. She moves to the side of the stage, approaching from behind the man who is assaulting Lexie. Lexie isn’t moving anymore, but that doesn’t seem to deter him as he delivers swift, sharp kicks to her rib cage. In a room full of men, you’d think someone would have stepped up to protect this woman. Instead they all stand around gape-mouthed, looking at one another as though holding a silent vote for who should intervene. Rage swells in her chest as she steps forward and lifts the bat high over her head, bringing it down against the back of his skull with a crack .
He stumbles forward, falling over the tip rail and onto the floor in front of the stage. Ben seems to have finally realized something is going on and the music cuts out abruptly, her ears ringing in the sudden silence.
Scully wants to go to Lexie, but she knows her perpetrator has not been neutralized. She jumps down from the stage and the circle that has formed around the man expands to include her. With the bat in her hand and this outfit, she feels a bit like she’s been teleported into Street Fighter. He is attempting to push up onto his knees and she holds her weapon ready in a batter’s stance. If only Mulder were snuggled up behind her instead of outside in the parking lot, this may be a more fair fight.
“Freeze!” she commands, “federal agent!”
He lifts his head to look at her and laughs derisively before lowering it again.
She realizes how absurd she must look. All five foot three of her, four inch plastic heels and purple underwear, looking like she’s ready to make a run for first base, no badge to flash. Really intimidating, she’s sure.
“I assure you, sir, I am a federal agent and you are under arrest,” she repeats in her most authoritative voice.
He rises quickly, clearly having been exaggerating the degree of his injury, and as soon as she sees him reaching into his jacket she swings again, making contact with his jaw and sending a spray of blood and spit across the gawkers. Unfortunately, the blow doesn’t knock him off his feet, and only momentarily delays him drawing his gun and leveling it on Scully. She hears him disengage the safety and she closes her eyes.
Mulder puts up a decent fight, though admittedly more of a verbal one. He’s obstinate, but not stupid, and Denny is probably twice his weight.
“You know the rules, no touching,” Denny is explaining again, blocking Mulder from re-entering the club.
“Look, I understand that, but I know her. She doesn’t care if I touch her. Ask her! Go ask her!”
Denny is unmoved, emotionally and physically. Finally, Mulder accepts defeat and trudges towards his car at the back of the lot. Once he’s pulled the door open, he sees Denny go back inside. He sits heavily, one leg hanging out the open door, and drops his head against the headrest with an exasperated sigh. He’s about to give up and head back to Alexandria when he hears the distinctive crack of a gunshot.
His feet kick up gravel like buckshot as he flies back to the doors of the club, drawing his weapon on the way. His pounding heart is a metronome, keeping time in slow motion as it carries him towards her. As he nears the club, people start pouring out. A steady stream of terrified men scramble haphazardly from the small doorway, and he elbows his way past them, the wrong way, the right way, towards her. He makes his way to the floor, a cacophony of screams and shouts. Gunpowder and whiskey permeate the air and he pushes through the mele, towards her.
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#the x files#txf#dana scully#fox mulder#gillovny#msr#sculder#x files#x files fanfic#case file#case fic
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oh ffs, i have feels but also head exploded
So basically someone liked a story I wrote a million years ago and mostly forgotten about, and when that happens I often reread the thing. (I can’t be the only one who does that...) Can’t say I’ve thought about Alex/Izzie since I wrote it, couldn’t even tell you when I stopped watching the show, though I think it was before her cancer.
Anyway I infected myself with feels for them again. And I dig the style I was using, 1+1 started a third chapter for funsies and should have stopped there. Because I did some reading and watched some clips and it’s all too much and when that happens I meta.
Usual mishmash, structure desired but no work put into achieving it. Classic brain dump.
Okay, fundamentals first. I am for now ignoring how Izzie/KH left the show. Because they had to exit her somehow and I’m sure Shonda was pissed at her, (or was leaving the door open for her return but I doubt it.) Haven’t seen it, if I needed to I could work it into my conception of their whole arc, but since I’m more critically hung up before that point, not worrying about it.
What’s got me messed up is that RIGHT AFTER Izzie promised to not go crazy, she... went crazy. Like, WTF was that about? I get that GA is all about the soapy drama, that is why I stopped watching. First couple seasons: brilliant. Downhill from there. But two things:
1) We never get to see these two happily together. One hot second and bam.*** Every. Time. Shonda allowed it for Meredith and Derek, but in my brain other couples got it for periods of time at the least. But these two, nope. And know what? THAT WOULD HAVE BEEN FASCINATING TO WATCH. I could delve into this and might swing back around but trying to hit highlights.
2) It set them on two different storylines instead of one. And Izzie got the short stick. Yes I can see how it works on paper, but not on screen. There are limits to the visual medium and limits to how much screen time they were given, which pretty much destroy the ability to nuance something this complex.
a) Izzie’s in her own world dealing with a ghost and is basically in two relationships at once (mental note to look for parallels with Alex’s exit and Jo v Izzie.) Except one’s a dream and the other is a reality that is still developing, yet she can’t give attention to. She has to fight every time to be there for Alex in the real world, and we don’t really get to explore her struggle. It often just looks like distraction and distance and him being second right after she firmly laid out that she cares about him.
b) Alex is in a relationship and is super happy and excited and wants the perfection he’s dreamed about to be real so much he’s overlooking everything that’s off. In his own little dream world I guess, but like, the whole thing skews into this being the story of Alex while Izzie is wandering in circles somewhere over in that direction, all serving the purpose of advancing exploration and development of Alex’s character. When did KH ask to be let out? If it was after this point, Shonda svcks. I mean, it is cool to watch him really blossom, but since he’s doing it under his own steam I’m left with a bad taste in my mouth. Because he’s not really in a real relationship. I want to see him get that, I want to see it for real.
***What IS interesting, I’ll admit, is that when they’re not together, they’re beautiful. Which is most of the time, so they gave me that. I’m a massive fan of the bittersweet, the star crossed, the never-quite-on-the-same-page, the nuance, the “it’s a deeper connection, a deeper love than just romance.” Thank gosh, it is time for excited thoughts. Because there is a strong friendship and mutual reliance and helping each other grow, pushing and giving hard truths and encouragement, and yes romance is woven through this but not the genesis and used more in terms of nudging everything along the path.
I love that Alex basically imprints on Izzie. I love that he loves her the whole time. But he’s willing to step back. He may get jealous and resentful and petty and scared and mean. But those are natural human emotions, Izzie gets them too, and they’re fundamental to his character and through those things he learns and grows. Izzie doesn’t make him. She entices him. Yeah, often directs him, especially at first. But at some point he’s growing on his own, in fits and starts, in reaction to his own emotions.
For example, when Izzie tells him she slept with George, he gets pissed, but also admits why pretty readily. And he tells her the truth, remarkably straightforwards. He reaches out to her a lot. And she turns him aside a lot. And he keeps loving. Even if romance is off the table. He runs after her a lot. Sits next to her when she’s upset a lot. Is understanding a lot. He’s different with her, and look I’m a fangirl, it’s a trope, I swallow bait line and hook. Which should be bait hook and line if my vague understanding of fishing is correct. I fished once, with safety implements, and still cried even as they removed the fish and popped it back into the water. (Okay I just reread to sort out where I’d gotten too and it’s hook line and sinker. Statistically someone will probably read this someday, you have my full permission to laugh at me. Anyway...)
The quintessential moment, the revved to 100, of course being when Izzie is clinging to a dead Denny. They’re all standing around. No one even looks surprised with jilted Alex talks to her. In a really caring way. And this is still fairly early on, wasn’t watching anything but their scenes but this had to be rare sight eh? (Mebbe?) And then he picks her up and sits down holding her and she clings and cries and like symbolism and could essay that but not going to right now because the broad relevant stroke is that Alex loves Izzie selflessly. And this is the pinpoint core of why I can buy his ending, because he can’t NOT love Izzie. I don’t think he even wants to stop. Though he can set it down in his heart and let her go and doesn’t pine. But he never stops loving her and it’s so many kinds of love imperfectly yet perfecly forged.
Forged. But also born. Stars uncrossed. I have emotions without words and if I try I’ll never get out of it to move on, so moving on.
(Oh, George telling Alex to talk to Izzie because she won’t talk to him about whatever it was. Isn’t is crazy that Izzie’s emotional squishy bestie goes to the emotionally stunted bad boy to help her because... it’s an understanding of the two-way Izzie/Alex bond, but also this crazy trust that Alex will show up.)
I love that Izzie isn’t blind to his faults, truly doesn’t like his faults, but has eternal faith for who he is and can be. She always saw him as someone with walls, once she stumbled on a lose stone and got a glimpse inside. She knows. She doesn’t always understand, but she knows.
Slight divergence from that line of thought, but its a great moment when they get together and he’s fairly transparently trying to make sure they’re in a committed relationship by dangling other women in front of her, and she’s a little ticked that he seems to be taking it rudely casually. Probably a bit of insecurity, but I’d say more that she has a long history of not reading him from the perspective of him loving her. Ie, 100% not recognizing that telling him about sleeping with George would hurt him. And doesn’t get it until he comes in and he’s dropped the swagger and it’s a “I know I’m doing something wrong and I don’t know how to do it right so help me” thing.
(Random memories of Sloan/Don from The Newsroom when she’s crying on the floor and Don comes in a sits next to her. I wuvs them too.)
I love that she openly leans on him, when he offers support she takes it. She doesn’t ask why, she accepts it and leans into it and is open to it because she trusts him because she knows him. The bits where she hates him tend to fall out of romantic issues, but when that’s removed from the equation they’re in sync. And the thing is, just as caring is fundamental to Alex’s nature, trust is fundamental to Izzie’s. And those two things weave into each other. Kinda like rats and the food button. When Alex reaches out Izzie she honestly accepts it, a “reward.” So he’s comfortable doing it again, and again. And when she does rebuff him he’s seen rewards come out enough that he doesn’t just scatter. And when Izzie trusts him, he rewards her with gentleness and care. She has the rougher time of it overall, because Alex is more screwed up emotionally, and breaks her trust more often than she rebuffs him, but that’s where Alex’s constant love comes in. But I cannot recall enough critical moments to have a cohesive proof, so I could be a little off base.
In my head Alex has always loved Izzie more than Izzie loves him, but I think my memory was unfair. There is a real constancy to Izzie’s affection, though I don’t think she imprinted on Alex as he did on her. She’s a different person, loves differently, has different issues. But my longstanding impression is mostly because of Denny. Who she truly did love, though the qualities of that love deserve exploration which I will not at this time attempt. And Denny loved her. The whole “side loves along the way” being a trope. Though usually “it ended in death/deathlike state” is given to the man and so THANK YOU SHONDA. Thinking of classics like Jane Eyre and Rebecca though I think both were actually crazypants first wives. And I do think female character’s side guys have a habit of dying, but it tends to feel more like a plot point to shut the door on continued love, whereas Denny remains a part of Izzie’s life.
At any rate, despite superficial similarities, Alex doesn’t hit the trope because his crazypants relationship wasn’t ever really about the woman: yep Alex got Rebecca, and Rebecca was crazypants, and it was a plot point to get him to the crying. Rebecca wasn’t love. It was never love. BUT
She DID, in every way, highlight what needed to be highlighted. 1) That he desperately wants a family. 2) that caring for someone, not just about them, is fundamental to him, (and ties neatly into him caring for Izzie all those sitting on the floor conversations.) and c) it’s not entirely healthy. Which is ALSO why thrusting his new happy relationship with Izzie into caregiver role is insensitive and undermines the relationship because it only makes sense if we got to see them both happy in the relationship first. And then we can see the quality of his caregiving change. But we didn’t. So bugger it.
I do LOVE how they let almost the whole next season play out he fallout of all that. Something taken slowly! We got to explore it. Did feel a bit drawn out tbh. But it just emphasizes the weight of it, I guess. Especially as it was a subplot amongst 100 others. This was their development for the season. Which was mostly Alex. But Izzie’s reactions revealed some things about her as well. Majorly dancing around laying it out for a close look and I don’t know why.
Favourite moment? Maybe Izzie putting her hand on Alex’s chest when he’s freaking out and telling him to stop, he doesn’t need to say any more. Because he’s trying to convince her of something, and she understands. And the trying to convince is shredding him, and she knows that. It’s a very loving and accepting “stop.” She’d already taken charge of the situation, for the good of the patient. She’d already taken charge because she knew Alex couldn’t handle it, he was too deep in something to see clearly. And she’s still in charge. She doesn’t break down and cry for him, or try to comfort him, he’s been thrown back into childhood and PTSD might literally be at play and what he needs, and she understands, is someone he can trust, who’s calm and gentle but strong and solid, to say it’s okay. It’s going to be okay. You don’t have to carry this on your own. We have it now. Because when we’re little and in over our heads what we want and what we need is an adult to take the burden. And still the physical contact is comforting, her tone of voice reassuring. She creates a space where he can feel safe and heard.
Ugh, rewatching, and we’re watching him literally devolve. Stages of grief ya’ll. He’s using every tactic to try and get what he thinks he needs: being able to take care of Rebecca. He’s in denial that anything is wrong. He gets angry when Izzie grabs him, to the point of threatening to hit her (though it’s fighting words and not real threat, and Izzie totally knows that.) He dives into bargaining. She’ll be okay if he can take care of her. He can do it. He tries to convince her it’s true.
By the time he gets home it’s depression. Not just Rebecca, but about his mom. And Izzie approaches him differently. In the hospital it was immediate and she was “in charge,” and needed to be in all facets, but at home, with the situation taken care of, she’s a friend. An equal. Which is what he needs right now. His sticking point later is the crying, so I kinda wonder how he’d react just to having told her about taking care of his mom as a kid. Right at the start he told that kid about his dad, (dad beating up his mom and him beating up his dad) while Izzie was within listening distance and didn’t seem fussed. But it’s ultimately a story about him being manly and protecting his mom physically. Which would be why it’s several seasons in before this crops up - waaay more intimate information. Probably all lumped into one, with the crying as shorthand. And mostly that his past is a fact, it’s his emotions he wants to keep private and deny.
He clearly did try to drown his emotions with sex. I’m not sure it would have worked with a random girl because he’s way too close to crying to do much of anything. And obviously doesn’t work with Izzie because sex is apparently emotional intimacy and I guess comfort for men moreso than women, but it plays out as a desperate attempt to get comfort in a safer way. Bargaining again, I suppose. “Have sex and will be fine tomorrow.” But, as noted, he doesn’t get that far because it’s too heavy and he rather quickly is just sobbing.
Which is a lovely parallel to holding Izzie while she cried on him after Denny died. Though Izzie had no qualms and no massive emotional recoil because emotions and vulnerability are normalized for females Izzie is a particularly emotional person. And an inverse of all the times Izzie is an emotional wreck and Alex sits down besides her and offers her support and understanding.
Could also argue that Izzie just saying “I’m sorry... About Rebecca. And your mom” - it’s an emotionally intimate moment. Of understanding. She’s acknowledging the two situations, and isn’t trying to do anything about them, explain or push or anything else. Just make him feel understood and not alone and sex is the way he can respond to that. How to process that in a way that feels manly to him? Also notably Izzie does seem to be going with it, and it’s aborted because he starts sobbing. And is still saying “Please” which is amazing, because he totally was never asking Izzie to just sleep with him. He wants to make it stop - the pain, emotions, probably reliving memories. But also... stages of grief. He needs to feel it, so he can accept it. He really just needs to cry, and grieve, and not be alone.
And it’s like... this is where their love story feels epic because it would look so different if they didn’t have all the levels and layers of love. Take out the romantic/sexual aspect. Take out the friendship. The trust. The family. Take out anything and this can’t play out.
Who didn’t love moments like Alex explaining to Bernedette Peters that men sometimes need to protect their manliness in the eyes of the woman they love. And they’ll do shit things to protect that manliness, but it’s because they care. Which is obviously idiotic and while romantic on screen is very much not so in real life, but this is fiction so hey ho. It’s such a wonderful foil. Because the situation here was not that Alex took his pain elsewhere to protect Izzie’s opinion, but that Alex completely and for a long time shut Izzie out to protect his manliness, which is entirely counterproductive but the only option he could see. He minimizes his experience as a “bad night.” (I mean, if you remove all the adjectives, he’s not wrong.) He’s protecting his own sense of manliness to himself. He doesn’t like feeling that vulnerable. He let Izzie get too close. He’s afraid. It’s all a tangle. And it pays off when they come back together and he’s willing to be more vulnerable, almost, and then enthusiastically, happy to be.
*But it does reference when he slept with Olivia when he failed his boards. So yeah, he’s done it literally too.
Backing up a step to revisit season 5. And actually they start out close. They’re all out in the cold waiting to greet patients and Alex grabs a blanket for her. He’s not irritated that Izzie keeps asking how he’s doing, just obviously in a bit of personal denial. And they’re totally messing around and lighthearted and look at each other with their heads really close and it begs some questions about the interim, though I guess they just haven’t talked about it deeper than “are you okay.” And per the Izzie/Meredith convo I guess they didn’t continue having sex (probably didn’t have sex that night either). Though the way Izzie looks at him as he leaves, she’s totally concerned that he’s not dealing with it.
Ah yes, forgot - so they just kept his breakdown unremarked upon, the superficial checking in is situational because Rebecca is a fact. They don’t talk about it, it’s fine. Pretending it did not happen. But it’s as soon as Alex thinks Izzie told Meredith about it that it goes pear shaped. It’s funny that his issue is the crying and he’s the one that told Meredith, but thematically Izzie saying “he’s opening up to me” is sorta the same. Also awww that even as she labels them friends, there’s this little glow inside her that they got closer. Emotional intimacy, what’s life without it eh?
So also 100% it’s high on Alex’s mind. That he did it, and so too that Izzie could betray him and tell others. Their relationship is so beautifully fragile in that short interim. It’s this little bubble where he’s okay that he was vulnerable with Izzie because she accepted it and isn’t making a big deal about it. And he does feel super close to her. But he can’t take anyone else seeing him in a non-manly light. For himself, and it works in terms of Izzie too if it’s an inside/outside situation. I’m a bit stuck and going in circles. If Izzie tells, then Izzie isn’t taking it seriously? Doesn’t understand him? I don’t think he’s even angry at her, if he looks weak to others then she’ll come to see him as weak? Halp, stuck.
Also so, I’ve seen it remarked upon that Izzie tends to forgive Alex when she maybe shouldn’t. But part of forgiveness can come from understanding the other person. Doesn’t have to be, especially for little stuff. But for big stuff?
Oh, and so weird but kinda cool that right after that rather self-aware conversation with Peters, he specifically lets Izzy see him with another woman. Were those scenes meant to be inverted? Or is he going into this eyes wide open? Trying to prove something? He’s hurting her though, is it intentional? Because cheating, by nature, is secretive, your person doesn’t know so you’re not hurting them directly, though of course when they find out it blows up. But the intention to wound is not there, it’s an escape. Proving that he’s really fine and back to his old self? They are not sleeping together so this isn’t cheating.
And even after that Izzy just shrugged it off. Popped in to tell him they maybe are getting kicked out, tries to get an apartment with him. She’s holding on to their closeness and friendship, despite him being prickly. And then... he smacks her or whatever they were doing which is back to flirty, and not meaningful but notably guides her out of the elevator before him. Though her barb about STD did hit him. Maybe he was trying to figure out how to stop being rude at her, and her continued friendliness was bufffer space until he could? He does say hello at the end, but who was she talking to about having no one?
It does bring up an interesting insight. It is true bout not something I thought about, that Izzie could be lonely, and actually does get as much out of their relationship as Alex ever did. They are incredibly close. And I think George might be married at this point, and thus no longer her “person”?
And then into the cryptic speak about them, while the father/son organ musical chair thing was happening. He’s looking over his shoulder at her, glances up, unspoken words yadda yadda. Follows her out into the hall when she leaves. The freeze out is shorter than I remember, but look, they kinda always keep communicating because freeze outs do not feel right. And I’ve moved to a blow by blow but Alex is trying to talk profession, and Izzie doublespeaks the “emotionally stunted” and he physically recoils and stutters like “yeah but no, that’s not what we’re talking about” and yet is now there and talking about them too. “Okay, ... I”m trying to be- I am, but this” WHAT is he trying to be/is??? Trying to not be emotionally stunted. Is emotionally stunted (or doubling down on trying?)
This is just such a beautiful conversation. Because Izzie IS emotional and caring but she has a mean backhand. Pettiness, ultimatum, she can smack back as hard as anyone smacks her. And she’s coming from a totally reasonable place, because he’s going hot and cold on her. And you can see that it affects him, and that falls out from that same pattern where he’s trying to tell her somehing and she’s not putting in a ton of effort to figure out what he’s saying, but is focused on her own needs and thoughts. ‘Cuz she’s hearing something like “give it up, you’re not going to get what you want out of me.” And he’s trying to say “I’m afraid I can’t be what you need, because I svck, please don’t make me try and fail.”
And they’re convo through parallels continues, Izzie calls Alex broken and is like “okay I do it your way my caring for you is pointless and it’s all fine.” Dad calls for son while kinda dying. I know they claimed different thought process but didn’t Alex call for Izzie when he was shot? And the payout from the series of exchanges: Alex is yelling at his standin to just step up and show he cares. With a hefty does of potential regret. It’s a 180, hoping that the kid does love his day, as well as getting emotionally invested. His relationship with his father isn’t mentioned, not sure if it’s meant to play into this, because he has previously acknowledged that he regrets losing his father completely.
(But then 10 seconds later she’s going to go crazy and by avoiding treatment it’s kinda like trying to kill herself and just... poor taste writers, poor taste.)
Cue a moment where Izzie knows what he’s trying to say and rewards it.
Enter Izzie being a little obtuse, I know I covered this but ending my personal cannon with them getting together - Alex literally says “are we going steady.” He’s literally saying “you tell me yes or no, and I will do that.” Of course he’s trying to say “I don’t know if you’re serious and I want to be please clarify and reassure” but one of those literal ones should have been enough. But then Izzie does always push him, not always intentionally, to be a little more direct, a little more vulnerable, trust her a little more. And the result is sooooo adorable!
And brings to mind when Izzie was trying to ask him out for the first time. And it went a tiny bit screwy and Alex flips it and asks her out.
There’s just so much awesome. *sobs* And there’s probably awesome in the cancer storyline too but I do not feel I can trust it and also it’s going to run full into Izzie being lame and leaving and all character development out the window? And I DO NOT want to see her trying to come back and Alex saying No. Because what will I see in the middle that gets them there? They always say yes. Eventually. And season 16 when JC is leaving the show is a bit on the long side, even if I ignore the details of the intervening years.
Throwing everything at the wall and maybe I’ll be done with dumping or can at least refine things. It’s the little speech I’ve only read and don’t want to hear bcause not sure how he did his line-read, but when he describes how he imagines Izzie’s life. In how much detail, how much he wants for her, what he knows she’s capable of building. He’s saying it to Jo and I’m uncomfortable with the idea he loves her, even if the letter to her does leak a “love you, in love with Izzie,” and I’m fine with Izzie loving Denny and don’t find it a problem Jo is still alive because I don’t see Alex going back but the thing where if he looks her in the eye he won’t return to Izzie and the kids is upsetting. And it’s just the kids and insta-family which is enticing. I mean, he’s not going to tell wife he’s leaving that he’s always loved his ex in a different way or anything. But he’s also not lying. He does mention to Meredith that he can’t go back to Seattle. He’d stay with Jo then out of... ? Halp. The best I got is he’s currently in a dream and if he goes back to his life, where he was happy, then he’ll lose the dream and it will disappear on him?
Slightly nicer is the elsewhere expressed (Meredith) idea that he’d set Izzie as unreachable. Thus, in line with what he told Jo, he didn’t want to contact her because he didn’t want to make it worse for himself, and his happiness comparison was completely excluding himself from the possibility of being part of Izzie’s life. It’s all happiness of them individually, not together. But yes, he always wanted to reach out, wanted to hear her voice and he never had an excuse? No excuse but curiousity, and that wasn’t enough to take a chance, but this was an excuse and he took it.
And the idea that he knows the right thing is to stay in Seattle, and being with Izzie and the kids is crazy, but it’s what makes him happiest, where he belongs. Meredith’s letter read first, so in that light, he’s overexplaining to Jo. Also exposition. References that conversation about his mental picture of Izzie, which I think was in the context of Jo questioning his feelings for Izzie. It scared him because... ? He focuses on the kids. It’s a little at odds with doing this for him, and a little suddenly ignoring the fact that he’s In Love with Izzie and I guess his mental image for Izzie was also his dream life and he gave it to her. Though where he thought her kids came from is possibly an oversight. Adoption?
Because it makes it sound like he’s torn between new and old love but the old love has is kids and wins. It’s a free pass to perfection. But he imagined a “whole life” for her, which is a massive investment opf time and emotional energy on someone he hasn’t seen in forever. I mean thinking well for an ex is al well and good but this sounds a bit beyond that, where she’s not a part of his life but a part of HIS life, believing she’s okay makes everything okay.
I am also willing to take up arms and claim that “I can’t look you in the eye because I wouldt be able to walk away...” doesn’t mean walk away from Jo, but walk away from Izzie. But that’s kinda tenuous. It just... it sounds like if he sees Jo he won’t be able to leave her, which puts her above Izzie (and even the kids, though he can still be in their lives) and that contradicts other statements, or at least their implications .
Though fair point that there’s a metric of who you’ll give up everything for. Izzie would for Denny. In a sense, I hear Meredith got her back in the Seattle hospital and she declined out of respect for Alex’s feelings. So in a way she gave up her life for Alex. And never reached out to him but did respond when he did. She picked up the phone. Maybe not knowing who it was, or they all kept their own phones. And Alex gave it all up for Izzie+kids. I want to know he’d give it all up for Izzie alone, and the life they could have had.
Or is it that he wouldn’t be able to leave Jo because, as noted to Meredith, it’s the right thing to stay in Seattle. And he’s become a man who does the right thing. And sometimes the right thing isn’t what we truly want, and to get that we have to be selfish. He one perfect thing is in Kansas. And it’s the family. It’s a family with Izzie. And his kids. It’s the whole package. If it wasn’t Izzie, the kids wouldn’t be enough? Also indicates that even with Jo was not exactly where he should be.
I’m also going with “some clues in various directions to satisfy various viewers but really offending most of them because this is all 10 years ago and people are newer viewers or forgot or hated Izzie when she left etc.” But preponderance of evidence leans in favour of this choosing what makes him happiest over what makes him happy.
ETA: he has a life for Izzie in his head because if she’s not happy, he can’t leave her where she is. He sees her as an optimist, the opposite of him and good things happen when you lean in that direction. He imagines her somewhere woody because that’s where they lived when they were married.
ETA2: Izzie didn’t notice Alex wanted to be exclusive. Because Izzie sees the good in him, but she doesn’t try to justify or explain things. She takes him at face value (mostly, she knows superficial crabbiness is just an unpleasant personality trait.) Until/unless she has very good evidence to he contrary. And THAT is why he has to take an active role and go to her. He does have to work for the relationship.
(Briefly skipped to a scene in season 6 (avoiding that season) and he actually says “I can’t be your nurse” which is so much character growth. Because I was afraid he’d gone full out into caregiver mode, which is not healthy for either of them. He’s protecting himself, but also pushing her to face up.)
CODAS
Watched Alex calling for/hallucinating Izzie when shot. Maybe it’s a Miranda thing? After freaking out right after she died, about how he can’t live without her, his breakup speech was essentially about how he realized he could survive without her. He doesn’t need her like that. And he was really hurt by the really shitty thing she did, leaving him. Thus valid conclusion that they should part ways and he’s not caught in the love/hate. But at some point after that, per hallucination conversation, he really wants her to... come back for him. To love him enough to not be able to stay away and come back for him it’s funny because the best way for her to love him was the respect his wishes and not come back. I mean she doesn’t even say anything after he asks that.
Interesting point “we married...” It’s a promise. He starts with “I’m sorry.” His breakup speech to her - rehearsed? He’s speaking from love and hate all blended and I think he’s a lot more honest and self aware, and he’s almost always been honest with Izzie. So his dying speech was also fear based? He’s scared, he’s in shock, like, physical shock. To when is his mind taking him? It’s natural to have regrets after a painful but necessary breakup. It’s been months but that’s still recent enough. So on the whole, inconclusive except yeah, he isn’t over her, but he admits during their breakup that he loves her “so much.”
Also love his “frozen together in time... and now we’re not.” They’ve both grown and changed, and so has their relationship, but there connection hasn’t. That hasn’t changed.
So back to his Izzie speech, which is meaningful intentionally as in 300th episode, where years later he was wondering still about her, enough to create a good life for her. A happy, rich and full life. He imagines it clearly and deeply enough to add smell to it. Smell is heavily linked to memory and emotion.
As happy as he is with Jo. Maybe it’s contentment? Something missing for each of them but not something he consciously knows? Meh. Back to frozen. He has an image, a full rich image of her and her life. It’s immersive but static, a snapshot. And the him who looks at that snapshot is the same him over time.
Letter to Meredith. “It’s about me.” Which is sorta back to breakup speech. It was about him, ending the relationship. He didn’t deserve to be left. And this is about him, not leaving Izzie+kids. There’s movement and beauty in this.
Meredith/Alex talking true love. So I’m torn. Jo refused his proposal, and the question is if you only get one true love. Did he think Jo was a true love, and if she refuses him it’s not? Or is he hoping that true love happens after they’re married? Given the constancy of his love for Izzie, from fairly early on, even if he didn’t call it that at the time I’m pretty sure it’s indisputedly much earlier than marriage, and she turned him down all the time, which would forestall true love worse, right? Can’t say as I’m not watching any Jo/Alex, cannot will not no need don’t gotta.
#alex x izzie#grey's anatomy#brain dump#meta#why couldn't i just leave well enough alone#and mess around with a vignette for funsies and a writing exercise#and not actually look at canon#because now i have feels#and am confused#and there are barriers to my feels#but it's okay i will live in my own little AU#and remember and know more than i did#given it was many many many years ago#i mean over 13#right after season 4 started#izzex
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HPHM April Prompts 2021: Day 4: Past, Present and Future Affection
@stupendousbookworm ‘s April Prompts continue, and this time we have a look at the growth of Matthew’s feelings for the Most Powerful Witch at Hogwarts, Merula Snyde, as the mystery of Matthew’s past begins to unravel!
Prompt # 4 - Who is MC's heartthrob? How did they meet? What do they have in common, and what do they disagree on?
It was a given throughout the Wizarding World that nothing was ever as it seemed, and the place where that was the most true had to be Hogwarts. You couldn’t even trust the ground you walked on, lest a plank of wood decided to slide out of the way, causing you to take one heck of a tumble. For most people who weren’t born into it, this was a rather irritating aspect of magic, but for someone like Matthew Luther, it wasn’t exactly the worst thing in the world. “And so,” he was explaining one breakfast at the Ravenclaw table, “that’s why Peeves causes chaos.” There was a chorus of ‘oohs’ and ‘ahhs’ as the fourth years all helped themselves to some toast. “Wow, now I feel awful for all those times I’ve yelled at him.” Andre lamented. “Don’t worry, he says he enjoys the insults.” Matthew reassured him, “Still, I imagine he’ll focus on pranking the people who deserve it now.” “You never cease to amaze me, Matthew Luther,” said Tulip, pushing a few insects towards Dennis, “If you could figure that one out, there’s no secret that’s safe from you.”
“I wouldn’t be so sure about that, Tulip.” The group turned around to see Merula Snyde standing before them, her violet eyes piercing Matthew’s. He’d always wondered about them, and whether or not they were real. Unfortunately, curious as he was, he had never found the courage to ask her. It just sounded a little...forward. “Good morning to you too, Merula.” said Matthew, turning around fully, “You’re looking...proud of yourself.” “Well, of course! Why wouldn’t the most Powerful Witch at Hogwarts be proud of herself?” “...Mm, fair point.” he admitted nonchalantly, helping himself to some toast. A flash of confusion crossed Merula’s face. She always did that whenever Matthew complimented her, and there was something about it that made Matthew want to see it again. “I, um...Seems like you’re finally seeing sense, then!” she declared, leaning over him. “Oh, Merula, for goodness’ sake...” Rowan began, but Matthew waved a hand at them. “It’s alright. I don’t mind.” Matthew said, wiping the sleep from his eyes, “Sorry, God, I’m tired...” Merula smirked at that, and Matthew returned the expression. “Look, if you’re too tired right now, we can have our argument later.” Merula suggested, much to everyone’s surprise. Matthew chuckled, pushing the hair out of his eyes. Merula cleared her throat, looking for an answer. “Yeah, ok, sounds great. How’s Potions for you?” “Alright, we’re just reviewing today.” Rowan stared at them, flabbergasted. “Sorry, are you scheduling an argument?!”
“Is it a crime to be organised, Khanna?” Merula sneered, before turning back to Matthew. “Well, if that’s that...” “Actually...” began Matthew, his stomach starting to fold, “Wh-Why don’t you have breakfast with us?” Merula stared for a few moments, as if her brain had short-circuited. “L-Luther, you must be a bigger dolt than I realised. I’m not a Ravenclaw...though I’m smarter than most of you.” “That hasn’t stopped me!” yelled Barnaby with his mouth full, who was sitting a few seats away helping himself to some bacon. “Matthew asked me, and I said yes!” “That’s because you’re an idiot, Barnaby.” said Merula bluntly, before glaring at Matthew. “Why on earth would you think I’d say yes?” Matthew suddenly looked a little nervous. “I just, well...it’s, um...” he stammered, glancing over at the Slytherin table. There was Preston Crawford and his cronies, chucking food at some of the muggle-borns in Ravenclaw. “It wouldn’t be a good idea to sit at the Slytherin table this morning, okay?” he said, leaning forward slightly. He looked up at Merula, hoping she was picking up what he was saying.
She stared down the Ravenclaw table, seeing not only Barnaby, but Liz Tuttle and Erika Rath. She looked down at Matthew, before slowly sitting next to him. Matthew felt his face burn, which didn’t make sense. They sat near each other in Potions, and that had never caused...anything. But something was different this time. They were right next to each other out of choice, and that made all the difference in the world. They slowly ate breakfast for a while, until Merula whispered: “Alright, Luther, what’s all this about?” Matthew grimaced, “It’s complicated. Peeves is a little, well, peeved at Preston, and by extension that whole group, and so...” It happened in an instant. The two turned around to see Slytherin table burst in two, a jet of what looked like Stinksap covering Preston and the other Slytherins. Then, Peeves emerged with a bucket in hand, cackling like a hyena. He put a pudgy hand into the bucket and pulled out several wads of gum, which he proceeded to chuck at the group. Matthew and Merula stared for a moment, before turning to look at each other. It didn’t take long for them both to descend into laughter.
“Did...Ha ha! Did you know...” Merula wheezed between laughs, almost falling off her seat. “No, no! I knew he’d...” Matthew had to pause to let out a huge laugh, “I knew he was planning something, but nothing on this scale!” Their laughter was far greater than most peoples, and before long a horde of Stinksap-and-gum-covered Slytherins began to lumber over each other to get to them. “We should really...” Merula said, trying and failing to pull herself together, “Merlin, they’re leaving stuff everywhere!” Matthew managed to come to his senses and grabbed Merula’s arm, pulling her away from Preston’s gooey reach. They sprinted out of the Great Hall, hand in hand, passing by a confused Professor Snape. “Mr Luther, Miss Snyde...” he began, before noticing the dozen or so Stinksapped Slytherins crawling around the Great Hall, as the rest of the school pointed and laughed. Peeves was still chucking chewing gum at them, all the while singing: “Slippery jerks are all about,
Spewing out nothing but junk,
I’ll make sure I gross ‘em out,
By covering them in gunk!”
Matthew and Merula stopped at a bench in the Lower East Wing of the school to catch their breath. They both crashed onto the seat, still giggling. “That was...” Merula said between breaths, “Merlin, that was hilarious...I’ve never seen a poltergeist go that ballistic...well, not in years, at least...” Matthew wanted to say something, but he was frankly too exhausted. He felt the energy leave his body, and found himself looking at Merula. He had never seen her laugh like this before, enough to make her nose wrinkle and her head tilt back, her mouth agape. “I guess you found it funny, too...” she continued, “You’ve gone bright red!” “I have?!” Matthew exclaimed. He felt a wave of embarrassment, but seeing Merula like this made him less than willing to ruin the moment. “I guess so...though, you’ve gone all pink!” he observed. He wasn’t wrong. The pink that usually adorned her cheeks had expanded to cover her nose too. There was something awfully familiar about it all…
“Um, yes, well...” she stammered, “Anyway, that was your first experience of a poltergeist’s full power, wasn’t it?” To her surprise, Matthew shook his head. “Actually, there was one other time I saw a poltergeist. It was at the Ministry, funnily enough...” Merula’s smile turned to a look of curiosity. “Huh, so was that other one...” she said quietly. Matthew’s mouth opened and closed again. No...it couldn’t be… He’d never thought about it before. Of course she would have gone to Hogwarts, why on earth didn’t he look for her? “Merula...that poltergeist...” Matthew ventured, “It wouldn’t happen to have been...The Drifting Jester, would it?” Merula gasped. Matthew’s eyes widened. “It was you!”
***
It was a hot summer’s day, and the streets of London were filled, mostly, with sweaty commuters moving to and fro. But not completely. For within the crowd of people of all sorts that moved around the city, there was one thing that passers-by should have picked up on. A six year boy was walking down a street with a silver bracelet on his arm, and a piece of paper in his hand. He kept walking down street after street until he found a strangely empty street with a telephone box. The boy walked towards it, noticing an owl flying overhead. He almost went to chase after it, but this was more important. He had to make sure he didn’t get lost. Opening the telephone box by stretching onto his tiptoes, he stepped inside and jumped to pick up the receiver. He looked at the piece of paper in his hand and dialled the number on it. Then, there came the voice of a woman:
“Welcome to the Ministry of Magic.” it said. “Please state your name and business.” “Hello!” the boy said cheerfully. “My name’s Matthew! Matthew Luther! I’m here to find my Mum! Do you-” “Thank you.” the voice interrupted, “Visitor, please take the badge and attach it to the front of your robes.” There was a rattling noise, and something came out of the change chute. It was a badge that read “Matthew Luther, Looking for Mum.” Matthew smiled and pinned it onto his T-shirt. “Thank you!” he exclaimed. “Visitor to the Ministry, you are required to submit to a search and present your wand for registration at the security desk, which is located at the far end of the Atrium.” There was a tremor, and the box began to sink into the ground. Matthew felt very nervous as the sunlight disappeared. Despite being very little, the box was still very small for him, and fears began to grow about this box stopping, and him being trapped, and-
But then the box was filled with light, and the door swung open. “The Ministry of Magic wishes you a pleasant day.” the box said. “You too!” Matthew said, relieved to be free from the small space. He was now in a large corridor with a blue ceiling, which had symbols that seemed to change every so often. To the sides were several green fires, which people were somehow going in and out of. At the end of the corridor was a giant golden fountain, with statues of a Man, a woman, a centaur, a creature with long ears and large eyes and another one with long ears but small eyes. Matthew couldn’t help but gasp. He wasn’t exactly sure what to do next. He supposed he would look for his mother. He looked around the corridor, but he couldn’t see anyone that looked like his mother. He moved around the fountain until he rested by a sign asking for donations. He was beginning to worry again. He had been told that his mother would be here. The piece of paper just said to look for her here. But this place, this Ministry, was so very big that Matthew had no idea where to start. His stomach grumbled. He’d missed breakfast to get here without his Dad noticing. He sank to his knees and sighed, trying to regain energy.
It was then that a tall, slim woman came up to him. She looked like she was in her thirties, and had chestnut hair. My Mum has black hair, Matthew reminded himself. “Hello there,” she said, leaning down slightly, “Are you lost?” Matthew thought for a moment, and nodded. “I want to see my Mum,” he explained. From behind the woman came a young girl who looked the same age as Matthew. “Don’t worry, dear.” said the woman, “I can help you. Tell me, do you know which department your mother works in?” Matthew shook his head. “No. I know she has black hair and green eyes like mine, and that she works in the Ministry.” The woman looked a little confused for a moment. She gazed at him. “Do you...know your mother?” Matthew shook his head again. The girl, presumably her daughter, moved forward. “Mummy, how does that work?” she asked, “How come he doesn’t know his mother?” “I don’t know, songbird.” The woman says. “ But I’m getting to the bottom of this. Let’s see here...Matthew Luther...” she whispered.
“Yes, that’s right.” he said. Strange, he thought, their eyes are different...they’re pink! The woman thought for a moment. “Hmm, I don’t know anyone called Luther in the Ministry...” she muttered, “H-How did you know to come here?” Matthew showed her the piece of paper. “A man gave it to me. He saved me from a monster, then said I could find my Mum here.” he explained. The woman read it, and her eyes widened. “My dear boy, I think I know where your mother is.” she announced, before turning to her daughter. “Songbird, I need you to keep an eye on him until I get back, alright?” The girl nodded, and the woman left. Matthew smiled, and the girl sat next to him. She got a small bag and pulled out an apple. “You look hungry.” she said, “You can have this.” “Thank you.” Matthew said, taking the apple and beginning to eat it. The girl looked at him. “Why don’t you know who your mother is?” she asked, pulling a sandwich out of her bag. “I don’t know.” replied Matthew. “She left, and took my brother with her. I don’t remember it well.” “That sounds sad.” she said. “It is sad. I like my brother. If I find my Mum, I want to see my brother too. That would be nice.”
Suddenly, there was a loud bang, and a newspaper stand was knocked over. A silvery figure appeared on top of it, hooting and banging a drum. “I am the Drifting Jester, hee hee hee!” he exclaimed, “Let’s have some fun!!” Within moments, a group of people moved forwards, with wands pointed at the figure. The Jester blew a raspberry at them, one so powerful it blew them away and covered them in saliva. Matthew and the girl found it absolutely hilarious. “Ha ha! They went right over there!” Matthew yelled, howling with laughter. “It was so loud! Poltergeists are disgusting!” giggled the girl, rolling around on the floor. They watched as the wizards got to their feet and hit the ghost with some sort of spell which forced the saliva back into its mouth. That only made the two of them laugh even more, until- “Little boy!” yelled the woman over the ruckus. She came up to him, gazing at the now restrained poltergeist. “I think I’ve found her. Come with me...”
***
“And then I saw my mother again.” Matthew finished explaining. “And I got to see my brother again, too...for a bit, at least.” Merula sighed. She had filled in for the bits that he hadn’t known, like how the woman was indeed her mother, Rosemary Snyde, and how they were there to carry out some business, which she now guessed was them acting as informants for the Death Eaters. “All that time we’ve been rivals...” she thought aloud… “I never even considered...” “I should have been the one to figure it out.” Matthew fumed, “I’m the one who makes connections, and who else has a strand of ginger hair and...well, and...” “Yes?” Matthew sighed. “There’s nobody else with eyes like yours...though, perhaps I did know...maybe that’s why I could never really call you my enemy...”
There was a silence. Then, Matthew looked down. In all that time, he hadn’t let go of Merula’s hand. “Oh, um, sorry, I’ll-” “It’s ok!” Merula said rather suddenly. “Look… maybe I… I’m sorry, alright! You’d lost your family once before, and you got them back, and then lost them again!” “Merula..” “And what did I do?! I just rubbed salt in the wound, I’ve been saying he’s-” “Merula! It’s alright!” he exclaimed, gripping Merula’s hand slightly. “I forgive you. I owe it to you. I haven’t always been kind about your family, and your mother helped me find mine!” There was another pause. The commotion from the Great Hall had died down now, Peeves had presumably been stopped and the Slytherins sent to the Hospital Wing. But this wasn’t what Matthew was preoccupied with. He was still clutching Merula’s hand, and neither of them were letting go. She felt slightly cold, but soft all the same. Matthew blinked. “But...if that’s the c-case...th-then...m-maybe we don’t have to...to be...mortal enemies...anymore...” he said, every sinew of bravery within him electrified into action. Merula smiled. “I...I’d like th-”
Suddenly, the door to the Transfiguration class opened, and Professor McGonagall stepped out. The two immediately retracted their hands and got up off the seats. “Ah, Miss Snyde. You are with me this morning for Transfiguration, are you not?” Merula nodded. “That’s right, Professor.” “And where is everyone else?” McGonagall asked, “Class is starting soon, and you two are the only ones around.” “Peeves started causing chaos during breakfast,” Matthew explained, “I imagine it caused some congestion.” Sure enough, people began moving through the corridors, as people realised just how late Peeves had made them. “My, my...” lamented McGonagall, “I hope this doesn’t affect our schedule for the Ball...” Matthew’s ears perked up at that. “The what?” “The Celestial Ball, Mr Luther, held every fifteen years.” McGonagall said, “You will find out more in due course. Now, if I were you I would head to your lesson.” Matthew nodded, and started to move away. Before he did, however, he gave a silent wave to Merula. She looked at him, with those violet eyes, and waved back, a genuine smile on her face. Matthew headed up the stairs, with dances and dates on his mind.
#aprilprompts2021#hphm#hogwarts mystery#hphm fic#merula snyde#hphm jacobs sibling#jacob's sibling x merula#merula x mc#hphm fanfiction
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DAY SIX : one final word / a letter to noxtms.
dear : alyssa, amanda, atlas, bee, beth, birdie, blo, cherry, chris, daisy, dew, gabi, gia, hunter, j, la, lex, lucy, maeve, mozzie, nancy, plume, r, rosie, sam and last but never least, vicky.
here’s the thing. i try as much as possible to say how much i appreciate all of you having joined nox as often as i can, because i think as a person i have a tendency not to be entirely present of all the time, even while i seem it, and it’s important to me - as both admin and as someone who’s befriended what feels like everyone here - that you all know. the thing is, i’ve admined a lot of roleplays over the time i’ve been writing, some of them for longer than others, and i’ve met a bunch of you both in those groups and outside of them. i have a lot of experience, but i had never broken into the harry potter fandom ( in spite of it having formed such a key part of my childhood ) and i hadn’t realized that when i opened nox, i was going to discover such a community.
it’s really not me just saying it when i say that nox wouldn’t be NOXTMS without each and every one of you. i’m proud of the work i’ve put into the group and i accept however much i’m allowed to of the praise for it, but i’ve put maybe more into other groups and never had them feel the way that nox does. we’re all aware, obviously, it takes every writer in a group to make it something special, and i think that it’s every single one of you who has turned this group into my absolute favorite. there’s things in nox right now - like the marauders verse, but even just movie nights and a successful points system and little ic meetings - that i never could have done in another group because they just wouldn’t have worked, the combination wasn’t there, but i feel like... i struck gold with each of you, as members ? i feel like i got beyond LUCKY, and i have a tendency to over worry about nox, but you guys always make me feel a little bit safer in the knowledge that the group is okay, it’s doing good, and it’s everything i could have ever wanted.
i tried to find praise in other places for you all over the course of this meme, but i’m just going to go for one quick fire round. alyssa, you really are so fucking funny, and you created something really special with avalon and the king arthur myth thing she’s got going on. amanda, mary is the most thought out oc i’ve maybe ever seen and we might’ve had to wait a while for a ron, but he’s brilliant. atlas, you have a tendency to not see yourself the way you ought to, but heather and jo are two showstopping characters that we’re so lucky to have, and you yourself are a wonderful member who i’m so glad came back. bee, i’ve seen what you can do with harry elsewhere and i have you to thank for the fact nox even exists, really : you reminded me through your writing how much i love the world, and your takes on marietta and charlie are perfect. beth, lavender is such an unfairly hated character in canon, and she deserved someone like you picking her up and breathing fresh life into her, which you’re doing amazingly. birdie, for someone who likes to admit they haven’t done much in groups, you’ve really slotted yourself right in here, and i can’t pluck one character from your lineup - you do something admirable with all of them, and i really do hope you’ll RECONSIDER your stance on a fifth. blo... i love everything you do, i really always have, and your writing is a testament to just how talented you are, but i don’t know one person who puts as much continuous thought into their characters as you do, and it really shows.
cherry, i made a joke once about how if you could do something special with jughead jones i shouldn’t be shocked about what you can do with better source characters, but it’s not even a joke anymore... what you started with hermione you’re continuing with lucius and percy, and i love everything about them. chris, this is the second time you’ve joined nox as someone who doesn’t know much about it, but i’m so grateful you did it as my characters kid - i love when we get to play family dynamics most of all, and oriana is an absolute gem. daisy, chatting with you is a dream, and your mind is just... amazing - you do something with george that plays into my favorite sort of character tropes, and zephyrine is something so different and fun that i can’t wait to write with them too. dew, not just anyone would pick up gregory goyle and try and do something amazing with him, so i’ve been not-so-patiently waiting to toss everyone i’ve got at him since your intro. gabi, knox is one of my favorite ocs and for someone who only brought in an oc, to start with, you’ve managed to slot her in brilliantly. gia, what can i even say for you... as always you bring everything you have to the table, and i get to write not just connections that are genuinely FUN ( damien and niko, anybody? ) but also my favorite sort, which comprise of... family and friendships like molly / ginny & tonks / ginny with one of my favorite writers, yet again. hunter, i’m so glad i borderline peer pressured you into picking up pansy, because she’s been a joy to see in action, and a pretty great addition to your roster of characters - that already includes angelina and mason, two characters i love reading the replies of.
j, most astoria’s i’ve seen have gotten lost on the ‘draco’s dead wife’ thing and have forgotten to turn her into her own, unique character - the same can’t be said here, and astoria has fast become one of my favorite individual characters because you’re at her heart. la, i haven’t gotten to see enough of beatrix yet, but i think anyone who wants to play into an umbridge family is so brave and so talented, so i can’t wait to see and do more. lex... absolute love of my fuckin life ? not many people would join a group even though they don’t know much of the source material and absolutely immerse themself in it, but you’ve done this now... more than once- and each and every time, you manage to craft characters i really do ROOT for and love so much. please be fuckin nicer to yourself always, you’re so talented and i love you so much. lucy, gabrielle deserves to be given a character arc beyond ‘damsel in distress’, and so far, i’ve loved everything you’ve done with her. she’s a breath of fresh air on the dash and i think we’re lucky to have you ! maeve, LISTEN. LISTEN TO ME. I’M HOLDING YOUR FACE BETWEEN MY HANDS RIGHT NOW, BECAUSE THIS IS SO UNBELIEVABLY EMBARRASSING: YOU ARE SO TALENTED, YOU ARE SO IMPORTANT TO THE FUNDAMENTAL SOMETHING THAT MAKES UP WHAT NOX IS, YOU HAVE BROUGHT ME CHARACTERS I DIDN’T EVEN KNOW I NEEDED SO BADLY ( HELLO THEO N OLIVER ) AND I LOVE THEM SO MUCH, YOU’VE DONE SOMETHING SO WONDERFUL WITH EVERY PORTRAYAL AND YOUR AESTHETICS FOR DENNIS MADE ME CRY. mozzie, you are ALSO so fucking funny, and you are yet another writer that i feel.. so lucky has been drawn to nox - blaise and luna are fascinating characters in canon, sure, but you have done something so much BETTER with them here and i cannot stress that enough to you. nancy, selene is such a fun oc, and i really, really mean that. she’s something different to the status quo, and i feel blessed that i get to have as close a connection as i do with her.
plume, you yourself have been nothing short of the most lovely ooc presence, and i’m so glad that it’s someone like you who’s bringing parvati patil ( the noxtms variant ) to life, and so happy whenever i see her on the dash. r, i could go on for paragraphs on you alone - you were always one of my favorite writers in eq, and i was always so HOPEFUL you would finally cave and join nox. thank you for being here, and thank you for my daughter, thank you for my sister, thank you for these characters i love. rosie, you haven’t gotten a chance to even settle in yet, but that isn’t going to stop me from expressing how excited i am to have a bill weasley, finally, and to see what you do with him ! sam, the other love of my life... you don’t get enough CREDIT for just how brilliantly you’ve characterized viktor krum, especially, but you also don’t get enough for how you gave us the loveliest child of severus snape we could have ever asked for, and the hottest dowson i ever did see. you go through it far more than you should have to, but you’re such a talented writer and such a staunch friend who i feel lucky to have made. and vicky, once again : last in alphabetical order, but certainly not in my heart. did i expect in 2020 to bond with someone over buffy ? not even a little. but i really was so fuckin’ DELIGHTED to have something i could talk to you about cause you’re just... cool, vicky, you’re so so cool, and you’re so talented at seemingly... everything ? making gifs, being a pal, writing characters like dudley dursley but also somehow making alicia and penelope equally different and fascinating and cool ? have i said cool ? have i said it ENOUGH ?
i don’t want to be done, here, but i didn’t expect for this to take so many words, so i should probably wrap it up fairly snappily : thank you all so much for joining this group i love so much, and please know regardless of all else, i love everything you’re all DOING, and everything i see. i don’t say that enough, for certain, but i’m going to try and be better about it. beep beep, bitches : it’s my undying love and affection.
not to sound like severus snape but like. always,
rachel.
#nox.task#how am i meant to claim like .. points for this#this feels like something i cant claim points for
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so. dennis' trauma
I want to start off right away saying that none of this excuses the way Dennis treats people, especially women, and I am not making this post to imply that it does. I’ve just been thinking a lot about how a lot of aspects of his behavior do fit really unhealthy coping mechanisms for the trauma he has, and I’m just talking about the ways this shows through in the show.
Also! Big big trigger warnings for this: csa, eating disorders, awful parents, Dennis-typical sexism and creepiness with women
Dennis is a csa survivor, and I’m going to be addressing this and talking about it pretty in-depth, so please proceed with caution. Also disclaimer: I feel the need to say, for people who don't know much about the way trauma from csa affects survivors, that the ways Dennis deals with his trauma are not at all universal. It affects everyone in extremely different ways, and while these are the ways I believe it impacted Dennis, they are far from the only possible outcomes for survivors.
Dennis was 14 years old when things happened with Mrs. Klinsky. Considering a) how student/teacher relationships usually happen in real life and b) the fact that the others knew about this, I feel like it’s safe to assume it wasn’t a one-time thing. I feel like it’s also safe to assume that this was Dennis’ first experience with sex, because again, he was 14 years old. Engaging in a sexual relationship with an adult at such a young age, and convincing himself that the relationship was okay and consensual, would have significantly impacted what he sees as a normal relationship with sex, and without extensive therapy (which he clearly hasn’t gotten), his relationship to sex as an adult is unlikely to change much.
Now, how does this manifest in Dennis as an adult? So glad you asked, because holy shit it shows in literally everything he does, sexual and non-sexual.
First off: Dennis has never, as far as we have seen, had sex with someone he genuinely had feelings for, nor has he ever been in a serious romantic relationship. Yes, he married Maureen, but it was literally the same day they reconnected and he divorced her within days. He married her because he felt like he should be married at that age, not because he was in love with her. It was almost immediate that he began to be disgusted by her afterwards.
It is extremely common for survivors to have a difficult time forming relationships, especially csa survivors due to their idea of romantic and sexual relationships being manipulated so early on. Dennis never reached a place where he put in effort to learn what a relationship should be. He never learned how to fall in love or have a healthy relationship, so he’s never done it.
Which brings us to the D.E.N.N.I.S. System. Since Dennis was groomed into a sexual relationship as a child, that is how he learned how sex worked. He learned sex as something where one person is in control and the other is there solely for that person’s pleasure. Mrs. Klinsky had the control when Dennis was a child, and as an adult, he desperately needs to be the one in control. And so the D.E.N.N.I.S. system is born, ensuring that Dennis never has to be vulnerable with a sexual partner and he absolutely never has to give up an inch of control.
The only time we’ve seen Dennis relinquish that control when it comes to sex is during The Gang Gets Whacked, and it changed Dennis’ entire demeanor. In the beginning, when he thinks he’s just going to be having dinners with these women, he is the same overly confident Dennis that we’ve always seen. Almost as soon as Frank begins ignoring Dennis’ boundaries though, that disappears. Dennis stops speaking for himself, he barely argues with Frank, and he does what he’s told. The D.E.N.N.I.S. system ensures that there’s never even a question of whether Dennis is in control of the situation, but here, he has no control. He not only almost immediately gives up on trying to keep his boundaries when Frank pushes them, he stops trying to control literally anything. He doesn’t talk to the others, he doesn’t try to make plans, he doesn’t even pick his own drinks at the bar. Until Mac forcibly reminds him he can stop this and stop listening to Frank, it doesn’t even seem to cross his mind that he can take control of the situation.
This ties in to Dennis’ general aversion to older women, especially in a sexual context, which we see throughout the series. Dennis only pursues sex with younger women, seemingly almost solely women in their early 20s. Those women, being younger than him, flip that dynamic that he’s trying so desperately to avoid so that Dennis is the one with more experience, and therefore more power. The few times Dennis has been in a sexual situation with older women (The Gang Gets Whacked, PTSDee) he becomes small and reserved and submissive in a way that he never has and never will for younger women. Not only that, but I’m sure that to some extent, any sexual contact with an older or more dominant woman reminds him of Mrs. Klinsky. Mac Bangs Dennis’ Mom shows this as well, but in a different way. Dennis is seeking out older women for the purpose of taking control of a situation, so he doesn’t have the same aversion, but he does literally start crying when Mrs. Kelly rejects him, so. Being undesirable to older women is just as distressing to him as being desirable to them, albeit not in the exact same way.
Basically, Dennis desperately needs control when it comes to sex, and he needs it to be as far from his early experiences as possible. This need for control does extend outside of sex too, as we have seen. As far as interpersonal relationships go, there are two separate manifestations of this, one with the gang and one with other people.
With the gang, all Dennis needs usually is the illusion of control. He would never admit it, but the gang is safe to him. He’s known them his whole life pretty much, and they’ve never (except for Frank, but that’s a whole different can of worms) taken advantage of him in a way that would make him need real control over them. He’ll still yell and act like he’s better than them and claim to be the group leader, but ultimately, when the other members of the gang do take control, he is okay with it.
With Mac, we see Dennis being pushy and domineering but ultimately wanting Mac to do everything for him and take control of situations. With Dee, he’s bitchy and condescending, but only ever actually stops her plans if they directly interfere with his/the guys’. With Charlie, he puts him down and calls him stupid, but ultimately pretty much lets him do what he wants (again, unless it directly interferes with his plans).
Frank is a little different because Dennis doesn’t have the same trust in him since Frank was a terrible father growing up and since the events of The Gang Gets Whacked did happen. Frank can’t be discarded though because he’s established himself so firmly as a member of the group by now and because his money is probably all that’s keeping them afloat, so my guess is that he’s probably pushing that down as much as he’s pushing down the truth of what happened with Mrs. Klinsky.
With people outside of the gang, Dennis does still need actual control. He has very carefully prepared scripts in his head for social interactions, something he’s never said out loud, but which we’ve seen again and again through the show. It’s something that isn’t usually noticeable (outside of the D.E.N.N.I.S. system I mean) except for when somebody doesn’t follow the script and Dennis is completely at a loss for what to do.
Some examples that come to mind are The Gang Finds a Dumpster Baby when Dennis is called a suburban poser and immediately gets completely tongue-tied, The Gang Reignites the Rivalry when Dennis isn’t treated the way he expects by the frat and has a breakdown over it, The High School Reunion when Christie assumes Dennis is gay and he can’t think of a response right away, The Gang Group Dates when Dennis is rejected and has a meltdown, The Gang Gets New Wheels when Dennis is trying to talk to a woman on an even playing field and can barely form a sentence, and then in A Woman’s Right to Chop when the hairdresser crying makes him completely shut down for a minute to sort out what he should do.
I am well aware that these are almost exclusively about Dennis’ sexuality and him being rejected, and that’s not a coincidence. Of all the scripts Dennis has in his head for how social interactions should go, he never accounts for the possibility that he can’t charm/manipulate his way into anything. Dennis’ trauma has led him to need to be desired at all times for his sense of self worth, which is why when he isn’t desired in the way he needs to be, he loses it.
This can actually be seen both through Dennis’ arrogance and his self-hatred. He’s one of those people who is meticulously balancing his superiority complex with his pretty noteworthy self loathing, and that also comes back to his trauma. This also has a lot to do with his BPD, but I think that stemmed from his trauma as well considering the age that BPD typically develops and how common it is for people with BPD to be survivors of abuse. (I’m not going to get too much into his BPD in this post because BPD is so heavily stigmatized already, and I don't want to play into that accidentally since I don't have BPD+don't know that I've researched enough about it to do it well.)
So Dennis’ arrogance I genuinely believe to be mostly him overcompensating for his self hatred, but I also think that most of the time he believes the compliments he’s paying himself as he says them simply because he needs them to be true, and he needs desperately to be appealing. He tells himself he’s smart because if he isn’t then why is he trying? He tells himself he’s charming and likeable because if he isn’t then what has he been doing his entire life? He tells himself he’s sexy because if he isn’t then what the fuck is he good for?
He clings to things that support this view of himself, and he can’t cope with things that don’t fit this worldview. Of course he’s smart, he went to UPenn, an Ivy League! It doesn’t matter that his plans always fail because of course it’s always somebody else who fucked that up. Of course he’s charming, he was the coolest guy in high school. Tim Murphy only slept with his prom date because Tim Murphy was a douchebag and his prom date was a slut, it had nothing to do with Dennis, and of course they didn’t all just tolerate him and think he was as much of a loser as Ronnie the Rat and the Dirtgrub. Of course he’s sexy, he’s got hundreds of sex tapes to prove it! It doesn’t mean anything that he lied to every single one of them to succeed in getting them into his bed, or that not a single one has seen his bare face.
The things that really clue us into the fact that the arrogance is all an act, even if Dennis forces himself to believe it’s true, are his makeup and his eating disorder.
Dennis’ need to wear makeup really does clue us into his self hatred because, and this is a controversial take, Dennis without makeup isn’t hideous. When we saw him without makeup in Dee Day, his entire demeanor was different. He was slouched over, he spoke more softly, he no longer had a working script. He had no idea how to handle being seen by others with a bare face, and so he tried so hard to act normal and not draw attention to it that he ended up seeming way creepier than usual. If he was still acting like he always did though, and he was unaffected by people seeing him without makeup, he really would look like a pretty average middle aged man, maybe just a little too pale and tired.
As it stands, Dennis was deeply upset by people seeing him without makeup because he does hate himself, he only tolerates a version of himself that he can create. The Dennis that he makes when he changes his face in the morning is a Dennis he can pretend to like, because he’s disgusted by the real thing. He’s disgusted because he has aged. He really tried, but he didn’t stay twenty forever, and he can’t cope with being older, not when being young was all he ever really had.
Dennis’ thing with makeup I think you could make an argument about it being general self hatred more than being specifically fuelled by trauma, but his eating disorder I do think can be more directly connected to his trauma actually. So Dennis, in Frank’s Pretty Woman, talks about his weight in reference to wanting to stay twenty forever. It was about wanting to look young. He thought gaining weight meant accepting he was getting older. This is well established. That in and of itself could be as simple as a man who doesn’t want to accept that he’s nearing forty, but paired with everything else about Dennis, I don’t think so.
We’re gonna get a little personal here, you and me, because I don’t know how common this experience actually is so I can’t claim it’s a common thing because there’s every chance I’m wrong. I wasn’t in Dennis’ exact situation, but I did find myself in a relationship I believed to be normal with someone older as a kid, and didn’t realize until way after it was over what really happened. I developed an ED during this relationship, because as the other party started to lose interest when I hit high school, I was desperate to keep that attention. I thought skinnier=prettier, and that’s how it started. Later, once the relationship ended and I wasn’t trying to impress that person anymore, it became a way to feel like I had control over some part of my body because I needed the control. I didn’t even start trying to get better until after I had accepted the reality of what the relationship was.
I think Dennis is similar, and I really don’t think that’s just me projecting. The first time his eating disorder comes up, it’s in The Gang Exploits a Miracle when Dee calls his face fat. That is the only time his eating disorder is brought up in a way that connects it solely to weight. Frank’s Pretty Woman is probably the most memorable show of his eating disorder because he talked so openly about his eating habits, and while he was trying to convince Mac to lose weight, weight didn’t really come up in reference to his own motivation. He doesn’t say it’s because he doesn’t want to be fat (even though obviously that’s part of it), he says it’s so he looks twenty.
Other instances of his eating disorder are a lot smaller and probably more up for interpretation since they aren’t nearly as explicit as those two. One of the main things I’ve noticed is his on-again off-again gluten and dairy intolerance. Dennis eats cheese in Dee Day, yet when pizza is offered to him in The Gang Chokes, he says gluten and dairy are poison. It is common with eating disorders to restrict specific foods especially if you can’t fast for whatever reason, and I’m sure living with Mac means Dennis can’t skip too many meals in a row. So, whenever he can’t fast, he cuts out gluten (bread, carbs, fattening), dairy (cheese, ice cream, butter, fattening), and sugar (also fattening). Also the fact that the pizza+soda shake made him sick actually doesn’t poke holes in this idea because, if he’d been restricting for awhile, suddenly consuming a large amount of all the things he’d been restricting could 100% make him feel like shit.
Still, all of these could hypothetically be just tied back to a desire to be skinny and other non trauma related reasons. For awhile, I didn’t connect his eating disorder to his trauma either. What finally made me make that connection was the realization that if it really was just about his weight and nothing else, it would be just as in character for Dennis to be really into a new fad diet every season. Since he isn’t just dieting though, since they chose instead for him to have an eating disorder characterized by restriction (I personally think it’s just restriction without binging or purging for Dennis but that’s a whole different post), I think it really is more about control than anything else. Especially if it started when he was a teenager, it would’ve been far easier (and more self-destructive because trauma often does make you want to just destroy yourself) for him to just stop eating than go on an actual diet.
In conclusion: Dennis Reynolds PLEASE get therapy challenge!
Sidenote: I know Dennis' sexuality being pretty ambiguous is a big character trait of his but there are a couple reasons I didn't really touch on it throughout the post. First of all, it's not totally canon that Dennis isn't straight (yeah we have stuff from interviews, but I don't count word of god as canon) and this post is specifically me connecting things established in canon and connecting it to his trauma. If he were to come out though, I do think his trauma could definitely be a large factor in his internalized homophobia/biphobia, but I also think it's possible that his trauma is only a small part of it. I genuinely am not sure how much of a role his trauma plays in him staying closeted, so I wouldn't be sure how to include it even if it was canon.
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Dee Day Thoughts and Analysis
Preface: For those who don’t know, I’m a homoromantic asexual woman of color (mostly black).
Anyways, unlike many folks on Tumblr, I did not have too much of a problem with this episode. It did feel kinda..”eh”...and it could have been much better, but I had some laughs and laughed more with this episode than last week’s episode.
Here are my thoughts on the controversies of the episode. They might help some hate the episode and/or RCGMegan less:
1. Yellow/Brown Face – When I first saw those costumes I was like “Oh, we’re doing that again.” But it didn’t surprise me too much. This has been a part of the show for a long time and the racist caricature characters are “old” characters (i.e. known to the audience and not new caricatures created for shits and giggles), so I’m kind of shocked that people are so shocked by this.
I love RCGMegan, but RCGMegan are just…white as fuck. As a person of color, my standards are low for white people. (I HATE that this sounds racist but y’all know what I’m talking about) Like, I can’t even be mad about it. I’m just glad that there were attempts™ to point out the racism and the shittiness of Dee’s characters, which is something they’ve always done as well.
I think RCGMegan really meant well. It’s PURE SPECULATION but it’s possible that that’s why they hired Pete Chatmon, a black man, to direct the episode. White people sometimes think that if they add a person/people of color to their group and they don’t say “PLEASE DON’T DO THIS THIS IS FUCKING DUMB” what they are doing is okay.
And even though this is PURE SPECULATION on my part, I think RCGMegan’s wellmeaningness is one of the reasons that Pete Chatmon chose to do the job and posted on Instagram that he had a good experience working with RCG and co.
I think RCGMegan were attempting to be “silly classic hijinks” Sunny but also “woke” Sunny but they are…white as fuck and sometimes just do not “get” it. (I get the vibe from interviews that they mentally/emotionally separate the show from themselves and from reality.) I hope they learn to chill out with the yellow/brown/red face one day because, even ignoring the racism issue, it’s SO BORING, but I don’t expect them to because…they are white as fuck. Some white people figure it out and stop doing awkward shit. But some just…don’t. Especially when they have a long history of doing questionable things.
For a person of color to be a fan of this show, we/they have to accept the nature of this show or just stop watching it. Those are the only real choices and both choices are valid.
I’ll admit that I think the “Asian driver” joke was actually somewhat funny because the purpose of the joke was to highlight the phenomenon of white people acting like they aren’t racist when they actually are and are too stupid and delusional to realize it (i.e. benevolent racism). I love attempts™ at highlighting benevolent racism because of the subtle and insidious nature of it.
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2. Predatory Gay Mac – I get where people are coming from, but I feel like Mac’s homosexuality wasn’t the joke. I feel like the joke was that Mac was being a goofy idiot who happens to love Dennis, but can’t always express it properly. (example: Mac trying to get Dennis to get on stage with him so he could maybe kiss him…which is the kind of harebrained scheme you’d expect from a goofball 1st grader with a crush and not a full-grown 40 year old man)
Mac’s behavior in this episode was similar to Charlie’s messy over-the-top behavior towards the Waitress in previous episodes.
There was also the dual joke of Mac trying to “one-up” Charlie and so veering into accidental innuendo territory. (example: Mac repeating the comment Charlie said to Dennis about wanting to get in Dennis’ pants)
Also, it’s canon that Mac is often gross when it comes to sexuality in general and I think they were playing with that as well (example: the social network episode where Mac asked the distraught woman about where to find her leaked nude photos).
Everyone in the gang is gross when it comes to sexuality. I feel like a lot of fans forget that Dennis and Dee are canon rapists who usually rape the opposite sex (and Dennis has literally sexually assaulted Mac before even though he considered it a prank). Being an equal member of the Gang, I’m not surprised the writers decided to pass the baton to Mac this episode and even then Mac’s behavior in this episode was fairly tame (in the context of this show LOL).
And FINALLY, even though Dennis protested Mac trying to get them to kiss, I never got the vibe that Dennis was extremely uncomfortable. I think it was just supposed to be a typical “Dennis is annoyed at Mac because Mac is being stupid” reaction. Mac gets on Dennis’ nerves sometimes, but Dennis loves and accepts him and all his weird and stupid behavior. I don’t believe it’s even possible for Mac to make Dennis extremely comfortable. Like, these two are pretty much a hivemind…
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3. Charlie and Dennis Kiss Scene - I TOTALLY GET THE DISCOMFORT WITH THIS. And while the second kiss was actually a surprisingly good kiss (Charlie and Glenn can ACT), the scene wasn’t really funny. It was just like “Why? What am I supposed to be getting from this?”
One criticism I’ve seen is that the scene was saying two men kissing is gross (i.e. homophobia). But I don’t think that was the purpose. It honestly reminded me of the awkward attempted kiss scene between Mac and Dee when they were playing characters in one of the lethal weapon episodes.
Another criticism I’ve seen is that Dee (who, as we know, raped Charlie) forced two child abuse victims to kiss. VALID CRITICISM. But when it comes to the characters: they just don’t give a shit. Charlie still hangs out with Dee and considers her a friend (which is COMPLETELY different than how he sees Uncle Jack). Dennis loves her and hangs out with her. Notice that they were more concerned with coming across as homophobic (which is so, so stupid but typical of them) and they hated that they had cheese breath.
And keep in mind that even though it was Dee Day and they were “supposed” to do what she says, they didn’t have to. They treat Dee like garbage 364 days of the year with little remorse and she always come back to them. I feel like the implication is that they CHOSE to do the kiss, considered it gross but didn’t consider it a big deal, and would not compare it to their child abuse experiences.
Dee’s behavior analysis: The previous season’s Mac/Charlie/Frank orgy with the Dennis doll that she watched permanently fucked her up. Like, she knows she’s making the Gang uncomfortable, but she’s lost the ability to comprehend how abnormal her behavior is. Boundaries are gone in her mind. In her mind, she’s simply teasing them and they’ll be fine no matter what happens.
I know people identify with the characters because of their personal experiences and I get that. I get that people have strong feelings about these characters and it’s totally understandable and valid. But I think we have to be careful not to project too much on the characters and instead try to keep in mind how the characters are instead of how we think they are. Like, It’s Always Sunny in Philadelphia has a ton of dark elements, but it’s a relatively upbeat show that often doesn’t take itself too seriously.
This is PURE SPECULATION but I got the vibe from the second kiss that “someone” (possibly Megan?) wanted to do a CharDen scene but needed to do it in the spirit of IASIP (awkward situations + the Gang willing to do anything if they are passionate enough about it) and that scene was the result. It’s also possible that it was the result of some kind of RCG “in-joke” that they didn’t realize might not translate very well on the screen to certain audience members.
At the end of the day, I think it was just supposed to be a goofy “lolwut the Gang is so wacky” scene and it’s not meant to be psychoanalyzed the way certain things on the show are.
__
4. Dennis Without His Make-Up – I get people’s concerns about this. But the show has occasionally made fun of Dennis’ self-esteem issues concering his looks throughout the show, so this is nothing new. I feel that the scene was designed to make you feel sorry for Dennis, but also it was supposed to just be classic Sunny. Like him hitting on the congresswoman wasn’t just funny because he looked “off,” but because he just kept saying weird and awkward shit to her (similar to the scene in Season 13 where he was trying and failing to hit on the fantasy baseball woman).
And keep in mind that the rest of the Gang kept reassuring Dennis that he looked fine even after the scheme, which was sweet. The same cannot be said about Dee. She’s received a lot more abuse from the Gang and only scraps of affection and reassurance from them to the point where she always lights up when they show her basic kindness. If Dee (and we) can handle Dee’s abuse, Dennis (and we) can handle Dennis’ abuse. And, as mentioned above, he did not have to remove his make-up. He chose to do it and he chose to deal with the consequences of that. But he’ll be fine.
__
5. There was not enough focus on Dee – 100% agree. Nothing else to add. LOL.
#iasip#iasip season 14#iasip spoilers#dee day#rcg#megan ganz#pete chatmon#musings meta headcanons#god level fandom posts
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after the dust settles and the married couple are gone for good (neither of them can remember their last names, or even bothered asking), dennis finds himself boiling a cup of tea. normally, this would be a beer, or, hell, several gallons of hard liquor situation, to help drown it all out. to forget. to push deep down where their own ears are deaf to the burrowing guilt. they still feel guilt, right?
tried to break up a couple. who they thought were falling apart because the husband cheated on a guy named teddy, but it turns out teddy was the name of their dead leukemia son and greg isn’t even gay.
or well. he could be gay. we don’t know that.
his mind diverts to the gurgling of their old kettle, screaming from its spout, old and crying for reprieve. he thinks of the sounds of lisa crying, echoing down the halls, this experience piling onto her grief and pain no doubt. he isn’t sure he felt all that bad. awkward, sure. but if he really felt so bad he wouldn’t be drinking tea. mac didn’t seem all that affected either though, so he thinks he’s in the clear. people die everyday, right? people’s kids die too. it only really hurts if it happens to you.
“hey, you want tea?” dennis settles down at their table, mac is seated on one of their yellow chairs. the question is pretty much rhetoric, he thinks. mac is only here because he wants some of whatever dennis was making. or he’s here to be with dennis, so he might as well have some tea while he’s at it. dennis pours carefully into their cups. the steam is kinda stinging on his knuckles. maybe he should’ve tricked mac into doing this.
“i was thinking about you.”
“huh?” dennis sets down the kettle. he has no idea what mac is talking about.
“when i was. talking to greg. tryna get him to date me, fuck me, fall- i don’t know,” he sighs, almost despondent now.
“what’s...” dennis stops. his throat catches because he now has a little inkling of what. “uh.”
“i don’t know, man, i don’t know. i watched all those rom-com movies-”
“yeah, i know.” he knows because they watched them all together. every chummy, over-the-top, cliched as hell rom-com. they saw so many of them, because mac said he never saw them before because he thought men couldn’t watch those movies because that would be gay. but he’s gay now, so. no reason not to. and dennis sat and watched with him, made recommendations, too. didn’t think about the implications of all that. he sure as hell is thinking now. “those movies- that’s what gave you the idea for the scheme.”
“i guess. i keep thinking, dude. like, when i watch those movies, i think about you.”
dennis is almost angry. they had an equilibrium here. they had an understanding again, he thought. they’d be normal, they’d be friends, dennis doesn’t point it out when mac is staring at him a second too long, mac stops trying to explain why he stares. mac stops trying to redefine who they are, what they mean to each other.
“mac-”
“every time i talked about, about leading men, leading ladies, making the perfect rom-com in real life, talking about love, that was all you, man. i said it, cuz, i was thinking about you.”
“don’t say it-” dennis begs, eyes downcast. “please don’t say it.”
“why not, dennis?” he is exasperated. “because, i mean, i tried. i wanted to let go, believe me-” he points-”but you know how you were like. you didn’t give a shit about lisa. i couldn’t pay you to fuck her-”
“that’s because you have no money-”
mac almost laughs at that, and it’s a good thing he does, because it quells his anger and he sits back down, slumped and drained, but he sits back down. “i don’t think you even like women anymore. so why can’t you like me?”
“that’s ‘cause you’re annoying,” he thinks, he thinks maybe, if he keeps deflecting, keeps throwing quips and catching cheap laughs from mac, maybe he will drop this. oh, please. please let him drop this.
“you don’t really think that. not for the most part.”
“oh, but i do.”
“fine, then i’ll leave right now,” mac stands up again, tries to find some thing to throw into something, like shirts into a bag, but he comes up empty. he raises his voice to compensate. “i’ll move out, just like you wanted! you want me to leave dennis? you wanna sit here in this apartment alone, lying to your goddamn self?”
“mac, sit down.”
“say you want me to stay.”
“no.”
“then i’m leaving,” he tries to move to his room now. oh god, he hates this. his tea is getting cold. mac’s tea, which he’ll have to drink if the idiot makes a break for it, is getting cold too.
“mac, come back, please. we can do this another time.” mac ignores him, actually starts packing a bag, so dennis has to drag himself off that chair, and walks his heavy steps toward mac, grabbing his hand, the one that’s tearing open a duffle bag. “come on,” he says, trying to sound patient. “what’s this really about?”
for a moment there, mac looks at him like he has the comprehension of a very stupid baby. “i wanna be in love, man.”
“i know, okay, i’m sorry the air bnb thing failed, we can try it some other time, market the place to some, some hot greasy beefcakes. not greg, okay? guy was ugly as shit anyway.”
“this, this isn’t about the air bnb, i don’t care about the air bnb!”
“i know, i know, you wanna be in love!” dennis yells back, tired of this. “we’ll find you someone-”
“i don’t want just any bozo off the street, dennis, i want-”
“then we won’t get some bozo off the street, i said-”
“i want you!” mac exhales so loud after that. “oh my god, will you please shut up, dude. don’t act like you don’t know.” “i know, okay? believe me, i know. i’m saying this because i know. and trust me, you don’t know.”
“okay now you’re confusing the fuck outta me. uh, what don’t i know?”
“you don’t want me. you want the closest thing that’s most comfortable. trust me, buddy. i know i’ve been pissed about this in the past, but i get it now. i know it isn’t your... well, i guess, fault.”
“so you don’t believe me.”
“no, i just-”
“dennis, i love you man.” the words leave mac’s lips but they stick in dennis’ throat. “i wanna be in love, because i’m-i love you. i don’t even, i don’t even think i care if that scares you off anymore.”
“if it scares me off will you stop?”
“no.”
“why the hell not?”
“because i-”
“yeah, yeah, you’re in love with me,” he groans. “fine. be in love with me. i don’t care.”
but he does.
mac scoffs. “be in love with you? all on my own? by myself dude? fuck off. i’m so tired. i’m so fucking tired i can’t do it anymore. i can’t do this. i drive myself crazy because of you. i think you hate me, i think you love me, i think, i think i’m gonna die.”
“stop being so melodramatic.”
“well, i’m sorry, dennis. i’m sorry you don’t give a shit about this, or me, but, it hurts, okay? and-”
“who says i don’t give a shit about you?”
“then why won’t you say anything?”
“oh give me a break. you haven’t been talking to a wall or anything. i’m right fucking here.”
“you’re talking, sure, but you’re not saying shit, bro. you’re not telling me a thing.”
dennis sits down on mac’s unmade bed. he must be getting a migraine. “what, pray tell, do you want to hear from me?”
“the truth. if you don’t love me, fine, if you’re not into men, fine. tell me, dude. do something. say something. but don’t fucking lie to me. i’ll know that, at least.”
“if-” dennis hesitates. “if you can tell.” he is tempted to just run away, frankly. “does it need to be said?”
silence drapes over them, the room, a cold silence, it freezes everything around it, and now dennis is the one who wants to die. he’s said too much by not saying enough. maybe it’s not to late to say sike and proclaim his undying hatred for mac. lord knows it’s got some truth to it. mac is insufferable, he is annoying and controlling and a full on bitch. but god, dennis can’t stay away, dennis can’t even look away sometimes, and maybe that is his one flaw.
“say stop.”
mac shuts his eyes, leaning in. dennis doesn’t pull away. his eyes flutter then droop close, too. mac plants the softest, most chaste kiss on his lips. when he pulls away without taking things any further, dennis looks at him, not a thought in his mind. mac breathes out. “i never thought i’d get to do that.”
“so do you feel better now?” his voice is almost petty. dennis has one too many thoughts now. all of them involve mac realizing he has no interest in dennis at all and that this was all just. one big ruse. mac has what he wants, so he wants nothing more now. maybe dennis can save his dignity if he claims that letting himself get kissed was a fluke too. “can we- can we go and have that tea?”
“not if i get to keep kissing you.” dennis looks almost shocked. mac looks to the side. “can i? keep kissing you?”
dennis moves first this time. he traps mac’s lips with his own, face between his hands, pulling mac close. mac takes the hint, draws in, knee between his legs, and he moans at the contact. he inches up mac’s shirt, and mac stops kissing him to sit up, pull it off. he’s straddling dennis when he leans back in and says ‘i love you’, again, inches from his lips. this gets him going. “i love you so much,” he says, words slurred, but meaning profound. “gonna show you how much”. dennis ignores him, but those words, once nothingness, become everything now. he slowly finds himself believing.
“you’re my everything,” he says, recklessly, before the thought leaves his head and before he can reconsider and decide against. mac freezes, and then he smiles. dennis hopes mac knows this means he remembers what he said to greg too. maybe if mac is smart enough, he’ll know dennis wished mac had been talking about him back there, when he heard him dole out a dollop of sweet nothings, to that undeserving greg.
“you’re my everything too, man,” he says, making him giddy in the head, unbuttoning his jeans like it’s a contest, tugging them down with a relish. “oh my god. you’re so much bigger than greg.”
dennis goes pink. “shut up, you’ve seen my cock before.”
“i know. thought it would make you happy. and for serious, dude? it’s. shit.”
“it’s shit?”
“no, like, holy shit, it’s nice, you know?”
dennis is almost irritated now. he’s got a throbbing hard cock and no one to suck it, you know? or pump it. or put their... ass over it? dennis isn’t really sure what mac’s gonna do here.
just as he’s about to chastise him, mac licks down the flat of his palm and sends his hand down the side of his shaft, touching it tentatively, out of curiosity. dennis makes a very embarrassing noise, but is soon rendered unconscious of it, because tongue dances around his arousal and mac’s lips pull over it, slowly sucking him off, and dennis is more helpless than he should be, whimpering and pleading, pathetic as can be, but it doesn’t matter, it’s okay, and mac goes faster and faster and it gets wet and so, so good, and he’s crying for help, for more, for release. he grabs onto whatever he can, at some point, he grabs at mac’s leg and gets swatted at, and then he doesn’t think or remember how it happens but he gets what he’s needed for the longest time.
“fuck,” he curses, a good minute or so after it happens, because god, he can’t believe that this happened. oh well. too late now. pretty hard to take getting your dick sucked back.
“was that good?”
“you’re actually asking?”
mac laughs. it feels good to hear. “i was awesome, right, dennis?”
“shut up.”
“okay.” he almost loves this. mac’ll do anything he says now, at least for a good few days.
“hey.”
mac flips his head immediately to look at him. he’d make fun of mac, except he looks beautiful, and his dick is hanging out, so maybe it’s not the time to make fun of someone with anger issues, whether he’s in love with you or not.
“yeah?”
“i-” he changes his mind. “you wanna get some tea?”
mac looks a little confused, but he nods instantly, readily. “uh, sure. if that’s what you want.”
dennis searches for his pants and pulls it on and mac finds his top. they walk to the kitchen in silence and mac hands dennis his tea. he takes a sip. they sit down.
“i meant to say i loved you too,” dennis admits after a while, and to his surprise, mac doesn’t drop his tea, or have any outward reaction aside from his smile.
“i know. you kinda said it earlier when you were-”
“oh.” well that’s embarrassing.
“can we go have sex now?”
they down their tea so fast it would’ve burned their throats had it been any hotter. frankly, there was no need to finish the tea. but they do it anyway, and they scamper off to whichever room’s the closest to finish what they started.
they’ve got the rest of their lives to start and finish things now.
#text#iasip#macdennis#s14 spoilers#14x01#I DONT KNOW WHAT THIS IS SHH#i just. started typing i guess#anyway#sorry for inserting tea into this so much#i have my reasons but its a secret n im not sure tea really is so important but fuck it i love tea
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okay i am so excited to get to plotting & interacting with all u cuties ! bare with me though , im also trying to study for a quiz i gotta take later tonight . anyways , i’m mia aka your resident masshole reporting for duty . i’m 20 years old ... will be 21 in june ( fingers crossed my Sad ass will be out of q*arentine by then ) . i go by she / her / dumb bitch pronouns & am very much so done talking about myself already . so lets get to my boy asher here who is ... how do you say ? a asshole ? a dirt bag ? a soft baby boi ? if you wanna plot & discord is easier for you shoot me a mssg @ 𝖒𝖌𝖐'𝖘 𝖜𝖍𝖔𝖗𝖊#9789 . lets goooo 💛
𝐆𝐄𝐍𝐄𝐑𝐀𝐋 𝐃𝐄𝐓𝐀𝐈𝐋𝐒
full name: asher james bennett nickname: ash , aj birthday: march 25 , 1996 zodiac: aries hometown: madison , wisconsin ( click here to see his parents house / childhood home ) current residence: los angeles , california ( although he lives in the villa with everyone , before the year away he lived on his own & still owns the home , both because he loves the place and because it gives his family somewhere to go when they come out click here to see his house ) vehicle: 2017 jeep wrangler rubicon in black ( click here ) , 2019 maserati granturismo in red ( click here ) gender: cismale orientation: heterosexual , heteromantic relationship status: single ( it’s complicated ) family: tamara marie bennett-abbott ( mother ) , harrison charles bennett ( father , deceased ) , mason billings abbott ( stepfather ) , bradford sawyer abbott ( brother ) , stephanie anne bennett ( sister ) education: vocational highschool graduating from the culinary program , graduated ucla with a bachelor in management with a minor in food studies occupation: celebrity chef , tv personality net worth: 19.7m height: 5′11″ weight: 161lbs tattoos: left arm ( x , x ) , right arm ( x , x , plus the butterfly tattoo jack has ) , right hand ( x ) , right thigh ( x ) , left leg ( x ) criminal record: arrested ( x6 ) - simple assault ( x2 ) , assault and battery ( x1 ) , disorderly conduct ( x2 ) , criminal mischief ( x1 ) , criminal trespassing ( x2 ) , minor in possession of alcohol ( x2 ) , drug possession ( x1 ) drugs / alochol / smoking: yes , mostly marijuana though / yes / no moral alignment: chaotic neutral hogwarts house: slytherin theme song: righteous by juice wrld ( a look at his mental health and the way it he attempts to cope ) & i am by james arthur ( deep dives into his view on himself and how outside opinions of him have effected the way he sees himself ) & empty space by james arthur ( instead of being about a girl this really encapsulates how the loss of his father has affected his life ) traits: charismatic , well-intentioned , affectionate , loyal , jocular , reckless , immature , flippant , short-tempered label: politicians son , miscreant , fuck boy , broken bird , mr. misunderstood , mama’s boy , epicure hidden talents: drawing , singing , master at rubiks cube , skilled card counter ( blackjack )
𝐁𝐀𝐂𝐊𝐆𝐑𝐎𝐔𝐍𝐃
asher was born just eleven months after his sister stephanie , to at the time lobbyist harrison bennett & prosecutor tamara bennett . a menace as a child , he made dennis the menace look like a saint , basically . at first his parents hoped this was simply just a phase but as time went on it became very clear that if it were a phase it was going on for much longer than his parents had hoped . his sister immediately taking on the spot of prodigal daughter , while asher took on the spot of black sheep of the family . this didn’t mean that his parents didn’t absolutely adore both of their children , because they did . both taking on daddy’s little girl & mama’s boy respectively , early on .
around the time asher was seven both of his parents were up for office , his mother for district attorney & his father for u.s representative from wisconsin . the influx of cameras / eyes on the bennett family mixed with the level of stress both his parents were under completely put asher off from the world of politics . despite being in a family that had generational ties to politics on both sides . during a family appearance asher was captured on camera ( both video & photo ) putting up a piece sign behind his sisters head during a speech his father was giving .
[ tw: death , suicide , loss of a parent ] when asher was twelve his father went on a boating trip with friend , call it a boys trip if you will . two days into the trip news broke of his father being in a major boating accident where harrison was the only one on the boat & was dead upon being found . it later was confirmed by the coroner that his death was likely a suicide . the loss of harrison was hard on the entire family , it was easy to say it affected asher heavily having locked himself away in his bedroom for nearly a week only leaving his room to go to the bathroom & grab food that he’d return to his room to eat . later , when he returned to school he was suspended just in that school year three times . it was genuinely the beginning to the incredibly reckless version of asher , that we seen since .
despite his antics he played varsity football as a cornerback & varsity soccer as a midfielder . taking up sports at an early age , it was clear he was a born athlete who genuinely enjoyed a little competition . he also took an interest in culinary , he was very much so that kid standing on a step stool as he helped his parents in the kitchen . this interest turned into him attending a vocational / trade highschool instead of an ordinary public school , like he had in elementary & middle .
when he was fifteen he started a youtube channel where he posted cook with me videos weekly & vlogged his experience within the culinary program at school .
during highschool his mom started getting serious with a professor at the local university . asher , of course , hated the idea of his mom replacing his dad and it took nearly two years & an engagement for him to actually sit down & listen to his mom about the situation . it wasn’t until then that he realized , mason , was supposed to replace his father ... it was simply his mom not allowing herself to get stuck in one place in life & fall into a spiral . once he actually heard her side he gave the guy a chance . turns out the two have alot in common & get along very well . he’ll never replace his father but he respects him none the less .
before he’d even graduated highschool , asher amassed over 1m subscribers , made appearances on the ellen degeneres show & rachel ray show . this was around the time he realized he wanted to turn his hobby into something more than that & hell he was good enough to do so . when graduation came , he’d already committed to attending ucla as a business major with a minor in food studies .
soon after graduation he went on the show master chef , finishing as runner up , which was one hell of a feat given he’d been the youngest chef on the show . he enjoyed the experience & recognition the show gave him .
while at ucla he continued to play football he was so good he was receiving national attention to the point where nfl scouts were looking at him . obviously he was still too young to go into the draft but they let him know , this was something that was more than on the table . it was definitely something he loved hearing but at the end of the day , the nfl was never really the goal for asher . so toward the end of his sophomore season when he was suspended for the rest of the season for getting arrested & charged with drug possession & criminal trespassing he took that as the excuse not to return the sport the following season .
this was not the first time ( we know it was not the last *wink wonk* ) asher was arrested . from the end of his middle school days throughout highschool he’d racked up four arrests . his first one taking place in eighth grade & the only reason the misdemeanor charges actually went through were because his mom asked for them to in hopes that it would scare asher from acting out in such a fashion ever again . unfortunately , his actions were rooted in much more than teen rebellion having never accepting or being able to cope with his father’s passing . the charges & arrests that would follow his mom was able to cover up & kind of bury them . that way word didn’t spread like wildfire about her reckless son .
not even a full year removed from football & he’d accepted a tv show offer from food network . a show called asher’s kitchen a primetime half-hour show where a new chef would come on each week if they beat asher in making a 3-course meal they win bragging rights & $20,000 , if they don’t they go home empty handed . despite the shows constant high ratings asher grew bored of the show & left after only two seasons . the network tried to replace him but quickly learned asher’s personality was what really carried the show .
in 2018 , he went on to open his first ever restaurant the smoking goat an american bistro with an upscale vibe in the heart of los angeles . the place is literally his baby & if you can’t find him you can bet your bottom dollar you’ll find him there . whether it’s catching up with regulars or big name celebrities coming through the doors , or throwing on a chef coat and cooking up some of his very own specials .
around the time of his restaurant opening he started to let up on the youtube channel & it’s now been nearly two years since he’s uploaded & honestly has no intent on returning to the platform . in asher’s eyes , everything has a term limit & his youtube channels time was up .
𝟐𝟎𝟏𝟗 / 𝐑𝐀𝐃𝐈𝐎 𝐒𝐈𝐋𝐄𝐍𝐂𝐄
the timing of his amsterdam arrest was to say the least , horrific . not only was he in talks with several networks ( fox , cbs , netflix , etc ) to have his own daytime food-focused talk show but his mother was at the beginning stages of her 2020 presidential campaign , which she had since put a halt to and decided to continue on with her tenure as a u.s senator from wisconsin . with the headlines of his arrest spreading like wildfire , the internet resurfaced many of his earlier transgressions , the networks inevitably put a halt to going any further in negotiation & the political realm began to turn their attention to the kind of parent the senator was to have a son so ... out of control ? her opposition questioning how she could run a country if she couldn’t so much as raise a law abiding son .
upon his release from jail he took a jet straight home to wisconsin . with the realization of how much harm he’d done to the bennett reputation he made the personal promise to stay away from the media ( no social media , no tv , nothing ) & be the son the political world expected from a politician . his mother ( who is emulated mostly after laura baker from all american ) nearly begged him not to halt his life as a way of personal punishment for his actions . but after months back home & away from the limelight , asher could see the tides turning back in his moms favor & no big network offer ( and there were quite a few that came his way after the news of his arrest subsided ) could pull him back out into the forefront .
instead opening his second restaurant bennett’s , an upscale bar & grill in the capital city of wisconsin . he also began work on a cook book that’s kind of taken on a life of it’s own but he’s yet to be anywhere close to finishing that .
he has inevitably decided to come back & reunite with the bling ring a year later after his family sat him down & kind of had an intervention with him over his persistence to punish himself . claiming they feel he’s matured & gotten a good grasp on himself & that they don’t think he’ll fall into his bad behaviors again . ( spoiler alert: they’re going to be very wrong about this ... just saying / he’s going to return with the intent of being a better guy , being on the “ right track “ but lets be real it’s going to quickly spiral out of control as per usual ) .
𝐏𝐄𝐑𝐒𝐎𝐍𝐀𝐋𝐈𝐓𝐘
as you can probably tell this boy is no good . he’s the guy your parents warn you about , i swear , he will get you into so much trouble & bask in the glory of being the one to give you such an adrenaline rush . he’s big on being here for a good time & not a long time . he just wants to have fun , at any cost . he’s extremely goofy , the kind of guy to whip out some mediocre wrestling moves on you for the sake of getting attention . he doesn’t take much seriously ... until he does ? what im saying is homeboy has one hell of a short temper and once he’s flipped his fuse , he basically blacks out . the reason for this is because no matter how happy & full of life he’d like to come off he has this deep well of anger that swells in him ever since he lost his dad . also a topic that can get him clenching his jaw , do not under any circumstances bring up harrison bennett . very much so a mama’s boy , though , catch him facetiming his mom once a day to tell her how much he loves her & see how she’s doing . he can come off very uncaring at times , it’s easy to say he’s probably one of the most misunderstood people around . he comes off like a douchebag , like someone who has little regard for others & don’t get me wrong he often is both of those things but he isn’t heartless ? when he has time to sit back and think about the damage he does ... it hits him like a mack truck & he goes into a pretty dark place of feeling like he’s a villain but he wants to be the hero of the story ? not very big on apologizing , verbally . if he says sorry you can bet a smug grin is following behind the words . instead he’s big on buying things & even cooking to show he’s sorry . probably not the best way to go about things but this is asher we’re talking about here . he is a flirt & will fuck anything . that’s all i have to say about that . onto his friends ? whew are his friends his world . he is a big proponent of bros before hoes & is an extremely loyal guy - to his friends . a true ride or die type a guy , he’d help he hide a dead body without any explanation at so what happened . a big move now ask questions later kinda dude .
𝐖𝐀𝐍𝐓𝐄𝐃 𝐂𝐎𝐍𝐍𝐄𝐂𝐓𝐈𝐎𝐍𝐒
BREATHE BY JAMES ARTHUR : he has a soft spot for her . he always has . she’s one of the only girls who doesn’t drool over him , they’ve never hooked up to any extent and that’s due in large part to her telling him from the beginning that the only way she’d give him a chance was if he straightened up his act & proved to her that he was worth her time . if there is a girl out there who can asher for the better , it’s her . but everytime she thinks she’s gotten him on the right path , she catches him either acting out or reverting to his fuck boy ways & getting with girl’s who he doesn’t have to put so much work into .
SAME SQUAD BY P-LO : let’s be real these three originated “saturdays are for the boys” . they’ve been boys for as long as they can remember . if you see one of them around you can rest assured the other two are in the vicinity . they’re the best of friends . they know everything there is to know about each other . all a bit reckless , but that’s what makes them such a fun trio . a very homiesexual bond takes place between these three & nothing & nobody could get between them .
CLOSE FRIENDS BY LIL BABY & GUNNA : they were once good friends , things spiraled past the point of their control , lines got blurred & then they were dating . the relationship as a whole was one no one thought would last . to give them credit things were good at first but after he cheated & she found out from a friend about it things started to go down hill . things only got worse when he was persistent in lying to her about the situation . she inevitably took him back & not too much later the arrest in amsterdam happened . before he was even released from jail , she was sent a video of him & one of his friends talking about sleeping with a prostitute . although it never happened the fact that was his intent was enough for her . his expectation was that because she forgave him before she’d wipe away the pain of him once again not having regard for their relationship & forgive him but she just couldn’t . when he came out to her forwarding the video to him , he decided to ignore the situation completely . the two have not had any contact for nearly a year & never really broke up or spoke about the situation .
NO FRAUDS BY NICKI MINAJ & DRAKE & LIL WAYNE : the perfect ride or die squad . the media likes to say someone in the trio is dating at any point in time but , that’s just not the case . these three are always getting into something . the true depiction of always having your friends back . they will lie for each other , fight for each other , anything to prove their loyalty to each other .
i also have some musing posts here , if you want to give that a look !
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King Falls AM - Episode Twelve: All the Pretty Flowers
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Summary: October 15, 2015 - Against Ben's wishes, Sammy broaches a touchy subject after witnessing a hearse delivering white roses on his way into the station. Is it a King Falls Halloween tradition or could it be something more sinister? #RedRumRoses
[podcast intro music]
[jazz music]
Chet Well the clock on the wall is telling me that’s all, y’all. So I’m gonna mosey on down to The Red Rock bar and buy all the ladies a drink on me. But don’t try to fool me again, Dennis. This has been Chet Sebastian’s Jazz Corner. Until next time… keep it cool King Falls.
[Sammy & Ben Show intro music]
Ben Good evening, you’re listening to King Falls AM [door closing]– that’s 660 on the radio dial. [slightly irked] And this is the Sammy and Ben show— sans-Sammy at the moment.
[footsteps]
Sammy Sorry about that, Ben! everybody at home. I was just running a little late. I was j- Y-you know, I just saw the weirdest thing!
Ben Was it Chet leaving? I told him to take that fur coat off. Guy looks like he walked off a set of a Blaxploitation[1] film.
Sammy *laughs* No, I wish I’d seen that. But I was driving in tonight- I was running a tad bit late, as you can see, and I swear to you: I’m coming up Main Street, I got behind a hearse delivering these giant white rose bouquets! Like, every couple of streets the damn thing’s stoppin’!
Ben No.
Sammy No *laughs* yeah it did.
Ben … SOOOOO… Weee’ve got a great show for you folks tonight. Uh, Ernie Salcedo…
Sammy Ben.
Ben *pointedly clearing his throat* … Yes?
Sammy Okay, I can see you slashing at your neck furiously and shaking your head “no”, but the audience can’t. Sooo, what’s the issue here?
Ben *nervously* I’m sorry we… just don’t talk about this, Sammy.
Sammy So you know of it! Is it like some kind of weird Halloween thing?
Ben [flatly] Halloween? Are you serious? We don’t celebrate Halloween here in the Falls, Sammy.
Sammy WHAT? This is like friggin’ Halloween Town! You know those shops that open up every year around Halloween and close the day after? King Falls is where all those shops should move to when it’s not Halloween.
Ben Two things. 1) That’s a horrible business model, and 2) Halloween is one, big, diabetic pumpkin.
Sammy Come on? You don’t like decorating? Trick-or-treating?
Ben ALL OF IT. It’s like you’re— tempting these ghouls and goblins to come and mess with you. We get enough of that here. And again, diabetes.
Sammy Okay, I can see where you’re coming from, but I’m not gonna lie— this is kind of a surprise.
Ben What can I say? We’re more the Christmas or Arbor Day types.
Sammy Okay, so the hearse is delivering flowers. What’s the deal if it’s not a Halloween… ritual?
Ben Did you really see that? Did someone tell you to mess with me about this?
Sammy Scout’s Honor. I was late because of it! I illegally passed on a double yellow line (sorry Deputy Troy) just to skate around ‘em and make my way up the mountain.
Ben … I don’t like this. I-I don’t know that I’ve ever known anyone that saw the flowers delivered. Usually businesses and people just find the wreaths the next morning. D-Di-Did you see inside the hearse? Was it… people?
Sammy You know, I didn’t look, but I’m gonna go out on a limb and say… it was a human being.
Ben Well, that’s good. *breath* It’s something.
Sammy Okay, so the roses…
Ben [voice breaking] Damnit, Sammy! We got a show scheduled, ya know?
Sammy I’m well aware! Just fill me in about the roses and we’ll move on.
Ben [muttering] Yeah yeah, okay, so… *deep breath* Every year, around this time—
Sammy Halloween…
Ben OCTOBER.
Sammy Uh-huh…
Ben Every— October… there is a certain society of people— and I use the term “people” loosely— that congregate and deliver the rose wreaths to individuals and businesses. That’s— a fact.
Sammy And?
Ben Annnd… nobody really knows what happens after that.
Sammy [audible grin] But legend has it…!
Ben Don’t “legend-has-it” me! Nobody knows for sure! Why gossip?
Sammy Okay. What do you think happens, Ben?
Ben *breathes in* Uuuugghhhh… Well, I think people either accept this weird— invitation or… they don’t. But I can tell you, the people that don’t? Well… they don’t, last long after that.
Sammy Okay. So we’ve just went from spooky 1-800-Flowers to murder in only a few easy steps.
Ben Not- murder- per say, but… businesses that decline tend to… move away or go under. Or tragedy strikes. Sure, I-I’ve heard stories of these folks winding up on the wrong end of a funeral ceremony, but… I couldn’t prove it. Are you satisfied now?
Sammy Of course. Thank you, Ben. King Falls, you’ve heard our story, now let’s hear yours!
Ben DON’T open the phone lines!
Sammy We’re-opening-up the phone lines here at the station! 424-279-3858. Have you had contact with this demonic annual floral delivery? Hit us up!
Ben Don’t call or tweet us. Please.
Sammy Give us a call or tweet us @KingFallsAM, [smugly] Ben will personally answer every tweet #RedrumRoses[2]
Ben NOPE! Not gonna happen.
Sammy Ben…[faux sympathy] It looks like the phone lines are lighting up, buddy.
Ben I expected better of you, King Falls.
Sammy Lucky Line 1, you’re on the air with Sammy And Ben.
Pete Low-down, gossip-mongering, muckraking filth.
Ben [flatly] Pete?
Sammy [quiet and amused] Escobar?
Pete N-uh- it’s Pete. You know damn well I’m listenin’.
Ben Wwhat’s on your mind tonight, Pete?
Sammy Did your mom teach you to start off phone calls with name-calling, Pete?
Pete [faint creaking in bg] My mom taught me to… stand up for myself! Don’t start a fight, but don’t be afraid to end it.
Sammy Who’s fighting?
Pete Oh, what a short attention span you have, Sammy. Not dwelling on you and Mr. Howard Ford Beauregard III issues; you’re picking a fight with the Unknown! Ben told you to shut your trap. [very faint sounds of driving]
Sammy Heh, lemme tell you, this would a long four hours if we didn’t talk and, y’ know, sometimes you have to—
Pete Yeah yeah, I get it, Mr. Nincompoop Radio Host. [creaking] You gotta blab. But that’s something you don’t trifle with. You should know this.
Ben Sammy, you know I hate to say Pete is right about anything, but—
Pete But I’m right about this! I know you know, Ben. That’s all I need to know. Stop yapping about things you don’t understand.
Ben Thanks, Pete.
Sammy [mostly resigned] Did you have a question or an experience with the flowers, Pete?
Pete Abs-absolutely not! I– d-don’t try to get me in trouble. [car door closing]
Ben You okay over there, Pete?
Pete [failing at being nonchalant] Yeah I’m just out, and… uh, just out.
Sammy [incredulous] This time of night?
[car door slamming]
Pete Yeah! I’m- runnin’ errands and- stuff like that, y’know. ‘T’s- It’s not- it’s not your business!
Ben [literally tongue-in-cheek] Uh-huh…
Pete You’re makin’ something of this. Yer- you’re doin’ somethin’, you’re getting me invo— Stop.
Ben It’s just weird, Mr. Beauregard’s gardener is out at 2 in the morning, running errands.
Sammy So your boss doesn’t have anything to do with the roses, does he, Pete?
Pete Ben Arnold. If you’ve got a lick of good sense, I wouldn’t walk too close to Sammy for the next feww… mm— mmmm… lifetimes! He’s gonna wind up on the bottom end of an anvil.
Sammy You know, I just don’t think asking questions is the equivalent of buying ACME rocket kits and trying to catch a damn bird.[3]
Ben [semi-stern] Y’mind answering his question, Pete?
[creaking]
Pete Oh, HELL NO. You two are a couple ‘a horse patoots. I’m never listening to this show again.
Ben Until tomorrow.
Pete PETE OUT! [click, dial tone]
Ben Are you happy, Sammy? Is this what you were hoping for?
Sammy Civilized conversation is the only thing I look for. That said… I’m gonna say, it’s a tad bit suspicious.
Ben There are dots we don’t need to connect. MOVING ON!
Sammy Maybe you’re right.
Ben Folks, we’re gonna take a break to pay some bills, and we’ll be right back and on schedule.
[rattle, guitar strums]
Dale (presumably) [voice is a low murmur (for lack of a better word)] Dale’s Dollar Tree… [strum] at dirt cheap prices… [strum] it’s almost free. [guitar,western music] Hi, everybody, I’m super excited to tell you ‘bout some unbelievable deals we have right now… at Dale’s Dollar Tree. Let’s segue to the savin’s [eagle screech] Our low prices are guaranteed… Who’s guaranteeing it, you ask? … Me… [guitar stops] How do you take advantage of these savings? [strum, rattle] 1) Walk into Dale’s Dollar Tree [strum] 2) Throw somethin’ in your cart [strum] 3) Savings. [guitar] Dale’s Dollar Tree. [eagle screech]
[S&B theme]
Sammy Ladies and gentlemen, we are back and you’re listening to King Falls AM. Now we were just talking about me running late this morning, because of a, uh, hearse—
Ben [cutting Sammy off] So we’ve got a great show scheduled tonight. We’ve got Mr. Eli Goldblum on later in the hour.
Sammy And who is Mr. Goldblum?
Ben Are you kidding me? Only the most renowned post-mortal psychologist known to man! He’s on his spoken-word world tour, and this Thursday, you can see him live at the King Falls Convention Center.
Sammy … That’sss-something.
Ben Indeed! So that’s in about… forrrty minutes. Uh, we got Rose, (from Rose’s Diner, of course) calling in to talk about how the Bee Crisis is affecting her honey-baked ham specials for the- foreseeable future.
Sammy [TIL] Really? That’s something that’s happening?
Ben Come on, Sammy. This bee situation is serious business.
Sammy You get points for not buzzing or saying “beeees-ness”
Ben You don’t wanna know how hard that was…
Sammy -eh- Okay. So, how can we help with the bees?
Ben Uhhh… cut- back- on swatting them?? *awkward laugh* I-I-I don’t know for sure that’s-that’s why we’re talkin’ to Rose.
Sammy Gotcha!
Ben And our first topic of discussion this evening— was gonna be—
Sammy About the flowers.
Ben Don’t.
Sammy Okay, look. Can we open up the phone lines again? I’d like to talk about these flowers. Uh, you tell King Falls your topic, and then we’ll see what they wanna talk about.
Ben You know they’ll talk about the damn rose wreaths!
Sammy You heard it here, folks. Line 7, you’re on with Sammy and Ben.
Herschel Ugh, I can’t sleep with all this damn racket going on! You two DINGLEBERRIES keep it down!
Sammy *laugh* Herschel??
Herschel Oh, hell. Don’t make me get out of bed and give you a full blast so late at night! [muttered] Don’t even know where my slippers are…
Ben Mr… Baumgartner, you realize you called us, right? This is- the radio station.
Herschel I know who and what I called. I dialed you DICKWHISTLES because all this [mocking] cry-babying about the damn flowers. Turn that jazz fella back on so- so I can get some rest!
Sammy Chet is on from 10 to 2, Mr. Baumgartner. This is Sammy and Ben and we- talk about—
Herschel I don’t give a damn if it’s Tricky Dick Nixon calling to give me a Congressional Medal of Honor! You shut your nose holes about the damn funeral flowers. And play me some heroin-fueled American art! [click]
[dial tone]
Sammy We’re gonna count that as one for the flowers…
Ben Line 14, you’re live on the air.
Creeper Long time listener here!
Sammy [click, dial tone]
Ben Did you hang up, Sammy?
Sammy Yeeaah, sorry. I hate that guy.
Ben Line 3,*chuckles* this is King Falls AM.
Beauregard Good evening, Benjamin. Samuel. This is—
Ben Beauretard?![sic]
Beauregard *sigh* Mr. Howard Ford Beauregard the Third. My man told me that you were spreading more lies than usual on your little “radio show.” I thought I would call and clear the air.
Sammy Mr. Beauregard, can I just say, before this call goes ANY further— that we will not accept any abuse towards us or the listeners of this show.
Beauregard How cute that you think people listen to you two buffoons.
Ben That’s abuse! That’s exactly what we were—
Beauregard Oh, that’s a joke where I come from. You millennials would never have lasted back in my day. With your emotions and feelings and the like.
Ben When was that day, again, Mr. Beauregard?
Beauregard Information about myself and my family, can be found in my international, best-selling e-book, “King of King Falls” … I don’t have to answer to— well— you.
Sammy *sigh* Did you have a reason for the call tonight, Beauregard?
Beauregard Indeed, I do. While men with any couth wouldn’t speak about festivities that they know nothing aboouut—
Sammy So, you’re behind these deliveries?
Ben Also, while I would never name names and throw my friend under a bus— you should know this wasn’t the agreed upon topic of the show.
Sammy Oh, stop it.
Beauregard [agonizingly insincere] I don’t know a thing about the supposed yearly white rose deliveries you speak of. My family, nor myself, have ever been involved with such jovality.[sic] In fact, in all my years I can’t recollect such a thing.
Ben I don’t buy that for a second. Maybe you’ve never sent the roses, and— let’s play devil’s advocate and say, sure, you’ve never received them (which I doubt), but there is No Way you haven’t heard of this.
Beauregard Maybe it’s something you commoners have made up, like, uhh- the tooth fairy or the Illuminati orrr— equal rights for the sexes.
Ben I can’t deal with this guy! Just dump him and let’s take another line.
Sammy Wait… Mr. Beauregard. If you don’t care about this— and, in fact, haven’t even heard of it until tonight— why would you bother to break your Hate-Silence with us to call in?
Beauregard You’re not nearly as dumb as you look, Stevens! And while I continue to honor my statement before— I’d have to assume that this “rose” ordeal is a real thing. It’s probably a very special thing! An intimate invitation sent by the upper echelons of King Falls. A way of making amends or bring people worthy of attention, into a conversation that normally would not have been invited to have.
Ben Just for everyone keeping score at home: I took a college course on Crazy and I believe he is saying he knows that the wreath deliveries are real, and he is probably behind them.
Beauregard Time is money, gentleman. Not that you understand that concept. But instead of painting a ceremony you know nothing about as tragic and scary— perhaps it’s not. Perhaps it’s something more than that, entirely. In any case, it’s not something that should be spoken about in public. [phone pings] Ahhh… I’ll be going now, “gentlemen.” And while I do use that word lightly, perhaps take a break from your radio program and… check your door.
Ben Isss that a threat?
Beauregard Trick-or-Treat, Samuel… Benjamin. [click]
[dial tone]
Sammy I wonder what he sounds like when he has something nice to say to people.
Ben He probably hasn’t said anything nice to a person since the 60s… The 1860s.
Sammy Ya know, I didn’t mean to ruffle anyone’s feathers tonight. Especially crazy old billionaires who try to drive us off the air— so let’s just—
Ben I’M GONNA GO CHECK THE DOOR.
Sammy What?!
Ben Yeah. [chair sliding out] I’m sorry, man. Beauregard gives me the willies [squeak] and I wanna make sure there isn’t—
Sammy A sugar-glider on a noose?
Ben Too far. I was just gonna say— that he hasn’t had Pete ding-dong-ditch us- or something.
Sammy And here I thought the Williams boys had that market cornered.
Ben I’ll be back in a sec. [footsteps rushing off]
Sammy [shouting after him] Don’t talk about Pete that way, Ben! He’s never gonna listen to the show again! Alright, folks. We are just a few hot minutes away from Eli Goldblum coming into the studio to talk about, [ominous bg music starts] uh… I’m guessing- ghosts with lingering mental issues? Ah, sorry— apparitions. [footsteps rushing back] I’m holding out hope for an apparition with multiple personality disorder, but I don’t know if that’s a thing or not… [chair squeak, Ben sitting] Ben? You okay, buddy?
Ben [upset] How many times, did I ask you to stop talking about the stupid, hearse, Sammy?
Sammy What’s wrong?
Ben [sarcastic] Oh, nothing. You wanna go outside and take a look?
Sammy You know, I don’t think I want to. I’m happy with you filling me in.
Ben Well, I didn’t go outside, Sammy! I didn’t have to. I looked out the front window.
[ominous bg music getting louder]
Sammy Yeah? And?
Ben [hissed] damnit
Sammy … Ben. What is going on? Do we need to call Troy?
Ben The whole parking lot- your car, MY car— as far as the lights will let me see— Nothing but white roses, man.
Sammy … Are you serious?
Ben Go look!! Just don’t go out there, huh? It looked like it was snowing, that’s how many of those damn things are out there.
Sammy [scrambling for optimism] What’s the chances that it’s just a non-Halloween bouquet from Emily to you?
Ben ZERO. Zero percent chance, Sammy.
Sammy [seriously] Folks, we’ll be right back after a word from our sponsors.
[KFAM outro]
[CREDITS]
References
[1] Blaxploitation - Blaxploitation or blacksploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s. The films, while popular, suffered backlash for disproportionate numbers of stereotypical film characters showing bad or questionable motives, including roles as criminals.
[2] #RedrumRoses - Redrum is from the psychological horror film The Shining. It’s “murder” spelled backward.
[3] “ACME rocket kits and trying to catch a damn bird” - I sincerely hope no one will ever be too young for this reference, but I once had my little brothers ask who Mr. Rogers was so: this is a reference to the Looney Toons cartoons, Wile E. Coyote and the Road Runner. In each episode, Coyote repeatedly attempts to catch and eat the Road Runner, a fast-running ground bird, but is never successful. In order to catch the Road Runner, Coyote uses absurdly complex contraptions- most acquired from the mail-order company ACME- to try to catch his prey, which all backfire comically with Coyote often getting injured in slapstick fashion.
#king falls am#king falls#kfam#sammy stevens#Ben Arnold#kfam transcripts#kfam ep12#pete myers#herschel baumgartner#hfb3
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Can you rate everything that Taron has been in from your most fave to least fave? And giving your reasonings why for each eating. I know this might be hard to do since all of his work has been exceptional. I’m asking just because I need more Taron content to watch!
OH GOODNESS. Anon, this is a bit cruel, like making me pick my favourite children. Except I have no children. And I do not like children. I digress. I’ll do my best.
I haven’t seen most of the voice projects Taron’s done so I’ll just list what I have seen and I’ll rank it by things I love/need to watch vs. things I’m okay with watching less often, sort of thing. This is mostly spoiler free but there are a few things that dance on the line. I’m sorry, but it’s really hard not to explain what I love without getting into that territory.
Deep breath. Here goes.
1: Rocketman
When I watched Rocketman for the first time, it was one of the last of Taron’s films I had yet to see because I was the least interested in it. I wasn’t an Elton fan, I don’t care for musicals usually, and I’m not really keen on movies set in the 60′s. So there were three strikes against it and I honestly expected just to start it, click through, and move on because Taron didn’t look hot (I thought then). But by the time he got to the ‘My name is Elton Hercules John’, I was invested. Wholeheartedly. Even when Taron wasn’t on screen, I cared deeply for the young Elton. I was rooting for him, grieving with him, and feeling his pain and triumphs. That movie is an experience unlike any other and by far the best movie I have ever seen in my life. The pure joy that radiates from it… it’s hard to explain.
2: Kingsman: The Secret Service
I’m not a Bond fan myself, I’m not really an action spy genre fan, so, again, I didn’t really think I was going to love this movie. But when Lee Unwin jumped on that grenade, I sat up in my seat a bit. That wasn’t the beginning I expected. And then when his son showed up later, stuck in a life that was so miserable and far from what he wanted, my heart broke. Eggsy had so much depth and went so far beyond just a ‘kid from the wrong side of the tracks’ kind of backstory. The details about him being in gymnastics and giving it up because his mum had married a good-for-nothing creep who influenced him more than he wanted to admit, being borderline brilliant and doing so well in school, only to give that up, too, because what was the freaking point in even trying when he was stuck in a world he wanted desperately out of. And then, when that opportunity presented itself and he was able to join the Marines, the first time in his life he really felt like he had some control and could follow in his dad’s footsteps, his mum wouldn’t allow it because she couldn’t bear the thought of losing him. So Eggsy was utterly stuck. Until…
3: Robin Hood
Oh, Robin. I think we all have a very special soft spot for the first character we fell for in an actor’s filmography and Robin is it for me. I had seen Testament of Youth in early 2019 with my teary eye on Kit Harington but I loved Edward. However I had no idea that Robin was Edward when I started watching, I just like historical movies and thought Robin Hood looked interesting. When I started, I was pretty smitten by Rob right away but as the movie progressed and the story got more convoluted, I became less interested and actually turned it off. But I couldn’t stop thinking about Robin. So I started watching it again and boy did I fall hard. The movie itself? A stupid, fun, absolutely enjoyable ride. Robin? Well, that beautiful boy is the love of my life.
4: Billionaire Boys Club
I’ve seen a lot of negative things about this film, not just in regards to a certain cast members, but in general and frankly? I don’t get it. I know I’m probably watching it through rose-coloured glasses but honestly, I really, genuinely love this movie. I love Dean’s charisma and charm, how much he loved Joe and wanted the best for him—for both of them. I love Dean’s darkness and how his character gradually yet drastically changed over the course of the film; how he started as just a passionate, excited, enthusiastic young man and ended in such a different place, even willing to give up something and someone that meant so much to him because desperation drove him to do something he would have never imagined himself doing in the beginning. I loved watching the relationships fray and bonds dissolve and I especially loved watching Taron play Dean’s darkness so realistically, paying special attention to how he portrayed Dean’s growing drug addiction. Also? Dean is really hot. There’s no way of sugarcoating that.
5: Kingsman: The Golden Circle
I love Eggsy Unwin. I mean I love him. Like I-would-take-a-bullet-for-him kind of love. And though the charm of the first movie being his transformation from street kid to Kingsman isn’t really in this film, it’s still such a fun ride. My favourite parts are mostly the quieter moments, the little scenes where we see Eggsy, less as a Kingsman and more as himself. His struggles, his doubts, the times where he’s shaken and isn’t really sure of anything anymore. But what I love about Eggsy is how fiercely he gets back up every time. Doesn’t matter what is thrown at him, he will take it all and become stronger.
Also… “Let’s make this fair,” Eggsy says, tucking his right arm behind his back and effectively evening the playing field with his one-armed opponent before he engages in a to-the-death brawl with the man he trained with until snapping his neck with one. hand. still. tucked. behind. his. back.
6: Testament of Youth
I hate this movie so much. But I also love this movie so much. Edward is one of the sweetest angels there ever was and I adore him with every fiber of my body. And watching his story… well… it makes me more unhappy than I’ve ever been. Does that stop me from watching it? No. But it does limit the number of rewatches. It’s one of those movies that’s so perfect for a sad mood. Like when I need a good cry, oh my goodness, I need look no further. But looking beyond just the emotional nature of the movie, Taron’s performance is so so beautiful. Watching Edward’s boyish innocence peeling away to show the more hardened, deeply hurt and disillusioned young man as the war’s grip on him tightens? Honestly, it’s stunning.
7: The Last of the Haussmans
A play? Really? What’s that doing on this list? Well, let me tell you. Taron’s character, Daniel, affected me very deeply and I’m not even being silly. This list is already too long so I’ll spare the details but Daniel… he got me. He’s such a sweetheart, so genuine and pure and good and earnest and wonderful and the kiss scene, well, I don’t even know how many times I’ve watched it. The tenderness he displays, the sweet uncertainty and awkwardness yet visibly bolstering himself so he can do what he’s so unsure about… oh, Daniel. For it being one of his first public roles, I am consistently amazed by how good Taron is. Daniel’s awkwardness does not feel like Taron’s discomfort. Daniel is entirely his own person with his own story and struggles and watching his story unfold is a really lovely thing.
8: Eddie the Eagle
This sweet, fun, encouraging, uplifting, charming movie, oh, how I love it. Though I have to be honest, it isn’t one of those movies I just need to watch like every month or two. I love enjoying it with other people and seeing their reactions but it’s not one that I crave at any given time. Even still, Eddie is a pure sweetheart and I love him and his heart-filled, passion-fueled, wonderful story.
9: The Smoke
I’m actually kinda surprised where this landed on the list, but let me explain. Dennis Severs is so much like Eggsy in terms of being a very layered, three-dimensional, incredibly deep and fascinating character. I love him. Nay, I adore him. I loved watching his ups and downs, his gut-wrenching revelations and triumphant success as he strove hard to free himself of the bondage of his past. But the show itself? It’s, same as Eddie, not something I feel drawn to watch at any given time. It’s intense, very intense, and asides from Dennis’ story, I didn’t really connect with any character, other than Kev. So in terms of watchability and enjoyment of the project overall, this ranks lower, but in terms of Dennis and his importance to me? Well, he ranks much higher ❤
10: Legend
So the first time I checked out this movie, I skipped through, searching for Taron. Next time, I skipped through again. Then I bought the movie and actually watched it, and I was surprised by how much I enjoyed it. Ignoring the obviously impressive feat that was Tom Hardy playing both main characters, I loved the relationship between Reggie and Frances and found myself caring quite a lot for them. I don’t know that I’ll ever watch it in full again but I do skip through every so often for Teddy and thoroughly that little psycho.
11: Sing
I’ve mentioned that I don’t really watch much of Taron’s voice work because I find it annoying to hear him but not be able to see him. That’s my ultimate problem with Sing. While a very enjoyable movie and one I’ve watched a few times all the way through, I don’t necessary care enough about the other characters to want to watch it from start to finish. I’m happy just skipping through for Johnny’s story, but there’s always that nagging feeling of knowing Taron is back there somewhere, looking breathtaking, and I can’t see him. And for that, I must place this sweet movie at the bottom of this list.
This honestly took hours for me to write and perfect but I think I’m good with it now. Phew!
I’m so sorry, anon, I’m absolutely certain you were looking for like two sentences to explain what I liked or didn’t like about each of these but instead you got a mini review. Whoops.
#Anonymous#Tracy's thoughts#Ask#Taron Egerton#If I got paid by the word...#No one signed up for this and I'm sorry#Believe it or not I tried to be brief
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