#was more likely cuz

[cyarskj1899]

This is such typical Toronto man behaviour.* I’m glad it’s being exposed. It’s easier to manipulate us if we aren’t clear minded. I can’t wait for all of it to be exposed!

* not all Toronto men, just that gremlin

[illusioncanthurtme--art]

Hentai lookin ass Bill.

A couple more "suggestive" drawings under the cut:

I hesitated on posting these last two so much when I was drawing them, but that was like two weeks ago, and now I'm just numb to it. WHO CARES JUST TAKE THIS!!

I alluded to drawing more "suggestive" billford stuff a while back, and ironically, THIS ISN'T EVEN WHAT I WAS TALKING ABOUT SKJDFGDSH I was talking about something else I was planning on drawing. This just sorta happened.

I hope you like these!! Let me know if you want more.

oh, and the first drawing was originally rotated on its side, but I decided I liked it flipped around. That's why his coat is up like that. That's gravity babey!!!!

[iwasbored777]

We're not appreciating the Weird Barbie enough. It's said in the movie that she helps everyone who need help while they always see her as someone who's not as good as them. She was friends with all dismissed Barbies and Kens, was there to offer support and safe shelter for everyone who needed it in Kendom, without her nothing in the movie would've been alright. When Stereotypical Barbie calls her "ugly and unwanted" she still helps her.

She was representing a woman in women's world who was pushed aside by other women because she didn't fit in but still had more wisdom and kindness than everyone who thought they're better than her.

[red-rover-au]

These are the vibes the first meeting with Big Mama gave off lmao

[taimanzano]

One of one. One, alone, one.

[daigah]

We lose everytime a girl in fiction who is on the masc side and happy with it becomes very feminine as a supposed sign of maturity

[shotmrmiller]

sex pollen trope where you're the one affected, having been exposed to some dense gas while on an op that felt like harsh sandpaper across your throat and lungs, and now you're a feverish mess on some ratty cot in a safe house and with only ghost as company, it's miserable, as the saying goes.

hair sticking to your sweaty skin, plastered onto your forehead and neck, every swallow feeling like you've got a mouthful of sand, your fluttering pulse wild and deafening in your ears, and the throbbing ache deep in your core, the blistering heat right below your navel— it'd only been uncomfortable in the beginning, the faint throbbing incredibly familiar, but the more you ignored it, the worse it got.

and now you're here, with arousal sticking your underwear to your pussy, unable to do anything about it because your lieutenant is seated in a corner that lets him have both you and the front door within his line of sight. a quick, discreet rub under your clothes is not an option.

someone put you out of your foggy misery.

"squirmin' like a worm on a 'ook isn't gonna help." his staring doesn't either, yet he does it anyway.

"got to make sure ya aren't dyin' on me." you want to snap that you don't think proof of life is on the darkened stain between your legs, the retort pressed behind clenched teeth but another thick wave of bestial need rolls over you and god, you're about to shove your hand into your underwear, propriety be damned—

"best you don't do tha'." why the fuck not? "you'll only get relief for a moment 'fore it comes back twofold." he says as if he's reading off the morning paper and not watching you fight tooth and nail to not fuck yourself against the pillow your head is on. (soap's offer to be friends with benefits is only looking better by the hour.)

you hastily decide that it'll be better than nothing. you'll just have to rub your pussy raw until this drug runs its course and you're telling him to piss off or don't, but you've had enough. you're stuck here with him anyway, no flight home until the morn and you're not about to spend it writhing around.

"if tha's wha' you want," ghost bites his gloves off, spitting them out onto the ground before curling his hands around your ankles and dragging you toward him. "i will help." your entire world narrows down to the feel of him touching your skin, his fingers searing as they hook into the waistband of your pants, and you almost kick him in the mouth trying to get them off faster.

"but 'm not fuckin' you." the bite of disappointment is quickly forgotten, his breath warm against your slick pussy, and after three quick glides of his tongue over your pearl, your orgasm crests, pulse after pulse of pleasure so potent it stung.

in less than a minute you're burning again, need thrumming through you and with the heady push and drag of his middle finger over your sensitive nerves, curling in you until he can fit two, three—

you're lost.

(ghost telling you that he's not doing anything else because if he's going to fuck you then you're going to remember it falls on ringing ears.)

[joshuamj]

Hero.

[astorkes]

well, her guard needs work

[vasira96]

my snowflake opinion is that subtitles should always be on by default, and their incorporation should be considered an essential part of the design process tbh

[puppyeared]

this has been plaguing my mind for days

[iwasbored777]

The guy at the bar: Are you two gonna fuck or fight?

Wade and Logan, few hours later:

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[ziggystqrdust]

confused because

It's not like I'm falling in love, I just want ya

To do me no good

And you look like you could

[ink-the-artist]

house tour :)

bonus art, lossy versions of the first 2 gifs

[catharsistine]

The scene in the Barbie trailer when Barbie is skating around with Ken and asks "Why is everyone staring at me?"

THAT'S EXACTLY WHAT IT FEELS LIKE TO BE AN ADOLESCENT GIRL.

Living in Barbieland (childhood girlhood) but then suddenly you're all grown up in the real world subject to scrutiny and sexualisation (the guy slapping Barbie's ass) and feeling like existing is a crime?

Being forced by adult men into a box (which leads to the not like other girls syndrome) and exploring the 'real world' (being forced to grow up too quickly) while fighting the realisation that maybe the world sucks and being a woman is so difficult while hoping with all your heart that it's not always going to be this way.

Losing touch with the very things that made you happy because they're considered immature and girly? (The group of teens that said they hadn't played with Barbies since they were five.)

Older women telling you that you have to learn the truth about the world and that you can never have your old life back (Kate Mckinnon's Barbie) despite it being the only thing you yearn for, but also older women being a bright spot and support (the old woman on the bench) in the endless slough of life.

And this is just the trailer!!! I'm so excited for this movie I can't breathe, Greta Gerwig the woman that you are 😭