#under the red hood is a masterpiece comic
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kindlingkeen · 6 months ago
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Hello again, I’m back (once again). Just wanted to say the combined efforts of the Under the Red Hood movie (my beloved) & your fics (my beloved 2: electric boogaloo) finally got me to cave and get the Under the Red Hood comic & Lost Days
Safe to say I’m super hyped, it’s actually the first Red Hood comic(s) I’ve ever owned 🎉 I’ve heard many good things about these & I can’t wait to see more of a Jason that is written as badass & capable of many things >:)
So yeah! Thanks for feeding my hype and definite fixation with your fics & your epic reblogs
Hi, buddy! That’s so exciting, enjoy them! Lost Days was actually the first dc comic I ever bought. I love it so dearly, despite some of its … issues (highly recommend skipping right over the last few pages of part 6 and pretending they don’t exist. I don’t know wtf Winick was thinking there). Every time I go back and reread it I get something new out of it. And Under the Hood, my beloved, Jason’s snark in that run is epic and off the charts funny. I love it so much. Plus we get this masterpiece:
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Happy reading, I can’t wait to hear what you think!!! 💙
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brucewaynehater101 · 5 months ago
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I wanna get into dc (I’m enjoying reading batfam fanfics) but don’t know where to start, any recs?
Hello! Two notes real quick. One, DC stands for Disregard Canon. I say this because DC has a hard time keeping their storylines, characterizations, and basic facts straight. If you switch between creators (even if the media is the same, such as two separate comic creators), you might get very different ideas.
Second, I'm going to organize this by media.
Comics
There are a ton of blogs on Tumblr that are dedicated specifically towards comics for DC. They would know the very specific details of comics that I wouldn't. I recommend choosing one character and searching for reading lists (e.g. searching "Roy Harper's comic list" in Tumblr's search bar).
Live Action TV Shows
Gotham is a great show for introducing Jim Gordon, various rogues, and the general consensus of how Gotham may work. It follows Bruce Wayne right after his parents died and pre-Batman
Titans follows Dick Grayson, the first Robin, and the Titans. Later seasons show Jason Todd and Tim Drake as Robin. I haven't seen past the first season, though.
The Flash or Arrow. Both shows obviously have little to do with the batfam. However, they give more perspective on heroes outside of the batfam. I personally enjoyed the first 2 or so seasons of both.
Animated Movies
There's too many for me to get into all of them, but HBO has a ton of animated DC movies and shows (from what I've heard).
I personally recommend Under the Red Hood as a must watch. It's hands down a masterpiece
Lego Batman
Video Games
The Arkham Series includes 3 games plus a prequel game. I've played the three regular ones, and I HIGHLY recommend them. The third one made me cry (for a lot of reasons)
Gotham Knights. I haven't gotten too far into the game yet, but it's good so far! I've seen videos of the interactions between the batfam (healthy batfam interactions!!!!) that I'm excited for.
There are other ones as well, but I haven't played them personally
I think there may be Lego Batman video games
Animated Shows
Teen Titans is a classic. Obviously, this focuses more on Robin and his team than the batfam
Harley Quinn Show focuses on Harley but shows a lot of the villains in Gotham. There's a ton of focus on various characters that are usually not given so much spotlight
I will not recommend Teen Titans Go
Young Justice is way different from the comics, but still good to watch
Live Action Movies
Suicide Squad
I'm sure there's a thread or two out there arguing the best live action Batman movies. I don't remember him having any kids in those, but you could still watch them for the lore ig
Joker.... I don't really consider that movie to be canon, but knock yourself out. It's a good film if you distance the idea of Joker from it.
I am most definitely forgetting stuff, but I'm also falling asleep (barely keeping my eyes open). Ask more questions if you want 👍
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bi-bats · 2 years ago
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18, 43, and 78 for the Fanfiction Writer Asks?
Oh my god Jpeg!!! Hi!!!! Thank you for the ask 💖💖💖 Sorry in advance for turning this into an essay but hopefully you enjoy it and thank you!!!!
18 - Do you enjoy research? Which fic of yours required the most research?
Sometimes I do, sometimes I don't, honestly. It tends to feel like homework sometimes, but I'm a huge reader and I love reading comics. It's just hard for me to find time between working full time and the D&D campaign I'm writing/DMing and the academic article I'm writing and being in a relationship and figuring out grad school/future stuff. Basically, I'm a really busy person but I just want to read and write fic all day 😭
As for which required the most research that I've already started posting, I'd have to say Know Yourself. I had to read Battle for the Cowl, and I still have to read Final Crisis (is that a spoiler? 👀). I basically did no research for Rooftops & Bookshops (I feel like it shows) but I did read quite a few summaries.
But the fic with the most research I will have to do is definitely the fic I'm going to talk about in the next question, for which I'll have to read Red Robin, Under the Red Hood and some of Tim's Robin run. Probably more, but it'll be worth it.
43 - Is there a trope or idea that you'd really like to write but haven't yet?
YES. So many. I want to write one bed and also time travel and also identity reveal (thank you jaytimweek for forcing me to do it providing me with the opportunity). I actually have two ideas for identity reveal, one of which will hopefully be up for jaytimweek. The other identity reveal is definitely going to be my next long fic. I already know it'll be near 100k words and I PROMISED myself I wouldn't start working on it until Know Yourself is fully posted except for the epilogue (so a few months 😭). The identity reveal longfic is also going to be a soulmates fic 😈 and I think it might technically not be a love square but also it sort of will be? OKAY IF I SAY ANYTHING ELSE ABOUT IT IM GONNA SPOIL SOMETHING NEXT QUESTION
78 - What motivates you during the writing process?
Honestly, I feel sort of shitty being like "people's reactions," because I shouldn't base my worth as a writer on how many kudos/comments I get, etc., etc., and no one reading this should feel any pressure to comment if they don't want to, but when I get to see how someone reacted to my work??? OH that's the stuff.
I tend to be my own worst critic with everything, but especially my own writing, so every time I see a new comment, I have the urge to run to my computer and write. I basically get high off comments, especially when it's from authors I love to read!!! (@ you jpeg. Detective Timothy Drake and the Mysterious Case of the Unclaimed Dildo lives in my head rent free. That fic is a masterpiece.) There's just something about knowing that a writer I love enjoys my work. It really makes me feel confident in my writing, which makes me want to write more.
Also serial commenters!! I'm looking forward to what you think of every new chapter. Also people who just comment ahsjslakhdslkab or second kudos or a heart emoji. And people who post those really long comments theorizing or asking questions or copy/pasting quotes with their reactions??? My favorite. Satisfies the desire I have to watch everyone read my work so I can see them react to it.
Basically, knowing that people are enjoying what I write and want to read more is honestly the biggest motivator for me, which is why I tend to post chaptered stuff. I need the push to keep going, or else my piece would rot in my drafts (like some of my unposted works that I'll resuscitate one day)
Also if anyone reading this has ever commented on one of my fics, just know I think we're besties now. Come say hi. Even if you haven't commented and just want to motivate me to write more! Come say hi!
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redrobin-detective · 3 years ago
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Robin, hon, can you explain to me why there is bad blood between Bruce and Jason?
I could go on and on and on but in the name of both our sanities I will summarize.
Bruce found orphaned street kid Jason stealing tires from the Batmobile, adopted him and made him Robin (which pissed off original Robin, Dick, bc it wasn't Bruce's mantle to give away but I digress). Things are good for a while. But Jason had a lot of unresolved anger and depression from year living on the streets, he became reckless in the field and was overly aggressive with criminals (esp those who abused women or children like same boy). Bruce, angry and worried, pulled him from heroing to get him help. Only Jason didn't listen and when he heard his birth mother was in trouble, he ran across the world to go help her only to be caught by the Joker. He is beaten half to death by the clown and left to die in an exploding building. Robin II and Bruce's son is dead.
It's a tragedy, Bruce mourned Jason so hard almost falling apart as Batman and Wayne. Tim Drake, avid Batman fanboy who uncovered their IDs through investigatory work, tries to bring Batman and Nightwing back together to help stabilize Batman. Once the dust settles, Tim is chosen to be the new Robin, Dick and Bruce have started to reconcile and real healing is beginning to happen. All is well right?
Wrong! Turns out Jason has been brought back to life (pick your version, Superboy Prime punching reality from the inbetween space he's trapped in or Ra's al Ghul stealing the body and Lazarus Pitting him). Jason comes back mundo scrambled and it takes him awhile to get his bearings under him. All he knows is when he looks around, Batman has replaced him with another Robin and appears happy as can be. Underlying anger issues + genuine hurt feelings + post resurrection mind fuck means Jason is Pissed. He dedicates himself to learning the deadly arts Batman never taught him.
He returns in the Under the Red Hood comic (chef's kiss) as the criminal vigilante, Red Hood, who uses terror and murder to become Gotham's premiere crime lord. He lets Bruce and everyone know who he is, as dramatically as possible, with heart breaking results.
This ended up being a very long explanation to say: Jason had some tension with B before he died, blamed Batman for letting him die and then quickly replaced him not long after. He believed B didn't love him and saw his Robins as expendable pawns used to uphold his moral high ground version of justice that didn't fix Gotham. It's why Jay went on his murder spree to "do what Batman couldn't and save Gotham". He's especially mad Bruce didn't kill Joker, the man who murdered him.
Ofc Jay doesn't know everything, doesn't know how deeply and painfully Bruce mourned Jason, even years later. Didn't know that he did his best to prevent another Robin from happening and Tim basically forced his hand. Couldn't understand how close B came to killing Joker, not just for Jason but for paralyzing Barbara and torturing Jim Gordon. Jay brings up good points but in his post-Lazarus Pit single minded focus rage, all he could see was that his father didn't avenge him and took it personally.
From Bruce's end, his spunky, smart, big hearted child died and what came back was wrong. Red Hood Jason was hard and cruel and spat on Batman's number one rule to not kill. Bruce's greatest grief is shoved back in his face and B, who has never handled negative emotions well, doesn't do much to explain himself to Jason. In the end, he puts Gotham first by trying to stop Jason's murder spree not knowing he's reinforcing Jason's ideas on not being loved. Jason also attacks Tim which Bruce takes very personally bc he will NOT lose another Robin. Not even to his own child.
Once Jason calms down a bit and has some conversations with B, they come to an uneasy impasse where he's a part of the fam always but he's not quite ready to let go of the past and be a Bat or Bruce's son again.
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kimistorm · 3 years ago
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All it takes is a little faith and trust [Marc/Reverser x Adrien's sister! Reader]
Fandom: Miraculous Ladybug
Warnings: None
AN: It's a mix of texting and written out.
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You growled at your phone before you began your search for a certain red-hoodie wearing male. You checked around corners, along walls, and under benches, until you found him under the stairs. You should’ve known.
“Hello, Marc.” You grinned and sat down next to him, “how are you?”
“Oh, hello (y/n).” Marc nodded in a greeting, “I’m doing good.”
“How’s your big project coming along?” you asked eagerly. He’s been working an epistolary story about Ladybug’s life and you were excited to see it come along. “How much more do you have?”
“I actually don’t have it.” He responded.
Your eyes widened in panic, “you lost it?” you knew how much that book meant to him, and empathy dictated that you too would feel his panic.
“No no no.” He shook his head and tried to diffuse the situation, “I’m lending it to someone.”
“What? Who?” you leaned forward excitedly.
“Well, technically Nathaniel, but he doesn’t know, but Marinette does. It was her idea.” He rambled.
You blinked. “Woah, wait, what?”
Marc took a deep breath, “Marinette found my book since I dropped it the other day and she found it.” He started to explain while gesticulating.
“So you did lose it!” you gasped, “oh, sorry.” You apologized for interrupting his sentence.
“She said it was really good, and suggested that I work with Nathaniel, but of course I didn’t want to do that. Because that’s embarrassing and what if he doesn’t like it? Then he’ll know it’s me and then I’d have to change schools and never show my face here again!” Marc started to panic and you gently started to rub his knees as the two of you were squatting underneath the stairs.
“It’s alright Marc. Just breathe okay? In, out.” You told him soothingly.
He took a deep breath and continued with his story, “so Marinette had the idea to erase my name from the book so he wouldn’t know. She gave it to him, and now he has it.”
You nodded, “when are you getting it back?”
“We’re supposed to meet pretty soon.” Marc answered.
You smiled, “so how are you feeling about it?”
“I’m super nervous.” Marc confessed and started messing with his hood, “what if he didn’t like it? What if he thinks it’s horrible and when I go show my face to him he’s going to laugh at me? What if I still have to change schools and-”
“Marc.” You interrupted his ramblings, “everything will be okay. If you want, I’ll come with you.” You gave him an impish grin, “and if he insults you, I’ll fight him.”
“No, you don’t have to do that.” Marc shook his head, “I don’t think you’ve ever fought anyone anyways.” He mumbled under his breath.
“Hey!” you laughed good-naturedly and Marc joined in. “I think I could take him on. Ka-chaw! Pow!” you mimed punching someone in front of you and added cheesy sound effects to make yourself sound cooler. Marc laughed and you smiled, “should we head over there now? So he doesn’t have to wait?”
Marc took a deep breath, “okay.”
“I’m sure he’s gonna love it!” you encouraged him as the two of you strolled from school to the park, “it’s really wonderfully written! The writing is gorgeous, and the characterization of the voice is spot on!”
Marc’s face was totally flushed as you continued to list off complements, “thanks (y/n).” He murmured.
“Any time!” you cheerfully responded, “but, I’m telling you the truth.” You turned to him seriously, “I meant everything I said.”
“O-of course!” Marc nodded, “I know you’d never lie to me.”
You gave a serious nod before breaking into a smile. The two of you continued the walk to the park in mutual silence. Marc was always a quiet person, and you were just happy to be in his presence. When the two of you arrived, you asked Marc, “do you know where you’re meeting?”
“Marinette said the fountain.” Marc answered.
You nodded, “cool, cool. So...you sit there,” you pointed to a side of the fountain, “and I’ll…” you quickly glanced over the entire area, “be behind that tree.”
“What? Why?” Marc asked in panic.
“Wouldn’t want Nathaniel thinking it was me who wrote the masterpiece!” you answered with a grin.
“But you’re my moral support!” Marc protested.
You pointed to the tree again, “I’ll be supporting you from behind the tree. I know you’ll be great!” you gave him a reassuring smile before jogging over to the tree and hiding behind it. Marc looked around uncertainly before sitting down carefully on the side of the mountain and pulling his hood up. You frowned, he was still super anxious about this meeting. In the distance, you saw a figure walk your way, and you figured it was Nathaniel.
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Nathaniel entered the garden and you watched eagerly as he approached Marc. You strained to hear what they were saying, but to no avail. You were left with just watching them. It looked like things were going good-no wait, nevermind. Things were rapidly going downhill. Nathaniel started to rip out the pages of the book and you sprinted out from behind the tree. “Nathaniel! Stop! What are you doing?” you shouted.
He didn’t seem to hear you as he turned around to glare at something in the sky. You momentarily stopped running and followed his gaze to see Marinette’s watching everything happen from her roof. “Oh no.” You muttered. Nathaniel stomped away and Marc kneeled forlornly on the ground next to his torn book. “Marc, hey it’s okay! It’s okay!” you rushed over to kneel next to him. He started to cry and your heart hurt. “I’m sure it was just a misunderstanding. Here.” You took one of the ripped out pages, “we’ll tape it back together.”
“He said that we’d never make a comic book together.” Marc whimpered.
“Maybe Alix then, she’s an artist.” You suggested, “don’t worry, we’ll fix this.”
The two of you started to pick up the sheets and return them into his book, neither of you realized the little butterfly enter the page Marc was holding. You did however, notice Marc suddenly freeze. “Marc?” you asked in concern, “what’s wrong?” he didn’t answer, “Marc? Hello?” you waved a hand in front of him.
“Nothing will be the same anymore, Hawkmoth!” Marc suddenly moved and you scrambled back. He didn’t notice you as he threw out his notebook and it transformed into a glider. He jumped onto it before he turned into a villain wearing only black and white.
There was the running of feet as Marinette approached, “Marc? What happened to you?”
You scrambled to your feet and grabbed her, “he’s been akumatized. We need to get out of here Marinette!”
“I’m not Marc anymore.” Marc growled before doing a loop on his glider, “I am Reverser!”
You almost froze at the sound of his voice, it was very different from the Marc you had always known, but at the same time, it was pretty...hot? Yeah, that’s the word. You shook your head to remind yourself of the situation that you were in and yelled, “Marinette!” you tugged on her arm to try and get her to run with you.
“And you Marinette! The one who caused all this!” Reverser pointed an accusing finger at her, “you think you’re the super helpful girl who’s loved by everyone?” Marinette took a fearful step back, “well from now on, everyone will hate you!” A paper plane bubbled into creation in his hand and he threw it at her, “reversion!”
You yanked on her arm and the two of you got out of the path of the paper plane. The two of you watched the plane soar towards the man feeding pigeons. It hit him, and the pigeons flew away from him, only to be chased after him.
“But I don’t get it,” Marinette argued, “I really was trying to help you!”
“Liar!” Reverser roared, “you told Nathaniel I was someone else!” another plane formed in his hands, but he was interrupted by the police blowing his whistle.
“Hey!”
“Come on Marinette,” you whispered to her and yanked at her arm, “let’s go!” the two of you quietly ran away from him out of the park and behind a building.
“Marinette!” Reverser roared and flew off into the sky.
“What did you do?” you demanded the blue haired girl.
“I don’t know!” she responded, “but we need to get you to safety.”
“What about you?” you questioned.
“Um, yeah.” She nodded, “uh, let’s hide out in my parent’s bakery.”
The two of you darted from the building you were currently hiding behind to her parent’s bakery. “You stay here, I need to get something from my room.” Marinette told her before running into the back.
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You sat at one of the tables in the bakery and stared lifelessly out of the window with your head resting on your palm while your other hand mindlessly tapped the table. You groaned and then laid your head onto the table. “That’s it.” You told the table and stood up, “I’m not just going to wait around, Marc is my friend and I’m going to get him back.” You declared confidently, “or, at least try to.” You muttered nervously. You ran out of the bakery and looked around, it seemed rather quiet, maybe he was back to normal?
You decided to try and get the attention of Reverser yourself, and that meant going to the tallest place you could get to...the roof of the apartment complex you lived in. You ran back to your home and sprinted up the stairs to get to the roof. When you arrived at the top, you leaned against the wall to try and catch your breath.
You straightened up and began to call out, “Marc! Ma-arc!”
“I told you, my name is Reverser.” A voice growled from behind you. You felt your knees begin to shake as you turned around to look at Marc.
“Hi.” You said shakily.
“What do you want?” he asked in annoyance.
That got you to snap out of it, and you were able to ignore for a little bit how much he made you shake, “snap out of it Marc! This isn’t like you!”
“Oh?” he asked in amusement, “you like this, don’t you?” you looked away from him and blushed furiously, “you don’t think this is bad, do you?” you could practically hear the smirk in his voice.
“Of course it’s bad!” you tried to argue, but had to focus on not melting into a puddle.
“Come on (y/n), admit it,” Reverser cooed, “you can’t make your mind on what side of me you like better.”
You frantically shook your head, “no, stop!”
Reverser took a step back, “fine, have it your way. I’ve got to find Nathaniel anyways.” He jumped onto his glider and flew away. You, on the other hand, slumped against the wall as your knees were shaking so badly.
“Well that failed.”
Once you were able to compose yourself, you quickly checked the news to see where he was now. Yes, he made you turn into goo every time you heard his voice, but you were going to try and get him to snap out of it. He wasn’t the Marc you knew. A quick look at the news told you that he was at the Eiffel Tower, so that’s where you were headed to.
Luckily, it didn’t take you too long to get down there, and when you arrived just in time to see Nathaniel and Chat Noir go up the elevator. “Hey Alix!” you waved and ran up to her, “what’s going on?”
“Reverser’s got the mayor up there and he’s gonna dump all of the trash in space on Paris.” She explained almost nonchalantly.
You gasped, “what?”
“Don’t worry,” Alix gave you a confident smile, “we’ve got this all under control.”
You watched dubiously as Reverser glared down at your group while watching the elevator. A paper plane formed in his hands, but he froze when the elevator arrived.
“Go Chat Noir!” you heard Nathaniel yell and there was the pattering of feet before Chat Noir fell off of the edge of the Eiffel Tower while strapped onto a kite.
“That’s your plan?” you demanded incredulously as the yoyo fell to the ground. It fell on Ladybug’s head but Alix grabbed it and started to maneuver the Chat Noir kite around. From the ground, you could hear his terrified screams as he flew around, “is he alright?” you asked in concern, but Alix and Ladybug paid no attention. You watched awestruck as the contraption seemed to work. Alix was able to dodge all of Reverser’s paper planes.
“Now Chat Noir!” Ladybug yelled into a traffic cone and you winced as her voice echoed.
“Cataclysm!” came a frightened yell and Chat Noir reached out to destroy Reverser’s glider. The glider dissolved into dust and Alix tugged down the makeshift kite.
“Miraculous Ladybug!” she and Ladybug shouted as they threw up the invention to fix everything.
“Marc!” you shouted as you saw him return back to his normal self and fall to the ground. Luckily, Ladybug’s magic fixed Chat Noir in time to save both him and Marc. Chat Noir turned his staff to face the ground, and the two of them returned to the ground safely.
“Marc! Oh my gosh you’re okay!” you yelled and ran up to him before entrapping him in a bear hug.
“Uh (y-y/n),” he stuttered.
“Oh!” you sprung back and felt your face heat up, “s-sorry.”
“N-no, that’s alright.” He blushed back.
“You know, I really like you.” You told your toes.
“Really?” you glanced a look at his face and saw his eyes widen in surprise.
“Y-yeah, I,” you slowly answered, “just thought I should tell you.” There was silence from Marc and you could feel the shame rise up into your face, “sorry.”
“What?” Marc asked in bewilderment, “why are you sorry? I like you too! I mean, I really like you!” Marc stammered.
Your face broke into a grin, “that’s good.”
“Y’know, when you were Reverser, I thought your voice was super hot.” You mused as the two of you sat on the floor under the stairs next to each other. You were playing on your phone and Marc was writing in his notebook.
“M-my voice?” Marc froze from his work and looked at you questioningly.
“Yeah.” You nodded. You figured that you should just be open with him, even though he didn’t remember anything that happened while he was akumatized.
“What was so different about my voice?” Marc looked at you in curiosity.
“Umm,” you tapped your lip as you thought about how to describe his voice, “sort of low and gravelly?” you laughed, that didn’t help very much. Not that you believed he’d be able to pull it off again, it just kind of seems like something that would require an akuma.
“Like this?” Marc’s voice sounded exactly like Reverser’s and your heart stopped.
“Yep.” You replied meekly and you could feel your body involuntarily shaking.
“And...you still find it, uh, that?” he gestured as he referenced your words from before.
“Yep,” you nodded shakily.
“Good to know.” Marc’s voice returned to normal and he went back to his writing.
“That’s it?” you asked flabbergasted.
Marc nodded and turned back to his work. You let out an annoyed groan but went back to playing the video game on your phone.
“Hey (y/n),” you jumped as Reverser’s voice came from behind you.
“What’s up Marc?” you asked shakily and held onto the desk next to you.
“Can you help me proofread the next chapter?” he asked you sweetly in his normal voice as he held out his notebook.
You took a deep breath to compose yourself, “sure!”
Marc smiled and handed you his notebook so you could read it. You laughed to yourself, you never thought Marc would use his voice to antagonize you and drive you crazy, but here he was, almost every time he needed your attention he used his voice. It did work, he got your attention every time, but it drove you crazy.
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stxleslyds · 3 years ago
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Have you watched the Teen Titans animated series or Young Justice? If so, what do you think about their characterization of Dick Grayson?
And while we're at it, what about the animated movies? How does his characterization compare there?
Hi! Thank you so much for the ask!
I have to be honest, Teen Titans wasn’t a show that I was able to watch when it came out because I didn’t have cable tv yet and by the time that I had it I was actually into other TV shows, I watched a few episodes from what I believe was the last season but I didn’t really like the Titans lineup so I didn’t pay much attention to it. So, I can’t really say anything about his characterization there.
Young Justice I have watched! I believe I watched it for the first time in 2018 on Netflix. I loved the first season, it was amazing and it kinda made me want to read DC comics again. I had “taken a break” from reading DC because I was consuming another type of content, mostly MCU and Marvel Comics. I watched seasons two and three but I didn’t like them as much as the first one because I felt like there were too many characters and it overwhelmed me a little bit.
So, to answer your question, I love Young Justice’s characterization of Dick Grayson (as Robin, Nightwing, and just Dick). Although the universe where YJ is very different from the comics one, they did make an excellent job developing Dick and the other team members in the first season.
It was weird seeing Dick in the YJ team instead of the Titans one but I am glad that they did it that way because they took their time to develop Dick and then Tim as the Robins in the different seasons.
Dick not being the leader of the team was also weird but it led to so many interesting plotlines for him. I also felt that their take on Dick Grayson was very in tune with the times in which the show came out he was very tech-driven (which he used to be in comics but then they gave that characteristic to Tim and took it away from Dick) and is Bat training was shown plenty, he truly seemed like one of the most valuable assets for the team even though he was the youngest and he had no powers.
His personality felt real for his age in the show, he was funny and smart, his acrobatic skills were there. I really loved the way they handled his change of mind when it came to wanting to lead the team at all costs and wanting to become Batman in the future. That episode was wonderfully done and seeing that therapy session that Dick had still makes me feel sad for him.
He was friends with everybody and tried to make everyone feel welcome which I think is also very in tune with Dick Robin in comics. He seemed to be learning from everyone and every experience too which was also nice. The Circus episode really showed us another side of Dick, he was being protective of his first family and he was also starting to feel comfortable as a sort of co-leader of the team. He had a very deep connection with his teammates and that was also similar to his relationship in comics with the Titans.
As I said before I really couldn’t enjoy the other two seasons the same way that I did the first but the Dick Grayson that I saw in them was a really cool one, it did give me Outsiders (2003) vibes from those seasons so I am a little bit biased. But I really liked the idea of Dick and Kaldur having this secret plan that could help everyone in the end even though it might have cost them their friends. When that situation repeated itself in the third season I still sided with Dick (and the people that were on “his” team), it really felt like Dick could see the bigger picture of the problems that they were facing, I wouldn’t say that Dick puts the mission in front of everything else though, that’s Batman’s thing. Dick really just wanted everyone to be okay and he saw that people were trying to solve the problem inefficiently, which would eventually get more people hurt. He was very selfless but also realized that by doing what he did he didn’t only help to save the world but he did make some people think twice before trusting him completely.
That last scene where Dick calls everyone for a meeting and he is surprised when everyone shows up is a very Dick Grayson scene, people really understood that as a team leader Nightwing had to make some very difficult decisions so when he called, they all showed up. Bruce saying that Dick commands more respect than he realizes was so true and iconic of him.
One of my favorite episodes was “Private Security” where Dick teamed up with Will, Roy, and Jim harper, it was super fun and it also had some very interesting moments that showed how Dick was grieving the death/disappearance of his friend, and how he needed someone to tell him that he was going to be okay and that there were people who needed training and he was the best option to do it. That interaction between Dick and Will made me remember Dick and Roy’s chat at the beginning of Outsiders (2003).
Overall, I really enjoyed Dick’s characterization in that show, it respected the original material and made Dick a solid character even though he had differences from his comic counterpart.
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I have seen very few animated movies from DC that had Dick as a featured character. I watched: Under the Red Hood, Son of Batman, Batman vs Robin, Batman: Bad Blood, Teen Titans: Judas Contract, and Batman: Hush.
In those movies, Dick’s characterization hasn’t been consistent, in each movie they manage to get something right but they butcher everything else. Mostly I enjoy Dick’s interactions with people, he had a fun moment with Damian, Kory, Bruce, and Selina. But he is never the real center of these stories so they kinda throw him to the side and nerf him a bit too much.
In “Bad Blood” he was Batman to Damian’s Robin but that movie didn’t do much for their relationship. He kinda is reduced to Batman’s most loyal friend or something like that, there isn’t much depth to him or his characterization.
He really wasn’t loved or respected in these movies, “Batman vs. Robin” had the Court of Owls as the main enemies but they didn’t use Dick as a plotline, they had Damian and Bruce having a conflict instead.
“Batman: Hush” was a mess, from every point of view, Dick was done dirty in that scene in the cemetery (I can’t really remember if it was a cemetery the place where he got dosed with fear(?) gas and Selina had to save him), he is treated as if he were an unexperienced vigilante, it is very sad to see.
Also, they had this very annoying “trope” where Dick dislocated his shoulder someway, somehow in every movie. I don’t know why that was, but it happened too often.
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As you can see, I haven’t watched that much DC animated content so, from what I have seen Dick’s best characterization is the one from Young Justice, I think they did a great job mixing their own version of Dick Grayson with his comic counterpart. They really respected and worked with the original material.
But! “The Lego Batman” needs to have a special mention because this movie was a gift from the gods. This is a masterpiece, it’s Dick Grayson makes my heart melt, I adore that little Robin, he makes me happy. Bruce and Joker’s relationship is a perfect dramatization of what Batman and Joker’s relationship is in comics and I will be forever glad that DC took the initiative and made fun of themselves like that.
It is just the perfect comfort movie!
Another special mention is “Batman: Under the Red Hood” but I am not mentioning it because of Dick’s appearance there, I just think that this movie is neat and amazing and that everyone should watch it. It has Jensen Ackles voicing Jason! Best Jason Todd/Red Hood that we have ever had out of comics!
Anyway, I am sorry it took me so long to answer your ask, I hope you have a marvelous week!
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barelyalivebutnotdead · 3 years ago
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Hello, I would like to repay you by asking u a couple of q's too. Thank you so much for the other ask btw. Would you mind me asking 1, 16 and 60?
Yours truly,
a mellon
Hello little Mellon! Thanks for the ask, I appreciate it 😁
1. What names do you go by?
Answer: My full name is Vishakha Singh, I was almost names Harshitha and I still get called Harsha, Harshu, Harshi by close family. My most common nickname is Vishu, Vishi and Vishky from my full name, actually. My best friend calls me Bitch (affectionate) and one of my other friends calls me Soul Sis (because we're very alike). Other than that, my family calls me stiff like Pari (Angel in Hindi), Khusboo (Fragrance in Hindi), Chulbuli (Cheery in Hindi).
16. Things you do in everyday life that you recommend?
Answer: READING. Please. It's a wonderful experience! I picked it up from my dad, who is an avid reader. I read all kinds of books. Although fantasy/fiction is my favourite, I read classics and short stories (Ernest Hemingway and Jeffery Archer), classic poetry (Emily Dickinson and Walt Whitman) and linguistic books from Oxford, some dictionaries and Word Power series.
60. What’s the best movie?
Answer: Okay, I have a few on my list:
1. Parasite
It won an Oscar. Need I say any more?
2. Mega mind
It's a submersive masterpiece. No one can convince me otherwise.
3. Under The Red Hood
Even though I prefer the comic, I love the movie.
4. Your Name
It's so beautiful I cry every time.
5. Soul
Again, a brilliant masterpiece.
6. Into the Spiderverse
The art and the animation has blessed my eyes.
7. I Want To Eat Your Pancreas
Okay, listen up, I know what the title sounds like. But it's an amazing movie nonetheless!
8. A Silent Voice
Many people have said that manga is much better, but I prefer the movie.
9. Coraline
I watched it with my mother and I had a really good time!
10. Kesari
BEAUTIFUL. FUCKING GORGEOUS. OH MY GOD, I FUCKING CRIED! It's an Indian movie based on historical events: The Battle of the Sarahgahdi Fort, wherein 21 Sikhs had to defend the fort that they were stationed at against an army of 10,000 Pathaans. That is a full-fledged war of 21 vs 10,000. The 21 Sikh defenders WON. I'm so proud of this as an Indian and the song, "Teri Mitti" (English translation: Your Soil) is the most beautiful lyricism I have ever seen. If you can find it with English subs please do listen to it!
Here is the song with English translation if anyone is interested:
youtube
@marypearlsonsworld, thanks again for the asks!
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outoftheframework · 5 years ago
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the ultimate list of comic book recommendations
Hello and welcome everyone! So if you don’t know, my name is Meg, and I happen to be an avid comic book/graphic novel reader and collector (even though I often write in a more fanon universe). So I thought for this post I would compile some of my favorite books for y’all. 
I’ll categorize these, but don’t be afraid to try something completely different that what you’ve read before! And for new readers, this list can be a great way to find out where to start. So with that in mind, here’s the list!
DC COMICS
“So I like Batman but I don’t know where to start!”
Batman: Year One by Frank Miller - A classic detective Batman Story; a great starting off point for the character and comic books as a whole.
Batman: The Dark Knight Returns by Frank Miller - Another classic, highly rated comic. Features an older Batman and introduces Carrie as Robin.
Batman: The Long Halloween by Jeph Loeb - My brother’s favorite. Gripping from start to end. More detective Bats.
For fans of darker/more artistic/”different” Batman stories
Batman: White Knight by Sean Murphy - Batman “bad”. Joker “good”. 
Batman: The Black Mirror by Scott Snyder - Bats and Joker in an unlikely, drug-induced team up. Some of the best art in Batman.
Batman: Hush by Jeph Loeb and Jim Lee - Big fan of both writers. Very popular book in the fandom, but I’ve never personally read it (recommended by my brother).
For fans of Robins 
A Death in the Family by Jim Starlin and Under the Red Hood by Judd Winick - pinnacle Jason stories; also for those looking for Tim Drake’s introduction.
Robin: Reborn by Chuck Dixon - Ignore the awful cover art; this is Tim Drake done right.
Red Robin by Christopher Yost - Hard to find this series in a physical copy so just read it online. Defining Tim Drake in one series *chef’s kiss* beautiful.
Super Sons by Peter Tomasi and Patrick Gleason - The best Damian out there in my opinion, plus the addition of the always adorable Jon Kent
Ensemble
Justice League by Geoff Johns - Say what you want about n52, but this is the best JL out there (don’t fight me on this). Great for beginning readers.
Kingdom Come by Mark Waid - Alex Ross is simply the best comic artist out there. This one is a classic, but probably shouldn’t be your first rodeo with DC.
Brightest Day by Geoff Johns - Again, not for beginning readers; requires A LOT of background knowledge. But amazing characterization despite the hoard of characters it features.
Justice League Dark by James Tynion IV - Ugh I just love Zatanna.
DC Bombshells by Marguerite Bennett - The best damn DC AU ever made
MARVEL COMICS
Must Read!!
Vision by Tom King - Quite literally a modern masterpiece. Just, ugh, if you take anything away from this list, it’s go pick up Tom King’s Vision. Don’t like Vision? Doesn’t matter go pick up Tom King’s Vision-
Street-level heroes just trying their best (my favorite kind of comics)
Hawkeye by Matt Fraction - Hands down my favorite comic series of all time. Perfect characterization of Clint and Kate. Pick these up before the Disney+ series comes out :) Cannot recommend this enough.
Ms. Marvel by G. Willow Wilson - Actual ray of sunshine Kamala Khan will take over your life. Follows her coming to grips with her powers as a POC teen who needs to balance school, home, and hero life.
Let’s hear it for the ladies!
Captain Marvel by Kelly Deconnick - Liked the movie? You’ll love this. So much heart and humor.
Dark Phoenix Saga by Chris Claremont - I got my copy signed by Claremont and almost cried. First comic I bought with my own money; has a special place in my heart.
Jean Grey by Dennis Hopeless - What can I say? I’m a Jean stan forever. A nice pick-me-up after DPS. Features a young Jean in the wrong universe.
Spider-Gwen by Jason Latour - Liked Spiderverse? Boy, do I have the comic for you.
Misc and Third Party
Watchmen by Alan Moore - Simply a masterpiece
Space Riders by Fabian Jr. Rangel - A fever dream from start to finish, in space. Amazing artistry.
Umbrella Academy by Gerard Way - Speaks for itself. The show is too damn good.
WHAT I’M READING NOW!
The New Teen Titans by Maru Wolfman and George Perez
Batman: Last Knight on Earth by Scott Snyder
DCEASED
Teen Titans: Raven by Kami Garcia
Hope these help!! Let me know what you think if you pick any of these up. Feel free to message me for more recs or information on any of these. Also, feel free to reblog with your favorite comics!! Lmk if you want to see more rec lists like these or even comic reviews :) Thanks!
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miragerules · 5 years ago
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With theaters unfortunately shut down, and me sadly being laid off because Oregon has a shelter in place order it's given me a lot of time to play video games as well as think about the best films of each decade, and the who I believe are the current directors of all time. I am going to start with who are believe are the current 15 best directors of all time.
15. Bong Joon Ho: I have not seen all of Bong Joon Ho films only seen Snowpiercer, The Host, Memories of Murder, and Parasite with Snowpiercer being his best film.
14. David Lynch: David Lynch is probably the most visionary and unique director on this list. It has not paid off for Lynch all the time, but all his films and series are certainly memorable. I have seen Eraserhead, Blue Velvet, Dune, Twin Peaks, Dune, Lost Highway, and Mulholland Drive with Lost Highway and Mulholland Drive being is best films. Even though Lynch has not directed a full-length feature film since I think 2006's Inland Empire Lynch is still one of the best directors of all time.
13. Clint Eastwood: Although this biographical themed obsession Eastwood had been on this past decade with good, but flawed films in Richard Jewell, The 1517 to Paris, American Sniper, and J. Edgar among others it does not take away from Clint Eastwood's nearly fifty years of directing with some of his classics being Unforgiven, Mystic River, The Outlaw Josey Wales, A Perfect World, and Letters from Iwo Jima to name a few.
12. David Fincher: I could say David Fincher is the best suspense thriller director, but that would be disrespecting the one and only Alfred Hitchcock, so I will that Fincher is the Hitchcock of our time with his most known film being Fight Club, but not his best film. That would go to Gone Girl, The Game, and Se7en. Then here is the elephant in the room by the name of Alien 3. Alien 3 had its problems in production and especially with studio interference by FOX in not having faith in the young up and coming director, which hurt the film, but by no means does that make Alien 3 a bad film. Alien 3 had good acting by Charles S. Dutton, Charles Dance, Sigourney Weaver, and the rest of the pretty unknown cast. The score by Elliot Goldenthal is riveting, and one of the best scores in the Alien franchise if not the best. William Gibson original screenplay would have been the best route to go with the film, and there were a lot of hands on the script for Alien 3 with ultimately the writing brainstormed, poorly put together, and written by producers Walter Hill and David Giler. The screenplay was definitely flawed, but not bad with a decent story and good ending to Ripley’s journey that was ruined by the truly terrible Alien Resurrection. Overall, I say Alien 3 is the third best Alien film not as good as Alien or Aliens, but not as bad as the rest of the Alien films or the Alien vs Predator films.
11. Zhang Yimou: Sadly, I have not had a chance to see some of Zhang's older films like Not One Less, Raise the Red Lantern, and especially To Live, which some have said is one of Zhang's best films. I have seen all Zhang's films since the new millennium with films that include Hero, Shadow, Under the Hawthorn Tree, House of the Flying Daggers, Coming Home, Curse of the Golden Flower, Riding Alone for Thousands of Miles, Happy Times, The Flowers of War, A Woman, a Gun and a Noodle Shop, and The Great Wall. Zhang is a master of using aesthetics whether it be the story, lighting, or choreography of his action sequences. The Great War is easily Zhang's worst film, and it is not a terrible film, and not for the reasons you might be thinking. I know when The Great Wall was coming out and came out a certain group of so called up set people were outrage that a fantasy film had a some white characters in the film and Zhang and the writers were using the white savior trope in the film, but if you actually watch the film that was not what happen or why The Great Wall was a mediocre film. It was because of the at best average CGI, poor writing, and uninspired action sequences. As for Zhang's best films they are Hero, Curse of the Golden Flower, Happy Times, and The House of the Flying Daggers. Yes, Zhang Yimou is best known for his historical films with simply masterfully choreographed action sequences I definitely recommend you give some of his smaller films like Happy Times and Coming Home a chance.
10. Ridley Scott: Although some of Scott's latest films like Robin Hood, Prometheus, All the Money in the World, and Exodus: Gods and Kings have not lived up to the directors reputation Ridley Scott will still go down as one of the best directors of all time by directing some of the best films of all time. I would also recommend Kingdom of Heaven. It is one of Scott's best film that was underrated by critics and the general population.
9. Michael Mann: Like Scott above Michael Mann's most recent films in Blackhat, Public Enemies, and Miami Vice have not lived up to the reputation Mann has earned as a director or his vision and style as a writer and director. Mann as not directed a lot of films and it is debatable what his best film is between The Insider, Heat, Thief, and The Last of the Mohicans. For me it is Heat.
8. Denis Villeneuve: Denis Villeneuve has only been directing since 1998, but has already made it into the top 10 of this list, and it is for a reason. Villeneuve is helped to craft some of the most riveting and compelling stories in films this past decade that was also greatly impacted by Villeneuve’s masterful use of cinematography creating an atmosphere in his films with Arrival, Blade Runner 2049, and Sicaro being masterpieces and three of the best films this past decade. I am really looking forward to his vision of Dune.
7. Hayao Miyazaki: Miyazaki is by far the most mainstream and acclaimed director of anime films from Japan, and for good reason. Hayao Miyazaki is a masterful writer and director who stands by his belief of caring for the environment, being anti-war, and love. Speaking out on his beliefs regulating not caring if it offends some of his fans or his own government. His beliefs play a heavy influence in his films, which I think make is unique visions all the better for that. In my view Miyazaki’s best film is Princess Mononoke. 1999 was a terrible year for me on many levels and Princess Mononoke just blew my mind and help to lift my spirits and my will to go on. No other Hayao Miyazaki film has come close to affecting me that way.
6. Terrance Malick: Terrance Malick has been directing films for directing films for 47 years, but has only directed ten films in that time with 1973’s Badlands. I think the reason is while other directors like Uwe Boll, Michael Bay, and Paul W.S. Anderson will just make films no matter the quality of the film Terrance Malick is determined that his artistry be perfect, and it shows in his film. Malick’s determination to perfection shows in his true mastery of cinematography and his use of nature and the environment to enhance the story and isolate they characters. His perfectionism shows in all his films, and while Malick’s films may not always land on perfection, but his films always leave a mark on the viewer. I consider Terrance Malick’s best film to be 1998’s The Thin Red Line, and a far better film than Saving Private Ryan that came out earlier that year.
5. Christopher Nolan: We have finally reached the top 5 of what I consider to be the current best directors of all time with number five being Christopher Nolan. Nolan is number five on this list, and is the best director alive today. There are better directors on this list, but they all have passed away. Christopher Nolan is known for his love of the theatrical experience, and the technical side of filmmaking. Christopher Nolan along with his brother Jonathan Nolan and other writers to craft unique and captivation stories and their use of memories, time, space, dreams, perspective, and war in each of film of films. Nolan has also directed has put his stamp on Batman and the comic book film genre by directing the Dark Knight Trilogy that is the best superhero/comic book trilogy. As for what is Christopher Nolan’s best film, it is too hard for me to choose between Prestige, The Dark Knight, and Dunkirk.
4. Alfred Hitchcock: Alfred Hitchcock is and as far I am concerned will go down as the best suspense thriller director of all time. Hell, the term Hitchcockian was named after the type of films he wrote and directed. It wasn’t just the huge impact Hitchcock had on the suspense, thriller, and horror genre’s, it was Hitchcocks technical and writing imfluence that has had a lasting impact on in film and popular culture. Alfred Hitchcock’s basically created a new filmmaking style using camera’s for perspective many times putting making the viewer the voyeur in his films to brilliantly adding to the suspense to his films. Hitchcock along his early writers created for better or worse the plot device called the MacGuffin that has a tremendous influence today in filmmaking that is used too much in not correctly. In my view Alfred Hitchcocks best films are North by Northwest, Rear Window, and Strangers on a Train.
3. Sergio Leone: The legendary director Akira Kurosawa who had a huge influence on Sergio Leone’s filmmaking, and in doing so Sergio Leone created his own impact on filmmaking creating the “spaghetti western” with his script writing long sprawling epics, and the use of long sweeping shots and extreme close ups. While Leone did not direct a lot of films, he did direct perhaps the two best unofficial trilogies of all time in No Name trilogy and the Once Upon A Time trilogy. All six films could easily fit into the top 50 films of all time and two of them in the top 20 films of all time. While both Clint Eastwood and composer Ennio Morricone were in the business of filmmaking Sergio Leone should get credit for lunching both to super stardom of the film industry in the 1960’s.
2. Stanley Kubrick: Whether it be Crime drama, Science Fiction, Epics, War, or Comedy Kubrick has had a lasting influence on virtually every genre. Like Terrance Malick, Stanley Kubrick had a different style with his filmmaking process saying his scripts were never really finished before his film started filming so he could be willing to adapt during filming, his relentless and sometimes endless scene takes sometimes making his actors shoot scenes dozens of times trying to get what he view as the perfect shot. Some film historians would call Stanley Kubrick the most influential filmmaker in history with in my view Paths of Glory, Dr. Strangelove, and 2001: A Space Odyssey.
1. Akira Kurosawa: It was a little hard to choose between Stanley Kubrick, Sergio Leone, and Kurosawa, and in my view the most influential, and all-around best director of all time is Akira Kurosawa. Kurosawa has had so much influence on cinema in story, style and technique throughout the years influencing directors like George Lucas, Sergio Leone, Quinton Tarantino, Clint Eastwood, Stanley Kubrick, and countless others. Akira Kurosawa introduced the world two different story styles/tropes in with the “Team building” trope, and the perspective or Rashomon style that can be seen in the Dirty Dozen films, Star Wars films, Ocean 11 films, Hero, Knives out, and countless other films as well as just about every part of popular culture. Akira Kurosawa as faced some criticism over his career with one that I can understand was his filmmaking during WWII. Like many filmmakers throughout the world in the late 1930’s and through the 1940’s they were pushed, paid, and sometimes forced to make propaganda films for the citizens of their countries. Akira Kurosawa was one of those directors, and I can understand the criticism of Kurosawa’s first films as a director in the early 1940’s. Another criticism that is completely unfounded and is laughable was by the French new wave movement in the 1950’s with many of the film makers saying Kurosawa was elitist and his films were not Japanese enough. Really men Frenchman from a former colonial power telling a Japanese filmmaker that his films were Japanese enough. That would be me as a white man like telling Spike Lee that his films aren’t black enough or Zhang Yimou that his films aren’t Chinese enough. Simple that is unfounded and just wrong. Even with some small legitimate criticism of Akira Kurosawa’s life and work it does not take away from his brilliance as a filmmaker crafting some of the best films made influencing countless others. As for Kurosawa’s best film that is hard, but even though I love his sprawling historical masterpieces in Yojimbo, Seven Samurai, Ran, Rashomon in my view it is one of Kurosawa’s smaller films that is the director’s best film. That would be 1952’s moving and poignant drama Ikiru.
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Honorable mentions that I briefly considered for this list: David Lean, Steven Spielberg, John Ford, Charlie Chaplin, Sergey Eisenstein, Ingmar Bergman, and Billy Wilder to name a few. I have seen very few films from the silent film era.
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thattimdrakeguy · 5 years ago
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Personally I hate the discourse "this character had it worse so other one doesn't matter that much" because every character have their own fans and everyone is sad about their own fav character that's all
I’ve seen that argument against Tim before, like saying he isn’t as good as Damian or Jason cuz he had a better life, but that’s not how a good character works at all.
It takes a lot more then having a bad childhood to be a good character.
I been pausing on this tryna figure out how to make a point out of this, but it feels so obvious I’m not sure how.
I think the idea was “it’s more interesting”, but for me, like, to level it down a bit.
Jason and Damian have interesting back stories. Being damaged doesn’t make them interesting characters.
They need surroundings, a story, good writing, side characters, to back them up to actually be interesting.
Which is why Under the Red Hood and Lost Days is so good, but almost everything since has been boring if not at least entertaining cuz of some one-liners. It’s why Jason has a proud fanbase but not a lot of sales.
It’s also why I don’t think Damian is interesting.
Interesting backstory that had potential, but never really used that potential much.
Most of his stories are “I do a morally corrupt thing” then he often time doesn’t learn his lesson, and when he does it’s either unearned, or forgotten about anyhow.
Robin: Son of Batman tried to give him a good story and side characters, but it was so focused on woobifying him that it’s not well-written, and despite it being seen as good, I’m gonna be honest and say I think it’s trash on all the woobification. It doesn’t read like a real Damian comic, it reads like a pandering fan fiction that’s trying it’s best to seem really deep. It’s not even Gleason’s best work as an artist either. He seemed to have completely forgotten how to draw him in it.
But yet, because a lot of that woobification involved a sad flashback for him (that doesn’t make freaking sense) people think it’s a masterpiece, because just seeming more damaged was enough.
I’ll find 90s Tim infinity more interesting, because his world, side characters, stories, and how his character was able to react with it all in a way that was engaging and kept making me wanting to read more.
No matter how interesting it is that Jason came back from the dead, since they never did much with that after and dropped all potential. I don’t find him that interesting of a character at the moment. He had one or two good comics. That’s not enough for me.
I had a decade worth of interesting engaging Tim.
That’s why Tim is the better character for me going off of my own standards.
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aion-rsa · 5 years ago
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Watchmen Episode 9 Easter Eggs Explained
https://ift.tt/2YSXMq4
The big finale of HBO's Watchmen comes together in episode 9! Here's all the references to the book we were able to catch.
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This article contains Watchmen spoilers.
Watchmen episode 9 “See How They Fly” wraps it all up. And you’d think that after nine time-hopping episodes they might be ready to wrap up all of their homages and references to the original book. You would be wrong. 
But not everything comes from the book. The episode’s title, “See how they fly” is a lyric from The Beatles’ psychedelic masterpiece “I Am The Walrus” which features the sinister/joyful (and Watchmen-relevant) refrain of “I am the eggman.” Now, with that out of the way, let’s get down to business.
LADY TRIEU
- We’re once again back on Nov. 1, 1985...this time to witness the conception of Lady Trieu. Her mother, Bian (who in the future Lady Trieu will clone and raise as her daughter) was one of Veidt’s Vietnamese employees who kept his fortress of solitude, Karnak, running. The verse she recites is apparently from folklore about a Lady Trieu who lived during the third century. 
Incidentally, this is the most we’ve seen of the inner workings of Karnak, including in the book, where we only saw TWO employees. Does this mean he murdered ALL of these people, too? That is dark as fuck.
read more: Complete Watchmen Timeline Explained
- Lady Trieu is sperm sample 2346. That’s 23 x 2. It could very well be a reference to the “23 enigma,” an almost cult-like belief in the significance of the number 23. It was popularized by counterculture icons like William S. Burroughs and Robert Anton Wilson. 
- The fact that Bian crowns her insemination with “Fuck you, Ozymandias” is interesting. Is Veidt, like Dr. Manhattan, a symbol of American imperialism in Vietnam? Pretty likely, right?
- In 2008, when Lady Trieu confronts Adrian Veidt and refers to him as “the smartest man in the world” she’s using the nickname that had been given to Ozymandias by the press. Trieu is, of course, “the smartest woman in the world.”
ADRIAN VEIDT
- This is the filming of the “confession/congratulations” video that Wade Tillman was shown by Joe Keene back in episode 5. It will be presented to Robert Redford on the day he is inaugurated as President on January 21, 1993. You can see the giant squid in the tank behind Veidt while he is recording the message to President Redford, by the way.
- “Untie knot” is the password prompt on Veidt’s old computer. “Untie knot” refers to the Gordian Knot, which Alexander the Great famously solved with his sword. The password is “Rameses II” just like in the book. 
- That’s a portrait of Alexander the Great in Veidt’s office, but as of yet I’ve been unable to identify it.
- We learn in this episode that Veidt has “never given himself to a woman.” The fact that he specifically mentions women and not men could possibly echo Rorschach’s observation about him in the book, that Veidt is “possibly homosexual.”  
- Based on the five year timeline laid out by Lady Trieu here, it would appear that Veidt spelled out “Save me Daughter” on the surface of Europa with the corpses of his servants in 2013.
read more: Watchmen Finale Explained
- Veidt’s line about achieving “everything” having “started from nothing” is a quote from the book, during the chapter when he is recounting his own origin story.
- Veidt catches the bullet from the Game Warden as he did in the comic when Laurie tried shooting him in Karnak.
- Veidt’s philosophy that “masks make men true” seems to echo Oscar Wilde’s “give a man a mask and he will tell you the truth” aphorism. This is refuted later in the episode by Will Reeves who feels quite the opposite about masks.
- “Palestine has become a widow for Egypt.” Veidt is quoting the Merneptah Stele, an ancient inscription detailing the Ancient Egyptian Pharaoh Merneptah’s victories. He ends with “the end is nigh,” which is generally Biblical in nature, but refers in this context specifically to the sign that Rorschach, in his identity of Walter Kovacs, used to carry around in the book.
DOCTOR MANHATTAN
- Joe Keene’s high-waisted undies are a mirror of the ones Dr. Manhattan wore through chunks of his career, before he decided to abandon clothing entirely.
- Lady Trieu refers to Dr. Manhattan as “the big blue cheese.” This is a surprisingly playful reference to Shazam, whose enemy Dr. Sivana routinely calls him a “big red cheese.” Incidentally, Lady Trieu does have a tendency to dress like the Sivana of the comics, who favors all white outfits.
- The 7th Kavalry discovered the existence of Dr. Manhattan on the White Night because Cal teleported “Mike” to Gila Flats, which was the place where Jon Osterman became Dr. Manhattan.
- Laurie refers once again to the thermodynamic miracle, a term taught to her by Jon the day that she discovered that her father was in fact Edward Blake.
- Jon has remained somewhat disoriented since he was “returned” by Angela. Throughout, we see him slipping into the past, specifically into moments from the book. 
- “Janey, are you cold? I can raise the temperature” refers to a Christmas in 1959, the first Jon spent as Dr. Manhattan, when he was still with his first love, Janey Slater. Her “chill” was because she was getting a little scared of Jon and his increasingly distant humanity.
- “There is no situation in Afghanistan requiring my attention,” comes from the final moments of Jon’s talk show appearance in October of 1985, moments before he left Earth for Mars.
LOOKING GLASS
- “Mirror Guy? “It’s Looking Glass” has become the best ongoing joke of this entire series. And as it turns out, Laurie and Wade have more in common than they thought. Wade has a tendency to puke after experiencing Dr. Manhattan’s teleportation, a trait he shares with Laurie.
RORSCHACH
When Angela is interrogating a member of the 7th Kavalry, she starts breaking his fingers, before threatening to move on to other parts of his anatomy. That was a favorite technique of Rorschach to extract information.
HOODED JUSTICE
Will Reeves uses some comic book speak by referring to the Tulsa Race Massacre as “my origin story.” He also says “before my world ended,” both an allusion to the Tulsa/Krypton parallels we have tracked elsewhere in these guides and the way Batman is fond of referring to the night his parents died. Both are appropriate.
NITE OWL
Nite Owl’s old ship, ARCHIE (hence Veidt’s “it’s been a hoot”) is still in Karnak after freezing up shortly after transporting Dan and Rorschach there to confront Veidt on Nov. 1, 1985. Wade would indeed know how to fly it since Dan later licensed his technology to police departments under the umbrella of a company called Merlincorps.
Incidentally, while Dan was only ever alluded to throughout this season, if we do indeed get a Watchmen season 2, then we have to figure he’ll show up to testify at Veidt’s trial.
We wrote more about Nite Owl here.
ANGELA ABAR
Is Angela now a godlike being who can walk on water after consuming that mysterious egg? Well, during their first meeting 10 years ago, Dr. Manhattan did tell her that he could “theoretically” transmit his powers into organic material for someone else to consume. And he DID want her to see him walking on water. But it looks like we may never know for sure.
read more: The Unanswered Questions of the Watchmen Finale
But that ambiguous ending is meant to mirror the final panel of the book, where it was unclear whether the bumbling intern at the offices of the New Frontiersman would reach for Rorschach’s Journal from “the crank pile” for possible publication.
MISCELLANEOUS STUFF
- “As if some cowboy actor could ever become president.” It worked for Ronald Reagan!
- When Lady Trieu tells Adrian Veidt that he “stopped the clock” she’s referring to the Doomsday Clock, which was at one minute to midnight before the squid massacre prevented World War III.
- We once again get Johann Strauss' "The Blue Danube Waltz" on Europa, this time as Lady Trieu's spacecraft lands. The 2001: A Space Odyssey parallels are real, considering that film dealt with a mysterious Monolith appearing on the surface of Europa.
- At the newsstand, there’s a headline that says “Supreme Court Confirmation Hearings Drag On” for John Grisham. This has become something of a running joke on the show since episode 3.
- There’s also a New Frontiersman headline that says “Four Wounded in Saigon Burning” indicating that unrest in Vietnam continues.
- The gentleman in the wheelchair who turns up is Senator Joe Keene, Sr. the man who outlawed masked vigilantes in the first place in the book.
Mike Cecchini is the Editor in Chief of Den of Geek. You can read more of his work here. Follow him on Twitter @wayoutstuff.
Read and download the Den of Geek Lost in Space Special Edition Magazine right here!
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Mike Cecchini
Dec 15, 2019
Watchmen
HBO
from Books https://ift.tt/2LYQT1z
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the-knights-who-say-book · 6 years ago
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July 2018 — well, it’s been a month. probably. evidence suggests that time has continued to pass, the bastard.
REVIEWS
Nightblade — ★½☆☆☆
Realms — ★★☆☆☆
Peter Darling — ★★★★★
Castle in the Air — ★★★½☆
Kill the Farm Boy — ★★★★½
Shatterglass — ★★★½☆
The Circle Opens wrap up
Something’s Not Right — ★★★★☆
The Miseducation of Cameron Post — ★★★★★
BOOKS READ
Dread Nation — ★★★★☆
Pride and Prejudice — ★★★★☆
Bloody Jack — ★★★★☆
If You Come Softly — ★★★★☆
The Poison Eaters — ★★★½☆
Robots vs. Fairies — did not finish
The Spy with the Red Balloon — ★★★★☆ (arc)
Down and Out in R'lyeh — unrated bc who knows (short story)
A Year and a Day in Old Theradane — ★★★★★ (short story)
Dodger — ★★★☆☆
Summer Days and Summer Nights — did not finish
Wonderbook — unrated
COMICS
Hawkeye: Kate Bishop, Volume 2: Masks — ★★★☆☆
Cornerwitches — short comics on tapas
Hawkeye: Kate Bishop, Volume 3: Family Reunion — ★★★½☆
WRITING
In which a synonym for “witch” is “storyteller” — telling stories is how you do magic, and a story you can’t tell is a heart
A Brief Meditative Lecture on the Nature of Dragons — exactly what it sounds like
Red Currents — small grumpy dragon requires a snack
Chapters 35 through 44 of the assassin wip
OTHER MEDIA UNDER THE CUT
MOVIES
Robin Hood: Men in Tights (1993) — utterly ridiculous, lots of fun
Solo (2018) — way more enjoyable than I expected
Ant-Man and the Wasp (2018) — loved this! better than the first one
Pride and Prejudice (2005) — I had to re-watch after reading the book!
Mamma Mia 2 (2018) — fun (though obviously not as good as the first)
Thor (2011) — first time seeing this
The Kissing both (2018) — my sister suggested a bad movie night and who am i to say no?
TV/STAND UP
The Bold Type (season 2) — watching episodes weekly is so hard
Elementary (season 3) — i thought they were going to pull some jealous bs with Kitty’s character but i actually enjoyed this season!
Hannah Gadsby: Nanette — finally took the hint my dashboard has been giving me forcefully and watched this masterpiece
Iliza: Elder Millennial — did not live up to her other shows
Tig Notaro: Happy to be Here — loved it!
ETC
Forever Green — genderbent Beauty & the Beast retelling on wattpad
Attolian Archives — Queen’s Thief readalong podcast
Welcome to Night Vale — you all know
Books with Brandie Shanae — book-focused youtube channel
Jay G — more booktube
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okb-hpolitburo · 6 years ago
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NEMISIS: SERIES ANNOUNCED
Good evening and welcome to the Politburo! I am your host, Komandir Pera, and this is OKB-H Productions, home to Studio ROUX, the company responsible for creating NEMISIS! More on that in a sec.
So what will you expect to find here?
I (at the time of writing) have just finished High School and am looking to embark on a quest to create the next great animation! For a long time, I’ve grown up with many classic examples of animation from both East and West, whether it be made by Communists, Imperialists, Fascists and Capitalists. All have their good spots, and bad, and meh, but still try nonetheless.
Some examples I am quite fond of, in no particular order;
Japan:
Cowboy Bebop Gurren Laggan Black Lagoon One Piece Hellsing Berserk Astro Boy Akira Vampire Hunter D Samurai Champloo
North America: The Adventures of Tintin (Canada) Fleischer Studios ‘Superman’ (USA) Gumby (USA) Batman: The Animated Series (USA) Batman: Under The Red Hood (USA) Robot Chicken (USA) Aqua Teen Hunger Force (USA)
Europe:
Thunderbirds (UK) Captain Scarlet & The Mysterons (UK) Thomas The Tank Engine And Friends (UK) TUGS (UK) Wallace And Gromit (UK) Morph (UK) When The Wind Blows (UK) Gorillaz (UK) Danger Mouse (UK) Count Duckula (UK) Avenger Penguins (UK) Wind In The Willows (UK; 1983-90 Version) Corto Maltese (Italian/French; Early 2000s)
Plus several others that are on the tip of my tongue. I am a notorious scatterbrain after all. Judging by the content you see in each of these shows, you can see a bit of a pattern here. So now the question…
What is NEMISIS?
Nemisis is a project I’ve been working on since 2015. It originally started out as a novel, but several revisions and a busted USB stick later, I gave it up, perhaps confining its characters to the many drawings I had made of them (too crude to be called ‘Concept Art’)
The novel, which was to be the first of a series, crashed late 2017. By that time, I had lost much hope and slunk into a deep depression… When it hit me. Why not put those drawings to use and animate it instead?
In the wake of me not being a very good artist, I instead decided to opt for a fascinating field of animation that is scarcely touched nowadays; Stop-Motion. Upon learning of a sub-culture of people who collect/make anime-styled figures called Ball Jointed Dolls, I decided that 3D Printing the different body parts and putting them together like a garage kit would be very much in keeping with another lost art in filmaking: Modelmaking.
That’s where the majority of the British shows mentioned come in. Tunderbirds is what I consider to be the Grandfather of them all, using ingenious methods of several differing crafts to create awe-inspiring visuals for epic storylines. Many of the shows downwards from Thunderbirds are either connected to it or inspired by it in some way. And watching Captain Scarlet for the first time definitely put more confidence into myself for such a project. However, unlike the use of string puppetry, the characters will be stop-motion animated.
The Americans always fascinated me with some art styles, but it’s the storytelling of some of the darker shows that partially inspired the plot of Nemisis. Comic Books have had a big hand too, with dynamic characters and vibrant artwork. One of my favourite writers for comic books is usually Alan Moore, of The Watchman fame. Another is Frank Miller of The Dark Knight Returns, one of my favourite spins on the story of Batman. Paul Dini’s work on the Batman cartoons of the 1990s followed by in several comic one-shots, animated specials and even the Arkham Games have also earnt my awe.
Worldbuilding is another hobby of mine, which manifested itself in NEMISIS, and I had quite the talent for it without even realising it. I gained a lot of inspiration from Herge’s Tintin comics, King Ottokar’s Sceptre being one of my all time favourite stories due to its contemporary political themes, the quality worldbuilding and the artwork. But then who DOESN’T love Tintin? And yes, I know he’s Belgian. I just listed the show from the 90s that was made in Canada.
The Japanese have always made me go wild with excitement in some of their best anime with high-quality visuals, the rare storytelling masterpiece not seen in most anime, and, of course, the action.
Therefore, I decided to set out and create a long-running animated series with:
-The ingenuity of British engineering and humour
-The Boldness of American storytelling
-The elaborate worldbuilding of Herge in particular, but not restricted to
-And the flair, art style and intense action of Japanese works.
Finally, I will add my own twist; My interest in the Cold War. I am also a History Student, and seek to combine two of my greatest interests into one whole.
On here, I will be posting Concept Art of Characters with a little bit of info for each, along with announcements, updates and some other goodies.
Hope this made for interesting reading.
Yours faithfully,
Komandir Pera
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wazafam · 4 years ago
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The birth of the "DC Universe Animated Original Movies" collection dates back all the way to 2007 with Superman: Doomsday. Since then, DC has steadily been releasing multiple animated films a year with consistent and dependable quality that makes every one of them worth at least one viewing, if not multiple.
RELATED: DC Multiverse: 5 Actors Who Could Play Earth-2's Superman (& 5 Who Could Play Earth-2's Wonder Woman)
For the sake of clarity, the DC Universe Animated Original Movies are comprised of (at the time of this writing) thirty-nine movies and include the "DC Animated Movie Universe" or DCAMU, which is a collection of sixteen interconnected movies starting with Justice League: The Flashpoint Paradox, and ending with Justice League Dark: Apokolips War.
10 Justice League: War (2017) - 7.3
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Light on story and heavy on action, Justice League: War is an entertaining but surface-level movie. The characters you know and love all have their moments to shine, but don't expect much development or growth for them.
This movie is simply about the formation of the Justice League in response to Darkseid's arrival on Earth. There isn't a whole lot of story beyond that, and much of it is a bit too familiar or by-the-numbers to earn it a higher score.
9 Justice League: Crisis On Two Earths (2010) - 7.3
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Taking a dive into the DC multiverse, Justice League: Crisis On Two Earths earns the love it receives from the fanbase for pushing the boundaries of the DC Universe Animated Original Movies at this point in time and exploring alternate dimensions and evil versions of the Justice League.
The movie is bold and wastes no time covering information and backstory its audience already knows, quickly setting the plot in motion and letting fans enjoy seeing their favorite heroes fight their evil counterparts.
8 Wonder Woman (2009) - 7.3
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Serving as a clear inspiration for Patty Jenkins' Wonder Woman (2017), that film and this animated movie are nearly identical to each other. Changing the WWI setting for present times, and making Ares a prisoner of the Amazonians for a large portion of the story, there isn't much else that separates these two.
RELATED: Wonder Woman 1984: 5 Things The Movie Did Right (& 5 It Got Wrong)
Many fans have been calling for the live-action DC films to borrow more from the well-received animated movies, and Patty Jenkins took that advice to heart.
7 Batman: Year One (2011) - 7.4
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The animated movie version of Batman: Year One is a pretty faithful adaptation of the comic. The story details Batman's first year as the Dark Knight and dramatizes the struggles he faces during that time as he figures out the hero he wants to be.
Where Batman: Year One shines, in particular, is the dual protagonist roles between Batman and Commissioner Gordon, giving Gordon just as much screentime and showing a much rougher side of the Commissioner in his quest to clean up Gotham.
6 The Death Of Superman (2018) - 7.4
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The Death of Superman is an interesting movie in the collection because DC had already made Superman: Doomsday, which is an adaptation of The Death of Superman comic arc. DC essentially remade their own movie so that they could follow it up with the conclusion to the story, The Reign of the Supermen.
All in all, The Death of Superman is a superior and more faithful adaptation of the comic arc of the same name, outperforming DC's first attempt at adapting the story with Superman: Doomsday.
5 Justice League: Doom (2012) - 7.5
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In this movie, Batman's secret plans for killing members of the Justice League, if they ever turned evil, are stolen by powerful villains and used against them. If that sounds like an awesome concept for a movie, that's because it is.
RELATED: Justice League: 10 Interesting Behind-The-Scenes Details
It's an intense and exciting plotline that sees Batman having to outsmart himself and save his companions from attacks of his own design. Justice League: Doom deserves credit for its superb usage of Martian Manhunter, a criminally underused character in this collection of movies.
4 Batman: Assault On Arkham (2014) - 7.5
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Batman: Assault on Arkham is one hell of a rollercoaster ride. Don't let the title fool you. Although Batman plays a prominent role, this is much more a Suicide Squad movie than a Batman movie. Fun fact, this movie is set within the Batman: Arkham videogame universe.
Following Deadshot as he leads a siege into Arkham Asylum under orders from Amanda Waller, this movie has it all: great characters, awesome action, and an exciting story with a few twists and turns. If you haven't seen this movie, do yourself a favor and watch it.
3 Batman: Under The Red Hood (2010) - 8.1
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One of the most well-received Batman animated movies, Batman: Under The Red Hood earns its high marks for its compelling and heartbreaking story about the long lost Robin, Jason Todd, returning from the dead to haunt Batman.
One of the more well-written films in the DC Universe Animated Original Movies collection, this film boasts superb storytelling and excellent characterizations. While not as action-heavy as some other entries on this list, it's still a must-watch movie for any fan of Batman or DC in general.
2 Justice League: The Flashpoint Paradox (2013) - 8.1
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One of the most famous Flash stories out there, Justice League: The Flashpoint Paradox is a thrill ride from start to finish. Similar to Justice League: Crisis on Two Earths, this movie makes excellent use of alternate versions of heroes and villains.
Following Flash as he causes a butterfly effect that warps reality after saving his mother's life, this movie most famously includes a storyline where Bruce dies in Crime Alley instead of his parents and his father takes up the mantle of Batman.
1 Batman: The Dark Knight Returns - Part 1 & Part 2 ( 2013) - 8.2
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Although Batman: The Dark Knight Returns is technically made up of two parts, it's generally seen as one movie and for this list, it will be considered as such.
This film is the crown jewel of the DC Universe Animated Original Movies. Expertly written, animated, and acted, Batman: The Dark Knight Returns rightfully sits at the top of IMDbs rankings. If the live-action Batman V Superman was a disappointment for you, then let this animated masterpiece take the pain away.
NEXT: Batman V Superman: 5 Things It Got Right (& 5 It Got Wrong)
DC: Top 10 Animated Original Movies Ranked According To IMDB from https://ift.tt/39tXiwD
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kiwigreenflame · 5 years ago
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If you’ve followed the DC animated movie scene over that past thirteen years or so, you’ll know that alongside the main features released primarily on DVD and Bluray there are sometimes additional short films released alongside those features. These are typically branded as part of the DC Showcase series (referring back to this anthology series of comic books) and are short films of about 10 minutes or so featuring a more obscure or second tier character from the DC universe.
The current DC Showcase series of films include:
The Spectre – Featured on the Justice League: Crisis on Two Earths distribution
Jonah Hex – Featured on the Batman Under the Red Hood distribution
Green Arrow – Featured on the Superman/Batman: Apocalypse distribution
Superman/Shazam!: The Return of Black Adam – A longer short film that was distributed independently of any DVD or Bluray release.
Catwoman – Featured on the Batman: Year One distribution.
All of these titles can also be found on the DC Showcase Original Shorts Collection which includes extended versions of several of these stories.
In the most recent Wonder Woman animated film from DC – Wonder Woman: Bloodlines – the Bluray includes one of the new DC Showcase stories, that of Death from Neil Gaiman’s Sandman universe, whose characters are increasingly more connected to the mainstream DC stories. In the story, Death, one of the Endless is encountered by a struggling artist, Vincent. Wrestling with his inner demons – portrayed as firey demonic figures – and the loss of his passion as an artist, Vincent’s encounters Death as he approaches the end of his life, and in painting her banishes the demons and comes to terms with his life. Killed in a  fire, all the remains of him and his work is the painting of Death, which will become his enduring masterpiece.
The film is short and rings true to the characterisation of Death found in both Sandman and spinoff comics such as Death: The High Cost of Living and Death: The Time of Your Life. Death here is powerful and relentless, but not without some elements of compassion and empathy.
This has me thinking about other places Death is personified in popular culture. Places like Death in Terry Pratchett’s Discworld series, or in Supernatural, and any other number of places the Biblical figure of Death as one of the Horsemen of the Apocalypse turns up. For example, I just picked up a copy of the book, Death Wins a Goldfish: Reflections from a Grim Reaper’s Yearlong Sabbatical written by Brian Rea.
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Pondering whether an edited collection of essays on Theology and Death in popular culture might be something to investigate.
Death – DC Showcase If you've followed the DC animated movie scene over that past thirteen years or so, you'll know that alongside the main features released primarily on DVD and Bluray there are sometimes additional short films released alongside those features.
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stxleslyds · 3 years ago
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so sorry if i'm wrong but it seems that nothing of Jason content since UtRH is ever right for you. that seems tiring
Hi Anon! Please don’t be sorry, I do complain a lot about the Jason content that we have had along the years and I have talked about my frustration on the matter too.
But in reality, even though I don’t find most Jason content appealing or well done, I am still happy for people that are able to enjoy the new content, oftentimes I find myself even feeling a little jealous of those who can accept other versions of Jason so easily.
My first contact with Jason was through the animated movie Batman: Under the Red Hood, I absolutely loved it and I was also really excited that Jensen Ackles was in the movie because I have always been a fan of his, but that was all I knew for a while about Jason Todd/Red Hood, if I wanted to read DC comics, I always picked up something with Dick Grayson in it.
Then a long time passed by and I came across Red Hood/Arsenal and because I saw that it had Roy in it, I decided to check it out. I was so horrified; Roy wasn’t really Roy and Red Hood didn’t seem to be the same as the Red Hood that I had seen in that movie years ago.
So, I went looking for information and Red Hood’s origin, and that’s when I read Batman: Under the Red Hood. Best comic book that I have ever read, it made me want to read more and more from DC, I had finally found a character in DC that I loved as much as Dick Grayson/Nightwing. But after reading that masterpiece I jumped directly into New 52 Red Hood and the Outlaws, my heart was broken and I hated every page that I read from it, Rebirth hadn’t started yet but I was able to find Red Hood: The Lost Days and I fell in love once more (only one thing bothered me and when I looked into it, I saw that Winick said that it had happened to make the reader feel bothered).
My love for that version of Jason was something that I could only find in two books, and I grew massively attached to it for some reason. But at the time Red Hood/Arsenal was coming to an end and I had already read New 52 RHatO too, so I knew that the Jason Todd that I had attached myself to didn’t really exist anymore.
The Jason that I want back so desperately sometimes appears here and there, I have been able to enjoy certain arcs and certain takes in different runs because of it but I am just attached to something that deep down, I know doesn’t exist anymore in the DC universe.
Sometimes it isn’t about Jason and how he is written but the situations and events they drag him towards, Jason is one of those characters that I feel DC doesn’t know what to do with, Lobdell’s characterization was messy for ten years and now he is in permanent limbo.
My greatest frustration with DC and their “treatment” of Jason is that they had many chances of making him be like he used to be, but they have not done that in favour of giving us a concept that will never work in comics’ canon.
I always try to keep my mind positive, I did it when Future State: Red Hood and Urban Legends: Cheer were announced. FS was a story that I could have enjoyed plot wise but because I don’t like “romances” or comics’ take on romance I wasn’t able to enjoy it as much as I wanted. Cheer’s first two parts were issues that I actually liked overall, and then… well, you can see it for yourself, my reviews grew more and more frustrated as the book seemed to lean more towards a Batman story and then a fanon Jason Todd/Red Hood story.
And now I am thrilled about Matthew Rosenberg’s Task Force Z, I cannot wait for that ongoing to begin, what I have already seen of Rosenberg’s Jason in Detective Comics has been amazing and I am really enjoying it so far.
So, it is tiring for me to sometimes get on the hype train and then realise that we are headed towards a cliff but I will still put myself on that train for some Red Hood content.
I just hope that everyone understands that my thoughts on Jason’s current characterization or path aren’t the absolute truth, I will never gatekeep Jason or Red Hood, I just come here to share my thoughts, I would love it if they were more positive and happier but the Jason that we have been getting just isn’t my cup of tea.
Anyway Anon, thank you for the ask and I hope you have a wonderful week!
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