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creamflix · 21 hours ago

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UNSCRIPTED — toji fushiguro x female reader [chapter 4/5]

summary: you’re a faceless author of scandalous smut — great at writing steamy scenes but totally clueless about real-life romance (and with no one to match your freak). enter toji fushiguro, a hot stranger you (accidentally) throw up on during a drunken night out. surprise! he’s also the future voice actor for your smutty novel’s main character. can you survive the awkwardness of your disastrous meet-cute while keeping your identity (and dignity) a secret? welcome to the chaos of your own erotic fantasy romcom!

content warning & tags: (erotic) voice artist! toji, (smut) writer! reader, smutty content!! [added over the course of this series], sort of workplace romance, secret/anon identity, slight social media au, meet-cute, virgin!reader, single dad dilf! toji, kid! megumi, strangers to lovers (?), she fell first but he fell harder, mentions of other characters (satoru gojo, suguru geto, megumi fushiguro, shoko eiri, brief mentions of ryomen sukuna)

notes: series is coming to a close and all i can say time and time again is thank you <3 this has been such a blast to write and reading all your comments and tagged reblogs makes me beyond grateful. i was going to make this chapter longer but i exceeded the tumblr word break count, so the much awaited smut chapter & epilogue will be next :pensive: anyways, please enjoy!! and let me know if you're a fein for more....ifykyk :3

read on ao3! ● series masterlist

➤ related au: persephone [business tycoon! sukuna x reader]

the day of your book launch arrived like a storm of excitement and celebration, the entire event carefully and extravagantly crafted by gojo-sonic. true to his word, satoru had given shoko a “no limits” budget, and she’d taken full advantage.

every detail screamed luxury and grandeur, from the sprawling hall draped in velvet and illuminated by chandeliers, to the massive screens flashing animations of your book cover as if it were the latest blockbuster. booths lined the entrance, stocked with merch inspired by mating the dragon king — everything from small trinkets to collector’s editions of the book. readers, critics, and fans alike were buzzing with excitement, filling the air with an electric anticipation.

you took it all in with awe, hardly able to believe the spectacle was for your work. a lump formed in your throat as you realized this was satoru and shoko’s way of supporting you, a grand gesture of friendship and admiration when words alone weren’t enough.

shoko, dressed to the nines, approached you with a smug grin, handing you a glass of wine, graciously sponsored by persephone wines.

“told you we’d go all out, didn’t i?” she chuckled, clinking her glass against yours.

“shoko, i don’t even know what to say. this is… i mean, look at all this,” you said, gesturing around you, a little overwhelmed by it all.

“just say you’ll dedicate the next one to us,” she teased, winking. “this was nothing. i didn’t even blow through the whole budget satoru gave me.”

“don’t worry, i’ll get my credit,” satoru’s familiar voice cut in as he joined you, flashing his trademark grin. “i told shoko: if we’re sponsoring the best writer i know, she deserves the best launch.”

“you two are ridiculous,” you laughed, but your heart was full. “thank you. really.”

“hey, you worked for this,” satoru shrugged, his eyes softening. “we just put a spotlight on the star.”

before you could respond, suguru’s voice came crackling through a tablet satoru was holding. he was miles away but, in true fashion, wouldn’t miss the opportunity to chime in.

along with having persephone wines sponsor the drinks, he’d also sent over an exquisitely tailored gown, just for the night, joking that it was the “least he could do” from afar.

“i may not be there in person,” he quipped through the video call, his voice warm, “but i’ll be damned if i don’t make sure you look like the queen you are tonight. the gown suits you.”

you felt yourself flush at his words, smoothing the luxurious fabric of the gown as you glanced at yourself in one of the mirrors. “you outdid yourself, suguru. thank you.”

“you’re welcome,” he smiled, a soft glint of pride in his eyes. “now go show them why you’re the best.”

the event itself was a whirlwind of praise and conversation, with critics and fans alike coming up to you. several of them took the time to express their admiration for the novel’s heartfelt evolution.

“the relationship between the dragon king and the princess felt so raw, so beautifully authentic in this sequel,” one of them remarked. “you managed to capture this intense romance in a way that’s rare to see in fantasy. it wasn’t just lust, but something deeply emotional, and it resonated.”

another critic leaned in, smiling knowingly. “and the rivalry turned camaraderie between the dragon king and the knight? you’ve managed to make them compelling foils — layered and nuanced. it’s been a long time since i’ve read such rich dynamics.”

you accepted their words graciously, nodding and smiling, but your mind kept drifting back to toji.

all the subtle emotional depth in the book — the raw, consuming, and vulnerable aspects of love — it was impossible to ignore his influence on the way you wrote this time. he’d pulled you into a realm of understanding that went beyond mere words, and you’d poured that revelation into every chapter, every exchange between characters.

shoko caught your gaze and sidled up next to you. “sooo, thinkin’ about someone special?” she teased, raising her brow.

you tried to play it off with a shrug.

“maybe. it’s just… i’m realizing how far i’ve come. a few years ago, i could never have written like this, could never have understood these feelings so deeply. now… i feel like i’ve finally become the writer i always wanted to be.”

she nodded, a smile tugging at the corner of her lips. “well, you’ve grown. and you’ve let someone in. that changes things. makes them real.”

as you moved through the event, mingling with guests and listening to the feedback, you allowed yourself a rare moment of pride. you’d worked so hard to get here, navigating the ups and downs of an author’s journey. the countless late nights, the rejections, the criticisms — they all seemed worth it now.

this was more than just a book launch; it was a testament to how much you’d evolved, both as a writer and as a person.

when you found a quiet corner to catch your breath, you couldn’t resist pulling out your phone, typing out a quick message to toji.

you [7:36 pm]: i owe a lot of this night to you, you know. couldn’t have written this without your… "help." 😌

a moment later, your phone buzzed with his reply.

toji [7:40 pm]: my pleasure, princess. make sure to give me a private reading of that sequel soon ;)

you laughed softly to yourself, tucking your phone away, feeling a rush of warmth that settled comfortably in your chest.

tonight was a night of celebration, but as you looked out at the gathering of supporters and friends, you knew that the most profound reward was waiting for you at home, ready to be there in ways that went beyond just words on a page.

“daddy, come on! we’re gonna be late!” megumi’s voice rang out through the small house, his small hands balled into impatient fists as he watched his dad struggle with his tie.

“alright, alright, relax, will ya?” toji grumbled, pulling the knot loose for the third time and starting over. his nerves weren’t exactly helping him get ready any faster, and megumi’s impatience wasn’t making things easier.

the babysitter mix-up had thrown a wrench into his plans.

tonight was supposed to be simple — show up, support you at your big launch, and, if he could work up the courage, propose.

that was already hard enough without a certain eight-year-old demanding he speed things up.

he glanced over at his son, who looked like a mini version of himself, decked out in a tiny suit, his hair combed neatly for once. megumi was practically vibrating with excitement.

“you ready for this, buddy?” toji asked, finally getting his tie straight and adjusting his collar.

megumi gave him a big grin, nodding eagerly. “i get to see y/n tonight! and everyone will say i look cool,” he added, puffing out his chest proudly. “do you think she’ll like it?”

toji smiled, his heart doing a weird flip at the thought of you seeing megumi like this. “she’ll love it. you look like a little heartbreaker,” he teased, ruffling his son’s hair before catching himself.

“but hey, don’t tell her that i messed up my tie like five times, alright? let’s keep it between us.”

megumi snickered, looking up at his dad with mischievous eyes. “only if you promise to hurry up! she’ll be there already! she’ll think we forgot her!”

toji let out a chuckle but felt a swell of something deeper. tonight was big — not just for you, but for him, for megumi, for the family he hoped to make official. he’d been so certain when he got the ring, so sure he’d just hand it over with some smooth line.

but now, standing here, he realized how real this was.

he’d spent most of his life with only his son by his side, and suddenly, you had filled in so many empty spaces he hadn’t even known were there.

“you think she’ll say yes?” he muttered to himself, not realizing he’d said it out loud until he saw megumi’s puzzled face.

“say yes to what?” megumi asked, head tilted as he studied his dad. “you didn’t ask her anything yet.”

toji’s heart leapt, but he just shrugged. “oh, just… if she’ll like the flowers, or the dress — uh, the way you’re dressed, i mean.” he rubbed the back of his neck, knowing full well his son wasn’t buying it.

“she’s gonna say yes to everything, daddy,” megumi said confidently, like it was the most obvious thing in the world. “everyone loves her. i love her!”

toji’s chest tightened. he didn’t need to ask megumi if he’d be okay with you becoming a permanent part of their family; the kid practically glowed every time you walked into the room.

“alright, alright. let’s get outta here before she thinks we’re ditching her big night,” he said, scooping up his keys and nudging megumi toward the door.

as they drove to the venue, toji’s mind raced.

he thought about all the times you’d laughed with him, stayed late to watch silly movies with megumi, made dinners feel like more than just a chore.

you weren’t just good for him; you’d made him want more, to be better. and for megumi, you were the safe place he hadn’t even known he’d been missing.

“daddy, are you gonna kiss her tonight?” megumi piped up suddenly, pulling toji from his thoughts.

toji nearly choked. “uh, maybe, kid. depends on how things go.”

“good,” megumi replied, nodding solemnly. “you should. she likes you. she told me once.”

toji chuckled, gripping the steering wheel a little tighter. “yeah? and what’d she say?”

“she said you’re stubborn and don’t listen, but that you’re good at cooking,” megumi recited, looking pleased with himself. “and that she thinks you’re cute.”

toji’s heart soared. the kid had no idea what tonight meant, not really. but he could feel his own nerves steady, knowing he wasn’t alone in wanting this.

it wasn’t just him and megumi anymore — it was the three of them, and he wanted that, needed that, more than he’d let himself admit.

pulling up to the venue, he took a deep breath, looking over at megumi with a grin. “alright, bud. let’s go make her night unforgettable.”

you were mid-sentence with one of the editors when you heard it — your name, shouted in the unmistakable pitch of a child. whipping around, you barely had a moment to react before megumi, clutching a massive bouquet that nearly swallowed him whole, came barreling toward you.

“megs!” you gasped, and without thinking twice, you scooped him up into your arms, letting out a laugh that was half-surprise, half-joy. the flowers brushed against your face, petals tickling your nose as you held him tight, savoring the moment.

“oh my gosh, you’re here! and look at these!” you pulled back just enough to look at the bouquet, then at megumi, who was grinning up at you with all the pride in the world. “did you pick these out yourself, mister?”

“yep!” he beamed, holding the bouquet up higher, like he wanted to make sure you got a good look. “daddy said we could get the biggest one they had because tonight’s really special.”

before you could respond, toji appeared beside you, keeping his arm low and offering a subtle, one-armed hug — a gentle squeeze at your waist, just enough for you to feel him there. the touch, as small as it was, sent a warmth through you that the room full of people couldn’t rival.

“thought we’d surprise you,” toji murmured, his voice just for you as he pulled back a bit, casting a wary glance around. you knew he was trying to keep a low profile, aware of the eyes everywhere.

not many people knew about his personal life — let alone that he had a son — and you understood, appreciating the lengths he’d gone to just to bring megumi here tonight.

“you both did a perfect job,” you said, looking from toji to megumi with a soft smile. “you have no idea how happy i am right now.”

megumi’s eyes sparkled, as if he knew exactly how much his presence meant. “i told daddy we couldn’t miss it! i mean, it’s your biggest book ever, right?” he asked, bouncing a little in your arms, oblivious to the attention his enthusiasm was drawing.

“it is,” you nodded, smoothing a hand through his hair, “and you made it so much better just by being here.”

“oh!” megumi perked up, his voice loud enough to turn a few heads. “did you know i brought my special iron-man pen so i can sign books too?”

you laughed, nodding along. “well, with a pen like that, you’ll be the best co-author here.” you glanced up at toji, sharing a knowing look.

“thank you for bringing him. i know it… wasn’t easy.”

toji shrugged, his expression softening just for a moment. “hey, it’s your night. thought he might make it even better.” his words were casual, but the sincerity in his eyes was undeniable.

it was like he wanted to tell you so much more, but knew it wasn’t the time or place.

a nearby critic approached, clearing his throat as he smiled at you. “i hope we aren’t interrupting a family moment,” he said kindly, glancing at megumi with a smile. “but i’d like to congratulate you on your incredible work — it’s rare to see such depth in a romance series, truly.”

you flushed, offering him a grateful smile as you shifted megumi in your arms. “thank you so much. that means the world to me,” you replied, feeling megumi wiggle with excitement.

toji, standing just behind you, kept his hand resting gently at your back, his presence grounding you as you navigated the crowd. despite his careful distance, you could feel his pride, his quiet support, and it felt like a shield, like a promise he was making, even in silence.

you knew how much it took for him to be here, to show this side of himself to the world, and you couldn’t be more grateful.

as you shook hands, exchanged pleasantries, and posed for photos, toji stayed close, always within reach. each time you turned to look at him, he was there with a soft, steady gaze, giving you that silent encouragement he seemed to master so well. with every glance, every small exchange, you could see the admiration in his eyes, like he was seeing you all over again and falling deeper.

megumi, oblivious to the significance of the moment, tugged at your sleeve. “are we gonna eat soon? daddy said there’s cake.”

you smiled, leaning close to him. “oh, definitely. i hear it’s the best cake in the whole city.”

“see, told you we’d get cake,” toji muttered under his breath, ruffling megumi’s hair. you couldn’t help but laugh, seeing the way his gaze softened as he looked at you both. there was so much affection there — unspoken, but understood.

for a brief second, you imagined this was your life every day. not just events and fleeting moments, but nights together, little family moments like this.

the thought made your heart swell, and for a second, you allowed yourself to imagine the possibility of it becoming real, wondering if maybe, just maybe, toji wanted it as much as you did.

toji leaned back against the wall, his eyes following the two of you as you knelt down to point out the different treats on the table for megumi, who was practically bouncing with excitement.

the critic’s words kept circling in his mind, replaying over and over, making his chest feel tight: family. family moment.

the idea of it hung in the air, clinging to him in a way he couldn’t shake off. watching you with megumi like this, it was a glimpse of something he’d never dared to imagine, and yet here it was, right in front of him.

his fingers brushed the small box in his pocket, feeling the outline of the ring he’d agonized over for weeks. it had seemed crazy when he’d first bought it — almost reckless.

me, proposing? he’d thought, laughing at himself. but now, with you and megumi just a few feet away, it didn’t feel crazy.

it felt like the most real, most obvious thing in the world.

"daddy! look!" megumi called out, waving a small pastry in the air. “she said i can try whatever i want! even the tiny cake things!”

“the petit fours,” you corrected with a smile, ruffling his hair. “you have great taste, kiddo.”

toji chuckled, crossing his arms as he walked over to you both. “better take it easy, megumi. don’t want you passing out before the cake,” he teased, slipping an arm around your waist without even thinking about it. the gesture was small, casual, but it felt right.

“i’m not gonna pass out! i can eat everything,” megumi declared with a determined nod, his cheeks already stuffed with a piece of macaron.

you both laughed, and toji glanced at you, his smile lingering just a little longer than usual. his heart thudded with a strange, warm ache.

he could see it now — the life he’d always convinced himself he didn’t need, didn’t deserve. he could see it so clearly: late nights, family meals, hearing megumi’s laughter echo through your home.

and you… you beside him, every step of the way.

his hand found yours and squeezed it, his voice dropping low, soft, “you’re really something, you know that?”

you tilted your head up at him, a bit of surprise mixed with warmth in your eyes. “what’s got you so sentimental all of a sudden?” you teased, nudging him playfully.

he chuckled, shaking his head. “maybe just… realizing how lucky i am.”

before you could respond, a familiar voice rang out, entirely too loud for the occasion.

“well, well, well, look who finally made it!” satoru announced, strutting over with shoko at his side, her expression mildly amused. “thought you’d skip your own lady’s event, huh, toji?”

toji rolled his eyes but gave satoru a smirk. “yeah, figured i’d let you take all the credit.”

satoru scoffed, nudging toji’s arm. “as if. this isn’t my night, it’s hers.”

he turned to you with a broad grin. “you’re killing it tonight, seriously. it’s about time everyone realized how much of a genius you are.”

“here, here,” shoko added, raising an invisible glass in toast, her eyes gleaming with that usual mix of admiration and mischief. “you deserve all of this, every bit of it.”

you smiled, feeling a flush rise to your cheeks. “thank you, both of you. really. none of this would’ve happened without you two backing me up from day one.”

satoru scoffed, waving you off. “please, you would’ve gotten here on your own. we just sped things up a little.”

toji watched as satoru and shoko chatted with you, keeping one hand wrapped around yours. satoru and shoko had no idea, of course, that tonight was the night he planned on asking you to be part of his life permanently.

it was almost funny, seeing them so oblivious, all while toji stood here with a ring in his pocket, ready to turn his life upside down.

“you okay?” shoko asked, raising a brow at him as she noticed his quiet, distant expression. “you look like you’re planning something big. which, if you are, you should probably warn her first.” her voice held a teasing edge, but there was something knowing in her eyes.

he gave a small shrug, trying to play it off.

“just… feeling lucky,” he said again, and he meant it more now than ever.

the moment megumi’s eyes landed on the enormous dragon hanging from the ceiling, his mouth fell open in awe, and he pointed up with such force it was almost as if he was about to fly off the ground.

his little voice pierced through the chatter of the room as he shrieked, “look! look! a real dragon!”

everyone turned their heads in unison, drawn to the oversized, intricate dragon decoration that swirled and curled down from the ceiling, its glittering scales catching the light and its wings spread wide like it was ready to take flight.

“woah, that thing’s massive,” satoru said, clearly impressed, even though his voice had the usual playful edge. “didn’t know you were into dragons, megumi.”

megumi, not even listening to satoru’s question, continued to point excitedly, his eyes wide with the kind of childlike wonder that made his enthusiasm contagious.

“it’s the dragon king!” he announced, as though he were revealing a hidden treasure. “he’s gonna — he’s gonna —”

“he’s gonna swoop down and eat us all up!” toji finished with a grin, playing along as he leaned in to mess with megumi’s hair. “better watch out, kiddo.”

megumi gasped, taking a step back dramatically as if the dragon could really eat him.

“nooooo!” he screamed, his tiny voice making everyone in the vicinity laugh. “i don’t wanna be eaten!”

“you’ll be fine,” you said, leaning down and pulling him into your side for a protective hug. “but if you’re not careful, the dragon might just come and steal your cookies.”

megumi narrowed his eyes in mock suspicion, crossing his arms. “that’s what he wants? cookies?!” he asked incredulously, his voice loud enough for the entire room to hear. “i can take him! i’m iron man!”

everyone laughed again, and even toji chuckled under his breath, watching his son’s antics with affection.

“you’d better be quick then, iron man,” toji teased, a hand sliding around your waist. “i think the dragon’s looking at your cookies.”

megumi immediately perked up at that, his eyes darting back to the dragon above them. “no! that’s my cookie! he better stay away!” he shouted, before running off toward the table with treats, waving his arms like he was preparing for battle. “you better not mess with my cookies, dragon!”

“he’s serious about those cookies,” satoru said with a grin, chuckling as he shook his head. “maybe we should let megumi take on the dragon first, then we can all get some cookies in peace.”

toji couldn't stop smiling at the sight of megumi racing toward the table. he hadn't seen the kid this excited in a while. it was as if his joy was a burst of energy that spread throughout the room. the love, the laughter — it all felt like a dream to him.

“what about you?” shoko asked with a teasing smirk, looking at you. “are you joining in the battle too?”

you grinned, your gaze flicking to toji for a brief moment before your eyes softened. “yeah, we’ve got to make sure the cookies are safe, right?”

toji’s heart thudded in his chest. he knew that this — these moments with you and megumi — was what he wanted. it wasn’t just about him or about megumi. it was about you three, together, as a family.

even if no one else knew it yet, it was real in his heart.

“we are the cookie protectors,” you said, straightening up. “and the dragon better stay away from us.”

megumi, now holding a cookie in each hand, jumped up and down. “yeah! take that, dragon!” he shouted, looking back at you for approval. his small face was so determined, so full of confidence, that you couldn’t help but laugh.

“that’s my boy,” toji muttered under his breath, watching the small scene unfold. he didn’t know how it had happened, but somewhere along the way, his heart had found a place with you and megumi — his family.

and no dragon, real or not, could take that from him.

you looked up at him, and for a brief second, the entire world felt like it slowed down. "we’re really doing this, huh?" you said softly, and toji’s lips curved into a warm, affectionate smile.

“yeah,” he replied, his voice steady. “we really are.”

as the last guests trickled out, toji gave a subtle nod to gojo and shoko, who shared a knowing look. gojo’s grin stretched ear to ear, and he waggled his eyebrows at toji.

“ohhhh, i see what’s going on,” he drawled dramatically, casting a wink your way. “don’t worry, big guy. we’ll keep the little one entertained.”

“so you two can, you know… have a moment,” shoko added, giving you both a half-smile as she nudged megumi’s shoulder. “come on, kid, let’s go see if there’s any cake left in the back.”

megumi’s eyes lit up. “cake? there’s more cake?”

“as much as you want,” gojo said, patting his head. he leaned down and stage-whispered, “besides, your dad probably needs all the help he can get to keep up with his favorite author.”

toji shot gojo a glare as gojo strutted away, dragging megumi with him. but there was a small, grateful smile tucked under the tough exterior as he turned back to you.

“they’re so extra,” you laughed, shaking your head as toji led you out onto the balcony, where twinkling lights and a clear view of the moon made everything feel softer, more intimate.

“think that’s what friends are for,” toji mumbled, scratching his neck, clearly trying to shake off a bit of nervousness. he looked so out of place in a suit but wore it well, in that rugged, casual way that made you feel like you were with him — not some polished version of him. you gave his arm a gentle squeeze as you both settled onto the bench.

“honestly, i still can’t believe how well tonight went,” you murmured, staring out at the moonlit view. “it feels surreal.”

toji chuckled. “yeah, you handled it like a pro. i don’t know how you keep it together with all those people throwing compliments and criticism at you.”

you laughed softly, nudging him with your shoulder. “oh, like you’re one to talk, mr. mysterious voice actor.”

he rolled his eyes, but there was a small, proud grin tugging at the corners of his mouth. “voice actor, huh? kinda takes the mystery out of it.”

“please, i see how they look at you when you talk,” you teased, leaning your head against his shoulder. “if they only knew half the things you say to me, the mystery would be gone in a second.”

toji huffed, his cheeks slightly pink as he wrapped his arm around you. “maybe i like keeping a few secrets,” he said, tone low and soft, like he was letting you in on one right then.

you stayed like that, just nestled against him, and a comfortable silence settled between you. after a moment, you stood and walked to the ledge to snap a picture of the full moon, your phone’s flash catching on something small — a tiny charm dangling from your phone. toji’s eyes drifted to it, and he felt a sudden rush of warmth at the sight: the little origami paper ring he’d made for you months ago, in a moment that felt playful and silly then, but seeing it still there now…

he took a deep breath, fingers brushing over the ring box in his pocket.

it’s now or never, huh?

“hey,” he called softly.

you turned, your face softly illuminated by the moonlight. there was a kind, patient look in your eyes — the look that he swore could stop his heart — and his own heart hammered as he took a step closer.

“so, um…” he cleared his throat, trying not to let his nerves show. “you remember that first night we met? at the bar?”

“oh yeah,” you said with a little smile. “you were the one looking all grumpy in the corner.”

he chuckled. “yeah, i… guess i thought i was too good for everyone there.” he smirked, shaking his head. “then you sat down and completely threw me off. got me talking more in one night than i’d talked all year.”

you laughed, taking his hand and giving it a small squeeze. “you didn’t seem like the talking type.”

“i wasn’t,” he said, softer now, “until you.”

you tilted your head, brows lifting in surprise as he went on.

“i tried not to make a big deal out of it,” he said, a little embarrassed, “but i fell hard that night. i kept telling myself it was nothing, but then… every time i saw you with megumi, every time i watched you do what you love…” his voice grew softer. “hell, every time you’d hum “dancing queen,” i’d get this stupid grin on my face and just think, ‘yeah, this is it.’”

you couldn’t help but laugh at that, even as your heart beat faster. “dancing queen? really?”

“yeah, laugh all you want,” he teased, shaking his head, “but it’s true.”

then, with a steadying breath, he pulled out the ring box and flipped it open, revealing a delicate ring, the exact same shade of blue as the paper ring on your charm.

“so… will you let me make this official? be my wife? let me be there for you and megumi, as more than… you know, whatever we’ve been calling this?”

your eyes filled with tears as you stared at the ring, then up at him. without hesitation, you flung your arms around him, hugging him tight as you whispered, “yes. yes, toji, a thousand times yes.”

he exhaled in relief, wrapping his arms around you as if he was afraid to let go. “about time,” he murmured, voice thick with emotion. “thought you’d never give in.”

you leaned back, laughing as you swiped at your tears. “oh, shut up, you were the one dragging your feet!”

“i’m just thorough,” he said with a smirk, slipping the ring onto your finger. he glanced down at it, a proud smile on his face. “looks good on you.”

you admired the ring, then met his gaze with a grin. “it’s perfect. but, uh… i hope you’re ready for a lifetime of dancing queen.”

toji groaned playfully, though his eyes sparkled with happiness. “guess i can handle that… as long as i’ve got you.”

as you stood there, feeling the weight of the ring on your finger and the warmth of toji’s arms around you, the realization washed over you like a tidal wave — you, the anonymous smut writer extraordinaire, the queen of dodging wholesome romance in favor of spicy plots, were now officially engaged.

engaged, as in, someone actually wanted to put a ring on it.

and that someone just happened to be toji fushiguro, who, at this very moment, had the audacity to be looking at you with that amused glint in his eye, watching your face morph from shock to excitement to full-on teary bawling.

“oh my god,” you croaked, barely able to contain the laugh-sobs that bubbled up.

“i’m engaged. like, wedding bells and not trolling in the comments sections engaged.”

toji raised a brow, pulling you closer as he chuckled. “i mean, considering half the stuff you write about, that’s a hell of a transition. but hey, you’re handling it… sorta.”

“sorta?” you sniffled, then glared at him through watery eyes. “i’m having a life-altering epiphany, thank you very much.”

he smirked, swiping a thumb under your eye to catch a stray tear. “awwww, poor baby. reality setting in?”

you scoffed, trying to stifle the way your laugh broke into another sob. “look, i just… never thought i’d actually be here, you know? from hidden smut scenes and faceless profiles to… this.”

“hey, hey,” he murmured, squeezing your hand. “if it makes you feel better, i’m here for all of it. the trolls, the, uh… ‘intense fan engagement,’ and whatever’s next. and i gotta say, i think it’s pretty hot my girl’s a smut connoisseur.”

you smacked his arm, laughing through your tears. “you just like that i write things that would make a nun pass out.”

“absolutely,” he grinned. “it’s impressive. educational, even.”

you let out a snort-laugh, wiping your cheeks. “oh my god, toji, please. this is already too much. i’m literally having a moment, and you’re still finding a way to bring up my career in porn literacy.”

he chuckled, pulling you close and leaning his forehead against yours. “is it really a moment if i don’t remind you what a legend you are?”

you blinked up at him, overwhelmed by a mix of hilarity and emotion, the tears slipping down despite yourself. “i… i guess not.”

“see?” he said softly, brushing his thumb over your cheek again. “you’re one of a kind, y’know that? and i’ve loved you since day one — trolls, sarcasm, emotional breakdowns, and all.”

you sniffled, biting back a laugh that still sounded half like a sob. “since day one? you mean since i saw you brooding in a bar and puked on your shoes?”

“yeah, yeah,” he murmured, his voice softer now, almost reverent. “since that night. you took me out of my head, put me right in yours. and now… i don’t think i’d want to be anywhere else.”

that did it; a fresh wave of tears slipped down, and you let out a groan, barely holding back a laugh. “great, now i’m really crying. and it’s all your fault for saying something so sweet.”

toji’s lips curved into a smirk as he gently thumbed away your tears. “i’ll take the blame,” he murmured, then pulled you close again. “so long as i get to see that pretty face of yours every day.”

“ugh,” you muttered, but your voice wobbled, giving you away. “you’re such a jerk. you know that?”

“only for you, babe,” he said, squeezing you. “only for you.”

toji grinned, watching the emotional storm brewing in your eyes. just as you took a shaky breath to speak, he cleared his throat dramatically, adopting a voice dripping with fake sincerity, and intoned, “my love for you burns brighter than the eternal flames of the dragon king’s wrath…”

your jaw dropped, equal parts horror and laughter bubbling up. “oh my god, toji. no. you didn’t just quote one of my lines. that line.”

he smirked, utterly unbothered, shrugging casually. “what can i say? they had those fancy signed copies lying around… thought i’d see what all the fuss was about.”

you were torn between laughing and punching him. “so, you thought you’d quote the cheesiest line in the whole book? i swear, that scene was a joke between me and shoko —”

“hey, don’t knock it,” he said with a smirk, throwing an arm around you. “personally, i think it’s beautiful. poetic, even. you’d make any dragon proud, babe.”

you groaned, burying your face in your hands. “i’m so embarrassed right now.”

“oh, c’mon,” he nudged, pulling your hands away so he could see your face. “if it makes you feel any better, it got me here, didn’t it? my heart’s already caught fire.”

“stop it,” you laughed, finally relenting and pressing your forehead to his chest, a half-hearted punch to his shoulder. “you’re such a jerk.”

he chuckled, wrapping you in his arms. “yeah, but i’m your jerk. and i gotta say, i think we’d make a pretty good team. i mean, after all, the dragon king always finds his queen…”

“i will actually murder you,” you muttered, but you couldn’t help the way your laughter softened, clinging to him just a little tighter.

“that’s my girl,” he murmured, planting a kiss on the top of your head, a warm, knowing smile on his face.

the morning after the book launch, toji was on high alert as he sat megumi down at the kitchen table. the little guy was still bleary-eyed, hair a mess, pajamas slightly askew, but when he spotted his dad’s unusually serious expression, he perked up, looking from toji to the unopened box of cereal on the table.

“what’s up, daddy?” he asked, squinting at him suspiciously.

toji cleared his throat. “listen, kiddo… i’ve got some big news.”

megumi’s eyes widened. “big news?” he asked, already intrigued. “like… big like when we found out that the dragon yesterday was a real dragon?”

toji scratched his head, trying not to laugh. “well, maybe not that big. but it’s important. you know how much i love y/n, right?”

megumi nodded with an exaggerated seriousness that only an eight-year-old could muster. “of course! you guys are always looking at each other, and you smile even when she makes fun of you.”

“oh, she makes fun of me?” toji chuckled, raising an eyebrow.

“yeah, dad. i heard her say you look like a ‘tough marshmallow’ once,” megumi said, and then giggled at the memory.

toji rolled his eyes, but a smile tugged at his lips. “well, anyway… i’ve decided to ask her to marry me. and guess what? she said yes.”

megumi’s eyes grew as big as saucers, and he sat straight up in his seat. “wait, like… she’s gonna be my mama?”

toji nodded, grinning. “yeah, just like that. you and me — we’re gonna be a team with her.”

megumi stared at him in stunned silence, and then, all at once, he exploded with excitement.

“YES! that’s so awesome!” he yelled, fist-pumping the air. “we’re gonna be a real family, with, like… dinners, and vacations, and… wait, does that mean i can tell my friends i have a mama now?”

toji chuckled. “you sure can, kid.”

“oh man,” megumi squealed, his hands up in the air as he looked around the kitchen as if needing to celebrate immediately. “this is amazing! we need to have a party or something!”

he practically bounced up, reaching for his favorite cereal with such enthusiasm that his elbow knocked a bottle of milk right off the counter, sending it crashing to the floor. they both froze, looking at the mess.

megumi winced. “uh… oops?”

toji just laughed, pulling him into a one-armed hug. “we’ll clean it up together. ‘cause that’s what families do, right?”

megumi beamed up at him, the pure joy in his little face melting every last bit of toji’s tough exterior. “right! and i’ll do it fast, ‘cause i’m excited. i can’t believe this. i’m so lucky, daddy!”

toji ruffled his hair. “nah, kid. i’m the lucky one. and trust me, it’s about to get even better.”

it's barely dawn when your phone buzzes, dragging you out of a warm, blissful sleep. squinting at the screen, you see toji’s name flashing. a sleepy smile forms on your face, but before you can even say hello, a very familiar, very excited young voice explodes into your ear.

“y/n!!! WAKE UP! WAKE UP!!” megumi practically yells, his voice hitting decibels that feel criminally loud this early in the morning.

you jolt, holding the phone a little farther from your ear. “megumi?” you mumble, still half-asleep and trying to process the level of energy he’s throwing at you. “why are you up so early, buddy? did something happen?”

“something HUGE happened! guess what, guess what, guess what!” he shouts, each “guess what” somehow louder than the last.

blinking against the early light creeping into your room, you stifle a yawn. “hmm… did someone find a real-life dragon in our backyard?” you play along, rubbing your eyes.

“even BETTER!” he declares triumphantly. “you’re gonna be my mama!!”

you pause, biting back a laugh, because of course you already know this. but hearing the excitement in his voice, you can’t help but let yourself get a little carried away, too.

“oh, wow! really? that’s incredible, ‘gumi! i had no idea,” you say, matching his enthusiasm with a gasp.

“i know! isn’t it soo cool?! i told daddy that this means we get to have family dinners and stuff, and now i get to tell my friends that i have a mama,” he babbles, his words running together in his excitement.

toji’s voice, faint in the background, mutters, “megs, let her breathe.”

but megumi, undeterred, barrels on. “and guess what else! i’m gonna help pick out the wedding cake. i already told daddy i want one with dragons on it, so we’ll be like, the coolest family ever.”

you laugh, absolutely charmed by his excitement. “well, i think that’s an amazing idea. a dragon cake sounds perfect.”

“right?! and can we have swords, too? i think it should be like one of those fights, where you and dad have to fight, and whoever wins gets the cake.” he’s practically bouncing off the walls at this point, each suggestion wilder than the last.

“swords and dragons? that might be a tall order, but we can see what we can do,” you reply, stifling another laugh.

toji’s voice cuts in, sounding both amused and exasperated. “alright, kiddo, you’re supposed to let her sleep. remember? that was the deal if i let you call her this early.”

there’s a dramatic pause, and then megumi whispers loudly into the phone, “oops.”

you chuckle. “it’s okay, mumi. i’m really glad you called. now i’m just as excited as you are.”

“good!” he cheers, before pausing. “but, uh… you can still sleep if you want. i can call you again in five minutes if that helps?”

“five minutes, huh?” you glance at the clock, pretending to think it over. “you know what, i’ll take that extra sleep. i’ll talk to you later, okay?”

“okay!” he chirps, clearly pleased with himself for being so “understanding” about your need for sleep.

you hear toji laugh softly in the background, and he takes the phone back. “go back to sleep, sweetheart. i’ll make sure megumi doesn’t actually call you in five.”

“i appreciate it,” you murmur, smiling. “good luck keeping him in one place today.”

“thanks. i’m gonna need it,” toji chuckles. “get some rest. we’ll see you soon, future mrs. fushiguro.”

a warmth blooms in your chest, making it even harder to hang up. “can’t wait. love you both.”

as you finally close your eyes again, megumi’s ecstatic little voice echoes in your mind. it’s the kind of wake-up call you could get used to, even if it means sacrificing a few hours of sleep.

toji grumbled as he held up his phone, squinting against the light from the window. it wasn’t every day he voluntarily subjected himself to a facetime call with those two, but after everything that’d happened last night, he supposed he owed them the news firsthand. as the phone rang, he mentally prepared himself for the inevitable chaos that was about to unfold.

the call finally connected, but there was nothing but… dead silence. neither gojo nor suguru had their cameras on, which was weird because gojo’s face was usually plastered in the frame within seconds, whether he was ready or not.

“uh… you two there, or is my phone broken?” toji asked, furrowing his brow, wondering if it was some kind of network issue.

another moment passed before gojo’s voice finally came through, quiet and almost suspicious.

“so, toji. you call us this early, just for what? a chat?”

“what, i’m not allowed to check in?” toji countered, unable to keep a smirk off his face. “and hey, it’s not that early.”

“toji, it’s barely eight!” gojo’s voice was dramatic, and toji could practically feel suguru rolling his eyes in the background.

“yeah, yeah, well… it’s important,” toji finally muttered. he knew it was going to sound weird to them, especially coming from him, but he had to bite the bullet.

“look, i got engaged last night.”

a beat of absolute silence.

toji even pulled the phone away from his face to make sure the call hadn’t dropped. then, suddenly, he heard a choking noise on the other end, and gojo’s voice came back with a trembling, “what did you just say?”

“yeah. i asked her to marry me. it’s real.” toji’s voice was nonchalant, as if he was just talking about his usual dinner plans, but his grip on the phone tightened. he didn’t know what to expect from them. jokes? a snide comment? but… nothing.

dead silence again.

“alright, what the hell? you guys hear me, or what?” toji demanded, brow knitting in confusion. were they that shocked, or was the signal just terrible?

and then, from the other end, he heard a frantic scramble, some muffled curses, and then… nothing. his screen stayed black.

just as he was starting to think the call had dropped, there was a loud knock on the door of his house, followed by the unmistakable sound of fists pounding against the wood.

“toji! open up!” gojo’s voice was shrill with excitement, and suguru’s calm, collected voice was barely audible under gojo’s babbling. “we’re coming in!”

toji groaned, rubbing a hand down his face, but he couldn’t stop the grin creeping up on him. he opened the door, and immediately gojo shoved past him, eyes wide and… were those tears?

“toji! no. you did not just get engaged.” gojo looked between him and the empty house as if expecting some kind of confirmation. he grabbed toji by the shoulders, eyes glistening, voice a little thick with emotion. “you… you’re serious? i swear, if you’re messing with us —”

“satoru,” suguru interrupted, leaning casually in the doorway, looking far more composed but with a smirk tugging at his lips. “give the man some space.”

“no! he’s been holding out on us this entire time! and now he’s engaged?” gojo sniffled dramatically, then pulled back and looked around, eyes narrowing.

“wait. where’s she? she has to confirm this. i don’t believe it otherwise.”

toji rolled his eyes, half-exasperated, half-amused. “she’s not here, genius. she’s at her place. i didn’t drag her along for this circus.”

“circus?! toji, this is a historic moment!” gojo looked as if he was going to cry all over again.

“you, of all people, settling down with someone — i just — i knew you had it in you! i just thought it would take a lot more time. i mean, do you even know what to do now that you’re —” he waggled his fingers, unable to contain his excitement, “ — engaged?”

toji snorted, feeling a weird warmth settle in his chest. “well, obviously. i got this covered. don’t act like you know everything, gojo.”

suguru chuckled from his spot, crossing his arms and giving toji an approving nod. “i’m honestly impressed. never thought i’d see the day.”

“oh, please.” gojo scoffed, reaching up to dab his eyes with the back of his sleeve. “don’t look at me like that. you’re crying too.”

suguru raised an eyebrow, unaffected. “i’m… not crying, satoru.”

gojo shot him a glare, but then turned back to toji, his face softening. “all joking aside, man, i’m really happy for you. i knew you’d find someone who could handle all… this.” he gestured broadly to toji, grinning. “and that she’d actually make you a better person.”

“yeah, yeah. thanks for the pep talk,” toji muttered, the corners of his mouth twitching upwards as he scratched the back of his neck. “didn’t think i’d be hearing this from you two clowns.”

“hey,” suguru said with a smirk, clapping a hand on his shoulder. “that’s what friends are for, right? to be there when you make stupid decisions… or, in this case, when you make one of the best decisions of your life.”

toji rolled his eyes, but he couldn’t deny the swell of gratitude in his chest. he’d known these two idiots for years, and hearing them actually cheer him on — well, it was something.

gojo sniffled again, clearly still emotional, then let out a bark of laughter. “so, tell us, what’s the plan now, mr. engaged man?”

“plan?” toji raised an eyebrow. “uh, i dunno, man. probably marry her?”

“don’t be sarcastic, toji!” gojo waved a hand. “i mean the details. are you doing it here? is there gonna be a fancy wedding? can i give a speech?”

toji pinched the bridge of his nose. “i’m pretty sure giving you a mic is gonna be the worst decision of my life.”

“that’s what you said about proposing,” suguru chimed in with a grin.

“touche,” toji muttered, though his smirk betrayed his amusement.

gojo, however, was unrelenting. “so, can i give a speech? come on, toji. i can make it classy. well, sorta. at least i’ll keep it pg — ish.”

“we’ll see, alright?” toji finally conceded, shaking his head as gojo cheered like he’d just won a prize. “but don’t make me regret it.”

“you won’t!” gojo promised, practically vibrating with excitement. “i swear, this is gonna be epic.”

as they continued to tease and joke, the weight of the whole thing started to settle in for toji.

he was actually… engaged.

and having these two idiots with him, sharing the moment in their ridiculous way, made it feel real.

“seriously though,” suguru said softly, giving him a sincere look. “we’re happy for you, man. she’s good for you. and you’re gonna be an even better man with her by your side.”

toji took a deep breath, nodding. “yeah… i think so too.”

they shared a rare, quiet moment, before gojo predictably ruined it with a loud sniff. “okay, enough of the mushy stuff. let’s celebrate! someone find a cake!”

toji let out a laugh, shaking his head. he’d never admit it, but right then, with gojo’s exaggerated tears and suguru’s approving grin, he realized he had everything he needed — and he wouldn’t trade any of it for the world.

after the chaotic call with toji and, mostly, megumi, there was no way you were going back to sleep. megumi’s squealing declaration of, “you’re gonna be my mama!” had left you lying there, wide awake, in a sort of dazed disbelief.

and really, who else would you call at an hour like this but shoko?

you dialed her number, tapping your foot against the floor as it rang, and it didn’t take long for her to pick up.

“it’s eight in the morning, this better be good,” she mumbled, her voice groggy but laced with intrigue.

“oh, trust me, it is,” you said, and just like that, all the excitement came rushing back.

“toji proposed last night.”

there was silence on the other end. just as you started to wonder if she’d fallen asleep, she finally responded with a very eloquent, “wait, what?”

“yeah. proposed. last night. officially engaged,” you replied, trying to sound casual but failing miserably. you were still riding that high, and the fact that shoko, who was usually so cool and unflappable, sounded actually stunned was a bonus.

“no way.” you could hear her sitting up, probably rubbing her eyes in disbelief. “toji proposed? the same toji who spent half his life avoiding commitment like it was a death sentence?”

you couldn’t help but laugh. “yeeeppp, that’s the one.”

“oh my god,” she muttered, and you could practically see her shaking her head. “i knew you two were close, but… this is major. i never thought i’d live to see the day toji fushiguro actually put a ring on someone.”

“honestly, neither did i,” you admitted, smiling. “but here we are.”

“here we are,” she echoed, sounding just as baffled as you felt.

“man, this is going to throw satoru into a complete meltdown. you know he’s going to act like he’s the one getting married. brace yourself.”

you snickered, knowing she was absolutely right. “oh, i already know. i’m guessing he’ll throw himself a one-man wedding just to feel involved.”

shoko let out a bark of laughter, fully awake now. “and suguru? he’ll pretend he doesn’t care, but deep down, he’s probably lowkey emotional. i mean, it’s toji we’re talking about.”

“oh, i’m sure,” you said, grinning. “they’re probably off somewhere right now, grappling with the news, questioning how this could even happen.”

“please tell me you’re doing something to celebrate?” shoko asked, sounding genuinely excited now.

“well, i haven’t had much time to think about it,” you admitted. “toji’s with megumi at their place, and i’ve been mostly lying here, trying to wrap my head around it. but yeah, we’ll have to plan something.”

“good,” she replied, her tone a mix of fondness and exasperation. “you’re really going through with this, huh?”

“guess so,” you said, letting out a soft sigh. “i mean, the man wore me down with sheer persistence and probably some kind of magic spell.”

“hey, if anyone’s capable of luring you into marriage with his questionable charm, it’s toji,” she quipped. “alright, just promise you’ll let me know when i can start making sarcastic toasts about your love life.”

you laughed, feeling a bit of warmth in your chest. “deal. just, uh… don’t go too hard on him?”

“can’t make any promises,” she said, and you could hear her smile through the phone. “but seriously, congrats. i’m happy for you.”

“thanks, shoko,” you murmured, feeling a little teary-eyed again.

“don’t get all mushy on me now,” she grumbled playfully. “anyway, go get some sleep. you’ll need it to survive gojo’s emotional rollercoaster later.”

“noted. thanks for… you know, being there and everything.”

“anytime,” she replied, voice softer. “and hey, if you need help dealing with him, i’ll bring earplugs and champagne. we’ll get through it together.”

you hung up, a smile lingering on your face as you finally felt yourself relaxing, her warmth and dry wit making everything feel real. there were wild days ahead, but with people like shoko — and, admittedly, even satoru and suguru — in your corner, you figured you could handle whatever this wild journey with toji brought your way.

the planning was barely underway, but with gojo involved, it was already spinning wildly out of control.

“i’m telling you, the whole thing’s on me!” gojo announced, practically vibrating with excitement. he looked at you and toji with a glint in his eye that screamed no room for negotiation. “no expenses spared, no corners cut.”

you exchanged a look with toji, and he rolled his eyes. “we’re not celebrities, gojo. we don’t need you to go full kardashian here.”

gojo waved a hand dismissively. “nonsense! it’s your wedding. our wedding,” he corrected, gesturing grandly to include everyone. “i want nothing but the best for our girl and toji — even if he does look like he’s heading to a funeral half the time.”

toji snorted. “you’d look like this too if you had to put up with you on a daily basis.”

gojo gasped dramatically. “how dare you! i’m delightful!”

suguru, who was sitting back watching the chaos with his usual serene expression, piped up, “you know, he’s technically sponsoring it, so he’s not wrong. though i am begging you to leave the smoke machines and laser lights out of it.”

gojo gave suguru a mock-offended look. “oh, come on! think of the ambiance!”

“i’m thinking of it, alright,” suguru said dryly. “and it’s giving me a headache.”

“how about we go traditional?” you suggested, trying to bring some order to the conversation. “nothing too flashy. simple, elegant, you know?”

“but, mama,” megumi piped up, looking up from the sketches he’d been doodling. “we have to have the dragon fountain!”

toji raised an eyebrow. “dragon fountain?”

megumi nodded, eyes wide with excitement. “a chocolate fountain! but, like, huge and with dragon heads spouting chocolate!”

gojo slapped his knee, eyes gleaming. “genius idea, kiddo! a dragon fountain it is! we could even do white, milk, and dark chocolate heads. maybe throw in a caramel one, too!”

you shook your head, laughing. “and who’s going to eat all this chocolate? because i’m not sure megumi’s digestive system can handle that much sugar.”

“we’ll make it work,” shoko chimed in, flipping through a wedding planner book that she clearly swiped off some poor, unsuspecting bride-to-be. “if gojo’s footing the bill, might as well go all out. i’ll take care of managing his ambitions.”

“exactly! shoko gets it,” gojo beamed, slinging an arm around her shoulders. “and don’t worry, i’ll make sure to throw in an open bar. suguru, back me up on this — no wedding’s complete without one.”

“only if we don’t make it a neon glow theme,” suguru deadpanned. “or i’ll skip town on the day.”

gojo smirked. “okay, fine, we’ll tone it down. maybe we can go with a tasteful theme. you know, candles and chandeliers…”

toji eyed him suspiciously. “you better not pull any of those ‘tasteful’ surprises where everyone suddenly has glow sticks halfway through the reception.”

gojo crossed his heart. “scout’s honor. only sophisticated, adult fun.”

you leaned back with a sigh, sharing an exasperated smile with toji. “honestly, i was picturing something small and simple. i mean, it’s our wedding, not some movie premiere.”

“but that’s so boring,” gojo whined, flopping onto the couch with a pout. “it’s the event of the century! my best friend’s wedding!”

“we’re not giving you a starring role in it, satoru,” you replied, but you couldn’t help laughing. “it’s not the same as one of your campaigns.”

“pfft,” he waved it off, clearly ignoring you. “oh, and i’m bringing in a string quartet. suguru, thoughts?”

“a quartet’s fine,” suguru replied. “as long as you’re not personally conducting them.”

toji raised a brow. “wait, how many musicians do we need? i thought it was just a dj.”

“absolutely not!” gojo interjected. “this is a high-class affair, we need a live band for the ambiance. and maybe — just maybe — a marching band as we enter the reception. what do you think?”

“i think you need to sit down,” toji said, chuckling. “keep it up, and you’ll be banned from your own wedding planning.”

“and i’ll be running the whole show,” shoko added, smirking. “trust me, you’ll thank me later.”

“fine, fine,” gojo sighed, throwing his hands up in mock surrender. “but you can’t deny that i have style.”

you glanced over at toji, trying to suppress your laughter. “so we’re really doing this?”

he shrugged, grinning. “apparently. might as well enjoy the circus. just remember, all i need is you, okay?”

gojo pretended to gag. “gross, i think i just tasted actual romance.”

“you’re just jealous, gojo,” shoko teased. “let the man have his moment.”

suguru smirked, patting gojo’s shoulder. “come on, let’s go look into the dragon fountain, yeah?”

gojo lit up, giving you and toji a thumbs-up. “this is gonna be the best day of your lives!”

you shook your head, feeling a mix of amusement and warmth as you watched them all bicker and plan in their chaotic way.

sure, maybe you didn’t need the dragon fountain or the live band or any of gojo’s grand ideas, but looking at everyone around you, you knew this was exactly the kind of crazy family you’d never trade for anything.

it was a whirlwind few months of planning, but in the end, everything started coming together…even if it took a little extra wrangling to keep gojo’s more eccentric ideas at bay.

first, there was the venue selection.

gojo initially wanted a “renaissance castle, with a giant moat and a drawbridge,” which, he claimed, would make a “stunning entrance.”

shoko quickly vetoed that. “this isn’t a medieval fair, satoru. we’re going for elegance here.”

then came the color scheme.

gojo suggested “electric blue and neon green,” which he swore was “super chic,” but after he received enough horrified stares, he reluctantly gave in.

the final choice?

muted blues and creams, which, as shoko put it, “won’t make the guests feel like they’re trapped in a laser tag arena.”

then there was the music situation.

“how about we have fien by travis scott for when you walk down the aisle?” gojo suggested with a grin, only half-joking.

“you want travis scott at the wedding?” you stared at him, incredulous.

toji looked equally appalled. “how about we play something that doesn’t have bass drops? we’re not clubbing.”

in the end, they settled on something classier — an instrumental piece by a local string quartet, though toji muttered about how the only reason he was going along with it was because it would make you happy. gojo had to be dragged out before he suggested sicko mode as the first dance song.

despite gojo’s quirks, megumi was probably the most eager of the group. every day at school, he proudly informed his teachers and classmates of the “big wedding coming up.”

and his absolute favorite title for you?

“oh, my mama’ll be here soon,” he announced one afternoon, shocking his teacher, who had only ever known him as the kid with a hot, single dad.

“your…mom?” she asked, blinking in confusion.

“yeah, she’s coming today.” he said it so matter-of-factly that by the time you actually arrived, half the class was already convinced you’d been hiding in the shadows for years.

and when you walked into the classroom, every pair of eyes turned toward you, wide and incredulous.

“uh, hi,” you greeted, awkwardly waving as megumi bounded up to you, gripping your hand with a proud grin. “this your class, megs?”

“mhm! this is my mama, everybody.” he announced it loud enough for everyone to hear, looking back at his teacher. “see? if you need anything, just talk to her!”

you exchanged an amused look with toji later that day. “our son,” you chuckled, “may or may not have given his teachers a heart attack.”

“good,” toji grinned, ruffling megumi’s hair. “let ’em wonder.”

the pre-wedding festivities were somehow even wilder.

gojo had gotten it into his head that he should coordinate the bachelor and bachelorette parties, because “who else could bring the flair?” to everyone’s surprise, he actually managed a tasteful, elegant evening — though he did keep his ‘last-minute party favors’ a surprise until the last second.

“here, just a little souvenir.” he handed out tiny, almost suspiciously pristine boxes.

inside? custom bobbleheads of you, toji, and yes — even megumi, wearing a tiny tuxedo.

toji, upon seeing his, just stared blankly. “satoru, why do i look like a discount action figure?”

“it’s a memento, buddy,” gojo laughed. “something you’ll cherish forever.”

“you’ll cherish it in your nightmares,” shoko muttered, chuckling as she pocketed hers.

then, finally, the day of the wedding arrived, a surprisingly classy affair thanks to shoko’s firm guidance and gojo’s slight restraint. and as you walked down the aisle with the string quartet playing softly, you looked out at everyone — megumi’s wide-eyed excitement, shoko’s small smile, suguru’s approving nod…and gojo, wiping a “single sassy tear” away as he mouthed, “this could’ve been fein.”

and as you met toji at the altar, his smile a mix of amusement and affection, you couldn’t help but be grateful for the beautiful chaos that had led you here.

the ceremony had a cozy warmth to it, one that settled in everyone’s chests as you and toji stood before each other, eyes locked, hands intertwined. but all of it nearly paled in comparison to the pride beaming from megumi’s little face. he stood off to the side, clutching the ring pillow with a mix of fierce concentration and excitement. his little hands gripped the pillow as if it were the most sacred artifact on earth.

“okay, megs,” toji whispered to him, giving a little nod. “it’s your moment, champ.”

megumi straightened up, lifting the pillow and marching toward you with all the poise of a seasoned soldier, chin up and shoulders squared. when he reached you, he stopped and gave an exaggerated bow, then held up the pillow with both hands.

“tall, just like i promised,” he whispered, looking up at toji with an earnest pride in his eyes. “i drank milk two times a day for this.”

you stifled a laugh as you took the ring from the pillow, smiling down at him. “all that milk’s paying off, huh?”

“mhm!” he beamed. “i think i’m taller already.” he gave a firm nod, looking satisfied with his growth, then shuffled back to stand with gojo and shoko, still watching the two of you intently.

toji grinned at him and turned back to you, holding your hands as he spoke his vows. his voice was steady, but you could see the faintest flicker of nerves — the soft, vulnerable side he only ever showed you.

“so,” he started, a little sheepishly. “i never thought i’d be the type to stand here, saying vows. but then i met you. first night we met, i figured you were just another person at a bar, and i’d never see you again. but then…you became everything. every single moment i’ve had since then, it’s all been better because you were there.”

you felt your heart clench as he continued, his voice soft but filled with a rare tenderness.

“i love you when you’re writing all those silly stories, when you’re with megumi, when you’re just…being you. and yeah, maybe ‘dancing queen’ playing in my head every time you walk in the room is cheesy, but… i’m a sucker for it.” he shrugged, his smile widening. “you make me a better man, even if i’m just a little rough around the edges.”

you couldn’t help the tear that slipped down your cheek as he finished, a gentle squeeze of his hands grounding you. it was your turn, and you took a shaky breath before starting, your voice full of affection.

“toji, i never thought…i’d be here, either. i spent my life writing about love, imagining it, but never really believing it was something i’d have for myself. and then you showed up.” you laughed softly, remembering the times you’d found yourself scribbling little details about him into your stories. “and now…i can’t imagine a world without you in it.”

toji’s gaze softened, his thumb brushing over your knuckles as you continued.

“you taught me to be brave, to open up. you showed me what it means to love someone and be loved in return. you and megumi — you two are my family, and i’m so grateful to be a part of yours.” you paused, swallowing down the emotion in your throat. “and i promise, every day, to be there for you, to love you, and…to keep dancing with you, even when we’re old and gray.”

his grin widened, and he let out a small chuckle. “gray, huh? guess that’s something to look forward to.”

with the vows said, it was time for the rings. toji slipped the ring onto your finger, his hands a little shaky, and you did the same for him, feeling the weight of the moment settle in your chest.

and then, as you leaned in for the kiss, just as your lips met his, the opening notes of dancing queen began to play. you pulled back, eyes widening in disbelief, while toji stifled a laugh.

“oh, come on,” he whispered, trying to hide his amusement. “did you…did you plan this?”

“me?” you shook your head, glancing around as you caught gojo giving you a thumbs-up from the crowd, a wide grin on his face. he’d clearly orchestrated it somehow, probably having the dj on standby.

“you can dance, you can jive…” the music continued, filling the room with a cheerful, infectious energy that made you laugh as you hugged toji tightly.

“guess it’s our song now,” toji murmured, his forehead resting against yours as he held you close.

“always has been,” you whispered back, squeezing his hand.

and as the music played on, megumi sprinted over to you two, tugging on your hands. “dance! we’re supposed to dance now!”

toji scooped him up, holding him between you as the three of you swayed to the song, laughing as megumi did his best eight-year-old version of dancing, wiggling in toji’s arms with unabashed excitement.

“i think i did a good job as ring bearer, don’t you think?” he grinned, looking up at you both with pure pride.

“you did amazing, mumi,” you said, pressing a kiss to his forehead.

“best ring bearer ever,” toji agreed, ruffling his hair. “all that milk really paid off.”

and as the night continued, filled with laughter, love, and a whole lot of dancing queen, you felt an overwhelming sense of joy that this was your family, your life, and the beginning of a lifetime of moments just like this one.

as you and toji stand together on the dance floor, the lights dimmed just enough to give it that perfect, romantic glow, everything felt like it was about to hit a new, sentimental level. the music was supposed to be soft, maybe perfect for a couple's dance — something wholesome and family-friendly to fit the moment. but then —

fein by travis scott. blaring.

you froze, eyes widening as the heavy bass dropped like a wrecking ball to your senses. this was not the song you had in mind for your first dance as a married couple.

your gaze shot toward gojo, who looked… guilty but also way too pleased with himself as he fumbled with his phone.

“oh, shit!” gojo muttered, his wide grin faltering as he scrambled to fix his mistake, his fingers slipping all over his phone’s screen. “uh, my bad! wrong song, sorry — just — uh — lemme —”

before he could finish, you heard a loud “FUCK!” from across the room, followed by the sound of a chair scraping against the floor. suguru, looking oddly alarmed, had clearly noticed too. you had to hand it to him, though, gojo at least looked mildly embarrassed for the first time that night.

satoru’s hands flew over his phone with the sort of intensity one might reserve for disarming a bomb. “wait, wait, i got this. i’ll fix it — i’m so sorry — one second —”

as if the universe was playing along with your horror, gojo accidentally hit play on fein again, the heavy, thumping beat continuing in the background as you and toji both exchanged a bewildered glance. you could feel the burning heat creeping into your cheeks.

“that’s the one?” you whispered to toji, your voice barely audible over the beat.

toji tried to stifle a laugh, clearly more amused than shocked. “well, it’s something.”

“you’ve gotta be kidding me,” you muttered under your breath, your head turning toward megumi, who was looking at you with wide eyes. “what’s his excuse?” you asked with a sarcastic eyebrow raise, pointing at the very loud song still playing.

megumi, standing off to the side with a cocktail of confusion and excitement, crossed his arms and gave you a very serious look. “uncle gojo played this song,” he announced with pride, causing everyone to stop and stare.

“you know, at the bachel-her party.”

the room went silent for a brief, awkward second as the realization hit everyone. a few chuckles broke out, with a mix of surprised snickers and a couple of “well, that explains things.”

you could barely suppress a laugh. you were so not ready for that bombshell.

toji’s face went from amused to fully amused, his lips curling into an undeniable grin. “yup,” he said loud enough for everyone to hear, giving a shrug. “that’s our song, apparently.”

gojo, finally managing to switch the song, looked over with actual concern now. “oh god, oh god, i’m so sorry — i swear, i didn’t mean for fein to be — ugh.” he slapped his hand to his forehead.

“okay, okay, i’m fixing it —”

there was another flurry of frantic finger taps as gojo went into full damage control mode. finally, as the last few beats of fein faded out, gojo hit play on iris by the goo goo dolls, the gentle, familiar melody washing over the room like a sigh of relief.

you and toji exchanged a knowing glance, now suddenly locked in a much calmer atmosphere. the song that toji had actually requested was finally playing, and as he pulled you closer, your heart settled.

“better?” toji asked, pulling you into the rhythm of the song.

“much better,” you whispered with a sigh, your lips brushing against his.

meanwhile, megumi, clearly thrilled by his earlier announcement, grinned ear-to-ear. “this is the song! mama and daddy kissed to this song!”

and at that, you could only chuckle. what a night, you thought to yourself, completely unsure if you’d ever get used to the chaos that surrounded you, but not really minding it one bit.

as the soft notes of iris continue to play, toji pulls you close, his hand resting warm and steady at the small of your back. you sway together, feeling every beat, every strum of the guitar wrapping around the both of you like the sweetest memory.

“so,” toji murmurs, a little smirk tugging at his lips as he looks down at you, “do i still get to be a heartthrob now that we’re hitched?”

you chuckle, rolling your eyes playfully. “only if i still get to be the girl with the cringe smut,” you say, barely holding back a laugh as you remember the early days of your writing.

“you’ve made peace with the fact that your wife has a, uh… let’s just say colorful bibliography?”

toji’s eyes crinkle with amusement. “you kidding? i brag about it. ‘you know my girl? bestseller, faceless author, author of all those spicy scenes.’ you think it’s cringe; i think it’s hot.”

you snort. “you’re impossible. i still remember you giving me the most unimpressed look when you found out what i actually wrote about.”

“hey, i was surprised,” he defends, grinning as he twirls you out and back into his arms. “who knew the girl who pukes on people’s shoes was writing, uh, dragon-king-mating scenes?”

“oh, hush,” you laugh, feeling your cheeks heat. “i told you, it’s a metaphor for forbidden love and courage in the face of adversity.”

“yeah, sure, it’s all about the ‘courage,’” he teases, leaning in close enough that you feel the warmth of his breath on your forehead. “all i’m saying is, those scenes of yours? they’re, uh, kinda what won me over.”

you hide your face in his shoulder, feeling a happy flush spread across your cheeks as you sway together under the soft glow of the lights. “guess it’s too late to be embarrassed, huh?”

he tilts your chin up with a gentle finger, his gaze softer than you’ve ever seen it. “it’s what made you you. wouldn’t change a thing about it.”

the song swells around you, and as the lyrics hit their most tender line, toji leans down, brushing his lips against yours, a sweet, slow kiss that feels like the first all over again. when you part, he grins, shaking his head. “damn… still can’t believe i got lucky enough to make you mine.”

“only took a few months, a few trolls, and a lot of questionable genre choices,” you say, snickering.

“and one too many ‘dancing queen’ sing-alongs,” he adds, laughing softly.

as the song fades, the two of you stand there for a moment longer, gazing at each other, just happy, laughing, and a little teary-eyed.

the night is winding down, and as you and toji make your rounds to say goodbye, a familiar cluster of chaos catches your attention. gojo, shoko, and geto have managed to gather near the dragon-shaped chocolate fountain, each of them clearly feeling the effects of the open bar in different ways.

megumi is standing with them, arms crossed, his small face set in a dead-serious expression that would have been almost intimidating… if he wasn’t standing beside a towering chocolate dragon, looking very much like a tiny mob boss supervising his drunk henchmen.

“ahem.” gojo clears his throat, squinting dramatically up at the chocolate dragon, hand pressed to his heart. “‘and so, the beast gazed upon the fair maiden, his molten eyes devouring her with a hunger so fierce, the very heavens trembled —’”

you choke back a laugh as toji groans under his breath, muttering, “for the love of god, not this.”

“that’s one of your lines, isn’t it?” shoko says, smirking as she precariously holds her cigarette in one hand and a half-empty wine glass in the other. “gojo’s been quoting it all night.”

“that’s from the mating scene!” megumi exclaims, clearly unaware of the implications. “that’s where the dragon’s supposed to eat —”

“aaaannd let’s maybe not finish that line, huh?” toji interrupts quickly, clapping a hand over his son’s mouth.

gojo winks, wagging a finger. “hey, let the kid express himself! it’s culture, toji. classic literature!”

“uh, yeah. classic,” you say, trying not to snort as gojo raises his glass to the dragon fountain like he’s toasting it.

geto, meanwhile, is slumped against the fountain, head lolling to the side. he’s still upright — barely — but he looks like he might be one sip away from face-planting into the chocolate.

“persephone wines, my beloved…” he mutters, raising his empty glass before letting it drop with a sigh. “sweet nectar of the gods.”

shoko snickers, jabbing him in the shoulder. “lightweight.”

“am not,” geto mumbles, eyes half-closed. “i’m… selectively conscious.”

“selectively conscious?” toji repeats, eyebrows raised.

“he means he’s out cold but doesn’t want to admit it,” shoko says, shrugging as she lifts her cigarette to her lips, only to nearly dip it in her wine glass instead.

“don’t mix your drink with your smokes, shoko,” gojo warns, chuckling. “unless you’re going for that extra flavor.”

“yeah, yeah,” she grumbles, carefully balancing the cigarette away from the wine glass. “why does this fountain look like it’s judging me?”

“because it’s a dragon, and dragons don’t approve of your vices,” gojo says, patting her shoulder with exaggerated sympathy. “they are noble, chaste beasts.”

“then why’d it drink all the wine?” shoko deadpans, gesturing to the near-empty fountain where the wine had been topped off earlier.

meanwhile, megumi, still solemn, looks up at toji with wide eyes. “daddy, i don’t think uncle geto’s feeling well.”

“nah, kid, he’s… he’s just really appreciating the art of, uh, selective consciousness,” toji says, ruffling megumi’s hair.

gojo swoops down, putting his hands on megumi’s shoulders. “you’re absolutely right, young megumi. you know, you have a strong sense of observation. very wise of you.”

“thanks,” megumi says, puffing his chest up, as if the compliment has suddenly made him five years older. he looks over at geto.

“uncle geto, are you gonna fall asleep now?”

geto waves a lazy hand in the air. “nah, i’m just… uh… recharging.” he attempts to give a thumbs up, but it’s more of a half-hearted flop.

toji sighs, looking at you with a smirk. “we’ve gotta start taking megumi to different family gatherings.”

you grin back, watching as megumi, with utmost seriousness, turns to shoko. “don’t let your cigarette fall in your wine, auntie shoko. it’ll taste funny.”

shoko salutes him, barely holding in a laugh. “don’t worry, kid. i got it handled.”

just then, gojo raises his glass to the chocolate dragon again. “to the majestic beast, who has blessed us with chocolate and a fountain! long may it reign!”

“it’s a fountain, not a king,” megumi says, frowning. “and it’s chocolate, not magic.”

“ah, but that’s where you’re wrong, my young padawan,” gojo says with mock seriousness, kneeling down to megumi’s height. “tonight, everything is magic.” he waves a hand around as if he’s casting a spell, and megumi’s eyes widen, half-believing him, even as he tries to stay serious.

toji rolls his eyes, laughing. “all right, let’s wrap this up before someone thinks you’re actually casting spells on my kid, gojo.”

as you lead megumi back, he tugs on your hand, whispering, “mama, are they always this… funny?”

“always,” you whisper back, grinning. “but don’t tell them that. we’ll just let them think they’re profound.”

“okay,” megumi whispers, stifling a giggle as he steals one last glance at the chocolate dragon.

the night’s finally winding down, and somehow, all of you have ended up sprawled in the open venue like you’re camping under the stars. shoko’s leaning back in her chair, taking a deep drag of her cigarette, but she keeps glancing at megumi, who’s sitting between you and toji and nodding off in your lap, his little head bobbing up and down.

“you know, i’m not trying to be a bad influence,” shoko mutters, trying to angle her cigarette away. “but it’s hard being an icon.”

toji smirks, watching her struggle. “yeah, we all know you’re a real role model, shoko. a true beacon of health and wellness.”

“hey, i’ll have you know i haven’t let this thing drop once tonight,” she says, demonstrating by carefully holding it at a ridiculous angle. “takes precision.”

meanwhile, geto’s leaning against the chocolate fountain — completely passed out, slumped over like he’s waiting for the chocolate to baptize him. you can already see a smear on his collar where it’s dripped, and it’s only a matter of time before it’s all over him.

“is he just gonna… sleep there?” you ask, stifling a laugh as you glance at geto’s chocolate-streaked suit.

gojo, lying on the grass like he’s sunbathing, starts belting out, “she thought it was the ocean, it’s just the pool —”

“oh god,” toji groans, “don’t tell me you’re singing sicko mode right now, gojo.”

“don’t disrespect a banger, toji,” gojo says, eyes closed, waving his hands around like he’s conducting an invisible orchestra. “this is the music of our generation.”

shoko snorts, blowing smoke out of the corner of her mouth. “what generation is that? ‘trashy late twenties’?”

“more like ‘perpetual adolescence,’” you add, trying not to laugh too loud, lest you wake megumi.

“i don’t know what you’re talking about,” gojo mumbles, now onto the next verse and fully invested. “i am the culture.”

toji raises his eyebrows, giving you a look. “i don’t remember ‘culture’ looking this drunk.”

“or this dramatic,” you reply, glancing over at geto. “do you think he’ll wake up covered in chocolate?”

“oh, definitely,” toji says, nodding with mock seriousness. “he’ll be sticky for days.”

“wonder what he’ll tell people when they ask about it,” you say, grinning.

“just gotta tell them it’s part of the, uh, life experience,” shoko says, flicking ash off her cigarette. “you know — ‘don’t go to weddings with chocolate fountains.’”

“or uncles with questionable song choices,” toji adds, glancing at gojo.

“excuse me,” gojo slurs, sitting up to squint at you both. “my taste is immaculate.”

megumi stirs, blinking up at you with sleepy eyes. “why’s uncle gojo yelling?”

“he’s not yelling, sweetheart,” you say, petting his hair as he leans back against you. “he’s just… expressing himself.”

“in a way that makes us all wish we were deaf,” toji adds under his breath.

gojo points a finger, swaying slightly. “hey, the kid gets it. you get it, right, megumi?”

megumi yawns, nodding seriously. “i get it, uncle gojo.”

“see?” gojo says, looking triumphant as he turns back to you all, gesturing like he’s just won an argument. “my number one fan.”

shoko rolls her eyes, snubbing her cigarette out and pulling out another. “well, congrats on your massive fanbase.”

megumi glances at you, then at gojo sprawled out on the grass. “is uncle geto gonna be okay?”

you look over at geto, still fast asleep, chocolate slowly trickling down his sleeve. “yeah, honey, he’s fine. just a little… messy.”

“very messy,” toji agrees, chuckling. “just… don’t touch his suit when he wakes up. he might, uh, have some sticky spots.”

megumi nods sagely, as if absorbing some profound wisdom. “got it, daddy.”

gojo squints up at the sky, suddenly philosophical. “you know, someday, this kid is gonna be sitting here with us, yelling sicko mode with his whole heart.”

toji raises an eyebrow. “oh, over my dead body.”

“and shoko will still be lecturing us about cigarette angles,” you add.

shoko raises her glass. “as long as this fountain keeps flowing, i’m here, people.”

you and toji exchange a glance, each of you feeling a little warmth at the ridiculous, messy sight in front of you: shoko trying not to ash on megumi, gojo doing terrible karaoke on the grass, and geto about to wake up covered in chocolate.

“found family, huh?” you murmur, nudging toji.

“the best kind,” he says, slinging an arm around you and giving you a soft smile. “drunk as they may be.”

the hour finally ticks to a close, and as much as you’re all reluctant to end the night, it’s time to gather your things — and your people. the first challenge: waking up suguru, who, by this point, is practically glued to the chocolate fountain.

“alright, gojo,” toji says, clapping him on the shoulder, “time to work that charm of yours and wake him up.”

gojo, slightly wobbly himself, crouches down beside suguru and starts lightly patting his face. “rise and shine, buddy,” he says, voice soft but persistent. “time to say goodbye to your chocolate fountain dreams.”

suguru stirs, eyes fluttering open, and as he groggily lifts his arm, he finally notices the chocolate smeared from his shoulder to his wrist. his eyes widen in absolute horror.

“wha… why am i covered in —”

“chooccoolate!” gojo singsongs, smirking.

and then, in a flash of inspiration (or tipsy madness), he starts singing, “i get those goosebumps every time —”

suguru visibly cringes, letting out a low groan as he struggles to stand. “i swear, satoru, if you keep singing travis scott, i’m never inviting you to another wedding.”

“but you’re never getting married, suguru,” shoko points out dryly, lighting her cigarette with a sly grin.

toji and you exchange a look as suguru desperately tries to wipe chocolate off his shirt with the tiniest napkin available. meanwhile, gojo’s at his side, still humming “goosebumps,” ignoring every glare suguru shoots his way.

“satoru, i’m going to kill you,” suguru mumbles, half-heartedly, as he inspects the damage.

gojo just shrugs, beaming. “c’mmoonn, sugu boo. who else can say they’ve bathed in chocolate at a wedding?”

suguru gives a low growl, eyeing gojo’s still-grinning face. “considering how close you are to me right now, it might be your last experience.”

“oh, lighten up, chocolate boy,” gojo teases, attempting to wipe some of the chocolate off suguru’s cheek with his sleeve. “besides, what’s a wedding without a little mess?”

megumi, watching this exchange with wide eyes, tugs on your sleeve. “mama, do all weddings end like this?”

you chuckle, ruffling his hair. “only the good ones, sweetheart.”

as you finally start herding everyone out, suguru’s still muttering darkly about chocolate-stained suits and “inappropriate” song choices, while gojo is just barely resisting the urge to belt out the next verse of goosebumps.

“you guys are a mess,” toji says, shaking his head with a smile, his arm around you. “but i guess i wouldn’t have it any other way.”

“same here,” you reply, smiling back. “same here.”

all of you pile into the limo, grateful for suguru’s one stroke of foresight, booking this ride while everyone was still sober. as you maneuver your wedding dress inside, megumi insists on climbing onto your lap, declaring with all the authority of an eight-year-old, “mama knows how to hold me right.” he gives toji a pointed look, as if his dad’s lap-sitting skills just aren’t up to par.

“excuse me, kid,” toji grumbles, adjusting his position to give you both more space. “i think i know a thing or two about carrying you. who else makes you pancakes every sunday?”

megumi shrugs, completely unfazed. “pancakes are great, daddy, but mama gives better cuddles.”

you stifle a laugh, giving toji a look of faux pity. “don’t take it personally,” you say with a grin. “he’s right, after all.”

suguru, meanwhile, is eyeing your dress with near-maniacal caution, inching away as if any move might accidentally graze you with chocolate. “i swear,” he mutters, inspecting his own suit for stray smudges, “if this dress ends up looking like a chocolate fountain threw up on it, i’m sending blondie the dry-cleaning bill.”

“hey!” gojo’s leaning halfway out of his seat, one arm slung dramatically around shoko, who looks five seconds away from needing a cigarette fix. “don’t bring me into this! i’m innocent in all things chocolate.”

“satoru, you literally shoved my face into it,” suguru deadpans, “and serenaded me while you did it.”

gojo waves this off, now onto more important matters as he leans in and rambles, “you know, what’s really baffling is political and economical state of the world right now. that’s the real travesty here. and i’m telling you, if they’d just let me —”

shoko groans, pressing her head against the window. “does anyone have a cigarette? please? my kingdom for a cigarette.”

“sorry, shoko,” you say, chuckling. “think of it as part of the wedding cleanse experience.”

as the limo cruises through the city streets, carrying your chaotic found family toward your new home — the fushiguro household, now your household — you lean back, looking around at everyone. suguru, still chocolate-stained but pretending he’s fine; gojo in full-on philosophical mode about everything from global warming to city planning; shoko, pressing her hands together in mock-prayer for a nicotine miracle; and megumi, snug and content in your lap, his eyelids growing heavy as he fights off sleep.

toji catches your eye and reaches over, intertwining his hand with yours, a soft smile gracing his face. “ready to make this house our home?” he murmurs.

you squeeze his hand, taking in the laughter, the exhaustion, and the overwhelming happiness filling the limo. “more than ready,” you say, your heart swelling as you look around at this motley crew you wouldn’t trade for anything.

it’s a mad, loud family, but it’s yours.

as everyone practically spills out of the limo, gojo’s in full swing with the limo driver, pressing a crumpled wad of cash into the poor man’s hand.

“no, no, you don’t get it, dude,” gojo slurs, with a look of utmost sincerity. “this — this is not just money. this is… appreciation. this is the currency of human kindness.” he pats the driver on the shoulder, swaying a bit as he leans closer. “use it wisely… maybe buy yourself a castle. or a yacht. or a little… dog. something that’s life-changing.”

the driver gives an awkward thumbs-up, flashing a quick glance at the rest of you, clearly wondering if he needs to call someone to get gojo home safely.

meanwhile, toji’s already wrangling everyone toward the door, shoko dashing past him the moment the suite door opens. “please tell me you still keep an emergency stash,” she says, practically sprinting toward the mini bar. “for my sanity.”

“yeah, yeah, knock yourself out,” toji mutters, eyeing the chaos that’s just ambled into his home. as he does, megumi somehow finds himself perched on gojo’s shoulder, practically screeching as gojo does a wobbly loop around the living room, giggling, “it’s cuddle time! everyone needs to embrace the love!”

“uncle gojo, put me down!” megumi’s half-exasperated, half-amused as he tries to wriggle free. “i don’t need cuddles, okay?”

gojo gasps as if megumi’s words are a personal affront. “excuse me? everyone needs cuddles! it’s essential for growth! and happiness! don’t deny yourself, little one.”

suguru slumps onto the sofa, still blinking himself awake from his chocolate coma. but unfortunately, his landing spot is also where a chunk of melted chocolate has found its new home.

he sighs in defeat, barely lifting his hand to wave at toji. “i swear i didn’t bring the chocolate here. it… it followed me.”

toji’s had just about enough. “alright, everybody, listen up.” he points at gojo, megumi, and suguru, who all look up like chastened kids caught stealing from the cookie jar.

“before any of you touch anything else in my suite — or each other — go change. now.”

“but i am changed,” gojo protests, arms flailing out as if to display his wrinkled suit as high fashion.

“changed by the power of love. and a little bit of persephone wines, which, by the way —”

“clothes, satoru,” toji says, pinching the bridge of his nose as he ushers everyone down the hall. “as in, ones that aren’t covered in alcohol, chocolate, or other questionable substances.”

megumi looks up at you, tugging on your dress. “do i have to change too? ‘cause i’m fine just like this.”

you smile down at him, patting his messy little head. “just pajamas, okay? then we can all cuddle up on the big bed. sound good?”

“okay, mama!” he says, darting off to grab his pjs, excitement back at full force. “hurry up, everyone! daddy said so!”

as you and toji finally manage to herd everyone toward the bedrooms and out of their various states of disaster, you can’t help but laugh. this, somehow, is the perfect end to your wedding night — a makeshift family piled up in a cozy heap, as unconventional and chaotic as ever, but perfectly yours.

in megumi’s room, you and shoko finally get a chance to breathe, away from the chaos. you pull out one of toji’s oversized shirts and a pair of shorts, feeling instantly cozy as the familiar scent of him settles around you.

meanwhile, shoko slips into a t-shirt of yours and some spare leggings you’d left for nights just like this — megumi’s last-minute “you have to stay!” pleas that always won you over.

as shoko pulls the t-shirt down, smoothing it over her frame, she gives you a little smirk. “well, don’t we look like a couple of sleepover queens?”

“only the best for auntie shoko,” you say, giving her a playful nudge.

shoko rolls her eyes, leaning back against megumi’s wall. “speaking of… i was thinking.” she pauses, letting out a sigh, her fingers absently running through her hair.

“maybe i could… y’know, try and cut down on the smokes. for megumi. last thing i want is him being a passive smoker every time ’m around.”

you smile at her, feeling a swell of warmth at the thought. “oh, shoko. you don’t have to change anything for him — he already adores you just the way you are.”

“yeah, but…” she shrugs, looking down at her hands, uncharacteristically shy. “i wanna be around. y’know? like, really around. and if that means giving up a little bit of my precious nicotine, then…” she huffs, as if the idea is both noble and annoying. “then i’ll do it. for him. but only because he’s the cutest kid i know.”

“you’re really going soft on me here,” you tease, watching her with a grin.

she laughs, nudging your shoulder. “don’t get used to it. i’ll still talk trash about satoru and his ‘save the world’ speeches every chance i get. but…” she pauses, catching your eye with a slight smirk.

“i don’t know, this whole… you and toji thing, it’s made me think a little differently. like, maybe i could be the cool aunt without corrupting the kid entirely.”

you chuckle, nodding. “hey, a little bit of corruption isn’t the worst thing. but i know what you mean. it’s nice, isn’t it? having this… makeshift family?”

“nice? it’s downright ridiculous,” shoko scoffs, but her eyes are soft. “i mean, i spent the last hour watching suguru melt into a chocolate-covered mess and satoru wax poetic to the limo driver, all while toji was trying to keep from strangling the lot of us. and now here we are, pretending to be responsible adults.”

“that’s the beauty of it, though,” you laugh. “none of us really knows what we’re doing, but somehow it just… works.”

shoko smiles at that, a real, genuine smile, her usual sarcasm melting away for just a moment. “well, whatever it is, i’m in. auntie shoko, reporting for duty. megumi’s gonna be spoiled out of his mind, and if anyone tries to mess with him, they’ll have to go through me first.”

you laugh, reaching over to give her hand a squeeze. “he’s lucky to have you.”

“nope,” she says, leaning in and bumping her forehead against yours. “we’re all lucky to have each other.”

there’s a comfortable silence, the two of you just sharing the moment in a quiet way that doesn’t need any more words. a kind of unspoken understanding hangs in the air, one that only comes from years of friendship and late-night heart-to-hearts like this.

and as you both start to head out, you catch her glancing back at megumi’s room with a soft expression, the tiniest hint of a smile lingering on her lips.

down in toji’s room, it was another brand of chaos entirely. gojo was sprawled across the bed, bouncing his leg impatiently as he kept knocking — more like pounding — on the bathroom door.

“yo, ruru! you still smell like a candy shop in there, or are you finally coming out as a functioning human?” gojo called, knocking for what felt like the tenth time.

inside the bathroom, suguru groaned, scrubbing furiously at his arms. “if you knock one more time, satoru, i swear, i will dunk you in a vat of chocolate and make you regret the day you were born.”

gojo cackled, delighted. “you’d have to catch me first, chocolate boy.”

meanwhile, toji was across the room with megumi, helping him into his little pajamas. megumi stood still as his dad tugged his pajama top over his head, looking up with big eyes.

“daddy?” he asked, his voice soft and a little curious.

toji glanced down, smiling. “yeah, kiddo?”

megumi fidgeted with the hem of his pajamas. “does mama get to stay forever now?”

toji’s face softened, and he crouched down to look megumi in the eye, his hand gently ruffling his son’s dark hair. “yeah, bud. she’s with us now. part of our family for good.”

megumi’s eyes lit up, and he tried to stand even taller — he was growing, after all. “so she’ll be here when i wake up every day?”

toji chuckled, nodding. “every day. and every night too, so you don’t have to worry about anything. she’s with us.”

megumi nodded seriously, like he was processing the weight of it all. “i gotta make sure i don’t mess up then.”

toji raised an eyebrow, surprised. “mess up? why do you think you’d mess up?”

“well… i wanna make her happy too,” megumi admitted, glancing down. “like you do.”

toji’s heart melted a little as he hugged his son tightly. “listen, kid. you being you? that’s more than enough to make her happy. trust me.”

megumi looked up, reassured. “okay. i’ll be the best son ever, promise.”

“you already are,” toji said, smiling.

right then, gojo’s voice cut through the father-son moment as he yelled through the bathroom door yet again. “suguurruu! come on, we’re all waiting! we’re a family, we’ve got things to discuss, like who’s picking the next karaoke song, and why it absolutely has to be ‘freak on a leash.’”

suguru yelled back, voice echoing through the bathroom, “for the last time, i’m not doing karaoke, satoru! and if you don’t let me scrub off this chocolate smell in peace, you’re gonna be next!”

toji sighed, shaking his head as he looked down at megumi. “and that,” he said with a smirk, “is the family you’re stuck with now, kid.”

megumi grinned. “good. i think they’re funny.”

“funny’s one word for it.”

the morning after the wedding was supposed to be calm and slow, but the second megumi padded down the hall, any hopes of quiet went straight out the window.

"mama, dad, i gotta go to school!" he said, trying to sound all responsible but still rubbing sleep from his eyes. he even brought his backpack to your room, a whole mini-adult, as if that would magically make everyone get out of bed faster.

toji groaned, wrapping an arm around you to keep you in bed. "can’t he just... skip?" he muttered into his pillow, half-asleep.

before you could answer, an all-too-loud, way-too-enthusiastic voice boomed from the hall.

"time to shine, future valedictorian!" gojo practically sung, bursting through the door in last night’s slightly wrinkled suit, sunglasses on, and his smile at full wattage.

behind him, shoko and geto shuffled in, looking equally disheveled and far too awake for this hour. shoko held up her coffee like it was a badge of honor, and geto just nodded, bleary-eyed, clearly not yet regretting his life choices.

"so," shoko said, pointing to megumi with her coffee mug, "we’re taking the kid to school. it’s what, like, a fifteen-minute trip?"

“yeah,” you mumbled, not even fully awake yet. "are... are you guys seriously doing this?"

megumi's face lit up like christmas. “really? in the limo?” he looked over at his dad with big, excited eyes. "i’ve only ever been dropped off by daddy before, mama.”

toji mumbled something that sounded like, "don't tell your teachers i’m lazy," and rolled back over, pretending to go back to sleep.

"don’t worry," gojo said, waving it off. "cool uncle 1, cool uncle 2, and cool aunty got this."

megumi was practically vibrating with excitement as he tugged shoko’s hand. “can we leave now? pleeeaseeee?"

shoko raised an eyebrow at you and toji. “guess that’s a ‘no’ on you two getting up?”

toji waved them off, still face-planted in his pillow. “take him. we trust you… mostly.”

the limo looked ridiculous in front of the modest little school building.

every teacher on duty stared as gojo stepped out in yesterday’s clothes, still wearing his sunglasses, dramatically opening the door for megumi like he was some hollywood star.

geto leaned out of the window, waving. “our megumi, ladies and gents! future ceo, dragon whisperer, and… what is he into now? legos?”

“legos and iron man,” shoko supplied from the backseat, sipping her coffee and grinning like this was the most fun she’d had in weeks.

megumi hopped out, beaming, as if this was the normal way eight-year-olds arrived at school. "see ya later, cool uncles and aunty!" he called, and waved back at them as he headed up the steps.

one of the teachers, looking absolutely bewildered, approached gojo. "uh, sir? are you megumi’s… guardian?"

gojo held a hand over his heart, like he was moved. "oh, i’m his honorary uncle. the honored one. very honored. super honored. we’re just doing our part as responsible adults, you know?”

shoko snorted from the car. “yeah, responsible adults. let’s not tell his dad about the chocolate fountain incident from last night.”

“or the fact that geto’s gonna have to reupholster his couch,” geto muttered, barely holding back a laugh.

meanwhile, megumi turned back one last time and yelled, “tell mama and daddy i said bye!”

gojo saluted. “will do, young sir! now go conquer the day!”

they all watched him walk in, looking like a pint-sized executive in his little backpack. as soon as the doors closed behind him, shoko sighed. “alright, now who’s up for coffee? because i’m still running on fumes.”

"coffee?" geto asked, deadpan. "we’re gonna need a gallon of it if we’re keeping up with that kid."

as the limo pulled away, gojo turned to them with a grin. “you know, i think we make an excellent drop-off crew.”

“mmhm,” shoko said dryly, shaking her head. “i’m sure the teachers would totally agree.”

as the limo pulled away from the school, gojo, shoko, and geto leaned back in their seats, stretching out like they’d just wrapped up a grueling mission.

“alriiight,” gojo said, kicking his feet up, “where are we headed for breakfast, my esteemed colleagues in chaos?”

“anywhere that’s not serving chicken nuggets or juice boxes,” shoko muttered, eyes barely open behind her sunglasses. “and somewhere with unlimited coffee, because if i have to function at nine in the morning, i need caffeine by the gallon.”

geto chuckled, shaking his head. “how is it that we’re the ones going out for breakfast after crashing their wedding?” he looked at gojo, grinning. “and how are they the ones staying home?”

gojo smirked, crossing his legs. “we’re giving them the gift of peace and quiet. i bet toji’s loving the chance to stay in bed with his lovely wife, all cozy and uninterrupted.”

shoko snorted, leaning over with a conspiratorial grin. “give them fifteen minutes max before they realize we took the limo and left them stranded.”

“oh, toji’s probably still asleep,” geto said, waving her off. “and if not, he’s probably thinking we’re doing him a favor. don’t forget, we’re the ‘cool’ uncles and aunty. we’re just out here, uh…” he paused, raising a brow, “fulfilling our responsibilities.”

gojo cackled. “yeah, we’re absolutely winning the ‘best support system’ award this year.” he held up an imaginary award plaque. “and the winner for best, most responsible friends goes to… the limo crew!”

shoko took a sip of her coffee, laughing. “you’re just mad you didn’t get to be the one carrying y/n in her dress down the aisle yesterday.”

“hey!” gojo gasped, mock-offended. “i was ready, okay? i would’ve been the perfect escort. i even practiced the, you know —“ he mimed holding someone dramatically in his arms. “but no, she insisted on doing it herself.”

geto rolled his eyes, grinning. “it’s her wedding, satoru.”

“yeah, yeah, i know,” gojo said, waving it off. “but it was cute seeing him get all sentimental.” he put on a comically deep voice, imitating toji. “‘come on, baby, we’re gonna go build our life together,’” he said, making exaggerated romantic gestures. “like, okay, toji, way to set the bar high for the rest of us.”

shoko grinned, nudging geto. “hey, suguru, you taking notes? maybe one day you’ll be saying those sappy lines to your wife.”

geto laughed, blushing a bit. “hey, let’s keep the heat on toji, alright? no need to make me the topic of conversation here.”

gojo raised a hand dramatically. “oh, don’t worry, we’ll keep it on toji. like how he’s always acting like mr. tough guy, but the second y/n looks at him with those puppy eyes, he’s suddenly mr. marshmallow.”

“he’s such a marshmallow,” shoko agreed, laughing. “he’ll deny it till the end, but you know he’d do anything for her. i mean, the man threatened a chocolate fountain for her yesterday.”

“let’s not forget he almost punched the caterer over the dessert display,” geto added, grinning. “and that was after he demanded only the best for the ‘mother of his child.’”

gojo clasped his hands together, putting on a dreamy look. “ugh, true love. what an inspiration.”

they all shared a laugh, shaking their heads at the image of toji as the world’s biggest softie for you, his new bride. the limo pulled up to a cute little cafe, and gojo leaned out of the window, calling, “table for the three most responsible adults in town, please!”

as they piled out, geto chuckled. “we are absolutely going to milk this ‘responsible adult’ title all morning.”

“oh, absolutely,” shoko said, walking in. “and i’ll need a bottomless coffee just to keep it going.”

they slid into a booth, ordering way too much coffee and breakfast, ready to dig into a morning full of laughter, snarky jokes, and ridiculous stories.

“to toji and y/n,” gojo toasted, holding up his coffee mug. “may they never know the horrors we’ve saved them from.”

“cheers to that,” shoko said, grinning.

tag: @elysian-chaos @lemonlimecrystal-blog @crunchyholo @cheesecakebroom @inthedarkshadows000 @amayaaaxx @sweetsformysoul @vitoshi @qyuin @mypashionisforfashion @crocodilethesir @starmapz @kyokoyya @lauuriiiz @ciexuvia @blubearxy @coffee-and-geto @lveegsoi @yuminako @cipher-needs-2-sleep

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anominous-user · 6 months ago

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Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton.

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff | Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine | Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on.

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives.

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair.

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another?

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her."

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first." • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

#honkai star rail #double indemnity #veritas ratio #aventurine #golden ratio #ratiorine #an attempt at analysis by one a-u #relationship analysis #you know what‚ i guess i can tag the other names of this ship #aventio #raturine #you could make a fucking tierlist of these names #um‚ dynamics (yk what i mean) dont really matter here in the analysis just fyi if youre wondering its general enough #also if you're wondering about the compilation thread - its not done. it'll take a while (a long while.)#this post was so long it was initially just a tumblr draft that i then put into google docs. and it ended up being over 2k+ words long #is this a research paper‚ thesis‚ or essay? who knows! this just started as just a short analysis after watching the movie on may 5 #final word count according to docs (excluding alt text): 13013 - 43 pages with formatting #i wish i could have added more images to this‚ 10k words vs 30 images really is not doing me any favours…#plus‚ i hit the character limit for alt text for one of the images.#if you see me mixing up british and american spelling‚ you probably have!#oh yeah. if any of the links happen to break at some point. do tell. i have everything backed up #there also may be multiple links strung together‚ just so you know.#I link videos using the EN and CN voiceovers. Just keep that in mind if the jump between two languages seems sudden.#I had to copy and paste this thing from the original tumblr draft onto a new post because tumblr wouldn't let me edit the old one anymore.#Feels just like when I was finalising my song comic…#(Note: I had to do this three times.)#I started this at May 5 as a way to pass the time before 2.2. You can probably tell how that turned out.#Did you know there is a limit to the amount of links you can add to a single tumblr post? It's 100. I hit that limit as well.#So if you want context for some of these parts... just ask.#I'm gonna stop here before I hit the tag limit (30) as well LMAOO (never mind I just did.)

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