#you know what‚ i guess i can tag the other names of this ship

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[laurellala]

A Shakespearean comedy of errors

bonus:

[dustykneed]

Hello! Random whipper snipper! Share a WIP of your work!

ooh, with pleasure. six the musical araleyn fanart? in the year 2k24? more likely than you think xDD

i realize this looks finished, but technically i'm still deciding whether to add a background or not lol. still, for the sake of sharing a proper WIP, here's a line or two from an araleyn brainworm WIP that i started reworking yesterday (mild tw for religious guilt and period-typical internalized homophobia from aragon's pov):

She remembers sharing her bed with Anne at Henry's behest, remembers the nights of tossing and turning and trying not to think about Anne asleep next to her-- remembers waking up to dark hair spilling across her pillow and the press of blood-warm bosoms against her own, softer than sin, as hot as the Devil, remembers lying still as death, mouthing prayers into the heat of Anne's neck like an act of penance.

[mechazushi]

If The Core Division Three Members Had Gaming Channels...

Kafka Hibino {A.K.A ComfyManGaming}: Mainly Shop Management Sims or just Sims in general. His most popular series and the one that let him go full time as a content creator was his Power Wash sim Story Time where he got to talk about the craziest things that happened to him in his, like, six different cleaning jobs. ( In order; Landscaper, personal maid service, High rise window washer [tied for origin for most of his craziest stories], Nuclear Power Plant Office janitor, Failed attempt at running his own power wash service, and School Janitor with a car detail side job. {Most recent/longest held job/and also tied for craziest story origin generator with Car Detail Horror stories being second). Can be convinced to play atmospheric games like Journey/Abzu/Fire Watch/Anything thought provoking or emotional.

Reno Ihchikawa{A.K.A IchyChill Breakdowns}: Whatever Windette does, but with less insults. Basically Build Breakdowns and Speedrun Tutorials. Carried with the energy of a tired Indian Math teacher trying to teach calculus to 8th graders. Is also [technically] a PNG tuber, but because he's low energy, the PNG doesn't move much.

Iharu Haruichi {A.K.A SharkBAIT}: Two Channels. One is a horror game channel, Both Indi and Triple A. The other is anything casual, but mainly sticks to Stardew Valley, Animal Crossing, Coral Island, that sort of thing. Fans like to call the Horror one Anxiety and the non-horror one Anti-Anxiety(Each have their own mascots and like to fight each other like Jacksepticeye and Antisepticeye). He has absolutely accidentally cross posted horror vids onto the non horror channel and vice-versa. The community like to pretend that they don't interact with the other channels and when that sort of thing happens, they pretend they've been exposed to horrors beyond comprehension. (yes, even when the horror channel gets a cutesy vid)

Mina Ashiro{ A.K.A Can(n)onGodess/Pr3ttyW1ttl3K1tty}: Also Two channels, but actively makes sure that no one knows she runs both. One is a live stream of FPS set up as no-commentary/with camera (Mainly colorful ones like Valorant). The other is also no commentary with NO camera and its Sim 3 or 4 tips-and-tricks and Minecraft Aesthetic House Build (Mod and No Mod.)

Kikrou Shinomya:{A.K.A Can_It_Doom?} A STEM major that couldn't find a use for her degree as fast as she liked, so she started a Can it Run Doom? channel as a joke, and now it's evolved into a channel where people recommend different setups like Drumset Controler on a Texas TI-84 Graphing Calculator. (Is also currently in the middle of working on a live action Tank Setup for World of Tanks as a subscriber goal.)

Hoshina Soshiro{A.K.A SwordSingerSUPREME} Any game that involves sword fighting and critiques it either Accurately or HARSHLY. Also streams his HEMA training/tournaments. It's very popular (because everyone find him hot) and has since become a bit of an eclectic channel that is split between his Gaming vids, his HEMA vids, and P.O Box unboxing vids where people send him A LOT of gifts. There's also an over an hour video of him playing Let's Hit Each Other With Fake Swords the Card Game with his older brother (who is also in HEMA.) that he made when the channel hit 5 million subscribers.

✨Bonus✨

Gen Narumi{A.K.A xXGenNarumi420Xx}: Plays anything that's currently trending, but his bread and butter is FPS or Run and Guns. (Has confessed to saying "Would" to the Ultrakill Robot.)

Okonogi Konomi{A.K.A BlossomBear}: Indi VTuber that plays exclusively Indi Puzzle games or Puzzle Platformers. Isn't a singing VTuber so much as one that can and will go in-depth on programming and what goes into a VTube model (She made hers and it has two forms : a chibi, curly white haired, anthro bear girl and a white plushi version with orange blossom motifs.) Can and has demonstrated to be an absolute GOD at Minesweeper

Minase{A.K.A MinAction}: A anime/movie/Western Animation reaction channel. Has an uncanny habit of predicting things before they should be obvious.

Hakua{A.K.A HakuaKooksXP} A cooking channel whose shtick is 1000 Ways To Prepare [Insert Food Here.]. She's still currently working her way through rice.

Haruichi Izumo {Goes by his name} Various product review channel.

Aoi Kaguragi {Also goes by his name} A very well made workout channel.

[johnbly]

WIP game!

i was tagged by @tortoisesshells ✨

so i have two fics going one rn: 1) in the boat purgatory in at world's end, james comes across gov swann and the two have a final conversation together (not using that for this since i haven't done too much but something to look forward to i guess) and 2) bolt's "what if james had a dragon" fic and subsequent discussions and questions has me now doing a "what if hornblower had a dragon" fic so here is an excerpt from that:

“Who are you?”  The dragonet is speaking French, and internally Hornblower swears. Is French the only language the creature knows? It’s no issue for him, of course, but how can it be expected to be a British dragon if it only knows French? “Captain Horatio Hornblower, most recently of the HMS Sutherland,” he replies, also in French – awkwardly so, because it’s a ridiculously formal introduction to make to a dragon, but in light of never having conversed with one before he’s fallen back on the old habit of saying more than is necessary. “That is not a French name,” the dragon says. In English. “Non – no, it is not. You speak English, then?” “I do.” Pause. “That was a long introduction. I hope you don’t want me to use it whenever I want to call on you?” The idea of a dragon wanting to call on him at all is no less ridiculous than having a conversation with one, but it – he? The voice is deep – has a point. “You can call me 'Hornblower',” he says.

i don't remember who all is writing things that hasn't already been tagged, so if you see this and are a writer, feel free to share!

[emptymasks]

They're done! I really want to try and make prints again as it's been years and I've never felt like I was very good at making whole posters. Dipping my toe back in with these silly chibis of each Papa with every Ghoul they've had. Perhaps they can also work as a guide for those wanting to learn all the characters? I added in a fair amount of little references with the Ghoul's poses so it'll be interesting to see what you guys figure out and notice!

The prints are on pre-order and won't ship out until November. I've put up 25 of each to start with but if they get low on stock I'll keep adding more until I have them printed and then it'll be a set amount in stock.

Also a reminder about the stickers of every Ghost Papa and Ghoul that I made earlier this year that are also available as customisable badges! Thank you so much to everyone who already bought them and got Etsy to list them as a 'bestseller' for a while. They're still up and in stock.

EDIT: someone informed me Delta was not in Secondo's era so sorry little water ghoul but he got edited out of that drawing.

Characters featured on the prints and are also available on stickers and badges: Papa Emeritus I / Primo, Papa Emeritus II / Secondo, Papa Emerirus III / Terzo, Papa Emeritus IV / Cardinal Copia, Aether, Air, Alpha / Fire, Aurora, Chain / Water, Cirrus, Cowbell, Cumulus, Delta, Dewdrop / Sodo, Earth, Ifrit, Ivy, Lake, Mist, Mountain, Omega / Quintessence, Pebble, Phantom, Phil / Special Ghoul, Rain, Sunshine, Swiss, Zephy.

I can’t link to my Etsy without risking Tumblr hiding the post from tag search results, but the link is in my pinned post, my carrd, I’m emptymasks on Etsy. Reblogs help support artists more than likes ❤️

[ID: Four landscape drawings, one for each of Ghost's Papas and the Ghouls that were in the band with them while they were the lead singer. Each Papa is in the center with each of their ghouls standings to their sides. Every character has their name written above or below them, on brightly coloured backgrounds for each Papa's robe colour. Also, individual pixel art chibi drawings of 69 characters from various European musicals (listed above) that are available as stickers. These drawings are also available as badges where they are placed inside circles to show what they will look like as physical button badges, some of them with plain colour backgrounds and some with 1-3 different pride flags as examples of how you can customise the backgrounds.]

For those who want to know what the little references in the prints are and don't want to guess, they're under the cut:

Omega can be a stompy boy when he's playing guitar, Alpha likes to throw up peace signs, Air is very found of the rock horns hand symbol, there's one close-up photo of Lake out there where you can clearly see his black sclera contacts and he's doing double 'horns' hand symbol, Mountain infamously takes his shoes off when playing the drums and leaves them on the stage at the site of his drumkit, Dewdrop likes to like.. most things including his guitar and his picks and sometimes his own hand, Pebble liked to hand out his drumsticks at the end of shows by dropkicking them into the crowd, Omega wore a flower tucked into his guitar strap during one show and Terzo constantly flirts with him more than other ghouls, Delta is suspected to be the ghoul that attempted to kick an audience member off stage when they climbed onstage and attempted to kiss Terzo, Zephyr was the only band member and only keyboardist who sat down while playing, the special ghoul played by Tobias wore a nametag 'Phil' in an interview, Swiss constantly is showing all his teethies with his smiles and always wiggling and moving around, Aether and Dewdrop often interact with Dew teasing/bothering Aether, Dew and Rain also often interact with Dew constantly reaching to grab his neck and attempt to kiss him, aaaand I think that's everything I intentionally included other than just generally tried to get the poses and expressions to match the personality we've seen from each ghoul.

[anomalyaly]

right where you left me

Summary: You died. Sebastian secretly had a portrait of you commissioned.

I profusely apologize for the pain.

Inspired by @sychenb for the prompt idea. Also crediting @sloanesallow for her headcanon about Sebastian keeping track of numbers.

(also sort of inspired by Unus Annus - iykyk - and Taylor Swift, if you couldn't guess by the title)

Tags: Angst, F!Reader POV (you), unreliable narrator, vague ship (Sebastian x reader/Ominis x reader), Sebastian was in love with you but never confessed, death, grief, ambiguous ending, overall the sads in general, I cried while writing this

AO3/Wattpad

It had been 279 days since you died.

At least, that’s what Sebastian tells you — your portrait, anyway. It was all that was left of you after the devastating battle you had fought and never walked away from. You hadn’t even known he’d had a portrait of you commissioned when you were alive until you woke up, your body cold, your face illuminated by the flickering candles of the Undercroft.

He comes to visit you every day — some days, he simply sits in front of you, cross-legged and silent. You creep into the frame and study him, the shadows on his face, a haunted look in his eye — unfamiliar. You can only recall a bright, talkative, charming boy with whom you were once close. You didn’t recognize him the first time he visited you, yet his presence brings you comfort.

On other days, you see traces of the boy he was before. He bursts in through the gate talking nonstop about everyone who misses you, about something he saw that you would have liked or that reminded him of you. Sometimes, he even brings you gifts and places them in front of your frame so you can admire them when he’s away.

That’s where he keeps you — hidden behind a wooden crate in the Undercroft like a sacred shrine, untouched by anyone but him. He only speaks with you when he is alone.

Another boy comes in on occasion, and you only know because of the sound of his voice and the pulsing red light of his wand that you can see from behind the pile of crates. Ominis, you remember Sebastian telling you, another friend from when you were alive. Sometimes they argue, other times they refuse to acknowledge each other. But Sebastian always keeps you tucked away, his own personal secret.

“It’s almost Christmas,” he sighs as he plops down in front of you. “300 days since you…well, since— ”

He could never bring himself to finish that sentence, even after almost a year. You never finish it for him.

“Are you going back to Feldcroft?” you ask, though you already know the answer.

He shakes his head. “I wouldn’t leave you here alone. I couldn’t do that to you.”

You knew he probably hadn’t been back since that dreadful day. He had only spoken of it once to refresh your memory. He never brought it up again.

“Sebastian,” you say, and he perks up at the sound of his name leaving your painted lips, “how come you always hide me away when Ominis comes in? Doesn’t he want to talk to me, too?”

His eyes flash with something — anger, perhaps, it was hard to tell from your two-dimensional world — and he stands, approaching your portrait. “He wouldn’t understand.”

“I’m only a portrait,” you tease, trying to lighten the mood. “It’s not like you’ve been practicing necromancy.”

It wasn’t the right thing to say, but you don’t completely understand why. He turns away from you, fists clenched, shoulders tense and hunched over, before running his fingers through his hair and repeating himself more adamantly. “He wouldn’t understand.”

You remember him uttering a similar statement throughout your short life at Hogwarts — secrets that only the two of you shared, unbeknownst to Ominis until it was too late. “Surely he misses me, too— ”

“Did you love him?”

The question takes you by surprise, though you think it’s not the first time he’s asked it. “What?”

Sebastian whirls to face you, his gaze intense, demanding. “Did you love him? Or did you love me?”

Your portrait blinks, confused. Truthfully, you hadn’t been alive nearly long enough to confirm your feelings for either of them, but you knew that both boys had been important to you during your last few months of life. The portrait of you had only been a time capsule of your fifteen-year-old self — undecided and immature. You’re not even certain if the emotions you feel now are real or remnants of what you experienced when you were alive. “I…I cared deeply for both of you if that’s what you’re asking.”

Your answer nearly breaks him, as if he’s heard it a million times before. He tugs at his hair, the movement causing him to look frenzied and mad. “That’s not what I asked! Who did you — ”

“Sebastian?”

The voice of the intruder causes both of you to freeze. Sebastian pulls himself out from behind the crate and holds a finger to his lips before pushing it in front of you once more.

“Over here, Ominis.”

You hear footsteps and see the red glow of the other boy’s wand, then shuffling as Sebastian strategically places himself in front of the wooden box. The echoing footsteps grow closer, and you straighten at Ominis’s frantic tone as he speaks.

“Who were you talking to?” he asks. “I…I thought I heard…her.”

“No one else is here but me,” Sebastian says, guarded.

You can practically feel Ominis’s internal struggle to believe him. You decide that there have been enough secrets between the three of you — you’re not going to let it carry on post-mortem.

“Ominis? Is that you?” you call out. You hear Sebastian press his body against the crate in front of you. Ominis pushes past him, and they both tumble into it, knocking it over and exposing your portrait.

Chaos ensues at Ominis’s realization. The two boys are shouting at each other in front of you as you are helpless to stop them — Ominis, for having yet another secret kept from him, and Sebastian, for defending his reasonings. You aren’t sure if it’s because of jealousy, grief, or some combination of the two, but all you want is for the noise to stop.

You call out helplessly from your portrait, wishing you could step between them, just as you had done time and time again all those months ago. Before everything had gone so wrong.

Suddenly, hot, angry tears are pouring down both of their faces, and you are overcome with just how useless you are at this moment — a fragmented memory, trapped within the confines of your magical canvas. You want nothing more than to hug each of them, to let them feel your arms around them in comfort and take their pain away.

But you are gone.

The two boys now stand solemn and silent in front of you. Ominis takes a step closer, his wand hovering over your portrait before he runs his fingers along the gilded frame. “Is it…really you?”

“No.” You can hear the flatness in Sebastian’s voice, how tired and worn he truly is. He repeats exactly what you thought only moments before as if to confirm it. “She hardly remembers what happened, or even who we are. She’s just a fragment. A memory.”

You want to argue that it is you, but you know that he’s right. You barely remembered your living self until Sebastian explained everything to you on his daily visits. Whispers of your personality still shine through on occasion, but you are otherwise simply existing.

Ominis sighs, and you can hear the weight behind it, as if he had been holding his breath and finally allowed himself to release it. He traces his fingers along the divots of the frame once more, and you try to will yourself to feel it.

The two boys exchange an unspoken conversation that thickens the tension in the air. They seem to come to an agreement, and you let out a small breath — if you can call it that — of relief when they sit down in front of you and appear to bask in your presence. You stay quiet and allow them this moment — it’s the only thing you can do.

The days that follow are the same. No longer is Sebastian coming in alone for covert meetings with your portrait. Now, you see both Sebastian and Ominis at the same time every single day, a religious appointment that they’ve set aside just for you. They take turns talking to you, even if they can only manage a few words, and you learn to appreciate their company, knowing that you were loved by both of them in life.

Just like old times, Sebastian says, and the three of you laugh.

Christmas approaches quickly, or that’s what they say when they come to visit a short while later. They bring your favorite things from when you were alive — chocolate frogs, flowers, even books, which Sebastian reads to you — and they tell you stories about you and the kind of person they knew you to be. You wonder if it’s true, or if they have created an idealistic image of you since you are no longer there with them. Not really.

Kind, they say that you were, thoughtful, loving, self-sacrificial, and maybe a bit idealistic. You were friends with both of them, after all, the mischievous pair that they were, before everything was taken away from them, before life was unfair. They try to smile for you and remind you that Christmas at the castle is a time for celebration, but you can tell that it’s a weak facade.

You smile back at them anyway.

The anniversary of your death approaches. Neither of them can bring themselves to say anything, aside from a few words to honor you. So the three of you sit in tearful silence, admiring the flowers that they decorated your portrait with. You think you can almost smell the sweet aroma of the bouquets.

Something changes in the air — you can sense it — though you aren’t sure what. You notice it when their visits become shorter, with fewer stories to tell, and fewer presents left in front of your frame. Sebastian and Ominis start showing up at separate times, stopping in for a brief hello before leaving with an excuse. You start to wonder what they are doing when they are gone, but you are unable to leave your frame — only one portrait of you was ever commissioned.

Soon, they start missing days, returning at a later time with profuse apologies about how life was busy, but they still miss you. Difficult classes, detention, studying for NEWTs, and preparing for a career — all of these seem to take precedence over you. But they still manage to make time in all of the hectic day-to-day activities, and you look forward to the days when they do come.

You wake up one morning and realize you are in a different location — Feldcroft, most likely, though you hadn’t seen it since that fateful day. Sebastian hangs your frame up on the wall, promising that he and Ominis will come to visit you more often now that they have graduated.

They don’t.

The length of time in between seeing them grows longer, you’re certain of it. Each time one of them arrives, they look a little bit different — sometimes they have longer hair, other times a bit of scruff around their chins, but they always come in looking more weathered than they had when you last saw them.

You realize that they are doing something that you will never again be able to join them in — growing older. You start to wonder about their lives outside of you, yet your painted mind cannot comprehend what an adult life looks like, forever frozen in your adolescent state. You find that you are unable to relate to any of their stories, and they seem to be holding back in what they choose to share.

I wish you were still here, they always say before they go, and you start to wonder if they mean it.

At long last, the visits from your once two closest friends become scarce, and you aren’t certain how much time has passed since someone last spoke to you. The bright flowers that once decorated your golden frame wither and die, and the little gifts they used to leave stay untouched and unopened. The tiny cottage in Feldcroft becomes a sepulcher of your essence — a permanent reminder that you are no longer among the living.

You can’t help but wonder if it was something you did, if their reasons for not returning were your fault. You can feel the stories that they used to tell you fading away, unable to retain the memories in your current form.

You decide that it’s time to rest.

In the quiet house, just south of Hogwarts, your portrait closes its eyes. You do not wake again.

[onlyswan]

dreamboat | jjk (teaser)

sypnosis: aboard the dreamboat, jungkook finds himself drawn to a beautiful stranger who appears to be drowning in melancholy. weeks later, he sees her face on the other side of the aquarium at his apartment building’s lobby. he soon learns that it’s not fate’s grand romantic plans that brought you back to his life. / (alt.) / a shipwreck and a dreamboat form an unusual bond in an aquarium.

non!idoljk x f!reader (jk is a business major who works at the amusement park ; oc works at the call center) / strangers to lovers / fluff, angst, suggestive

teaser word count: 0.5k / full fic word count: 30.8k :3

teaser warnings: is it an onlyswan fic if nobody cries? (full list of warnings to be released w the fic!)

release date: sometime in july (oh wait it’s july already)

spotify playlist ♫ (still in progress and will be open to recs after release hehe)

PART ONE AND TWO ARE OUT!

note: drop a comment/send an ask if you want to be tagged (pls make sure that you’re taggable 🥺) thank you and i hope you look forward to it <3

—

“why are you here? do you even have a ticket?!” taehyung interrogates him once he reaches the gate.

“do i have a ticket? really?” jungkook smirks, tossing his backpack to the ground.

he crosses over to the other side, and with ease, sneaks his hand in between the bars to push the lock into place.

“what do you think i work here for?”

taehyung sighs and mumbles to himself. “fine, my bad. thought we worked to pay for our bills.”

he picks up the backpack and swings it over his shoulder, heading to the control booth. on the other hand, jungkook climbs on the ship the amusement park owner lovingly named the dreamboat. he places his grip on one of the many vines curiously large butterflies are attached to, fully ignoring the existence of the steps. he hoists himself up onto the wooden floor with ease.

unhappy faces with blank stares.

he smiles at them cheerfully.

“i apologize for the hold-up. i’m your captain, jeon jungkook!”

“jungkook! sit!”

“wouldn’t he be the captain?” a high school boy at the very front quips, eyes pointing downwards at taehyung.

“eh, more like the wind beneath our sails.” he ruffles the boy’s head in passing as he trudges over to his desired seat.

“what?”

his spot, a more suitable better term. the farthest row which most first timers do not dare to sit at; the part of the ship closest to the sky when it swings back and forth, higher and higher, until it feels like he’s going to fall off— but he doesn’t. for short bursts of moments, he’s flying.

the passengers are erupting in ear-splitting screams, curses, and laughter. the wide smile plastered on his face could probably be described as sadistic as he observes their reactions. most would find this ride as a nauseating, life-threatening ordeal and its name ridiculously ironic. however, to jungkook, this is what it means to be alive.

he imagined he would be alone here again today.

but as he is brought higher into the air, he discovers one person strapped to the last row of the other side of the ship.

the earth begins to move in slow motion.

they have their face buried in their palms, body shaking with what he can only guess is intense sobbing.

gone is the smile on his face.

jungkook has witnessed a few criers, sure, but not to this degree. a wave of sadness washes over him. he feels guilty and he doesn’t know why. why the hell would he be? he doesn’t even know who you are.

are you that scared? if you’re scared, why would you volunteer to go here alone? if not, then why is your heart breaking?

for a few seconds, the noises cease and his focus on you becomes amplified.

and why is his breaking too?

—

[monimccoythings]

How the other X-Men (97') would react to Logan's crush

I need more X-Men 97's Logan. Mostly Pre-established relationship. Just some rambles about some of the other X-men reacting to your mutual crushes because they are all a big family of busybodies lol.

tag: gender neutral reader (mostly)

You didn't have the best first meeting. You had accidentally drank the last of Logan's beers, and the burning anger in his eyes would take time to forget. You had felt so guilty afterwards that the next day he found a crate of imported beer in his bedroom.

When he first started developing a crush on you, Morph liked to tease him changing into you in different forms of suggestive positions wearing all kind of revealing lingerie, which made him blush. Hard. He tried to act all though pulling his claws out threateningly, but it was difficult to take him seriously when he was as red as a tomato.

He wasn't sure what started that crush, he guessed he started developing it without noticing. Maybe it was your good looks, your kind nature, your bright smile; who knew, but something about you drove him to you like a moth to a flame.

Ar first, Logan would be a bit conflicted due to his deeply rooted feelings for Jean. He felt like he was betraying her in some way, despite Jean being married to Scott. Unbeknowst to him, Jean, is one of the main supporters of his relationship with you and is always hijacking with Storm some way for you two to be together. Once, she got tired of your antics and practically psychically shoved you against him.

Storm is the chillest about it, unlike the overly enthusiastic Jean. She is very patient, she knows you'll end up together one way or another. She just has to wait. She still joins Jeans shenanigans because it's really fun.

Scott is more protective of you in a big brother way. He initially doesn't like that Logan has taken an interest in someone he had always seen as a little sibling. He knows how Logan can get, and how much he had pinned after Jean. He doesn't want him to hurt you, it would take a real genuine proof of his love for you to convince him. And something small wouldn't do, it has to be this big grand selfless gesture for him to actually believe it.

Charles, unlike Scott, thinks that you and Logan are a great match. You seem to bring the best out of each other. You calm Logan's never ending rage and Logan encourages you to be more bold and come out of your shell. You are like two puzzle pieces, you fit perfectly together.

Rogue is constantly teasing you about Logan. She has noticed how he gets more awkward when you're around, how he doesn't snark at you as much as he usually does to the others. If she didn't know better, she'd say he was being shy.

Remy is the one usually trying to give Logan advice on how to properly woo you, which usually goes ignored because of Logan's own pride and refusal to admit he has it deep for you.

Jubilee is a die-hard shipper. She gave you the most ridiculous ship name. Logan hates it. She, Storm, Remy, Rogue and Jean, usually meet up to discuss about you two like a bunch of teens. This is literally them on each meeting:

When you finally stop dancing around each other and start dating, he finds he's unable to keep his hands to himself. Watching you make breakfast, humming to yourself in an oversized T-Shirt and booty shorts that perfectly clinged to every delicious curve of your juicy ass like a second skin, put all of Logan's already thin self-control to test. Missions surveys get really awkward if he's seated next to you, his hand always finds its way to your thigh. Hank joked that he should give him 'the talk', which he took it as well as expected.

Roberto is the one who thinks 'what the hell do they see in him??'. He doesn't get how someone as cultured and kind as yourself would ever get interested in a caveman like Logan. But he keeps his thoughts to himself because he'd rather keep his head on his shoulders.

Logan may not know what started his crush, but he sure as hell knows when he realised he loved you. It wasn't a great sacrifice or something epic as anybody would expect. He just saw you doing the most mundane thing in the world, be it painting your nails, taking care of the garden, or getting to the best part of a book you've been reading. The second he saw that glint in your eyes and that joyful expression, he just knew.

[unforth]

Alright not to like liveblog my breakdown on main but yesterday was a really bad day after a really bad, like, 4 months, and I've hit a bit of a breaking point and one of the only things in my life that can give is running @mdzsartreblogs , @tgcfartreblogs , @svsssartreblogs , @erhaartreblogs , @tykartreblogs , and @cnovelartreblogs , so that is what has to give. It's been a 99-out-of-100 days thankless job. A small number of people do say thank you and yall I appreciate you so much (HUGE shout-out to the artist I met at Flamecon who gifted me a zine when I said I ran these blogs, @bonesblubs you rock) but I have never done an act of fandom labor simultaneously this labor intensive yet this invisible before and, uh. It sucks. I spend an hour or more a day on this every day, if it's under 2k hours since I started the first of these in September 2020 I'd be shocked. And I do it because I love it but doing it means I don't have time or energy to do other things I love. And I really don't want to just quit, but I can't keep this up.

In a last-ditch effort to try not to just give up, I'm making the following changes:

1. Only watching one tag per fandom for the MXTX fandoms. I am going to check *only* #tgcf, #svsss, and #mdzs. Artwork posted to any other tag, I will not see unless a mutual reblogs it.

2. Reduced tagging (even more). I'm only going to tag characters and maybe overarching au type (eg, "modern au," "fantasy au"). I'll no longer tag creatures. I will continue to tag the same common trigger warnings I already tag.

3. If a work's appearance doesn't make it obvious what it is AND the tags aren't clear, I'm not going to reblog. I can't keep spending 5 minutes or more trying to figure out what I'm even looking at, scared that if I guess wrong the artist will get mad at me for mistagging their work. If I do reblog, I'll tag only the artist name and/or whatever else I can identify for sure.

4. I am no longer going to follow #link click. The fandom is just too big. I've started dreading checking it. If I was more into it and less busy I would make another spin off just for it but neither of those is true. (The art is so good, I hate to do this, but. If you love link click, highly recommend the main tag, lots of great stuff there.)

5. I will no longer tag any non-cnovel content in the art/post. Like, if someone draws, idek, Xie Lian and Marinette from Ladybug, I'm not gonna put any tags for Marinette, just for Xie Lian.

6. Basically if I run into something hard to tag or confusing or unclear, my new policy is I'm not gonna fricken bother.

I think those are everything but idefk, I cried for 3 hours last night and got 4 hours of sleep so I'm mostly fueled by exhaustion and desperation right now and my memory is even more fried than usual.

How artists can help. This is obviously all optional. You do you. But since some people might want to know what would make my life easier, I'm sharing. I'm not claiming I feel entitled to dictate how people fandom or anything like that.

1. Put the tags for the character(s) and ship(s) early in the tag list.

2. If you make art for a fandom that isn't one of the big ones (right now the only big danmei fandoms on tumblr as far as I can tell are the MXTX fandoms and maybe 2ha) I am begging you to use my tracked tag #cnovelartreblogs

3. Do mdzs art? Tag #mdzs. Do tgcf art? Tag #tgcf. Do svsss art? Tag #svsss.

4. Not only artists, but everyone, *please* stop tagging fandoms not discussed and/or depicted in your post. It's gotten to be stupid common for people to blanket the danmei fandom tags with posts only about one fandon (like, svsss-only works also being tagged mdzs and tgcf and 2ha for some damn reason). This isn't about just my sideblogs tbh this is just fandom etiquette that seems to have been forgotten or never learned by many. Tagging unrelated fandoms isn't "reach," it's annoying. People go into the #mdzs tag to see mdzs, not whatever not-mdzs stuff people have decided to tag for ~reach~, and seeing the same post in 8 tags, none of which it's related to, is so damn irritating, and makes scrolling the tags looking for content that IS relevant take that much longer. Knock it off.

Okay. I think that's as much as I'm prepared to meltdown where everyone can see. Thanks in advance everyone for your understanding, and apologies to everyone about to see this 8 times as I reblog it to each sideblog.

At least I'm not tagging it to everywhere. 🤣🤣🤣

[zepskies]

Lost on You - Epilogue

Pairing: Soldier Boy/Ben x F. Supe!Reader

Summary: 1983 is a big year for you. You’re finally chosen to join the ranks of Payback, led by the most (in)famous supe in the world: Soldier Boy. He’ll never admit that he’s trying his damndest to figure you out. You’ll never admit that he’s actually growing on you. But the problem with this game is deciding who’s the predator, and who is prey.

AN: Here we go, the end of the ride. 💚

Song Inspo: “Lost on You” by Cubaneros

Word Count: 1.4K

Tags/Warnings: Angst, but mostly fluff, and an ending…

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Epilogue: As Good As It Gets

Arthur was still lying low in Belize, but he was able to do you one last favor. A wire of money allowed you, John, and Ben to travel across the Atlantic—to Medellin, Colombia. There Ben took you to one of his old vacation houses.

It was a large, beautiful Spanish style house. Best of all, it was in a remote location on the cusp of a mountainside, complete with a scenic waterfall. It was like something out of Vought Geographic. You needed to take a helicopter just to get to this place.

It was the best security Ben could think of.

He had plans to renovate and beef up the surveillance of the property itself. Then you would be able to have your brother Chris and his family visit. You hadn't been able to see him or your nephew before leaving the U.S. again, but you had called Chris from the airport to let him know you were alive and well, and that you would see him soon, when it was safe.

But before all of that, there was one very important item of business you and Ben were handling together in the living room, while John was outside swimming laps in the pool.

A phone dock rested on the coffee table. The call was on speaker.

“That child represents a multi-million-dollar investment,” said Stan Edgar.

“You should’ve thought about that before you shipped us off to motherfucking Siberia,” Ben snapped. “Hell, before you decided to steal my goddamn DNA. But guess fucking what. He’s my son. He belongs with me.”

You gave him a look of pride, resting a hand on his thigh in support. He glanced at you and grabbed your hand.

“You’re not leaving me with much recourse here, Soldier Boy,” Stan replied.

Ben leaned forward. He took that as a very real threat.

“If you come after me or my family, I’ll tell you what’s gonna happen,” he said. “First off, you’re going to lose. Fucking miserably. Next, I’m going to make my way back States’ side, and I’m coming for you, Stan. You and your whole fucking world, down to the family dog. Then I’ll burn Vought to the ground and piss on whatever’s left. And then the whole world can know that I’m alive, and just who lied to them for a damn decade.”

You were uneasy with that threat, but you knew he meant it.

The other line was silent.

“Or, you can unfreeze my bank accounts and put them back in my name,” said Ben. “I’ll do you the giant fucking favor of staying where I’m at, and I never have to hear from any of you cocksuckers again.”

After another long moment, an exhale of breath came from the speaker.

“You’ll have access to your accounts by end of business today,” Stan said.

“A pleasure doing business with you,” Ben said, his tone infused with both anger and sarcasm.

He hung up the phone with a mild slam, and he leaned back in his seat, rubbing a hand over his mouth and beard. You smiled and managed to get up off the comfy couch, just to settle yourself into a more comfortable seat across his lap. Ben welcomed you with a supportive hand molding to your lower back, and another running up your thigh. You cupped his cheek.

“Look at my man, all protective and clever at negotiations,” you teased. You leaned in to kiss the other cheek. Ben smiled reluctantly.

“Yeah, well, I think he got the idea.”

“Mhmm,” you agreed. Your lips moved over his, and you treated him with progressively dirtier kisses. When you slowly pulled away to speak, your voice was husky, laden with sensuous teasing. “Now we can go on a proper honeymoon.”

Ben chuckled against your lips. “Already want to spend my money, huh?”

“It’s our money now,” you playfully retorted. (But you were serious.)

He scoffed, though he thumbed at the shining ring on your finger. You two got married the very night you set foot in Colombia.

“Besides, if you can’t spoil your pregnant wife, who can you spoil?” you said, with a sly smile.

Ben eyed you wryly. “So that’s why you said yes.”

You framed his face in your hands. Now you were serious.

“I would’ve married you even if you never had another dime to your name,” you said. “Even if we had to spend the rest of our lives in hiding.”

When he searched your eyes, he eventually found whatever he was looking for. He guided you down for a real kiss, hungry and claiming. His hands began to move down your body with purpose.

A whoosh of air preceded a pair of smallish feet landing in front of the couch. You and Ben parted, seeing John standing there all wet from the pool.

“Why’re there so many brown people here?” he asked. “I can see them in the town down there.”

You and Ben shared a perturbed look. You were the first to recover, turning to John.

“Well, we’re in South America. You’re going to see people of all shades and skin tones, and different races too.”

John seemed to process that information for a few seconds. Then he shrugged.

“Okay,” he said. “Hey, can we have hot dogs for dinner?”

“It might be hard to get that here, but uh, I’ll have someone look into it,” Ben said. “Hey, grab a towel before you get the rug all wet.”

The man was getting impatient at being interrupted, you sensed. You soothed a hand over his chest.

John zipped out in flight, and came back with a fuzzy towel to wrap himself in.

“This place is so big!” he said, bouncing on his feet. His excited smile was endearing. “And all the rooms are big. And all of them have a TV. Can we watch another movie tonight?”

You smiled indulgently. “Sure. Which one do you want to watch next?”

“Jurassic Park! The dinosaurs look so real, like they’re really eating people. Ooh, no, let’s watch Scarface. The cover looked cool.”

Ben was ready to agree to Scarface, but you vetoed.

“Uh, no, we’re not doing Scarface just yet. Jurassic Park is okay,” you said. “Why don’t you get cleaned up and we’ll have lunch.”

John nodded. He half ran, half flew up the stairs to his room. You shook your head with a sigh.

“That kid’s going to need all kinds of therapy,” you said.

Ben shot you a stern look. “My son doesn’t need a fucking shrink. He’s not crazy.”

“Well, he’s not normal either,” you argued. “Who knows how else they brainwashed him. For his whole life, ten years. It’s different even from what you and I went through…and I’m still not okay.”

Ben’s tight expression faded somewhat. He swept a thumb across your cheek.

“But are you happy here?” he said.

“What?” you asked. Not because you didn’t understand him, but because his question genuinely surprised you, and even more when he doubled down, staring into your eyes with a weight in his own.

“Are you?” he pressed. “Is this really what you want?”

You read the conflict in him, the flash of uncertainty behind his otherwise stoic face. It was something you didn’t think you’d ever seen before. You smiled, as tears welled up in your eyes.

“It’s exactly what I want,” you said.   

 He gradually smiled back, albeit more reserved. “All right.”

“And you?” you prodded. “Are you okay with…you know, early retirement?”

Ben let out a long breath. “Look, I started with Vought in 1944. That’s 50 years since. A goddamn lifetime,” he said. “I’ve made more money than the fucking Beatles. Drugs, booze, women, fame. Everyone in the world knew my name. I had everything…and a lotta jack squat.”

He moved his hand over yours, resting on your stomach. It took him a moment, but he dropped another confession.

“Before you, I would’ve always had nothing.”

Emotion tightened in your throat. Tears slipped down your cheeks, no matter how quickly you swept them away.

“So you’re saying thank you,” you said cheekily. He smirked.

“I suppose I am,” he said, staring into your eyes. “Thank you.”

Your emotions continued to bubble over as you read the sincerity in his. You leaned in to steal a kiss, but first, you whispered near his lips.

“You stole my line.”

AN: and there we have it! Another rocky road to a happy ending. 🥹

I hope you enjoyed the 80s and 90s vibes, the canon divergences, the character development, and all the twists! I'd love to know what you think. 💚

I'm also working on another shorter Soldier Boy x POC!Reader series called Unravel Me, but I don't have a release date on that one yet. It's still in development. 😉 Until then, I hope you had fun with this series. In some ways, it was even more of a challenge than Break Me Down!

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[solar4seekstron]

(Requested) TFA!Optimus Prime! X Cybertronian!GN!Reader Oneshot: Shut Up Sentinel

TW/Tags: Not much really just Sentinel and Reder talking trash to each other. I’m really good with these things. I hope this is still somewhat enjoyable.

You and Optimus have been together for a long time. Always there for each other as you both and team prime got stuck on the planet Earth. Luckily making a nice human friends with the name Sari.

One day as you and the others were at work with helping out the city. A ship soon appears. It was the elite guard ship. You and Optimus were both excited but also worried. After the ship would open. It shows Sentinel, Jazz, and Ultra Magnus walking out. After the shield went up around you all. Keeping the humans out.

Once you all were inside. Sentinel didnt hold back with his insults toawrds Optimus.

”Well well sizing like Optimus dealing with lower life forms like organic. What a disappointment.”

”Sentinel you’re no where the same league as Optimus you know. You’re too much of a wuss if you ask me.” You smacked back.

”Oh look. Y/N standing up for OPtimus as always. Guess it’s his own fault for being such an aft kisser.”

”That’s the best you can do? You speak as if you have cement in your intake. Then again your mouth always been a peice of work!” Sentinel was taken aback and stuttered a bit. Bee and Bulkhead saying “Oooooooooo” in the back.

”Guys.” Jazz tries to speak.

”Well you’re about as useful as a scout on a Sunday morning!” Sentinel says as a response.

“You ain’t the sharpest tool in this shed ain’t ya?”

”Oh why you little-“

”That’s enough!!!” Ultra Magnus slams his hammer down to grab everyone’s attention. Stopping your and Sentinel little fight as OPtimus gently pulled you back a bit. Optimus then whispered. “Easy sweetspark.”

You huffed and crossed your arms as you sighed.

As Ultra Magnus spoke to Jazz before they all left. Sentinel there with him. Optimus spoke to you. “Listen sweetspark. I appreciate you standing up for me but I can handle myself. Alright sweeetspark?”

He gently kisses you on the side of your helm as you let out a soft sigh. “Fine…”

You rolled your optics as Optimus had the sweetest smile on his dermas.

I hope you guys enjoyed this short story I honestly had fun ngl. As always a repost is appreciated and I’ll see you guys in the next post! Hope you all have a good rest of your day.

[veryace-ficrecs]

can I request some more zosan recs?

Absolutely you can!!

More Zosan Fic Recs

For my other Zosan lists, look here!

Zosan Fic Recs, Zosan Modern Au Fic Recs, Zosan Outsider POV Fic Recs

This list will include all ratings and tags, so read at your own discretion! :)

the blood of the covenant by glassedplanets - Rated E

In the North Blue, there is a roaming kingdom of no land, just a fleet of ships ruled by a king. The kingdom is nothing more than a mercenary force cloned and bred to be expendable and the king is a madman of a scientist. He had a daughter and he turned her into a monster. He had four more sons and three of them ended up becoming machines worse than the monster. And the last didn’t become anything at all until a pirate in a straw hat nearly ruined a restaurant.

A Study in Movement by camembri - Rated T

"Nami’s gaze pins him to the wall. Her brown eyes are narrowed, calculating. “What? You chicken or something? When Mihawk cuts you down – for real this time – are you gonna accept that it’s because you were too shy to ask for help? I refuse to believe that your dream is that superficial.” She’s baiting him, not even bothering to hide it. Still, Zoro’s hackles are raised. “I’m not shy.” “Then prove it. Go watch Sanji cook breakfast or something.”" Or: In the aftermath of Alabasta, Zoro finds himself to be the only person reasonably suspicious of the Strawhats' newest crew member. Should it all go to hell - as it is wont to do, with this particular crew - Zoro needs to train harder, get stronger. The problem lies in the fact that, despite his best efforts, he cannot replicate his ability to cut steel. Willing to go to extreme lengths to reach his goals, Zoro undertakes a new sort of training - the art of observation. Much to his despair, however, the cook seems to be the best candidate available. Zoro's never been one to back down from a challenge, but he wasn't expecting it to turn out like this.

To Brighter Futures by Cherry_Sundae - Rated T

“Well, it’s not Nami, obviously,” Sanji reasons out loud. “You two are like siblings. And as lovely as Robin-chan is, she cannot possibly be your type.” Zoro had phrased it in a way hinting at unrequited love, which means Hiyori’s out too – that woman was practically throwing herself at him every time they were in the same room. “Oh, what was that pink-haired darling’s name? Perona, no? She–” “Cook,” Zoro deadpans, eye narrowed. “If you want to guess sometime this century, you need to stop listing women.” ——— In which Sanji gets captured by pirate hunters, Zoro is in the right place at the right time, and one thing leads to another. You know how it is.

Craving For Your Fragrance To Cover Me by abydos - Rated G

Zoro notices Sanjis new perfume and fights with a realisation.

Desperados by bosephboestar - Rated T

Cowboy au. Need I say more?

Wreck my plans by goldenkiwee - Rated G

He noticed how Luffy immediately tensed up as well, as they watched a blonde, long-haired Marine cruelly step on fallen rice balls. Anger flaring, Sanji was ready to march over to the table. If there was one thing Sanji hated, it was wasting food. However, he watched instead with bated breath as the green-haired bounty hunter scooped the smashed rice ball up with his fingers and ate it. An alternate look at how different things would have been, if Sanji had met Luffy first.

The Printer Guy by LuckyNo3 - Rated G

Zoro knows how to do one thing and only one thing in the office, working the printer.

[anomaly-hivemind]

I Need to Know ☆ Laios Touden x Alien! Reader | Kinktober Day 12

Summary: An alien gets to know a scientist in more ways than one. Guess you get a bit too curious but, curiosity goes both ways.

Word Count: 2525

Tags: Body worship, monsterfucking, vaginal sex, penis in vagina, praise kink, praise, cunnilingus, fingering, blow jobs, 

An alien gets to know a scientist in more ways than one. Guess you get a bit too curious but hey curiosity goes both ways.

Tags:Body worship, monsterfucking, vaginal sex, penis in vagina, praise kink, praise, cunnilingus, fingering, blow jobs, 

It had been a little over a week since your ship crashed and you had been taken by some government people and put into some clear box which you have deemed their version of a prison. You have easily picked up their languages, being able to mentally translate them easily, yet you refused to speak much to them. 

At least you weren't talking to many of them except one. The other day, he told you that his name was Laios, and he shared a delicious food called fruits with them.  You would find a way to talk to him, alone that is. He's the only one who treats you like an intelligent being which is why you like being around him. He is kind, if not a bit too curious, He also teaches you new things.  He’s handsome and sweet, and when he gets close to you, it helps you enjoy his natural scent. 

Tonight there seemed to be only a few scientists in the building where you were being kept. You could also see that the few were getting ready to go back to wherever it was that they went after tending to you.  Once you saw them, you looked and saw the one person who entertained you the most.  You were studying him as much as he was studying you and you pressed upright on the glass the moment he got closer. 

He opens the door and walks inside, closing the door behind him. You frown. You want to explore something new, learn about something that you don’t know yet, and you hope he will be the one to let you out and help. 

“I want out…” you pout. 

“I can’t let you wander around. This facility houses a lot of secret projects, and the researchers are only cleared to know what they're working on,” Laios explained, his voice rising a bit in panic. He leaned down to your lamb ear to whisper something, and it sent a shiver down your spine. He was so close to your ears, and those were sensitive.

”I mean I'm not even supposed to know about his but I hear on the other side of the facility they have a merman,” 

You let out a huff and leaned against him. You had no idea what a merman was or what it had to do with your not being able to go out, but if he says you can’t, I'll take his word for it. 

“Why do you want to go out anyway?” Laios pats my back, rubbing his warm-blooded hand up and down the frame of my skin. 

“To learn new things?” you asked, now playing with his hair.

“Well, they want to know this new lab-issued test about you. We can get it over with now, and then maybe you'll learn something new. “He let out an awkward laugh, and he seemed to be heating up. You took a step back and looked at him. 

“What is it?” I mimicked his blinking pattern.  

“How does your kind… reproduce?”  he muttered.

“How do we… what?”  If you had eyebrows, you would raise them to copy an expression of confusion. 

“It's like how things make more of them.” He tried to explain it to you in the simplest way he could. Which did help you understand what he was trying to ask of you.  

You part your legs for him and point. “Well a male would put-” He cuts you off by pressing your legs back together. Guess he doesn't want to know. 

“I think I can fill in the blanks… maybe” he shook his hand.

“How do humans…reproduce?” you asked him the same question, this was your time to learn more about him and his species. 

“Well… when two people get with others and they have sex and there is basically a fifty/ fifty on a baby being born if there weren't any preventive measures taken.” He poorly explained it with a red face. 

“That taught me nothing. Do you mind showing me somehow?” You say bluntly. 

“What?! Show you?” His voice fluctuates unnaturally. 

“Yes, I need to know now.” You move closer to him, hoping that he will close the distance as a plea in your case to get what you want. You've watched others use this method around the lab, and it seems to work for them.

“Maybe we can both learn something then,” he sighed, and you smiled before stripping out of the robes they gave you. They would only get in the way if I tried to show him visuals. He let out sheepish chuckles as he couldn't decide whether to stare or look away, resulting in an awkward in-between of both.

You moved closer to him before pouncing on him. He let out a surprised sound as you did. You tugged off his top and coat, and they dropped to the ground. You wanted to see his stripes or spots, that is, if he had any; maybe you’d match somehow. He was shirtless, and you stared at him with your large black eyes, scanning his rather simple stripe pattern on his back. 

“You have interesting stripes,” you say, trying to make him feel better about his boring stripes. He might feel self-conscious. He stares at you for a long moment, forgetting about stepping on the pants pooling at his ankles. 

“I have stripes?! " Laios tried to look at his back, but he couldn’t see anything. You were playing with the tip of your tail, looking down at the boxers he was wearing. You poked him in the crotch. He tensed when you did it again and held your hand. His hands were so warm that they almost caused an unnatural flutter in your heart that felt like it rattled down your bones. 

“Yes?” He didn’t say anything, but there was an obvious growth in his remaining piece of clothing. I guess he is still in shock at the fact that he has stripes.

“Can I touch you?” Laios asked in a hushed whisper as if someone would hear them in an empty building. 

“Of course, we are opposed to showing each other our species after all.” you go to take off his last article of clothing and, this time, make him as naked as you were.  He shivers before bringing you into a kiss. You happily kiss him to make at least an uncoordinated attempt to do so.

You both make out for a few moments, and your tail is swaying happily, you don't realize it until it hits and is between your legs.  He pushed his fingers into you and your cunt, your sheep-like ears perked up as you let out a moan, his fingers felt so good inside you.  You wrapped your hand around his shoulder and pulled him closer to you,  your tail curling around his leg. Your kiss was messy, but your tongues ran along each other. He pushes his fingers deeper into you, and you bite back a hiss, 

“Does this feel good?”  you gave him a nod. He could feel how wet you were, completely drenched under his moving fingers.  You let out a whine as he pulled away, claiming that what he would do next would make you feel even better than when he was using just his fingers. 

He dropped to his knees and made you lay back on the bed that had been provided for you. He ran his hand slowly along your tail, tracing the skin so gently. He places a kiss up your thighs as a string of kisses up to your core.  It was as if he was paying attention to every strip on your lower half.  Your large eyes stared at him, unblinking as you watched him get closer to your center, his eyes meeting your. 

He took his time to take in the sight of you before him, and he could feel the hunger and desire building up inside of him. He wanted to taste and feel you trembling against his mouth, and he was determined to do just that. 

He leaned forward and buried his face between your legs, his tongue swirling around your entrance, tasting you as he had never tasted anyone before. He wanted to make you feel good and crave him, and he was going to make sure that he did. 

He moves his face to your folds; he wants another taste of you. He was determined to make you feel good as if it was his job, and he wanted to hear your moans until he had you panting. All of it turned him on, and he couldn't help but smile in satisfaction. He wanted to hear more, and he was going to ensure he did.

“Really let loose, okay?”  He looked up at you, his face covered in your juices. He then licked his lips, savoring the taste of you, and he could feel his cock hardening even more as he looked up at you. 

He knew that you were enjoying it, and he wanted to ensure that you knew just how much he wanted you. He wanted to make you his and he wanted to show that with his efforts to please you. All of it makes you come undone with a quickness, and your body convulses with a startling vigor, at least startlingly to Laios. After your pleasure shakes, almost slapping Laios with your tail and untangling your antenna, you sit up, feeling a bit fuzzy.

“Let me do this for you,”  you grabbed and made him lay where you once were. you want to make him feel the way he’s making you feel; you move your fingers to put him in your mouth. 

His eyes closed shut as he felt the chill of your mouth wrapped around his length. He closed his eyes and let out a groan as he felt you.  

“Am I doing this right?” You popped him out of your mouth. 

“Yes definitely.”  You were taking him so well that he thought he would come undone at any minute. Circling your tongue against him with a needy curiosity.  

“Show me how you reproduce,” you asked, eyes wide with curiosity. You could see Laios' face grow red and small beads of sweat pop up on his forehead. 

“Well, I'll be needing this,”  he slowly pulled his cock away from your fingers. He laid you down or not if you’re already lying down and pressed the tip to your entrance. 

“Human reproduction begins by inserting an erect penis into the vagina, I’ll go slow,” he said, slowly pushing into your cunt. The stretch hurt, but at the same time, it felt kinda good. 

He closed his eyes and let out a low groan, letting his hips rock gently over yours as he continued to push deeper inside you. He was savoring the soft warmth and tightness of your pussy. You wrapped your tail around his waist, holding him loosely. 

Soft noises escaped your mouth as his cock carved deeper and deeper into you. A coil deep inside you would get tighter and tighter as he pressed against your sensitive spots. He looked down at you, his eyes staring intently into yours. He loved the way you reacted to him. Responding to his touch made him feel like he had somehow managed to win something.

”So, will this potentially give me your offspring?” You tighten your grip on him with your tail. 

“Our species have a lot in common physicality-wise, so it is possible, but they likely won’t be able to have children of their own.”

You nodded your head but didn’t dwell on the fact too much when your attention was brought back to Laios hoisting you up so you were sitting on his waist and bounced you on his cock.  He was so much deeper than before. He tightens his grip on your hips when he lifts you up higher before bringing you down onto him.  He pressed his body against yours, holding you close. His hands roamed over your body, groping at every curve and crevice.

“I am so glad I can lay eyes on you.” He let out a groan. He could feel himself getting close.  He places a litter of kisses on your neck and along your jaw, and his hips thrust into you at an uneven pace

He started to come undone, and the sight of your naked body above him, your chest heaving, and your face contorted in pleasure were key points, but that happened sooner than later. Warm sticky fluid spilled from the tip of his cock into your cunt.

“Finally, after sufficient stimulation, semen is spilled into the vagina, and the sperm cells in semen travel through the fallopian tubes to the ovaries, and then to the chosen egg and in successful procreation, the egg develops through the gestation process, and you have yourself a tiny human.”

Your walls had a vice grip on his cock; you could feel how his warm liquid coated your walls. He slowly pulled out, but contrary to his expectation, only a few droplets of his seed followed. Actually, your hole seems to have puckered up closed to hold in his semen.

“Is that supposed to happen? Your hole closing up like that?” He asked, looking at you with a bit of concern.

You nodded.

“My species, semen, as you call it, is more liquid-like,”  your ears twitched a few times as you held back a small laugh. 

“It is so cool how your species has evolved to maximize chances of insemination,” he says. He gets up to grab your clothes and hands them to you. You shimmy them back on, and Laios puts his clothes back on. He looks outside your room as if he is thinking deeply about something. You don't take your eyes off him.

“Do you still want to get out of here?” He asked you slowly as if the question was stuck in the air. You feel like his question caused a wide smile on your face, and your eyes widened as if they could get any bigger.

“Yes!” You hopped off the bed and stood close to him. He grabbed your hand and held it firmly while his thumb rubbed gently on the surface of your hand. 

You both sneak out of the facility, and you take in as many things around you as you can, but it would vanish before your big eyes. After a few long moments of silence, you are greeted by a beautiful sight. It was the lovely untampered earth you had first crashed into, your tail curling around your leg. You rest your head on Laios, enjoying his presence and everything else about him. Nature is really beautiful and great, and nothing could challenge its qualities. Laios is a good contender against it, you thought. 

You'll go where he goes from now on.

[milaeth]

୨୧┊𝐂𝐀𝐑𝐍𝐀𝐓𝐈𝐎𝐍𝐒. ( lando norris )

ꖛ ─ you’re reading part one ∿ part two ( coming soon )

✧.* pairings ─ lando norris x fem! football player! reader

✧.* genre ─ social media au ⨾ fluff

✧.* summary ─ in which you're a football player and after winning the champions league with your team, a secret admirer named "L" sends you flowers. everyone thinks it's your friend Lance, but what if it's someone else? perhaps someone who’s also a formula one driver and is known for being a big fan of yours...

✧.* face claim ─ jana fernández (she’s obv around the same age as lando in this)

✧.* warnings ─ none

✧.* mily’s thoughts ─ so sorry for the wait, i had to take a little break, but i’m back now! btw i’ve had this in my drafts for literal months, but i finally decided to post it so enjoy :)

yourusername

liked by lance_stroll, fcbfemeni and 753,965 others

yourusername We rocked the semi finals, now it’s time for the actual one! We can do this!!🔥

tagged: @/fcbfemeni @/wchampionsleague

view all 375 comments . . .

user1604 massive win! some sick tackles made by you today, wow. so proud of you guys🔵🔴

user693 LETS GOOOO

lance_stroll So proud of you💙❤️

yourusername Thank you Lance❤️

user4635 y’all seeing this???

user8476 the hearts…🤭

user4316 BARCELONA 🔛🔝

user1036 mother is mothering‼️

landonorris Congratulations, you guys were amazing!👏

liked by yourusername

user5837 YOU GUYS WILL ROCK THE FINAL

fcbfemeni best cb in laliga🔥🔵🔴

yourusername best club💙❤️

user3835 devoured and left no crumbs

user8547 who is that girl and why are lance and lando always in her likes and comments??

user9527 girl bffr💀

user1584 “that girl” is Y/n mf L/n.

user5264 @user8547 That is Y/n L/n! She plays for Barcelona’s women's team. She and Lance have been friends for quite a while and I guess he introduced her to the other drivers at some point because a lot of them follow her. She's been to a few races and sometimes still attends them when she's not playing for Barcelona! :)

2 May 2023

landonorris just added to their story . . .

liked by mclaren, fcbfemeni and 97,537 others

private replies to this story . . .

maxfewtrell Off to go see the love of your life play?👀

landonorris Shut up mate

maxfewtrell You didn’t deny it👀

landonorris Dude she doesn’t even know I exist

maxfewtrell Of course she knows you exist. She’s friends with Lance and therefore knows you from the grid.

landonorris Yeah okay but that’s about it. The first and only time we talked in person was in 2020 so she probably forgot about my existence.

maxfewtrell Well then change that😉

yourusername

liked by alexiaputellas, wchampionsleague and 1,846,053 others

yourusername This feels unreal🏆🔵🔴

tagged: @/fcbfemeni @/wchampionsleague

show top comments . . .

lance_stroll I’m literally so proud of you. We have to celebrate this, love you💙

yourusername Thank you so much, can’t wait to see you again💙

user836 @lance_stroll confess to her already🙄🙄

user638 i ship them so hard

landonorris This was the first football game I watched live and the atmosphere was amazing. Great win💙❤️

yourusername Our games always have an amazing atmosphere, it’s really worth it

landonorris I could tell! Today’s game won’t be the last one I’ll see live

yourusername I hope so :)

user9526 AYO WHAT IS GOING ON

9 May 2023

yourusername just added to their story . . .

liked by lance_stroll, landonorris and 352,942 others

11 May 2023

∿ taglist ─ @ay7ton @ch3rryknots @fdl305 @chrysanthemonza @remuslupinsbtch @kissesandmartinis @hevburn @noncannonships @quadrisl @dhhdhsiavdhaj @godessstela @hectorr-19 @layazul @bambispostsblog @ferrariloverr @xxenia14 @sigistarkstrom @asparklysoul @dinodumbass @tpwkstiles @our-love-world @sainzluvrr @ophcelia @mcmuppet ( here’s my taglist if you want to get tagged in my future work )

don’t forget to like, comment & reblog (it’s very much appreciated <3).

© milaeth | 2023

[jazzyblusnowflake]

OMG hi…I really like your art and was wondering if you wanna be mutuals??????????? Also tell me about your MD ships :3c

honey we are dating- .....okay yknow what- HI PRETTY & TALENTED LADY- yess i will absolutely love toooo 🙈💕💕💕💕💕

also lets see uhhh okay this is an excuse for me to just... expload-

keep in mind not every ship is meant for all of you so dont badger me about stuff that ISNT CANON or YOU DONT SHIP. contrary to whatever you believe, when somone posts about THEIR ships, nobody wants to hear about you NOT shipping it on THAT EXACT post.

hang in there, this gon be a long one >:p

First off we are starting strong with Nuzi- Biscuitbites obviously thats a given- these two just have too much to be said about why and how they make eachother the best version of eachother, whether they ever became canon or not- they fit like puzzle pieces- they lessen eachothers negative traits by being their for eachother.

next is Vuzi- Violentviolet, they are my favorite kind of enemies to lovers 😔 but its also tragic smh. kinda pissed off at how V always does something good in Uzis favor only when she is LITERALLY PASSED OUT- either in the camp ep on the bus or in Alices lab. like damn ofFUCKINGcourse Uzi wouldnt know she cares about her 😭😭😭

envuzi- Violentbitingbiscuits, i love these goobers with all my heart- they deserve the best 😔💕💕💕💕

envy - [does this poor ship just NOT have an exclusive FINDABLE tag name??? im calling them GoldenMemories...], i like to think that if they were in the manor still, and nothing bad had ever happened, these two would be comforting eachother in the healthiest way possible. V needs someone like N and N is just adorable like that uwu

Next we have JxTessa/Jessa- [calling them Fancyblades cuz why not-] J deserves some closure for the shit shes gone through smhhh 😔, its a tragic yuri of J loving and wanting something she probably already accepted she couldnt have, and even then she gotta deal with Ns ass being the favorite one regardless of how hard she tries to be perfect... sighhh i wanna imagine them in a future where Tessa was spared as the only human and J could save her 😭😭😭😭 Tessa might have loved doing mechanical stuff or wore black to hide grease/oil stains on her clothes from her parents and wore gloves to hide her oily stained hands- i want her to have a scene of wiring drones back to life and saving them and saying something like "hey there, you made it! dont worry, ill take care of you, youre my friend now :3" or something //dies//, also before anyone says it- even if Tessa was a teen in the flashbacks- romance is not exclusive to ADULTS, teens can love eachother without having sexual stuff involved. no she was not their MOTHER figure, she was their FRIEND who liked to fix robots for herself to not be alone in a house where her own parents literally chain her up as punishment. i dont even know why im arguing about this, people headcanon or make aus about characters NOT being dead all the time and if Tessa was alive for as long as J thought she was, Tessa would have been a perfectly fine adult either way. so counting this, yes shes canonically considered an adult when Cyn tries to imitate an adult humans body 🙄 makes as much sense as everything else i guess-

next ones i got is NorixYeva/Neva- Solverlilies- i just think theyre neat 😭😭😭 and once again, like everything else in this franchise- they are tragic yuris 😔 damn liam im finding a pattern over here 🤨 anyway, i like to think they either got closer in the lab experimentations or were already close when they were working as WDs in the campsite area for the humans. obviously canonically they were probably straight or just not into eachother romantically- [Nori either u have the worst taste men or Khan just fucking lost it after you died-] but also on the other handddd.... they have 2 hands and they are robots, i want them to kiss like two barbie dolls and im gonna make them do just that-

DollxLizzy/Dizzy- Bloodypink, wost fucking ship names ever, i cant find shit on them with these tags and it makes me angry >:/ at this point 2/3s of my ships are just tragic yuris smh, Doll did not deserve any of the things handed to her, even if she went about doing some things the wrong way i wish Lizzy didnt just abandon her- but then again, Doll did kinda abuse Lizzys trust and Lizzy got scared of being close to a serial murderer so.... morality calls this a draw? 😭 im crying... i wish someone was there to help Doll... sigh... i like to think Lizzy would have waited for Doll to just come back at some point... oh well, thats why AUs exist :"3 //sobs in the corner//

DollxUzi/Dollzi- Bloodybats, this ship is so underrated to me... they could have been... so much more. but why weren't they? did Yeva abandon ever getting close to Uzi when she was a kid after Nori died? did Uzi and Doll just never play around together as kids when their mothers were so close? were they ever close and something went wrong as they grew older? at worst they could have been like sisters together, and at best maybe more than friends. i just dont know what happened here, like Yeva could have tried to keep an eye on Uzi, maybe Uzi could have found Dolls powers so cool before having them too- i dont know theres literally tons of possibilities- but if Doll deserved to be saved or cared for by anyone, at least one of them should have been Uzi... sigh.

ThadxV- Killingblonde, yall this is... the cutest shit... ever???? like from here on out we kinda go into the more or less crackship territory but these two are adorable- Dumbass yet wholesome jock boy that just wants to keep his queen happy 😔👌👌👌 He and Uzi would have so much to talk about on "crushing on literal murder bots that stabbed and almost ate us" its literally love at first stab smhhh 😫💕

ThadxSam- Smokyjock ???? for some fucking reason??? i dont know what my brain did here man- i just like the trope of someone getting under Thads skin- like pair up the healthy sports loving gym boy with the lazy but wholesome dumbass that does drugs or is always just sleep deprived and Thad is always trying to just... take care of his ass and make him take care of himself but he just WONT SMHHH-

okay some more or less crack ships down here:

ThadxN: it speaks for itself. its too adorable and youll go blind from the light of wholesomeness-

ThadxNxUzi: Uzi will die here from the overwhelming wholesomeness... oh bonus if its just a 4s polycule of ThadxNxUzixV i mean i know im pushing my luck but.... random crackships go brr- V and Uzi will complain but love their dumbass golden puppy partners-

ThadxUzi: i think they could have been close and Thad caring about her as a childhood friend turned crush sounds just too cute for me 😔

LizzyxUzi: another random ass rivals to lovers or some shit idk what this is, Lizzy would pay Uzi to kiss the fuck out of her i dont make the rules-

ThadxLizzy: in some cases where they are NOT headcanoned as siblings or cousins, i think they have a good energy of wholesome jock bf and girly queen cheerleader lol, Thad is just a good bf eitherway-

DollxUzixLizzy: the gals would not leave a single second of silence for the small gremlin i swear to God- [Uzi is gay as FUCK for her gfs, absolute girloser unit with her gorgeous but crazy gfs]

okay for the end i have some characters that arent ships but i wish they could have become closer as friends or work out their issues...

J and N- too much abuse and toxicity here, i wish they could talk together more and see they have a lot of things in common- maybe a full line of dialogue from J without threatning N in every sense of the manner would be nice for a change =_=

Doll and V- again, a bit morally ambiguous to ship a character with the murderer of your family, esp when said murderer hasnt expressed regret lmao, but i wish they could at least be friends... Dolls disdain for the murder drones pushed her to end up the way she did. maybe if she didnt do it alone she would have been alive by now. so i like to think what would have happened if she and V could have made up- not necessarily Doll forgiving her- but at least having the space to grow and understand why they did they things that happened.

Cyn and literally ANYONE- i want the solver to be SEPARATE from Cyn- i wish Cyn would have still existed somewhere down there and was savable- i wish this poor child AI had a happy ending to her by connecting with the others as ACTUAL siblings... goddamnit 😔

aaaand thats it for this fine ass day 🫡 yall are welcome to ask about any of these- boy the tags are gonna be.... a lot.