#trying to keep them in character

[writing-for-life]

Keeping Them In Character...

It’s so interesting what you wrote about fixing Morpheus in the other post, @rriavian. I didn't want to take that one too off topic, hence I made a new one. I hope this is okay, because I love talking about these things, especially with other writers (everyone who reads this, writer or not, feel free to join in). I think I’ve said this somewhere else before (can’t remember where): If we keep him in character, there is no fixing him anyway.

But fanfic wouldn’t be fanfic without those attempts, and I totally get why. I want a different ending for him, too, alas, not in canon, even if that might sound contradictory. If they touched the ending in the show, I’d honestly be pissed off, but that’s my personal problem, and Neil can do with it whatever he wants—it’s his story. So I guess every fic that sees him alive at the end starts with the premise that we have to bend him into shape ever so slightly to make it possible. To me though, there’s a world of a difference between that and basically turning him into an OC with no resemblance to Morpheus bar name and looks (not saying that isn’t fair, it’s just not for me because if I wanted that, I’d write an OC, because that’s what he would be to me).

Morpheus is not weak. I even get why some people who mainly came to the Sandman via the show might be drawn into that direction initially, because we obviously see him very low at the beginning (I’m hesitant to say “at his lowest”). But after that, he pretty much stands in his power again (with ups and down obvs)—a power that burdens him for a multitude of reasons I don’t want to go into now, otherwise I’ll still sit here tomorrow. Wrote about it a million times though.

I think the fundamental misunderstanding is that anyone can fix him. So whoever we pair up with him can only walk with him, but he’ll need to take the steps himself, and more importantly: He would need a reason to want to do that. And yes, that’s exactly what my OC tells him at some point because she suffers, and she’s done with it despite understanding him on a deep level and accepting who and what he is—I think you're right when you say there’s a tendency in fandom to turn one half of the relationship into some kind of martyr and/or “void filler” to save someone. And the tricky thing about Morpheus is: He actually is looking for something to fill a void (which, to stress that again, doesn't mean he isn't powerful, so it's not to be mistaken for general weakness). And both in The Sandman and in real life, that never leads to anything good, but I can see why it's tempting to fall into that trap because his character lends itself particularly well to that type of trope (and I even play around with that in the first part of my fic, but it was also clear to me that it won't end there).

Now, this obviously isn’t real life, a story doesn’t necessarily have to lead to something good, but the most important question, to me, was always: What would make him take said steps himself, and above all: WANT to take them? Because truly, that’s where it all falls down in canon. And there is enough scope to explore that in quite a few different ways in my view.

For me, it was always clear that it can never be through wanting to change who or what he is on a fundamental level (that’s why I’m not into retired!Dream AUs, because they would fundamentally change who he is. Again, totally fine if people want to explore that, it's just not for me). I honestly believe he would bristle at that and recoil/retreat. Because it would just add to what is at the core of his very dilemma: If you want to change who and what he is, you basically admit you don’t truly understand him (not even those closest to him truly do), and that’s part of what breaks him (I say “part”, because there are more things in the mix than one can shake a stick at). And there is a clear difference between his being capable of change (we all know he is) and wanting to change him. They are not one and the same, but sometimes, fandom treats them as if they were.

Misunderstanding him, misinterpreting him is inherent to his being: He is Dream—forever out of reach, forever nebulous and unreal and weird and prone to be misunderstood/misinterpreted unless you stop trying and just trust the process/intuition--otherwise, it wouldn’t be (a) D/dream. It truly applies to all that he is. And you see what happens when he tries to rationalise things himself: Although he understands the boundaries between dreams and reality and keeps them in place, he is UNreality, and forever will be. And the way that gets ignored in fandom sometimes baffles me. Although it also doesn’t, because of course we’re human, and we want things to be real.

Back to those steps: I personally think he would never take them for himself because he doesn’t believe he has a story, and outright centring himself as the main character who is in charge of his own story is something he will always deny himself. But I think that’s also the way in? Because if he could perceive, at least initially, that he is part of someone else’s story and that they WANT him in that story (all that he is and isn’t, including all that is broken) with full acceptance but without complete self-denial. That they don’t try to change him, because they understand what the unreal is (and that requires a very particular type of person). That he would want to try because the love he has for them weighs heavier than how little he loves himself (was it you, @stellerssong who recently also wrote something along those lines, or am I making that up?). And that by doing that, he gradually learns to see himself through someone else's eyes. And once on that path, he would maybe, just maybe, start to understand that indeed he has a story of his own, and that he might be able if not to entirely rewrite, but at least to keep on writing it from this moment onward. Like everyone who believes (because believing something is possible means trusting in it despite it not being real, and trusting in the process rather than the result. He knows the power this wields over everyone but himself--not because it’s not true for him but because he won’t allow it. But maybe he could get himself to a stage where he allows it). That it's not about fixing anything really, but growing enough around what's broken and always will be, instead of trying to make it smaller or go away.

Yes, I do believe that might be possible, although there's much more to it than I've written here because it's incredibly complex, and it requires a lot of give and take, compromise and yes, pain along the way. And maybe it might not work at all (I never really 100% know where I end up when I write because my characters always, always make those decisions for me, and despite setting out with a plan, I almost never end up where I had initially intended to go. So if you asked me today, I couldn’t promise that I truly know where my current WiP is going and who will be where at its end, and it is very frustrating at times because I’m not always happy with what these guys are doing. At the moment, I'm truly not). But I believe he would at least try if someone who allowed for those dynamics were around. And that’s why I wrote an OC, because while I can see one or two canon characters that get fairly close to what I'd envision (and none of them are one half of the bigger ships), I ultimately couldn’t do it with them because there was something in their established dynamics that threw it off for me. Unless I would have pulled at least one of them (probably both) OOC to a degree that felt too much for me. But I'm always super interested in other people's process and line of thinking.

But yeah, that’s the precarious dance between trying to keep him in character while also working towards a different ending (that's obviously far less of a problem in one-shots). If that will ever work—who knows…

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[lotus-pear]

free will is drawing ur two favorite characters together and making them gay

[oneweek]

modern media literacy is so cooked like what do you mean you gave saltburn a .5 star rating because it wasn’t the class consciousness film you wanted that’s not what the fucking movie is about… ‘they made it hard to keep rooting for him and identifying with him’ idk maybe don’t project onto every character in media you come across & then get scared when they act in a way you wouldn’t

[manzanamarim]

Gay Lawyers and Weird Girls for y’all ;) Mia Fey please call me

[egophiliac]

C'MON TO THE THEATER!

I love these guys so much. forget NRC, I want to attend their terrible disaster school for disaster children that might actually be plastered on top of the smoking remains of an actively sinking ship. I may or may not actually learn anything, but I will have the time of my life.

[the-woman-upstairs]

Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.

Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!

AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).

Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.

All of this, of course, is why the ending hits so damn hard.

[tatck]

wha what if every chaos emerald had a guardian 👉👈 and what if the chaos emeralds didn't look like the chaos emeralds at all and what if they all had special powers and what if-

[sparrowlucero]

this is the iconic dinosaur horror jurassic park wishes it was

[andstuffsketches]

self-indulgent link designs

[gigizetz]

🫡

OMG THAT`S GENUINELY SO BEAUTIFUL

o7 for dead X eye guy he shall never be forgotten

[turtleblogatlast]

Something about this kind of swimming getup for characters always immediately gives me transmasc vibes. Blue swim trunks and a tank top? Sorry man my brain already connected the dots. The vibes are there, and they’re not leaving.

[poorly-drawn-mdzs]

Remember: The burning sensation is part of the process.

[puppyeared]

(guy who has never played cotl) haha au time

[jijimachu]

What is Bradley’s deal

[eyes-of-nine]

early hualian dynamic my beloved(there's so much wrong with both of them but it's too early to get into it)