#to just not be a dick to people

[only-man-in-the-sky]

friendly reminder that you can lack empathy and still be nice to the people around you. low empathy doesn't mean you can just not even try to be nice

[ineffectualdemon]

[incandescent-mushroom]

House has definitely sent Wilson a dick pic or several but he sends them by email because they are both old men and the titles are things like ‘URGENT: please identify if lung cancer’ or ‘patient biopsy results - respond ASAP’ so that Wilson’s guilt complex makes him feel obligated to open each one just in case someone’s life is actually on the line

[psychokatrixxxy]

Love when the Justice League thinks Batman is a cryptid. This believe is only further enhanced by the face his sidekick, Robin, is clearly a shapeshifter, what with changing their height, hair style, skin tone, and even gender.

Batman clearly thinks that by having Robin look different every couple of years, it will show that they aren't cryptids like it would if Robin didn't age.

But the Justice League is too smart for that. They figured it out! But they are good friends (colleagues) and won't spill Batman's secret, but they will drop hints to him that they know, to show that they are smarter than he gives them credit for (they aren't.)

-

When the batkids learn that the league thinks this, they start periodically going to the Watchtower with Bruce, taking turns dressed up as Robin.

The League is surprised as Robin seems to prefer taking the form of a child, perhaps to have villains underestimate them? But they just assume Robin is trying out something new.

The batkids definitely tell eachother about what was said/happened as to further sell the act of Robin being a shapeshifter, because clearly it has to be the same person, Robin knows what happened, so it couldn't of been someone else dressed as Robin.

[neuro-psyche]

I think Dick and Jason would have multiple “what the actual fuck are you saying right now” with Tim and Damian when it comes to quality of life/monetary differences. Sure, Dick and Jason got used to Bruce’s “is $100 a good enough tip on a $30 bill?” shit, but hearing Tim talking about a new laptop he bought for $5000 literally is like a punch in the gut.

If they ever went on a cruise (which they totally wouldn’t because cruises are floating death traps), Jason and Dick would be in awe of the fancy amenities, where as Damian would be unsatisfied with the quality, since he grew up with every single amenity known to man. Tim would just feel like it’s all normal since the Drake’s were extravagant and travelled all over the planet.

Jason : My bedroom is bigger than my fucking apartment.

Dick : I could do a full gymnastics routine with the space in my room.

Tim :

Dick :

Tim : My room is normal sized…

Jason : You grew up in a mega mansion. I hardly think you’re the benchmark of a normal room-

Damian : I must agree with Drake. This room is frankly underwhelming.

Dick, staring wildly at him : What do you mean underwhelming- Dames there’s an aquarium wall in your room.

Damian : Yes. Underwhelming.

Jason :

Dick :

Jason : Do you want to-

Dick : Jump off the boat? Yes.

[bruciemilf]

There’s something off about Bruce.

Dick’s eye is trained for detail; He has to calculate every leap, every step, every breath, every count. He’s a showman. Everything is routine, and routine is everything.

Injury isn’t unusual, especially for his father .He out stubborns Tim in resisting medical examinations, after all.

For Bruce, secrets are protection. He lied about every injury he had when Dick was Robin, suffering in silent agony as the pain grew and grew, a tradition he carries on from Jason to Damian.

If Bruce screams, it’s bad.

“God fucking dammit, how the fuck does he do this? Who the fuck breaks their femur AND just carries on? Jesus FUCKING Christ.”

Bruce curses under his breath, profanity hushed. Dick’s veins freeze, blood turning to stone. He guesses his shock is obvious because Jason mirrors it to perfection.

One; Bruce doesn’t curse.

Two; He definitely doesn’t curse in a jersey accent.

The unease is pungent. Alfred practically tastes it, vitriolic as anything. His chest is taut, pulse slow, “Sir,” it’s cautious, “Shall I prepare the supplies?”

‘Bruce’ waves his hand, voice gruffer, lower, smokey, “Yeah, thanks, babe,”

Alfred blinks. And whoever pretends to be Bruce, blinks back, almost like a deer being cornered by an English hound, smile a bit boyish and unsure.

“…Thomas?”

“… Okay, you’re gonna laugh—“

Dick is reeling, because apparently:

His dead grandparents have been possessing his father throughout the years and they, wards to the best detective in the world, never caught on.

“Look, I get you’re pissed, BUT,” It’s so unbelievably weird watching Bruce be so expressive;

His hands move energetically, like they have their own voices, and his rain soft voice catches on fire when his father talks through him,

“This IS 50% MY body, technically.“

“Thomas, dear, that is not how that works. Come now, you’re scaring our grandchildren.”

And Jason’s voice is uncharacteristically soft when he speaks, more posh, more elegant . That is not his brother.

Alfred passes out, to no one’s surprise.

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[frownyalfred]

in the realm of like, rich kid problems, I want to someday read/write a fic where Nightwing is slowly establishing himself as a full-fledged JL member and everyone is relieved because finally, there's a nice Bat on the Watchtower who doesn't just shoot down their plans and deny their mission requests. but. while Nightwing is kind, and polite, and charming in all the ways the Bat isn't, he's still Dick Grayson. and Dick Grayson grew up as a very rich kid's suddenly very rich kid, which is to say while Bruce might not take it personally, Dick has been fending off people almost his entire life who were trying to use him for his Dad's money. which is to say, I think once Nightwing is on board and the relationship between him and Batman is at least somewhat well-known, there is suddenly a rush of younger, less-experienced members trying to take advantage of Nightwing, mistaking that kindness and openness for willingness to either voluntarily, or involuntarily, infringe upon and cross Batman's clear-cut boundaries. bribing Dick for a better monitor shift with Batman is one thing (it doesn't really work, Dick can't bribe Bruce with much as it is) but trying to convince Nightwing to lie to Batman? to go against him? his dad? the man who pulled him up when he had nothing and gave him meaning again? that man?? and then comes the inevitable, chilling realization, that while Nightwing might wear a different mask, might wear an open smile on the Watchtower and with friends off-shift, there are some lines he won't cross, same as Bruce. he won't, sure as the sun rises and the rot rolls off the Gotham Harbor in the morning.

[charlietheepicwriter7]

The Joker was apprehended, sitting on the ground as Batman guarded him, but the kid--"Bruce Wayne's newest ward, how tragic! Hehehe!"--was nowhere to be found. Nightwing and Red Hood desperate searched the warehouse until a shuffling noise grabbed their attention.

A kid, black haired just like the kid in the Joker's broadcast, crawling out of a pile of boxes. "Is it over?" the boy asked quietly.

Nightwing guided him to the only exit, unfortunately walking past the boy's own kidnapper. "Yeah, kid. It's over. Come on-"

Like a shot, the boy rushed the Joker and kicked him right in the balls.

The Joker wheezed like a dying squeaky toy. Red Hood froze. Nightwing immediately snatched the boy up by the armpits, but all that did was give the boy the height to attack again, punting Joker in the jaw. The clown went down and cracked his head on the floor. He did not get back up.

There was a moment of silence before Red Hood roared with laughter, his helmet distorting the sound.

[faeriekit]

"Okay." Danny slowly laid the already cold body back onto the table, ready to slide back it into the refuge of cold storage. "Okay. Dead guy. Stay there."

The body didn't move.

"Fantastic. Now. Hang out while I pour the embalming fluid into the pump, alright? It should only be a minute."

And it usually did; working in a funeral home wasn't extremely glamorous, but it paid the bills, and Danny had already been used to the rhyme and rhythm of negotiating death with the public by the time he sent in his mortuary school application. It had been a transition that made sense. And in the end, the degree had only cost him a few extra years post-graduation and a little dig into student loans, and now Danny had a stable 12-8 job and health insurance valid in the state of new jersey.

Today, though, the pump had that decided enough was enough. With a bang and a boom, the pump spat out a cloud of smoke and clunked uncomfortably.

The dead body sat up.

Danny scrambled over to push it back down. "No. We talked about this. Dead people don't move. If you want to stay here and have me put you back together all the time, you have to stay put. Got it?"

Whatever the weird gold-eye corpses were on in Gotham, they at least listened to him on occasion. They weren't ghosts, per se— they never pinged on any of the ghost detection devices Mom and Dad had packed in his going-away-to-college bag— but they were, despite being occasionally animate, perfectly deceased.

Weird. Danny had never gotten used to it. Still, they came in droves, too eager to sit on the top of the basement stairwell and lurk in the corners and stare endlessly at them with their weird, avian eyes, and sometimes they heralded the arrival similarly weird-ass bodies that had lost their heads or their arms or their limbs through the more conventional channels.

"I'm losing too much thread to all y'all coming in all the time," Danny complained to the dead body, who, at the moment, was the only person present to blame. "Stop getting your limbs cut off. This stuff is expensive, you know. It's a specialty order."

The body didn't even have the courtesy to blink. Rude.

"At least let them bury you this time. Every time one of you darts off when my back's turned, my boss thinks I'm stealing corpses. My coworkers think I'm building my own Frankenstein or something."

The corpse neither verbalized nor blinked, but Danny hadn't expected it to; with a sigh, he rolled the corpse back into cold storage, locked its little door (not that locking it in had ever stopped it) and called it quits for the night.

It's not like anyone was paying him for the extra hours anyway.

The whole fic on ao3

[kittykatninja321]

Jason does reach out to people it’s just that the reaching out often involves dramatic theatrical violence. The final confrontation in under the red hood was Jason’s version of reaching out to Bruce. It’s not like Bruce was ever going to be the one to be like “hey let’s sit and talk about your death and why you’re mad at me”. Yes it did involve kidnapping and possible murder suicide plans but hey at least he started the dialogue agshshshs

[casscainmainly]

The lack of substantial Duke and Tim interactions is funny to me because in a lot of ways Duke is Tim's exact opposite. They have really dissimilar backgrounds; Duke's motto, 'Robin doesn't need a Batman', is a deliberate inversion of Tim's 'Batman needs a Robin'; in their introductions, Tim helps pull Batman out of a dark place, whereas Duke more or less puts an amnesiac Bruce back into a dark place. They also have wildly different opinions on basically every other Robin, particularly Dick. It's funny that even with all of their differences they have no real dynamic - they kind of just know each other. I don't think they dislike each other, but given their opposing philosophies and perspectives, I think it would be very hard for them to understand each other.

[sirenium]

Include men in your body positivity. you are not body positive if you make fun of male pattern baldness, neckbeards, fatness, etc in men. these traits are just as worthy of acceptance regardless of if it's wrapped in pink bows or not.

[aceissomunster]

discowing + jaybin ! press for quality

txtless + ref under the cut

ignore my horrible art please i drew this on ibis paint x with my finger and the soft felt tip pen brush. and my crappy penmanship.

[violent138]

On a very stupid note, can you imagine how embarrassing it is for Bruce Wayne, the most paranoid and secretive man on earth, that whenever there's drama in his family it inevitably reaches a significant portion of the superhero community?

And he can't even go after any one person, because Alfred would tell Dick (who tells Wally and Donna, especially if it was really stupid), Steph would tell Kara (who would tell Clark, who would tell Diana, who already knew via Donna), and Tim would tell Kon, Damian would tell Jon and Connor, Duke tells Jason about it, and because Wally told Barry Hal now knows (and other Lanterns), J'onn knew because Bruce was fuming and Clark was trying to figure out how to bring it up, Cass told Dinah and Barbara so now the entirety of the Arrowfam and Birds of Prey know too and so on.

[lena-thinks-too-much]

It is so, so important to me that people understand that Tim didn't figure out the bats because Dick was a "Show off". Like yes, Dick Grayson is the most flamboyant, dramatic ass man you will ever meet.

But the quadruple somersault? There's no way that was because dick was just showing off. Because you're telling me Bruce Wayne, who's so committed to hiding his identity that he literally acts like a completely different person out of the mask in public just to ward suspicion, would miss the fact that Robin regularly uses the flying Grayson's trademark move? There's literally no way.

In the comics we see Tim explain his deductive process to Dick and Alfred and they're both surprised impressed whatever. We don't see him explain it to Bruce. I think Bruce would be surprised and shocked that a 9 year old was able to put the pieces together but I don't think he'd be surprised that the quadruple somersault gave it away.

So if Bruce was possibly aware of such an obvious give away, why let it continue?

I'll tell you why.

It really comes down to the physics

So Dick was 9 when he started out right? That means the most he'd have likely weighed was 43kgs or roughly 95lbs in freedom units.

But Dick and both of his parents are gymnasts who tend to be smaller. So he was likely less than that.

In physics, rotating objects build up angular momentum (this is how bikes stay up right for example). The more rotation, the more momentum. And objects with less mass build up that momentum much faster than those that are heavier.

Robin constantly has to fight people who are nearly 3 times his size. I teach 8 year olds, they're tiny. A quadruple somersault for a small boy that weighs less than a hundred pounds is a brutal weapon. Especially if you add in the acceleration from gravity as he drops in from above.

And I can guarantee you this logic tracks because Dick literally utilizes this idea, without the somersault, in the 2009 teen titans cartoon.

Yeah, that's right. We're talking about the infamous knee drop.

Like it is borderline savage. Add in a quadruple somersault and the resulting force is nearly fatal. It's likely the main reason Batman would ever allow him to do it with the cape on.

Also, Dick landing feet first on the penguin in the first image probably gave the guy severe back issues