#this was a fucking long one my bad

[quixtrix]

rayman, eden's feel good american dream story; an analysis

guess who's back with taking ubisoft's silly guys and cutting them open. yknow, if you strip rayman of his personality, of all the behind the scenes we get of him, we get a run of the mill news reporter that is an immigrant, who by face alone serves as a shining ray of hope. he's easily something that by all means, can be classified as a diversity hire. immigrant, nonhuman (which in the world of clh can be considered to be equated with poc irl), and notably the only one in his work environment. don't believe me?

we rarely ever see anyone other than rayman on the show in the form of a coworker. the only time we do see other eden affiliated people, they are both white. "but you can't see red's face!!" there is a reason his dialogue makes you think of more right leaning people with their claims of 'wokeness is destroying everything' under something like april from tmnt being black and not ginger. he's a caricature meant to represent a specific group of people under fascism; those who have successfully consumed the fearmongering and have let it turn from fear of those that they are told are beneath them into hatred for them. there is also the fact that on live tv he throws up a middle finger, refers to an implied group of immigrant people as 'filthy interdimensional alien scum,' and seemingly gains no backlash for it. yes, the other reporter does try to give red a chance to go back on his words, but he sticks to it. and despite all of this, we get no indication that neither red nor the niji 6 had to apologise or received punishment for this. in fact, red is possibly given more chances by eden due to him being weirdly in charge of bullfrog's containment in a way? (i'm not entirely sure WHY he was there, but as he is one of eden's tv personalities, he's at a possibly televised trial of a terrorist.) now if you compare this to rayman, who also acted inappropriately on tv by literally saying fuck, you'd come to realise that rayman was treated so much more harshly. he was IMMEDIATELY replaced by a clone of himself, with no warning nor any indication that eden would do such a thing. it's very likely this was one of, if not the first time that rayman has slipped up like this on live tv. maybe it's a repeat offence considering his personality, but then you could argue that red is a repeat offender of the same shit and then you have to wonder why a soldier like red was not easily replaced but someone who is the literal face and voice of eden was with ease. it's because rayman made himself more than jus a story, he humanised himself by showing a peek of his raw feelings. remember that cute little exposition of the rayman kids show about hybrids? where we see all of these hybrids working as society's grunts and the kids are told to be thankful for hybrids? it's very sweet and gives a good message! now the rayman kids show is a product of eden propaganda, but rayman very much has a hand in it, most likely as a writer. he uses his platform to speak on issues that has happened and affected him. this can be seen in his biopic.

jus sit with this image for a moment. you ever think about why rayman is specifically made as an alien? why he's specifically an immigrant? in real life news reports and speeches, there is a difference in implications when people use immigrants and not aliens. you wanna know why?

as someone apart of an immigrant family myself, i live in a community of other immigrants. majority of them are hispanic, and while i myself am not hispanic, i am very aware of how hispanic immigrants were referred to and treated by politicians under trump's presidency. how couldn't i? even as children in middle school and elementary, we had discussions about what trump was saying because it directly targets my friends and their families. they are people targeted by a man who specifically uses derogatory terms to dehumanise them, to make it easier to justify in the average american mind that the government is doing the right thing by keeping out and protecting america from these so-called 'invading animals.' makes what red was saying earlier feel very on the nose, right? adi shankar, the showrunner for captain laserhawk, is also an immigrant man. immigrated from india, which by the way, did you know has a lot of people immigrating for the purpose of having a better life? that's a common sentiment that can be found in every single immigrant family's story. i've asked my filipino mother why she took an opportunity to live and work in america, and she told me it's because she wanted to give her children a better life than what we would have had in the philippines. hell, i bet if you share a similar background to me, you can ask your own parents the same thing and get the exact same answer, regardless if you came from latin america or africa, or asia. it's because of the concept of the american dream. everyone who has ever engaged with any degree of immigrant discussion has heard of the american dream. it's a concept that seems to be consistently proven via word of mouth, with the biggest examples being celebrities. they will always, without fail, eventually speak about the american dream within their backstories. and typically, they will use their platforms to further empower others within their community. it's why people from specific ethnicities tend to group together, why people make art meant as something akin to a homage to their people. it provides hope to the masses, makes you relate to the person on the screen, and believe that this society is truly a gracious one by providing opportunity. because yeah, it may be bad, but it could be worse. i mean we appreciate you! just look!

dont mind the fact that the majority of opportunities allotted to you is grunt work, the work where you at the base of the pyramid, with the harder jobs and the jobs no one wants to do. dont mind the fact you will be actively dehumanised, forced to work for hours in conditions we wouldn't put anyone else in, but hey. we appreciate you. we thank you. and yknow, you can become more than what you are. yknow, we let someone just like you be more than what you are! nevermind the fact that if they slip up, they'll be met with MUCH harsher criticism in comparison to someone who isn't you! aren't we so gracious? i probably sound a bit like matpat's insane out of context real world examples, but this show is filled with political imagery, so let me be. anyways, let's get back to eden and rayman. rayman, despite being specifically from dimension x as an alien, keeps hybrids in mind when he's doing his work.

people of colour tend to share solidarity with one another due to the fact that surface wise, we share similar struggles. to grossly oversimplify things, we all face discrimination through our appearances and are oppressed by the rules of a society created by our white oppressors. again, hybrids and dimension x immigrants can be equated to irl poc, and despite being different from each other, there is still community. rayman keeps them in mind, hoping to make things better for the overall nonhuman and nonnative (native as in naturally born) population of eden. but, rayman is not what he believes he is. because despite everything he has worked for, despite what he has tried to do, he is still a facilitator of the fascist regime that has an active hand in the perpetual oppression of his own people. one of the core concepts within fascism is us versus them. it's an easy way to instill fear (which is very much needed in fascism to make it easier to lie to the masses) and it's used in multiple layers, beginning with a large group (ex. us versus ussr, capitalism vs communism), then progressively sizing down (ex. saying all eastern europeans are communist, then going smaller and say all those affiliated with eastern europeans are communist) with the goal being to put people against each other and break up community since if you put your minds together, you'll start to realise that the fascist system is bullshit. what i've personally come to find is that in order to hide the fact that there is fascism lurking is that someone that can be considered a 'them,' an other, will be given a seat at the table. it's so they can be used as an excuse, a human shield, when they inevitably slip up and can be paraded to the masses as proof that the other is not as smart or powerful as 'us.' the 'other' within the 'us' is used as something to look down at, while also justifying to oneself that they have a place, that they are not being oppressed. they have an opportunity as much as anyone else! so long as they don't mess up. rayman messes up, and is shunned from 'us.' hes a mistake, impure, clearly not like 'us,' 'us' who had been so gracious to give this 'other' a place. he's cut out and discarded because he has well worn his purpose, and clearly, they can just get another little puppet. they'll dress him up and make him worthy of being one of 'us,' and make sure that this one won't fall to the fault of his little ideas. which is exactly what leads to rayman's transformation of ramon. being forcibly forced out and discarded by eden because he showed his true ideas makes him realise that there was no real place for him within the system. because what good is his work if it leads to what he tried not to create? it's worthless, just as the system it attempts to thrive in is.

tl;dr, rayman is a representation of the american dream, specifically celebrities. he tries to do what he can with his platform, but the fact is that within a fascist system, his impact is not entirely felt in the way he wants it to. that is why he becomes ramon.

anyways if you reached the end of THIS LONG ASS PIECE GOOD LORD thank you!! always open to discuss this and take criticism, my ask box is open in the lil 'who's asking' :^]

[lotus-pear]

i miss them......please come back........please come home :((

[hiding-under-the-willow]

Okay so I need someone who's better at landscapes and art style replication than I am to hop on this idea. because this man and his alien planet biome and storyline were made for the scavengers reign art style fr

[amelia-yap]

guys v10 leak

[zecoritheweirdone]

wanna preface this by saying that i am. So normal. anyway i just spent the last week redrawing scenes from mystery skulls animated but as that hermitcraft au i posted about a couple times. you guys should watch msa it is. so so good.

[frowncake]

call boy

[svtskneecaps]

i also just want to point out the qsmp members' commitment to like never letting the inactive members die. like dantdm logged on twice and is canonically dead and everyone continues to blame mysterious happenstance on him. spreen is canonically dead and yet people are still like namedropping him even tho the house façade he built has been demolished and also probably consumed by a mountain. they meme on kameto who's barely been on except that time he was a fed spy that was iconic as hell. they just immortalize their members and they're always so happy to see old faces come back and it lowkey makes me emotional lmfaoo like missa barely logged on for a while but goddamn nobody forgot his name bc philza can't go one day without mentioning him and mariana barely logs on but every time fit saw the homeless mariana in roier's city no matter what he'd stop dead and tell it "come home" and when slime came back to the server for elections after having logged off for the last like two months everyone was still excited to meet him bc the others had kept his memories on the server fresh and alive, maxo died canonically in the nuke and pierre pasted his face all over the server, luzu vanished for months and we never forgot him either thanks to the computers and foolish's wack ass family tree. like when purgatory teams were chosen and team red constantly joked about how it would be so over for the other teams once germán logged on despite the fact that germán had only ever logged on ONCE, the way they cheered when they snatched rubius in the split of green despite the fact that rubius hadn't logged on more than twice since march. they just keep the names alive all the time and it's like

it just makes me really happy to see. like it makes me really happy. like the admin team and the members alike are like 'no way in HELL are we letting your memory go' like damn once ur on isla quesadilla you really are stuck as an islander forever :D

[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[woolly-aph1d]

Every new fact i learn about orv and kim dokja makes me want to read it more and more.

Wdym kim dokja is an octopus??? A demon king???? There are reviewers that judge the regression plotlines??? Constellations are people??? One of the characters is an author??? Nobody sees dokja because of 4th wall??? Nobody can actually remember how he looks like? Kim is in a coma? Him and another character have a child? The americanised live action? What am i supposed to do with this information?

[artuurle]

I find I'm still stuck in place after so long.

[slavhew]

4h lecture every day

[karlachismylife]

I just know Gaz is so fucking good at rock climbing. He's just built perfectly for it, he's got the endurance, the flexibility, the grip, the core strength, the agility, the arm spread, he's not too bulky and heavy like Soap or Ghost, his height gives him quite a lot of advantages (even though sometimes there are trails for us hobbits, but mostly being tall helps). Price could probably give him a run for his money, but since I headcanon that Price has seriously fucked up his spine and joints, especially in his fingers, he might be held back by this. Also I feel like Kyle has the best endurance out of all four of them, so he does extremely well on the long ones. He's also got that magical ability to be able to take a rest at the tiniest little handle, like literally catches himself with two toes and a pinch on a non-existent bump in the rock and relaxes as if he's lounging on a beach, all muscles resting before the upcoming difficult few meters.

Also he's one of those who will climb even in slippers, just because he gotta flex like that.

No I'm not drooling over his fingers wrapped in that tape in places where he ripped calluses off, you are.

Also this was induced by a SoapGaz thought where Gaz runs Soap through some intensive training on the climbing walls and enjoys the view of all that muscle bulk flexing and rippling as Soap struggles to find his balance and makes mistakes in dispersing his weight which limits his reach. He's so tense, he can barely slur his Scottish nonsense out, sweat streaming down the dip of his spine and soaking his tank top through.

When he finally falls of the wall after reaching the top handle, his fingers are shaking and he needs Kyle's help to untie the harness knot. Wipes his forehead, leaving a white streak of magnesia stuck to the wet skin, and huffs and grumbles about how he'll still beat Kyle's PR one day.

Gaz won't let him, of course. But he won't stop Johnny from trying either, because after that he gets to massage all those sore muscles Soap didn't even know existed, and listen to him groan as he shamelessly leaks into his boxers. Because why wouldn't Soap get off the post-gym muscle strain, really. And why wouldn't Gaz enjoy watching him get painfully hard and sensitive from barely sexual touch, exploding into his mouth as soon as Kyle wraps his lips around Soap's tip.

[dramaticlacrosse10]

proof that Andrew Minyard is the goat. shutting bitches up with a single sentence. because neil smacked you... now what. you'll WHAT? WHAT, HOE? nothing. exactly,,,, stinky ass,

QUIET AINT NO BACKTWALKKKKKK

[novelconcepts]

As gently and politely as I can put this: that post I made about outliving him is meant to be an anti-suicide affirmation. It is not meant to be a blinders-on assessment of reality, of the future boiling down to whether one man lives or dies. It is meant to reassure myself and everyone else that the horrors come, and the horrors go, that nothing is permanent, that hope persists with split knuckles and blood on its teeth. Things are rough. Things will likely get rougher. My eyes are open to that, but in the end, the first thing they want from us is to roll over, surrender, die. And I will not be granting that wish. I deserve to be here. You deserve to be here. We deserve to see the sun rise. And it will. I promise.

[fudgecake-charlie]

I'm sorry, I'm sorry // I cannot take it back

i hope i'm not too late to hop onto the the winner art train!!

[crossbackpoke-check]

blessed be (lorscher bienensegen) | telling the bees (wiþ ymbe)

"Bees" [remixed, abridged], Claudia Emerson // "Letter to Someone Living Fifty Years from Now" [remixed. abridged], Matthew Olzmann // "Letter to my Great, Great Grandchild" [remixed, abridged], J.P. Grasser | Len Redkole, Nina Weiss, Brian Babineau, Christian Peterson, Mitchell Leff, Dave Isaac, Megan DeRuchie