#this serie tells a story

[kikaichuno]

Shino's screentime be like-

[muppetfreak]

Mr. Riordan, it is truly a pleasure getting to experience your second draft.

[oh-look-another]

i'm a sucker for narrators who are like,,, part of the narrative. they're a part of the story. they may or may not be fundemantal to it, but they influence it one way or another.

[alienssstufff]

textpost 2 cuz i move to desktop and i beatbox real gud

[ PART 1 ]

[asmodeusamaryllis]

[rayandgay]

babe's name journey x

[bongosinferno]

A devastating and confusing thing about the Fallout setting, when you explore the pre-war aspects, is what the creators think about pre-war America. In the first games we only get hints of the pre-war world, but they seem to be some sort of wild fascist nation invading Canada. In Fallout 1, the first thing we're introduced to of the pre-war society is seeing a soldier shoot civilians and laughing.

Now, for the first 2 games and New Vegas we don't really know much. What we know is that there's a fascist military group known as the enclave who were a sort of US deep state even before the war, and that the government teamed up with corporate interests to preform vaguely MKULTRA-ish experiments with the Vaults. Basically, the government was an extreme version of the 50s American jingoism and McCarthyism.

This is well and dandy, I guess issues come up more when we get to the later games, especially 4, where it seems like none of this extreme plotting and societal civil unrest which would exist is seen. The society as presented in 4 also seems quite progressive, gay people are featured in the opening, and none of the baggage of say, civil rights not existing are included. Now on a baseline, I don't want settings to be more conservative, homophobic and sexist etc., but it becomes a very confusing setting when it's displayed both as this jingoist extreme thing with fascist tendencies aswell as a progressive place where everyone is seemingly equal. If you're focusing on the 50s as your setting, and American nationalism in the 50s, then you can't have McCarthyism spoofs and anti-communism as a societal paranoia norm while also general equality is the norm without misunderstanding why McCarthyism and nationalist jingoism is bad. A massive harm done in anti-communist paranoia is how it degrades and vilifies any progressive movements (women's rights, civil rights, homosexuality) as being morally un-American and therefore connected to communism. To ignore this just makes any critique of MacCarthyism and jingoism weird!

Basically, pre-war America in Fallout 4 becomes this both sides thing where America is both pure and equal and white fences in every instance that we see as the player (the intro), while also supposedly being this dystopic MacCarthyist hellscape that's broadcasting gladly about their war crimes in Canada, and wants to root out communism. I guess the only fix for this issue without getting into the fine print like they had to do is just not to focus too much on the pre-war world.

[goryhorroor]

horror tropes: the evil book

[thankstothe]

One liners the sequel

[starmocha]

Bride of the Dragon King :: Prelude

Sylus/Reader | 465 words | Masterlist | AO3 Tonight, the wine tasted so sweet. A/N: I yapped on my tumblr about how I wanted a dragon!Sylus AU…so I willed it into existence. 😊 This is the prelude to a technically 3-part story. The main story will be a 20K+ word one-shot, so I feel justified in a shorter intro. I am still finalizing the main story, so I want to give people time to read the prelude first. While the prelude is SFW, the main story and epilogue will contain explicit adult themes, so it's best for MDNI. Influenced to varying degree by the Vietnamese origin myth, Lạc Long Quân and Âu Cơ, and the C-drama, Miss the Dragon…and probably a whole slew of other period C-dramas I watched in the past. Recommended Playlist Love and Deepspace - Wander In Wonder Shuang Sheng - 流转莹回 ☆ I can do a tag list for the main story once it's up. Just let me know in the replies, and I'll keep a list handy. ☆

Distantly, in the Celestial Realm where the immortals resided, the vast kingdom of the Dragon King was shrouded in nighttime for all of eternity, stuck within an eternal spring. Pink petals from the ever-blooming flowers of the magnolia trees were carried away in the warm breeze across the palace courtyard.

Sylus, the Dragon King, lazed under a grand magnolia tree with red blossoms overlooking a large koi pond, his solemn gaze lingering on the reflection of the full moon in the still water. He poured wine from a crimson porcelain bottle into the matching cup, and he took a swig of his drink, sighing.

The moon is lovely tonight… he thought, The wine tastes so sweet…

Red magnolia blossoms drifted down from the tree, landing in the water and startling the fish beneath, the immediate ripples distorted the reflection of the moon. Sylus kept his own crimson eyes on the floating flowers.

Little Snake, this is not much, but you are welcome to stay with me for as long as you would like!

He huffed in amusement, eyes drifting to a different flower.

You are so shameless. How can you ask a maiden to bathe with you?

He poured another drink, chuckling, but there was little joy in his laughter.

You are not allowed to get hurt! …Promise me you won’t get hurt again...

His cup lingered at his lips momentarily, a look of guilt flashed across his features before he tossed the drink back, sighing heavily.

Sylus…I don’t want you to leave…

He leaned back against the tree, eyes wandering to the moon. On the ground next to him was a necklace, its pendant pure gold with a jade border. Engraved on one side was the image of a dragon with wisps of cloud beneath it. When Sylus picked it up, his fingers caressed the other side, tracing the characters that formed the word, “Beloved.”

Another flower drifted into the pond, spinning slowly before it floated away.

…Who are you?

He closed his eyes, his hand tightening into a fist around the pendant as he made his decision.

He was going to rewrite their story. The red thread that tethered them together was going to unravel and lead her back to him.

All of it was going to be undone, and a new ending was going to replace all of the tragedies that were and were to be.

For her…

Heaven and Hell were going to bend to his will, he vowed.

For us…

As Sylus finished the wine, a white mist enveloped him, swirling before scattering and leaving nothing in its place beneath this red magnolia tree. In the night sky, among the millions of stars, a white dragon flew away, his scales shimmered in the moonlight before he disappeared into the horizon.

[veinsfullofstars]

💋 MetaDede Week 2024 Day 2: First Kiss 💋

(ID: Kirby series fanart of King Dedede and Meta Knight standing on a balcony - the latter on the railing - overlooking a late-evening sky, painted in the gold-pink-purple tones of sunset and speckled with stars high above. Turned to face his knight, DDD boldly takes his hand and plants a small kiss on the back of it, eyes shut and cheeks dusted in pink. MK looks up at his king with soft fondness, a hand over his heart, a blush of his own glowing through his mask. Above them against the starry sky, a low-opacity, sepia-toned memory can be seen. Meta - teenaged and maskless with nearly-grown wings, wearing plain steel pauldrons and white gloves; and DDD - teenaged and acne-plagued, wearing an oversized red-and-orange hoodie and a maroon beanie. In a fit of last-second courage, Meta grabs his friend by the front of his hoodie and yanks him down, shutting his eyes and blushing fiercely as he plants a hasty kiss - their first! - on his cheek. DDD leans over unsteadily on one foot, an arm thrown back for balance, his pimply face bright red, his eyes wide with surprise and touched with heart-shaped shines. END ID.)

Previous Day | Next Day | Prompt List (made by @/mtddweek)

Started 08/05/24, finished 08/10/24. | Childhood Friends AU Masterpost

[bixels]

I'm not getting into The Giving Tree discourse...

[nothatsmi]

3/4

Please

This shit impacted me dearly. Lets say Andrew and I share some demons. I absolutely love the slow way Andrew manages to let his guard fall around Neil, how the trust grows between them, how Neil listens and care for him so much. It makes all the difference.

Here's the Museless version, cause I honestly like both..

[clarkgriffon]

REVISITING PRIDE & PREJUDICE: PART TWO ↠ The Lizzie Bennet Diaries (2012-2013)

[vaguely-concerned]

To the ‘themes I am picking up on in Veilguard’ list, let's go ahead and add what I have a sneaking suspicion will actually turn out to be The theme:

— the world has changed and can never be as it was again.

— I have been changed and can never be who I was again.

— in this simple unavoidable truth there is endless grief and endless hope.

And I… may be getting a bit emotional about it haha. Let me show my work a bit: 

if da:o is a game about people who are already dead or half ghosts in some form (through societal forces, psychologically, functionally, literally, in body, through the joining etc.) coming together anyway to save the world from being swallowed by total nihilism and despair (symbolized by the blight) through the power of love and friendship and also this sword/potential heroic sacrifice that I found, da2 is a game about people who have lost their homes and been set adrift finding and building new homes in each other (while completely failing to save the world. also through the power of love and friendship. as well as years of petty bickering <3 we must imagine kirkwall if not happy then worth having been because the love was there the love was there and that's the only sanctifying force we can ever have in this doomed world and city of ours), and da:i is a game about old stabilizing-but-unjust comfortable lies vs. disruptive but potentially liberating uncomfortable truths, and the power of friendship to help us distinguish the one from the other and navigate through them...

folks… I'm starting to think that veilguard might be a game specifically about moving towards recovery and acceptance after trauma — about how even in this flawed, severed, scarred state, what is here right now is worth loving and worth caring for. even in an imperfect and impermanent world and self, there is worth and joy. and of course the first real tragedy — and threat — of Solas is that he just cannot find it in himself to accept this and move on, to let go of what was, the regret won’t let him go or he won’t let go of it. which means that even though on the surface it’s Elgar’nan and Ghilan’nain (and the will to subjugate and violate they represent) who are the main villains, the real antagonistic force in this story beneath that is the Dread Wolf’s despair. A despair Rook must make an answer to by the end of the game, one way or another, compassionately or with righteous fury, triumphant or pyrrhic.

The world will change again and again and so will you — BUT the crucial element is that so will everyone else who exists along with you, you are fundamentally not alone in this existential truth. all we’ll ever have is each other and my god that is plenty, my god that is enough!!! Which is the second thing Solas just can’t accept, he keeps himself separate and completely alone out of an awful mix of fear and pride and feeling himself unworthy of anything else. Rook and the player want to save the world of Thedas because it’s where everyone we love lives, Solas wants to go back to the past because that’s the only neighbourhood where he can still visit those he loved — and the person he himself was, before. A very sympathetic and human instinct/trap to fall into when touched by trauma, I think, if only it wasn’t backed by godlike power, a fundamentally oppositional personality, and a catastrophic lack of therapy to make it literally everyone else’s problem too lol. It’s varric and solas’ banter about the man on the island and where meaning in a life comes from all over again, writ large and with detail work — and the added idea of ‘what if there are also other islands out there, though. With other people on them that you could find if you reach for each other’. Rook with the best of intentions has to make choices to which there are no perfect outcomes and live with what happens — and not cut themselves off from everyone else around them even when there is regret or shame. You get back up every day and you make a life with other people doing the same and you do your best, and that’s the only victory this world will give you. In the end, that is more than enough, that is essential. And I um. I love that. So much. It’s why some of the writing clumsiness on top can’t hurt me because this thematic spine is so solid and so beautiful to me. It’s DA2 all over again that way for me personally — I forgive this story for what it isn’t and couldn’t be, and I love it with my whole stupid open heart for what it actually is. Thank you for coming to my TED-talk and goodbye etc.      

(For my fellow TLT heads out there — you know what this story is reminding me of most of all, actually? It has some big Nona the Ninth vibes down there in the deep. It’s about… the horror and unspeakable beauty that can only be found in liminality, and the role of love in making that basic fact of existence bearable. And also even more unbearable at the same time. I'm so sorry.)

[bookshelfdreams]

That is certainly - a statement.

What about Jim, who both metaphorically and literally discovers a path for themself beyond what they were raised to be? What about Pete, who learns to overcome his toxic masculinity, his posturing and self-importance? What about Ed, whose entire story is about deconstructing the performance that is expected of him?

What about, oh, idk, our main fucking character Stede Bonnet, whose arc starts with him literally breaking out from the hetero marriage he was forced into despite never fitting in? Who tries (and initially fails) to build a community where he can be himself? Whose entire story is about discovering his own queerness! He starts out not even able to put a finger on WHY his marriage made him feel so suffocated, and then journeys through s1 until he reaches the emotional climax - "His name is Ed"!

Contrast that with Izzy, who has to be dragged into a supportive community kicking and screaming. Who rejects care and compassion, even at his worst, who has to be forced to accept help. He receives the leg and calls the crew a homophobic slur for it, ffs. Only after that, only when people refuse to let him push them away, is he able to poke his nose into something approaching positive human connections. And that's a powerful narrative, sure, in it's own way; but it's hardly the Ultimate Queer Experience, and it's definitely not the "only queer arc".

And Izzy never lets go of the old ways. He never abandons the Blackbeard-era pirate lifestyle for something more positive, not fully. And that's okay, because ultimately, his arc isn't even about himself.

It's about Ed.

Ed keeps repeating toxic relationship patterns, and Izzy is a part of that. He's linked (on purpose, and I wish it had been done more explicitly) to Ed's father; because Izzy represents the poison that was instilled in Ed from a young age, and that has become so entrenched in his system that he can't imagine a life without it. He keeps Izzy around despite being hurt by him because Izzy is predictable, and in that, is safe, even though he hurts Ed; at least it's a hurt Ed is familiar with and can rely on.

When Izzy slowly changes it's to show that Ed is growing beyond the little voice in his head telling him to reject softness, that he can never be loved, that We're just not these kinds of people. If Izzy can evolve from someone spitting boyfriend at Ed like it's a slur to someone congratulating him on getting laid by that same person, Ed can overcome his inner demons telling him the same thing.

That's the point of Izzy's arc. And this is why he has to die, because Ed can never be truly free as long as Izzy is around. So Izzy goes, quietly, peacefully, and releases Ed of the poison; apologizes to him, tells him I was so wrong, and I am so sorry, because that's what Ed needs to hear to move forward.

And that's such a kind, positive way to end the story of Izzy Hands.