#this scene kills me more every time i think about it

[lover-of-mine]

Hi, welcome to blue and red and parenting in 911.

Let's start with the easy to track stuff. For me that usually means looking at madney, mostly because we watched every step of the relationship unfold, so a lot of the patterns go back to them or are established with them. But the combo is present when they talk about wanting kids someday in 301, and when they find out they are pregnant in 318 and 806.

But the combo is explicitly established at the beginning of s3. 301 with the madney conversation and the bathena conversation at the hospital about not wanting more kids. 303 with buddie and the "we already have a kid" conversation. And 304 with Henren and the "having more kids will affect our family in more ways we expected"

But as with any color metas I write, every element of the scene matters, so we can go back a little bit more to 218 when Henren decide they want more kids.

The blue and red ends up attached to henren's journey into fostering and eventually getting Mara. For instance, being the color in 311 when they get Nia and 705 when they are trying to get through to Mara.

So, we established this is used with outfits and with other elements of the scene, right? So let's get into the fun stuff.

I was watching 313 yesterday and I was very 👀 about Michael and Bobby and the whole thing with Harry and the trip. Because Michael is in this reddish color and Bobby is in a neutral green. BUT when they are talking in the end about how Michael wants Bobby to be a father to Harry if he ends up unable to, Bobby suddenly has a bunch of blue around him. It's also the moment Michael's shirt looks the most red.

Another key thing with Bobby is during 516. That episode is the episode May says Bobby is her dad too. And she starts the episode in this sweater. Yes, there are other colors in it, but the bag, the belt, all add to May herself being the blue and red. Mostly blue since above we put Bobby as the blue parent.

And May is wearing the blue uniform in that episode and that leads to the scene where she calls Bobby her dad.

Something 911 occasionally does is put the sirens in one color when convenient, this is one of those moments. The sirens in this scene only flash red. So we have both of them in blue uniforms bathed in red light.

Something else that happens in that episode is the way Bobby's suspenders are clearly setup in a way to add red to him.

But Anna how do you know that's on purpose?

Well, everyone else who is wearing the suspenders has the yellow part showing. And we have a lot of people with the suspenders walking around that scene, so Bobby's being mostly red is fully on purpose.

So the combo is present when Bobby promises to do his best to be a father to Harry and when May explicitly acknowledges Bobby as her father.

So now let's talk Buck and Christopher. I made a post about this the other day but let's remake my point.

The tsunami is the event that turns Buck into a father, right? I feel like we can all agree that the thing there is to show Buck that he does in fact love Chris as if Chris is his.

So, they start out with Buck in pink.

Then the tsunami hits effectively making Buck's shirt red.

The tsunami literally turns Buck red. Honestly, this blows my mind every time I think about it. But there's more attached to this arc.

When Buck is searching for Chris, he is white. But he is carrying a piece of Chris that happens to add red to him, in a similar way that the show did with Bobby in 516.

Eddie has been blue the whole time this is happening because of the uniform, so the red ends up being a bit more symbolic, because Buck was killing himself trying to find Chris, and when he finds Eddie he needs to accept the fact that he failed. And he hands the glasses back to Eddie almost in a defeated fashion, because at this point Buck is basically putting them both in the worst scenario a parent can be in. In his mind, he doesn't deserve that piece of Chris.

But that's when Chris shows up. In red.

At this point, Chris himself ends up being that symbol.

Eddie is also holding blue gloves throughout this whole interaction.

And all of this leads us to the introduction of buddie's parenting maroon. This arc has Buck moving in shades of red until the moment Eddie tells him there's nobody else he trusts with Chris more. Clearly in blue and red.

The buddie parenting maroon shows up a few more times, on Eddie at the end of 318 when Chris is going to camp even though he was conflicted.

On Buck during 414 when he steps in to take care of Chris.

On Eddie again in 710 when Chris leaves, again both of them are blue and red here.

So yeah, personally, I think this is a very well established color combo lol.

Also, final addition. Eddie's panic attack about someone assuming Ana is Chris' mother? Same combo. But then the idea is instantly shut down by making it a trigger for Eddie.

Anyway, that's all for today, if you read this I love you 💜

[utilitycaster]

i am so curious what you think about fearne as a character, especially in the full context of this campaign, and how she ranks in terms of contributing good storytelling. she was consistently my least favorite (ie., lovely and entertaining to watch, but not personally interesting or dimensional in a way that made me care, and more often than not, frustratingly avoidant of plot or depth) and i'm wondering how much you'd relate to that. i'm interested in hearing an alternate perspective! this is an invitation for as much of your thoughts as you have them, because i love reading your posts and meta. have a great day <3

Hey anon, thank you!

I find myself in an awkward place here because I do like Fearne for a couple reasons, and I think a major one is because I think Ashley is one of the only people at the table who actually explored, in-character, that Fearne was an indecisive person who was terrified of making the wrong choices (notably during both the aftermath of the first Otohan fight, and during the whole course of Shardgate). Like, Fearne's disconnect at times from the world, and moments of self-centeredness, and indecision all felt very true to Ashley's original concept both in EXU Prime and the general concept of fey morality. I also think that in a campaign with a number of fraught familial relationships that were underserved, Fearne's was, while still not given the time I wish it had been, one of the strongest. Fearne deciding, after meeting her missing parents, that she wasn't sure if she liked them felt very earned and true, and it felt like she put in the work when she later spoke to them during the party's time resting in the Feywild.

I also give Fearne something of a pass because I think she was put in perhaps the least enviable spot of all this campaign, and that's saying something. While I think pretty much every character would have been much, much better had we focused more on their backstory and exploring and resolving that, Ashley's intended darker fairytale concept was just...abandoned. Like we got Ligament Manor and Morri, and they were great! But there was no plot for her in the feywild other than "your parents are caught up in this moon thing, and your birth father is also caught up in this moon thing". The first part came up very early and got quickly overshadowed by the rest of the whole Bassuras pile-up, and the second part came out right before the Ruidus scouting mission and was perhaps one of the worst victims of the late campaign breakneck pacing. Honestly, a lot of the feywild stuff felt oddly insubstantial - we know that breaking the fey key apparently did something, and that breaking up the meeting in Pravenier prevented Fey allies from attacking Vox Machina at the key in the end (though it's hard to say exactly what that would have entailed), but like...was the Seelie Court working in opposition? Were there any extraplanar allies in the Accord? Was the Feywild at risk here, as Ollie believed it to be? Because it never entered into Bells Hells' considerations! All the Feywild plot threads just went nowhere. Even their greatest fey ally, Ira, was far more motivated by his own dislike of Ludinus than any loyalty to Fearne; the party didn't really need to cultivate him as an ally, he just showed up.

And then, of course, there's the fact that Fearne was a Ruidusborn, but she wasn't THE Ruidusborn, she wasn't exaltant, that was Imogen - and the cool thing she did get, the spark of Rau'shan, was a great moment but was, like Ashton's titan abilities, mechanical and some cool scenes only but not relevant to Predathos in a meaningful way any more so than like, Chetney's ability to turn into a wolf was. I don't even think Ashley was being particularly indecisive, or rather, the Zathuda and Yu "should we kill them or no" scenes were excruciating in the lack of decision, but I feel that the problem was she was given absolutely nothing to fucking work with and that's not her fault. I think it's a testament to Ashley's ability as an actor that I do feel she had depth and even a little character development because she was essentially pushed into a thankless second fiddle role. When I think of the people who actually made an effort to do small solo scenes or seek other people out, Fearne praying to the Wildmother or Raven Queen and pickpocketing scenes stand out as bright spots.

So I think it's valid to be frustrated or not vibe, but I think it's entirely a DM-ing problem. This campaign was really not made to accommodate Fearne's concept.

[sister-lucifer]

Insufferable 

Edward Nygma AKA The Riddler x Gender Neutral Reader 

Genre: Smut 

Words: 1,140

Summary: You’ve been an obnoxious pervert for too long, but all your shameless begging has finally paid off. 

Content/Warnings: Hate sex, rough sex, penis in ambiguous hole sex, choking, mean dirty talk, insults, degradation, slapping, sub/bottom reader

“Is this what you wanted, you sniveling little cretin?” 

Edward’s question comes out as a snarl. You can hear the words pushing through his gritted teeth, but they run over your mind like water to a stone. You’re not really listening. 

How could you be when he’s pounding into you from behind this way, like his life depends on making sure he molds your insides to fit his cock? 

You’ve never seen Edward this angry. 

You’ve never seen him angry at all, really. Annoyed, irritated, sure, but this goes deeper. He’s fuming. 

Just like you wanted. 

You took a liking to Edward the moment you laid eyes on him. More than a liking, really. Obsession was the better word. Obsession was the only word. 

To put it bluntly, you couldn’t go five minutes without humping his leg. You were never shy about your attraction or want for sex, and never wavered despite his biting insults. What kept you coming back, though, was the fact that Edward did too. 

He’s a highly intelligent man, any clueless window licker could see that in an instant, and you’re a rather new rogue on the scene—no one would be bothered by him killing you just to be rid of you. 

But he didn’t. He never even laid a hand on you, though you’ve seen him take his cane to quite a few unruly thugs before. He could’ve landed you in the hospital seven times over by now, but again and again you stood untouched. 

And then he broke. 

You can’t even remember what you said at this point. All you remember is that look in Edward’s eyes, like bulging glass exploding and sending shards in every direction—for whatever reason, he’d hit his limit. 

It’s all a blur from there until now. You can vaguely recall gloved hands on your body, his rough grip on your arms and neck as he dragged you to whatever position he deemed fit. Now, though, none of that matters. 

You finally have what you want. 

“Answer me, dammit!” 

A particularly hard thrust hits deeper than you were ready for. You cry out from the sensation, every nerve ending in you screaming with pleasure. There’s no mistaking your utter ecstasy, but it only seems to aggravate Edward even more. 

“God, just listen to you,” he hisses, leaning down to speak into your ear, “those fucking noises you’re making…is that all you know how to do, mewl and beg like a whore? I’ve never seen you do anything else.” 

He gives a harsh smack to your ass as he sits back up, and you make sure the sound you make is as lecherous as you can make it. His grip on you tightens for a brief second. You’re still getting under his skin. No matter what he does, you’re still going to enjoy this. 

“Pathetic,” he growls, “just pathetic. Do you even hear to yourself? For weeks on end you were completely incessant…’Oh, please, Eddie, give me your cock, Eddie, I need it, Eddie, oh Eddie, oh Eddie—‘“

He pushes your head into the mattress, muffling the shameless moan that spills from your lips as he ruts erratically into you. 

“I mean, do you ever shut up?!” 

He’s already losing any semblance of rhythm, not that he had much in the first place. It’s clear what this is really about for him: dominance. He’s not seeking pleasure from this as much as he is an ego boost, another way to tell himself he is the superior, especially to someone like you. 

Suddenly, he stills. You make a noise of confusion, but don’t have much time to think before he’s sliding out of you. You open your mouth to protest, naturally, however you get no chance. Edward grasps you once more before roughly flipping you onto your back, making the mattress creak and shudder from the sudden force. 

For just a moment, you lock eyes. His green iris’s shine with rage, ginger brows furrowed so tightly and scowl so deep it’s nearly a work of art. His harsh expression doesn’t waver as he pushes his length back into you. Your back arches, but you don’t look away from him; you make sure he sees that smile he despises so. 

A hand wraps around your throat, fast enough to startle you with how quickly your airflow is cinched. You sputter for a moment before collecting yourself. 

“You are just insufferable,” Edward mutters, inches away from your face, “and you know it, and you just can’t help yourself. I get it now. No matter what I do, you’ll just eat it up, won’t you? It doesn’t matter how much I throw you around or abuse you, you’ll enjoy it either way. I just can’t win.” 

You swallow, feeling your throat bob against the palm of his hand. Your grin only widens, now open and showing teeth. 

He backs up, looking down at you silently for a long few moments. He’s completely still, letting his pulsing cock rest inside of you—he’s contemplating something, and he doesn’t like it. 

After a few moments, he huffs. It’s a sigh of frustration, you think, or something akin to it. When he speaks again, his anger has deflated just a bit. 

“…Fine. I can’t win. But if I can’t win…”

He adjusts his position, releasing your neck and making himself comfortable looming over you. 

“…I’ll just pummel you until I feel better. Now close your cock-hungry maw so I can slap you without breaking it.” 

You blink up at him dumbly. Did…did you hear that right? 

He raises a brow, and a hand. In a split second, you shut your mouth tight, and squeeze your eyes shut, bracing for impact. 

His open palm comes down on your cheek without mercy. The sound of the slap is loud in your ears, and it’s delicious. You sigh in pleasure as the sting sprawls out across your face. 

Edward doesn’t let it show, but you could swear satisfaction flashes in his eyes. It’s brief, hardly there at all, but you can see it. Only you could ever see it. 

He grabs your chin and turns you to face him once more. He raises his hand again, and you gladly let him slap you for a second time. This hit is even harder, and it feels so damn good. He’s starting to thrust into you again, just as needy and erratic as before. The mere thought of him cumming inside of you makes your stomach flip in anticipation. 

“Something tells me you’ll never learn your lesson,” you hear him mumble, and it pulls a breathy giggle from your throat. You shake your head no, and Edward lets the briefest smirk cross his lips. 

“I can live with that,” he replies, “I suppose I could stand to do this again…and a few more after that.” 

This is not fully proofread, please let me know if you see any errors. 

Feedback is appreciated and encouraged. 

If you like this fic, please reblog! It’s free, takes two seconds, and it’s a great way to support writers.  

[mirroredmemoriez]

Amanda Young's physical pain and more pain

Not saying anything new here once again, but the shit Amanda goes through throughout the entire franchise is depressing. Right now, I'm mainly looking at the physical aspect than the mental? But I'll probably mention that too as I always do. What brought this thought on was when I was doing some reference work for her and Lynn's deleted fight! We as a fandom always joke about how she's enjoying it because she at some points smirks and giggles... But the ending shot of that sequence is what I want to hone in on.

This is a defeated woman. She's just been attacked and cut up- There is as much terror as adrenaline in a humans body in a scenario like this. But this isn't even the first time whilst working under Jigsaw that Amanda has had someone harm or even attempt to kill her.

The first one I've shown is of course Cecilia Pederson backhanding Amanda to the floor- Which honestly, this scene is overall horrible as Amanda also during this period has to watch Gabriela get her neck stomped! But it could've been worse in theory... When putting John into the blood-board trap, Parker suggests putting her on the other end. If Carlos never was there, it's very likely that Amanda would've been blood boarded alongside John. We then have the very famous needle pit. There was no way to predict how anyone in the nerve gas house would react to their circumstances and due to that? Amanda inherently to me was always in danger. This is displayed quite well when she's tossed into a test not meant for her... I think it's the somewhat carelessness of this which is the most upsetting aspect? John had her in there to monitor Daniel and subdue him once the game was done. But what actual protection did Amanda have from anyone in there? We even see her try and take the gun from the magnum eyehole trap unsuccessfully.

Like imagine the guy who's like 6 foot and muscle that just tossed you into a PIT OF NEEDLES... IS CHASING YOU WITH A KNIFE. You're also quite aware that this man certainly killed the other guy you just saw with a spiked bat in his head. I'd be bricking it. Anyway, that same kid you had to insure stayed safe? Yeah his father who wrongfully imprisoned you is gonna beat you till one half of your face is just blood. OH HE'S ALSO GOING TO BITE YOU AND ATTEMPT TO STAB YOU TO DEATH.

The only reason you survive? Because he's already previously injured and you use that to your advantage. We're not done though! Amanda's mentor slash father figure is dying and she is getting basically blackmailed but that's not the only thing she needs to have on the mind- Because we have Lynn running up on her with a blade, supposedly to have a nice chat.

And I even made a poll asking people on this site... Do you think Lynn would've killed Amanda? Yes was the majority answer. We know that at least one of these slashes actually catches Amanda because she is bleeding by the end of this. Not to mention, Lynn was not messing around whatsoever? She throws what I think is an axe at Amanda at one point and also tries to kick her head in against the locker things... Which she did after failing to get a swing with said axe to Amanda's head. With all of this, it kinda pushes me to think that Amanda attempts to physically intimidate and scare Lynn a lot because she is aware being attacked is quite possible. For example, the scene that is kept in where Amanda literally hands Lynn the axe, ''I'd go for the neck- But I'm not the brain surgeon.'' She is clearly letting Lynn know during this that if you try and fight with me, you're screwed! All of these factors are against you. Then coming back to the deleted scene? None of these warnings have dissuaded Lynn from going, ''I'LL FUCKING YOU!'' Whatsoever really. So rounding it back up to the first image I presented.... I think Amanda is just fucking tired. How are you meant to have been healed and helped if you're getting the smackdown special every other some weeks to months. In literally every game she's been physically present for- She has been harmed physically too. It's traumatic, it's draining and it well... HURTS. I know the healing process from when Eric smashed her head into a wall multiple times wasn't nice either. AND AND AND AND AND AND!!!! Amanda doesn't even get peace with death, seeing as she dies in a very violet manner too. We watch her choke on her own blood after being shot in the throat..... Reaching out for the same man who put her through all of this really. Anyway.... HAPPY MANDY MONDAY FROM MAL!

[marzipanilla]

We'll figure it out eventually xD I mean, it's all basically one convo anyway...

It's the everyone is isolated instead of interacting with each other thing all over again, except this time they're isolated from who they were a few months ago. Like. What. They had such intertwined progression and beautiful building conflict in S1 ! Mark also legitimately seemed to be representing the conflict between being what his father was shaping him into and just being a hero. Which was great! Now everything is so disjointed and it's like. Why are you doing anything? bc you want your dad to love you and you hate that about yourself ?? maybe???? which barely makes any sense bc your dad is arguably dead for all you know ! what memory are you trying to live up to??? can we get a moment reflecting on that ??? I just don't know anymore!

There is no Debbie parallel in the Cecil - Mark conflict bc she doesn't do anything in the comics and they apparently forgot to keep extending her characterization this season /bitch mode activate

Stop saying you don't trust Cecil! I know you don't trust Cecil! You told me this back in S1 ! Can I learn something new about you and your relationship with Cecil ??? Or how about your relationship with LITERALLY ANYONE ELSE. Paul barely even counts as a new pov on her life bc every time she talks to him it's about Nolan or Mark. Why the fuck did they bail on the SOS timeline so soon. God forbid Debbie has something to do, I guess. Bring Olga back. Let her get drunk with her friend.

They stuffed Mark in a darker palette suit and said, actually, he's an Anti-Hero now. and it's like. what. you barely established him as a hero. You very briefly tried to elevate him up like a hero of heroes with his no kill policy but that backfired on you right quick and apparently he has abandoned that heartily. I don't even necessarily think the no-kill thing should be Mark's moral base, but it was definitely important to his character for a long time so it suddenly going away is wild. It's like that whole 'some people will say Batman technically didn't kill people if he hit them with his car' kind of writing. They just swapped in his 'no kill' policy with 'everyone should go to prison' and it's like.. those are different things?? A guy also just lost his shit on you and used you to commit suicide, but like, finish your date and tell your gf you love her I guess ??? not weird at all to mix those two things together. It's also legit been like, 3-4 months since your very intense break up with Amber. but that clipshow they showed us says you loved Eve from S1 so I guess it's totally cool or whatever. In terms of episodes there were literally 0 episodes that let this boy be single in the sense that a romantic prospect wasn't coming at him swinging. Even if a longer amount of time had gone by in universe it is all just so sudden in terms of episode pacing.

Are you making a very subtle and sly commentary about trauma responses Invincible show, or do you just not know what the fuck is going on ??

They spent so much time on how fucked ALL the Graysons were about how S1 ended and then a bunch of other fucked up shit happened and they spend no time on it at all and it's like ?? you could tho. as a treat. for me.

Shock value is a way to put it. I think in the comic a side character's backstory is legit meta-textually described as shock value (Mark being a fan of comics had the writer give him several moments a la the con scene about animation in the show in order to discuss the way comics work/come together), very quickly discussed, and then absolutely never brought up again?? and it IS a fucked up backstory. so like. I wonder how much Kirkman really just wanted to like, try and comment on certain superhero tropes but not spend time on a more cohesive narrative?? but like. it's been 20 years. Surely you'd at least have something new to say about everything. And maybe also give us more cohesive character arcs along the way.

Hanging this show upside down and shaking it for juicy character bits to drop out of its pockets so I can take them and run away with them and talk about the rich media I just robbed like it wasn't a bit of lint and a penny roughly expelled from a pocket with a hole in it.

While I'm not too familiar with the DCU- your batfam meta posts are intiguing- so in transfering some of the broader strokes from them- I think you tackling a 'Mark isn't Nolan's biological son' fic would be fascinating. Sort of a step to the side of the 'what if Mark never got his powers' fic that sometimes pop up in the fandom

OOOOOO chewing on this currently, hm, the much a distinct flavor of exactly what you’re talking about, but the potential for more family drama depending on WHO knows. Does Mark know?? Is he waiting every day only to be crushed? Does he confused non-Debbie features with Nolan’s? I suppose I’m not the most enthusiastic about non-power AUs, but I think there’s something very fun to explore about Mark having to settle with, if he knows all his life, he will never have powers? I think the trajectory of his dreams will obviously shift, I can see him still having that distinct fatherly idolization, but perhaps embraces being useful to the GDA? Cecil’s number one intern—only intern—curtesy of nepotism, ha! There is something tickling me about Mark taking the Robin Route/Role for the Teen Team in terms of having no powers, just insane skills, BUT there’s something way more delicious about intern Mark when s1e01 happens and Mark tries snooping around to find out the truth about what happened to his Dad.

I wonder if, with Mark having a whole another father, if they’re more or less distant relationship, depending on WHEN Nolan entered Mark’s life? Like if Debbie met Nolan later for this, or just for fun, they dated once, separated (Mark being born during then), then they happened to stumble into each others lives again and Mark’s already been born, anywhere from tween to teenager so there’s a gap in how close they are. I feel like one important aspect of the whole Family Drama is how close they’re supposed to be, a functional, loving family turned upside down? So I wonder what more distance does. I wonder how Nolan copes when his family is entirely human and he can’t project onto Mark.

I love thinking about these, omg.

[flying-fangirls]

Thinking about how— up until this point— Arthur has kept the entirety of "Invictus" to himself as his last piece of independence outside of John. And how now— when John recites the full poem to Arthur, in what is surely another merging of their two individual consciousnesses into one— Arthur isn't angry, or scared, or upset. Instead, he's comforted and encouraged by that intermingling, because he's fully accepted himself and John as one fused-together, inseparable unit. And that fact, that complete blurring of himself into John, is what ultimately motivates him to keep moving, to keep fighting, to keep living.

[wolfwarrior142]

Callum has asked Rayla twice now to kill him if he's ever corrupted again. This time as like a barter. And this time, despite looking devastated, she finally (begrudgingly) agrees. And later this season, Callum is cleared of his dark magic corruption, but it also warned that if he does dark magic again it'll overwhelm him.

Man my dreams have already been haunted enough by death foreshadowing I can't take much more of it for these two.

[rowanisawriter]

i liek how lucanis follows the playbook and recites the perfect lines right up until the almost kiss—saying a cup of coffee tastes like a kiss, “you don’t know how much trouble i can handle yet”, “you like to walk close to the edge”—and then a switch is flicked and he stops the theatrics. bakes a cake to lock a romance, leaves his own party early just to have a cup of coffee in the quiet dark, gets on his knees with tears in his eyes. i like that very much

[evocatiio]

if chibnall was the one writing this season you lot would be talking VERY differently

[tenwhiteandalusians]

is episode 8 the domitian arc ? more on this and EVEN MORE narratives i’ve been ignoring that the show said “actually,,,” about in 5

[dennisboobs]

the way dennis asks "was... that okay to do?" after kissing the top of frank's head makes me implode on myself like a bouncy castle with a slow leak

[vaguely-concerned]

peter benson as henry vi adding a mirthless little laugh after the second half of 'may god forgive my sins, and pardon thee', as if to add on the sentiment of lmao fat chance!! on his way out, was such an inspired choice hfkjdsah. also very sad of course. (in the 1965 version henry seems so genuine when he says that, and it's just like... what a quiet triumph it is, in the middle of black despair, that what's gentle and good in him somehow survived through everything right to the end. he's lost everything, but it hasn't changed who he fundamentally is. and what other victory can we hope for in this life when it comes right down to it. while in the 1983 version there is the sense that something has broken inside him with this last blow, with the death of his son.)

[quackurucho]

ccharlie cupping cquackitys cheek during that final scene is one of things that either will become or just already is canon to me because of how vivid and true it is in my brain. and cquackitys face just collapsing into his hand looking almost dizzy and both paying 100% attention and just thoughtlessly staring at cslimes face like its the only thing he could ever want to do for the rest of his life. bc it is. This is happening

[to-the-batcomputer]

christ almighty. bruce wayne i don't forgive you for anything (<- girl who just watched utrh voice)

[loverboybrightsideghost]

you ever just think about clark kal-el superman kent and just.

just.

[shippingmyworld]

.