#this scene kills me more every time i think about it

[bluem1lls]

HEAR ME OUT!!!! se-mi with comphet reader (angst) 😈😈😈

✧₊⁺ you'd have to stop the world just to stop the feeling

se-mi x fem!reader

✦ synopsis: you're so used to this perfect life. your career and your boyfriend. and it's miserable but is comfortable as it can be. until you met her, and now you'll have to spend the rest of your life waking up to be nothing more than his girlfriend, thinking about her saying "i told you so".

content: angst, comphet! reader, se-mi falls for thano's 'straight' girlfriend

authors note: thank you for the request! clearly inspired by good luck babe by chappell roan because i love to suffer jsjdfkfkj, i hope you like it! im sorry ive been posting more short stuff, the week is vvv rough on me with work but ill do everything i can to not stop posting! even if its a small work

✧₊⁺ your boyfriend was acting weird. i mean, he's a man. the first thing that came to mind was 'he's cheating'

✧₊⁺ if the bastard was cheating you would kill him. it was enough that he used both of your savings to place them in bitcoin, and of course.. lost it all.

✧₊⁺ and you forgave him about that (kinda) but cheating? yeah no. you didn't wanted to be like one of those actresses with a cheating boyfriend everyone knew about.

✧₊⁺ so when you decided to follow him a random night and a man invited you to play a game, you were all against it.

✧₊⁺ you were a prestigious actress for god's sakes.

✧₊⁺ "oh. i thought you wanted to know where your boyfriend was heading?"

your eyes widen. what was this? some hooker shit? a betting house?

fine. you needed to find out where he is.

✧₊⁺ of course you ended joining the game to see where your boyfriend was. you dumbass.

✧₊⁺ waking up in a room full of strangers, was sure an.. experience.

✧₊⁺ confused, you stood up. where was your stupid boyfriend and why was he here?

✧₊⁺ "thanos?" i called him, scared. "baby?"

✧₊⁺ as you saw a group of people gathering around a very familiar voice, your fear turned into anger. you ran, pushing everyone sorrounding him.

✧₊⁺ "are you kidding me? this is where you got in? you fucking idiot" i hit his arm as he stared wide eyed at me.

"b-baby what are you doing here?" he chuckled nervous. "you should go home, this is not safe-"

"i wish! but you know, i was following you thinking you were cheating but what the fuck is this? did you lost more money? why are you here-"

"well, i came to win back the money we lost, dont worry baby. when i win this we'll be free!"

i can't believe this.

✧₊⁺ as you turned around to fumble alone, a girl touched your shoulder.

"oh my god, you're the actress on my favorite tv show! can i get a picture"

oh god. here too?

with the best fake smile, you nodded, and suddenly, the same crowd that was sorrounding thanos was now admiring you.

✧₊⁺ there was no doubt that after the first game you wanted to kill him.

"we die!? you brought us to a place where we fucking die if we dont pass the games!?" i screamed at him

"chill baby... youre making a scene. remember that people are watching"

"well, who cares? theyre probably going to die in like two days! just like us you idiot"

✧₊⁺ but just like that you kept playing with your... lovely boyfriend. and his new best friend apparently. god you needed a girl in here. you missed your girlfriends.

so indeed, your boyfriend got you a girl.

✧₊⁺ "i got you a friend so you can stop being... so angry all the time. enjoy life babe, this is a one time experience"

the second game was about to start, we needed two people more in our group.

i was about to punch him as i looked at her.

oh.

✧₊⁺ "hi..i'm-" hello? why was my brain shutting down?

"i know. i think everyone here knows apparently" she plays with her piercing lip, smiling.

✧₊⁺ that made you so nervous???? she got you smiling and twirling your hair??

oh you haven't felt like this in.. so long.

✧₊⁺ so yeah, with every game and her being the only girl (besides you) in the group, you two got close.

like.. way too close.

✧₊⁺ holding hands, protecting eachother, laughing together. you spent more time with her than with your own boyfriend.

✧₊⁺ in your defense, every single minute with her felt... like something you never experienced with him.

✧₊⁺ "why are you still with thanos if you think he's stupid?" she said, rolling her eyes and manspreading besides me, while i kept complaining about my boyfriend.

"he's nice.. he really is"

"you hate him, i dont think is normal to hate your boyfriend you know?"

✧₊⁺ you knew. but what else can you do?

you told her. she knew all abouth how your parents raise you to be this perfect actress, with her perfect husband.

and you already let them down with the 'perfect husband'. you can't disappoint them again.

✧₊⁺ so when her touch made you sigh, when she caressed your hair as you stared into her eyes, when she held your hand to feel you close in every game, trying to protect you more than your boyfriend ever did, or when she whispered sweet nothing's to your ear, making you shiver, all you could do was ignore it.

✧₊⁺ of course, when she realized that it was stupid and you weren't actually going to leave your boyfriend and your perfect life for her, she gave up, looking for something (or someone) that could make her feel better.

✧₊⁺ please, she was hot. she didn't need you.

✧₊⁺ she would never admit that in every girl she kissed after that, she was picturing you.

the way she would be biting your soft pouty lips, how she'd show you your boyfriend was nothing against her. she'd kiss you until you were out of breath, her hands roaming through your body, grabbing your waist, your hips.

she bit her lip as she kept picturing your hands wrapped around her neck, going down her back up and down.

✧₊⁺ she was so down bad it was making her stupid.

she had to do something about this stupid.. crush.

✧₊⁺ so was it a surprise when you found her making out with a random girl in the bathroom? not really.

but was it a surprise when she stared right to your eyes while she did it? i mean.. a little.

✧₊⁺ you scoffed, washing your hands.

"that's disgusting. there are bathroom stalls for that" i said to both.

as the girl turned around, se-mi asked her to leave, saying that 'she'd take care of her later'. ew.

✧₊⁺ she turned around, pissed. yeah, maybe you can get in her head for hours and hours, but ruining her makeout session? you were out of limit.

✧₊⁺ "listen princess-"

"don't call me princess after you made out with a random " i mumble, bitter. "and don't scream at me pretending like you hate me"

her eyes filled with anger.

"listen to me, you can fake being this perfect actress with your boyfriend and everyone else" she said, pushing me against the wall, one of her arms on top of my head, trapping me there. "but not with me. you think i dont see your little lustful eyes? the way you stare at me how i bet you never stared at your boyfriend?"

"b-bullsh-"

"yeah. whatever" she scoffed. "lie to yourself if you want, go fuck the entire common room to prove yourself that you're this pretty straight princess that your parents want you to be, but don't play with me" with every word she said, she got closer to me. our heated bodies breathing almost in sync.

"tell me im lying princess. tell me that if i" she grabbed my chin, softly caressing her lips with mine. my body shivering as my hand grabs her bicep, my nails clawing there, leaving 'c' marks, to ground myself. "do this, you dont feel a thing. c'mon. stop me, pretty girl. tell me you shouldn't" she whispered against my mouth.

✧₊⁺ but the truth is that you couldn't move. you couldn't back away, but you couldn't do this to thanos, to your parents. it wasn't fair.

dad? he had all the contacts he wanted. he would destroy your career in seconds. mom? would never let you step your own house again. oh and your boyfriend? would clearly ruin you on the internet. probably leaking everything about you in seconds. your own fans? people are not as open as we expect them to be.

you can't do this. you can't let yourself have this.

✧₊⁺ "im sorry se-mi" a tear fell, almost wetting her face too because of how close we were.

her eyes shut close. she mumbled something under her breath as she quickly stepped away, breaking whatever moment we had going in.

"i dont want you close to me again" she said, turning to leave as i rushed to follow.

"please, a-at least let me have you as a friend se-mi please" i begged her. tears couldn't stop falling to my cheeks.

"i can't" she said, turning to face me. her eyes roaming my features with a hint of guilt and sadness. "how can i be your friend when i'm so.." she stops, pressing her lips together. "i-i picture you in every girl i kiss. i can't be your friend.

i bit my lip as i hug her. she stiffens but slowly lets herself go, hugging me back. her hand on my hair, softly caressing it for comfort.

"if we get out of here and.. you decide that you're done being his perfect wife, and maybe you want to be happy..with me..i'll be waiting. i promise" she whispers in my ear, kissing my temple.

✧₊⁺ so it goes. after the next game, the nerves make everyone vote to leave and just like that you're actually out.

✧₊⁺ and althought you don't hear from her, you know she's still friends with your boyfriend.

and although she doesn't hear from you, she follows your life like she did. watching every episode of every single show you're in, following you on social media.

and although you guys never cross paths again, if you or your boyfriend ever invite her to 'the wedding', she will throw that invitation to the trash, where it belongs.

✧₊⁺ you miss her every night. mostly, when you wake up feeling cold against the person that's supposed to be your future. you're sure you love her.

and she misses you too. and she knows she loves you. that's why she never tries to contact you again.

✧₊⁺ because she loves watching you smile. even if its not because of her.

[jennamoran]

If a strategist from Glitch were to try and go about killing a god (maybe they’ve backslided, maybe the god is just really annoying or trying to kill their friends), how would they go about doing it. What would be the best way to use Eide, Flore, Lore, or Wyrd?

-

Jenna, my readers are always asking me, how do you kill a god? But there is no one size fits all answer to killing gods.

You have to look within yourself.

You have to find the unique way of killing gods that expresses you.

-

Glitch is a game where you tell stories, and an important feature of stories about killing gods is that they are not all the same.

Some are long. Some short.

Some put their protagonists through heck. Some let them just glide through.

Stories can have very different ideas about what it takes, and what it means, to kill a god.

Gods, too, can differ.

-

If you're frustrated, looking at Glitch, trying to find the thing you're supposed to do to accomplish task X, you're misunderstanding the intended flow of play:

To kill a god, decide how you want to kill a god.

Then, express it in the form of actions.

Optionally, discover that you're misaligned with the group zeitgeist on how god-killing stories work, and adjust.

Then, the god dies, or doesn't.

If you're having trouble figuring out how you want to kill a god, then you might need to stick it on a back burner. Over time, you'll have a better understanding not just of the game options the traits provide but of how your character uses them, and some things your character might want to try will gain more dramatic weight in the group zeitgeist.

-

Decide you want to kill a god by shoving it out of your way into the street. Declare that as an everyday Ability action.

Decide you want to kill a god in a complicated flower rite. Declare that as a quest or planning miracle.

Chain it down in a place of sorrow with a Greater Invocation. Erase it with a handwave and your Wyrd. Give in to the wicked voice of your god-killing knife, that whispers to you always, and draw the curtain on the scene, and expect that when the next scene starts it will be dead.

Declare that gods aren't real, and let it poof away.

In every last case, perhaps the group goes, "Yeah, that's a satisfying answer!" Perhaps they don't. If they don't, then your action still "works," in that it happens unless in direct conflict with a stronger action, but it likely doesn't kill the god.

-

A secret is that this is not just how Glitch works.

In almost every RPG, the way you make something happen is get the group on board with that thing happening. All rules can do is help that happen.

If the rules of Glitch could make that happen then you wouldn't even have to read them, you wouldn't even have to know you were playing Glitch, you could think you were playing D&D and accidentally play Glitch instead and the rules would sort that out for you.

They can't.

-

When it comes to killing gods, the game of Glitch bestows a certain implicit authority on higher-level miracles, particularly epic miracles; miracles that take time to play out; miracles that imply in their description that they're on the right power level for killing gods.

Strategy and Greater Strategy are good ones when they apply, because you can get the players on board during the planning process, spend a while playing it out gathering narrative momentum, and then have it feel well-grounded when it works.

If you have a Talent for killing gods, then that probably works well, but also tends to reframe the game as one where you're killing a bunch of gods and more story time gets spent on the ones where there's a twist that makes it difficult. Think of the Traveller in Black; as competent as the traveller is, they still spend most of their time "in play" dealing with entities that are difficult even for them.

Greater Invocation is well-built for attacking gods.

Destruction and Greater Destruction can be good, though honestly they kind of push the GM to make a complex conflict out of it, which in turn means it's actually the Wailing Rite that would serve you best.

Flore is all kind of of one piece, but you'd definitely want to start with a Greater Glorification on a god-killing weapon.

-

If you decide in play to do something that the GM and group think you can probably do, but which they also think should feel difficult and earned, then you probably have to spend some time on either a quest or a spotlight-driven exploration of what's going on with that thing before coming up with a plan people think is cool, executing the plan, and then having the plan mostly work but devolve into some kind of chaotic complex conflict at the end to finish up the final details.

If you decide in play to kill a god ... well, probably the GM and group will believe you can, but also think it should feel difficult and earned. That's kind of what the book implies, at least.

-

In the old days---I once wrote this.

In the old days, they didn't know very much about the world. But they made maps anyway. If they had to map something they couldn't, they just drew whatever they felt like and wrote, "Here there be dragons."

We still don't know very much about the world; and there are things to map of it besides its surface.

How do you write a book?

How do you kill a god?

Can broken things be remade? Can destinies change? Is it worth the risk of hope?

Important questions, but one can only shrug, you see:

Here, there be dragons.

-

As for Glitch, I mean, like ... the game only has two rules, and they're not even a dozen words between them; some things had to be left as exercises for the reader, and the dreamer, and their group.

[ropebunnykant]

Hi!! What are your thoughts on the confrontations at the empty pool vs the ocean? Obviously the ocean is relevant to kant's past but the juxtaposition of the two is so interesting to me but I can't really figure out if that was just an aesthetic choice or if there's actually something to it.

Looking forward to your thesis about the boat scene!!

omg thank you for asking and i will absolutely be writing an in depth post about the boat scene probably later on cause it was sooo chock full of things and first kanaphan deserves every fucking award possible for that scene

i will say, i think when it comes to analyzing media, there are so few things that are done and chosen "just for aesthetic." i've had other people comment on that when i've talked about the religious imagery, and while yes, aesthetic is important in media and often times can be reason enough for directors and designers to choose them, i would say more often than not there is also meaning behind big choices like set. they put fadel and style in an empty pool for a reason, just as they put kant and bison on the boat for a reason.

now, the boat was likely a very obvious choice for bison because like you said, it's relevant to kant's past and kant told him on their first date that he was scared of the ocean. so, of course tying him up and putting him on a boat surrounded by water to confront him would be the exact sort of psychological torture bison would want to inflict on kant.

but when you compare it to fadel and style, i think it's also a way of representing openness, and in a way it's a representation of each couple.

because fadel confronts style in an empty pool, and he's stripped style almost completely naked. style is laid almost totally bare, and that's true in a literal sense as well as a metaphorical sense, because fadel knows he's a "snitch." and the thing about fadel and style is that while yes, there's been lies and deception there, style has also been very earnest in every way he can be. it was only more recently that he had to start lying for real, and even then he still sneaks in as much truth and openness with fadel as he possibly can. and it's exactly what he does here - even with a gun to his head and fadel telling him not to say he loves him, style still says it because it's true and style doesn't know how to be anything but open and honest with fadel.

and then when it comes to the bison and kant of it all, there's a lot more lies and deception. kant is not laid bare in the same way - bison even has him in essentially a costume by putting him in the patient scrubs. but at the center of it all is the fact that even with all the lies, even with the murky waters, kant has been honest with bison. he's been vulnerable with him. and that's how bison knows putting kant on a boat and telling him to jump overboard is the cruelest thing he could do to him. it's fair game to bison because of what kant did to him, but it also shows that even if bison thinks everything was a lie, there was always some amount of truth to it. because kant never had to give an assassin his biggest fear, but he did it anyways.

i also think the empty pool vs the ocean says a lot about bison and fadel's intentions in the scene, even on a subconscious level. i don't think fadel at any point planned to actually hurt style. maybe he told himself he would, but i think deep down he knew he would never be able to go through with it. so, he puts him in an empty pool where yeah, he can get hurt if he pushes style into it and he hits the floor of the pool, but those injuries likely won't be serious enough to kill him - and he won't drown.

whereas bison, despite likely also knowing he can't actually hurt kant himself, took him somewhere he could make kant do it for him. and even then, it's clear he regrets it as soon as kant hits the water, because he's calling out to him as soon as he jumps off, as if he didn't expect him to actually do it. bison wants to hurt kant but he knows he can't, whereas fadel wants to want to hurt style and knows he can't. and those are two very different things.

[candy8448]

Do you have a recs for fics based on the Apprentice arc?

Ooohohoho yesss, you've come to the right person. I have quite a lot of fics to rec (ive been obsessively consuming and hyperfixating like mad on the apprentice arc in particular):

(Also i consider haunted to be part of the overall apprentice arc so there are a few fics based on and set after that episode)

First you can look at the tag "dick grayson as slade wilson's apprentice" on ao3 and there are hundreds of fics, with every dynamic and characters you could want, these are just my favorites ive read (put very very vaguely in an order going down from my most favorites):

Never Alone

My favorite, its a masterpiece, its amazing! After haunted robin continues to have hallucinations and its a finished longfic that gives a really good look into robin's mental illness and how he is still only a human. I made a whole post about this fic and how its perfect in every way, i have not binged a longfic this long in forever but i did this one in a single reading session because i was completely and utterly gripped

More coherent and detailed but completely spoiler free rambles about what makes this fic so good here i cannot stress enough how this is a must read if you like the arc. I like, really really want you to read this one

The voice and gears of sunset

Oneshot set right after robin is rescued from slade in the apprentice arc. It hits so hard and hurts. Robin's recovery and him trying to connect again with the titans after what he had gone through, the titans being there to help every step of the way. The ending melts my heart

Emotional motion sickness

Oneshot set many years later when the batfam is fully formed and robin is nightwing. A good fic with dick and damian's brotherly relationship and discovering new ways to cope. There is an encounter with slade and that scene fills me with so much undescribable emotion

The fight and the war

Oneshot with the batfam. After an encounter with slade, dick is interogated with his family about the way he responded to slade's commands in the battle and how it could have gotten him killed. Dick is forced to admit what happened back when he was with the titans in the apprentice arc. Very good protective batsiblings in a different way to the other fics

Bedeviled

Oneshot set right after haunted. The spores have a lingering effect and robin presses an emergency distress signal to batman who is there for him

To pick at a scab

Years later with the batfam dick comes to the batcave and his younger brothers have some questions about a sound recording from his time with slade. Dick is thrown into a vivid flashback and the batfam break him out of it and help him talk through it. Oneshot

Reforming Nightwing

Unfinished longfic. The titans never find iut about the nanobots and dick is forced to be slade's apprentice for 9 years. After Slade is killed and dick is able to excape, he goes to bludhaven where he picks up a new civillian name and the new identity nightwing. Meanwhile tim and steph want to figure out who this new "nightwing" and what his connection is to the villian "renegade"

Do you think batman will give me partial custody?

Oneshot. After the apprentice arc, robin returns to gotham. Unable to figure out how he feels about the situation he goes to his parents' graves where he encounters harely who helps him start a conversation with him about the abuse they both faced

The apprentice

Unfinished longfic where the titans dont discover the nanobots and robin has to continue being slade's apprentice. He spends his time figuring out how to get a message to the titans or to batman or to anyone without slade knowing

Just the same

Robin deals with stockholm syndrome and cant help but compare how similar slade is to batman and how in some aspects he is better. The titans are there to help him figure things out. Oneshot.

Next to my robin and some matchsticks

Oneshot set after apprentice part 2 where the titans patch up robin's wounds and talk about some scars he has, some from his time before the titans and some from slade

[a-bad-case-of-the-stephs]

What're some Steph Brown moments you think should be talked about more?

Thank you sm for asking me this…

This one is actually really hard for me to answer because I think society should be talking about every stephanie brown moment all of the time. Additionally, I genuinely don’t think I can tell what moments w her are underrated anymore.

That being said I have made a list:

1. This Scene w Crystal in cataclysm

Robin #54

Really shows some extremely interesting parts of their relationship. This is like one of our first indications Crystal and Steph’s relationship might be on the mend. We get a look into how close they are despite their many issues. We have a minute where Steph jokes about Crystal blaming herself for the quake “too” implying Crystal often blames herself for things out of her control, which as I’m always discussing is a Stephanie Brown classic trait. The idea that this is something Crystal might do as well is so compelling to me. And throughout it all, we have Steph trying to protect Crystal, taking care of her, even tucking her in like a parent would their child. (Cough Stephanie brown parentification cough cough)

2. This panel from GK37. The way Batmans silhouette steps forward while Steph’s silhouette stands starkly still. The purple overcast sky with the flakes of snow (the whole weather/environment in gk37 kills me). The emphasis on ‘go to hell’ as after a comic of bargaining Steph finally comes to terms with the fact that she can’t rely on anyone else, that Batman going to her and telling her she could be something, that she could be good meant absolutely nothing to him. Amazing. Imprinted into my brain.

4. Steph’s conversation with Natalia about the stars in Robin 104. Gorgeous panel with an interesting look into Steph’s brain.

5. The Riddle scene in Robin 113, because I’m not smart enough to break down the Riddlers riddles and put together the implications which I assume are there and I want someone else to do it for me. Additionally, the lighting is absolutely gorgeous as we get to see Steph at this low point.

6. Robin #92, the scene where Bruce talks to Steph about the future, deeply unsettling her to the point that months and months later at the very start of war games she’s still thinking about it

7. The moment after Tim Drake’s birthday gaslighting bonanza where he commiserates with Steph abt getting tested by Batman. I’m imagining that he feels guilty for his role in her own test. For the record I’m hallucinating that guilt. I think it’s possible Lewis straight up didn’t know how Tim lied to Steph in Batman Family. But on the other hand the parallels to GK37 are insane and clearly there for a reason. Thinking about this lots. The repetition of “I know” vs “go to hell”. Their reversal of roles…I’ve already blabbed abt this on my blog but I’m still putting it here also bc I’m thinking abt it always.

Robin #120

8. All of GK22 as a reflection of how Batman’s loneliness post officer down is actually inextricably connected with his decision to sanction Steph as Spoiler. But specifically this scene because it makes me sick and ill and because it’s my header. Love the decapitated head side eyeing Batman.

9. Okay last one. One moment I’ve been thinking about a lot recently is Stephanie’s first interaction with Batman post War Games. Like the first thing she says to him after returning from her faked death is her essentially asking permission to patrol in Gotham.

Robin #174

Which is so fucking insane. She was unironically and genuinely spiritually broken by the events of war games. One of the very core tenets of her characterization, her willingness to be Spoiler no matter what regardless of the consequences, is fractured and entirely reversed. I have a lot of thoughts about this, and in general how post war games pre bg2009 Steph has healed physically but something big has clearly changed in her and not for the better. If you ask me, that period of time is stephanie brown at her lowest point. Will be posting abt this more eventually because writing this out has given me worse brain worms than normal.

Thank you so much for the ask again, sorry this took me a second I kept writing out way too much. I’m unfortunately a rambler at heart. Would love to hear anyone’s thoughts on any of these moments or other moments I missed.

[khazadaimenu]

I did a sort of a hc post about Fili and Kili mere hours ago and that kinda opened the flood gates within me.

Cause I literally live some of my internal life in that world and have story lines I wanna share. But don't want to bother with a fic.

So I'm just gonna blather on about it here for a bit. Isn't it what this platform is for? i kinda want to talk about this one thing.

Warning: it's a long post and it has mature themes. As well as very specific hcs that develop into an evolved AU from my head. So read at your discretion.

In short: it's about Fili and love

I mentioned a hc in another post that Fili goes from awkward older teen to fully fledged young adult in the space of one season.

That summer, he spends all his time blacksmithing and building walls with other dwarves in a village suffering from frequent orc raids.

We're talking all day every day. And he gets strong.

Like one of those movie scenes, you know, the ones where a character gets thrown into water and reemerges seemingly years later, all grown up and shit. The one from The Last Kingdom lives forever in my head.

So imagine same but with Fili. He's no longer a scrawny kid, but broad and muscly. Cherry on top? He gets a peltful of chest hair. All in one go. Like, there was none to begin with and now it's all just fur.

Imagine him emerging from a swim in a lake after a long hard day of labour. Beads of water glistening, the last rays of the setting sun reflecting on his skin. And it becomes a habit as of late August that year. The change in his physique very apparent by now.

Naturally, all the lads and lasses in the vicinity are enamoured. Giggling. Whispering. And surreptitiously pointing.

Which Fili doesn't mind. In fact, he welcomes it. It's a sort of respite from all the princely duties. He wants to be young and live a little.

Here I have to clarify that personally (I know there's tons of variation here, so no hate, this is just my slutty corner of the universe) I hc Fili as pansexual. He's happy to love and share joy.

I think there's a particular type of pressure that only Fili feels and Kili doesn't. Where he knows he's loved, but Kili is the baby and Fili's the heir. And that's reflected in his relationship with his mother, with Thorin, with everyone. So he needs somewhere to just... be carefree. And that's either hanging out with Kili or... looking for adventure. And he's good at it so it gives him a confidence boost.

And no hearts broken. Cause dwarves only do this kinda stuff before they find their One. Or some dwarves aren't inclined romantically, but still go for it physically. And then there's the ace dwarves who choose their craft only. Either way, infidelity doesn't exist in dwarven culture. You either love someone and forget everyone else exists. Or you know you'll never have a One. Or you're not interested completely.

Fili is actually not sure about love. He's not sure it exists for him. He has long chats with Nori about it, who is 100% sure about his own standing: here just to f*k. But Fili's not so sure.

And when he miraculously gets saved before getting killed by Azog (I'm getting into my OC and AU here, so bear with me) he becomes even more convinced. Cause if he wasn't meant to live, why would Mahal make a One for him in the first place?

So when he falls in love with his human saviour, it all kinda gets too much.

1) The responsibility to his people. To uphold the culture.

2) Is he even capable of love?

3) Kili's in love with an elf. Everyone wants a happy ending for him. But dwarves as a group still hold quite a bit of prejudice. An elf in the royal bloodline? Not so fast!

So Fili has to take the fall. Kili will be alllowed to marry if he and any future heirs forsake their claim to the throne AND Fili provides said heirs as staunch 100% dwarves.

Fili tries to object - he doesn't think he can find a One (while internally wrestling with his existing feelings, denying them, burying them and gaslighting himself into oblivion). But then Dis digs up an old law about those in royal lineages marrying without love just to produce heirs (based on some earlier Tolkien drafts where only the dwarven kings married and nobody else among dwarves). And now Fili is well and truly f*ked stuck between a rock and a hard place.

He can't imagine his life without Kili, so the option where Kili is exiled hurts like hell.

In the meantime, his human leaves. They have their own duty to fulfill. That triggers the revelation in him that they are in fact his One.

Which means, by getting into arranged marriage he will forsake one of the most sacred laws of dwarves - he will betray his One.

The thought is unbearable. He considers briefly ending it all. Not a serious thought, just something that comes out of sheer exhaustion.

Kili remains unaware. Fili can't do this to his brother - he is giddy and talking excitedly about his own future happiness once Fili's wedding goes ahead.

Being an heir sucks sometimes. Sucks majorly.

Fili decides to go ahead with a union Dis chose for him. All the while keeping his feelings hidden from everyone.

He doesn't believe he'll ever see his person of choice ever again. And they're not a dwarf. So is it really a betrayal?..

I'll share what comes next in another post, hopefully. If I have a spurt of inspiration.

[thepunkmuppet]

approaching The Confession Scene and what the fuck. this is genuinely tragic like I’ve always seen it as a meme, a joke, an iconic moment in fandom history, whatever, I’m a tumblr user, but now that I’m actually here it’s just fucking SAD

season 15 as a whole is NOT bad. it’s really not. but there’s zero destiel. they rarely speak at all unless it’s plot-related, one (1) episode pairs them together, frankly season seven was ten times more focused on their friendship and that’s INSANE because cas is only in like five fucking episodes of that one. they have a mini arc midway through the season which is very gorgeous and well-done, but it then goes absolutely nowhere and nothing at all is done to make it textually romantic.

by which I mean: no episodes have dean or cas reacting personally to sam and eileen’s relationship, or any other romantic relationship they come across. we’re never shown anything even remotely romantic even in an unrequited sense (no post-realisation awkwardness, no lingering shots of cas pining from afar, etc etc). it reads like a normal season of the show, which, yeah, I think those two are pretty fucking gay regardless, but they’re always textually written as a friendship, with no explicit cues to clue the audience in that there are canon romantic feelings. and that doesn’t change here, at all.

so I guess what I’m saying is the confession scene is purely just a moment of fan service. as stunning as the speech itself is, and as well as it fits cas’s character, the writers throughout the season didn’t actually give a fuck to make destiel ROMANTIC even in a one-sided way. film is a language and as much as misha does in his acting, even from castiel’s perspective they’re still framed as a friendship within the show itself RIGHT up until he says the words I love you. they weren’t interested in actually depicting a (even one-sided) queer love story, just wanted to give fans their “okay here it is we did it guys!” moment at the end, so that way they didn’t have to actually show an explicitly romantic gay love story, they could just say some words, kill cas off and boom it’s canon! here you go people we’ve been leading on, mocking and low-key gaslighting for eleven years!

idk man it’s just so disappointing. I knew it was and I know everyone has been talking about it for years now but my GOD it’s so bad 😭 I can’t even tell you how bizzare it is to have seen destiel confession meme on here and in various fandom video essays EVERY DAY FOR FOUR PLUS YEARS and now here I am, watching it go down in real time with full context, having watched over 300 episodes of this show, invested, obsessed, and REALLY FUCKING UPSET AAAAHHH

EDIT: forgot to mention this originally. the actual concept of cas’s moment of perfect happiness killing him, while kind of stolen from buffy, is AMAZING. and the literal perfect opportunity to have a building textual confirmation of his feelings throughout the season, where he realises what that moment will be, and it ends in the tragic confession of his love. like that’s insane that’s perfect. but no it just comes out of nowhere so oh fucking well whatever I guess! they’re canon so we should all be happy! I hate this stupid bumhole show AUGH no one talk to me ever :(

[sparkles-rule-4eva]

Idk if I'm gonna make a review post, exactly, but the things that went on with Sonic's character in movie 3 have left me reeling, and dying to analyze. I don't have many screenshots to share, and the ones I do aren't good quality bc the movie's not released digitally yet, but here goes.

For one, the theme of dealing with grief was so well handled. I was hoping they were going to use the parallel of this Sonic losing someone close to him, just like Shadow had, and that's just what they did. What made it even more painful, however, was how Sonic was faced with the possibility of losing a second parental figure.

Shadow saw him hunched over Tom, pleading with him to wake up, and remembered himself doing the same when Maria had died. That was where Shadow saw a bit of himself in Sonic.

Shadow took mental notes of it, but he didn't back off, though he didn't make any other attempts to hurt Tom. Heck, he wouldn't have attacked in the first place if Tom hadn't been disguised as Walters.

And just... watching the way Sonic just started spiraling after this scene was so heartbreaking. The way he looked so lost and broken as they were taking him away in the ambulance, when Maddie didn't say anything to them, and the camera just zoomed out for a few seconds, showing him and his brothers looking so small and so lost in the world as they were left alone, unsure if their dad would be okay.

Sonic didn't want comfort. After the initial fear and grief, the anger he'd felt earlier when he turned on Shadow came back with a vengeance, quite literally. Looking at their calmer, almost normal everyday life earlier in the movie, it seems everything's fine. Sonic seemed fine and perky. I was taken aback at how calm he was about finding his old cave. He seemed fine, all things considered from earlier in his life. The Before Times, as fanfics have dubbed them.

But the moment his found family was threatened, the moment he was faced with the possibility of losing the home and love he'd finally gotten after so many years of pain and isolation, he fell apart. He became aggressively protective of it. Of course he would want to defend those he loves, but not like this. Not the Sonic we know.

The way Shadow phrased it later, "What kind of hero abandons his friends to seek revenge? Abandons his family?"

That struck a nerve, but Sonic just snapped back, "Don't you dare talk about my family."

The expressions he had after he'd taken the Master Emerald and gone after Shadow were so complex. You can see the mix of emotions on his face. Most clearly, the anger. But mixed in, you see the pain, the grief, the paralyzing fear of losing someone else, and you see how emotionally fragile he really is.

Shadow scoffs about how he'd thought that Sonic cared for them. "Especially the one, what's his name again? Tom?"

And that pushed him over the edge.

The way he just let out that chilling scream of rage and grief and went on to punch Shadow so hard he quite literally sent him flying straight into the moon. He was enraged. He was distressed. He was spiraling. And he was, for a few minutes, completely out of control.

We know that this version of Sonic is not so reserved about killing people, like the game version. In the second movie, Sonic had every intention of killing Robotnik in the final battle, and he thought he succeeded. This marks the second time that if someone threatens Sonic's family, he's out for blood. In that vein, he's like his game counterpart; it's the safety of his loved ones, not himself, that he's concerned about. Passionate about.

Except.

He could not bring himself to do it.

I think part of him was remembering what Walters had said about Shadow having experienced loss, the way he had.

He'd won here. He could've just killed Shadow right then and there. Shadow was even goading him into just doing it. Demanded what he was waiting for. Pointing to his own chest and yelling that he was right there. To just do it. (Another thing to analyze; Shadow was just done with everything and didn't even care if he died at this point, but that's for another post.)

But something was stopping him.

Even in those screenshots, you can see the pain and anger mixed on his face. I could be mistaken, but it looks like there's a tear in his eye. (If I'm right, the idea of him crying during this fight makes me break apart in sadness.)

And then came the flashback. This is what drives me insane.

In Sonic Adventure 2, Shadow is out to destroy the world, and it's remembering Maria's true final wish that stopped him.

I never could've predicted that in this version, it was Sonic who was out to kill someone, kill Shadow, but remembering Tom's words to him about not letting his pain change who he is was what stopped him. Sonic was the one who needed to stop and remember. And that's just what he did. 🥺

And then, only then, was he able to calm down, remember himself, remember what Tom would want him to do. He wasn't handling this the same way he'd handled Longclaw's death. He was turning into exactly what Shadow had become. The horror at realizing what he'd nearly become, what he'd almost done, set in.

He made the right choice in the end because of that. Just like Shadow did in the games. Just like he later did here, too. But Shadow was able to have "redemption" of sorts in this version, not because of some talk, but because he saw the example in Sonic, right in front of him.

We know what happened next, I'm not gonna go much into it. But seeing this whole side of Sonic, the side that just barely slipped out in the last movie, was so, so fascinating. I love how each movie continues to explore him as the main character, in a different way. This one probably got me crying the most. I cried even as I wrote this post and put more pieces together. The more I think about it, the more I love it. 🥹😭💙💛❤️

[catcherwrites]

TDP S7E7 Rewatch (feat. my commentary)

Everyone’s suiting up for a hero shot! I love the owl griffons

Number one rule in media: if you explain a plan before it’s been executed, there is a 95% chance that the plan will fail

“Big help” callback to Ezran’s line in S3?

The fact that Soren and Corvus were explicitly sent on the Zubeia mission and Terry just…tags along without being asked. He’s just happy to help :)

I absolutely ADORE Astrid asking everyone she meets if they’re Aunt Amaya and complimenting them anyway

This scene between Karim, Janai, and Amaya originally made me think that the show would be redeeming Karim, which is SO funny in retrospect

Ethari baiting Rex Igneous with a hallucination-inducing berry pavlova was not on my S7 bingo card

I find it so fascinating that Aaravos proclaims innocence by telling Ezran essentially “well I never hurt you [humans]. Everything I did was for you [humanity]". He and Viren were so alike in that way – constantly minimising/justifying the pain their ‘allies’ suffer due to their actions. They’d argue that hurting you is a worthy sacrifice (or compromise, in Aaravos’ words) so long as your shared enemy is also hurt

Side note, Aaravos’ star markings are completely unblemished by the dirt, scratches, and bruising. Idk, just a cool detail I noticed

“Have Zubeia back in a week” yeah…about that

Truth be told, the first time I watched this episode, the hints about what happens when a Startouch elf dies went over my head. Now that I’m rewatching it, I can really appreciate Aaravos’ manipulation. You can tell he’s intentionally sowing the seeds in hopes that Ezran will act rashly and unleash a nova

Claudia looked soooo creepy standing in the shadows! I absolutely LOVED it!

The animation for the mage battle was fairly well done (I do wish Callum and Claudia were moving around and interacting with their environment more though? They both just stood there casting spells at each other)

“We wait for Callum … Then he will decide whether you live or die” was a fantastic response from Runaan. He’s an assassin, it’s his job to kill, but only when he’s been ordered to

I really want to know what these dragon-winged elves are! The wing placements are different from standard Skywing elves

Genuinely, truthfully, I lost my mind when I saw the magma titan the first time…

…And then doubly lost my mind when I saw Ziard summoning Avizandum’s spirit

Overall thoughts:

There’s so much about this episode that I love, and I think it’s one of the episodes that is benefited most by a rewatch. The highlight for me is definitely Aaravos and Ezran’s interactions, but I have to give a shoutout to Akiyu for being our first major character death of the season (sorry Lujanne). Unfortunately, this episode was also the one that made me realise a slight issue I have with TDP Arc 2 overall; the battle sequences. Arc 1 had some really dynamic fights, and from what I remember of Arc 2’s fight scenes, they just don’t hit as hard. Don’t get me wrong, every battle in Arc 2 has at least one standout moment for me, but the average sequence tends to be ‘flat’ and ‘stiff’ (I can’t think of better words to describe my memory of them). If we get Arc 3, I hope that’s something the team gets to work on in the future! That tangent aside, this episode did a great job of raising the stakes and setting us up for the last two episodes.

[catboy-jupiter]

I decided to do this with three sets of my OCs, because I was amused by how different their responses would be!

Little scenes/snippets under the cut! Was very excited to write some stuff for them, especially since the last one is from a setting I haven't thought much about in a while ₍^ >ヮ<^₎

The Knights ❀༊·˚ [scene: alive and well]

"That… Lucien…" Anish falters, eyes stinging as he looks away, takes a deep breath; and finally meets Lucien's eyes again. "You shouldn't be used to it! That's horrible. Your powers… They're incredible. I've always, always been so, so grateful that you developed them to help me. Why… Why would they scorn such a thing?!" He asks, more to the universe than to really get an answer.

"Because they think it makes me weak." Lucien replies, easy and nonchalant, as if he hadn't just shared that their former classmates almost killed him, only a few months after he moved out. Anish's hand shakes as he grips his sword tighter. "You weren't there to take the brunt of it anymore, so their target switched to me. Naturally." Then, he hums as he looks at this rapier, inspecting it closely.

Anish deflates immediately. If only he'd stayed… Then, Lucien wouldn't have had to go through that. He wouldn't have had to find him completely separate from all his peers, young and dumb and prejudiced and unwilling to see the value of a healer on the battlefield instead of on the sidelines, just waiting to patch them up.

"I'm sorry." He murmurs, closing the distance between them and resting his head on his shoulder. Lucien spares him a quick glance then looks back at his rapier; back and forth, back and forth, before he sheathes it with a sigh.

"You needn't be. Father took care of it. I'm alive and well, right?"

Anish stares at the deep cut, scarred, on Lucien's cheek. Thinks to his unrecognizable dead, dead eyes that only lit up when Lucien had recognized who'd invited him to their squad that day, finally prompting Anish to connect the dots. Alive? Yes. Well? Most certainly not. But he will try his best to keep that newly-rekindled spark alive.

"Yes. And I'm so grateful for that." He finally replies, closing his eyes and tucking his head closer into Lucien's neck.

He's so deep in his mind he doesn't notice the other's shiver and blush, nor the soft smile unravelling on his face.

Gossip Trio ❀༊·˚ [scene: unimpressed]

Met with Brittany's unblinking stare, Lowell shifts in place. "What." They bark out, arms crossed.

"So you realized what was going on. Stayed. Had a nasty fight before your break-up. Had other, healthier relationships… And you're still into the guy?"

"I am not into him. Not anymore."

"Yeah sure. You only don't drool every time he comes here to pester us because you'd never give him more ammunition for his huge ego."

Lowell huffs and looks away, but their eyes catch onto soft pink clothes, perfect blond curls and an innocent-looking smile that hides the man's sharpest edges. His soft laugh reaches his ears, like twinkling bells, or the clink of chains doing their best to keep someone captive. Lowell tries not to think about how much hotter he's always looked after they'd make out. They fail.

"Not into him." Brittany scoffs, and goes back to sucking on her lollipop and scrolling through her feed, utterly unimpressed. Those two are another level of messed up she hadn't seen even on her worst exes. Or on herself.

Mecha World ❀༊·˚ [scene: carefree smile]

The boy breathes deeply, staring at their bodies, grip firm on the blast gun in case they move a muscle. His breaths are the only one heard in the room, but he still keeps a close eye. The seconds pass, and they remain still, unmoving on the grass. Finally, he slowly lowers it until it points at the ground.

His frown remains as he turns around, clicking the safety back on and going back towards their car. Its auto-drive could take him back home, but it might also complicate things. Implicate him. So he just takes his bag, puts the gun inside it, checks for anything else of his and starts walking.

To his sister, beside whom he'll finally be able to relax. They won't be able to hurt her anymore. Or him. Or anyone else. They're just cooling corpses, now.

… He'd thought she was safe. He'd thought they'd focused it on him, that her smiles reflected how much more they loved her. He'd been grateful for it. He's so dumb. He needs to do better. He should've noticed sooner that they didn't have a name for her, either. But he can't change the past, and he's changed the future. She'll be able to have a carefree smile. He'll be able to relax. They'll choose their names themselves. They aren't controlled by their parents anymore.

#37 What would your character do if they discovered their sibling/friend was abused?

I know you all have amazing creative juices in you and some amazing characters. This prompt is just for you to have fun and to help you explore your Character in a different setting. I would LOVE to hear what your Characters would do.

[flying-fangirls]

Thinking about how— up until this point— Arthur has kept the entirety of "Invictus" to himself as his last piece of independence outside of John. And how now— when John recites the full poem to Arthur, in what is surely another merging of their two individual consciousnesses into one— Arthur isn't angry, or scared, or upset. Instead, he's comforted and encouraged by that intermingling, because he's fully accepted himself and John as one fused-together, inseparable unit. And that fact, that complete blurring of himself into John, is what ultimately motivates him to keep moving, to keep fighting, to keep living.

[evocatiio]

if chibnall was the one writing this season you lot would be talking VERY differently

[dirty-bear-rick-sanchez]

I know this is probably a rhetorical question but I wanted to break down every interaction they've had in the show so I'm going to take this as an excuse to do it xD

Although I've rewatched and analysed these scenes for this, I haven't done a complete rewatch with this in mind so I can't guarantee that I won't have missed stuff. If anyone notices anything I've missed please feel free to add it!

Their first direct interaction is Morty saying he’ll forgive her for abandoning them if she lets him fly her ship (to which she agrees saying that she was just going to give him space cigarettes) in Star Mort Rickturn of the Jerri. This reminds me of the way Morty sometimes manipulates Rick to get things (e.g. to take Jerry on an adventure, to let him pick the adventure, to make him the video game style place saving device, to get Rick to buy him the sex robot), which makes sense since Space Beth 'cosplay[s] as [her] shitty father in his 30s'. Morty tends to be more honest/direct with Home Beth, even when he's upset with her (e.g. in A Rickconvenient Mort). It's also interesting that he went straight for the abandonment thing since he knows that had such a big impact on Beth. I wonder if he does have some negative feelings towards her for leaving? After all, he did witness Home Beth telling Rick that she relates to her family and not to Space Beth since Space Beth abandoned them all. He might be angry on Home Beth's behalf the same way he was in The Wedding Squanchers.

This one is more about Rick and Space Beth but Morty does join in on the argument about her trying to talk to them/use a good line in Solaricks. I can't think of an equivalent time he's done this with Home Beth, but he has similar reactions to Xenon Bloom, Jerry, and Rick when they make jokes in times of crisis. Also, I never noticed his thumbs down before but it's killing me lmao. It's one of those subtle moments of Morty's intelligence - he knows that Space Beth can't hear them so gives her an obvious visual signal, whereas Rick continues to try and speak. Of course, they both attempt to speak to her afterwards, but they are both dumbasses after all (affectionate). Can't win 'em all.

Interestingly, both Beths say Morty’s name and hug him when he and Rick return from the Prime dimension - there’s no real difference between their reactions. Home Beth seems more... surprised? Sheepish? Maybe because of her jealousy surrounding Summer's admiration of Space Beth she wasn't expecting Morty to hug her as well? I'm not sure exactly what emotion Space Beth's face means here. Maybe she's proud of him? Either way, she obviously does still love him and was worried about him.

In Bethic Twinstinct, Space Beth tells Morty ‘back off, little man’ when he says that she and Home Beth need to tell Jerry about their relationship. He's the only one who tells them directly what to do (Rick tells them to go ahead but that everyone knows and Summer just says that Jerry is oblivious), so that could be why, but I still find it interesting that she targets him specifically. Space Beth hasn't had a lot of the development Home Beth has with Morty but the most prominent example that comes to mind is A Rickconvenient Mort. That episode was not only a big moment for Home Beth trying to protect Morty and actually being there for him at the end, but it also showed her that Morty does know more than she gives him credit for about how people perceive him specifically. Morty's other outburst to Beth in The Whirly Dirly Conspiracy is about how Beth's actions affect Summer and we do see a marked difference in how Space Beth treats Summer and Morty. Space Beth realised that Summer's feelings matter and that she's not just a hormonal/irrational teenager, but she never had that moment with Morty, which makes sense with her patronising tone with him here. Since Beth blamed Diane for driving Rick away and got pregnant as a teenager, I can see why she would view teenagers as irrational/their feelings not really mattering. After all, she comes to understand both Diane and Rick's actions/choices a lot more in the series, and becoming a parent so young has been very hard on her. However, Home Beth has not only chosen the kids and Jerry, but is going to therapy, so she has a different view on this to Space Beth, who can just blame her teenage mistakes on her past self rather than her current self.

Space Beth is present in the Time and Tide montage in Fear No Mort but she’s more enthusiastic about Summer’s wedding and more restrained with him going to college (whereas Home Beth hugs him). I find it interesting that Space Beth and Jerry are grouped together in the graduation scene - they're both standing to the side while Home Beth and Summer hug Morty and join him in the photo. This does make sense when you consider that Jerry and pre-S4 Beth were most responsible for letting Rick hurt Morty, whereas Home Beth is putting in more effort now. Morty is also very protective of Summer and Beth in S1-S3 in particular so I wonder if they appreciate this and feel closer to him than Jerry and Space Beth do? I can't think of a time where Morty has been protective of Jerry specifically, and Space Beth is not only a lot more assertive but probably hasn't considered/realised how much Morty cares for his family and therefore doesn't appreciate it in the way that Summer and Home Beth do. This one is interesting since it's inside Morty's mind so it gives us a good idea of how Morty expects his parents to act. He knows that Jerry and Space Beth would be there physically, but lack an emotional connection.

I know we didn't see them interact onscreen but Space Beth did get Morty the Pooplickian Gamepod. It could've been a gift for both him and Summer, but it’s only Morty who’s present as he’s setting it up in the intro. Also, while Summer does join Rick and Morty while they're playing it before she starts using it as an escape, she's much more critical and disinterested. Even if it was intended as a joint present, it's definitely more up Morty's street and Space Beth would've known that.

Space Beth is also the one who says ‘bored of your toy already?’ when Morty and Rickbot return to the living room after they left with the light sabre. She is being patronising again, but it does show her understanding of Morty's interests - she's surprised that he would spend so little time with his new light sabre.

This isn't an interaction, but I find it interesting that Morty specifies that he and Summer have 'two badass moms now'. Even after everything, he still loves his mom - no matter which version of her. This reminds me of him telling Ethan that Beth is a good mom in The Whirly Dirly Conspiracy. He really does look up to Beth.

There's not a great deal to analyse about this line but it is a direct interaction between the two of them so I thought I should include it. Again, we have the framing of Jerry and Space Beth together and Summer, Morty and Home Beth together. In this scene, it matches their attitudes - while Space Beth and Jerry take an interest in the events, they're much more detached emotionally from the situation. Everyone else is standing while they remain sitting, showing a lack if care or urgency.

In conclusion, Morty loves Space Beth and thinks she's cool, but she still views him as a child and is emotionally distant, and he's aware of this. She also has a much more obvious favourite child, as we saw in Morty's Mindblowers, whereas Home Beth doesn't show as much favouritism. In many ways, Space Beth is S1-S3 Beth, whereas Home Beth is S4-present. However, that's not true, they're both S1-S3 Beth, and I wonder if Morty would find that fact hard to reconcile? With Rick, it's much more obvious that he is both the good and the bad moments/parts of himself since it's just him. With the two Beths, you can almost convince yourself that they couldn't have become the other. I wonder if it would hurt Morty to spend more time with Space Beth and be reminded of how his mom used to be, how she still is sometimes. Would he appreciate Home Beth's efforts more? Would he begin to resent Space Beth for not doing the same?

I would love a Space Beth and Morty episode. I think Home Beth is generally still very oblivious to what Morty goes through (look how shocked she is in The Jerrick Trap that Morty is selling drugs). However, Space Beth has spent enough time out in the galaxy that she must have a better grasp on the sorts of adventures Rick is taking Morty on. I also feel like she has a lot more resentment towards Rick, or at least is a lot more guarded towards him than Home Beth is, so it would be an interesting way to explore Morty’s feelings towards Rick to have them both angry at him - especially if Morty does run away. We’d also get to see more of Space Beth’s development and feelings towards Morty, which I think would be something cool to explore.

We could even have a conflict between the Beths where Home Beth is angry at Space Beth for taking Morty somewhere dangerous or letting him do something inappropriate but Space Beth points out that he does it (and much worse) all the time with Rick.

Honestly though, I mainly just want to see Morty and Space Beth having a cool adventure.

[dennisboobs]

the way dennis asks "was... that okay to do?" after kissing the top of frank's head makes me implode on myself like a bouncy castle with a slow leak

[tenwhiteandalusians]

is episode 8 the domitian arc ? more on this and EVEN MORE narratives i’ve been ignoring that the show said “actually,,,” about in 5

[quackurucho]

ccharlie cupping cquackitys cheek during that final scene is one of things that either will become or just already is canon to me because of how vivid and true it is in my brain. and cquackitys face just collapsing into his hand looking almost dizzy and both paying 100% attention and just thoughtlessly staring at cslimes face like its the only thing he could ever want to do for the rest of his life. bc it is. This is happening