#this post does not support these characters

[tremendouskoalachild]

a little quiz just for you guys :)

How would you characterize Oz? Is he honest, or deceptive? Is he humble, or egotistical? Does he have a life-long drive to improve his social standing and image, or is he content where he is? Do you think the framing of this post relates to his qualities?

How has the Penguin been characterized previously, in comics, pop culture in general, and in The Batman, where this iteration of him was introduced? How was the show pitched and marketed? Do you think OP expected the show to be about an admirable figure?

In the first episode of The Penguin, Oz murders Alberto Falcone and devises a plan to deliver his mutilated body to his sister Sofia, in a successful attempt to frame a rival, take advantage of her rage, and start a costly gang war in the city. Yet, OP characterizes this action as "supporting grieving family" and "helping them recover their murdered family member's body". Do you think it is possible to accidentally misinterpret the main plot of a show in this manner?

In the finale, Oz starts more closely cooperating with the police and Gotham politicians, such as Councilman Hady, and begins to present a more polished, upper-class version of himself publicly, including a wardrobe change to a look more familiar to fans of the comic character. He kills Vic, a witness to his less glamorous origins. Do you think these turns could have been somewhat expected, in the context of the character's popular image and knowledge of his future film involvement? Do you think sanitization of his image is a theme?

What does it mean to "spin" something in this context? Can you define the word and give examples of synonyms? Do you think the original post also "spun" some facts?

What do you think the intent of the original post was? Do you think it was a genuine attempt to convince readers of the moral character of a batman villain, or was it an attempt at comedy? Consider the formatting and choice of image in your answer.

Oswald Cobb:

✔ supports women pushed aside by their patriarchal family

✔ supports victims of flooding

✔ gives employment opportunities to disadvantaged youth

✔ supports sex workers

✔ is polite and affirming to trans women

✔ loves his ma and supports her without infantilizing her

✔ is sensitive to people struggling with mental health stigma

✔ supports imprisoned people and strives to give them opportunities

✔ supports grieving family and helps them recover their murdered family member's body

[jbaileyfansite]

Critics Reactions to Jonathan Bailey's perfomance as Fiyero (Master Post)

“Dancing Through Life,” on the other hand, is the adaptation’s biggest musical accomplishment. Although Wicked is primarily about the relationship between these two women, the charming prince Fiyero always threatens to steal the show, and never more so now that Bridgerton heartthrob Jonathan Bailey is playing him in a dazzling blue/gold suit. Setting this song in a library full of rotating, cylindrical shelves allows the dancers to really show off their moves, while Bailey succeeds at infusing the number with his personality as he flirts with men and women alike. Unless Wicked really hits big with the Academy, it’s unlikely that Bailey will score a Best Supporting Actor nomination at the Oscars, but surely he deserves some honor for being the sexiest actor on Earth at the moment — hope you’re taking notes for next year, PEOPLE! [x]

And Bailey, from his boot-toe book choreography to ovation-worthy gymnastics, is hoofing his way through every step of “Dancing Through Life;” there will be deserved awards attention coming Grande and Erivo’s way for Wicked, and Bailey should be as much a part of the conversation. I can’t remember the last time a performance was so instantly charismatic, the kind of movie-star heist—he nearly runs away with the film during that musical number—that makes going to the cinema so exciting. [x]

A character I was worried about going into this. Jonathan Bailey, he plays Fiyero, who is this kind of just over the top cocky, flamboyant, kind of douchey, but in a fun way character. And there’s just so much there that it could be really easy to mess up. And I didn’t know that he was into song and dance performance, because I’ve only seen him in Bridgerton, so I didn’t know what else was in his repertoire. But I feel like he absolutely crushed that character. You cannot help but love everything he does when he’s on screen. He nails it. [x]

Jonathan Bailey oozes sex appeal and charisma as Fiyero Tigelaar in an utterly swoon-worthy performance, unleashing his West End talents with the dazzling “Dancing Through Life” sequence that cements himself as a true superstar, while his chemistry with both Erivo and Grande is off the charts. [x]

I have to give Jonathan Bailey his freaking flowers. I thought he was going to be good. He got an Olivier award for Company and if you haven't, there is a video of him singing The Last Five Years from years ago….So I was like I think he's going to do a good job, he's also so charming and everybody loves him. I was not prepared to see what we got. The perfomance, the vocals, the gymnastics, the charm, the way he says 'you're perfect' is just engrained in my brain in the right way. And he's so…like he would have chemistry with a chair, I'm convinced. Everyone in 'Dancing Through Life' is now pregnant and so am I. His entire arc of Fiyero being like the daft person and then becoming who he becomes is so clear and every choice, and look, nuances he has…it is calculated but effortless. [x]

Jonathan Bailey delights in the supporting cast as her love interest Fiyero, also offering a fantastic interpretation of someone who hasn’t been called upon too often to be serious but might be willing to give it a try. [x]

“Dancing Through Life” triumphantly translates the joy of seeing Wicked live: Dancers perform acrobatics in rotating circular bookshelves, Jonathan Bailey (who I swear has chemistry with every single person on the planet) taps his way across books with a flippancy perfectly suited to the charismatic prince Fiyero, and the ensemble works (and sings!) in harmony. [x]

Jonathan Bailey uncorks an outrageous scene-stealer as the heterocamp Fiyero, a performance to put alongside Cary Elwes in The Princess Bride. [x]

Chu's usual choreographer, Christopher Scott, delivers again with vibrant, inspired moves, particularly in the elaborate "Dancing Through Life," which takes place in the school's rotating, multilevel library. "Bridgerton" star Jonathan Bailey gets a chance to show off his musical theater background here, and he's terrifically charming as the glib Prince Fiyero, the object of both Elphaba and Galinda's romantic interests. [x]

The true surprise, even more than Grande, is Jonathan Bailey as Fiyero, the charming prince with hidden depths that both Galinda and Elphaba gravitate towards. Bailey has such a light comic touch to him and his performance of “Dancing Through Life” might be the best part of the movie, and the most ambitious set piece in the film. [x]

The true standouts are three-fold, with Grande, Erivo, and Bailey embracing the tonal shifts with unbridled glee. […] Fiyero has major bisexual vibes, and chemistry with every single character. Bailey’s take on “Dancing Through Life” lets the Olivier Award-winning actor unleash his sex appeal on a library full of unsuspecting Oz-ites. [x]

Jonathan Bailey adds renegade bravado as the devil-may-care Prince Fiyero, selling the character's journey from apathy to activism with aplomb. [x]

Elsewhere, British heartthrob Jonathan Bailey steals the show as the vain Prince Fiyero Tigelaar, a love interest for both young witches. Bailey effortlessly dances and sings his way through the film’s most demanding musical numbers. [x]

It's Jonathan Bailey who threatens to steal the show though, instantly charming during Flyero's meet-cute with Elphaba. Anybody not swooning already will be with his excellent 'Dancing Through Life' number, Bailey's palpable charisma shining through the extended number which culminates in a reimagined Ozdust Ballroom. [x]

One more: Jonathan Bailey. His dashing Prince Fiyero is one charming prince, so cheeky that he will have boys and girls everywhere swooning. And swoon they do, within the film — it’s a small thing, and not to get all #RepresentationMatters about it, but I was delighted to see Wicked make very clear that both male and female Shiz students are equally lustful whenever Fiyero’s around. There are some deliciously flirtatious moments between Fiyero and some guys during “Dancing Through Life,” and it had me thinking about the fact that, for as fabulously gay as musical theater so often is, you don’t usually see that kind of thing in a massive mainstream film. Kudos all around. [x]

The standout to me: I’m going to go with Jonathan Bailey as Fiyero. He pops up into the film and immediately comes off so cocky, but so charming and likable. Just everybody he talks to, he has this fun rapport and chemistry with them, and just brings to life every scene that he’s in, whether it is just dialogue, joking, dramatic or his big dance number in the library. He’s so good. And it’s one of those things where I am not super familiar with him outside of this, and you just see him and you go - man, that guy is a star, this guy is really good. [x]

And while Wicked is all about is two leading ladies, we must spare a moment or several for Jonathan Bailey’s virile, twinkly Fiyero, who quite literally leaps onto the screen on his horse while clad in tight britches and sturdy riding boots. He’s charming in a way I never found the rather bland character to be onstage, bringing vibrancy to the role as a big screen heartthrob who tears up the floor (and library books) with his aggressive dancing. Now it makes sense that he could turn the head of both Glinda and Elphaba. A West End veteran himself, Bridgerton actor Bailey also boasts an exemplary voice – the casting directors truly spoiled fans here – and there are no exceptions made when every number is treated as a potential show-stopper. [x]

In terms of supporting performances, Bailey’s absolutely dashing and magnetic, giving a star-making performance – a la Rupert Everett’s in MY BEST FRIEND’S WEDDING. He lights up the screen as the object of romantic affection in screwball-esque scenes shared with Grande as much as he does during the library set number leading “Dancing Through Life.” [x]

Bailey is a charming Fiyero, using all of his Bridgerton swagger in exactly the right ways. He arrives well into the term, a transfer student who has reached the end of the number of schools to be kicked out of. Fiyero is sometimes treated as a throwaway character–the generically hot love interest for two girls to feud over. But this Bailey’s Fiyero will not be so easily dismissed and his “Dancing Through Life,” plays well when accented by talented professional dancers that make the entire scene pop. [x]

Then there’s Jonathan Bailey, who manages to steal the show from his very entrance. Not since Dan Stevens first showed up in The Guest, or perhaps when Glenn Powell out-cruised Tom in Top Gun: Maverick, has there been this much tantalizing testosterone employed in such an effective way. Bailey’s bravura take on Fiyero Tigelaar, the Winkie Prince who sings about “Dancing Through Life,” is by far one of Chu’s most accomplished moments of filmmaking, managing to make the character simultaneously seductive and disarmingly silly. It’s also a moment in Wicked‘s storytelling where there’s fun to be had, and the massive sequence is absolutely a joy that by far exceeds the smaller scope of the on-stage presentation. [x]

Jonathan Bailey is so very “that guy.” His Fiyero doesn’t have the foppish facade of the original. His portrayal makes us aware he’s more complex than he appears from the moment we meet him and his talking horse, but as a Prince Charming, his rizz is high. Who wouldn’t fall in love with Bailey (and who hasn’t)? [x]

Bailey as Fiyero is the ultimate casting as the Lord becomes a Prince. He delves into Fiyero’s shallowness and his moments between Elphaba and Galinda are so starkly different as Bailey plays into both relationships organically with wonderful chemistry between all three. [x]

Jonathan Bailey has a standout musical number with “Dancing Through Life,” and he manages to have chemistry with everyone on screen as the handsome Fiyero. He’s fiercely flirtatious and fun to watch. [x]

Jonathan Bailey could have chemistry with an inanimate object. That man absolutely shines in the role of Fiyero. [x]

But, it’s Bailey’s Fiyero (surprise!) who steals the movie’s second-best scene: the elaborately choreographed “Dancing Through Life.” [x]

Galinda immediately sets her sights on Prince Fiyero (Jonathan Bailey, bringing an outstanding amount of Kenergy to his role). […] And there are certain sequences, specifically Galinda’s signature number “Popular” and Fiyero’s “Dancing Through Life”, where everything does click together nicely and the film suddenly sparks into life. [x]

Jonathan Bailey is absolutely swoony as the flirty Fiyero. While Wicked: Part One is just the beginning of his story, you can already see how Elphaba’s impact is starting to influence him to think more of others versus being shallow and self-consumed. [x]

Jonathan Bailey‘s Fiyero is a joy to watch, and you can see in his physicality and the sparkle in his eyes who he is destined to become. Once we see him dance and sing, he sweeps everyone off their feet. [x]

Fiyero gets one of the film’s most appealing numbers, brilliantly delivered by Bailey, “Dancing Through Life”, as the dashing Prince disturbs the peace of Shiz’s library to entice his classmates to join him for an evening of fun at “the most swankified place in town”, the Ozdust Ballroom. With Bailey gleefully taking on Christopher Scott characterful, silky smooth, choreography, he goes on to offer us seductive glimpses of the more substantial man hiding behind his mask of superficiality. [x]

I can’t say the word scene-stealer without talking about Jonathan Bailey as Fiyero. Give Jonathan Bailey awards, give him every role … for being so amazing in this movie. He is just so effortlessly cool and charming and funny, but I love the heart that he gives certain moments … Fiyero just lives with me now … He enters this movie giving me one of my favourite performances. [x]

The supporting cast proves equally magnificent. Jonathan Bailey’s Fiyero exudes oodles of charisma and a strong voice, easily proving he can handle Christopher Scott’s limber choreography while simultaneously putting his own stamp on it.  While his character plays a more major role in the second film, his introduction, through the stunning “Dancing Through Life” number, leaves a lasting impression and makes for a compelling counterpoint for both leading ladies. [x]

Not to be outdone, Jonathan Bailey of Bridgerton fame plays Fiyero. The heartthrob, almost brainless hunk, who arrives at Shiz and drives so many of the students crazy with lust. Now Bailey’s carefree, but passionate, and decisive in both singing and choreography. With his signature song “Dancing Through Life”, Bailey gets to showcase some awesome footwork, along with amazing vocals, for a scene that is just mesmerizing thanks to the energy and the camera work. [x]

That said, it's BRIDGERTON (2020) star Jonathan Bailey who winds up stealing most of the scenes he's in as the Prince, Fiyero Tigelaar. Bailey is fantastic as the Prince, bringing an entertaining sense of levity and delight to the film. This is to the point that Bailey's absence in the film's finale is quite noticeable, with the film feeling somewhat dull without his presence. [x]

Elsewhere, Jonathan Bailey is charismatic as the dumb-but-charming Fiyero, and there’s a campness to his song-and-dance number, “Dancing Through Life” that will stir the loins in a whole range of viewers. [x]

One standout is Jonathan Bailey as Fiyero, the Winkie prince who quickly makes a mark on Shiz after his enrollment. Bailey is not only charming and funny throughout, but exudes an energy that many of the other supporting players simply lack. [x]

Supporting roles are strong too, most notably from Jonathan Bailey as Fiyero, full of bravado and fun, as well as a hefty dose of yearning – and fans of Bridgerton will know that no one does yearning like Bailey. His 'Dancing Through Life' is a blast but he's just as powerful in the film's quieter moments as his chemistry with Elphaba burns. [x]

As for the supporting cast, Bailey absolutely shines in his biggest film role to date. Much like Galinda, Fiyero is initially privileged and arrogant, but Bailey instils him with so much undeniable charm that you can easily understand why literally everyone at Shiz is falling under his spell. The seeds are sewn for Fiyero to open up in Part Two, but, for now, Bailey nails it as a seemingly one-dimensional hunk with hidden layers to explore. [x]

The film’s biggest strength is its perfectly cast triple-threat performers – Cynthia Erivo as Elphaba Thropp, Ariana Grande-Butera as Glinda Upland and Jonathan Bailey as Fiyero Tigelaar, a handsome prince whose subplot is best not spoiled. […] The charismatic Bailey, Emmy-nominated for “Fellow Travelers,” is known as the oldest son Anthony in the “Bridgerton” TV series, but in England, he is also an accomplished musical theater performer. He won an Olivier Award as Best Supporting Actor in a Musical for playing Jamie in the revival of “Company” in 2018. Fleet-footed and a nimble vocalist, he gives Fiyero an allure that wasn’t initially apparent on stage. [x]

Meanwhile, Jonathan Bailey channels his incredible Kenergy to bring the effortlessly charming Fiyero to the screen, with his fun take on “Dancing Through Life” almost stealing the show (someone please give him his own musical!) [x]

The same goes for Fiyero as Jonathan Bailey who makes his male lead into a much stronger character by leaning into the sobering moments as strongly as the lighter ones. [x]

Another pleasant surprise was Bailey as Fiyero. Best-known for his role in “Bridgerton,” Bailey isn’t as well-known for his singing chops, but he deftly carries one the most dazzling musical numbers of the whole show, “Dancing Through Life,” serving up both impressive vocals and dancing. Beyond his musical talent, Bailey is charming and roguish as the Winkie prince, while hinting that there’s a little more to him beyond his care-free persona. Bailey also has the unique ability to have chemistry with practically anyone he’s a romantic lead with, so he has great chemistry with both Grande and Erivo. The few, briefly swoon-worthy interactions between Fiyero and Elphaba specifically will likely have fans excited to see Fiyero and Elphaba’s relationship develop in “Wicked: Part 2.” [x]

[metroid-fusion]

regarding the post reading "if zun did it you can too: make all of your characters women" and the tag "i'm doing this but in the opposite direction bc im transmasc and gay"

i love transmascs. shoutout all transmascs. they all deserve so much love n safety. heres an opinion i posted once, for context.

"why are you doing all this disclaiming io?" because before i turned off rbs on that post, people were saying stupid shit like "making your characters transmasc and gay is boring" which i cant abide. literally if ur trans and gay and ur making characters to explore & celebrate that, im supporting u so much. so if youre gonna say some shit disparaging that on here i dont respect your opinion; that said, this post is to address the other half of the arguing that went on on that zun post: "actually commenter was fine i dont get the big deal"

(i recognize that im preaching to the choir here, the target audience REALLY is the CHOIR'S followers not mine but hey)

my post was one that i made advocating for something which was IN THE MINORITY. which is a story with only women. there are many MORE stories with characters that are only men. so the question one must ask before leaving a tag or replying: what REASON do you think i, op, had to post a post like that?

what factors were influencing the post? what media environment led to the posts creation? what do u think the reason is that the post had such a clearly defined call to action? im doing some critical reading question shit to you right now. do you think me being transfem and lesbian have anything to do with it? im gonna show you these numbers

so if you have come to a conclusion about why i probably made the post, and what my post was meant to say, and you extrapolate, what does leaving a comment that says "im doing this but with men" IMPLY wrt those factors? what effect does it have? theyre UNINTENTIONAL effects, this commenter had no ill intent and was just trying to relate their own experiences. but nothing exists in a vacuum and one MUST consider the purpose of a post before leaving ANY kind of comment.

i guess thats all. i just want people to understand why myself and others were peeved by an innocent comment like that yknow. just consider what your comment implies in relation to what it was posted on

[sirhamburrger]

blue lock characters when you come home after a bad week at work

characters: yoichi isagi, meguru bachira, rensuke kunigami, seishiro nagi, reo mikage

tags: gn!reader, reader is referred to as "cutie" in bachira's and "darling" in kunigami's, reo being a rich boyfailure

a/n: first ever blue lock post lol (divider by @cafekitsune)

yoichi isagi 潔 世一 : the quintessential gentleman

“hey, what's wrong? you know you can talk to me about anything.”

if you feel like talking about it, he'll sit beside you patiently and listen (even if it takes an hour and a half). if you don't feel like talking about it, he'll get you a cup of your comfort beverage and take a short nap with you

you'll definitely feel a lot better when you finally wake up in his arms, and he'll talk things through with you so patiently!

he makes sure to remind you of how strong and brave you are, and how much he loves you!!

“i want you to know that i love you and i will support you always, no matter what.”

meguru bachira 蜂楽 廻 : the supportive jokester

“look who's all moody today! c'mon, cutie, won't you lighten up a little?”

when he realizes there's something wrong, it's like someone flipped a switch on him because he gets so unbelievably serious and sits you down at the dining table

after he coaxes the full story out of you, he peppers your face with kisses, wiping your tears away gently

he will then proceed to hit you with a barrage of the worst dad jokes known to man until you're laughing at him laughing at himself

“i know i find it hard to take things seriously sometimes, but you? you're something i will always be serious about. i will always make time for you.”

rensuke kunigami 國神 錬介: the dedicated sweetheart

he doesn't say anything at first, just wraps you up in a big bear hug (he doesn't let you go for the next five minutes)

in typical malewife fashion, he makes you a snack and runs you a bath. while you relax in the tub, he somehow manages to clean the whole house??

afterwards, he makes dinner with you in silence (man's love language is definitely quality time)

when you finally decide to open up to him, he's holding your hand throughout and lets you take your time explaining without interruptions

“thank you for telling me all this, darling, so i can support you like how you. deserve. i know you'll get through it like you always do.”

seishiro nagi 凪 誠士郎: the silent rock

he notices something’s off, but he holds off on saying anything in case he's wrong. as the day goes on he notices you're not your usual self and silently takes a seat beside you

“...you okay?”

you break down crying and all he can think to do is to pull you into his lap and hold you tight. he nods silently as you tell him everything, and though he doesn't say much, whatever advice he does give is surprisingly pretty helpful

he takes you on a snack run after even if it's 4 am! because “nothing is too much of a hassle when it comes to making you happy.”

and that makes you cry even more (happy tears this time <3)

reo mikage 御影 玲王: uh... he's doing his best??

he finds himself temporarily frozen when you walk through the front door with the most sullen expression on your face. at first he thinks it's something he might've done wrong

all it takes for you to break down is a light squeeze of your palm, and now he's utterly clueless on what to do. he awkwardly pats your back

growing up a sheltered only child with a grand total of one true friend, he's never been in a position where he had to comfort someone

“i can pull some strings, get your horrible boss fired… or you could quit your job and stay at home! yeah, we can do that…”

you make fun of him for being bad at comforting people, but it definitely brings your mood up a little

you end the night watching your comfort tv series on the couch with him and all is well!

bllk masterlist || general masterlist

© sirhamburrger 2024

[17020]

alrighty bae ty for ur insight <3 🙂‍↕️🙂‍↕️ graduating next year and we’ll see how this goes (gonna spin the wheel when it comes to choosing my major next yr bc i dont rlly care abt what career im pursuing ngl 🤣🤣🤦‍♂️🤦‍♂️ its tough out here 😓)

AND I JUST NEED TO GIVE U A CHARACTER FROM UR LIST RIGHT?? 🙊🙊💕 how abt my glorious king nagi (⩌ᴗ⩌)

hi vivi !! thank you sm for supporting my little wordpress event !! since you're doubting whether or not to study marketing, seishiro nagi will help you! marketing major! reader

SEISHIRO NAGI . . . INSIGHT GENIUS

— nagi unknowingly helps you with everything you might need during your homeworks. he's the one who helps you browse through the net (by having you on his lap while you use his pc) for netnographies, or even lets you use him for an ethnography interview on gamers.

— nagi is crazy good at obtaining insights. we've known that nagi is insanely smart, but he's just lazy. when you're struggling to find an insight for a fast food chain, he'll whip his head up and just go "i like my ice cream with fries, drive me to mcdonalds please" and next thing you know you're creating a promo because he wasn't the only one who liked his ice cream that way.

— if you need connections, nagi's your guy. because reo knows a guy who knows a guy, and chigiri too. due to his status as a football player, he also knows a guy who knows a guy too. so you'll be booked and busy during your internship (which is bomb btw) and after.

— it'll definitely be a conflict of interest later on, but nagi wants you as his community manager. he wants you to manage everything, unlike the OTHER, not you community manager he had before who pestered him about his image and his posts. though, little does he know, you have to do the same as them. just because you're his partner doesn't mean you won't do your job correctly. his brand is sacred.

[franki-lew-yo]

Mouthwashing and fandom discourse as a whole.

So I recently explored the tag for Mouthwashing after watching two no-commentary lets plays of the entire game. I'm seeing a lot of posts pointing out how annoying it is that this game has a fandom and that this fandom is doing fandom things and stanning/"uwu-ing" characters from this incredibly nuanced, raw and not-fandom friendly piece of art. To paraphrase someone I just saw "you don't want mouthwashing; you want Among Us ocs but darker". And

for a moment I wanna talk a bit about how I absolutely agree with this statement while also talk for a moment about how and why fandom and catharsis fan fics exist and shouldn't be shamed inherently. Or, I guess, not in theory.

The "come on! Stop trying to make everything shippable/cutsey/memey/have a happy AU and face unpleasant emotions someone's trying to tell you about!" is SUCH a vibe with me. I felt this way in the 9 fandom a lot as a kid and that was just 9. Mouthwashing is like 9 on bathsalts emotions and theme-wise. It's a game where you play as both the flawed but caring captain of a doomed ship who's life becomes a Johnny Got His Gun-nightmare, and also a deplorable, hateful piece of garbage who got himself and his friend in that nightmare situation to begin with. Both characters, moreso Jimmy but Curly too, are the causes of their own misery. They're complex dealing with one of the two committing SA and doing nothing really about it/dodging the responsibility and humanity needed to support the victim whom they've wronged.

I fully admit it's groan-inducing seeing people be shipped up Anya with anyone on the ship considering what happens to her. On a pure pr level I think it would be illegal even since romance between coworkers in a workplace is considered conflict of interest/harassment as it so often is. (NOT that what Jimmy did to Anya is 'romance'. I'm talking about the shipping of Anya with the other three guys. I know there's people out there who do ship Jimmy/Anya; you don't have to tell or show me I believe you and also I already hate it.) It's ALSO groan inducing to see people ship Curly and Jimmy considering all Curly does to him- and just the fact that this incredibly tragic, toxic one-way-gone array friendship is reduced to "toxic yaoi teehee". It's annoying AT BEST.

I get the hostility towards fandom-tastic stanning and fandom behavior in general...the issue is it's still hostility and I wish some of you guys got that. Like it or not (you don't have to like it) fandom culture is inevitable to some degree. You can and should complain about your hangups but that's all you can do besides avoiding tags and just not engaging with that side of the fandom at some point. Save your call-outs and rage for when you see active deplorable bs being committed that people are excusing for dumb fandom reasons, like lolicon, hatespeech or harassment. I'm sorry but you can not actively go after and try and take down the innocent people involved in your trigger that aren't directly hurting you by liking the thing that triggers you; ie. people who get all shipping and fandom-brained about Mouthwashing's characters which you find offensive to do at all.

This type of convo is the crux of most 'antifandom' v profandom discourse in general; for Antis I think there ought to be a difference between the people that set you off bcuz of fandom nonsense vs sociopathic 'got mine'-creepiness. There's a difference between someone who draws r34 v Shadbase. For profandom types you out to face the fact that yes- maybe NOT EVERYTHING is meant to be shippable/memed. Maybe try practicing that a bit. Yeah it's most harmless and makes you feel happy, but considering how people outside of your hyperfixation-of-a-hyperfixation is a thing. The thing about the "don't like, don't read" argument is it goes both ways. If you're truly a "good fan" like you say you are than you have to realize that people will not like your problematicisms. Learn to interact with characters and stories without the possibility of shipping sometimes- or at least understand that that's the crux of what makes a story like Mouthwashing engaging, even if you also partake in the fandumb and AUs on the side. You can call Curly your babygirl and ship him or make him happy all you want but PLEASE acoknowledge that the game doesn't woobify him or excuse what he did to Anya as well. You can make some kind of AU scenario where Jimmy gets out somehow and becomes/is a slightly better person for all I care...so long as you PLEASE remember that he is canonically a r@pist and awful. Also, even if I'm okay with your fan decisions, note that myself and others are still going to be critical and be upset that you wrote it at all because of what kind of character Jimmy is. 'Critical' =/= declaring something evil.

Fandom behaviors are not souly a destructive parasocial outcome of brainrot; they're also a natural reaction to what happens canonically and the emotions you have to experiencing a story. It's normal and rational to sympathize and love Curly and despise and hate Jimmy. You can love/like/enjoy a problematic-to-DEEPLY DISTURBED-character based on their complexity in canon. They are fiction. They are not real. The reason you are so invested with them is because of that complexity and yes because they are fiction they are your 'toy' and you can doll them up in any kind of speculative AU crap you make. That's fanfiction, baby. Make yourself a fixit fic if you really want

BUT-

remember: it stays as a fixit fic. DO NOT cross the streams, or insist that your active misreading of the text is the same as the text itself. EVER. You should care about your special interest's escapism as a means of self-care. What you shouldn't do is demand that EVERYONE ELSE LOVE your coping mechanism and that any complaints by people on their own terms on their own blogs is #badfaith or an inherent attack against you. It isn't. You'll know when it is an attack against you and that's when you, the profandom-type, need to be prepared and save your call-out posts and blocklist for.

To me that's the fragility to fandom debates and fandom as a whole. You can not/should not police or control an entire group of people and how they perceive or interact with media. That's not fair and it's definitely not sporting or decent of you in a community. You have to share your community -your fandom- with people who hate ur fav and people who love your least fav. Agreeing to disagree means not tagging your nOTP as their shipname or by tagging your shipname loud and clear. It means filtering out posts with those topics but enjoying and/or reblogging the fandom takes you do share with your fellow fandom-mite that obviously posts abt those topics.

When schmit REALLY goes down and some assface reviewer/fan/SOMETHING is being an assface or doing something amoral under the guise of fandom-ing, that's where you out to put your foot down. Callouts and complaints are for people who did an egregious thing and refuse to take responsibility(lol) for it. They're not for "soandso likes the thing that triggers me, kill them"/"so and so is hating on the thing I'm kinning because it triggers them, kill them". Be an adult.

Your DNI lists should consist of "lolicon defenders" not "proshippers", as those ARE NOT one in the same. Same goes the other way around. List off "bigots, purity culture bs", not "antis and critics". These positions ARE NOT interchangeable. If you make them interchangeable than you're making things a lot harder for yourself.

-sincerely, a message from autistic ADHD/OCD woman who likes horror and media analysis as much as she loves popcorn fanfic schlock.

We don't all have to be friends and buddybuds. I just hate us hurting each other over being different kind of fandom-folk rather than for when someone sincerely mucks up and does something bad. Can't we all stick to our guns and just boycott Harry Potter like god intended?

[mage-ical-character-person]

Time for more because. Because!

first off: wanna point this out: Meme games

The fact that the minigame format like Meme is used for WOTFI instead of the using the usual non-minigame challenges, or the choose your own adventure of WOTFI 2023 despite the whole “We should really do this again sometime”

And Just... That's Puzzles' whole thing. Don't know what to make of that!

and... this

hehehe… sillies… Second, some stuff from other posts I’ve made and discussions I’ve had I wanna stick here so it’s all in one place. Colored text is new stuff if you've read the other posts already and don't want to read repeat info and musings. Alternatively if you haven’t read the post and you want to. I got links.

First from here: Puzzles and Four both struggle with empathy to some extent. Four has more practice with the aspects of empathy that can be learned (cognitive empathy) but it’s still something he usually needs to actively think about, which is something he forgets to do sometimes. Puzzles sucks at just about every form of empathy. But they both still care very deeply for the people they consider friends (see reblog above about protectiveness)

Also Four and Puzzles both put people through torment for content. Puzzles with just about everything he does, Four with stuff like “I put Mario in Danger for Views” “Mario Does Literally Anything for Views” and this

Next, this.

Mario only is friends with SMG4 as a result of not being the Mario he was before Four showed up. When Mario is briefly turned back during the Lawsuit arc, Four and Meggy make him back into the Mario they're friends with without any input from him. This sorta parallels the whole Leggy situation in a weird way. In addition, Puzzles brainwashes people to make them more entertaining and cooperative for his shows. The USB SMG4 arrived in did the same thing for Four automatically as soon as he arrived.

And!

We're talking about It's Gotta Be Perfect again. Puzzles gets a fatal error that tells him to contact the manufacturers, then we get eye imagery. Then we get the IGBP Goop.

Notably, this happens when Leggy is turned back into Meggy. In other words, when Puzzles loses his only friend and source of support. I've gone on and on about how what snapped Four out of it in IGBP is his friends and being reassured they'll always be by his side, and what that means for Puzzles. and this is just... another instance of that.

But with the Goop, there's something else. It seems to be tied to strong emotions, but the fact that it shows up when Four is worried about being left behind for not being good enough--and being reassured otherwise is what allows him to break free-- AND the fact that with Puzzles it shows up when he loses his only friend and wants her back...

And, well... This...

(Seriously what was up with the stuff that happened to Three in IGBP I feel like we don’t talk about it enough) It's... well, it's something. Puzzles would do ANYTHING anything to not lose his friend, regardless of if said friend is okay with it. I don't know if Four's quite to that point, but he's... adjacent to that, at the very least.

The desperation to be seen... and the eye imagery associated with the Goop... it’s something

...Not wanting to be left behind, wanting to hold on to the people you have... wanting to be perfect...

Well... I mean, it parallels other characters, too.

(With Niles Specifically, I can't help but think that the Goop is some kind of virus similar to Niles/Eldritch Zero. I mean, it was invoked by an adware)

On the subject of characters other than SMG3 and SMG4 that parallel Puzzles, let's talk about Clench and Tari.

Both Puzzles' TV head Clench are prosthetics in a way, and Puzzles can transport people into TV shows, while Tari can, with Clench, do the same with video games. And for what it's worth, with Western Spaghetti, they're sort of on the same... frequency? Tari being able to interface with the simulation and hijack Puzzles' signal to bring forth dancing Mario.

AND

Oh and also Puzzle has parallels with Axol as well.

I mean just...

friendless childhood to becoming obsessed with media to creating that media (still obsessive).

And.. resourcefulness?

Yeah we'll call it resourcefulness.

Puzzles Parallels Post

feel like I keep repeating things over various reblog chains and stuff and my thoughts are never all in one place so. This where I keep linking said reblog chains. One of which has an endpoint that does not involve me but sshhh.

Mr. Puzzles and SMG4 have SO much in common. Four comes pretty close to Puzzles-level bad on some occasions and they share a lot of the same insecurities

I believe part of the reason Puzzles targeted Four in the first place (because I doubt “You’re the stupidest show I’ve ever seen!” Is the only reason) is because it’s easy to exploit the insecurities of someone who has the same insecurities as you, because you know that feeling in and out. Even if for Puzzles he probably didn’t have a lot of self awareness about it. Probably something more along the lines of “Oh, this guy clearly cares the correct amount about pleasing an audience and the quality of his content! But he’s not even good at it! I can use this!”

The difference is that Four has friends. He has a support system to pull him out of it when these insecurities start to make him spiral. Puzzles does not have that and frankly seems to have given up on ever attaining it. Twice.

AND THEN THERE’S ALSO THE PARALLELS WITH SMG3

Because part of it is because SMG3 and SMG4 already parallel each other so you can’t have Puzzles parallel one without the other.

But ALSO! Very similar motivations of wanting to be seen and appreciated. With a side of pettiness and jealousy. Also this

And this was also an incredibly SMG3 adjacent moment

But also the show keeps calling attention to SMG3’s difficulty making friends. Which is also Puzzles’ whole thing.

I need them to actually go somewhere with this so bad. Because 3 and 4 might be the only people who can actually understand Puzzles. Or at least let them understand themselves better as a result of Puzzles.

I NEED the “You and I aren’t so different” moment SO BAD!!

[honey-bitch]

Astrology HOT TAKE:

Maybe it’s the Capricorn moon in me but the use of exaggeration and metaphors when describing aspects is a bit much. For example Venus in the 8th house being a femme fatale, that’s a character trope. It’s hard to identity with that as a concept.

However the affinity for the taboo, horror and the deep desire for transformative consuming love does make it more relatable.

Although I support romanticisation, I find it shocking to see these placements in people in real life because in reality they aren’t as fantastical as these posts say they are.

This was a bit of a ramble, feel free to voice your opinions.

[trekacrosstheuniverse]

Saavik in Unification is a BAD TAKE

This is going to be a loooooong post because I have a lot of feelings and a lot to say.

To begin with, I loved the film. It was so poetic, thought-provoking, and visually stunning. The ending, in particular, was profoundly moving—I honestly found myself crying in silence as the credits rolled. The handhold. That being said, I hated how the film handled the character of Saavik.

Saavik’s Characterization and Potential Saavik is one of the most compelling characters in Star Trek. Originally conceived as part of the “new generation” of the franchise, she represented a bridge between the old crew and the new. Saavik was envisioned as a bright, ambitious young officer with her own aspirations, including a desire for captaincy. She wasn’t just a supporting character; she was meant to embody the future of Starfleet—someone with the intelligence, skill, and determination to carry the series into a new era.

The decision to canonize a romantic or sexual relationship between Saavik and Spock diminishes her potential. It reduces her to a plot device— showing that when the audience last saw her on Vulcan in The Voyage Home (1986), she never left. She stayed there to raise his baby and be his wife. This choice feels not only out of place but also deeply unfair to her character and to fans who have admired her complexity and promise.

Saavik Deserves Better! Saavik was written as more than a “young love interest.” She was a character with depth, goals, and the potential to take the franchise in exciting new directions. Reducing her to a way for Spock to have a son undermines everything she stood for. Fans who admired her for her strength and intelligence deserve more, and so does Saavik herself!

The Problematic Nature of the Relationship The dynamic between Saavik and Spock is troubling for several reasons. Spock, as a significantly older and more experienced figure, served as her mentor and even, in many interpretations, a parental figure. Their relationship in The Search for Spock (1984) was deliberately left ambiguous. The infamous “cave scene” was vague, and the decision to delete a scene confirming Saavik’s pregnancy reflected a conscious effort to avoid solidifying this controversial narrative. Modern audiences largely interpret their bond as professional or even paternal, as depicted in the Star Trek novel The Pandora Principle.

By canonizing a sexual relationship, the story introduces a significant power imbalance. When they met, Spock was a seasoned officer near the end of his career, while Saavik was a young cadet just beginning hers. Such a dynamic not only feels inappropriate but also undermines Spock’s established character. Throughout the franchise, Spock has consistently been portrayed as a figure of integrity and professionalism. A romantic or sexual involvement with a much younger subordinate would be completely out of character for him.

Modern Context In 2024, it feels particularly tone-deaf to cement a storyline like this. Audiences today are more attuned to issues of consent, power dynamics, and age disparities in relationships, especially those involving mentor-mentee roles. What might have been overlooked or excused in the 1980s is now widely recognized as problematic. Revisiting and reinforcing such a dynamic sends the wrong message, especially in Star Trek of all franchises.

The decision to confirm this relationship in Unification feels not only unnecessary but also extremely damaging. It detracts from both Saavik and Spock and should not have been canonized!

[jinbeisluffy]

I see so many posts over different social media platforms about sexuality/gender hcs for the strawhats and i want to add in my own two cents because i believe im very correct (but anyone’s opinion is valid so long as it doesnt go against canon coding)

Luffy - the most aroace and trans guy to ever BREATHE. i dont mean aroace in that hes somewhere on the spectrum where he can still be attracted to people, because he cant. this guy had never grasped the concept of romance and never will, because theres no reason for it to him. hes trans because i say he is, i dont have many reasons for THAT but its just the signals hes sending me. trans to trans communication trust

Zoro - gay. thats it thats the post. no but i dont ship luffy with anyone but zoro is just attracted to literally any man who is strong, thats his criteria and thats all he ever needs. is he aware of it? not at all, he has no idea that its not normal to get bricked up by the thought of other men

Nami - i havent seen a bigger lesbian in media ever, genuinely i dont think any other character is as obviously lesbian as she is. she loves girls unapologetically no matter what, supports all girls at the end of the day (cough kalifa) . i also hit her with the asexual beam because i can, specifically demisexual because i THINK so

Usopp - while i wanna consider kaya, i wanna consider sanji too and thats making me lean between bi or omni even if omni is a label under the bi umbrella. its more a question of if he recognises his preference for men or not, because he does prefer then at the end of the day. the ace beam bounces from nami to usopp because he too doesnt feel anything and doesnt think about it either

Sanji - oh my god where do i begin. maybe just the blatant queer coding of wci as a whole?? of course hes attracted to women, thats not an aspect you can remove or just toss around to being something else. he loves and respects women, but he is so QUEER. all of wci is just queer coding, its a queer story and sanji is a queer character i will die on this hill. he probably has some kind of gender issues too, what specifically? no clue, but he likes people of multiple genders and is in deep denial about it all the time he wont ever truly accept it but he can one day as a treat live with that fact

Chopper - oh hes a reindeer he cant really have a sexuality DID WE FORGET THE FACT HES HUMAN TOO ISNT THAT LIKE HIS WHOLE THING, NOT BEING A MONSTER BUT ALSO A HUMAN. HE IS BOTH? i dont have any specific labels to slap onto him, just that hes a people lover and encourager of literally everything. ace beam bounces onto him too

Robin - trans trans trans trans trans trans trans trans you will accept robin transfem into your life right here right now. she can like anyone, she has no label on it, she just likes people and cant bother with genders or anything like that. the ace beam actually skips her because if they were doing a hear me out cake she’d be the one putting all of the crazy things. freak. (lovingly)

Franky - HOW TRANS CODED IS IT NOT TO REBUILD YOUR OWN BODY TO BECOME A BETTER VERSION OF YOURSELF AND TO REBUILD YOUR LIFE IN A WAY YOU WANT, BUT GOING BACK TO WHAT YOU LOVED ABOUT YOUR OLD SELF, AND EMBRACING IT. literally, trans goals. he modified his body and went i might as well give myself top surgery and an awesome dick while im here!! sexuality wise hes a lover of everyone, but he has preferences for women (robin) but encourages all bromances (with brook)

Brook - THIS IS WHERE IM MOST PASSIONATE!!!! people can say that hes the token straight grandpa. but theyll never understand the joy of old gay brook had a romance with his captain, the joy of brook trying to subtlety let the other strawhats know he accepts them (he isnt subtle at all and everyone knows). look at brook in drag twice for no reason and tell me he isnt queer, in some way. the ace beam finally hits someone and its brook, insert skull joke here

Jinbei - very specifically old gay man who didnt really do much throughout his youth, he always knew he liked men but he never had TIME to do anything, too busy being awesome and a father i fear. now that hes with the crew he isnt automatically gonna seek anyone out, but hes also not gonna restrain himself from finding interests in people, hes being more selfish now and thats good for him. finally the ace beam hits jinbei and proceeds to fly off towards other op characters that i might talk about some other time

can you tell im asexual and love projecting onto characters with it !!!!

[mac-ann-cheese]

Again with fur coats

I'm sorry for irregular posting, I've been snowed under with my uni work lately ( Ó⁠╭⁠╮⁠Ò )

Nevertheless I'm always grateful for your support!!!!! ( ⁠＾⁠ω⁠＾)

Under the cut lots of thoughts on current manga arc (I've got no one to talk about it,...)

I like to imagine that in gangsta au they still use flip phones. But it got me thinking about how that universe works,... Are there any transnational corporations? Is history in general the same just with criminal elements?? Like there should be some sort of grand gang bang I and II if the United Districts organization exists (the analogy to the UN, of course). And the Big five is just the security council.

Moreover, in the same strip, the fall of the USSR is brought up as the permanent members of UD discuss whatever they should keep or kick out newly formed Russia (or district 7. It's cute that they call each other after the first number of the nation's phone code. One thing bothers me with this fact. What were the districts called before the invention of telephones? Countries received permanent telephone codes only in the mid-20th century. Or in terms of au the actual number of the district isn't connected with phones and just a number?? Another bit of useless info: Kazakhstan also uses +7; will they be [I doubt that they would make an appearance in au, but let me DREAM!!!] also a part of the whole district 7 like NA bros with district 1???). Buttttt I was talking from the perspective of our history being pulled over on the lore of gangstatalia, cause we don't have those events described in canon, which IS interesting!!!!!

Also, the sputnik was mentioned, which means the whole cold war (or at least the space race period) had happened... Um. Do districts own nuclear weapons? It's just a theory. a MANGA theory!

Considering in that the characters aren't probably immortal anymore (well, I can make that conclusion only from the panel with young Alfred literally saying, "oh so you're the representative of the 86th district? I'm the new representative of the 1!", it means... that there was someone before him ruling the district.............), the timeline of parallel events shortens.

Therefore, the events are closely packed together; there aren't gaps of decades between them, but more likely a couple of years.

How does this world work? Judging from the map, the districts are on a Pangaea-like continent. Or are they districts of some bigger country...?

Is there a ruler over all districts? Who is it then? Flying mint bunny? Tony? GRANPA RO-

Was there always the gangster's paradise in the regions, or was the government more authoritarian before??????? WHY IS CRIME THE NORM? Why did they decide to regulate everything with the help of playing cards?

And lastly. The electric collars. How? How did the idea even cross Alfred's mind? If I'm not mistaken he is, well, not the creater, but the person who suggested wearing them. "Let's fry our brains to crispy nuggets!!!" Haha. Fun.

And others in the big five agreed to it. Like that isn't totally bucknutty. Not at all. Electric chairs would be much better...

Oof my head hurts just thinking of it

Maybe I'm not the first one to ask these kinds of questions, but still. I need answers.

[saturdaylemon]

Take all the time you need! And please ping me when you expand on those thoughts - if you don't mind.

Okay, back to designing.

I'm moderately opposed to making the Shades talk for previously mentioned reasons, but I could see giving "X speaks of Y" style summaries in the action popup. They're not really the people who died (or almost died), more like impression fossils. The lights are on, but nobody's home. We think.

The Ku Flame

Your idea for Hikari are a worthy inclusion, the only question is how. And the answer to that depends on how the fight works. If I were programming a game I'd be more inclined to do a mostly-standard boss fight with some extra narrative. If I were writing a fic, however, the 2v2 with Path Actions, Talents, and Latents all getting involved would be easier to pull off in that format. The quote would be something like "Ageha, you are relieved of duty!" In a more standard boss fight it fits better as "entering second phase" or maybe post-boss dialogue. In the 2v2 narrative puzzle it can be a Full Boost quote. It really only makes sense to say once; and maybe Ageha's Shade could seem to respond to it? You probably get prompted to activate Light's Radiance for the final blow.

Ageha's Shade shouldn't get minions. He was a general in life, but like you said, he's the last vestiges of the old Ku. He doesn't have an army anymore. On a side note I want this guy to yell "FIX BAYONETS" so bad but guns aren't available yet. Need to pick out a Boost message, a Boost Attack, regular moveset because it can't be all support... so everything. Definitely gets Rally Troops or a similar move by the same name though.

Tanzy was an aspiring playwright, but it seems she never published. In Giselle's troupe she served as director, so it could be fun (more fun in a standard boss fight where there are more characters) to let her Shade mess around with turn order. Like, oh, you were setting Hikari up to counter Ageha's shields off? Haha no the adds just got moved to the top of the round and used up the Vengeful Blade stacks, Ageha's Shade is shouting orders, and Tanzy's Shade is about to hand you your ass. Speaking of adds, the most obvious basis is the other troupe members... but Tanzy pretty conclusively left them behind. Another possibility is to reference her unpublished scripts with unfinished marionettes, or if we want to have some fun, give Tanzy's Shade the same minions as Arcanette. Tanzy begins praying.... -> BREAK HER SHADE NOW! If this is a 2v2, Ruinous Kick makes sense as the Boost Attack because that's half your dudes. In a more standard fight, the Boost Attack should be something a bit more powerful. Regular moveset has the summon, the turn rearrange, probably a buff or two, and maybe a physical attack that inflicts something.

Agnea's Boost quote is mostly babbled interrogatives.

The Crackridge Flame

Ori's Shade is weak to Polearm/Dagger/Bow/Fire. Guess why. (some kind of Light element attack because come on it's in her name) Stop the Presses! / So Tired: inflicts Speed Extremely Down Dear Diary: equivalent to the Merchant job's Rest. Name does not change after Ori's Shade is broken for the first time. Ori can't do this anymore. -> this is gonna hurt

The Final Night sounds like it should be the Boost Attack for Lucian's Shade, but it would also be really funny to have it be the weakest attack. We'd need to name Lucian's other works to name the Shade's attacks... think we could crib Nearer the Flame from the Stormlight Archive? Lucian retrieves a notebook.... -> this is gonna hurt slightly less

Temenos starts going through all of Lucian's works, trying to line them up with the Shade's attacks, and Osvald is experiencing the internal conflict between "not my SpIn, not my problem" and the knowledge that it is Very Much His Problem. Castti is probably in the background like "oh shit I have seen that girl before."

Osvald will offer to explode the person responsible even if you hit Crackridge after Flamechurch. There is no expiration date on Grandpa Blast.

The Toto'haha Flame

Hm, fair point. I figured Castti's usual Slightly Unhinged Boost quotes fit the emotional charge well enough, but this wouldn't be that long after Trousseau. The metaphorical wound is still raw. She could have a Boost quote demanding that the Apothecary's Shade get out of her way. It can't understand her, but she doesn't know that. We could give the apothecary a name, but it also works to leave him completely unknown. Just another cooling body.

Keep the Grotesque Monster's weaknesses (Axe/Bow/Ice/Light), mostly physical moveset since the Apothecary's Shade is handing out debuffs. Give it the Grotesque Monster's Piercing Cry, because if I heard someone like Petrichor start screaming out of nowhere I would be pretty freaked out. Petrichor gives off an ominous aura! -> Apply axe to face, repeat. Hunt the Weak: single target physical, damage increases with number of debuffs and afflictions on target. This is kind of a dark mirror of Drastic Measures, but it works.

Someone's Shade is passing out every negative effect in the game. Bow weakness works, maybe also Dagger and something else for game balance I dunno.

Ochette's Full Boost quote for this fight is "I can't forgive you!"

At some point Temenos makes the connection between some of Petrichor's comments and Roi's disappearance, promptly flips out.

The Flamechurch Flame

The design philosophy here is basically OKAY EVERYONE, PUT ON YOUR ARCANETTE HATS, TODAY WE ARE BEING MEAN TO TEMENOS! And part of that is making him watch two of the most important people in his life aid and protect their killer. So that's 3 and 4. 3 has the extra gutpunch of making him wait for the other shoe to drop.

Crick's Shade can keep his playable moveset. Weak to Sword/Staff/Dark. You know why. Crick is watching Temenos.... -> For a moment, a player could mistake this for a "skip a turn" message, maybe a hint that the people who left the Shades behind are still in there (this is intended to be perceived in-universe)... NOPE THAT'S THE BOOST MESSAGE. Also a callback to the Felvarg. Should we make Crick's Shade have a Boost Attack that sacrifices itself, or is that too limiting in Mean To Temenos potential?

Pontiff Jörg's Shade gets the Standard Cleric Weaknesses of Sword/Dagger/Axe/Dark. It has reason to use the Cleric moveset, but I was thinking we could nab something else from the Claude fight and give it Reflective Veil from the OT1 Cleric. Also, Lock Away. The move that prevents the target from recieving aid or items from any other party member. (And a slight nod to Whatever Was Up With Alpates.) Starts battle by using it on Temenos.

(Balance-wise, Temenos can break Crick with his base kit but not the Pontiff partially because this works with the story - Temenos hitting Crick's worldview with a metaphorical sledgehammer vs That's Your Dad - and partially because between Temenos' Latent and Throné turning into a protective blender it's probably fine.)

Throné uses her "Sorry, but I won't hold back!" Max Boosting quote for this fight, but even using the same voice clip it's meant to come off in a slightly different light. (You ever think about how her HP Thief bark is a sarcastic "You're too kind." and her "healed by Temenos" bark is a much more genuine "You're too kind, Temenos"? Because I have.) Temenos tries to talk himself out of a breakdown when Max Boosting. He fails. Possibly devolving from "keep it together, that isn't really him" early in the fight to beaten-dog whimpering in the second phase.

2v2 narrative puzzle ramble One reason I'm more inclined to use this for a fic is that the Journey For The Dawn locks you out of your daytime Path Actions. Sun's not rising. In writing, there's less trouble with carving out an exception in the game mechanics. The idea I had was that the Shade battles would yank the corresponding travelers into a sort of dream space where it isn't day exclusive or night. Kind of like a cross between Temenos' "The truth lies in the flame" Detective Vision thing and whatever was going on while Hikari duked it out with his shadow. (Said shadow: "Not me this time. I'm not touching that with a ten-foot pole.") From the outside, the two fighting appear to be asleep standing up, twitching and mumbling as if caught in a particularly vivid dream. Temenos "Commitment to the bit" Mistral sees two people snap out of that trance for the first time and immediately goes "Welcome back. ^_^" Throné may or may not be winding up to smack him.

This also works with having both the Arcanette fight and the Shade fight at Flamechurch. Arcanette certainly looks like she could cast Spell of Really Bad Trip. Basically Throné and Temenos are in the Terrible, Horrible, No Good, Very Bad Boss Fight while everyone else is trying very hard to kill Arcanette with hammers.

Back to Path Actions, I still don't know how all of those would work. Going down the list

Agnea: Entreat to get "Tanzy" to show you her journal works, Allure doesn't. Both these people have chosen their paths. Hikari: Challenge is a little redundant but potentially serviceable, Bribe less so.

Partitio: Purchase and Hire could both work for trying to coax "Ori" back to the land of the living. Purchasing a paper moreso. Osvald: Trying to get at Lucian's notes fits Scrutinize or Mug, although Mug is again redundant. Let him see that!

Ochette: Provoke is already happening, especially with Petrichor's Shade dropping everything to focus Ochette down if she summons one of the Creatures of Legend. Befriend is... not happening. Petrichor can starve. (Party pretty sure this is the first time they're heard Ochette curse.) Castti: Inquiring to get the unknown apothecary's name so the party can effectively lay him to rest is kind of sweet. In that vein, Soothe has already been done with Malaya and also believe her she's trying!

Temenos: Guide has also been done already, and Coerce is not only kind of already happening but isn't going to work on Shades. Sorry, Temenos, no chances to say goodbye for you. Throné: Stealing in combat is already part of the Thief kit (also pickpocketing Temenos' family in front of him is Not Cool Dude). Ambush is OP in anything resembling an actual fight, so that's another no.

So we're 4/16, 5.5/16 with partial credit included. Unless you have better ideas. Still wish to subscribe to your newsletter.

Latent Powers, Talents, and EX Skills though...

All Together Now... probably not. Dance Session maybe. Song of Hope a more positive maybe Learned Skills would be great if this were Jin Mei's Shade. See Light's Radiance prompt above.

Hilarious though Negotiate Schedule may be, nothing of Partitio's really works here. Teach... maybe?

Indomitable Beast into Beastly Fangs looks fun. Or Indomitable Beast into Provoke Beasts. Get her ass, fellas! Concoct has potential for showing the Apothecary's Shade how it's done... except it's mindless.

Moonlight Judgement: hehehe. Could have it not proc at the start of battle, wait until Temenos pulls himself together enough to effectively fight the Shades. This works better in the Arcanette + Shades version of the fight. Prayer for Plenty and Heavenly Shine both have story potential. Blessing of Darkness: "Consider the following: mine's better." Veil of Darkness is also good here.

Took "standard class weaknesses" from the Dolcinea fight with Love's Marionette, for the record.

Things about Octopath Traveler 2 that I think about WAY too much 2/????

Under the cut for late game spoilers, loose and speculative nonsense

So the four sacred flames and their connections with the gods connected to each one.

Brand and Sealticge to the Ku Flame

Alephan and Bifelgan to the Crackridge Flame

Dohter and Draefendi to the Toto'haha Flame

And Aelfric and Aeber to the Flameschurch Flame

Going to go ahead and put it out there, that my head canon is that the Moonshade order successfully completed the sacrifices line out in the Book of Night in this manner: Pontiff Jorg (Cleric, Temenos chapter 1), unnamed apothecary in Canalbrine (Temenos Chapter 2), scholar in Canalbrine (who's name I don't remember, also from Temenos Chapter 2) Tanzy (dancer/Sealticge aligned), Petrichor (Hunter), Ageha (Warrior), Ori (merchant), and Crick (Thief, as mentioned in some dialogue in Stormhail about his background).

I feel like, in a lot of ways, these flames would have been great spots for boss fights. I feel like, for a game like Octopath Traveler 2, just getting to relight the flames with ease was a bit too easy. There's a couple of different routes I personally would have taken with them.

Option 1 (least favorite) - the party fights a shadow creature of some type (excluding in Flameschurch because there is already a boss fight there). Alternatively, remix the chosen travelers' final chapter boss fight.

Option 2 - the party fights the shadows of the sacrifices associated with that flames gods (so Ku would be Ageha and Tanzy, Crackridge would be Ori and the scholar from Temenos Chapter 2, Toto'haha would be Petrichor and that unnamed apothecary from Temenos's Chapter 2, and Flameschurch (after Arcanette), would be Crick and the Pontiff (not a fun fight for Temenos especially)). Standard boss fights would be cool, but you could go a step further and have it a two on two fight with the chosen travelers against those shadows where path actions and skills came into play in defeating the shadows. Also makes the relighting of the flames a bit more personal. You've got potential either way with this option for some really cool character exploration and thematic resolution. This one is probably my personal favorite.

Option 3 - the party (or just the chosen travelers for that flame) fight the gods themselves (as a test). There's a few ways to do this too: 1. fight images of the gods. 2. the statues of the gods by the flames come to life and you fight those, not dissimilar to Osvald's chapter 4 fight with the Golem. 3. You fight a being of combined powers of the two gods, a strange and otherworldly combination of Alephan and Bifelgan for example, staff and scales in hand, plying magic and calling allies, making it rain in leaves as easily as flashes of magic lightning, or Brand and Sealticge (which I think would look something akin to Hinoekagura). This is also a personal favorite just to see how when faced with the gods, our travelers might act, when within the world itself the gods are mostly pretty hands off. The situation with Vide is an urgent one, and I think the gods would be willing to test their chosen in the final hour to make sure that they are truly ready.

I just think it would have been neat

[pandadude55]

saw a post saying tony stark is to the mcu what snape is to harry potter

and i 100% agree - just thought i'd extend it a little

tony stark is to the mcu what snape is to harry potter what dean winchester is to supernatural

[aroaceleovaldez]

The himbo, malewife, goofball -fication of percy jackson is such a crime by both the fans and riordan. It has made Mr not like percabeth as a couple because in all posts and in later books annabeth is such a girlboss, while Percy's dumb and can't fight his way out of a paperbag without her. All the posts are about how annabeth will be an architect and percy would love to be a trophy husband.

Even the humor in the books went from Percy's sharp wit and snark to 'my pancakes can't drown because I'm a son of poseidon.'

And now this recommendation letter bullshit.

Honestly now I'd wish percy just separated from annabeth (but they remain best friends.) He stays home with his family, becomes a camp counselor, helps young demigods, holds God's accountable and eventually becomes a social activist. (I also dislike him doing something marine biology related. It's clear he hates academics but he always wants to help people. Him helping demigods and mortals is such a wholesome profession for him.)

I fully agree with the first half of this, though I slightly disagree with part of the latter.

The later-series and fanon mischaracterization of Percy is at least a solid 50% ableism minimum, full stop. He's being warped into a very stereotyped ADHD character and the exact reason why he's being characterized as "dumb" is because of ableism. Percy is a very intelligent character! That's exactly why he's so in sync with Annabeth and they're such a strong duo! It's just generally Annabeth is more book/academically smart.

I disagree with where you say he hates academics - because that's one of the common misconceptions about his character. Percy doesn't hate learning or academic subjects! He's not even bad at them! We know explicitly that when he is in an accommodating environment he is interested in learning and gets significantly better grades! Percy only dislikes school because it is generally an environment that systematically he struggles with. It's literally just he has a learning disability (two, actually)! That's it! When his learning disability is accommodated for he does well! It's almost like that's what accommodations are all about! We know this from the first series! It's discussed pretty in-depth! Percy isn't a dumb character and he doesn't hate learning, he's just been let down by school systems so much that he's inherently distrustful of them. If they actually accommodate him though then he does just fine!

And that's exactly what CHB was all about and why New Rome University was supposed to be such a big thing for him! CHB is a learning environment geared for demigods. NRU is a demigod college. Both inherently imply an environment meant to cater to and accommodate students with ADHD and dyslexia! They are both systematically structured to be able to accommodate him! Heck, CHB and CJ even both address in the wider themes of the series a metaphor about how ADHD and dyslexia are commonly seen as childhood disabilities, and how it can be more difficult to find accommodations into adulthood because of that attitude but those disabilities don't just go away - that's why CHB is a summer camp but they talk about how demigods outside of CHB don't often fare well. The metaphor there is those who are not getting help or accommodations are struggling. Because that's how that works! This is a fully intentional metaphor from the first series! CHB is never framed as being perfect for demigods, because one of the entire central conflicts of the series is Percy and Luke going back and forth about this flawed system meant to help and support them but still letting people fall through the cracks. The "claim your kids by 13" thing is a metaphor about how acknowledging a child's disabilities (and possibly getting a diagnosis) earlier/as early as possible means they will have more time to learn and build up resources and support for themselves to be able to use later in life. One of CHB's major flaws is that it can accommodate demigods to a certain point, but it can only do so much before those demigods have to leave (the metaphor being accommodating school systems when those disabled students do not have any other forms of accommodations in their lives.)

And that's why Camp Jupiter was framed as being so revolutionary for Percy because it had an environment acknowledging that this is not just a childhood disability, adults with ADHD/dyslexia exist too and still need and deserve accommodations, AND is a place where those accommodations are available. That's why Camp Jupiter and NRU are treated as such special and important things to Percy, because it's essentially Percy being shown this type of thing can and does exist and it is available to him. It is an option he never thought was possible. Percy never thought he'd be able to go to college because he would not be able to go through school without accommodations, but NRU proves otherwise.

The part that's absolutely stupid is Rick then proceeded to retcon NRU so that apparently it's not a full college and Percy still has to take classes at normal mortal college which DEFEATS THE ENTIRE PURPOSE OF NRU EXISTING. Rick has fully retconned that demigods struggle past the ages of 16-18 when they're on their own (see above elaborated metaphors) and in doing so we have fully killed all symbolism in literally all of that. It's so stupid. And by having the plot of the CoTG trilogy entirely be that Percy is not actually allowed access to NRU in the first place because he is a son of Poseidon and has to do extra to even be accepted is stupid!

All that to say, I agree the marine biology feels like a huge cop-out and a disservice to his character by reducing him to just a son of Poseidon. The literal only reason why it's the default option people take for him is because oh, fish thing, fish guy. But I feel like everyone ignores the really obvious answer for what Percy would want to do which is - writing. Both his parents are writers/authors and he clearly admires that about them. Percy likes telling stories! He canonically is already a published author in-universe! That's what the books ARE in-universe! The first series fully exists in their universe and Percy is the author! This is explicit canonical information! Percy canonically has help physically writing it down (accommodations) but he is still the credited author! Percy is a writer! Already! Canonically! Why are we making him a marine biologist he already has a profession that ties into his character significantly more. Like you said, Percy likes helping people. That's what the books in-universe are supposed to be for! It's point blank at the beginning of the series! Book one! The thing everybody quotes all the time! The books exist because it is Percy trying to give advice to other demigods who don't know what's going on yet! It's Percy's writing down his experiences to help new demigods understand and contextualize their experiences so they can understand themselves better and figure out what's going on - WHICH IN ITSELF IS ALSO A METAPHOR ABOUT ADHD/DYSLEXIA! Because the core of the series has and always will be built around ADHD/dyslexia! Percy as a protagonist EXPLICITLY was created so that ADHD/dyslexic kids could see themselves as a hero!

Sorry that all was a very tangential rant but my point being: Absolutely. Percy in newer stuff in the franchise and in fanon is horrifically mischaracterized in ways that are functionally either fully ableist (shoutout TSATS for just outright claiming Percy is intentionally lazy and skips school out of disinterest, which is like the number one ableist attitude towards kids with learning disabilities) or a complete erasure of Percy's disabilities. Also I think he should be a writing major not a marine biologist.

[hauntingofhouses]

Taigen x Mizu mentioned in the The Making of Netflix’s “Blue Eye Samurai”

Taken from the livestream organised by Gnomon

Jane Wu:

Next slide, Taigen...

Brian Kesinger:

Everyone's favourite samurai, uh, Taigen. Uh, so, he was designed a bit over the top. The, the, peak of male samurai, even down to the quite prodigious hair bun, which he doesn't have on screen for much. Uh, but, um, he is the visual opposite of Mizu, right, so it was fun to kinda let her design dictate what his design should be, and, you know, I think that, you know, especially for all you Taigen x Mizu fans out there, I think that might be one of the reasons why he's attracted to her. Um, or in my brain, he's attracted to her, uh, is because she is who she wants to be, and doesn't have to put on airs. Uh, and that's a lesson that he has to learn and he literally, I mean, it's on the nose but, he lets his hair down. And that's the start of his journey of discovery, um, which he needs to go. He's, he's got a lot of growing still left to do. Um—

Jane Wu:

I also think he has a, has a talent—he has like a... sword crush on her right, he has like a martial arts crush on her, yeah. Talent crush, yeah.

Brian Kesinger:

Right, yeah. Talent crush. Yes. Yes, for sure.

---

For context, Jane Wu is Blue Eye Samurai's supervising director and Producer, while Brian Kesinger is the lead character designer. Others presenting for this livestream were production designer Toby Wilson and art director Emil Mitev.

[randomnameless]

Why do the FEH devs insist on ignoring Nabatean lore so much?

I recently had a surprisingly cordial discussion on redshit with someone about the "nabateans = colonisers" take, and one of the main points raised was that the game was purposedly foggy around Nabateans/Sothis/their story because it would obviously favor a certain narrative (and thus make another narrative look, uh, not that marketable anymore).

To be honest, we still ended up with a product that had a lead go "this race and its blood* is the reason why the world sucks" and yet that lead is still marketable enough to have raunchy cipher cards and 5 FEH alts, so I actually wonder if, while pissing on that lore had that purpose, it was ultimately pointless since Supreme Leader can still sell goodies despite her incarnation in FE16.

And not only Supreme Leader - but the entirety of WC where we basically have 70% of the cast crying/complaining about their "mixed blood" or lack of and basically adding their 10 cents to the "this race and its blood is the reason why the world sucks".

I mean, can you imagine Sylvain selling any goodies and alts if Flayn replied to his "wah wah people only are kind to me and want to fuck me because I have Nabatean blood :(" by some uncharacteristic "good for you, I have to hide my ears, had to dye my hair, have to lie about my family because if the truth is found out about my identity, I will be hunted and vivisected like an animal and harvested for parts by people who call my kin abominations - just like what happens in the game where the same people who call my kin "abominations" ally with a classmate who calls me a creature and pretends I am incapable of human feelings based on my race".

FE Fodlan's main selling point is its cast of students, for various reasons, but even if I tried to kid myself, Nopes and FEH made it clears : students are the main selling point.

If you spare more time and attention to the Nabatean plot/lore, the students either grow from "likeable" to "despicable" or worse, you won't gaf about them because yeah sure, Hilda might be upset because people expect things from her due to her crust, but it would feel like a "peanut" compared to Seteth's irrational (granted, it's not so irrational since GW exists) fear that Flayn's newest friends would dissect her if they learnt she was a Nabatean, and being conflicted by finally letting her have human friends and form bonds she crave, or protect her due to the trauma from the genocide of their species.

Don't get me wrong, I love peanuts, I mean, not everyone can have a tragik of loaded backstory!

And yet, given how this verse's DNA is "can you fight against the red emperor who uwus about you", they had to add copious amounts of Earl Grey to their games so there's no clear-cut factions :

The "Your alien blood and its influence on the world corrupted it, so I want to reform it under my command" vs "I don't want to die and you oppose me due to my race and side with the people who genocided my kin"

is turned to :

"Your alien blood Crests and its your church's influence on the world corrupted it, so I want to reform it under my command"

"I don't want to die and you oppose me due to my race and side with the people who genocided my kin"

Sprinkle with the cast's hammering here and there that the "reforms" might be needed - but never develop on what they are - and add a few baseless and groundless takes as a toping (basically everything Claude says about tolerance and the general "isolationism/foreign policy" stuff) and you get FE Fodlan where the Red Emperor's war isn't seen as the catastrophe it is in the other entries from the series!

Now, for FEH...

FWIW, the F!F!Billy's trailer had them try to explain that Sothis was a bit pissed about her slaughtered/massacred children when Nopes never gave any reason about why she was pissed - maybe on Billy's behalf bcs Jerry's dead, but come on, she would indeed deserve the medal of the worst parent in the franchise if that was the case, since Billy can murder her daughter without Sothis taking over ! - but given that they cannot write/go against the source game those characters are from.

They tried a bit, with B!Supreme Leader and Hegemongard's FB, but then it stopped (because she had no "new unit" released since then lol) and I can understand why : Hegemongard came out before the Supreme Emblem, and Hegemongard hates dragons who are seen/perceived as gods by some of their human followers. Come FE17, and now Supreme Emblem accepts Alear because they are "one of the good ones". We can come up with HCs and details and talk about what are emblems or if Hegemongard's views were only hers at the end of AM all day long... But imo, Doylist wise, it still feels it's a retcon because the devs from the main games tried to scrap and remove the most "controversial" traits she had.

For the other characters... Well, you see what Marianne is in FEH (but even in her base games), she's one of the few characters who reacts - in a way - to the partial history about relics and demonic beasts and all... only to give sad uwus to Maurice.

FE16 (and Nopes) refused to have any "student" character react to the Nabatean lore/reveal, about what are relics and all. There are no lines, Claude shared some knowledge in the explore section of VW's last chapter, but we don't have anyone muse or think or even talk about what are relics, what are crests, and what kind of fuckery their ancestors or the ancient humans of Fodlan did.

With that in mind, FEH can't do much : either they write Marianne in a retcon-y way like what happened for Hegemongard (and they're not afraid to piss on characterisation, look at Lyon!), or they flanderise her "character" and develop her around 3 lines she had in the game in her paralogue, and continue to give sad uwus about Momo when he was at best a guy who slaughtered and murdered so much that he abused the Nabatean turned into a relic to the point where he turned in a demonic beast even if he had a matching crest, or at worst, had been part of Nemesis's piñata party in Zanado and was something of a genocider.

Tldr :

Why FE Fodlan never gaf about Nabateans : earl grey + the marketable cast has to stay marketable and you can't sell peanuts at the same price you'd sell swordfish

Why FEH dgaf about Nabatean lore : they can't afford to retcon characters + they have to sell peanut alts with the same seasoning they had in their base game.

For what it's worth though, I think FEH is more daring than the base game(s) given how they gave more lines and screentime to Rhea - through her different alts - than GW. And they even designed her Halloween!alt's lines to piss on some of Claude's assertions, while the various FB involving members of the church also - indirectly - reply to some accusations thrown their way in FE16 when, FE16, never gave them an opportunity or lines to explain that those takes were full of dung.

*"but random, maybe she doesn't know that the crests she often decries is "dragon blood"!"

It's highly debatable, especially given what she and Hubert throw to Billy in CF - but even if she doesn't, Doylist wise we still have a character who, knowingly or not, says "this race and its blood* is the reason why the world sucks" and who is never called out on her prejudice. That's more of an issue regarding the general writing though, she has to be a red emperor and took pages from Ashnard's book, and yet, the player must still feel bad and want to romance her, so her mindest/goal cannot be looked at too closely, because, I guess, even the devs thought it would be difficult to romance her (thus sell goodies!) if more light was shed on the "blood from this race corrupts our people" schtick -> which in turn would also make characters whose backstory and gimmick rely on "crying about crests" be way less likeable, thus marketable and able to sell goodies.