#this one and the next one have VERY similar motifs | Explore Tumblr posts and blogs

demonic0angel · 2 months ago

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PhantomBat Next Gen 2.0

I remade this post bc I’ve been thinking about it for awhile lmao (click for clarity)

The numbers symbolize age, so 1 is the oldest, and 12 is the youngest. Each square also separates each family. And ofc, these are my preferred ships so maybe your idea of the PhantomBat next gen is different.

Details are always susceptible to change, but notes and details (very long) are below:

1) Abigail “Abby” Crystal Weston: (31 years old) the adopted daughter of Stephanie and Wes. She is Stephanie’s biological daughter that she gave up for adoption when she was 15. When Stephanie got pregnant for the 2nd time with her son, she felt depressed and guilty for her first child. Wes used his investigative abilities and connections to find her daughter and they discovered that she was still unadopted. They quickly adopted her and only years later did they tell her the truth. She is a civilian, but is aware of her family’s activities and acts as an alibi. Fun fact: she is married and has a daughter!

2) Jove Dillon Gordon: (24 years old) He is the adopted child of Barbara Gordon and Valerie Gray. Originally part of the DP universe, he became a liminal through contamination and accidentally transported himself into the DC universe. He was adopted by Barbara and when his origins were revealed, Valerie stepped in to help (and then they fell in love). He’s a hero named Rabbit and has teleportation and time/matter manipulation abilities that he hasn’t fully discovered yet. Fun fact: he is albino!

3) Marillyn “Mari” Maddy Grayson: (24 years old) Dick and Dan’s only child. Her conception was an accident because Dan didn’t think he could get pregnant, but when it happened, they were overjoyed. She is extremely mischievous, free-spirited, and a bit arrogant, but she is brave and bold, often the first one to defend her family. She is a hero who takes on the name Flamebird to fight alongside Dick. She has pretty strong halfa powers and can switch between forms as a hero. Fun fact: She is best friends with Elinor and the two usually travel together.

4) Elinor “Ella” Catherine Nightingale: (24 years old) Jason and Jazz’s oldest daughter. She is tall and very intelligent, having gained both of her parents’ literature loving habits. Compared to Mari, she is more mature and responsible, but she still enjoys a fun time. She has no powers, and takes on the name of Romola as a hero with wolf motifs like Jazz. Fun fact: Her face is a female version of Jason’s!

5) Seth Austin Weston: (24 years old) Wes and Stephanie’s oldest son. He is a great investigator and brawler like Steph. He works as a hero by the name of Warning, since he wanted to have a somewhat similar name to Spoiler. He can be abrasive and he focuses on the big picture rather than details, but he is protective and very loyal. Fun fact: He is considered a player by his cousins.

6) Thomas “Tommy” Bruce Drake-Kent: (20 years old) Tim, Kon, and Dani’s oldest son. When he was young, his dream was to take over the world. He still has that dream as he’s older, and he is extremely successful in taking the steps necessary to recreate the world into a utopia. He is a civilian with no powers, but he uses his money and skills to support and provide for his brother and cousins. He has a bit of brother-complex, but he just really loves his family. Fun fact: He takes advantage of the fact that he has Vlad, Lex, and Bruce as grandparents to further his goals.

7) Alfonso “Alfie” B Nightingale: (20 years old) Jason and Jazz’s only son. He is the twin of Marianne and is the middle child. He has no powers and takes on the name of Remus as a hero with wolf motifs like his mom. He and Elinor are the wolves to Marianne’s Little Red Riding Hood. He is quiet and serious, but he has a soft side. It’s also said that he looks a lot like Bruce. Fun fact: He used to have a very long emo phase!

8) Marianne “Annie” Talia Nightingale: (20 years old) Jason and Jazz’s youngest daughter. She is the twin of Alfonso and is the youngest. She has no powers and takes on the mantle of Little Red in replacement of Jason (he is alive, just mostly retired). She is cheerful and air headed, but she can be a bit trigger happy and has a temper. However, out of her entire family, her strength is extremely strong. Fun fact: She got her blonde hair from her paternal grandmother! (Sheila Haywood)

9) Melia “Mel” Misty Wayne: (18 years old) Danny and Cass’ oldest daughter. She is the twin of Daphne. She is rowdy, mischievous and careless, but also very empathetic and compassionate. She has halfa powers and uses them as a hero named Omen. Like Marillyn, she can also switch between forms as a hero. Her core is one of water. Fun fact: Both she and her sister are extremely talkative, which Cass loves.

10) Daphne “Daph” Rain Wayne: (18 years old) Danny and Cass’ youngest daughter. She is the twin of Melia. She is quiet and shy, but also very brave and excitable when comfortable. She has halfa powers and uses them as a hero named Herald. Like Marillyn, she can also switch between forms as a hero. Her core is one of ice. Fun fact: She has a secret girlfriend that no one knows about.

11) Sean Kyler Weston: (18 years old) Wes and Stephanie’s youngest son. He is a basketball player like his dad and has no powers. He wants to live a normal life, but like Abigail, is aware of their family’s identities and helps as an alibi. Fun fact: He used to want to be a hero, but after watching his family get hurt constantly, he decided to stay a civilian and help in other ways.

12) Kenneth “Kenny” Clark Drake-Kent: (17 years old) Tim, Kon, and Dani’s youngest son. He is extremely bold, cheerful, and adventurous. As a child of both a Kryptonian and a halfa, he is extremely powerful and has abilities of both races. As such, he is considered the next “Superman”. Even at 17, his powers are not far from rivaling Clark’s and Danny’s. Fun fact: He is out and very gay, with a boyfriend that he lets no one meet.

Notes:

+ Most of the OG Batfam and Phantoms are semi-retired. They still patrol and check on things, but since their kids reached the age of 21, they’ve been drastically lessening their heroics. Bruce is fully retired tho and mentors the kids.

+ There are 2 hero teams, one with the older kids (Jove, Marillyn, Elinor, and Seth) and the younger kids (Marianne, Alfonso, Melia, Daphne, and Kenneth). They split up for their hero teams out of Gotham, but when inside of Gotham City, these are the teams they usually regroup in.

+ The only ones with powers are Jove, Marillyn, Melia, Daphne, and Kenneth. The others have no powers, but are varying degrees of liminal.

+ Elinor is considered the de facto leader of the PhantomBat kids, with Marillyn as her right hand due to their efficiency and skill on the field.

+ If I had to powerscale the hero kids, it would look like: Kenneth >>> Jove > Daphne ≥ Melia > Marillyn > Marianne > Seth ≥ Elinor > Alfonso.

+ Melia and Daphne are named after water nymphs associated with Apollo, the god of prophecies, within Greek mythology. Melia means “ash tree” and Daphne means “laurel tree”. Both were consorts or desired lovers of Apollo.

+ Seth and Sean have middle names that are somewhat related to their uncles (Easton and Kyle).

+ I assume that in this AU, the Phantoms have cut off Maddie and Jack and don’t share their name anymore. As such, they either take the last name of their spouse or just use the last name Nightingale.

+ Any other notes on names can probably be found in the OG post that is linked above.

+ Bruce cried like a baby at every birth of his grandkids. He cried harder whenever they have names that relate back to him. At the rate that he kept crying at every birth, his kids just let him cry all over their newborns while the Phantoms were like ???? every single time. He is a grandfather of 12 and very, very proud of it.

+ Yes, it was also very weird when people were pregnant around the same time. There were months in between (ofc), but they definitely gave each other awkward laughs whenever they started showing. Danny and Jazz were especially baffled to be having twins one after another.

+ Dani had the most difficult birth because she couldn’t create her own DNA, so she had to drink blood (from Kon and Tim) and eat a lot in order to have a somewhat stable birth. There are lots of science shenanigans I kind of want to get into, but I think it’ll be awkward to talk about here, so maybe I’ll write about it one day. (I love science stuff and world building :3)

+ Damian and Duke are either married/dating their own partners, but Damian has no kids while I don’t really know Isabella that well?? But Duke and Izzie probably have 2 kids as well. Idk what to decide with Sam and Tucker, but they help Danny with his stuff and the kids.

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mirai-e-jump · 5 months ago

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Uchusen Vol.186 (Autumn 2024) Kamen Rider Gavv | Detail of Heroes ft. Main Cast Interviews (other pages and translations below)

Publication: October 1, 2024 (between episode 5-6)

Chinen Hidekazu (Shouma)

"Which shows from the Kamen Rider series have you seen?"

Chinen: From my generation, I watched "Kamen Rider W," "OOO," "Fourze," and "Wizard." I've been watching "Kamen Rider Zero-One," a masterpiece by Director Sugihara, who also directed the pilot of Gavv, and recently I watched "Kamen Rider Den-O" for the sake of studying.

"Who would your all time favorite Rider be?"

Chinen: Including OOO, I like alot of them, but lately I've been particularly fond of Den-O. It was really amazing to see each of the Imagin's personalities being performed by Satoh Takeru-san, the lead actor. The theme song is good too. I listen to the OP every episode without skipping it.

"Please tell us about the time of your audition for Gavv."

Chinen: We were put into pairs, one would play a role reminiscent of the food lover Shouma, and the other played a cool role similar to Hanto. During the first audition, I made a mistake. When I was supposed to do a performance where I entered the room from outside, I mistook the door for an outward opening one instead of an inward one, so I kept trying to pull it when I should've been pushing, and it ended up making alot of noise. I also heard the Producers laughing because I was having trouble getting in, but when I finally did, I continued the performance as if nothing had happened. Thinking about it now……I guess maybe that feeling of disconnect was also linked to Shouma's.

"We're sure you must've been quite flustered at that time"

Chinen: I was really flustered because of that (laughs). I was panicking quite abit because it wasn't an act, I really made a mistake. Still, I thought, "I've come this far, so let's do this!," so it might've been a good thing that I was able to accept it and give an earnest performance.

"How were you informed that you had been chosen?

Chinen: One day, my manager called me and said, "I need you to come to the office after work." I went to the office thinking, "Maybe they're upset at me for failing something?," but they said, "We have a report. We're disappointed to tell you that the final audition for Kamen Rider is no longer available." I was frustrated because I thought I had been rejected, but I still said, "I understand, I'll do my best next time." At that exact moment, the staff came through the door and shot off party poppers. That's when I asked my manager, "This isn't a dream, is it?" I pinched myself just to be sure (laughs). Even though it hurt, I couldn't believe it, and when I finally became aware of it, I felt like, "I'm the happiest guy in the world right now!"

"How did you inform your family?"

Chinen: I immediately called my mother about it. She said, "Hide, will you be okay with having the lead role?" Ever since I was little, I always said I wanted to one day play the main character in Kamen Rider. Both my mother and father supported this dream and saw me off to Tokyo. However, I really didn't think it would come true, and I think I was more worried about whether I'd be able to play the main character in such a big title before I was happy.

"Please tell us your impressions when you learned that Gavv was a Kamen Rider with a sweets motif."

Chinen: I received the proposal at the same time I was chosen to play the lead role, so that was the first time I learned about it. My first thoughts were, "A sweets Kamen Rider?" and "What will the gummies be like?" I didn't immediately understand the concept. It was the same kind of impact I felt when I first saw the orange and armor motif of "Kamen Rider Gaim." Still, when I read the proposal, it was very original and interesting. I could really feel the passion of the creators in wanting to create such a hero needed in the era we live in. I thought, "I want to be that kind of hero, and I also want to do my best!" I was impressed by the way the Rider's design incorporated gummies and potato chips, and I thought, "The person who thought this up is a genius."

"What's your absolute favorite form?"

Chinen: As of right now, it's Zakuzaku Chips. I'm a big fan of dual wielding swords, as I often use dual wielding characters in games. Also, I like the jagged potato chips on its eyes. From a distance, doesn't it look like Kamen Rider OOO? I like that about it too.

"Due to the complicated background of the character, we feel that Shouma, who you're playing, requires difficult performances. What kind of orders did the Director give you?"

Chinen: Director Sugihara said, "While he is a young man, I want him to retain a part of his innocence," and that, "He's friendly, but there seems to be a wall between his heart." He said, "He has a bright side and a dark side that he doesn't show others. I hope you can show us how well you can switch between those two personalities."

"Shouma's upbringing is one thing, but it's also cruel that the enemies he's fighting against are his family."

Chinen: Yeah, I personally think it's so cruel, that I pity Shouma. It's a harsh story for a show that's meant for small children to watch. I personally feel like it's mentally draining to play the role of blood related brothers fighting against each other as enemies. What's more, there's no escape from that fate. However, while the story and Shouma's circumstances are hard, the eating of sweets and poppin scenes help soften the situation. The gap between those scenes gives more depth to the hard story. I also try to be conscious of this when I act differently.

"It seems to strike a good balance between the poppin imagery and the hard content."

Chinen: Some fans predicted, "Is it going to be a show like Gaim?," when they saw the official announcement before the show aired. Kamen Rider productions that start out appealing to the "pop" part tend to have harsher developments (laughs). I myself don't want it to be too serious, so through trial and error, I'm still trying to figure out how to make the "pop" in Gavv stand out.

"The role sounds like a pretty high hurdle to clear."

Chinen: Still, I think it was the same for my seniors who performed in previous Riders. I believe that it's Kamen Riders who overcome their troubles, conflicts, and ordeals.

"How was filming for the transformation pose?"

Chinen: The pose was decided on three or four days before we started filming. We agreed on it through discussions among myself, Action Director Fujita-san, and Director Sugihara. In the first episode, there was no proper pose, as the transformation was done during a pinch, so the pose wasn't done until episode 2, but the transformation scene in the first episode was also very cool. Shouma's body slowly changes, and at the end, we get a closeup of his face and Gavv's mask, but he doesn't change all at once, leaving the eyes unchanged. It was very cool, and I was trembling by the way they showed the expression in my eyes until the very end! This is a special version that's only found in the first episode, so I hope you'll watch it again.

"We think that there'll also be action scenes before the transformation, but what about you?"

Chinen: The action is alot of fun……that being said though, I struggle with it quite abit. Action isn't just about being good at punching and kicking. I have to make the action visually appealing. Despite all that, I of course have to put my feelings into it. Fujita-san was by my side the whole time, and Gavv's Suit Actor Nawata Yuya-san was also always near the cameras, and he was very helpful and gave me advice like, "You did it this way before, but why don't you try it this way?" Also, I practice kyokushin karate, so that might be why I was praised for my kicks. So, when it came to direction, we also had an increase in kicking scenes. Over the next year, I'd like to improve my action skills more.

"How was post recording?"

Chinen: It was my first time, so it was much more difficult than filming. Director Sugihara spent alot of time with me for episodes 1 and 2 in particular, since they're the ones the viewers would see for the first time. After that, Director Sugihara gave me some advice. Shouts like "Hah!" and "Tah!" tend to become monotonous as it goes on, so he said, "I want to see some variation." He recommended the game "Street Fighter" as a good reference. I wrote down the shouts I thought were good in a memo and did them my own way. Naturally, I also referred to the shouts of my senior Riders.

"What's been your most passionate scene so far?"

Chinen: It would have to be the transformation scene in the first episode. Until then, the wind had been blowing so strongly, that it was like a cloud of dust, but it stopped right as it came time to do my performance. Thanks to this, we were able to shoot the cut where the wind makes Shouma's hair rise up and reveals his eyes. I also talked with Director Sugihara about it, saying, "It's a scene where the wind was on our side."

"How's the teamwork with your costars, Hino Yusuke-san and Miyabe Nozomi-san?"

Chinen: Both of them are usually friendly, but when they get in front of the cameras, they quickly switch into their roles. They're the type of people who can clearly switch on and off. Not just for Shouma, they're also my own reassuring friends.

"We were told that among the three of you, Chinen-san's plays the role of the funny guy, while Hino-san's the straight man."

Chinen: Sometimes I'll derail the conversation or make bombshell statements (laughs). Each time, Hino-san puts us back on the right track. Miyabe-san watches from a slightly removed position, but will sometimes react.

"By the way, Chinen-san, what's your favorite sweet?"

Chinen: It's gummies, naturally! However, since I'm from Okinawa, I'd also like to promote "chinsukou" and "sata andagi" (laughs).

"We'd also love to see those two appear as Gochizou."

Chinen: Will they appear?! It seems like they'd be limited to Okinawa. Of course, I'd be happy if they come out, but for now I'll just hope for it within my heart.

"Finally, please give a message directed to all the fans of Gavv."

Chinen: The story of Kamen Rider Gavv began with a young man coming from another world to the human world. I hope that you'll pay attention to how Shouma meets unique friends in the human world and grows. Especially the bond he has with his mother, family bonds is one of the themes, so if possible, I'd like you to watch it with your loved ones. If you watch it, you'll definitely want to show your love and respect to your parents. I'd like to make this a show that you can support throughout the year. I hope you'll pay attention to and enjoy the activities of not only our cast, but also the Gochizou. I look forward to your support throughout the next year!

Hino Yusuke (Hanto)

"Have you watched the Kamen Rider series?"

Hino: I have an older brother, so we had alot of transformation belts from "Kamen Rider Kuuga" and other early Heisei series at home. In terms of my generation though, it would've been "Kamen Rider Den-O." After that, I watched "Kamen Rider Kiva" and "Kamen Rider Decade."

"Who's your all time favorite Rider?"

Hino: I watched it with enthusiasm, so it'd have to be Den-O. When I was in elementary school, I commuted to school by train and was once stopped by a station attendant when I tried to walk through the ticket gate with the pass for the transformation belt (laughs).

"Did you play the role of Hanto during the audition?"

Hino: I also played the role of who I later found out was the main character, but in the end, I was frequently assigned the role of Hanto. Still, I thought his character had a cool position when they explained him to me, so I wasn't sure if he'd fit with my everyday self.

"How was it when you learned that you had been chosen?"

Hino: I was shocked because I wasn't expecting to be picked. The way my agency informed me also startled me abit. I was so happy and shocked, that I was in a state where I couldn't think straight for about five minutes.

"Did you contact your family right away?"

Hino: I was told it was okay to contact my parents as soon as I could. My mother cried and was delighted. Hearing my mother's tearful voice on the other end of the phone caused me to cry as well. My father never seemed very interested in my work, but when I told him that I had passed the audition, he exclaimed "seriously?!" in the loudest voice I had ever heard (laughs). It made me really happy when I heard that. My father's always worrying about me. I started this work when I was in high school, but was told, "You're a student, so your priority is your studies and to then go to college." However, my work became so busy, that it became difficult for me to attend college, and my parents were constantly worried about me. That's why I think I was finally able to reassure them by passing this audition, and it's a new starting point for me as well. In this day and age, TV dramas that run for a year are rare, so I'm grateful for the opportunity to participate in one, and I'll do my best this year without forgetting to keep my mind fresh.

"What was your first impression when you read the script?"

Hino: When I first heard about the motif, I thought, "What would a sweets Rider be like?" I think everyone's first guess would be a poppin, cute hero. So, while yes, the designs give off a cool, cute and modern feel, the story is very dramatic. The lives of Shouma and Hanto, who I play, will gradually overlap, and many other appealing characters appear, which always makes me wonder what will happen next. I myself look forward to the next script whenever I receive one. How will Hanto become a Kamen Rider, and how will he relate to Shouma after becoming one? I hope that you'll look forward to that.

"Did the Director give you any orders regarding your performance?"

Hino: I was told, "It's good to be more flexible." There's the way he approaches people with his fake smile when he's a freelance writer, and his "I'll crush you" anger when he confronts a Granute. It didn't matter what others would think, he told me, "I'd rather you vary his strengths and weaknesses so that he looks like a different person." At first, I thought Hanto was a cool character. It certainly looks that way when compared to Shouma and Sachika, but there are surprisingly few scenes resembling that in the show, it's more like he's clumsy around people. The Director raised the mood of my first appearance scene, up to the point where it felt like a silly older brother had appeared. That part changed the impression I had when I first received the script considerably.

"We have the impression that freelance writers are prone to being disliked, as they're always snooping around and are persistent in pestering the main character."

Hino: While I can't speak for myself, Hanto himself is a character who's teased during the show, so he's the most lovable character. He acts with conviction, and I think that's what makes him so cool, but he sometimes ends up getting nowhere, so he gets teased. And yet, when he's teased, he'll get angry and say, "Don't screw with me!," but he doesn't deny it (laughs). The reason Hanto's slowly becoming more like that may be due to the fact that my own character is starting to come out. In this sense, I feel that the synchronization with the role has risen. This way, Hanto's character has a wide range, so I'm able to play him rather freely.

"After this, Hanto reaches a major turning point when he becomes a Kamen Rider, so did you switch up your performance there?"

Hino: For Hanto, it's not so much a situation where his fate has taken a turn for the worse, it's more like his connection from the past has further unfolded. That's why rather than switching between before and after he becomes a Kamen Rider, I tried to separate his role as a freelance writer from his desire for revenge against the Granutes. To tell you the truth, after I learned about Hanto's early life, I tried to avoid "seeing" his family as much as possible in order to understand his loneliness alittle better. That's why when he confronts the Granutes, I think his eyes are pretty much burning with anger. It is of big help for him that he's surrounded by cheerful characters like the Gochizou and Sachika.

"How was the first transformation scene?"

Hino: Before his first transformation, another major event happens to Hanto which leads to him becoming a Kamen Rider. With the power he's acquired for the first time, Hanto's first transformation is a scene where he shows the anger and hatred he's been holding onto for such a long time towards the Granute. Trying to convey those emotions through my performance was one of the hardest things I've ever had to do. I think that Valen's transformation itself was also unrefined, unlike the image of a perfect hero with overwhelming strength. Still, he's unrefined but works as hard as he can, so I'd be happy if everyone who watches the show can feel that there's a cool feel to him. In a scene where "tears" are an important point in the direction, I was so emotional, that tears genuinely ran down my face as well. I still remember this because it was a moment when my emotions and my performance matched up.

"As Hanto, did you feel like he reached the climax from the earliest stage?"

Hino: No, no! This isn't the end of his story! (laughs). I'm sure there'll be many more climaxes from now on, and I'm personally looking forward to them.

"What did you think of Kamen Rider Valen's design?"

Hino: There was more chocolate than I expected (laughs). Despite that, it's cool. I also like that Valen is a "helmet type," while Gavv is a "mask type."

"By the way, Hino-san, what's your favorite sweet?"

Hino: Chocolate of course!

"Do you have a favorite secondary Rider from previous Riders?"

Hino: It's Kamen Rider Zeronos from Den-O. I love his "I'm pretty strong!" catchphrase! In terms of actors, I like Yoshizawa Ryo-san, who played Kamen Rider Meteor in "Kamen Rider Fourze." When you're that cool at giving a performance, you can't be beat. Director Kamihoriuchi previously told me that when Yoshizawa-san was told to "do something like this," he instantly made it his own performance instead of following instructions. He also said, "His ability to adapt was exceptional." It made me want to be an actor like him. He's a respectable person.

"We'd like to see a catchphrase from Valen as well."

Hino: Yeah. He currently doesn't have any lines that he's always saying, but I'll try to bring out Hanto's human appeal while standing beside Shouma, the hero from another world.

"Do you want to film some action of yourself before transforming?"

Hino: Action is fun! I do voluntary training on a daily basis together with Valen's Suit Actor Kaji Kotaro-san, Gavv's Nawata Yuya-san, and everyone else on the Action Team. The day before an action scene is set to be filmed, they would assist me in practicing for it. With the exception of impossible scenes, I've been challenging myself to not use a stand in.

"How's the teamwork with your co stars, Chinen-san and Miyabe-san?"

Hino: We get along very well. They're both really adorable, but they're professional actors who are reliable on set. In a good way, we're rivals and friends. I hope I can build a better relationship with them from now on.

"Not long ago you said, "It might be his own fault that Hanto's become a character who's teased," but is Hino-san himself a character who's being teased?"

Hino: Basically, I play the role of responding to Chinen-kun's jokes (laughs). However, including Miyabe-san, when the three of us are together, I sometimes play the role of a fool, and will often be the one saying, "Hey, cut it out~." That's the way things usually go. Just so you're aware, I am the oldest (laughs).

"And now finally, please give a message to all fans of Gavv."

Hino: For me, Kamen Riders are the heroes I've dreamed of being since I was a child, so I'm very happy that I'm able to be involved in this historic series. Over the next year, I'll do my best to meet and exceed everyone's expectations with sincerity, and without forgetting my original intention. I look forward to your support!

Miyabe Nozomi (Sachika)

"First, please tell us about the time of your audition for Gavv."

Miyabe: I'll be honest, the audition was a disaster. The audition script contained several assignments, each being individually numbered. At that time, act 2 was a fainting performance and act 3 was a conversation between two people, and even though I thought, "I absolutely have to pass!," I was so incredibly nervous, that I ended up doing a fainting performance for act 3. The other actor spoke to me according to the script, and that's when I realized, "This is wrong!," but it was too late. The final audition didn't go well either. The Director told me, "Act like an aunt from Osaka," but I wasn't confident that I could pull it off, and that's when I became depressed and thought, "This is a lost cause." In spite of all that, I was surprised that I was chosen.

"How did you receive the report that you had been chosen?"

Miyabe: After the audition, my manager called me to come to Ginza. As I headed there and thought, "I wonder if they're upset about something?," they messaged me with, "Take a selfie with your phone." I didn't understand what they meant and was like, "Eh? Did I gain weight or something?" but then I got a message saying, "You passed the audition." It seems that the selfie was to document me going from freaked out to smiling. I had never been so emotionally moved as I was at that moment. This video captures a memorable moment in time, so I hope to be able to release it in some form someday (laughs).

"Have you watched the Kamen Rider series?"

Miyabe: I have a younger brother who's eight years younger than me, so we watched "Kamen Rider Drive," "Ghost," and "Ex-Aid" together. After I passed the audition, I watched "Kamen Rider Gotchard" in order to study.

"We're sure your brother was happy to know that his sister was going to play a role in Kamen Rider."

Miyabe: I still haven't told my brother yet (at the time of this interview). I was given the okay to talk to them about it, so I did contact my parents right away. I plan on surprising my brother by not telling him until the official announcement.

"What were your impressions of Gavv from reading the script?"

Miyabe: Each and every character has a story to tell, so I thought it was a production that'll keep you interested even early on. That's why I can never wait for the next script. I'm sure all the viewers feel the same way.

"Did the Director give you any orders regarding your role?"

Miyabe: Along with Shouma's Chinen-kun, Director Sugihara gave us acting lessons even before filming began. Each time, I was told, "Cheerful, cheerful." It was required at the auditions, so I always try to have the cheerfulness of an Osakan aunt and the kindness that seems to embrace everyone. Sachika is a gyaru president, but I've personally lived a life with no connection to gyarus. I also wasn't the type to stand out in class. That's why after I was chosen for this role, I learned to be more like a gyaru by listening to songs with a cheerful tempo, reading gyaru magazines, and watching official Youtube channels and TikToks.

"What does Miyabe-san think a gyarus mind is?"

Miyabe: I wonder…….No matter how difficult a situation may be, you can always think, "Well, I'll figure it out!," and in a positive sense, I think it's important not to "overthink" things. A friend of mine often says, "Keep a gyaru in your heart,” and I thought it was a very good saying. Thanks to those words, I'm now able to have a gyaru named Amane Sachika reside in my heart.

"Playing the role of Amane Sachika is also a "transformation" for Miyabe-san."

Miyabe: You're right! There's quite a gap between myself and Sachika, so I don't think it's an exaggeration to say that it's a transformation for me. I've never played a role so different from my own self before, so it's fun (laughs). It's not just acting that I enjoy, but also doing alot of research for the role.

"Did you also make your hair blonde for the role of Sachika?"

Miyabe: I did. I've always had black hair, but I bleached it three times to make it blonde. At first, every time I looked in the mirror, I was like, "Who are you?" (laughs). Still, once I got used to looking at it, I started to see myself in photos as a different person from who I used to see when I had black hair. Sachika also wears heavy makeup, so you might not even notice me when I walk down the street during my private time. That's why I'm thinking of wearing colored contacts and false eyelashes in my private time so people will notice me (laughs).

"Sachika isn't a fighter, but are there any plans for action scenes?"

Miyabe: There are no particular scenes set for me, but I was once allowed to participate in an action session. I didn't do very well at the time, but I'd be happy if they could prepare some action scenes for Sachika too! Since I went through great lengths to appear in Kamen Rider, I'd like to try my hand at action.

"Would you like to transform into a Kamen Rider like Shouma and Hanto?"

Miyabe: I'd like to do that too! Recent series always have female Kamen Riders, and my dream is to be one of them. However, Sachika's a woman with a strong heart, so even if she can't transform, I'd like to use the strength of her feelings as her "weapon."

"Miyabe-san, which Rider do you like more, Gavv or Valen?"

Miyabe: That's a tough question! (laughs). Gavv's a Rider from another world, so he's incredibly strong, but when he's alone he usually ends up in a pinch. And since Valen's the one who helps him, it's like they're one and the same. So, I guess I'd go with both.

"Have you ever directly seen the Kamen Riders on set?"

Miyabe: They're so cool! Being able to see those forms up close and personal will definitely motivate me for the next year. Before I entered this set, I thought the camera work was what made the action so powerful. Naturally, there are scenes like that, but the action itself is very powerful. When I watched episodes 1 and 2, I was surprised to see that the scenes that were already powerful without CG were even more powerful with CG.

"Were there any other spectacles unique to tokusatsu heroes?"

Miyabe: The Gochizou are made by using both props and CG, so during filming of the CG scenes, Chinen-kun talks to Gochizou that aren't there. I thought that kind of performance was difficult. Still, Sachika doesn't know that the Gochizou exists. She also doesn't know about the Granutes, or that Shouma and Hanto are Kamen Riders. They're so close, yet she only knows about Kamen Riders through gossip. I can only imagine what would happen to Sachika if she knew of the Granute's existence. She might want to try to get along with them instead of fighting. Of course, she'd become angry if someone she cared about got hurt by them.

"What's been the most impressive scene up to episode 5?"

Miyabe: Sachika runs a general store, so she and Shouma do alot of jobs together. I enjoyed the scene where they were handing out flyers to advertise the ramen shop. I'm looking forward to seeing what other jobs they do in the future. I also like the scene in episode 3, where Hanto comes to Hapipare and Sachika pokes him with a toy. I thought it was a good representation of their relationship. It's not that Sachika can't read the room, as when she has to do something, she'll do it, but the mood of the place comes first (laughs).

"Hino-san himself said that Hanto's a character that everyone teases."

Miyabe: Hino-kun himself often makes the set feel more relaxed when he's teased. I also mess around with him alot (laughs). It's kind of easy to tease him, almost like there's a sense of security and that it's okay to tease him. He's the oldest out of the three of us (laughs). Chinen-kun lightens up the mood with his interesting remarks, like when he says, "That's one way of thinking about it!" Once Hino-kun gets into it, it becomes really noisy. We screw around when it's time to screw around, but we're very serious when we have to face our roles. They'll suggest things like, "Let's try this here," or "Let's practice this alittle." I'm glad that the three of us will be together on this set for a year.

"Miyabe-san, what kind of sweets do you like?"

Miyabe: I like plum types of sweets, like crunchy plums and dried plums. On days when we have filming, I'll stop by a convenience store and buy one of those before heading to the set. However, the makeup artist pointed out to me that I should be careful not to eat too much, otherwise my face might puff up (laughs).

"And now finally, please give a message to the fans of Gavv."

Miyabe: Kamen Rider Gavv is poppin and cute, and I think it's a show that'll be easy for all kinds of people to relate to. I really hope that people of all ages will watch it. Since I'm also "armed" with a gyarus mindset, I'll do my best to cheer up tons of people. I look forward to your support over the next year!

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literaryvein-reblogs · 3 months ago

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Writing Reference: 5 Symbols

for your next poem/story (pt. 5)

EGG

The egg is as powerful in its symbolism as it is potent as a life-force.

The World Egg is a ubiquitous symbol for the egg from which the Universe is said to have hatched, an idea that appears in creation myths from all parts of the world: The Celts, Hindus, Egyptians, Greeks, Phoenicians, and many more all agree about this idea.

The form this cosmic hatching takes is variable though:

Often, the egg rises from primeval waters and is incubated by a bird; in Hindu belief, this is the Hamsa, a goose.

When the egg hatches, the yolk and the white become Heaven and Earth.

The Shinto tradition says that the Universe resembled a giant hen’s egg that broke open, with the heavier parts becoming the Earth and the lighter, the Heavens.

There is also a theory that the entire Universe is contained in a huge egg that stands upright.

The egg is a symbol of new life, and this idea is borne out with chocolate eggs at Easter, which in itself is a celebration of the pre-Christian fertility Goddess, Eostre, who also gives her name to the hormone estrogen.

The subsequent celebration of Christ’s death and resurrection meant that the egg kept its significance as a symbol of new life and hope.

Archeologists have found clay eggs in Russian burial sites, reinforcing the belief in the egg as a symbol of immortality and of rebirth.

In alchemy, the Philosopher’s Egg symbolizes the seed of spiritual life, and depicts the place wherein a great transformation takes place.

The ancient riddle of what came first, chicken or egg, was deftly if disappointingly answered by Angelus Silesius, who said: The chicken was in the egg and the egg was in the chicken.

FEATHER

The Egyptian Goddess of truth, Ma’at, has the ostrich feather as her attribute. There is a very specific reason for this:

Because the ostrich is a flightless bird, the design of its feathers is different to those of other birds where one side is larger than the other.

The ostrich feather, however, is perfectly balanced and symmetrical, and so is a fitting emblem of justice.

Its symbolism is closely aligned to that of wings and birds. They stand for ascendance, flight, communication with the spirit realms and the element of air.

Shamanistic use of feathers is for all these reasons;

the feathers enable the soul to become as light as the feather and transcend the boundaries of gravity, time, and space.

Shamans of all nationalities wear feathers as a part of their ritual apparel.

The eagle feather is the most valuable of all feathers:

In some parts of the world, this feather, synonymous with all the power of the bird, is considered so sacred that only card-carrying Native American tribal members may own them. Those found in the wrong hands are the cause of heavy fines.

The swan’s feather appears in the cloaks of druids; because the swan is the bird of poetry, its feathers magically confer these powers on the bard.

Used at the end of the arrow as a “flight,” feathers have a practical as well as symbolic use.

Additionally, feathers are a symbol of sacrifice:

This is because, when chickens and other birds were ritually slaughtered, all they left behind was a few feathers, fluttering to the ground.

The other major symbolic meaning of the feather associates it with vegetation and with hair, primarily because of a similarity in appearance.

HOURGLASS

The function of the hourglass is to mark the passing of time, as sand trickles through the narrow waist in the middle of the transparent glass container that is the same shape as a figure of eight.

Therefore, it is often used as a motif to show the inevitability of death.

However, the shape of the hourglass, as well as being a visual symbol and a word used to describe the figure of a shapely woman, is a lemniscate, or infinity sign.

That the hourglass can be turned upside down to start the cycle all over again makes it an optimistic symbol of rebirth.

PHURBA

This is a sacred knife, used only in ritual practices by Tibetan Buddhists.

Like the Athame of the Western tradition, it is employed to create the sacred spaces that are used for rites and ceremonies.

Its design is based on a stake used in ancient times to tether sacrificial animals, and it is used to describe a magic circle in the same way as a compass.

Can only be owned or handled by initiates.

THYRSUS

The thyrsus was a sacred implement used in rituals and festivals during the time of the Ancient Greeks.

It was a staff, standing about as high as its owner, made from a giant fennel stalk topped with a pine cone and wrapped with vine leaves.

As a phallic symbol, it was combined with a goblet or chalice, symbolic of female energy and used to counterbalance the staff.

As well as being a symbol of male energy, though, staffs or long poles of some description have a universal use as a sacred instrument to connect the Heavens to the Earth, a conductor for the divine spirit.

Source ⚜ More: On Symbols ⚜ Writing Notes & References

#writing reference #symbols #symbolism #writeblr #dark academia #spilled ink #literature #writers on tumblr #writing prompt #poetry #poets on tumblr #creative writing #art reference #writing inspiration #writing inspo #writing ideas #light academia #writing resources

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irradiatedsnakes · 1 month ago

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little billy is an existential threat to dialtown's very universe and i can prove it: a game theory

i dont trust this little beast.

prior to the roger dlc i didn't think a whole lot of him. he's fun, he's funny, the whole colossal billy bit is great. but i didn't consider him much, his greater role in the story. his whole fabron-virus deal in the roger good route got me to reconsider..basically everything about him, including stuff on the extras pages & his appearances in mingling scenes in ch3.

i think that little billy is aware of dialtown's universe/reality on a level most characters aren't, more similar to gingi and god. colossal billy, on some level, i believe is absolutely real, and has connections to the nothing beyond the edges of dt's reality. a few points, ordered from (imo) least to most substantiated:

1. billy is one of few characters that ever break the fourth wall

dialtown has a lot of fourth wall breaks. gingi, in some fashion, is aware of the various branching routes the game can take, it references other routes frequently, they're aware of the merged-ch3-timeline being weird in some sense. they're responsible for the vast majority of fourth wall breaks in the game. god, of course, does, like his UI-hijack during one of the mingling scenes. other than those two, fourth wall breaks are few and far between (i think norm does one?), so i think it's significant that billy does it at least twice.

firstly is the mingling scene where he keeps interrupting mingus from having the last word in, specifically referencing the screen fading to black:

secondly, and i think more notably (since mingus does kind of do it herself there), is in the roger route, in the ending where you swallow the usb stick and shit yourself and die. in addition to all the other ominous bullshit, there's this line:

which, yeah, end card. not much else to say there.

admittedly, i do think this is the weakest point here on its own- as mentioned before, mingus and norm do break the fourth wall on their own at some point in time, i believe once each. that being said, i do think it helps build a case for billy's awareness of dialtown's reality as we move forward to the next points, and is very relevant in the context of the rest of billy's everything.

2. god is afraid of little billy (and given who else god is afraid of, that worries me)

okay, so, god. fascinating guy. i think some of the most interesting stuff about him is what unsettles him. according to god, time in dialtown's universe works like a straight line- rather than how we might usually conceptualize the branching paths of time (or, say, branching routes in a visual novel) like a tree, time in DT is a straight line. a timeline begins, happens, ends, and another begins, happens with minute differences, and ends, so on.

god isn't omniscient, he's just a guy whose been around for an unfathomable amount of time, experiencing timeline after timeline, start to finish. he knows things that are about to happen (mingling gravel bit) because he's seen so much shit that basically everything becomes predictable.

ergo, the things that scare god are things that he can't predict, things that he doesn't understand. case in point, he finds gingi's existence as being exclusive to dt's timeline unsettling:

what else is god scared of? well, callum crown, of course.

whatever callum did to enact the dialup is something that messed with the very fabric of reality- so much so that god himself is beholden to the objecthead rule- and that "scare[s him] shitless".

yknow who else god is scared shitless of?

yeah.

3. billy is directly linked to enc0unter, plus the whole event in which he Hacked An Entire Man

firstoff, just to go over the enc0unter connections here.

most obvious is the eyes and teeth motif, and the images in the background (seen on the monitors in fabron's room and omair's shop) being THE enc0unter image, which has been said to be representative of weak spots in dialtown's (crumbling) reality. keep this passage in mind for later.

worth noting, fabron's font while possessed is special elite- the only other time in the game this font is used is in enc0unter's scene. in addition to the literal eyes and teeth images being used, the motif is reinforced in fabron's dialogue, further drawing a connection between colossal billy and enc0unter:

("many eyes always watching", notably, also being something scrawled on the side of norm's shack, presumably by norm, alongside the warning about not drinking the water (on account of the lead). "many eyes always gazing" is also one of the possible menu quotes that can appear.)

keep the big blink line in mind for later.

i think the severity of what billy was able to do with his little virus is also notable. like, and i don't think i can put enough emphasis on this, little billy hacked a man. he hijacked a human person's entire shit. he made images appear on broken monitors that weren't plugged in. he made a virus so powerful it instantly spread to every computer in town. it fucked up the radio, it fucked up the phone lines. you shouldn't just be able to do that- billy has a frightening amount of power.

3.5. a couple other scattered observations

3.5a in dietown, little billy immediately goes full eldritch. additionally, regular-timeline billy appears to be in some way aware of this, as his codename in the ransomware is xXBelothXx, little bel'oth being his name in dietown. worth noting dietown tracks are also used for the ransomware scenes.

3.5b color symbolism is extremely important in dialtown, chief among that being the use of purple (and green, but especially purple). all of the members of the mingling (save for god) have some element of purple in their designs- for most of them, that's clothing: stabby and shooty and abel all have their suits, bunny has his shirt, while theoroar has his bandana. billy's head is purple- the only one whose purple element is PART of them and not just something they're wearing. given the significance of purple in the rest of the game (glados voice) i just thought that was interesting

4. pulling it all together

so, what does this all mean?

well, dialtown's reality is in trouble. the constitution of dt's universe has been in trouble for a long time- hell, the wormhole existed even before the dialup. but i think it's safe to say that whatever fundamental rule of reality callum grabbed and fucked around with to enact the dialup in the first place has had knock-on effects for the stability of the timeline (remember that whole thing about how timelines have definitive starts and ends? yeah).

i believe billy is a symptom of this breakdown. when fabron is possessed he says "the big blink" is coming.. now, i don't know if billy is truly something From Beyond or if he's just some shithead kid who somehow got a glimpse into things people shouldn't see (i favor the latter, personally), but the way i see it.. i think what little billy calls colossal billy, is, or is closely related in some fashion to, enc0unter.

enc0unter is nothing. it's beyond the edge of the universe, all the Somethings, it's the opposite of things existing.

which, imo, is why it's represented by eyes, teeth, and faces.

when the dialup happened, eyes, teeth, faces- these things ceased to exist. they were deleted from reality, they became nothing, so that's why the nothing IS the eyes and teeth of everyone on earth, why it's eyes and teeth that appear where reality wears thin and begins to crack.

i don't know exactly what enc0unter is Doing, or what the culminating event, the bomb-under-the-table exploding, the big blink is going to actually look like. but i don't think it'll be good, and i think that billy is very interested in that eventuality.

now, billy's own personal motivations? pure malarkey. i don't think he's part of some big plan, or anything like that- his favorite activity is tormenting the cashier at the local cinema, and his big scary hackerman deal was intentionally foiled by just removing a usb stick from a computer. he sets the town on fire just for fun. little billy just wants to see the world burn for a laff, and i fear that when "the big blink" does come, that might be exactly what he gets.

thanks for reading. bozo

#dialtown #dialtown text #little billy #BEHOLD. BILLY ESSAY #ive been stewing on this one for ages #BUT THATS JUST A THEORY . A GGGGGGGG

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hazamacore · 2 months ago

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The Interweaving of Desmond & Eloise

an analysis on how they have been established as a pair

Collection of all essays so far

At the stage we are currently at, the end of chapter one with around thirteen hours of content to watch and even more outside of direct canon to examine, Desmond and Eloise have established themselves as a pair in a similar vein to Damon and Eva or Mark and Jett. Their pairing feels obviously deliberate and indicative of deeper meaning, which we’ll no doubt see more of as the game proceeds. In this essay I want to cohesively lay out all of my current thoughts on them - developed from TikTok posts I have made (x / x / x) with other newer points from my notes that do not appear in said posts.

While I personally enjoy their relationship in a romantic context, this is not intended as a ship post, and you are of course free to interpret it how you like. It’s just looking at how they relate to each other as characters and their canon relationship and giving my thoughts on what that means for them! Regardless of how you interpret the context of their relationship, that these two are being set up as close is undeniable.

SPOILERS FOR CHAPTER ONE AHEAD!

Firstly, I want to establish the significance of pairs in Project: Eden’s Garden overall. So much about the game circles back to pairs: the killing game ‘officially’ ending when only two remain, everyone waking up in pairs, Toshiko being the Ultimate Matchmaker, Tozu and Mara being a pair, bunking in pairs, splitting off into pairs… and much of this can be put down to the theming of the Garden of Eden with Adam and Eve. With everyone’s animal motifs, another Biblical story in Noah’s Ark comes to mind. The point is that the abundance of pairs is both relevant and very deliberate.

Fundamental design

From the moment we first see them in the train CG, Desmond and Eloise are together. When we first formally meet them, they are the only ones in the courtyard. They are a pair from the beginning in the same way as Mark and Jett and Wolfgang and Grace.

And, on first looks and first meetings, I’ll begin my thoughts on how they as individual characters relate to each other as foils with their visual designs and names. Being fictional characters, there was an entire design process filled with intent that went into creating them, and I really think Desmond and Eloise were created with the other in mind to make them both contrast and complement each other.

Their contrasting colour schemes of blue and black VS red and white immediately relate them to one another and put them in proximity of one another. Through their colour schemes they have been designed to be seen next to each other.

It is also their colour schemes that give instant insight into how they contrast each other in personality. Desmond’s blue suits his cool, composed disposition, his observant nature and how, although he is more reserved, he still integrates with the group and is a primary contributor. Throughout the situation and throughout all the suspicion he endures based on his talent, Desmond remains calm, in part, I think, because he knows he cannot afford to appear angry lest it confirm people’s biases. Considering how prominent that idea of prejudice has been with Desmond so far, I also heavily doubt him being designed as Black is coincidental or without connotations. Especially when you consider just how irrational the suspicion and assumptions placed upon him are.

(Desmond’s third Free Time Event, talking about how difficult a confined space like the academy is for him) Damon, internally: And yet, that cool demeanour of his never falters - even when talking about his situation. Is this what he means when he talks about discipline…?

Conversely, Eloise’s red speaks to her being more volatile - prone to outbursts of fear, panic and, notably, rage. It is interesting to me that Eloise’s colour scheme is primarily white/grey, with her reds as secondary and, in her clothing, beneath her uniform. But her eyes, the “windows to the soul”, are red. Eloise at first impression seems only timid, and this leads both characters and audience alike to assume that she is weak, and she is also reserved and rather closed off especially in conversation with the likes of Damon. But Eloise has a strong fortitude that manifests later in chapter one as she gains confidence in the setting - standing up to and threatening Grace, leading the accusations towards Grace in the trial, and her Free Time Events most notably. Her red is closed off until triggered. Damon notes that “the most confident she’s ever sounded” is when she’s expressing her belief that the runners of the killing game should receive the death penalty which so starkly contrasts with Desmond’s focus on resolving things peacefully. Similarly to Desmond being Black, I also heavily doubt that Eloise being designed as fat is without connotations regarding this theme.

The meanings of their names push this even more blatantly. Desmond’s name is of Anglo-Saxon origin and means “Great defender” which adds to how spelled out the theme of guarding, protection, defence becomes in his character during chapter one - notably in relation to himself and Eloise. In his blackmail, which I will go into in more detail later, it explicitly says he “guards the only one he trusts”. This defence finds contrast with offence in Eloise’s name being of French and Teutonic origin meaning “Fierce warrior” which speaks to how assertive she becomes when pushed. Her Free Time Events serve as good indication with how she says outright to Damon that she plans to fight back if targeted for murder and expresses anger when he starts “prying into [her] personal life” in an outburst of “It’s none of your f-fucking business!”. Down to their names they present as foils.

Linking to this talk on personalities and first impressions is how these two contrast in how they are perceived by other characters and audience alike - their shared theme of “judging a book by its cover”.

While Eloise has a talent centred around combat and wielding a blade, she is not nearly suspected the same way Desmond is due to her appearance as pale and soft in conjunction with her timidity, with the decision to make her fat adding to this as well. She is actually afforded first impressions based on personality, where Desmond is instead defined by potential threat in his marksmanship - the first thing Wolfgang ever says to him is, “With all of those weapons, I must ask…you…haven’t killed anyone, have you?”, and Eva’s belief that everyone is out to get her and have marked her as an easy target merges with preconceived notions about Desmond’s character and talent to lead her to assert that telling Desmond about his blackmail could “put [her] in danger”. Contrasingly, in building up to their confrontation of Grace, Damon perceives Eloise as “bumbling”, “uncoordinated”, and not of “any help in a verbal shutdown”, and he proceeds to be utterly proven wrong - with the use of “uncoordinated” in reference to the Ultimate Fencer giving great indication of his poor judge of character. This contrast, then, makes it notable how they stick together and understand each other in a way others do not.

(RE his bunking idea: Eloise understands what Desmond’s intentions are while others assume ill of him) Cassidy: I mean - hey, don’t expose us! That’s unfair! Desmond: Hold on, I’m not trying to expose anyone…! Eloise: Um, I think I get what he’s trying to say. Eloise: You just want everyone to be honest with each other…so we can cover all our bases…right? Desmond: Yeah…that’s right… (During the chapter one investigation as Grace guards Wolfgang’s room and denies everyone entry) Desmond: That’s what I tried telling everyone else, but they pretty much gave up. Jett and Mark went to the dining hall, Diana went to the laundry room, and Toshiko and Ingrid went to the courtyard. Desmond: Eloise and I, though…we’re not gonna let this slide.

When going through their Free Time Events, it becomes clear that Desmond and Eloise even contrast each other when it comes to their backgrounds and honing of their talents. Desmond comes from a notably wealthy family who have a history of Ultimate Marksmen - that talent being as hereditary as literal genetics. From the start, Desmond has been showered in opportunity - he mentions having an expansive field that puts the academy’s courtyard to shame, a personal shooting range, a personal tennis court, and a personal swimming pool. He used to attend competitions on a local and regional scale until he got the opportunity to compete in the Olympics.

Comparatively, Eloise had no such influence when it came to getting into fencing and simply joined a club and her honing of her talent was defined by a lack of opportunity. She rose through the ranks via forfeits - her opponents were so afraid they point-blank refused to fight her and so she had to take matters of improving into her own hands by practicing alone or with her teacher. Her lack of opportunity stems from how her family is certainly not as well-off as Desmond’s and she comments on giving her prize money to her mother and sisters. This is a point of similarity between the two - they both disregard the money they have earned through their talent for themselves and instead place focus on their families. Desmond cares more about making his parents proud, and Eloise cares more about giving the money to her family.

Beyond every aspect in how Desmond and Eloise foil each other is how similar thematically they are in a way that allows them to understand and trust one another in a way they don’t seem to lend to anyone else. They understand that the other is perceived by strangers in a way that doesn’t necessarily align with their fully realised selves, Desmond’s calmness soothes Eloise’s volatility, Eloise’s sword takes the front while Desmond’s guns and bows take the rear - they are an inversion of each other and interwoven as a pair.

To finish off with their fundamental designs, official art for Project: Eden’s Garden is, in my opinion, interesting to look at. Desmond and Eloise are depicted next to or interacting in some way with each other in every piece of official art they share which pushes them further as a ‘pair’. It really emphasises how rarely in-game they’re apart - with the only instances of that being during nighttime, every free-time after the first one, and most prominently the Prologue’s investigation. Otherwise, they are always at least in the proximity of each other. I don’t think official art and seeing which characters appear together the most and how exactly they are interacting is insignificant at all - two sets of Halloween official art stand out to me as entwining Desmond and Eloise by their talents. In one, Desmond is dressed as Link from the Legend of Zelda and wielding a blade and, in the other, Eloise is dressed as Artemis from Greek Mythology - the Goddess of the Hunt who was known for her archery, a choice that becomes especially interesting once you remember that Artemis’ fellow archer brother, Apollo, was heavily associated with swans.

Blackmail, blackmail

“With his weapons at hand, Desmond guards the only one he trusts.”

Since I posted my initial interpretations of this on TikTok, I’ve seen more discussion on it, and I don’t think it is controversial at all to suggest that the “only one” referred to here is Eloise. The only other options, to me, are this “only one” being someone outside of our main cast or Desmond himself. However, I have found myriad evidence that points towards it being Eloise that I’ve spread across different videos on TikTok but can now relay all in one place here.

First, what is meant by “weapons”? As the Ultimate Marksman, Desmond has access to guns and bows in the literal meaning of that and this is how Eva, Damon and everyone else interprets it. It is also true - Desmond is always depicted with his quiver slung over his back, so he does indeed have his weapons at hand. However, there is another way of looking at this - Desmond’s “weapons” do not have to be literal.

During chapter one’s trial, Grace admonishes everyone for “trusting Desmond so easily” after he defends himself from accusations based on the taser gun and Damon has the option of commenting on Desmond’s charisma that persuades people to trust him (or… “charm” as he puts it). Desmond’s “weapons” could refer to his rhetoric, especially with how he utilises the angle of ethos in comparison with Damon’s logos and Diana’s pathos - that being, focusing on getting across and defending his character, something that as previously discussed Desmond is exhaustively used to doing. His “guard” could manifest in him coming to this “only one”’s defence in verbal bouts just as much as it can be taken literally, something that we have in fact already seen if you subscribe to the idea of that person being Eloise.

Next, the meaning of “trusts” should be dug into. It is easy to assume that because Desmond behaves cordially with everyone and seems to possess a vested interest in getting everyone out of the killing game and to safety this means he is openly trusting in the way Diana is, but there is a lot once you start looking that proves otherwise. Desmond does not vehemently deny the possibility of murder like Wolfgang or Diana do but instead accepts the reality of their situation and approaches it with the knowledge of murder in his mind. He is against exploring the Alpha Sanctuary due to whatever Tozu has hidden within it, he takes note of the dangers of the pharmacy and what drugs could possibly be used to murder - even saying that “we should all start paying more attention to our food” - and is the one to come up with the bunk buddies idea due to the broken locks. Desmond does not trust that his peers absolutely will not be tempted by murder. Most illuminating is during his second Free Time Event when Damon tries to use the trustworthiness of the other students as a debate topic and Desmond becomes noticeably uneasy and closed off.

Damon: How about… we debate the trustworthiness of the other students? Desmond: Huh…? What do you mean? Damon: Isn’t it self-explanatory? You and I argue about whether or not the others are trustworthy. Desmond: Uh… I don’t know, dude. I’m not really comfortable with that. Damon: Why? Desmond: W-what do you mean why? I can’t just say my… (own emphasis) Desmond: I mean, I can’t just throw doubt at people for no reason.

Despite this, he still wants said peers to trust him. His motivation to escape the killing game and prevent murder, I believe, is genuine - however, he remains beneath the veil of hypocrisy in how he expects everyone to trust him without him trusting them.

So, how does this link to Eloise?

From the prologue, the theme of Eloise and Desmond being each other’s alibis and backing each other up is established. Wolfgang asks Desmond to keep a shaken Eloise company and he does so for the duration of all the other introductions. When the fake body of Cara is discovered, Eloise insists that she heard no screaming from the courtyard nor did anyone run out, and calls on Desmond to back her up, which he does. This is the first exchange of trust and reliance between them, and it only strengthens during chapter one.

The first major instance is in relation to Desmond’s idea of sleeping in pairs. Knowing his distrust towards his peers and that he has this one person he has an interest in protecting, it is notable both that he would be the one to raise concerns about the broken locks and that he would proceed to input that, “As the one who suggested the idea, I’d say we just pick our buddies ourselves-”. Desmond wanted to choose his bunk buddy, ostensibly so he would be able to more readily “guard” them, and this, I think, is crucial as evidence that the “only one he trusts” is someone among the class. While he doesn’t respond outwardly negatively to Toshiko’s desire to be in charge of the pairs and Ingrid’s subsequent assertion that they split by gender, this is easily explained by how intent he is on maintaining a calm disposition.

Eloise’s behaviour in this scene is equally noteworthy. She defends Desmond from accusations that he’s making people vulnerable and that she harkens to ideas of honesty and understanding Desmond’s intentions speaks to a building closeness between them. Much like Desmond, Eloise appears selective with her trust through how focus is repeatedly placed on her as ways to assign bunk-buddies is discussed, combined with how her character profile notes how she is “always ready to make her escape if anyone gets too close to her”, which I believe can be applied in both a literal-in-regards-to-fencing and figurative sense. We can discern from her Free Time Events that Eloise holds her privacy close to her and that she has certain people that she openly does not trust nor like - she doesn’t want to have a decision like who is going to be with her at her most vulnerable just chosen for her.

Toshiko: Fear not! In all my infinite wisdom and kindness, I shall pair the rest of you! Eloise: Ah… that’s not really necessary… (...) Ingrid: Strangers’ll usually be more comfortable spending the night with the same gender. Eloise: Then… we’re splitting it by gender…? (...) Wolfgang: We won’t have Ms. Kayura’s help, but I’m sure we’ll figure something out. Let’s go. Eloise: …

Furthermore, it does not feel at all coincidental that the scene directly after Desmond’s blackmail is revealed by Eva sees Grace pressuring Eloise to hand over her blackmail and Desmond attempting to defend Eloise before she reassures him. Eloise’s silence after Grace says that she better not have shown anyone speaks volumes - from the map during Free Time and their alibis for the time of Wolfgang’s murder alike we can explicitly see the amount of time these two have been spending around each other in the courtyard.

Grace: That fencer girl has been giving me the side-eye ever since the blackmail was announced. There’s no other explanation! Grace: Give it! Desmond: H-hey, stop that! Eloise: It’s okay…I’ve got it…

On the morning of Wolfgang’s murder, Desmond and Eloise spent all their time together in that courtyard, paralleling their positioning in the prologue. Just as then, they are each other’s alibis and they are the main one backing the other up. They proceed to stay by the other’s side literally throughout the investigation and figuratively throughout the trial. It is notable that textually Grace and Kai underscore how defensive Eloise and Desmond have been of each other throughout chapter one’s investigation and trial to accuse them of working together - ostensibly, Desmond being the murderer and Eloise his accomplice. When the two of them and Damon confront Grace during the investigation, they are largely backing each other up and adding to each other’s points while Damon chips in on his own - even going as far as to threaten Grace, knowing that she was shot at by Mara before.

Eloise: Um…for us to believe that, we need to see it ourselves… Grace: You think I’m lying? Desmond: There’s a chance you could be, unfortunately. (...) Eloise: Also, um…couldn’t this be considered breaking the rules…? Eloise: Tozu wants this game to be fair, but… being prevented from searching every room doesn’t seem very fair… Grace: …Even if it isn’t, what are you gonna do? Eloise: … Eloise: I’ll…report it to Tozu. Grace: A-ah? Desmond: Nice idea. What do you say we look for him now? Desmond: If Tozu agrees this is sabotage, he might call Mara to help…

In the trial, when Eloise first accuses Grace, Desmond backs her. When Grace’s innocence is proven and Eloise apologises for accusing her, Desmond continues to press Grace when she shouts at Eloise by insisting she “must know something about [Wolfgang’s] last known whereabouts”. When Desmond brings up the golf clothes and equipment in Wolfgang’s room, Eloise backs him. When Mark accuses Desmond of having access to weapons like the taser gun, Eloise reacts before Desmond does. During the nonstop debate about the taser gun, Eloise brings up her and Desmond’s shared alibi as they were together the whole morning. If the player takes the Pathos Route during the trial, it is Eloise’s voicing of her doubts in voting Diana and wanting to hear her side of the story that then leads into Desmond’s own agreement to hear her out. This series of events, I think, proves a degree of trust that has built between the two that they have not extended to anyone else - even during Eva’s execution and Diana’s speech, the two are depicted together.

The nature of Desmond’s blackmail combined with how he and Eloise are written in this chapter as consistent supporters of each other and consistently shown together leads me to be rather firm in my belief at the moment that Eloise is this “only one” his blackmail refers to. Their relationship is given as much focus as Damon and Kai and Wolfgang and Grace, which indicates the importance of it and really, really doesn’t bode well for their survival. My personal speculation at this current moment sees Eloise killing in self-defence, in which instance we will see Desmond’s ‘guard’ come to fruition.

Sharks and swans

It can’t be a P:EG analysis without looking at the characters’ animal motifs - especially with how chapter one confirmed their relevance with the focus on Wolfgang, Eva and Diana in particular!

Desmond’s animal motif is a shark as represented by his shark’s tooth earring and this is immediately notable in tying into the dominating theme of prejudice and “judging a book by its cover” that has presented itself in contrasting ways in his and Eloise’s characters. Desmond being instinctively assumed to be dangerous and a ‘threat’ due to his position as the Ultimate Marksman directly correlates to how sharks are perceived in the media and, by extension, society. One way his shark motif is relevant lies in how it conveys this theme of being misunderstood.

As previously noted, the first thing Wolfgang ever says to Desmond is an interrogative question about whether or not he has killed someone before, it does not take any amount of mental gymnastics for Eva and Damon to agree Desmond’s blackmail makes him dangerous, and it does not take much convincing for the majority during the trial to agree on his likelihood of murdering Wolfgang due to the taser gun originating from his room. Surely, we are instantly reminded of how sharks are similarly misunderstood as obvious killers due to how they have been negatively sensationalised by the media - leading to a general consensus in society to view them as an inherent threat.

“Sharks have been vilified in human culture for centuries, and negative attitudes toward sharks continue to pervade mass media, perpetuating stereotypes, often conveying inaccurate information [7–11]. One way the public’s fear of sharks, which resonates deeply and viscerally, manifests itself is a pervasive overestimation of the likelihood of being ‘attacked’” (Andrew Nosal et al, 2016, The Effect of Background Music in Shark Documentaries on Viewers' Perceptions of Sharks, p.2)

Eva asserts that Desmond finding out about her having his blackmail could make her a target and, generally, the other characters are quick to assume ill intention from him. For example, him bringing up how everyone’s locks to their dorms are broken raises accusations of him exposing people and him testing people’s locks sparks similar reaction - with Wolfgang even denying him future agency by saying Desmond should go to him first.

Desmond’s shark motif combines with how his talent is perceived to beg us as viewers to deconstruct assumptions of him being this ticking time bomb waiting to explode - to pick apart preconceived notions, examine what makes you think that way and why. It is simultaneously fascinating and frustrating to see predictions from fans about how the rest of the game will play out position Desmond as an ‘obvious’ killer due to his marksmanship and because his animal motif is an apex predator painted as a “man-eating monster” by the media, ignoring how his talent has been handled thus far and contributing to the dominating narrative about sharks that does not reflect reality.

The majority of shark attacks on humans are results of curiosity bites on the shark’s end or mistaking humans for, say, seals. In personifying sharks and acting as if they have the same moral decision making as humans and go out of their way to maim and kill, they have become severely endangered themselves. In an article on shark conservation that analysed how sharks are portrayed in American and Australian media, it was identified that there were “four types of risks from sharks and fourteen types of risks to sharks in the articles” and that “Forty-four percent of the articles mentioned elevated public risk perceptions or fear of sharks” (Bret Muter et al, 2012, Australian and U.S. News Media Portrayal of Sharks and Their Conservation, Conservation Biology, Vol.27, No.1, p.190), which is to say that humans are more of a risk to sharks on the whole than sharks are to humans such as through overfishing, finning and habitat destruction and that this can directly parallel the ‘attacks’ on his character that Desmond has endured so far in the story.

In direct contrast in this respect, there is Eloise and her swan motif represented by her hairpin. The dominating cultural perspective on swans is that they are uniquely beautiful and elegant, they are symbols of purity and aristocracy and are a protected species in many countries including the US, UK and across the whole of the European Union. This places them at the utter opposite end of a general consensus scale to sharks and their features in popular culture reflects this from Hans Christian Andersen’s Ugly Duckling fairy tale to Tchaikovsky’s Swan Lake ballet.

Swan Lake is of particular note to me due to its duality of the white and black swan that can be applied to Eloise’s characterisation. Through her white clothing, fencer-defined elegance, and timid demeanour, Eloise brings to mind Odette the white swan - or the Swan Princess - who was cursed to be a swan by day and woman by night and who is revered for her beauty and purity. Contrastingly we have Odile, who impersonates Odette while she is bound to her swan form and is the ‘black swan’ - more conniving and wicked. Traditionally, Odette and Odile are roles performed by the same ballerina and so represent this idea of duality even more. Now, Eloise is neither conniving nor wicked, but she certainly is not the ‘Odette’ that people perceive her as on a surface level, and has assertive and, really, quite aggressive talons that unsheathe when she deems necessary.

(Eloise’s first Free Time Event, unprovoked) Eloise: If…if you ever try to do something to me… Eloise: …then…I’m going to fight back. (...) Eloise: Once, I completely overpowered a person using just a pen… Eloise: And, uh…if you don’t believe me… Eloise: …I…can give you a taste of what that person felt.

Additionally tied to this is the Medieval moralist view on swans as symbolic of hypocrisy. The idea stems from Hugh of Fouilloy’s Aviarium where he asserts that swans’ white plumage concealing their supposedly black flesh is reflective of a sinner who conceals their sins with a faux pious front…this line of thinking of “white = morality, black = immorality” is notoriously flawed and susceptible to challenge, and this specific idea alluding to black flesh even more obviously so. However, as a spiritual Christian belief, it is relevant when considering Project: Eden’s Garden not least because the game’s religious allusions ask us to question the very concept of Eden and how Western institutions use religious imagery - especially in how they distort it and use it for their own narrative. Every image of nature in the academy being artificial highlights this. Thus, this old idea about swans and hypocrisy may be taken into account… it is not so much direct hypocrisy that relates to Eloise, but the theme of appearance not reflecting reality and a warning to “not to be deceived by outward appearances” (Natalie Jayne Goodison, Introducing the Medieval Swan, p.12). Eloise’s character profile outright tells us to “not be deceived” (by her “size”, but this can apply generally).

And this neatly leads into the fact that swans themselves, despite their innocent and pure iconography, are fierce - especially when it comes to defending themselves or their nests. As Aristotle puts it in his (outdated by over two millennia yet still incredibly interesting) work The History of Animals, “[swans] will repel the attack and get the better of their assailant, but they are never the first to attack” (Trans. D’Arcy Wentworth Thompson, 9.12) and Eloise explicitly references this in her fight against her own underestimation and to combat the perception of her as weak both in form and fortitude. Despite what Damon believes, I refute the idea that Eloise’s volatility makes her emotionally weak because chapter one’s trial proves otherwise as does chapter one’s investigation that instantly sees Eloise disprove Damon’s idea of her. Speaking of Damon, it is interesting how he comes to respect and almost understand Desmond who is misunderstood as a threat by others much like himself, but cannot extend the same to Eloise whom he has no axis of relatability to.

“Still, it is significant that the administrative and agricultural experts voiced concern that aesthetic, cultural, and sentimental ideas about swans guide the birds’ protection in a strange or illogical way, and the resources expert agreed that the main—if not the only—value associated with continued protection of the whooper is sentimental value.” (Shauna Laurel Jones, 2018, Feathered majesty in the grainfield? Conflict, conservation, and the whooper swan in Iceland, p.39)

Desmond’s shark motif presenting through a shark tooth earring is not merely an aesthetic choice and instead possesses symbolic connotations. It is the choice in his design of a shark tooth earring that allows us to connect indigenous beliefs about sharks to his characterisation, as in indigenous Hawai’ian culture, shark teeth are traditionally worn as protective talismans, and certain species of sharks in indigenous Hawai’ian culture also relate to the concept of ‘aumakua’ where under certain conditions a deceased person is reincarnated as a shark and acts as a “beneficent guardian spirit” (Leighton R. Taylor, 1993, Sharks of Hawai’i: their biology and cultural significance, p.19) towards their family, both of which link to the increasingly potent theme of “guard[ing]” in Desmond’s character.

Similarly, we find ideas of “guard[ing]” with the swan, especially the idea of being guarded. Most blatant is the fact that swans are a protected species in many particularly Western countries such as the United Kingdom, the United States, France, Denmark, Germany, and Iceland, meaning it is illegal to kill or injure them. In a literary sense, we have the Finnish national epic Kalevala wherein the hero Lemminkäinen is tasked with killing a swan that swims and sings in the Lake of Tuonela that surrounds the underworld, but instead he is killed - not textually because he has attempted to kill a swan, but the context of swans as a protected species and how they are symbolically viewed certainly influences this narrative.

However, as a point of contrast, while sharks can be associated with life in the sense of survival and their integral position in ecosystems, keeping them intact, swans are associated overwhelmingly with death. Firstly examining the former, it is notable to me that Desmond’s animal motif is one heavily concerned with conservation efforts to protect against endangerment and extinction, conditions that are in no small part due to human impact. When one sees apex predator their mind tends to swipe to violence, to these creatures being bloodthirsty, instead of taking it for what it really is: an animal that plays an indispensable role in regulating ecosystems. Already, Desmond has cemented himself as a secondary contributor in trials alongside the likes of Jean, Ulysses and Wenona, and within the group he assumes a position not the extent of leadership like Wolfgang and Jean but certainly as a prominent initiator. Sharks have lived for millions of years and their survival is integral to the smooth management of marine ecosystems, to remove them would cause a disastrous knock-on effect. In tandem, the condition of its ecosystem is integral to the survival of the shark, which raises the aspect of Desmond’s Free Time Events that has him lament the lack of open space in the academy.

“As apex predators, sharks play an indispensable role in regulating marine populations, maintaining biodiversity, and preserving the health of our oceans (amongst many other parts they play in the tapestry of life that is below the waves). However, despite having roamed our oceans for millions of years, they currently face a myriad threats that of our own doing, including overfishing, habitat degradation, and climate change.” (Melissa Cristina Marquez, 2024, Exploring the Intersection of Indigenous Knowledge and Shark Science)

Turning to the association between swans and death is the ever-omnipresent swan song. The myth that swans are silent their whole lives until just before they die, when they sing their haunting song. Eloise can be interpreted according to this in how “silence” can be applied to her initially reserved and shy nature, with the more she develops across the story akin to the theme of transformation found in many European folktales and, unfortunately as a result, becomes closer to death her development in becoming more openly confident will be her “song”.

My personal speculation at the moment is that Eloise will become the blackened through killing in self-defence - something I find fitting for her characterisation, predicted character arc, fencing talent, and swan motif all in one - and so her swan’s song will manifest as her final plight during her trial before she is inevitably sent to death. Relatedly, the conclusion of Swan Lake sees Odette, the swan princess, and Siegried, the prince, die together. I view Desmond and Eloise’s relationship to end in one of two ways - either one of them kills/is killed and the other kills/is killed the chapter after, or one of them kills/is killed and the other survives. Either way, they cannot both live.

The silver Swan who living had no note, When death approached unlocked her silent throat; Leaning her breast against the reedy shore, Thus sang her first and last, and sung no more: "Farewell all joys! O death come close mine eyes, More geese than swans now live, more fools than wise." (Unknown author)

And so arrives the final point to wrap this whole essay up in one neat bow: Eloise’s swan motif presents in her unwavering loyalty as a pair with Desmond. This is so unsubtle that it is underscored by Grace and Kai in the chapter one trial, sending accusations of them working together to murder their way. As has been reiterated, the two are seldom not depicted together, react to accusations towards each other with the same intensity were they to be directed at them, and defend each other with a consistency they do not afford any other character, with only Diana coming close in Eloise’s case. Like swans who mate for life, Eloise and Desmond have essentially become pair bonded. This happening so quickly is not necessarily a cause for doubt either in my opinion as that also connects to swans who bond as a pair even before they reach sexual maturity at twenty months despite living for a good two decades, and we know Eloise and Desmond’s time is far shorter than that.

“Someone has to leave first. This is a very old story. There is no other version of this story.” (Richard Siken, War of the Foxes)

With everything we have of them so far, regardless of how Desmond and Eloise’s individual stories play out, they will be in one way or another entwined.

Thank you for reading, and I would love to know your thoughts!

BIBLIOGRAPHY:

Aristotle, Thompson D. W.,The History of Animals

Goodison N. J., 2023, Introducing the Medieval Swan

Hugh, 1172, Aviarium

Jones S. L., 2018, Feathered majesty in the grainfield? Conflict, conservation, and the whooper swan in Iceland

Lönnrot E., 1835, The Kalewala

Marquez M. C., 2024, Exploring the Intersection of Indigenous Knowledge and Shark Science

Muter B. et al., 2012, Conservation Biology, Australian and U.S. News Media Portrayal of Sharks and Their Conservation, Vol. 27, No. 1

Nosal A. et al., 2016, The Effect of Background Music in Shark Documentaries on Viewers' Perceptions of Sharks

Taylor L. R., 1993, Sharks of Hawai’i: their biology and cultural significance

Tchaikovsky P. I., The Swan Lake Ballet

#★: p:eg #project: eden's garden #desmond hall #eloise taulner #p:eg

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raven-at-the-writing-desk · 5 months ago

Text

Ace Trappola: Trouble, that Trappola

Wow, different pjs??? I wonder if each student will truly have unique sleepwear or if it’ll be like “everyone in the same dorm has similar sleepwear, just recolored and with a different motif”. I’ve been laughing about how Ace is dressed and posed, it’s very… Justin Bieber-coded. His bedhead though, it reminds me of Sylvain from FE3H.

Fun fact, I have an irl friend that has the same birthday as Ace... Therefore, I am legally obligated to celebrate it with them/j This year, we're going to an Alice in Wonderland-themed afternoon tea, which I think is very appropriate for Ace! Aaaaaah, My Alice in Wonderland-loving heart can’t take it 😭

Rise and Shine!

He was having a pleasant dream.

There was a path, and the longer he walked on that path, the more the scenery morphed into nonsense.

First was a forest full of twisting turns, colorful signs that pointed this way and that. There was mewing coming from the trees overhead, but every time he looked, he’d find no one there.

Next was a field of progressively bigger and bigger plants. The flowers had faces set in them, and they taunted Ace as he passed. He had plucked the underside of a mushroom cap and chomped down on it. A mistake—Ace had an out-of-body experience, ballooning to the size of a giant and then back to his regular size.

Then he washed away in a sea of tea, spilling from a gigantic glass bottle labelled Drink Me. He swam with the sugar cubes drifting in the fragrant rapids. He caught a current of milk and rode it past trees of chocolate. A dollop of grape jam had dropped down from a branch and landed on his nose.

When Ace, at last, fished himself out of the tea, he was left sticky, skin caked in sugar. As he made to wring his clothes of Darjeeling, he spotted an iced cookie by his feet. Eat Me, it said. There was a trail of them, confections dotting the road ahead in a neat trail. He had followed it—followed until the cookies became crumbs and he was left wandering in a white void, a blank canvas.

Wandering… wandering… where?

Just as that question cropped up like an unwanted weed in an otherwise flawless lawn, a soft sound tickled his ear.

Someone was calling his name.

Who is it…?

He picked up his pace. A casual stroll to a speed walk, then a speed walk into a jog, a job into a run, then a run into a full-on sprint.

"I'm coming! I'm coming already, darn it!!" Ace shouted into the blinding white. "I'm coming, so...!!"

Wait for me. I'll meet you there.

I'll definitely, definitely...!!

His eyes snapped open.

He was lying on his back, wrapped up in his comforter and staring up at the ceiling of his bedroom. Ace blinked several times, slowly adjusting to the sunlight that was spilling in through drawn curtains. A groan escaped him--it was too early for this.

“Mmm… What time is it?” He rolled over in a groggy daze, reaching for his phone. It was still connected to a charger, but it snapped right out of its socket when Ace jolted up. "WHAT?!"

The time, it couldn't be correct. But the line of text messages in his history confirmed the building dread in his stomach.

Gm, Ace! I'll be over soon. Cya then.

I'm here!

Hey, are you up? It's 10 minutes past.

Did you stay up late talking to your bro and sleep through your alarm again?

Hellooooo?

I'm gonna leave without you if you don't come out in 5 minutes.

"Crap, I'm running late!!"

Ace leapt out of bed and flew across his room. The comics and magazines littering his mattress scattered to the floor, but he didn't stop to pick them up.

He moved like lightning, hurriedly dressing and rushing into the communal washroom. While he brushed his teeth with one hand (lest he face the wrath of his vice dorm leader), he teased out his hair with the other. After splashing his face with water (who was going to clock him, Vil?), Ace scribbled on his signature heart, grabbed his backpack, and slipped into his sneakers.

He had his technique down pat thanks to years of practice.

Ace bolted down the hall, stuffing a protein bar into his mouth as he cleared the door. The day greeted him--and so did you, glancing up from your own phone.

"There you are! You kept me waiting, wise guy," you lectured him. It wasn't anything serious--not like his dorm leader's lengthy tirades--just paling around.

"Excuse you," Ace huffed, running a hand through his hair, "I'm fashionably late. There's a difference."

You laughed. Typical of him to always have a snappy comeback prepared.

"Well, c'mon then, fashionably late loser," you urged, playfully nudging his arm, "or we'll both be tardy."

"We'll be late, but at least we'll be late together," he grumbled, nudging you back. "That's fine by me. Wouldn't be the worst thing in the world to be stuck in a room with ya for the afternoon."

"That's a weird way of describing detention with Crewel-sensei."

"What can I say? I'm a poet," he shrugged, letting his sarcasm drip like thick nectar. "Besides, I can't leave you hangin'."

"No?" Your eyebrows hitched. "Funny, cuz I clearly remember you ditching me for cleaning duty on the first day of classes. I almost thought you had left for class without me today too."

"Oi, that was then and this is now! Come on, do you really think I'd do that to you? Me? Really?"

"Absolutely," you said without missing a beat.

"Pfft. You're so wrong about that." He rolled his eyes. "If you were really that worried that I'd gone without you, you could've poked your head in to check on me."

You frowned. "That'd mean I'd have to go into your room."

"So? I've been over at your place and in your room before. What's the big deal? You'd just be returning the favor."

He leaned in, so close that your noses almost touched. Your heart stood still. The corners of Ace's mouth lifted into a smirk. It suited him well, loathe as you were to admit it.

"Or is it that you're being shy?" he asked in a singsong. "Prefect 🎵"

"I-I'm not!" you squeaked, stepping back to put distance between the two of you. "Quit assuming things, Ace! This is why you're so annoying."

"And who is it that's decided to hang out with my 'annoying' ass, huh?" he countered smoothly.

"Urgh...! Maybe I shouldn't have wasted my time waiting for you to get ready after all..." you muttered, turning away from him. "My morning would be way more peaceful without you."

"Way less interesting too," he quipped--getting in the last word.

You shook your head, but didn't bring yourself to argue. However meddlesome his tongue was, he had spoken the naked truth.

He's trouble, that Trappola.

#twisted wonderland #twst #Ace Trappola #twst x reader #Ace Trappola x Reader #disney twisted wonderland #disney twst #Reader #self insert #jp spoilers #something no one asked for #Ace birthday takeover #twst imagines #twst scenarios #twisted wonderland imagines #twisted wonderland scenarios #I wonder if Ace made that same face when he got the SOS text from Yuu in book 4 #bet he did

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sillyandquiteawkward · 1 month ago

Note

Do you have any tips/advice for someone doing comics? Like, shorter ones, not necessarily longer form stuff? How to plan a lil scene, set up panels, etc? Anyway, I like your comics a lot, your art is really cool and I hope you have a nice day <3

i feel like i do what you arent supposed to do, but i write a lot of my short comics from the seat of my pants. i have a general idea of what i what to accomplish, sometimes i have some dialogue and stage direction written in my notes app, and i just. draw a rectangle and start going. that tends to be why a lot of my mspaint comics tend to be talking head type deals, haha. ill try to give some proper advice, but im also just a hobbist whos taken a some classes about communication through design and comics years ago.

most comics do well if you establish a scene with a larger set piece, then you can narrow down to characters or actions. show us where we are in space, and the audience can take that knowledge and move along the other panels with a stronger suspension of disbelief. (bc comics are all about giving toys to your reader and hoping they play with you) heres the first page of my anya n swansea comic illustrating this. big location panel, then narrowing down to character moments.

you notice as i focus more on dialogue, that my scenery gets left out. this is bc theres only so much space in a panel, so i need to choose what gets shown. of course this depends on what medium you work with, but the gist is the same amongst all types. dont give your reader TOO much to play with or they might get confused, or will start skimming. not what we want!

for shorter comics, id suggest something eye catching right at the beginning to catch readers attention. if you have multiple "pages" or breaks in the comic, make sure the last panel before the next page is enticing. be it a punchline or cliff hanger, something to keep the reader interested. jingle those keys. in general most short comics need to end on a punchline or satisfaction or deep thought. something for the reader to chew on after their done reading, or to inspire rereading. makes for a satisfying read!

but it also depends on how you want to structure a comic page. this comic of anya and curly i did is very different than the previous one i showed, and i think its one of my fav recent comics. it starts with a weird piece of dialogue that makes you ask "what does that mean" which gets answered by the next panels. theres visual and spoken repetition, theres very little said, and its short and sweet. very easy to read and reread, so its easy to take in, and its easy for the reader to sit with it longer and ponder it more. and be able to draw their own conclusions. play touys with meeee

i think when it comes to planning scenes, it depends on what you want the reader to get out of it. when i was planning this comic page, i really wanted to mention that curlys tear ducts probably dont work, and anyas been wearing the same contact lenses for months! i wanted to showcase their similarities and how they mirror each other narratively and i had the idea to use the onomatopoeia of drip to stand in for the drip of saline. but i didnt have any solid ideas past that. but i do like showcasing mundane sort of events, so i thought maybe just a simple exchange of using saline to wet curlys eye, and then her eyes. initially the idea to literally copy and paste the action of applying the saline was out of ease so i didnt have to draw it again, but i found that it worked for the narrative, so i leaned into that. i flipped anya around to better convey them as on either side of the mirror, and had anya repeat her dialogue.

something else to debate about in layout, is making sure the comic isnt too unbalanced (unless thats a theme/motif youre wanting to work with) in this comic page, anya always remains on the left side, except the first panel where she is on the right. i Could have swapped her and her dialogue in the first panel, so she stays on the left and better mirrors curly in panel 3, but if i did that, the comic would be very left heavy. anyas hair and her clothes are a heavy, dark color, it takes up a lot of visual attention. i thought the comic would look more pleasant for anya to be on the right in the first panel to balance it out, as i didnt find much narrative use for her to be on the left side always. the reader would still read the comic left to right and follow the typical reading pattern regardless. to make up for this, in panel 3, curly mirrors the angle she's at in panel 1, its not an exact mirror, but its enough that i was satisfied with it.

in other comics, it might be easier to play with how the eye would move across the page. regardless, its something important to keep in mind. you have to assume how the reader will read your comic, and if youre going to be breaking the rules, you need to put in lots of safeguards to make sure the reader can understand what youre doing. too much dialogue in confusing places? work with the speech bubbles to create hierarchy and flow so the reader knows how to read everything in order. number one rule of design we were taught was people are stupid, so you have to play at their level, or baby proof your level DX designers and artists know all the rules, but readers dont have a grasp on the rules themselves, just the vibes of the rules.

the most important thing with comics is legibility. if the reader cant understand or follow the comic, it might as well be like them not reading it at all. and the worst thing that could happen is they think what youre doing is pointless. so you have to juggle what you want to accomplish, what the reader can understand, what the medium limits you to, and what rules you think you can get away with breaking.

hope this is some sort of satisfying answer! i feel like im always hit or miss with advice XD;;

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hellohiyoko · 9 days ago

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(P:EG THEORY(IES) ABOUT ULYSSES)

Spoilers below

(THEORY) Ulysses Won't Be The Next Victim

After the first chapter of Project: Eden's Garden, many have speculated that Ulysses Wilhelm, the Ultimate Historian, will be the next victim to be murdered in the killing game.

At first, I was right on board. The signs are all there (He was very prominent in the first trial, he had a Rebuttal Showdown in the first chapter, and his overall character seems to suggest that he won't put up much of a fight), it's only natural to come to this conclusion.

Until, I came to a conclusion of my own.

If my username seems familiar (and you're not following me or a mutual or mine or anything lmao), you might remember the post I made about how obvious the first chapter killer and victim should have been (I remember it anyway, I get like for it every one to five business days lmao).

In the post above, I explained that by analyzing Eva Tsunaka's and Wolfgang Akire's names and animal motifs, their fates were made obvious to the audience.

Shortly after making that post, I researched the names of the surviving cast and their significance in the Bible in an attempt to find another hint. Not counting a few exceptions (Damon's nickname from Cassidy being Damo, an anagram for Adom aka Adam, Diana's name meaning heavenly and Kai's name being vaguely similar to Cain), I came up empty-handed.

Several months later, I'd revisit an old WIP of mine from an entirely different fandom: Percy Jackson. Long story short, when I was like 15, I came up with an idea for a next generation fic, but I couldn't think of a name for a set of twins by Percabeth. I then remembered that Odysseus was Athena's (the mother of Annabeth Chase) favorite hero, and looked for names similar to that for their children.

And I came across the name: Ulysses. Ulysses is Odysseus's name in the Latin variant of The Odyssey.

Suddenly the wheels started turning.

The Bible wasn't the only story with mortal characters interacting with omnipotent beings. In The Odyssey, Odysseus (or Ulysses) is guided by Athena, a virgin goddess of wisdom, strategy, and much more. Similarly to the cast of Project: Eden's Garden, many Greek gods have representative animals.

And Athena's animal is an owl, just like Ulysses Wilhelm.

If we're to assume that Ulysses's name will be an indicator of his fate in Project: Eden's Garden, this can mean one of two things.

He'll either live to the end and survive the peril and hardships of the killing game, much like his namesake...

Or, he'll commit murder in an attempt to survive, similarly to his namesake as well.

Me personally, I'm suspecting now that Ulysses will be a murderer. I could see his inability to smell being the one last piece of evidence to damn him further, which Damon could use against his new rival, Diana, who would definitely argue that "someone like Ulysses couldn't have done it because he was so helpful last time".

Then again, the P:EG team could've predicted that someone would've thought of this and purposefully created Ulysses the way that they did to throw us off. I suppose only time will tell.

#project eden's garden #project: eden's garden #p:eg #p:eg spoilers #ulysses wilhelm #damon maitsu #diana venicia #kai monteago #eva tsunaka #wolfgang akire #danganronpa

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grunckle · 1 year ago

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Void Worms as the Demiurge and Iterator Inverses (And also clearing up some things about the Qualia post)

So, I'm going to be going a bit more in depth on the Yaldaboath-Void Worm comparison I brought up in my previous post. Here's the post for anyone who didn't see it already:

I also just wanted to expand upon some things and maybe clear up some confusing parts that I didn't cover in the original post.

But first I'll give a quick explanation on what Yaldaboath (who I'll just be calling the Demiurge from now on) is before drawing the comparisons. The Demiurge is a being in Gnostic belief that created the material world. He is often identified as the god of the Old Testament, and is malicious and inferior to the True God called the Monad, who is above all else.

Of course this is very simplified and I'm leaving a lot out, but what you should take out of this is that he created the material world.

So back to void worms, they heavily resemble the Demiurge in a few ways. Visually, they both share a long, serpent-like body, and glowing "halos".

But beyond that, they indirectly share a few celestial motifs. The Demiurge gave birth to Archons who ruled over different, "celestial spheres." Celestial spheres are a concept in Rain World cosmology, as it's mentioned in the Deep Pink pearl.

"On regards of the (by spiritual splendor eternally graced) people of the Congregation of Never Dwindling Righteousness, we Wish to congratulate (o so thankfully) this Facility on its Loyal and Relished services, and to Offer our Hopes and Aspirations that the Fruitful and Mutually Satisfactory Cooperation may continue, for as long as the Stars stay fixed on their Celestial Spheres and/or the Cooperation continues to be Fruitful and Mutually Satisfactory."

But, even beyond that, they straight up appear visually in the depths through Guardian Halos.

And then Gnostic celestial spheres for comparison.

Void Worms are also described as "stars" within ancient dreams and our own.

Now, this is only a tangential relation to the Guardians who also reside in the Depths, but there is one more thing that I believe cement the Void Worm Demiurge theory that is much, much bigger in the context of Rain Worlds narrative.

Void Worms have a lot of iterator parallels, which lead me and others to believe that they act as a direct inverse to Iterators. Iterators usher beings to ascend past their mortal confines, and Void Worms trap beings in the material world like the Demiurge.

The first of which are just some design similarities between the two. They both have round heads with bug-like eyes, and they both have halos.

Next, the scenes in which we see iterators and the void sea are very reminiscent of each other. There are thousands of iterators above, and thousands of void worms below.

Void worms have 8 arms/tentacles, iterators cans have 8 legs.

But probably the most striking piece of evidence for this parallel is the music that plays atop the Wall and in the Void Sea. They share the same musical motif.

youtube

And, as a quick fun side note:

It's pretty common knowledge at this point that Void Worm skin is corn, but whats less common knowledge is that it's also made of fractal patterns and neurons.

Basically I think all this points to Void Worms being iterator inverses and working like the Demiurge, manifesting the material world and trapping beings within it.

Now, just to clear up some things about my previous post. I don't think the rot itself is made from the ancients' mutated brain matter, but rather the method in which both cabinet beasts and the rot are made are similar. They're both made by taking neural matter, (Five Pebbles's brain in the case of the rot and the Ancients' in the case of cabinet beasts) and mutating it into something else. Its more just a conceptual comparison than evidence the two are related.

Second is more about personal interpretation, but I don't really think that each Void Worm we see is manifesting it's own world. All together they act as the concept of the Demiurge, manifesting one universe. Perhaps they're not even conscious about it, and experience a divine realm similar to us while they swim around aimlessly in the Void Sea.

And finally, adding onto my last point, that's why I don't think the parallels give a lot of insight into how the cycles work, other than that by entrapping creatures in the physical world those creatures are also subjected to the cycle. I have my own cycle theory that I believe works a bit better that I might post later. But yeah I just wanted to clear that stuff up.

#rain world #rain world spoilers #rain world lore #long post #void worm #demiurge #Youtube

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daymemebeliever · 3 months ago

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What we can Learn from Dave the Octopus

Theme 2: Villains (part two lol)

I was doing a rewatch of Penguins of Madagascar (the movie lol) the other day and thought, you know, there's a lot of relevant themes in this movie that can be applied to today's social issues. (Not all of these apply to Dave's character but a good amount of them do.)

The Dangers of Scapegoating

This is a big theme in the movie. The main premise for Dave, the antagonist, is seeking revenge on penguins (especially the Penguins) for his hardships. Instead of learning to embrace himself for who he is and/or working to change the system that worked against him, Dave instead blamed and targeted penguins. When he recounts his story, it is never penguins that sent him from zoo to zoo, but humans. You can see he directed all of his frustrations with societal cuteness standards (if you will lol) onto penguins. And once he thought he had defeated the Penguins, he simply wanted more "revenge" (by finding another scapegoat "puppies, kittens, pandas").

None of this solved his actual problem: the way society perceived him. It only caused harm to another group (penguins). As we have seen in past years, it is very common for groups to be scapegoated, or blamed, for tragedies they did not directly cause or play a role in. When this happens, the actual problem isn't solved, but instead it causes more division and perpetuates more harm. Realistically, it's easier to point the finger at one group (who are in fact innocent) than to fix overall problems. Thus, scapegoating is common but does not contribute to problem-solving. His goal was never to fix the problem but make others feel his pain.

The Harm of Stereotypes/Generalizations

Perhaps the most prevalent motif throughout the film is the perception of penguins as simply "cute and cuddly". In the very first scene, the Penguins are described as "helpless baby penguins" by a documentary crew. A young Skipper aims to challenge this perception by breaking away from the status quo of ONLY being cute and cuddly by "rejecting nature" and saving baby Private.

We can see this perception of penguins being helpless when they meet the North Wind. Corporal, though well-meaning, sweeps the Penguins up in a hug, even though Private is the only one that actually seems to be enjoying a hug. Thus, he makes the assumption that all penguins would be cuddly. Classified, in anger, calls the penguins "pathetic" which immediately gets a response from Skipper.

HOWEVER, Skipper seems to internalize this stereotype about penguins as he, in turn, underestimates Private's abilities. As the movie progresses, you can see that he does this more so out of brotherly/fatherly concern for Private. Still, he ends up placing internalized stereotypes onto Private, which he himself had fought (and continued to fight throughout the movie). He also expresses these feelings of perceived inferiority through his constant challenging of Classified.

Even Dave, at the beginning of his story, tried to fight the stereotype that octopi were "unlovable". Yet after being placed into this category, after being rejected so many times, he became a self-fulfilling prophecy and became vindicative.

In real life, women often face a similar struggle of being underestimated or viewed as overall less competent than their male counterparts. It is more common for women to be taken less seriously than men simply due to stereotypes. Many women can relate to the Penguins' struggle in this movie: being seen as less competent despite being very well-equipped to solve an issue they have experience in.

Autonomy of Marginalized Communities

I'll go more into this in the next section, but a major problem with the North Wind's plan in this movie is their overstepping of the Penguins in their shared goal. Once the Penguins learn that Dave is targeting ALL penguins, not just them, they immediately are focused on finding a way to defeat Dave.

But they are "kicked off the mission" by Classified, who tries to send them to a "safe house" in Madagascar. Their autonomy in this situation is taken away, which leads the Penguins to come up with their own plan in Shangai. It also contributes to the tension and conflict between the groups.

Since this mission impacted the Penguins directly, as they are penguins, they were more passionate about this situation. Private notes this when Classified leaves to "regroup". If Private would have listened to Classified and "regrouped", the penguins (including Skipper, Kowalski, and Rico) could have been captured by the exterminators before they returned to help.

In real life, when marginalized communities' autonomy is not respected or valued, it can lead to things like gentrification (which actually causes harm by raising property taxes to where the original residents cannot afford it).

Savior Complex vs. Actual Allyship

Despite not being penguins themselves (and being all larger/omnivorous animals), the North Wind sees themselves as the "professionals" or experts when it comes to saving the penguins (and any other "animals who can't help themselves"). Instead of listening to the Penguins or collaborating with them, Classified dismisses them. This leaves the North Wind with many blind spots in their perception of penguins and the actual nature of the problem they are aiming to solve (protecting penguins/stopping Dave).

In real life, there are already many organizations run by members of marginalized communities. When people outside of these groups try to start helping, without respecting the thoughts, opinions, or needs of members of these groups, this often does not turn out to be helpful and can even be harmful in some instances (ex. Autism Speaks who have historically been known to have very few Autistic members of their board). Without actively collaborating with members of marginalized communities, there is a danger of speaking over them. This can make the situation worse, rather than helping.

Sometimes amplifying voices or simply listening is the best form of allyship.

BUT when Classified listens to Private and does things "the penguin way", they all complete the mission successfully. Even then, they do not save the penguins but work with the penguins, who are saving themselves.

What are you thoughts on the lessons from this movie?

(Should I do a video essay on this? XD)

#penguins of madgascar #stream of consciousness #cinematic analysis #movie analysis #skipper #private #kowalski #rico #classified #north wind #the north wind #2024madaparty #2024madagascarparty #dave the octopus

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moog-rt · 1 year ago

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GO TO HELL [ch. 4]

[Lucifer Morningstar x Fem!Reader]

Previous: Chapter Three

➨ Chapter Four

Next: Chapter Five

Premise:

You love your friends. You really do. But sometimes it needs reminding when one of them accidentally sends you to Hell.

Despite falling into the hands of Hell’s loveliest princess, finding a way back to the world of the living proves difficult as you tiptoe around its king.

A/N: shout out to my very own "power bottom at rock bottom" (aka my roommate) for harnessing her inner Angel Dust and feeding into some of his dialogue.

If you'd prefer to read on Ao3, here is the link:

Otherwise, enjoy!

♡ ♡ ♡

CHAPTER FOUR

The car ride home was mostly silent and incredibly tense.

You also couldn’t shake the feeling of being watched. When you looked around to sate your paranoia, you found nothing suspicious and whittled it down to the anxiety having your face plastered across every news channel in hell.

On your way out of her father’s manor, you decided to fill Charlie in about your hands and cheek. She said it was a gamble whether her dad would react well to your being human or not. Being neutral to it, however, was something she would not have imagined. She was just relieved that you were alright.

She theorized that he may have assumed you were just wearing face paint for ‘shits and giggles’ (your words, not hers). There were some demons in Hell that did have skin tones similar to when they were human, so it wouldn’t be too outrageous for you to, as well.

Though it would be no surprise if he jumped to the conclusion that you were human due to your being televised all over Hell the day prior.

Not knowing where his head was at was going to kill you.

But worrying about that wasn’t going to get you anywhere. Charlie believed you two had searched everywhere in her old place that was likely to hold the key to you getting home. To your relief, the likelihood of returning was slim to none.

There was no need to stress over her father figuring you out since you wouldn’t have to risk running into him again.

The only thing you needed to focus on was getting those godforsaken cobwebs off the chandelier in the hotel foyer.

Vaggie was able to get the place mostly cleaned up in the time you were gone, but there were still a few things left that you were able to help with. After all they had done for you, this was the least you could do for them in return.

As you climbed back down the ladder, you saw Charlie pacing and muttering to herself. Even though you only met her recently, you knew how much the hotel and her plan to redeem sinners meant to her.

If this didn’t go well, she would absolutely take it to heart. She seemed like the type to barricade herself in a room to sulk for weeks on end. Or maybe bawl her eyes out whilst shoveling heaping spoonfuls of ice cream down her own throat.

Probably both.

“You know, this place is really coming together,” you said as you walked up to her.

She paused to face you.

“You think so?” she asked, glancing around the foyer in search of anything in need of tending. “Gosh, what if he doesn’t like the color scheme, or—or the motifs? What if he decides he isn’t interested in redemption at all?”

“Hey,” you said to get her attention as you leaned back into her view. “If he weren’t interested in what you’re offering, he wouldn’t be coming by to check things out. And I really don’t think your choice in décor will be what turns him away.”

You chuckled a bit as you glanced at the odd horse statues and slightly tattered wallpaper. It wasn’t modern or trendy, but it did have character. That was for sure.

She nodded with a far-off gaze, ruminating on your words.

“Even if he does decide that this isn’t for him—though I don’t think that will happen—there are so many people down here! I find it hard to believe that you won’t find some who are interested,” you continued. “Think about all the souls that believed they’d be going to Heaven but ended up here instead. They’d probably give up an arm and a leg to be redeemed.”

Her shoulders slacked, and her back loosened as she released a deep breath. Looking back at you, her face appeared more relaxed.

“Yeah…you’re totally right,” she said with a soft smile. “We just need to be patient.”

“I think this guy would be stupid not to accept your offer.” You bumped her arm playfully as you went to continue tidying up.

Out of the corner of your eye, you saw her smile and walk off, presumably to do the same.

Everyone was putting the final touches on everything when there was a knock on the front door. You paused in the middle of sliding the sofa across the room so you could get a look at whoever was there.

Charlie and Vaggie looked at each other in surprise.

“I told him to text or call before showing up,” Vaggie grumbled, running a hand through her bangs as she went to answer the door.

He was quite…tall.

You had forgotten their appearances could vary so much. Charlie, her father, and Vaggie were relatively similar to a regular person, despite some slight cosmetic differences. This guy, however, had an extra set of limbs and was covered head to toe in what looked like fur.

Upon closer inspection, he also had what appeared to be three additional pairs of eyes underneath his primary ones.

Was he supposed to be a bug?

You shuffled forward as Charlie introduced herself. She had fixed up your makeup once you returned, so there was nothing to worry about regarding your own appearance. You had double and even triple-checked beforehand.

“This is it?”

“Uh…yes?” Charlie said meekly with her hands clasped in front of her chest.

He gave the foyer a hard once-over.

“Eh, anything’s betta’ than my current digs,” he said with a shrug and started walking around. “You got drinks?”

“No? The point of redemption is to stop engaging in sin,” Vaggie stated, crossing her arms. “Which means cutting out drugs?”

“You’re kiddin’ me,” he said as his body slumped. “What the hell am I supposed to do then? Play checkers?”

“Ooh, Checkers would be a fun way to break the ice!” Charlie sang, clapping her hands together.

This earned her a blank look from the new guest.

“Aha…” she laughed awkwardly at the bland response, then turned to gesture at you. “Well, this is our current resident! We have faith that she will be redeemed very soon.”

You gave a wide smile as you were being shown off. Should you strike a pose? Put your hands on your hips and puff your chest out in pride?

You didn’t mind being a fake example of a sinner-gone-good to help her out. It was the least you could do at this point. Plus, when you finally got the hell out of there, you could all play it off as you being ‘redeemed’.

“Yup, yup. Sin-free life has been pretty great,” you said, crossing your arms.

The guy already seemed exasperated. Vaggie was right when she said he was more interested in free rent than redemption itself.

“What did you say your name was again?” you asked in an attempt to keep the conversation from dying out before it had even started.

He perked a bit and plastered on a sultry smirk.

“Angel Dust,” he said as he swiped a hand through his hair(?) (head fluff?). “If you’re interested in gettin’ to know me betta’, I’ve got a nice collection of videos I can refer ya to.”

“No,” Vaggie groaned. “He’s a pornstar.”

Your eyebrows shot up.

“I mean, more power to you,” you shrugged, and he snickered.

“Wasn’t expectin’ that sorta career choice to fly with someone aspirin’ to cross through them pearly gates.” He tilted his head as he eyed you carefully, leaning down slightly to be more at your eye level.

“What makes you think that?” you asked, raising your chin. “In my opinion, a redeemable gal like myself should be respectful of other’s bodily autonomy.”

“Last I checked, the pious types weren’t so down with cock-suckin’ hoes. I mean,” he paused and smirked, “some of ‘em were down with us cock-suckin’ hoes, but they did their darndest to pray that shit away afterward. The guilts part of the kink.”

Vaggie’s stance tensed more and more with each word that came out of his mouth. You were pretty sure her eye was twitching.

“Good people are accepting people!” Charlie exclaimed, throwing her arms out.

“You ain’t ever have to deal with the living, sugar-tits,” Angel said, draping himself over the couch in a way you were sure would be put on the front cover of a Playboy magazine. “But sure.”

You all began a short tour of the hotel much like the one you got when you first arrived. This time, however, Charlie was really trying to sell her redemption plan to him. She explained the terms of their deal. He would refrain from acts of sin, such as violence, drugs, yada-yada, and he could stay there for free.

As you began filing out of one of the available, move-in-ready rooms, you noticed Angel pause. He was looking at the ground with a blank expression, clearly contemplating something. You assumed he was weighing the pros and cons of Charlie’s offer, but you were no mind reader.

After showing off most of the relevant parts of the hotel, you gathered back in the entryway. Charlie stared Angel down expectantly, waiting in suspense for his decision.

She was overjoyed when he finally agreed.

“There’s no harm in tryin’, I guess.” He shrugged shooting a half-lidded smirk. “But I ain’t makin’ no promises that I’ll be the paragon of redeemability. I ain’t that type of model.”

When he left, he said he had to clear some things with his boss first and then he would start this whole ‘redemption thing’.

The three of you had a miniature celebration—juice, soda, and popcorn to go along with eager chatter—before you decided to address the stack of books you had hauled back to the hotel.

The evening was going swimmingly thus far, and you hoped that good luck would carry on to the very end of the night. Somewhere in that pile was your key to getting home. Your fingers were crossed that you would be sleeping in your own cozy bed that night.

You could finally take up your own offer on a nice hot bubble bath and let it soak away all the stress that had stockpiled within your body.

Sitting in a circle around the books, you began sifting through them.

Your hope dwindled bit by bit with every one you flipped through and set aside. They had everything to do with the living world except for the means of getting there.

Once the last book was deemed useless, you sat in sullen silence. A sort of emptiness settled within your chest.

If that was your best shot at returning, what else was there?

“Okay…that’s okay!” Charlie said in an attempt to lighten the mood. “We just have to try something else. Vaggie, you said you knew people who had access to Earth, right?”

“I said I knew of people,” she corrected. “But I did do a little bit of digging while you were out, and I might have a few leads?”

“Oh, perfect!” Charlie chirped, sitting straight up with her hands on her knees. “How about we look into those tomorrow then?”

You and Vaggie both nodded because what else were you supposed to do? You didn’t really have the option of giving up in this situation. Your life wasn’t going to wait on hold forever. It probably wasn’t waiting at all.

At this point, two full days would have passed since you ‘disappeared,’ but living alone makes it harder for people to notice that sort of thing. You doubted Devon would have reported it since that would likely result in them getting into even deeper shit (in addition to the can of whoop-ass you’d release onto them once you made it back).

And you knew better than to put any amount of faith into Jack. You were sure he noticed your absence. You had the texts to prove it. But he seemed to be convinced you were giving him the cold shoulder, which would most likely result in him pretending he didn’t give two flying fucks about you.

Fuck that bitch.

♡

You wouldn’t say you slept like a baby that night, but you sure did sleep. You slept with the weight of despair threatening to overtake you with each failed attempt of finding a way back home.

And you know what?

It wasn’t half bad. Would you recommend it to someone else? No, not really. But you couldn’t tell them it was terrible.

Wiping the sleep from your eyes, you padded your way down the grand staircase. It was nice not having to wake up early to get all done up, but you still felt groggy. Possibly from sleeping too much.

You also appreciated being able to spend more time in the pajamas you were given, because good lord were they comfy.

Charlie and Vaggie let you know last night that they’d be leaving earlier in the morning to talk to the folks Vaggie believed might be able to access the living world. You stayed behind because you all agreed that dragging you through public in a not-so-durable disguise was a disaster waiting to happen.

However, they planned to be back in time for Charlie’s father to visit.

He had called her the previous night—just before you were all about to go your separate ways—to let her know he wanted to stop by. She told him he could drop by in the afternoon, and that was that.

You planned to coup yourself up in your room for the duration of his visit. You would rather die than address what had happened with the paint. If he had any questions regarding that, he could direct them towards his daughter. Thank you and goodnight (love you, Charlie! Muah!).

There was nothing to do until Charlie and Vaggie returned, but you still wanted caffeine or anything that could clear your brain fog.

They had stocked up the fridge and ‘pantry’ a bit more since you arrived, and Angel would likely move in any day now so there was also that to consider. Yet it was still a gamble on whether or not you could find something appealing.

You kneeled down in front of the fridge and began rummaging through your options.

Mysterious leftovers?

No.

Artichoke Hearts?

Eh…for breakfast? Probably not.

Coconut Milk?

No… You were surprised they even had coconuts in Hell. Unless, of course, they had sinners that manifested as coconuts, then you reckon they could milk—

No, absolutely not.

You were thinking about settling on a popsicle when you heard a knock at the front door.

Nobody should have been stopping by yet. Charlie’s dad wouldn’t be there until later, and you guys weren’t expecting anyone else. It could possibly be Angel, but you doubted he already spoke to his boss considering it was still morning.

The stained-glass doors didn’t disclose much about your surprise visitor. They were merely a shadowy figure, distorted by the odd shapes and colors.

Regardless of who it could be, you needed to hide or at least find a way to get back upstairs without being seen.

Slowly rising to your feet, you locked onto a rather large crate near the edge of the entryway.

You wouldn’t have to cross in front of the door to get there, which was ideal. Even though you knew the person on the other side couldn’t see you clearly, you preferred they not know you were there at all. Once you were at the crate, you could easily make your way around the room undetected.

Just as you were about to slip around it, you heard the front door creak open.

“Hello~” sang a familiar voice.

You hastily dodged behind the crate, your feet sliding slightly underneath you due to the new socks you had been gifted by your hosts. Thankfully, you were able to stabilize yourself before falling into anything.

Your heart was pounding away in your chest.

What was he doing here so early?

You pressed your back against the crate as you carefully sat down to wait for him to pass. Listening to his footsteps crossing the room was doing nothing to soothe your nerves. It was clear that he was in no rush to move on through the hotel. You could hear him as he sauntered around the foyer, pausing every once in a while before continuing on.

If he was taking in the sights, it was only a matter of time before he got to your side of the foyer.

You had to get out.

Taking a deep breath, you hesitantly peeked around your hiding spot to see where he was and whether he was looking your way.

To your relief, Charlie’s father was investigating a portrait on the wall opposite of you.

You wasted no time creeping across the floor to take cover behind the tattered old reception area. There was a body-length mirror resting against the wall just a few feet away that would give you a relatively good view of where he was.

As you were about to lean close enough to see through the mirror’s reflection, you heard him begin to hum just a few feet away. You scrambled to get beneath the desk.

How did he get so close so fast?

You understood the guy wasn’t human, but still. You were able to hear his footsteps clear as day up until that point. He shouldn’t know you were there; you were being so quiet…

Holding your breath, you waited for him to put some distance between the two of you. When you felt he was far enough away, you slowly scooted to the other side of the desk where you could hopefully get a view of the mirror.

Hearing him tampering with something, so you took the opportunity to glance at the mirror’s reflection.

He was prodding at one of the broken columns, testing its stability, it seemed. And his back was facing you. Perfect.

Glancing around the edge of the reception desk, you could see that the stairs weren’t too far away. It was a pretty open area, however, so you wondered if it would be better to beeline it down the adjacent hall instead.

Figuring that was likely the safer option, you checked the mirror once more to make sure his back was still turned.

You met his gaze in the reflection, and your eyes went wide as his lips curled into a wicked grin.

Fuck.

In a panic, you threw yourself out of view and knocked your head into the desk’s edge. The collision was certainly loud enough for him to hear, but you kept your pained whine quiet as you cradled your temple.

Your train of thought was quickly growing fuzzy, unsure of what to do or where to go.

Was it best to run?

What if he was faster?

Would your chances be better if you found another place to hide?

Probably not… He already knew where you were, and you weren’t sure where else you could even go.

All you knew was that you couldn’t stay where you were. If his eyes were still trained on the mirror, you would probably be better off going back the way you came. Maybe there was a gap in the crate that you could worm through to hide. It would be like you disappeared.

You turned back in that direction, and as you were about to dart back to the safety of your original hiding spot, two legs stepped in front of you.

You gasped, sliding to a halt just before you could crash into him.

Charlie’s father slowly crouched down to your level as you tilted your head to look up at him, eyes as wide as saucers. His smile was wide, showing off his large, pointed teeth.

“What do we have here?”

Next Chapter

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#lucifer magne #lucifer magne x reader #lucifer morningstar x reader #hazbin hotel #hazbin hotel x reader #lucifer morningstar #demon summoning #occult #charlie magne #charlie morningstar #Vaggie #Angel Dust #Hazbin Hotel Angel #Hazbin Hotel Angel Dust

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