#this is very specific for something being so vague

[pressureplus]

HEYA HELLO HI

first, i want to genuinely thank you guys for the account's existence and your hard work. reading through the posts is often the highlight of my bleak days, and im immensely grateful for you providing those moments of joy :]

SECOND UH ID LIKE TO ORDER A SPECIFIC KINDA HEADCANONS LIST IF NO ONE MINDS AND IT HASN'T BEEN WRITTEN ALREADY ALRIGHT YEAH

a nonbinary reader who is pretty similar to Seb's stubborn, independent and sassy persona but WOMP WOMP, they're suddenly head over heels for him. NEITHER WANTS TO ACKNOWLEDGE THE FEELINGS (aka "HE'S FUCKING MARRIED, IT'S NOT MUTUAL AND IM BUSY WITH NOT DYING, BUT I CANT GET HIM OUT OF MY HEAD" & "I HAVE A WIFE AND THEY'RE JUST SOME EXPENDABLE BASTARD, GET OVER IT, SOLACE"). the distracting, unnecessary, painful pining. how do both cope and who's gonna break first? and most importantly, is either gonna throw their ego and rationality out the window to confess despite the fear of looking pathetic?

oooof i hope it's not too much and it's not breaking any rules. thank you in advance if you find it interesting enough for writing! :D

Awww, thanks so much! Although I should make it very clear the wife in question will remain vague and is NOT BASED ON ANYONE! Thanks for the request ❤️

♡Married! Sebastian Solace x NB! Similar! Reader Headcannons♡

Warnings: Sebastian is Married and Y/N is technically an Affair Partner

◞꒷◟ ͜ ͜ ◞ྀི◟୨୧◞ྀི◟ ͜ ͜ ◞꒷◟◞꒷◟ ͜ ͜ ◞ྀི◟୨୧◞ྀི◟ ͜ ͜ ◞꒷◟

He had found you interesting from the moment you opened your mouth and got sassy with him, mostly because most people don't have the balls to do it

Despite finding this slightly irritating, he also found it refreshing, so he didn't immediately shoot you if only for his own entertainment

A terrible mistake he'd soon find out

He developed some definitely unhealthy feelings the first time one of your comebacks had an almost flirtatious undertone

It was an accident on your part, but it got him thinking

He was a married man fawning quietly over you, how awful is that?

I mean of course he’s flashed the wedding band, and of course he's mentioned his wife when others flirt with him, but that doesn't change his feelings

If you flirted with him, would he really reject you?

Could he?

He hadn't known the touch of his wife in years, the softness of her hands, the warmth of her kisses

After everything that's happened he couldn't even remember her name. He should be able to remember his wifes name right?

Does he really even care about her? Does he love her now? Did he love her then?

It comes with an odd sense of guilt he doesn't like to look at. Especially when you do something that makes his heart flutter.

You, on the other hand, probably didn't develop any real feelings until he actually saved your ass.

You'd been running for your life and he’d snatched you up and into the vents, tossing you easily into his shop and shutting it behind you

His gaze transfixed on said vent, a hand on his gun. Something about him choosing to save your life while also putting up with your attitude was a little attractive…

Okay, insanely attractive

Sure, Sebastian’s guilt for being attracted to you is bad, but so is yours

You’re attracted to a married man who has absolutely gushed about his wife in front of you before. Even if it was only because someone tried to get a little flirty, what does that matter?

Honestly the mutual attraction makes it hard for you both to focus

Everything about that man is intoxicating, his smile, his laugh, his attitude. Can you really be judged for this?

Neither of you can focus on anything but each other whenever you’re both in a room.

It’s led to Sebastian getting surprised whenever another person buys something off him because he had no idea anyone else was in here

Its also led to you freaking out whenever one of the other expendable touches your shoulder without you having realized anyone was standing behind you

You hide it well…at least you hope you do?

The longing glances and quiet staring on both sides is unbearable though

Especially considering you’re both making those dolly eyes at each other, batting lashes and daydreaming

It’s cute but it’s also incredibly wrong of you two and you’re painfully aware of it

No amount of sharing food and acting like it’s not a date will make it less of a date

He’s already long since decided that he’s going to offer you come with him so you both can leave together

And though neither of you will have the heart to confess for quite a while, I think he’d do it on your way out. Something about you almost dying when you both escape makes him desperate to tell you how he really feels

When that ‘I think I’m in love with you’ slips out while he’s bandaging your arm that’s been cut by glass, how can you refuse?

Especially when you’re in love with him too?

He’ll toss that ring into the ocean once you reach the surface, his wife never loved him like you did anyway

[quinngefail]

Tbh I was kinda just into the sketch look on these so :) maybe I'll fully finish this one or that one at some point, but. That's for later me lmao

So uh!! Was workin' from a request from @adamaus, for some comfort after waking from a nightmare..... Had a few ideas, to say the least-

Oh and I'm very open to more requests!! Can be vague or specific, or anything between :]

Some commentary + scrapped piece below the cut:

Okay so :) going through the pieces, in numerical order, from left to right:

1: Not the first sobbing session and absolutely not the last B') He's just a little bit turbo fucked up from that whole Jim Saw thing. JUST A LITTLE BIT 🤏

2: This was one of the first to come to mind for this!! Them just going out to the living room and putting a movie on, something I imagine they do pretty frequently to decompress and distract from things... And then one (or both) seems to always inevitably fall back asleep on the couch lol, which is obviously depicted here-

Then you got Lawrence looking at him. Just worrying

(Ft. His nightly guilt session 😋)

3: Okay I had to do at least one that had some humor in it lmao... Was imagining Lawrence softly speaking against Adam's head with these gentle affirmations. But not fully realizing that he may or may not be squeezing Adam just a little too tight there HSKGK

Lawrence Voice: I love you so much and I'm not going anywhere and I'm so sorry for everything I've done and I only ever want the best for you. I'm so sorry again for everything I've done and it was all my fault and I understand if you hate me. I'd hate me too if I were you

Impact font: ADAM IS DYING

4: NOT TOO MUCH TO SAY ON THIS ONE... Lawrence also getting his comfort is just very important to me orz

5: Okay this one and the movie one are defo my favorites here...... Just imagining Adam being this cute little bitch getting the blanket and making some tea and being all >8^} about it-

Das love, babey !!

6: Nothing much to say on this one either... They are just comfy cozy and Sad lol

Then uh, scrapped piece- just didn't really love this one, but. Posting it regardless for y'all 😤

That is all, thank you for viewing and reading !!! 🫶

[brittle-doughie]

Going to outright admit it, this is my first time doing a request, but here goes:

This request is based on an April fools event in a game called Nikke: Goddess of Victory.

https://youtu.be/l1pWg-ujU-o?si=GKV12WISdeGSsluR

The above link may seem 18+, it’s not lol, it’s April fools and thus it’s simply chaos happening due to a harem of jealous women. (Although yanderes DO butter my toast very nicely.)

Basically my request goes:

Y/n pranking legendaries by sending letters to said legendary figures. Beasts, ancients, dragons, you can add whoever you want, just pls add Elder Farrie I am STARVING for content of this faerie fella, Y/N is terrified by the sheer amount of powerful cookies busting through their door, ceiling, etc etc, but also goes “welp, I’ve come this far, if I die, I’ll die with a bang” and pranks the godlike cookies because ✨CHAOS✨

Apologies if I seem too formal, too vague or just plain weird by the layout or wording of this request, it’s my first time and due to a change of events in my life, I’m currently very giddy and wish for chaotic joy by sending a request to my favorite reader x cookie run writer, thank you brittle!

I saw you mentioned two characters specifically, so I’ll focus on them.

Elder Faerie would’ve shook his head at your attempt of a prank. You know how risky it is to send a message like that to the entire Legend Chat, cookies with not so pure intentions could’ve gotten to you first and had done unspeakable things.

You were lucky he was quick to prepare his attire and weapon as well as making it here on time. If you had simply wanted some time with someone, you should’ve just brought the matter to him only and he would’ve came over.

Why he was in the Legend Chat when he’s a Super Epic was beyond you.

Xylitol Nova Cookie would show similar concerns when it came to just messaging something that outrageous in the board. Having to be alone with cookies Like Timekeeper or even one of the dragons would’ve been bad, you’d have to be decontaminated from head to toe!

It just so happens that he had been working on a security system that will ensure that nothing short of a Beast will be able to break through the made defenses. Of course, he’d have the clearance to enter the room unopposed if you ever messaged seriously about being lonely again.

[aboringredmop]

k still don't know how im gonna post the videos (YouTube? unlisted?someone please help) but I can't sleep so I thought it'd write down whatever I remember happening!

(edit: here's the full recording! )

Becky and Joe walked on stage wearing sunglasses and red leather jackets and threw 3 of the trio plushies into the crowd. didn't get one unfortunately but it's really cool some people got free plushies :)

they made this robot child called the Inspiration Child, who's clearly meant to be a nod to ai (can learn from our show and generate it's own content!)

they explained how they met (and had some dodgy animated retelling), and how they started with small projects like commercials and music videos, until they came up with designs of the trio (and a mysterious fourth fella)

they made the designs first, then made the set, then the song and finally wrote the script for creativity. red guy was just a red mop head with legs at first ("alien squid thing") but Joe put the red guy head on for shits and giggles once and Becky thought it was hilarious so they kept it in the show

they were really not expecting it to blow up, and when Sundance called because they wanted to show creativity Becky thought it was a scam caller lol

they talked about the kickstarter and the credit card fraud kid. the mailed him saying "hey maybe dont do that" but the kid didnt know how to undo it cuz he just found a website full of credit card information and went ham, so Becky and Joe had to contact kickstarter because people were pulling out of the funding because they thought the project was overfunded (kickstarter was very difficult to contact)

they also made (lighthearted) fun of nsfw fluffybird art ((no padlock 😔) "using OUR characters to act out their SICK FANTASIES" - Becky) and theorists, especially because most if not all of the webseries is just them fucking around.

Inspiration Child also says something along the lines of "wow what a cool show with a great message of how corrupt the media is. I hate the media!"

Becky and Joe had these rules to make the show as vague as possible (no pop culture references, no names, no swearing and way too much detail put into small things)(the duck guy drag queen absolutely obliterates the no swearing rule lol)

they talk about the pilot, how they focused too much on the story because they felt like they had to due to it being on the big screen now, and how it ended up ruining the atmosphere and such of the pilot. they did show the entire thing sped up but my phone sucks ass so I could not get it to focus correctly. I'll see what I can salvage so you people can dissect frames of your blorbo you're Legally Not Allowed To See (which is also the official reason we don't get the pilot)

also pilot concept art showed that Mean Steve is in fact just called Key

they showed a whole post-it wall full of ideas for the tv show. don't know how much I got on footage, but what stood out most to me were 2 episodes called Money and Christmas. Joe mentioned "clock in a wheelchair" specifically

also really fun fact. Becky made the Lesley suit during covid, and pretty much threatened Baker into writing a human character into the show to wear it. concept art also shows Lesley with a mask made out of the same fabric, don't know if this was part of the original suit tho

they showed Warrens old models (?). he was gonna be a wayy more ugly looking silicone pug-worm thing y'all got lucky with the bald fuck

lily and todney were directly based off of some cancelled show about two porcelain doll children with panda parents. do not for the life of me remember what it was called but Becky and Joe were very enthousiastic about it (UPDATE: Candy and Andy!)

international release of the show soon!

Inspiration Child talks about what he's learned and sings a little song, then generates his own dhmis inspired content of a cult meeting in a forest at night. the dhmis Discord server called this "potential new content" but I doubt it

3 cultists walk on stage, face the screen backs to the crowd, drop their cloaks and boom! drag queens!!!

they were not mentioned on the site or during earlier parts of the show at all so they were a complete surprise. I asked Becky about it later during the night and she said she really wanted them there, so she asked and they were excited to! hope this means more official content with them soon I love them

they dance to There's Three Of Us, then Duck lipsings the shredder song which turns into a techno remix while Red and Yellow dance during the background

then Duck and Yellow make out while Red tries to undress to the instrumentals of the Fucked Up Part of Creativity but can't get out of his suit on time before the song ends

the drag queens, Becky and Joe and the Inspiration Child walk around during the meet and greet later and I got signatures from all of them! except inspiration child he didn't have thumbs

the drag queens were so fucking funny. Duck adopted inspiration child and loudly yelled at everyone to "GET AWAY FROM MY FUCKING CHILD" (their duck voice is sooo good). yellow stood in a corner staring at a wall for like 10 minutes and red was constantly awkwardly hovering just outside the frames of pictures (and also could not see shit lmao)

Becky liked my shirt! (the one with the melting trio heads) said she handdrew it

I'll post the signatures and some more stuff tomorrow because it is. 5 am

edit Heres the signatures! yellow guys is Italian I think? and means hi I love you :)

(the liyskaen is duck trying to spell my name. they got pretty close)

[diyasgarden]

Pet peeves that reader does that makes them mad or annoyed

Art gets annoyed when people cancel last minute. He just finds it rude and annoying. It's the principle of the thing for him. If you cancel last moment (and unless for good reason) it pisses him off. But beside that, I think Art is pretty good at accepting people for all of their traits. He is just very selective with the people he accepts in the first place. There may be small things you do which annoy him, but he chooses to overlook them. If he ever fully blows up at you (think “GET TF OUT PATRICK”) it is because something you do has irked him for some time until he can’t hold it in anymore.

If you're the type of person who isn't direct with what you're thinking/feeling, it annoys Tashi. She doesn't like it when you (or anyone for that matter) is beating around the bush, especially if you're talking about something which is important to her. Just think about the dining hall scene with her and Art. When you're direct, she knows exactly what you're feeling and knows exactly how to handle it, but when you're not she only has a vague idea of something being wrong. She starts to overthink it, and even though it's a natural reaction to the vagueness she hates it. She feels the time spent overthinking, could be better used elsewhere. So yeah, she hates it when you're being vague. For small things she hates when someone chews with their mouth open. The sound is just disturbing to her and she’ll tell you if you’re doing it.

If you're the type of person to give someone the silent treatment when you're upset, Patrick literally looses his mind. He would rather you insult, yell, or even hit him, than just straight up ignore him. He hates the quiet, and this is just a form of quiet to him. He doesn't know what will happen next when you do this and that is what specifically stresses him out. This uncertainty. He will come to you and ends up picking another fight to get you to speak. Also as someone who rarely ever feels sorry for the things, he gets annoyed when you constantly apologize for little things. He really sees no reason for you to feel that way and just wants you to stop.

[a-s-levynn]

You know that thing.. when you are set on doing something, you already verbalized it even and there is nothing really there to stop you, because it is 4 clicks and 3 minutes. And for some reason your brain decides that nope. You are not going to do it. And you almost certainly are going to do it in a day or so anyway, but because you said you would do it sooner, you not just feel like a faliure but also unreliable and sometimes even an outright liar? Yeah. That one.

[ink-the-artist]

In concept I like anthro planes bc I look at an airplane and think yeah that’s an animal. So it should be occasionally drawn as such. But in practice the art style and general look of anthro plane art does not appeal to me, and I’m not sure of other ways to depict airplanes as beasts other than anthro plane art, transformers, or those planes from Cars. Sometimes airplanes go past my house especially loudly (I assume they’re flying lower?) and the way it sounds from inside my house with everything vibrating slightly it’s like there’s a fucking beast monster outside. That’s absolutely an animal.

But mostly I just really like this guy

[dailyloopdeloop]

loop and mirabelle. That's it that's the ask

DAY 84: enrolled in the gossip wars

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[steakout-05]

having social anxiety on tumblr dot com is so fucking frustrating cause like. i'll see a post i like and want to reblog but i do it with so so so much embarrassment because my brain's just thinking "oh god oh fuck im being so stupid right now what if op sees it and thinks im annoying" but like. they realistically would either not care at all or be happy about someone reblogging their post so like what the actual fuck am i afraid of??? but here's the kicker. the reason i have social anxiety in the first place is because i HAVE experienced these comically horrible social experiences of being judged and insulted for no reason before. multiple times. recently. the possibility of this happening is not a 0 chance. i have legitimate reasons to be afraid. and that is. actually horrific

[waywardsalt]

probably going to rework my human bellum design again

[coquelicoq]

i just saw someone say that "the vast majority of the userbase is complaining" about tumblr's recent layout change. i see this a lot after a change: people complaining about it (sometimes without saying what about it is bad, making it sound like either it's self-evident (it usually is not) or just that it's bad because it's change and change is always bad) and saying that everyone else is complaining about it too. i don't know how to tell you this but a) you don't follow every user on tumblr so how can you possibly know what "everyone" or "the majority of users" thinks about anything and b) ONLY THE PEOPLE WHO FEEL VERY STRONGLY ARE TALKING ABOUT IT!! people who are not bothered are not spending time posting about how unbothered they are! please look up "selection bias" and stop making me read this nonsense with my own eyeballs.

[lala-blahblah]

i finished watching the uglies adaptation and it was mid...... except casting for shay was so good and i appreciate the racial diversity in casting. Idk I feel like adaptations should only exist if they have a vision for interpreting the source material but i am so so biased bc i wanted a sapphic interpretation of tally and shay

[un-pearable]

okay i meant to make a joke about star wars slowly creeping up the ranks but now i’m just embarrassed cars is beating out THE jay rose fandom .

^rocket to make the pic small

[moe-broey]

ACHING. BADLY

[multi-lefaiye]

sometimes you have a trigger that cannot be reasonably and easily accommodated for, because it would require the people around you to police themselves to an extent that is not healthy for them to do.

that doesn't make your triggers and your trauma any less real or valid or *deserving* of accommodations, but deserving does not necessarily always mean that those accommodations are possible.

sometimes the best way to handle your triggers is to recognize what triggers you and do what you have to do to handle them when they come up. find coping mechanisms that work for you, and as much as you're able to, be open with the people in your life about it. even if they can't make sure you never have to interact with something that may trigger you, they can be a support system for you to ensure you'll survive the blows as they come.

it's not always possible to avoid what triggers you and it's not always possible for others to do that for you. (to be clear: i'm not at all saying people should *seek out* content that they *know* will trigger them or that they shouldn't remove themselves from situations that are triggering when they have the ability to do so, but that sometimes it's not that easy.)

(disclaimer: this is not psychological advice and i'm not saying this applies to everyone.)