#that script is fanfiction and you do. not. sell. fanfiction.

[bythehearts]

not to bring tiktok drama on tumblr but like every time a ‘scandal’ comes out with one of these ‘production companies’ that make fan films i always hope we’re finally gonna discuss how they professionalize something that should be an hobbyist endeavor… and yet every single time i’m disappointed.

[lol-jackles]

tumblr /jenmishperceiver/747567018487726080/i-think-if-anything-put-the-final-nail-in-the> I've seen this assumption before and imo it's spin: Jensen said repeatedly that he told the group he wanted to think about the script, went home TO HIS WIFE and said he was uncomfortable, who then suggested calling Kripke, ect // In all the retellings, I've never actually seen it said Jensen fought with the writers OR EVEN TOLD THEM and Jared he was uncomfortable until AFTER he'd changed his mind to agreed

Bitter Destiel shippers are those kinds of people who fall for IRS telephone scams.

You're correct, Jensen never said in any of his retellings that he fought with writers nor did he tell them or Jared he's having a hard time "digesting" until AFTER he talked to Kripke and was convinced by Kripke that "Carry On" was the right ending for fans. You know, the real fans who watch the show for what it really is: Sam's hero journey with his beloved brother, Dean.

That said, while you're correct that it's Jensen's job to sell the concept, he has also been pitching a Dean-led spinoff for years. Remember his "dream" (X) that he pitched during the SPN press junket?   I didn’t side-eye his PCA campaigns or his pursuit for Dean-centric storylines, but I did raise my eyebrows at his ballsy move to publicly pitch his post-Sam projects in front of Jared and Misha. What does the jenmishperciever's Anon say about that? Hummm?

Actors are always pitching their project ideas, they're just a bit more subtle about it. I'm certain Jensen had hoped the "dream" would catch on with the fans and they would campaign for it. Except not even AAs were down with the idea. Casual fans even less so. Lucky for you I saved the screenshot from the article:

Reading through jenmishperciever's Anon's self-soothing fanfiction is like watching bread grow old right before your eyes; same delusions we've seen for the past 12 years. Blame Jared for playing Sam who was in the way of a fake fetish ship from becoming canon that Less than 1% of the SPN audience ships. Said Jared's drunken arrest (I refuse to call it a bar fight, it was a group hug gone wrong) could have threaten the ENTIRE filming of the SPN final season while ignoring Anthony Starr's drunken arrest, which by the Anon's logic, would have threaten the ENTIRE filming of The Boys.

Lol they still pretend to believe that Kripke gave the SPN rights to Jensen when Kripke is SUEING WB over profit participation over SPN.

The only thing Jensen cared about with his SPN spinoff was lens crafting, which was why The Winchesters was a Shein version of an AU fanfic. Remember when Jensen told TW cast “don’t fuck it up for me”? After 15-20 years, Jensen is used to lead actors/Jareds doing the heavy lifting in carrying the show and being leader of the cast and crew and he benefitted from the sweet spot as #2 on the call sheet i.e. the good guy who is friends with everyone.

If Jensen keeps trying to be in charge of SPN projects, SPN fans’ reaction is going to be the same as today Marvel fanboys’ reaction every time they hear Kevin Feige’s name: “What did you did do this time you Son of a Bitch!? What train did you derail this time?”

Since Supernatural ended 4 years ago, the bitter Destiel hellers and AAs are stuck in a time loop of step 1 through 4 of grief (denial, anger, bargaining, depression). S tep 5 is acceptance, which is long delayed due to Jared’s continue success i.e. Walker in it's 4th season and #1 scripted show for CW.

[greenesmyfavcolor]

a couple of little shop questions for ya

1. favourite song from the soundtrack? you don’t have to pick just one.

2. director’s cut (everyone dies) or theatrical cut (audrey ii is defeated)? why?

3. which actor do you think portrays seymour the best? i’d ask about audrey as well but your username kinda clues me in there.

1. Yeah I can’t pick one 😂 It’s such an impossible question to answer cause you honestly could say any one of them and it would be more than valid.

I have solidified my top three though. In no particular order, Suddenly Seymour for its sincerity, Somewhere That’s Green for how beautifully tragic, as well as how almost comical it can be at times, and Mean Green Mother From Outer Space for just how dang catchy, fun, and climatic it is.

2. Same with this, I like both lol. I’ve always said that my head prefers the director’s cut while my heart prefers the theatrical cut.

I’d say the directors cut is technically better (or at the very least the stage ending since there are some slight differences) due to tying all its themes about greed and capitalism together. I know it’s got some pacing issues but I chalk it up to it basically being a glorified workprint that was definitely intended to be shorten and condensed eventually before being cut entirely. What I don’t like in this ending is how helpless Seymour is during the fight against Audrey II and how he just lets himself get eaten. I love the stage’s ending and how Seymour sacrifices himself, essentially making up for his actions and taking responsibility, even it was all for naught. I can excuse it in the theatrical cut since Audrey’s still alive so there would be no reason to sacrifice himself if he’s trying to live for her. But it takes away from completing Seymour’s arc, leaving you to be like “that’s it?” when he gets eaten. And then there’s the whole thing if movie Seymour even deserved his ending since his actions come across as less intentional compare to the stage version but that’s a topic for another day. Other than that tho, I really do love the director’s cut for giving us the cool rampage scene and of course keeping Somewhere That’s Green Reprise and Don’t Feed The Plants.

At the same time, I can’t help but love the theatrical cut for giving Seymour and especially Audrey the ending they deserve. Yeah, it’s cheesy and kinda throws away all the themes the movie had been building up to that point but I can’t help but get choked up every time I see Seymour and Audrey finally reunite and run off together into their new home. It also gives us unlimited potential for fanfiction so that’s a plus lol.

3. Really basic answer but Rick Moranis. When you think about it, he kinda set the stage for how most future Seymours would play him. Compared to the prior Seymours, he’s a lot more wimpy and puppy dog like. A lot of it does have to do with the changes to the movie script such as Seymour not deciding to purposefully do nothing when Orin’s dying or tricking Mushnik to get inside the plant. But no matter what his actions are (even if he’s chopping up a body) he always comes across as really likable and earnest which is important since it’s crucial to see how someone like Audrey, who values those traits in a relationship, could fall in love with him.

He’s also just really funny. His facial expressions whenever he’s nervous or just overall being a complete goof crack me up every time.

These are some of my favorites 😂

And he of course has incredible chemistry with Ellen Greene. Honestly if it wasn’t for him, I wouldn’t buy into Audrey and Seymour’s relationship as much as I do now. It’s easy to overstep a line into where their relationship could come across as insincere or even creepy if Seymour is not done right (like a typical trademark “nice guy”) but he absolutely sells me on that he truly loves Audrey for who she is and that she loves him back because of it.

And yeah, Ellen Greene’s Audrey is my favorite. No one else even comes close in my eyes ❤️

Thanks so much for the ask!

[murfpersonalblog]

IWTV S2 Ep7 Musings - Loustat Ep4 Revisited (Spoilers)

This one was WILD, my jaw was on the floor. JACOB! SIR ANDERSON! BRUH!?

Santiago doing a deliberately TERRIBLE Claudia voice after we saw his IMMACULATE Louis mimic--I HATE HIM. 🤣

I already tore Lestat a new arsehole for that.

Underneath the distorted Mind Spell audio effect you can barely hear Les say something about "the lies said by Louis;" but the subtitles don't pick it up.

NO, the COVEN wrote that script and did that. Lestat's COMPLICIT only cuz he's tryna SAVE Lou from the mess YOU put them in by selling them out to Santiago, Armand! You stood by and let them be abducted & dragged on stage, when YOU have the Fire Gift! You coulda lit them all up like matches! But you AND Lestat wanted Claudia out of the picture!

Louis finally not wearing black in Dubai; he's in dark blood red. 👀

HOW, if Les cant read your mind? I think SEEING Lestat and hearing his effed up account took Louis back to NOLA--not that Les was doing any Mind/Spell Gifts on Lou, literally taking him back to NOLA. It's a distorted memory, not astral projection or a hallucination.

Lestat like: "WE?" All of a sudden you wanna speak French at me with this OUI?

I couldn't resist, the hands were sending me.

Ohhhh this is SINISTER, making Lou look he manipulated Les. The VOICE Jacob uses is tryna kill me--he sounds so simpering and soft and feminine, no deep bass whatever; they know wtf they're doing. XD Any other network and there'd've been a fullblown sex scene. 😅

Ohhh no, the coven's tryna make it seem like Louis DID know the laws b4 he got to Paris; this isn't Lestat or any true memory; this is the coven talking thru Lestat's script; which wormed into Louis' head.

LOL. Scripted AF.

"He did tell me, what she would be." No, in S1E4 Les realized AFTER she killed the cop that her metabolism would be effed up. Armand told him the Great Laws, but Lestat just laughed in his face. Marius told him not to make vampires as young as Armand, but it had nothing to do with the Great Laws, and Lestat assumed it was just cuz ARMAND'S a poor vampire, in that silly cult. Les & Marius were more concerned about Christianity's effect on vampire moralism/depression/"self-loathing," and Les talked about LOUIS' anxiety--

--but as for Claudia he turned her CUZ HE'S A EFFING BRAT who only ever does what HE wants to do, eff anyone else.

I nearly had heart attack, thinking the coven was gonna say Louis' her Maker--the LAUGH I was gonna make, omg. 🤣 Cuz the humans can't call them on that, cuz what do THEY know about maker/fledgling blood and not being able to read minds?

The coven has her diaries when she said this, so I think this was all scripted; not something he really said--though ofc he could've read it in her mind when he rescued her, and genuinely felt this way, cuz ofc he would--he wanted/needed her to think he was a good person.

I DO wonder if a bit of this was true, about Louis feeding Claudia his blood, cuz these AMC's vamps are wildly inconsistent about healing. Their blood has strong healing powers--as we see in S2E5 when Armand fed Louis after his suicide attempt by fire, and in Ep6 after his suicide by slitting his wrists after making Madz. So ofc Louis might try to heal Claudia by bleeding on her & letting her drink.

These 2 frames back to back are precisely Louis' issue--he don't know wtf is going on. U_U

☝️ THIS!. ALL OF THIS! ☝️

Louis' GUILT is why the memories are all muddled; why he's doubting his own recollection, on top of the literal brainwashing from Armand & the forced Mind/Spell Gifts put on him by the coven.

Dragged on the EFFING FLOOR, the coven is WICKED! 🫣 This is when I knew those dirty heifers were LYING. And Claudia can't even corroborate this, cuz she was in & out of it when she was turned.

She is staring Louis DOWN, but sweetie, he's as lost as you are.

This is hilariously & deliciously & salaciously melodramatic; Imma slap Vampire Sam for writing this script--he'd've loved writing fanfiction on AO3.

NGL, I expected that hand to start veering a few degrees over if you know what I mean. 🍆 Lou's face was in PRIME position to do him some face. (The fanfics finna go CRAZY.)

Welp, my fears were well-founded. The coven is SPITTING all over their history.

PLEASE do the "evil of my evil" line, AMC! 🙏 This democracy of hypocrisy ain't finna do that. Sit your French White arse down on the red velvet throne AR gave you in the Prince Lestat trilogy, and STFU.

I don't think Lou did; he was very candid in S1 about how he cried & pleaded, and Les saying she'd be their daughter. The important difference is the inclusion about the Great Laws, and how that implicates them. It doesn't matter that Louis already knew she'd be stuck 14 forever & didn't care--if he didn't know Lestat was 100+ and stuck 34 forever, then he's a fool. Wanting an eternal child to baby & pamper & dote on is way different from intentionally breaking the law.

No love, that's the guilt talking! They were scrambling your brains RIGHT THERE ON STAGE; take this with a grain of salt; 74 years have provided A LIBRARY OF CONFUSION!

Daniel, stfu for once; why would you see this as having ANY "clarity." This is the most muddled portion of the trial thus far!

[nrdmssgs]

Activision doesn't understand, how Russian language works

Spoilers to CoD MW3 below the cut.

@sofasoap @siilvan @cumikering @stag-beetle-wastaken @gamergirlbonestaskforce141riot be my guests.

First and most important: this rant is not aimed to 'make Russian culture great again'. I am not offended as a representative of some cultural or linguistic group. But as a member of gaming community, I feel, as if Activision... kinda didn't give a flying f about the gaming experience, that they are trying to sell me for 60 Euros. And I can't say, I like this feeling.

Second: I will be criticizing some approaches to language, that I will never criticize in fanfiction. Because you guys are doing it for free, for the sake of having fun. So I will be ok with you just straight using Google translate to write e.g. Nikolais lines in Russian. Because you never ask me to pay 60 Euros for the right to read your works. With that being mentioned, lets roll!

Activision doesn't pay attention to their own script, when it comes to Russian lines

Ok, this is a major issue. Because Activision sometimes gives completely different information in character line and in the subtitles. And it is not some minor information, we are talking about major plot details!

Let's just watch 20 seconds of a playthrough (time code 8:44)

Pay attention closely to how Makarov starts his monologue after Nolan says "Its an honor, commander". Makarovs subtitles say 'four years', when Makarov says something like 'shest let'. "four" in Russian is "chetyre", "six" is "shest`". These words sound nothing alike! And to check this, you literally need 5 seconds on google translate! Here, Activision, I did your work for you and I don't even ask for 60 freaking Euros! You learn these numbers on your second-third lesson of Russian 101!

There are ways to fix this scene. There are even ways to do it without reshooting Julian (because ok, I get it, maybe he costs so much, that all our 60 Euros purchases would never help Activision to economically recover...). All you need is to ask him to record TWO WORDS!

Activision doesn't care for wording even in the simplest proverbs

You remember a saying "enemy of my enemy is my friend"? I mean, of course you do, even John Price remembers it! And you know, who forgot this saying? Activision did! Because honest to god, I was very happy with our new Yuri, until he produced this ominous linguistic construction... (time code 56:10)

And if you think, it sounds just a tad off in English... Well, in Russian this sounds, as if a Colonel, a man, who spent tenths of years constantly communicating with soldiers, superiors, officials, started learning Russian... a month ago.

This is an international proverb, it exists in many languages! Now this is a safe case to use an automatic translator! It gives you a very simple answer.

But for some mysterious reason, Activision writes their strange line, translate to russian and find a poor-working synonym so that Yuri doesn't say 'opponent' twice... And in the end it kinda still makes sense, but this whole phrase sounds so off!! You never choose this sick long, overloaded wording for a proverb, that you literally learn at school. They just make it look like zarin is already there and it affects Yuri heavily.

This is just one example, but in reality, almost every Makarovs monologue sounds very strangely formulated. I just got you one example, but believe me, this is a systematic issue here. And the strangest thing is that all their errors are so easy to fix, but they never bothered!

Activision doesn't care for how Russian sounds

Ok, this is not a rant against Julian Kostov. The guy does his wor absolutely gorgeous! He steals every scene, where he appears, and I have nothing, but respect for him. However... Russian is a complicated language. For real. It is full of long words, with many unfamiliar for European ear sounds. It is not only difficult to understand it - it is complicated even to imitate it.

Now apparently Julian knows Russian to some extent just because of his origin and age. But that doesn't save him from swallowing some letters, syllables, sometimes even big parts of words. And when it happens in almost every line of his character - it becomes an issue. An issue, when even Russian-speaker has to read subtitles to understand, what is going on in a scene with two Russian characters!

This whole scene is a nightmare (time code 1:42:54). Replaced letters, disappearance of parts of words, strange accents - they collected a bingo on this one.

And I dont blame actors here! Because on every shooting there is a director - a guy, who is responsible for how overall scene will look and sound in the end. There is always a possibility to find someone, who actually speaks the language and make them sit and listen! And if there are many issues with pronunciation revealed - you just come to your actors and say 'guys, you did amazing jobs, we are so happy to work with you. Now can we please do another shot and pay attention to these lines of yours?'.

And believe me, it is ok to have multiple shots for ingame cutscenes! Actors are ok with that! I don't ask for a perfect pronunciation, I just ask Activision to make sure, their characters don't sound as if they are speaking gibberish!

The most strange part here is that there are super-clean lines in game as well! Milena spoke with accent too, but she sounded clear! Some NPCs sounded perfect!

So Im sorry, but at the end of the day - this your most accurate Russian character by Activision. Because he chose to speak English.

[messrsrarchives]

hey robyn :)

No need to respond to this if the topic is too much to deal with right now, but I've just (as I periodically do) checked jkr's twitter to keep an eye on what fresh horrors she'd inflicting and be informed of how to counteract that through petitions/ donations to trans charities etc...

and I've just seen a thread she's reposted from "SEEN in publishing" suggesting that in the wake of this indefinite puberty blocker ban, books depicting transition and/or puberty blockers and hormones ought to literally be banned. Right. Now she's advocating book bans. (As if the christian right-wing haven't been itching to do the same to her for depicting 'witchcraft' for years).

As abhorrent as this already is, it also got me thinking about the future of fanfiction. Because, although she seems most concerned about kids literature, a lot of young people (and sometimes kids) read fanfiction. And a lot of fanfiction is explicitly queer/trans, particularly in the Marauders fandom.

Although we're perhaps too large a group for her to touch, she's one of the richest authors out there, and also one of the richest people on the planet. If anyone could slam AO3 and fanfic authors with copyright violations etc, it would be her. And to be honest, I've almost stopped being shocked at the depths she will go to, so frankly, at this point I wouldn't be surprised if she came for fanfiction.

I suppose I don't even really have much of a question to ask, but perhaps just if you had any thoughts on the future of fanfiction and this community, and whether we should prepare for her wrath to turn on us.

best wishes for these troubling times,

a friend x

the puberty blocker thing is,,, hard. it's really not often i find a topic i struggle to speak on but. it's fucking difficult. i don't want to whine too much but it really is getting harder and harder. i'll speak on it at some point (because i want to, not because this feels pressuring just to clarify <3) but not just yet so onto the rest of it !

i've looked at the thread and it's just so fucking ironic. harry potter is THE most banned book in america. her books under robert galbraith are disgusting (see here) and it's all just so ironic and so hateful. and so unsurprising.

in terms of fanfiction though,,, i think fanspaces are more at risk and a distinction is needed.

because these spaces are at risk. we will most likely see a backlash against fanfiction sites as this presidency goes forward and the rest of the world follows, mass censorship of LGBTQ+ themes online etc. fanfiction however? fanfiction existed long before the internet and will continue to - we'll always create art. no one can stop the creation of it (just like banning PB isn't going to stop trans people getting them, it'll just be more covert)

but also,,, i think the future of fanfiction AND fanspaces is an issue from both sides, which some people won't like me saying but,,, if fanspaces get attacked, it's the fault of fandoms too. those selling binds, those bringing fandoms to random comment sections (i'm thinking for example ben barnes' comment sections but also random men online getting spammed with james potter comments), the negativity etc etc - fandom is only legal as long it's free, but it's also only safe so long as it's,,,, safe? you know? and i think the more legal issues we run into, the more likely we are to get targetted. and the more hateful it is, the more likely too. we're not as covert as we used to be especially in the hp fandom

and i think we've done a very poor job recently. i say we as a collective but it's not everyone - it's also not a select few, because i could rant for hours about fanfilms but it's also the people blindingly engaging with them and spending €50 on an script that isn't the fanfilms IP (and yes some people simply arent aware but far too many who are aware were involved in TMP script sellings)

i'm losing my train of thought but,,, i think we do absolutely have to think about what happens if these spaces are shut down, but we'll find new ones. we just all need to do a bit better i think, because this is a double-edge sword. but i can 100% see her coming for fanfiction next.

but yah ! potentially more coherent thoughts to follow later and this is your daily reminder that JKR is a despicable human being with a lot of power.

and also a reminder to hold your trans friends a little tighter right now. they need it 🫂

switchboard - national lgbtq+ helpline - for those that need it right now and those that are in a position to donate <3

[helenstudies]

I hope I'm not being rude but how did you have the time to do everything on your bio when you're only 24? Can you share how you learnt a lot of languages?

It's fine. Believe it or not, people ask me that A LOT.

I'm born in Myanmar and only spoke Burmese until I was 10 and my mom decided her children should be able to speak English. She sent me and my sibling to an English Summer School and then started speaking English at home. I've been bilingual since then. Burmese people are very good at English (read: we were colonized by the British) I started learning Chinese at age 12, I think. Then at age 14 and 15, while writing novels and fanfictions, I taught myself how to read hanguel (korean script) and hiragana/katakana (japanese script) then started studying formally after graduating highschool.

In Myanmar, until a few years ago, high school students used to graduate at age 16 and go to the university. So when I graduated high school, I went the distance education route in University and became a freelance translator and interpreter. I also did some transcribing and content writing. Then I went to Korea and studied in a language program. I came back after nine months and at age 19 I just started taking things seriously and self studied everything to pass all the language certification exams.

In 2021, because of the military coup, I dropped out of high school, realized my freelance translator job is not really going well due to the dictatorship, so I started to branch out. Now I read tarot and interpret astrological birth charts, teach classes and tutor people, sell books and ebooks. That's just how freelancing is. I think.

Anyways, all these things seem a lot until you realize I just spent a decade of my life just doing things I want. A lot of people tried discouraging me of course They're always like "choose a language!" "choose a path!" but I just don't like to listen to people. Hopefully, a few more decades and I might become a jack of all trades. And learn a few more languages. And read a few more books. And get into a few more hobbies. Yeah.

[pendale]

no need to answer all of them if you don’t want to, but here!! 🧩 🥤 🌿 🏜️

🧩 ⇢ what will make you click away from a fanfiction immediately?

Grammar and format! A few mistakes here and there are totally fine, I've definitely noticed mistakes in my own works lol, but when it becomes distracting? Then we have a problem.

🥤 ⇢ recommend an author or fanfic you love

Well, there's the supremely talented syntheticpen (😉).

when one has a motive by syntheticpen

Newly unmoored in the Scottish countryside, Eloise decides a letter to Bloomsbury is in order.

Here's a few more (off the top of my head):

run away to a world that we design by sachantquiladesailes_98

Theo and Eloise meet as children, while his father sells books to hers. Despite their differences in station and the way that life does not work out too well for Theo, they can't be kept apart. Eloise is far too determined for that.

let the reason come on the common tongue (of your loving me) by CallousMalice

It is their wedding night and Theo comes up with a way to calm a nervous Eloise, with the help of a certain poet he knows she loves.

A great crime by framboise

When Benedict finds his sister in the library at a ball, dress torn, bloodied letter knife in hand, he knows he will do anything he can to help her. And if anything involves finishing off the villain who has tried to harm her and then fleeing with her in the night, then that is what he shall do.

🌿 ⇢ give some advice on writer's block and low creativity

Lol you are asking the wrong person, but I'll try to answer anyway! I think outlining is really important: the more detailed, the better. This way, when you're writing, there's very little decision-making involved, you're just focusing on executing the scene. Personally, for dialogue-heavy scenes, I like to write a script instead of a more traditional outline.

But, yeah, all of this is easier said than done lol. (🤡)

🏜️ ⇢ what's your favourite type of comment to receive on your work?

I love all comments! I think my favourite comments are the ones that mention what exactly they liked about the chapter, and I usually try to leave those comments myself.

Thanks for the ask! <3

[annoyed-galaxy]

Fictober 2024 ~ 15

"let's try this"

Fanfiction: DA2 I know my fictober stuff seems pretty random, but I'm kinda just writing what's on my mind and I just finished The Masked Empire and it set up a lot of stuff and I just got eluvians on the mind. Writing a thing every single day has been very interesting, but good practice even if what I produce seems random or noncohesive. Just lots of thoughts and I honestly should just write more because I don't do it enough. So fictober is definitely helping with that. But also just posting without a care has been helping to. I don't expect most people to read what I make and I'm kinda just hyperfixating into the void, but eh you know how it be. Anxiety is a bitch. Can also be found on Ao3

Seth had never expected himself to explore ancient ruins as a hobby, but since leaving Kirkwall, a man had to find something to do as a fugitive. Being this close to Tevinter, however, caused him to be a little on edge, but nothing he couldn’t bury beneath a charming smile and well placed joke. 

His partner, on the other hand, seemed to relax a little bit more the closer to Tevinter they were. In some regards, Anders respected Tevinter and even sometimes idolized it. But Anders was no fool and knew there was as much corruption in the empire as other places. Still, mages were more free there than in other parts of Thedas. 

If someone were to ask why Seth and Anders were poking around in some random ruin near the border of Tevinter, neither man would have been able to give an answer. They may have alluded to things such as finding some artifacts to sell, but they didn’t need money, or studying some ancient text on the walls, but Seth found that too boring and Anders wasn’t that interested. Honestly, it was just an excuse for the two of them to do something that didn’t involve running away from their problems. 

Their staffs lit up the area in blue and red colors, causing the shadows to retreat as they walked through crumbling halls. They held each other’s hand and just looked at the walls around them. Something about this place seemed so…ancient. Anders squinted at some script on the walls that his light managed to catch. He stopped and Seth staggered back when Anders’s hand pulled him still. Seth looked at what Anders was looking at and brought his staff close, illuminating the script more.

“What is that?” he asked, tilting his head examining the odd text. Seth didn’t grow up in the Circle. He was an apostate his entire life and everything he learned about magic and history was through his parents. Compared to Anders, who had the entire knowledge of the Circle at his disposal, Seth was less knowledgeable about most things. 

“I think it’s elven,” Anders replied, his face still scrunched up in thought. 

Seth’s eyes widened in surprise. “Elven ruins? This close to Tevinter?” 

Anders looked at his lover with a soft smile. “The elven empire once covered the entirety of Thedas, love.” He turned back to the script. “I am not surprised we managed to stumble across one now.” 

“Can you read what it says?” Seth asked. 

Anders shook his head. “I only studied the basics of elven and this seems super ancient.” He groaned. “All I’m getting is ‘crossroads’, but I don’t know what context that could be used in.” 

Seth shrugged. “Maybe it’s a metaphor.” 

Anders shook his head. “Maybe, but who knows.” 

They continued on, seeing more of the elven script along the walls, but Anders’s still couldn’t decipher any of it. 

At the end of the corridor they walked in, it was a dead end. At least, it was now. Rubble covered what might have been a large door into, presumably, a larger room. They approached the debris and let go of each other’s hands as they examined around the rocks, looking for any possible way to clear the debris. After determining there was no way, Anders sighed, his shoulders sagging in defeat. 

“Ah well. End of this journey I suppose.” He looked over and saw that Seth was still looking at a spot. 

Then Seth put the blade end of his staff in between some rocks and a foot against the rock next to the staff. “Let’s try this,” he muttered to himself. Anders felt the air shift as Seth summoned mana to him. Anders backed up a bit watching as Seth began to pry the rocks apart with his staff, using some force magic to make them looser. Anders looked up at the top and saw that some of the rocks had begun to shake. 

“Oh no,” Anders just whispered to himself as he realized what Seth was doing. He ran to the side of the corridor, pressing himself up against the wall just as Seth finally pried the rock free with his staff. The debris came crashing down after that and Seth used his magic to push it all away from him before he was crushed. Once the dust settled and rocks had stopped moving, Anders opened his eyes, not realizing he had closed them and looked at Seth who was wiping himself off of dust, but had a wicked smile on his face. 

“That worked easily!” he cheered, looking at Anders. 

Anders sighed and just smiled softly. “You’re reckless.”

Seth winked. “S’what I do.” Then he grabbed Anders’s hand again and they entered the large chamber. What they saw, they couldn’t believe. 

They were in the largest chamber either of them had ever been before. All around them were sarcophagi and epitaphs, reduced to illegible text that neither of them could read. Along the walls were columns where torches were still lit with a blue fire, casting the entire room in a haunting glow. Seth stamped out his staff and Anders followed suit since they no longer needed to light their way.

What was the most impressive thing in the chamber was at the far end of where they had entered. 

Standing tall and surrounded by carvings of dragons and large wolves was a ornate frame surrounding a cloudy gray glass. As they approached the curious object, Seth’s eyes widened with recognition. “This looks just like Merrill’s mirror,” he said, examining the cloudy gray that seemed to slowly move across the surface of the glass.

“The eluvian?” Anders asked and Seth nodded in confirmation. “Wasn’t that thing dangerous?” Anders took a step back, tugging on Seth’s hand.

“I think that one was dangerous because it had been corrupted by something. This…This looks dormant.” Seth approached the mirror, dragging Anders behind him despite Anders’s slight protests. He put his hand against the surface and it was cool to the skin. “She never did get it working, though,” Seth wondered out loud. 

“Maybe it’s because whatever magic powered these things is gone,” Anders offered, looking at the mirror. “After all, the eluvians are ancient elvish.” 

Seth shrugged. “Maybe.” Then he considered for a moment. “Do you think she’d like to know about this?” 

Anders looked at Seth with a frown. “You want to give this location to Merrill?” 

Seth shrugged. “Why not? She’s been through a lot, maybe studying a place that belonged to her people will help her find what she’s looking for.” 

Anders was about to say something in protest but then just sighed. “I don’t think there’d be any actual harm to it. Though,” he looked around, “you feel it don’t you?”

Seth nodded his head as he turned from the mirror. “The Veil is thin.” 

Anders eyes the sarcophagi around them with concern. “If we’re not careful, or if she wasn’t, I have a bad feeling this chamber could be flooded with corpses or worse.” 

Seth agreed and then slowly walked away from the eluvian, Anders’s following suit. 

That night, Seth drafted up a letter that he then gave to a local barkeep to send to Kirkwall. 

Varric, 

Found an interesting place Daisy may be interested in if you still got contact with her. Something to do with her people and might help with that mirror she had been working on for so long. Location’s on the map attached. 

Also, hope you’re doing well. Miss you buddy. 

- H.

[rinwellisathing]

"Keep Away From Pumpkinhead unless you're tired 'a livin', his enemies are mostly dead, he's mean and unforgivin'" Just a little ramble about what went into my decisions for Sentry's slayer form design:

So to start us off, I am a horror nut. I'm not saying this with smug pride or judgment to other types of movies (it's not disdain for other genres, it's fully a consequence of how my autism works.), you would be hard pressed to get me to watch a movie I've never seen before that isn't a horror movie. I spent every year of my childhood obsessively waiting and planning for Halloween and reading occult books and ghost story anthologies I checked out from the library. My mother read Interview With A Vampire to me (leaving out certain parts) to me when I was a kid and my name was going to be Lestat if I had been born a cis male. All this to say, while I crafted or gamed growing up, I would tune into any horror movie the Sci-Fi channel was running and one October, they were showing the first Pumpkinhead movie. I adored it. The monster was cool, the witch was creepy and ominous, and the setting was fairly close to something I was relatively familiar with having been to the mountains in western PA a lot camping and visiting distant relatives. I rented the second movie and I caught the later ones when Fearnet was a thing briefly and ran them on their OnDemand service (and god fucking damn am I aging myself at this point.) And see, the thing is, I'm not gonna sit here and say they're great films, because there's a criteria I'm going by that I fully acknowledge most people just don't (It's creature effects. Pumpkinhead, Haggis, ghosts and victims...just great work all around). The scripts aren't amazing and a lot of times the acting can be very hokey (except Lance Henrikson, Admiral Hackett is really out there selling this series as Ed Harley, there are also a lot of other very enjoyable performances, but I won't pretend they're all amazing) but they're a fun watch especially if you love vengeance, folk horror, and creature features with a hint of the demonic.

So how does this relate to my Durge, his slayer form, et al? So like I said, the movies are about vengeance first and foremost. The conceit is, if someone does you wrong you can call on Pumpkinhead to get revenge. It's an unstoppable demon summoned from an unhallowed corpse (The third movie implies the corpse of the last person to summon him, but that's not really a consistent choice). The summoner sees through its eyes but doesn't really control it per se, Pumpkinhead only stops when vengeance is complete or the person who summoned it dies. As an Oath of Vengeance Paladin, this fit really well for Sentry. Throw in that Pumpkinhead already has a similar stance and shape to the basic default slayer minus the head shape and some extra limbs, and I started thinking, plotting really. So ideally, we assume The Dark Urge could use the Slayer form in the past before they were tadpoled, at least I do and I've certainly seen plenty of fanfiction and headcanons in my Durgetash groups that imply I'm not alone in that. In-game, you have to commit a massive act of terrible slaughter to gain the Slayer form, but really in the lore I've researched, being a Bhaalspawn can mean you just get it in general, it comes to you in dreams, it possesses you and takes you over. So since the game doesn't entirely adhere to that anyway, I thought what if Sentry's first foray as The Slayer was tied to vengeance?

In his backstory, he has a terrible, abusive childhood and eventually takes revenge by murdering the family he was adopted into and their fellow cultists and in my mind, this was the first time he was the slayer. With my own trauma, I love the idea as a power fantasy that a scared, badly abused twelve year old boy, still small, still weak, still being told he was a girl no matter what he said, might become something big and terrible and driven by vengeance. So throw in what BG3 and Forgotten Realms lore gives us, my love for horror, and the overarching theme of vengeance in Pumpkinhead, and this seemed like the perfect design idea for me to go with. On top of the base design, he is covered in red ropes tying the design always back to the church of Ilmater, where he was taught he could be better and that he was worthy of love and respect, and those ropes are torn and tattered on his form, like just barely hanging on, but they are there, and I think that reminds him that his quest for vengeance is all well and good, but that he does deserve more and there is more for him if he can resist. Anyway, sorry for the long autistic ramble. I just had a lot of thoughts about Sentry's slayer form today.

[is--this--name--taken]

wow another text post!!!

i'm dying

ANYWAYS everyone clearly loves needlessly edgy Undertale content but as you know there is a lot of MISCHARACTERIZATION in the fandom for some reason

now let's talk about everyone's favorite incorrectly made character: sans everyone loves an edgy sans thing. fangames? OCs? fanfictions? excellent. why the heck do you love giving him depression and mental issues you psychopaths however this has some basis in CANON! let's talk about sans and how murdering people affects him

papyrus is where it really starts because I don't think he cares if anyone else dies. he immediately vanishes from the game, only appearing in some scenes.

everyone in Grillby's misses him because he was really nice to all of them but they don't matter too much (sorry Grillby).

in the Shyren fight, 'a hooded figure watches from the distance'. No, this isn't Dust, this is just depressed Sans who has gone from selling fake concert tickets to losing a lot of his reason for living. great job

Then he only appears at the Last Corridor, breaking his usual script to make you regret your life choices. This is odd, because he usually even judges you normally for a bit on the Pacifist Route.

Sans can be kinda edgy. But only if you specifically go out of your way to murder his brother. And what kind of terrible person would do that, right?

anyways all of this was a lie

you can stop making edgy fangames now

[nautilusopus]

nobody else is writing meta analysis for vivarium so i guess i have to do it

Vivarium is a 2019 horror film that the internet doesn’t seem to know what to think of. Most YouTube videos as per usual don’t wanna engage with it on anything more than an extremely literal surface level (hence the abundance of “VIVARIUM EXPLAINED” videos that just recap the plot to you as though you can’t see with your eyeballs that yes, he put on the nametag, that sure is what happened onscreen, yes I fucking get it the boy is like a cuckoo-esque brood parasite I GET IT) that ultimately devolve into speculative fanfiction about how effectively the aliens can take over the world. There are a few people here and there a little more willing to at least engage with what the movie has to say, and from there you get takes about how it’s about how the golden capitalist ideal of the suburban nuclear family is a banal hellscape, which I’d say is generally pretty accurate. Tom spends his entire time at Number 9 labouring, digging a hole while Gemma looks after the boy because he doesn’t know what else to possibly do with himself, an action that wears him down and ultimately costs him his life, and for all his trouble all he’s found is the body of the last guy who tried to labour his way out of this situation. All he’s done is created is a grave for his “offspring” to dump him into. 

Like, as far as Capitalism Bad stories go this one’s pretty on-the-nose, and a lot of the people griping that the story was confusing are mostly the ones that seems to have missed this. (For an even longer tangent about how a lot of scifi stories aren’t going to make sense to you if you resist the very obvious thematic readings they’re giving you because you think things can’t be that deep I recommend Dan Olson’s excellent video on Annihilation.)

Occasionally, though, you get people also mentioning how it’s a little about animal rights, and even more especially about nature versus nurture. For the most part, Tom and Gemma are not kind to the boy. They (understandably) have nothing but contempt towards him. They openly discuss how creepy he is when he’s within earshot. At one point they try to lock him in the car to starve just to see if whoever comes to get his body can be forced to let them go, and they only back out on the plan when the fact that he looks and acts like a child in that moment gets to Gemma and she lets him out. Eventually, the boy grows into an emotionally distant young adult that locks Tom out of the house to die and doesn’t seem to give two shits about their suffering now that he’s bigger and stronger than his “parents”. Surely, we think, if Gemma and Tom had been kinder to him, he would have grown into a kinder adult, even if he was an alien? Are they not perpetuating this literal cycle of violence? 

And with regard to the nature versus nurture reads, I actually directly disagree and find it at odds with the Capitalism Bad message, because my read is this:

No amount of kindness or understanding would have turned the boy into a good person, and acting like it would have is in fact part of the trap. Gemma and Tom would have wound up used up and dead either way, because thematically speaking, what the boy is there to do is to collect data.

More under the cut, I have a lot of opinions about this.

The boy’s creepy alien gimmick is mimicry. It’s what the realtor (p clearly a member of the same species) does when trying to entice Tom and Gemma into Number 9. The realtor is better at saying context-appropriate things than the boy is, but still slips up every now and then, and even so his mannerisms aren’t quite right. At best, he sounds like he’s regurgitating a script (a bit more admissible given he’s trying to sell something). At worst, he parrots Gemma’s “no, not yet” back to her in exactly her voice. Everything he’s saying, it’s clear he’s going through motions without any real understanding of what those motions are, beyond, “This is the thing you say to sell a house.”

The boy is demonstrably worse at it. He’ll parrot entire conversations back to the people who had them regardless if it makes sense to do so. He rarely speaks in his own voice, instead chopping up various words he’s heard from both parents. He doesn’t seem to have much sense for what is and isn’t appropriate to mimic (to the point of Gemma quite transparently tricking him into revealing he’s an alien outright), much less what makes sense for him to mimic. 

He develops this skill gradually over the course of the movie, gets a bit better at putting together sentences people can actually reply to. But even then, he doesn’t seem to engage with the context overall of the conversation. After aforementioned alien reveal, with Tom growing sicker by the day, Gemma begins to cry and back away in horror, and we get this exchange:

The boy: Are you [overwhelmed] again, Mother? Gemma: I am not your mother! The boy: Are you [overwhelmed]? Gemma: I want to go home. The boy: Silly mother. You are home!

There’s no real engagement with the actual conversation at hand. This is the kind of script a reply bot runs. It emulates emotion the same way it emulates everything else. 

His nature is reflected by the surroundings: The identical miles of houses with framed pictures of those houses on their own walls, with no real understanding of what people do and don’t want in the aesthetics of a house. The food that looks correct, but has no flavour or nutritional value, eventually leading to not just Tom’s death, but eventually Gemma’s. The entire world, from the Number 9 house to the suburbs of Yonder in general with its fake clouds, to the boy and its interactions, are fake, hollow, and the kind of thing an alien with no real care for the real human experience beyond perpetuating the system’s own growth would create.

And at this point hopefully some of you have noticed, we’ve seen this exact behaviour pattern before.

i’m quoting the reply on that second one here by @dukeofankh​ because it’s extremely relevant to this entire thing:

I’m honestly reblogging this again because the more I stare at it, the more I feel like this is staggeringly relevant art.

Like, so much of modern capitalist marketing is the construction of these superficially personal narratives. Giving the sense, not only that the brand fits in with your identity, but that it is almost a sentient individual itself that has a personal relationship with you. Corporations have personalities. They want to be your friend, and the reason that the entire internet economy runs on the currency of data right now is that the only way to prop up the illusion that they care about you is by already having the information about you that real people would gain by paying attention

But the only way they can collect and sort all that data is with computers, without any actual humans involved past setting up the parameters and pressing “go.” And computers are fucking idiots.

Which leaves us here: this false, saccharine message of togetherness and community–community between you and your friends but more importantly between all of you and Facebook–stripped fucking bare by the fact that the cookie-cutter algorithm can’t tell the difference between friends supporting and caring about each other and Thanos with a dumptruck ass.

The boy is here to collect data, and he collects it and regurgitates it as though it all has equal relevance to the situation at hand. 

He reacts with the same polite indifference to open contempt, genuine warmth and an attempt to bond with him, terror directed at him, and pleas for mercy from him. Later on when we get a glimpse of the “inner workings” of the house, we see the boy watching another set of parents rawdogging the shit out of each other, and applauding appreciatively with the same blank amusement as he applauds to everything else. He sees Gemma and Tom dancing to the music from their radio outside, trying to have one bright moment with one another despite the grim circumstances they’re in, and he immediately inserts himself into the moment with zero awareness that he isn’t wanted here (granted that’s also extremely a little kid thing to do lol). 

Which leads to the fact that that isn’t to say he doesn’t have his moments of personality. He smiles at positive attention (as well as negative attention), he enjoys interaction. He throws a tantrum when he’s told he can’t watch fucked up alien meat television at 3 am and turns it right back on. About the only time we get a genuine reaction from him is when he gets locked in the car to starve.

But then, so do things like Alexa, or Siri, or Cortana. You can have little conversations with it. It can tell jokes. You can ask it the meaning of life and it’ll tell you 42. You can insult it and it’ll do an EPIC SNAPBACK OMG SO SASSY. The people who designed it want you to view it as a friend, even as it sits there and spies on you and integrates itself more and more into your life. 

Gemma lets him out of the car because (also understandably) she can’t bring herself to kill something that looks like a child. Later on, when she speaks with a dying Tom, she wonders why she didn’t kill him when he was still small. Tom tells her, “Because you’re a good person.” Their problems could have maybe (I mean probably not we’ll never know, at the very least Tom wouldn’t have died of exposure maybe) been solved if they just locked the thing in the car and ignored it, but in the end they still wound up viewing it as a person. 

Tom and Gemma openly comment that the boy is always, always watching them, knowing full well they’re within earshot of him. He doesn’t retaliate for this, they’re never punished for saying it. Why would he? It’s what he’s there to do. He knows they know he’s watching. Water is wet. The boy watches.

Of course, when he is older, and better at putting together conversations that sound like an actual person, Gemma is openly terrified of him. His mannerisms don’t change, but conversationally he seems to at least understand whats being said to him, and is willing to ask more in-depth questions, graduation from, “What’s a dog?” to “Why did you say ‘you’re welcome’?”

By the end of the movie, the boy matures into a man. He’s gotten a bit better at knowing which words to parrot at what time, something we can watch him improve upon as the movie goes, and still insists, to Gemma’s last breath, that she’s his mother and that she is home. Gemma dies telling him, “I’m not your fucking mother.”

This is maybe the only other genuine reaction we get from the boy: a disappointed, “Whatever,” before he zips up the bodybag and chucks her into the hole as well. He cleans up the house for the next occupants and leaves. He takes the now-dying realtor’s nametag and puts it on himself, folds up the old realtor and stuffs it in a drawer, and takes his place in the office ready to lure the next couple to the suburbs of Yonder, with words that almost, but not quite, convince you he’s a person, and by that point it’s too late. 

The boy was only ever there to make sure someone would be in Number 9 to make sure someone would be there to raise the next boy to make sure someone would be led to Number 9 to raise the next boy. 

And who among us haven’t left this exact message, or even said this exact thing out loud, to the bot hanging over our shoulder watching us constantly, politely asking if we want help or suggested content?

TLDR anyway yeah the movie is “capitalism bad nuclear family in suburbia is a banal hellscape” still but there’s LAYERS you see

[shanastoryteller]

I'm currently working on a zine for a video game fandom and unfortunately I don't think it's for charity -- is that technically illegal? I want to become a published author one day and I don't want to accidentally screw myself or my online identity over since I want to write novels and make video games. It feels like fanart and fanfic fall under different laws, which makes it hard to be more public about making fanfic and building a resume that way. Would you have any tips for building a (1/?)

(2/?) resume/writing portfolio and pursuing a writing career? I feel like I have to do double the work to participate in fandom while building up an "official" portfolio that's actually legal, and all that results in is me neglecting both in the end. I admire your consistency in writing everyday, whether it be drabbles or working on longer fics, so any tips and advice would be appreciated!

er, well, i'm not a lawyer, so keep that in mind

but yeah, it's technically illegal the same way it's illegal for people to sell hufflepuff stickers. so, yes, but the chances of anyone caring are incredibly low. i don't think writing fanfic, even in a zine, would stop you from being an author anymore than being a fanartist would stop you from being an animator

i, personally, do not write fanfiction for money. i'll do it as a fundraiser sometimes as long as it's people are donating directly and just sending me the receipt as proof, but even for that brief moment i did commissions i had a whole bunch of rules about it, one of which was that the idea either had to be completely original or based off of public domain properties. but that's not for legal reasons, it's just that i believe in fanfiction being something i do out of love, always, but i'm not here to shit on people who make different choices

i .... don't have a writing career? (maybe someday haha) my job is in a completely different field. i work an office job lol. honestly i'm not sure even what type of creative writing jobs would require a portfolio or a resume. unless you want tips on scriptwriting? i don't have a career in that either, but it's a field where you need a spec script, although getting people to read it is a whole different story

i think that if you look at your writing as something for others to consume rather than something you get to create, it's going to be inherently lackluster

don't worry about building a portfolio. just write what sparks joy. if writing an original novel seems daunting, write short stories. if doing an entirely original idea is difficult, then don't - there's so much public domain material out there for you to play with! which is entirely 100 percent legal fanfiction that you can happily profit off of with no legal ramifications

a writer is someone who writes

a writer is a bone polisher. you are a bone polisher and your writing is the leather

the more you write, the better you get

what happens to the leather after you've polished it is actually pretty inconsequential if your goal is to be a better bone polisher. if you focus on making really good, watertight leather, you're going to have a really hard time. because at first, you're just not going to to do as good a job as you want to do, and if you get caught up in the product rather than the practice you'll never gain what you need to gain to do what you want to do

this metaphor kind of got away from me here, but the point is this:

i think that if you just focus on creating the things you want to create and take joy in the process of creation you will eventually end up with something you love

but honestly i can't really speak to the career part because i have. an office job.

[katyobsesses]

Katy my darling <3 I have a very fun ask for you!! What method of arts do each glee characters prefer and what is their favorite thing to create?

oooooo this is a fun ask!

I'm gonna do S2 New Directions for now, but may add S3-6 ND or other characters later 💛 (warning... this is LONG)

Artie: Film. 100% film. He loves using visual media to tell a story, he also really gets into the sound design side too when he learns it in College. He loves making music videos and after Uni that's mostly what he does. He also directs a lot of movie musicals and musical TV shows. Basically he loves making visual media for songs.

Blaine: Performing - mostly singing. He also love writing songs, which we never see in the show but I can imagine him learning about songwriting in NYU and loving it as a way to express his feelings. it's like a step up from using someone else's words to express them.

Brittany: Obviously dancing! I like to think that after marrying Santana she either goes to college for Dance, or maybe owns a dance studio/goes on tour with Mercedes a lot (with Santana as a guest singer) She really loves teaching little kids how to dance, she knows how to interact with them on their level and the kids love her.

Finn: Singing? I honestly can't think about what he likes. Like singing is the closest thing. He sings in the shower a lot and obviously he loves singing on stage. But he's not that much of an art person outside of that. He likes consuming it but not making it.

Kurt: Sewing, obviously, as well as sketching clothes. He loves making accessories for friends - scrunchies for the girls, bow ties for Blaine, a dog bandana for Sam's golden retriver (because you know he gets one) etc. - but he also loves designing and making costumes for small productions. Maybe he volunteers/works with a small theatre troop and makes & designs all of the costumes while also performing.

Mercedes: Mercedes likes making cards for everyone for Christmas and Birthdays. It started because she'd forgotten to buy a card for someone but had some card and pretty pens on hand and it spiralled from there. She now owns a fancy die pressing kit and lots of card toppers and pretty glitter pens and washi tape and all of that. She has a small kit she brings on all of her tours, it helps relax her after a show - making cards for the crew as a thank you/maybe selling some for charity because she makes so much? When she finally gets back together with Sam they both work together to make Christmas cards from them with cute pictures of themselves in terrible christmas jumpers and their golden retriver in a Kurt made bandana and later their kids in matching outfits.

Mike: Like Brittany he's a dancer first and formost. That's his art. He later goes on to be a professional on Dancing With The Stars where he reconnects with Matt on set (maybe they even get together in the end and the DWTS fans love their relationship and their jokingly competative instagram stories) He loves creating a story with only movement and music. Mike also really likes doodling.

Puck: Photography. I don't know why but I see Puck loving to take pictures of places he visits in his travels. He also scrapbooks but only Quinn knows that - he has a whole scrapbook of pictures of Beth that Shelby sends them and later makes them for all of his other kids too, and he has, like, travel journals and scrapbooks of roadtrips he's been on. Basically he's a Bullet Journal guy. He really likes washi tape and pretty papers and stickers and what-not. He will never admit this.

Quinn: Quinn's a writer. In my head she goes on to write a book that's losely based on her high-school years and it becomes a best seller and is later adapted into a Netflix series directed by Artie. I just like the idea! Maybe Rachel plays, like, the Miss Pillsbury character... or Terri! Or maybe Shelby? I dunno one of the adult characters.

Rachel: Obviously her art of choice is performing. It's singing and acting and standing on a stage or a set and making the words in her script her own. Also scrapbooking/moodboard making.

Santana: Santana likes knitting. She won't admit it but she likes knitting little plushies for Brittany, her favourite is a little bi flag coloured bunny. She makes knitted plushies and blankets for all of her friends when they have kids but she never tells them she made them - everyone knows though, they're too perfect for the couple/person (a cat in a scarf or a toy poodle in a bow tie for Klaine, a teddy adorned with gold stars for St. Berry etc. etc.)

Sam: This could be an essay for me (and kinda is opps). Sam is the Art nerd of the group and tries every type of art he possibly can. Macaroni art, illustration, digital art, traditional art, crafts, pumpkin carving, glass blowing, handlettering, graphic design, knitting, crochet, rag rugs, sewing, card making, pyrography, etc. He will try everything he can in terms of visual art. He doesn't, however, write because dyslexia, and he can't wrap him mind around, like editing and film stuff - he does try though because why not. He also really likes songwriting and music arranging.

All of this i'm trying to do as close to canon as i can but going off of canon let's say Sam goes to Parsons for illustration because he's so good at art, he stays with Mercedes in her brownstone and they never break up, after graduating he becomes a comic book illustrator (which i believe is literally a minor at Parsons, so let's say he does a Major in Fine Art/Illustration with a Minor in Comic illustration) and illustrates a run of Young Avengers comics and becomes a fan favourite artist.

In canon, however, he loves teaching the new generation of New Directions but he misses art because he doesn't have that much time anymore (because being the teacher of the new directions is a full time job, apparently, judging by the lack of adult friends or hobbies Will has lol) he loves loves loves arranging music, however, and that becomes the type of art he does the most. He does doodle a lot during faculty meeting (also he does a music teaching certification during his first few years of coaching the nNDs) and goes all out with pumpkin carving at Halloween, and loves decorating his apartment and the choir room at Christmas. He loves doing sets for the musical (and has a lot of fun staging it too) and helps out with the decorations for Prom.

Basically Sam loves to be creative in any way he can. He loves making things, whatever they may be.

Tina: Tina writes fanfiction and draws fanart. She's a nerd 100%, she watched Supernatural, she was a SuperWhoLockian, she loves Merlin, she's loves Twilight but more ironically than, say, Mercedes, and prefers books like Morganville Vampires or PC Cast's series that I've forgotten the name of. She loves the Hunger Games and Firefly and Star Trek and Star Wars. She definately has a tumblr. She mostly writes all sorts of fanfiction and is a huge name in the Supernatural fandom. Only Sam and Blaine know about all of this becuase they found one of her Star Wars fanfictions and in an authors note she said something that they recognised - idk she ranted about Santana or Rachel or something.

This was so much fun omg, thank you for the ask Myle 💛

[messrsrarchives]

Is it even legal to sell that script?? Cause like,, technically speaking isn’t that fan fiction?? Or am I in the wrong for thinking that

yapping

i mean,,,, no. not really. or at all. idk. i'm not an expert. hypothetically??? it's a grey area, if they weren't profiting from it?? but then also they still MADE money regardless of whether it ends up in their pocket or not,,, and the money has been stolen so,,,, it wasn't quite non-profit.

the bottom line is that, yes. they sold fanfiction. they sold intellectual property that did not belong to them, at an extortionate price with no trace of where this money was going, and it wasn't even written by a human. they do not own the characters, the words from the script would have been stolen from works already online, etc etc. none of it's good. and from the conversations i've had, mot much of this entire project has been very legal, much less ethical.

it,,,, really does violate the sanctity of a fandom yk? the only reason we can have fanfiction and these spaces is because it's free. i've never engaged with a fanfilm for this reason because you just never know what they're going to do and this is proof of that.

idk man.

if you have to question whether something is legal,,, probs shouldn't be doing it

[sosooley]

Here's Johnny (c)

rec list update. first part here and third part 

Gunfight at the O.K. Corral - Nelson C. Nye officially published the gayest and greatest shit I have ever read. A HOLY TREASURE. The author is very loose with the original story, but within the bounds of common sense. The book is a loose novelization of the 1957 film. There are some amazing dialogues.  The book started as slash fanfic and ended as slash fanfic. Author canonized docatt, i swear

Who rides with Wyatt - Will Henry  this author is master of shuffling real life Tombstone events, so his story is mostly canon, but at the same time different. Very refreshing and entertaining reading, written very pleasantly. Wyatt here is not stupid and retarted (like in the few books from previous rec list), he is calm and capable of complex cunning plans. Doc is also great (he appears towards the middle of the book). The only downside is that there are rudiments of a really miserable love story. Otherwise i highly recommend this book. 10/10. Author ship docatt, i swear

Territory - Emma Bull IT IS F U C K I N G WESTERN MAGIC AU. In this book Wyatt is a sorcerer (and Doc is a sorcerer too, but very weak and he doesn’t know about his gift). This book has a huge potential for fanfiction WESTERN MAGIC AU oh good god. At first, the book is misleading, it makes you believe that Wyatt is the main antagonist and generally an asshole. Cleverly thought out, I did not immediately understand yeah. The only downside is that Doc and Wyatt's relationship is a little bit toxic. Instead of talking with his friend like two grown men, Wyatt silently uses his witchcraft to keep Doc alive without explaining why, which leads to misunderstandings and f u c k e d up shit. 

Wyatt Earp - Dan Gordon great novelization of the terrible movie “Wyatt Earp” 1994. Great book, I’m not joking. I can even say one of the best. Everything is perfect here: Wyatt, his brothers,Doc, events and golden dialogues, almost like Tarantino. I'd sell a kidney for the chance to see it on screen. Wyatt's breakdown after killing a Stillwell is just fabulous. He shot the poor fellow at point-blank range with a shotgun, then shot 20 bullets at the corpse, then spat at it, then Doc pulled him away, but he escaped and kicked the corpse with his feet. Many-many times. I can’t even believe that the movie could be LIKE THIS. BUT THERE IS ONE NUANCE.  The ending. The ending is spoiled by the LAST M O T H E R F U C K I N G PAGE, literally the last paragraph. this is inhuman shit, you can't do that with ppl. I’m heartbroken.

Dodge City - Tom Clavin the book is equally detailed about the lives of Bat Masterson and Wyatt both, without focusing on one or the other. The events that took place in Dodge before Tombstone and after (Dodge city war) are also described in detail. Well written, but the author does not always check the sources, so sometimes at face value he sells frank bullshit, invented about Doc and Earp much later. Also author ship docatt, i swear

Suppressed murder of Wyatt Earp - Glenn G. Boyer another book that sorts out who the real Wyatt Earp was. The author despises  both debunkers and defenders, claims that he communicated with Wyatt's relatives and applies some incredible information that I have not seen anywhere else (and therefore I do not believe it). The author in his youth was a Frontier marshal fan, and in his maturity he decided to figure out how it was in real life and was distraught since the media parasitizing on history turned Wyatt into a handsome sexless marshal, western knight in white armor. Not great, not terrible

Wyatt Earp, the film and the filmmakers - Jake Kasdan an interesting book with behind the scenes photos, interviews of the actors and excerpts from the film script. They talk about a big budget, a professional team and the genuine interest of the participants. Which, however, doesn’t change the wretchedness of the movie

Tombstone - Matt Braun according to this book, Wyatt robbed stagecoaches, was a merciless murderer, a pimp and just a monster-wifebeater. He lived like a dog and died like a dog. I'm sorry but I don't read shit like this.

Wyatt Earp - Matt Braun a very pleasant book with an interesting turn of the real story for the convenience of the narrative, the characters are pleasantly written,  Wyatt and Doc relationships are really warm and friendly. Unfortunately, the ending is bleak, as if the author ran out of steam by the end. Also, Tombstone and Wyatt Earp have literally repeating paragraphs (description of Wyatt's appearance and Morgan's death). Like two AUs

The shooters - Leon Claire Metz it is the collection of short biographies of famous shooters of the West. I only read the chapter about Doc and Earp and it's a shrunk copy of debunker shit The Earp brothers of Tombstone

Georgia ghosts - Nancy Roberts a collection of short stories about ghosts in Georgia. There are a couple of pages about Doc, but they are useless. But just think of Doc's ghost.