#this is so Stephanie brown core

[brungeons-and-bragons]

Tired of love triangles? Don’t want a throuple for your character? I present to you the funniest fucking situation ever: the love recycling symbol!

It’s got everything you could ever need

-friends to lovers (classic)

-amicable divorce (hilarious)

-a new secret third thing of your ex and current partner being best friends (wow!)

Tired of the current dynamic your characters have? Rotate that shit again and see what happens!

It’s messy, it’s new, and it leaves no one left out from a strange new situation

[skecherss]

"why does he put himself through this" meaning "why on earth does he bother with me when all i am is a liability" ;-; HONEY

Robin (1993) #92

[punkeropercyjackson]

The ideal friend group is an anarchist who's autism is undiagnosable by anyone part of the state and has parental tendencies,a ghost girl deeply haunted by her own narrative that still tries to shine light on things and people and has an absolute ass bio dad,a gamer boygirl who's cool as fuck and cringe as hell at the same time and has reality breaking powers and a little guy who's actually kinda fucked up but stays silly and arguably counts as a god at this point.Transgender also and vaguely catlike

[rocker-socks]

not to be insane but Stephanie Brown is so underrated and i really do hate to say its misogyny but. well. It is.

[leoleolovesdc]

You know someone doesn’t understand Stephanie Brown when they say that she cares about murder or anything Bruce says

[bruciemilf]

Having so many de aged! Jason feelings. I might just burst.

Dick and Tim theorize on how a small, happy little baby winded up in Jason's apartment. It's no secret their brother, a wall of bulk with a tender core, houses the homeless sometimes.

Maybe the baby is someone's? But if so, why was he alone? Jason isn't exactly famous for his unquestionable wisdom, but he's too caring to leave a defenceless infant by himself.

More importantly, why is this baby rolling on his tummy on a familiar brown jacket, evidently craving to be picked up?

"Can you take him? I'm not..." Tim's not good with kids; It's a running joke among them. Even If there's nothing comical about this.

Dick nods. His pride does swell when the baby giggles and coos.

"He has good taste."

" Okay, Narcissus. Let's take him home before your head pops,'' was Tim just a tiny bit jealous this little chubby cheeked thing was snuggling close to Dick, while downright glowering at him?

Maybe. A little. But babies were glorified chunks of meat, shaped just enough like a human to be considered cute. What did they know?

So they get home. It's a pleasant rarity, but they're all in one place.

All except Bruce, of course. Too busy bleeding on the streets to spend any time with them, Dick huffs,

Poor Damian is trying to jump and leap amongst them giants, struggling to take a peek at their young guest, " Grayson! I want the baby!"

" He's not a toy, Dami," they all share a silent look, clearly thinking the same thing. He got it from Bruce,

"What does it do?"

" He's a baby, Steph. He's not even aware he exists!"

" God I wish that were me,"

Duke looks at Babybird, as Dick affectionately took to calling him, with a strange, quizzical look, " He looks familiar. You said you found him at Jay's?"

" Yeah, but I'm taking him to a firestation. I just had to show B. You know he likes volunteering at daycares. Maybe he'll recognize him."

" Recognize who?"

Babybird was chewing on his own foot when the elevator doors slid open. Cass wasn't a wordsmith.

She read movements and actions as one listens to music.

Every member of her beloved family was a song of their own; Dick was motivational and calming.

Stephanie was packed with action, brimming with electrifying energy that just made you want to jump.

Tim was clean and precise with accents of pop. Duke was light and happy and silently confident. Damian was angry, and passionate and brave.

Bruce was powerful, sad, and perfectly tragic.

But when Babybird shrieked, yelled out in happiness and excitement and tried to wiggle out of Dick's arms with a sunshine beam and grabby hands?

Her father was a love song.

"Jay," The name sounds like Bruce is choking. His eyes are burning with tears, marching directly to Dick, " Jay? Jay!"

" Wh--"

"Dada!" Babybird, -- Jason? They only now noticed the white curl bouncing on top of his head, ( their inner detectives groan) " Dadadada, pap papi pap,"

They can't do anything, frozen in place, as Bruce spends the following two hours planting a garden of kisses on Jason's cheeks, full with laughter, while they read and color and build blocks.

"Uh, Bruce? I'm...I'm gonna call Zatanna."

" In a minute."

" DAD, --"

" In a minute."

It wasn't just a minute. It was an entire week.

As ridiculous as it was? They were starting to get jealous.

[starboyjun]

batfam as types of isekai romance male leads

in this post: bruce wayne, dick grayson, jason todd, tim drake, cassandra cain, stephanie brown, and damian wayne

bruce wayne as rudiger winterwald (i will change the genre)

bruce is definitely the cold and "i make misunderstandings for a job" type of male lead. he's the one people in the comments bash or defend for their life. bruce in his past life is the one that the female lead thinks hates them so they die thinking that he won't care but plot twist: he does care... a lot. he's the one to destroy the entire world after their death (regis floyen core) and he's the one who turned back time for her.

dick grayson as isidor visconti (isn't being a wicked woman much better?)

dick grayson is the childhood lover, the one you don't think would be interested in you because of his bright personality. you think he's doing all these things out of pure kindness until after 100+ chapters he likes you. dick grayson is the one to stick by your side and in both lives, was devoted to you.

jason todd as izek van omerta (how to get my husband on my side)

jason todd is the one who unintentionally is cold to you (another idea is he's your killer in your first life) and probably causes your death... unintentionally... maybe. he's the slow burn type of romance where you fix past misunderstandings that have been building up for the past years you've known each other/been together. after a lot of years you've spent together, he's the greenest green flag you've ever met.

tim drake as schdermel raft (my dear aster)

tim drake is the male lead who takes a while to own the reader's hearts lowkey. timmy is a duke that rose to power in the female lead's previous life and is the one that could help her/protect her from her family/problems. timmy is such a sweetheart and i think it'll take a while before romance starts to come in the story (and has reader's asking novel readers who's the male lead).

cassandra cain as dorothea millanair (the tyrant wants to be good)

cassandra cain is the ultimate "i didn't want to be this, my surroundings made me be this." cassandra had a hard childhood because of her father and her "home" similar to many manhwa female leads. cassandra is the type to regret her past life and change for the better. she's not a brainless female lead, she knows a lot of things and will want to change (similar to dorothea).

stephanie brown as athanasia de alger obelia (wmmap)

stephanie is a female lead who is kinda stupid ("why did the plot change" type things) but overall is a strong female lead. she's one to go down in history (like athy). she's one who doesn't need a male lead to back her up and overall chases the plot to chang people's lives. steph is a happy girl and deserves a happy ending.

damian wayne as maximilian kasin ashet (father i dont want to get married)

damian is the one who (unintentionally/intentionally) killed you in your past life. damain grew up as a stuck up brat kid, though he is less of a brat, he's a trained killer for gods sake. damian is one who isn't familiar with love and being gentle. he probably grew up on the battlefield and is labelled "mad dog" or "cold blooded killer" or something along those lines. once you show damian you're not like the other girls afraid of him, he starts to fall... hard.

bonus: alfred pennyworth

the reliable butler of the family who's been serving the family for ages. he's the first one who trusts you and gets to know you on a personal level. he's always there to talk to the waynes and convince them you're a good person.

idk what to do next so lmk lol

[a-bad-case-of-the-stephs]

Okay!

After nearly a full decade of our time of Stephanie Brown being told to go home and give up being Spoiler, Batman takes her on as a student and sanctions her, with no preamble or warning.

That’s weird, let’s talk about it.

Batmans strange choices in how he treats Stephanie Brown can only be understood by analyzing his character.

Let's place Batman in context of what is going on directly before his decision to bring in Stephanie Brown as part of the team. The last major event preceding Stephanie Brown being sanctioned is Officer Down, which by the time it concludes Batman has lost two of his oldest allies: Jim Gordon has retired and Alfred has resigned.

In the wake of Officer Down, I’d like to track two key conflicting characteristics of Batman, how they are exacerbated, and how they influence how Stephanie is treated.

1. A Longing for Companionship

Batman's desire for the company of others is increased post-Officer Down, as he deals with suddenly being isolated from most of his core group.

Other characters point this out:

Batman #590 (1940)

Additionally, for the first time in a long while, Bruce Wayne is entirely alone in the manor.

Gotham Knights #20 (2000)

So, why doesn’t Batman just do the normal, healthy thing and reach out to the loved ones he still has? I personally believe it’s because of how embarrassed he is after getting epically owned by Alfred, but the more general answer is: he’s the Batman.

Out of paranoia his feelings will be used against him, or out of fears those close to him will be harmed if he directly expresses affection for them, or out of just being too damn cool for “emotions”, any way you slice it, Batman is:

2. Deeply uncomfortable with appearing emotionally vulnerable

We can see this with one of Bruce’s primary response to immediate grief: denial and silence

A simple example of this is how he acts after Jason Todd is killed. Bruce completely refuses to acknowledge his existence, and remains utterly silent when confronted.

Batman #437 / #440 (1940)

Another easy example of this is how he inexplicably approaches Nightwing dressed as Matches Malone in order to express that he isn’t trying to step on his toes:

Nightwing #14 (1996)

While it varies over time how emotionally closed off Bruce is, I believe one of the biggest triggers for an increase in this emotional cut off is when he is made to feel helpless.

During Cataclysm, he is helpless to stop the earthquake or meaningfully protect Gotham, there’s no enemy to fight, it’s just pure random crappy luck. He responds to this feeling of circumstances being out of his immediate control by cutting off almost all of his allies and sending them out of Gotham.

After he learns about how Zatanna and some other JLers wiped his memory and betrayed his trust, his reaction is to create an artificial intelligence to spy on the Justice League.

When Batman is put in situations which makes him feel physically or emotionally vulnerable, when he’s subject to circumstances out of his control, Batmans response has been historically to double down and isolate himself and cover up any potential weaknesses by convincing himself he’s better off alone and paranoid.

Eventually, after some time of this, he has a big moment where he decides to let people in, but his knee jerk reaction is always to pull away first.

This aversion to vulnerability is in play during and post-Officer Down, where Bruce is confronted by Jim’s mortality and retirement as well as Alfred’s resignation, all “enemies” he can’t just punch away.

Nightwing #53 (1996) / Gotham Knights #13 (2000)

In the wake of Officer Down, these conflicting traits are prominently portrayed.

In particular, Gotham Knights #18 demonstrates how these ideas clash.

Batmans loneliness is explored heavily: he starts the comic off talking to a bat, repeatably calls Oracle who is trying to sleep, and wanders through the completely empty manor.

His loneliness is conveyed through how he is framed: a shadow in a batsuit, wandering though desaturated and darkened hallways and rooms, completely silently, like a ghost.

Finally, the silence ends. Bruce calls Aquaman, asking for help excavating his giant penny. They have an awkward conversation, until Aquaman eventually calls him on his BS, pretty much directly stating that the penny was a total excuse, and that Bruce just wanted company, that he only called because he was lonely.

Gotham Knights #18 (2000)

When confronted with his loneliness, we see his desire for companionship come into play. He tries to talk to the bat, to Oracle, and then Arthur.

We also see it mitigated by the second impulse, his aversion to vulnerability. He can't tell Oracle that he just wants to talk, he has to frame the interaction through a case that he himself admits he no longer needs her help with.

Likewise, he can't just tell Aquaman that he wants to hang out, he has to make up a lie about needing help moving his giant penny.

His desire for companionship drives him to reach out, while his aversion to emotional vulnerability forces him to obscure this desire for human connection.

So, thats fine and all, but what does any of this have to do with Stephanie Brown?

As I mentioned earlier, Officer Down is the event that occurs just before Batman brings Steph onto the team. I argue that this dynamic of yearning for companionship vs. resistance to emotional vulnerability influences heavily his decision to "sanction" her as Spoiler.

Stephanie as a balm for Batmans loneliness.

This is immediately clear if you compare how much he's talking in Gotham Knights #18 to how he chatters away at Stephanie. He directly references Tim and Alfred's absence. But unlike Gotham Knights #18 the absence is not a bad thing per se, its framed against Stephanie's presence, how he allows her to stay.

Green Arrow #5 (2001)

Stephanie's role in assuaging his loneliness is evident in other places as well, for instance, in the Gotham Knights Last Laugh tie in. Stephanie realizes she forgot to turn her comm of, and had been "blabbing in [his] ear all night", Batman reassures her that he isn't upset. Just the opposite in fact, he tells her to not turn it off, saying he "doesn't mind the company" and placing a hand awkwardly on her shoulder. He clearly appreciated the relief from his loneliness her "blabbing" had provided.

Gotham Knights #22 (2000)

So Batman's embarrassing loneliness might have had some role to play in him taking her on as a student and "sanctioning" her. But what about that second impulse? How does it come into play?

2. How Stephanie as an outsider allows for emotional vulnerability

Originally, Batman takes Stephanie on because he needed her to help him find Tim at Brentwood, as he is unable to go himself. The reasons he "can't" go himself only become clear when Tim confronts Bruce, calling him out for being afraid of running into Alfred.

Robin #87 (1993)

This scene illustrates how Stephanie satisfies the second impulse, her outsider status. Stephanie is different from the rest of the team.

Tim has access to the context and information which allows him to expose Batman's emotionally vulnerability. Tim can call out Batman out for his pettiness and cowardice in how he hides from Alfred.

But Stephanie? Stephanie doesn't know who Alfred is, or how embarrassing it is for Batman to be avoiding him after Alfred yelled at him and called him a baby. She doesn't have the context that Tim and the rest of the team have.

So what does this mean? It means that Batman can tell her shit that is not true, like that he calls his car "The Car" instead of the Batmobile. And, more importantly, it means that he can express emotional vulnerability without any of the potential consequence. She has no context, and she has no one to tell.

Alfred is beefing with her over Bruce's choice to tell her Tim's identity, so that potential friendship is over before it could begin. And she gets (seemingly) brushed off by Batgirl.

Robin #88 (1993)

She doesn't even have Tim, who Stephanies believes is mad at her.

Robin #94 (1993)

I cannot emphasize this enough: she has nobody to tell. And Batman absolutely knows this.

He is emotionally vulnerable with her, expressing concern for the future and uncertainty:

Robin #92 (1993)

This moment is weird. It stands out. Stephanie seems aware of the strangeness of this moment, she reflects on it internally.

This moment parallels something in another comic. His fears and uncertainties about bringing other people into his "war"? We see a similar dialogue in the beginning of Gotham Knights.

Gotham Knights #1 (2000)

These are his uncertainties and fears that he can normally only express through creating a case file where he writes in the third person, assessing himself as Batman as if he is a completely different person. But theres no subterfuge here. He just straight up tells Stephanie Brown, utterly unprompted.

And this isn't the last time it's mentioned. At least half a year later, at the very start of War Games, the strange and scary vulnerability of this moment is still etched in Stephanies mind.

Batman: The 12 Cent Adventure (2004)

And while Batman gets to dump his insecurities on Stephanie, it's not exactly reciprocal. Stephanie expresses fear that Batman will drop her if she goes to him for help after her dad threatens to kill her. She has no feeling of security in her place on the team if she's afraid of this.

Robin #94 (1993)

And she's not even wrong about Batman's willingness to fire her at the drop of a hat, it just occurs later.

And when it occurs is important. The events of Bruce Wayne: Murderer lead to Alfred coming back into the manor and Bruce's employ. It ends with a big reconcilltion between the primary team, where Bruce explains he's been off since Officer Down.

Batman #605 (1940)

Alfred is back, no questions asked. The "real" team gets an apology and an explanation. And in other words, Batman is no longer as alone as he was before.

Everyone was locked out of the cave during Bruce Wayne: Murderer/Fugitive, but Stephanie is the only one who is not let back in once it concludes. She doesn't get an explanation, and Batman did not seem to have a plan to tell her she's been fired. She had to track him down and confront him to find out he'd given up on her.

Gotham Knights #37 (2000)

We can see how his isolation contributes to how she is treated by who is told when she is fired/sanctioned. When he brings her on the team, no one knows ahead of time. We don't see him tell anyone at all. In contrast, once his primary support system is firmly reestablished post Bruce Wayne: Murderer, Bruce separately informs Tim, Cassandra, and Alfred that Stephanie was fired. He's able to do this because his web has been repaired.

Stephanie Brown essentially fulfills the same role as the bat that Bruce talks to in Gotham Knights #18.

A new presence, unencumbered with the point of view the rest of the team has, unknowing of Bruce's history of fucking up. A sounding board, a stand in for Bruce's normal company.

Stephanie's presence perfectly satiates the contrasting impulses Batman deals with when it comes to how he interacts with other characters. Through her, Bruce can have companionship without being afraid of the danger of emotional vulnerability. She doesn't have the context, she doesn't know Bruce Wayne. She only knows Batman, and she seems pretty starstruck about finally being let on his team.

[bitterrobin]

Things I hate/dislike about Fanon-Damian Wayne

AKA me just bitching about the various icks of Damian portrayals in fanon that range from weirdly racist things to a blatant misunderstanding of the core character.

Whitewashing - not only in art, but in descriptions; making Damian pale or white, an "exact copy of Bruce" and having blue eyes. He'll share features with Bruce of course, but it's rare I see anyone describe him with traits from Talia or Ras or Melisande. Y'know he's still half Arab/Chinese despite Bruce being white. He should have, at the very least, a shade of brown skin and non-blue eyes.

Describing Damian like an animal (hissing, biting, clawing), calling him feral or rabid - I already have a post about how its pretty racist to constantly describe a poc character like this, so I won't go any further here. Also, rabid, really? Anyone who calls Damian that will die by my hand because it's so genuinely ignorant that I just can't excuse it.

Overuse of terms like "Blood Son", gremlin, "Demon Spawn", "Satan" - these spawned completely in fandom and its gotten to the point that I will immediately click off something if its included. Just stop using these as shorthand to describe him or joke about him. Come up with something else, or maybe just don't include Damian in a fic if he's only there to get made fun of.

Connected to the "Blood Son" term, making Damian obsessed with his biological status as Bruce's child and making him demean his adopted siblings/other adopted characters - he's only had a couple instances of this in canon comics. Once, in his introduction in the fight with Tim written by Grant Morrison when his character was still being fleshed out. Again, in a fight with Tim in Red Robin when Damian is mostly being written as an antagonist and not a character of his own. It frustrates me to no end when this is brought up because Damian's status with being Bruce's son has nothing to do with biological connection or genetics. It has everything to do with just being a son of a father that doesn't put any effort to knowing you and seeing him have deep connections to other kids that you have been raised to see as competition, not family.

Constantly having him carry around a sword/katana - this does happen in some comics, but its really not the main weapon he uses as Robin. A good majority of his time as Robin he just used the standard stuff (batarangs, grapple etc). The really aggravating part is when fics insinuate that he'd carry one around in public or in school.

Making Bruce's half of the family his good white saviors, while also making the al Ghuls evil abusers - if you demonize Talia and then prop up Bruce as a good dad who's done nothing wrong to Damian then I'm going to assume that you don't read comics and you don't have a good understanding of Damian's relationship with his parents. If you make Dick or Jason the good protective big brothers while putting down Talia or Ras or Mara, again, I'm going to assume the worst. Dick did not like Damian when they first met. Tim spent most of their time together as Red Robin/Robin hating him. Jason shot Damian point blank in the chest the first meeting they had, and then continued to threaten his life. Damian has never had a great relationship with anyone in the batfamily when he first appeared. Yes, not even Stephanie or Cassandra or Duke. With everyone, it took time for him to be tolerated much less liked or understood. Making them the ones who understood him and babied him from the start ruins his character development and his relationships with them. Only if you're writing an au where Damian is raised by Bruce, then it's excusable but still not the least bit right when handling the al Ghuls.

Making Damian ignorant or plain stupid, especially when comes to white American concepts - Damian is insanely smart. He knows what riddles are. He knows what metaphors are. He knows that Gotham is a city in New Jersey in America, and that American concepts like school clubs and sports teams and cliques and dances exist. Sometimes it sounds you're making Damian intentionally an idiot when you imply he doesn't know what a video game or a tv show is. Just because he grew up sheltered does not mean he's fucking blind. He's a kid who grew up Middle Eastern, not in another planet.

nitpick but Damian calling Bruce "baba" at every turn or throwing in "habibi" when you write ship content - I am not Arabic, but i'd feel the same kind of annoyance if someone wrote Damian calling Bruce "papa" or "padre" all the time, or randomly listing off Spanish endearments in ship fics. In moderation, it can be cute and appreciative. But sometimes it reads like you just discovered a new funny word and you're throwing it around for no reason.

Insisting that Damian should have learned morality or been punished severely by any of the bats when he first showed up - I must stress that none of them did jack shit to teach Damian any kind of morality when he appeared. Bruce met him, yelled at him, fucked off for a mission, came back and then promptly left him behind with Talia before they were presumed dead by explosion. Then Bruce straight up died. Bruce had very little to do with Damian in the early era. Dick, also, didn't really do anything in terms of actually sitting Damian down and explaining the Bat code or just general "killing=bad". He taught Damian to be Robin, and by that process, gradually got through to him about being a hero and a good person. You cannot expect good behavior from a child from the get-go if you've done nothing to teach that child. On that matter then, implying that Damian should have been kicked out of the house or beaten up on behalf of Tim as a form of punishment or a "teaching moment" is genuinely insane. You're going to abuse the already abused ten year old because he hurt your favorite character? Really? You're truly the pinnacle of an adult figure that he should respect /s.

Being annoying about Damian's attitude towards other characters - he's sarcastic and rude on purpose. It's pretty clear from the start to Damian that no one likes him, so he chooses to not like them back. If you cry about him calling Tim names, then I honestly think you don't have a high opinion of Tim at all if you think a seventeen/eighteen year old teenager would be hurt or psychologically scarred by a ten year old calling him a mean name.

Exaggerating Damian's violence and making people terrified of him - calling his fights with Tim "attempted murder" both undermines what murder actually is and undermines Tim's skill levels. The cutting the line incident for example. Obviously the action of cutting it was dangerous, but if you genuinely believe that Tim would have died from it or that he would regard it with any PTSD-level importance is (imo) kind of stupid. We always hear about the actions Damian takes around other characters, but never the canon reaction. In the 2009-2011 era, Tim was angry and annoyed about Damian. Whenever Damian did anything to him, he fought back. He would shoot back remarks, land a blow. Tim wasn't scared of Damian. They didn't even live together long enough for Tim to feel "unsafe in his own home." The second Damian became Robin, Tim left. They never lived in the same house since then, until the reboot, and even then Tim has been pretty independent and Damian has been away from Gotham more often than in it. Same deal applies to Dick and Steph and Jason and Cass, they never took Damian's actions lying down. He's just a mild annoyance to them. In fact, Damian doesn't attack them in their sleep. He doesn't try to kill them every chance he gets. He doesn't plot their demise. Every instance of Damian fighting someone in the family has either been; protective impulse, a reaction to a fight they instigated, or a sparring-type situation where neither of them are taking things seriously.

[dailycass-cain]

Birds of Prey #12 brings the Cass action to the forefront!

It also gets me something I always wanted to see: Sophie Campbell drawing Cass. But it comes-- with a TWIST!!

We're nearing the end point of this arc, and we get the craziest issue yet of the world hoping. This time the Birds getting "toonnified".

And that is "the twist"

Since I first saw her work on IDW TMNT. I always wanted to see Sophie Campbell draw Cass. Well wish granted this issue. But it's an utterly adorable Cass.

Though, what shall we call this Cass version? Toon Cass? Cass Toon? No wait that one is taken. 🤪

Anyhoot, this toon world feels honestly the most fleshed out of them all. Like it felt there was this underlying unease with each world the Birds visited.

Here this is the first one that feels like a world onto itself. I wonder where this will go with the "final world" teased at the end.

Even though, last issue Cass was put on the back burner, this issue she gets A LOT of focus. So much so I believe this issue she has more dialogue than the prior ELEVEN issues!

Even with all this Cass, all the Birds get a moment this issue. Barda and Vixen get absolute banger moments this issue and their toon designs are just perfection. Likewise so does Sin, and even Babs. Everyone gets something this issue.

And it all starts with Cela walking out, and Cass following. Now I now there was A LOT of shippers jumping onto the two this issue.

So let's dissect the real bonding, and maybe-- it can go to be more?

Writer Kelly Thompson has touched on many dimensions to Cass in the series thus far. Here she digs into the core of Cass: compassion.

A few issues ago, we learned Cela's origins, and last issue put it on the back burner, but this issue we get the forefront as she knows the Birds reunited that time is almost up with her newfound companions and the hope of being free from this prison.

I think Cass can really relate to Cela. That she's stuck in this world, and really is trying to be good despite the world wanting otherwise. Not to mention losing A LOT of sisters?

It sounds FAMILAIR doesn't it?

think Cass relates a lot to Cela and is trying to break that ice with her being there for her. She can see how her body is screaming for someone to vent with.

And well... we get the scene between the two.

Now as to WHY people are jumping on this ship bandwagon so much? Well, when was the last time Cass had an honest to god love interest in the main DCU?

You could say Stephanie Brown (Batgirls 2021-2023). Or... Harper Row (2016).

But if we're going to her honest-to-goodness CONFIRMED she's interested in?

It was Sal from Batgirl Vol. 2 (2009).

It's been THAT long since Cassandra Cain had a CONFIRMED love interest.

I think fan interest in wanting Cass to get SOME loving is WHY we're at this point. The girl deserves it. Though personally I see ANOTHER option (if not Harper), who just happens to show up this issue too.

So I get WHY many shipping vibes are there for Cass/Cela.

But the rest of the issue is Cass coming up with a plan to FINALLY be free while also dealing with Maia problem too.

And here we get our SECOND bit of Cass in the issue.

This and a few other reaction images are so getting memed by us Cass fans. I know it.

But yeah it's a nice "character progression" from someone who told a "bad story" in #1 to now coming up with a good plan in #12.

And the plan even involves a homage to what Sophie Campbell is most famous for. 😁😁😁

You thought I wouldn't notice the streams crossed did ya? BUT I DID!

Birds of Prey #12 is an emotional ride but with a toony twist. It has such a glorious cute edge this issue. And this world with the Birds REALLY clicked. I've gone back to reading this issue more over than the prior bits of this arc.

I feel there's nothing more to say than I'm REALLY curious where this all goes next issue and how this will tie into the Spirit World?

I guess we'll see. Other than, I'm curious what your thoughts are on Cass/Cela?

And are you surprised it's been THAT LONG Cass had a love interest?

*this is me now waiting for comments*

[punkeropercyjackson]

Please tell me how Duke,Cass and Stephanie getting nonstop left out of Batfam content isn't because of antiblackness,racialized misogyny and a mix of gender essentialism,classism and ableism.When none of you can shut the fuck up about how 'black haired and blue eyed male is the only requirement for a Batkid!' and go as far as to include 'pale/fair skinned' sometimes when Damian and Dick are brownskin in multiple versions because of being brown in heritage and Damian and Jason have green eyes half the time and by saying 'lighteyed' when it comes to Batboys,that would be problematic but it'd at least include Duke since he's gold eyed due to Gnonom and you probably don't even know who that is since you actively refuse to meet Duke even though he's easiest Batkid to read for BECAUSE he's got so little content and Cass and Stephanie also have a small amount of material compared to the other boys

When Cass is chosen over Duke for Jason by all of you even though she hates him and she chooses Stephanie again and again against everyone's wishes and Duke canonically WANTS to be chosen for fucking once and Jason DID choose him and is the only other Batboy who called him a Robin directly outside of Robin War and Stephanie's dying wish was be 'a real Robin' and Cass' character creation purpose is to defy the idea that asian women exist only for white men and go against other asian girl stereotypes,INCLUDING being purely soft and feminine by making her a rough and tough butch who hates cis men.When you say 'Fuck canon,fanon is better!' to justify your millions of rewrites to erase Tim's Robin being a romani man and his Batgirl a half chinese girl and Jason's Robin and Batgirl being a black autistic boy and his Batgirl a bpdtistic male explotation victim and your crossovers of characters who have the perfect parents or at least caretakers in canon but suddenly,canon is your gospel when it comes to the bigotry in it's writing i.e how 'The core Batkids' came to be

And the fact is,that's like the only Batkids combo that DOSEN'T make sense!The Dead Robins Club is a no brainer but there's also the 90s Batkids trinity,the Shakespearen Robins(Jason,Stephanie and Duke),The Troubled Batkids(Tim,Stephanie,Cass and Duke),Batman!Cass Batwoman!Stephanie Robin!Maps and Trans Batgirl!Damian and the ONLY CANON Nightwing Robin and Batgirl trio we've ever gotten in Dick Tim and Cass??????You have some of the best dynamics of all time possible but nah,you'd rather pass it over for infantalizing a grown ass disabled moc into your pathetic lil pretty obsessed manchild,turning thee dead sidekick into a convuluted mess more than canon ever has and that's saying BIG words,cringeifying someone who just has the personality of an ordinary of 17 year old boy and is therefore inherently lovable into the arranged marriage lovechild of a dark romance guy and a pick me quotev girl and dehumanize a cute and sweet lil brown boy who's got that trauma already to turn him into an animal in human mold in the same breath you bash him healing enough to get a gf through trauma bonding and being kiddy together in favor of your groody ass lil age gap fantasy-Actually,that applies to ALL OF THEM

Kory,Rose and STEPHANIE are infinitely better written love interests for Dick,Jason and Tim than any older man you want them to get with,Tim most of all because he's not even a man,he's a boy.Cass and Stephanie are adults and have been for a long time in multiple incarnations so why not make Stephcass smut instead?Why not 'Duke joins the Batfam early/Jason takes Duke into The Outlaws after he has a fight with Bruce that scared him/Sleep Deprived Duke Thomas/Chaotic Duke Thomas/Duke Thomas deserves better/Trans Duke Thomas/Autistic Duke Thomas?,all of which are infinitely more implicable to Duke than they are to Tim and so is 'Token Normal Tim Drake'?When you make this content or you support it,you're saying something.You're saying you don't care about representation and perfer stereotyping and abusive dynamics because you believe they're inherently more interesting

Before you judge this post,consider the following:Which one of us has read enough comics and watched enough adaptions to know all this?Which one of us has more of a right to call themself a Batfam and Batkids fan?Which one of us is constantly gatekeeping Duke,Cass and Stephanie from their own story and pulling the 'No,YOU!!!!' card?It's absolutely pathetic how desperate the grip Batfanon has taken is and even more so that y'all refuse to move on from it like i did.It's not gonna kill you,you pissbabies.And just curious,how long was the last Batfam-centric post you rb'd?Longer than this,right?

[armed-with-a-waffle-iron]

Something very Stephanie Brown about Stephanie Brown is that Bruce, Alfred, Babs, Damian, Kate, Tim, and Cass are all like "Wow! Dick Grayson's so spontaneous and wild and happy-go-lucky and rebellious and gung-ho and a ray of sunshine..." while Stephanie's like "OHMYGODDD, this guy's such a stick-in-the-mud!!".

Stephanie is literally chaos incarnate and Dick couldn't handle it (initially).

Meanwhile:

Most of these stories are happening around the same time by the way.

It also feels pretty hard-earned when these two do come around with each other, at the end of the Core Requirements arc. They had a cute dynamic and they're so similar in so many ways (Bruce even said it during The Road Home). We were robbed of more. It was absolute genius: "hmm...what if...Batman and Batgirl....were ROBIN!".

Sources: Batgirl (2009) #5-7, World's Finest (2009) #3-4, Batman (1940) #682 & #689, Nightwing (1996) #143, Detective Comics (1940) #872, Batman and Robin #9, and Batgirl (2000) #58.

[thegeekproblem]

Reverse Robins Plot Bunny

okay, so i've been thinking about how a reverse robins plot would work while mostly leaving intact their origin stories and core personalities and also bruce's own plots and i have a lot of thoughts that i need to share asap cause i'm pretty sure this will never see the light of day (feels like a pretty big fic) but if someone wants to pick it up please go ahead just pretty please tag me or dm me or something so i can go and read asap

SO! we have 5 robins that in reverse order would be: damian, stephanie, tim, jason and dick (you can add or take batfam members as you please).

Damian Al Ghul-Wayne

so damian starts with his same origin: bio son of bruce and talia, after dropping out of med school bruce goes on his world tour and ends up in the league of shadows, he meets talia and falls in love and they have a relationship, ra's wants bruce to be his heir so he approves and talia finds out that she's pregnant with damian, but hey, ra's wants him for his own purposes and talia doesn't want that for damian (good mom talia for the win) so she tells bruce and ra's she lost the baby. bruce full of heartbreak doesn't align with ra's beliefs so he leaves to return to gotham. years later talia brings damian to bruce and damian creates robin. as his only son at the beginning, damian probably feels even more entitled to bruce's legacy and he's a bit of an asshole but gets better. even then, bruce's ideology and damian's upbringing clash a lot (he's still the son of talia and he grew up in a cult) up until the point damian leaves behind the mantle of robin and creates a new name for himself (black bat suits him i think) and his own group like jl (which are the titans).

Stephanie Brown

now, stephanie would be introduced slightly before than tim. we get the whole spoiler first and that's how bruce meets her, he gives her the mantle of robin for a while after damian becomes black bat which pisses him off (there's probs less friction that what dick/jason's dynamic had in the og canon over robin but oh boi their relationship ain't good for a while). it's not a long run as robin because stephanie gets in trouble with black mask, which ends bad but not dead bad, and bruce, scared out of his mind, uses that as an excuse to push her away and fires her.

bruce would then have tim as a robin and stephanie would create batgirl.

batgirl gives stephanie more freedom than working with batman ever would, she's really headstrong and being able to improvise is her main forte so i think she would create a new mantle as a way to recover after what happened with black mask. later she'll be the one to give it to barbara and would return to spoiler also as a way to join tim (now red robin) in his search for bruce after he "dies".

Tim Drake

tim's obsessed with batman and robin right? he goes out and takes pictures of them every night and he probably figured out their identities through matching every single one of bruce's injuries with batman's absences or through figuring out stephanie's identity. when damian becomes black bat and soon after stephanie!robin is fired he probably does some calculations and realizes that batman solves more crimes with a robin than without one and he tries to convince stephanie to return but stephanie is recovering from black mask (and creating batgirl in the background) and also mad at bruce for firing her so she rejects it and tim's like well, guess it's gotta be me and goes to bruce. bruce doesn't want to because of what happened with black mask but tim's really insistent and bruce gives him the mantle of robin. stephanie doesn't like it much but accepts it, tim's intelligent and rich and that makes stephanie feel inferior, but later on tim and stephanie's relationship becomes something that pushes both of them to be better. tim's parents die and bruce adopts him which makes his relationship with damian turn bad, and damian grows to despise tim, in his head stephanie wasn't adopted (she still has her mum) so she never registered as a threat for the cowl but now tim's adopted and bruce considers him a son but then bruce fucking dies! or at least it's what they all think but tim's convinced he isn't (he isn't) so he leaves gotham and the mantle of robin behind and becomes red robin (i do actually like the red robin title a lot) to search for a way to get bruce back and is joined by spoiler in his search.

at this point damian takes up the cowl and becomes batman.

Jason Todd.

now, damian is batman, he doesn't like the idea of having a robin, tim and stephanie are world trotting, and that leaves only him and alfred in that mansion. is lonely and he regrets a lot of his past attitudes with tim and all of the fights with bruce, so he's a really cryptid version of batman, all alone and sticking to the shadows because he's a ninja. one day he's patrolling crime alley when surprise! a wild jason tries to steal the tires of the batmobile and well, damian hasn't seen that kind of spunk in a while and he laughs. damian likes jason a lot and offers him a place in the manor, offers to train him, makes him robin, his robin, not bruce's but one of his own choosing. so damian really likes jason and they work together well and jason loves damian, he's his family, his brother.

and then bruce returns, stephanie and tim being the ones that brought him back.

now bruce and jason take a while to adjust and it's more common to now see black bat and robin together but still, bruce is a good father right? tim's not that good with jason but tries, and stephanie loves jason because they both have similar backgrounds. by this point bruce has more experience as a father figure and jason gets adopted and truly comes to see bruce as his dad and starts calling him that but still the whole thing with the joker happens and jason fucking dies. this hits bruce HARD. way harder than in canon because by that point his family is so big and has manage to grow, there's damian and tim, and stephanie even if she's not adopted and he has good relationships with everyone but then jason dies and bruce loses damian too because in his grief damian blames bruce, blames himself, kills the joker and goes back to the league of shadows and talia. tim and stephanie are dealing with their own grief, alfred too, and this leaves bruce completely alone.

a grieving bruce finds dick and, seeing a reflection of his suffering, makes him robin

while dick was becoming robin we know what happens, jason digs himself out of his grave, spends a year in a coma, another catatonic in gotham's streets. nobody finds him, bruce probably saw him once or twice and thought it was a hallucination, stephanie and tim don't patrol crime alley, and damian returns to gotham before talia finds him. when talia finds him and hides him from ra's. she first wants to bring him back to health before returning him to damian because jason meant so much to him, enough to disobey bruce's only rule, but ra's finds out about jason and that he came back to life, they try to figure out how and ra's is the one with the idea to push him into the lazarus pit. now jason is trapped with the league, talia tells him how damian avenged him, how he still mourns him, there's no true resentment with bruce about the robin mantle being passed, and damian was the one that made him robin, not bruce. so he's trapped with the league but talia wants to return him to damian so she plans and in the meanwhile she sends jason on his world training tour promising him that he will return to gotham one day. talia helps him escape and jason returns to gotham under the mantle of red hood.

Dick Grayson

bruce is devastated. he doesn't know how to be batman anymore and he's completely alone, left by his family that's dealing with their own grief. that's when he sees a boy that reminds him so much of himself. a young dick grayson that just lost his parents and is angry at the world. but he's also a really happy and hopeful child and bruce wants to help him, he needs to help him because he can't fail another child again. so, dick becomes robin. tim takes as his responsibility to train dick because he never trained with jason and he cannot fail another brother.

stephanie in the background trains barbara and makes her batgirl.

dick grows as robin, alfred, stephanie and tim telling him stories of jason, of how good of a robin was and dick becomes enamoured by the image of robin!jason. bruce is wrapped in his grief and dick is doing his best and sometimes it's not enough and it's been almost two years then damian comes back. he and bruce make peace with each other but in their relationship there's a jason shaped hole that'll never heal. dick and damian get to know each other and damian tells him even more stories of jason, stories that make him look more human, more like a kid that made a few mistakes, instead of the perfect picture the others paint.

and then, the red hood appears.

bruce and dick try to investigate but the red hood is good. not only did he take over the organized crime of gotham, he cleared crime alley of any other gang and made it his territory. damian starts to act weird all of the sudden after chasing red hood once and returning empty handed. damian and red hood meet, damian discovers he's jason, jason feels like he has no home to return because he's too different now, obviously damian doesn't tell anybody yet but bruce suspects. bruce and jason confront each other and good dad!bruce begs him to come home. after that, it's an adjustment, jason wants to stay legally dead and keep his apartment in crime alley but would still visit the manor and dick with his hero crush on him would look for him all the time

A/N: this is more of a gen fic idea, but i'm a shipper at heart so maybe i woud add some jaydick romance when they're trying to convince jason to return to the family. but yeah, after this i have nothing concrete, i guess it ends here when they finally get to be a big family again. bruce probs has a lot of ptsd after jason's dead and maybe decides to retire at 50 and officially give the mantle to damian. dick becomes nightwing after robin and later barbara becomes oracle and creates the birds of prey. but yeah, my only problem with all of these ideas is that it looks like a really fucking long fic. hell, i would probably make different fics for each robin and make it a series so i can correctly develop each and everyone of their personalities and stories and give them time to grow, each work would probs be from bruce's and the current robin pov's. but also, you can totally see that jason's my favourite and i haven't developed that well some of the other robins, so i would probs write his part first and never come back to the rest. i just needed to share my ideas and if someone wants to pick them up please feel free to do it. i'll probably start to share more plot bunnies of the fics that i'll probably never get around to write.

[that1emowitch]

At the end of the world / Or the last thing I see / You are never coming home, never coming home

Prompt from @tuna-f-b: Do you still do request? If yes and angst is o.k: what would happend i all the bats died? Like how would the hero community react. The supers alone. Clark having to deal with losing his best friend(?) and the kids he basically co parented- as well as seeing his sons lose their best friends(?) Specially as ships that would be awesome angst

A/N: I'm not crying you're crying (Also, for those who don't know, Izzy is Duke's canon gf and one of the Robins from We Are Robin)

Words: 2504

TW: Mentions of blood, Major character death, Coping with loss, Self-blame, Mentions of relapse (drugs)

“If you’re watching this, I am either deceased or indefinitely unable to continue my duties as Batman. But the world still needs Batman. Gotham still needs Batman. My son Damian Wayne, if he is an adult, shall inherit my mantle— if not, Dick Grayson will take over until he is. In the event that he, too, is unavailable for any reason, the mantle goes to Tim Drake, after him, to Cassandra Cain, then Duke Thomas, then Stephanie Brown, then Jason Todd, should he accept it.”

In the video recording, Batman pauses, taking a deep breath.

“In the unfortunate event that the entire family is… deceased… I have a list of contingency plans on both the Bat-Computer and the Justice League’s primary databases. Oracle will help you access it, but in her… absence… the password is “a6ghr83kc02m”.”

Then video-Bruce takes off the cowl, his pale blue eyes looking straight into the camera.

“I know I was never the best with feelings. But I would like my children, my allies, and friends to know that I’m proud of you. And to my fellow Justice Leaguers… Diana and Clark, I am truly grateful for your companionship. I would never have made it this far without you. Barry, Arthur, Dinah, J’onn, you’ve all been good friends. Oliver, Hal… you’re not so bad either.”

Bruce turns around, and looks over his shoulder, the shadows of the Batcave making the scene even more dramatic.

“I wish you good luck.”

Then the clip ends.

A shuddering breath leaves Clark.

It’s real.

He’s really… They’re all…

He can’t do this anymore. He turns around and walks out the door, leaving the other core Justice Leaguers staring sombrely at the now-blank screen.

He doesn’t know when he started flying, when he started trying to escape. The walls of the Watchtower seem to be suffocating him, but he has enough sense not to just leave the airlock yet.

Instead he finds a corner by a window, far, far away from the others, where he can see a majestic view of Earth, the moon, and the Sun in perfect sync with each other.

He falls to his knees.

His breathing’s uneven, a tear rolls down his cheeks.

Then he feels a hand on his shoulder— soft, trembling, yet steady.

“Kal,” Diana whispers, sitting on the floor next to him. She doesn’t continue— she isn’t sure what to say.

“They’re all going to die, you know? We’re going to bury all of them. Everyone on Earth, everyone we know.” Clark’s voice trembles, in a way Superman’s never does. “It scares me so much.”

“Kal,” Diana says again, pulling Clark into a hug. “It’s okay. We’ve lost… We’ve lost so many of our friends. It’s okay to be scared. It’s okay to grieve.”

“How are you— how are you so—” Clark can’t form his words properly. He turns to Diana, to see her face tight with grief, eyes misty with unshed tears.

Her voice breaks slightly as she speaks. “I don’t want to believe they’re gone. But… we have to carry on. We’re the Justice League. Our people need us, Kal.”

“So we just go on and on? Forever?” Another tear runs down his cheek. “Ollie, Hal, Dinah, Lois, Jon, they’re all going to… they’re all going to die one day and we just have to… to go on?”

“I’m sorry, but it is the truth,” Diana whispers, her eyes stinging with hot tears. “We must find peace in the fact, right now, that Batman— Bruce, the Robins, they— they were so brave. Brave till the end. And they fell as warriors, defending our world. I’m sure they’ll all reach Elysium.”

“And Dickie, Damian, Jason, Tim, Cass, Duke—” Clark’s voice is hoarse. “They were so young, just kids… I… I know Dick, Jay, Tim, Cass… they were adults, but… they’re gone, they’re gone…”

“They were heroes, like you and me. Don’t forget that.”

“I… I know, I just—” Another shuddering breath escapes Clark. “I just— I…”

“It’s okay,” Her voice is forcefully steady, but with an undertone of heartbreak. “It’s okay…”

Dinah looks around the room, her heart heavy.

Clark has left, Diana’s gone after him— both of them need their space, she knows. They were close to Bruce and the other Bats in a way no one else in this room was.

Was.

The word still weighs down on her.

Hal speaks up finally, breaking the deafening silence. “I always thought he hated me.”

No one replies for a long moment.

“I miss the kids,” Barry says finally, his voice quiet. “They were just… Robin was only 14. The others, even Nightwing, they had… they had their whole lives ahead of them.”

More silence.

“Jason, when he was Robin— do y'all remember? Kid was always my favorite,” Ollie says finally. “Was always so sassy. Roy loves him.”

Loves. Dinah winces, but doesn’t correct him. It’s easier to believe they’re just gone for a little while.

“Bruce was a good man,” Arthur adds. “They all were.”

“Tim was, I believe, the smartest,” J’onn says, somber. “It was his plan that allowed us to save Earth.”

“Damian!” Dinah says suddenly, jumping from her seat. “His… his mother. She shouldn’t have to find out from someone else.”

Everyone freezes, faces tight.

Dinah sighs, looking down. “I’ll do it.”

Then she leaves the room, dragging what feels like a heavy weight tied to her soul. She has to do this.

Roy’s sitting in a corner of his apartment, hugging his knees. All he can think of is Jason.

He’s never coming back.

He can still feel the lingering ‘goodbye’ kiss Jason gave him not two days ago, he can still hear him say, “I’ll be back before you know it, babe.”

He never came back.

He’s dead. Dead— dead dead dead DEAD DEAD—

“Small Red not okay?” A booming voice snaps Roy out of his thoughts. He looks up to see Bizarro’s pale blue skin and cold eyes looming over him. He’s crying. “Red him coming back.”

It takes Roy a second to register that Bizarro speaks backwards. It takes everything in him to not punch him for saying that, for giving him false hope.

He feels something he hasn’t felt in years— feels that whisper in his mind— one hit and it’ll all feel better. Just one hit.

NO! He screams mentally. He feels like bashing his head open.

Instead he lifts his dead eyes to survey the rest of the room— Kori’s on the couch, staring into space. Artemis has a crying Lian in her arms, she’s showing her something— old photos of Jason. Talking, whispering in a broken voice.

No, no he should be the one comforting Lian—

What’s he gonna say?

That— That Jason— That her Papa’s gone forever? That he’s never— he’s never coming back?

No— Jay— Jay deserved so much better, he— he already died once before, he’s been through so much, things were supposed to be better now— not— no, he’s— 

Roy feels Bizarro sit beside him, gently patting his arm.

He snaps out of his thoughts again, turning to Jason’s former teammate, his eyes red-rimmed. His voice raw, he whispers, “Jay’s gone…”

Wally’s standing in the Hall of Heroes, staring up at the holographic projection of Dick— he looks so majestic, so mighty, staring ahead with nothing but hope and courage in his eyes.

Nothing like the cold, dead body that Wally held in his arms just two days ago.

He’s surrounded by his teammates, his friends— Kaldur, M’gann, Artemis, Zatanna, L’gann, Garth— yet he feels so alone.

He sees it again— Dick bleeding out it his arms, his wounds so fatal he died before help arrived. Wally’s the fastest man alive, damn it, yet he couldn’t even save his best friend— his boyfriend. He feels the moment when Dick’s breathing stopped, when his body went limp, when his grip on Wally’s hand loosened.

Everyone’s quiet. M’gann’s stress baking again, L’gann by her side. Artemis and Zatanna are sitting together, Garth’s lingering in a corner, and Kaldur’s standing right beside Wally— close enough for comfort but not so close he’s lurking. He’s shaking.

He can still hear it, hear Dick forcing out his last words, telling Wally it’s okay, that he loves him, that it’ll be fine.

It’s not fine. Not without you.

He wants to scream.

He wants to cry, yell, hit something, do anything.

But he can’t move.

So he just stands there, almost as still as the holographic projection of Dick before him.

Kon is left reeling.

Tim… Tim is…

Tim’s dead.

Tim’s really gone.

He thinks, for just a second, that this is how Tim and Cassie must have felt when he and Bart “died”.

Bart is sitting beside him on the couch, leaning on his side, Cassie’s got her head on his lap. Neither of them speak— Bart’s not even fidgeting— they’re all just trying to be there for each other.

The other Titans are up and about, but staying close for comfort. Jaime and Gar are making food for everyone in the kitchen, Raven and Vic have come back to the tower to make sure the others are okay, and he’s sure Karen’s around too, somewhere.

Yet he feels so empty.

Feels nothing at all.

How can he, when his best friend is dead?

Jon hasn’t spoken in a bit. Not when his Mom brought him his favorite soup, not when Grandma and Grandpa showed up to ‘help’ him and Dad through this, not when Krypto plopped down beside him to comfort him.

He hugs the dog close.

Krypto’s technically Kon’s, but Jon’s sure Kon wouldn’t mind if he stole Krypto for a day.

Another sob escapes him, and he buries his head in Krypto’s back. The dog whines, licking Jon’s hand.

He can’t believe Damian’s gone. 

Really gone.

And he didn’t know just how much he would miss his friend.

Dinah finds Talia Al Ghul on a building in Metropolis, overlooking the city. Her face is tight with sorrow, but she keeps herself in check, her back straight, head held high.

She already knows, Dinah deduces.

“I… I’m sorry,” Dinah starts, unsure of what to say. She knows, from her experience as a psychologist, that ‘sorry’ is the last thing a grieving person wants to hear, but she doesn’t have anything else to say.

Talia doesn’t reply for a long time. Then she says, her voice numb, “I should have known, when bringing Damian into this life, that I would also be bringing him amidst the dangers that come with.”

Dinah’s brows furrow. “It’s not your fault. You couldn’t have done anything at all.”

“I should have trained him better, I should have kept him close, I should—” Talia takes a shuddering breath. “I should have never brought him into this life.”

Dinah can’t argue with that— she knows how Damian had come to be, and it… wasn’t the best birth ever.

“Now leave, hero,” Talia says, her voice numb and cold. “Go back to protecting the world. Leave me be.”

Dinah wants to say something better, comfort the woman, but she can’t. So she just turns back, and leaves.

By the time Harper Row makes her way to the Clock Tower, there’s already quite a crowd there— Kate, Renee Montoya, Harley, Ivy, Silena, and Helena Bertinili— they’re crowding around Babs, comforting her. Luke Fox and Isabella Ortiz are at the computer, looking through something.

Harper tries to open her mouth to speak, but she can’t get the words out.

She makes her way over to Luke and Izzy, shoulders hunched.

Just three days ago she’d been hanging out with Duke and Izzy and Cass and Steph— they’d all been so carefree, so happy…

And now…

Once she gets close enough she realizes Izzy’s crying, and immediately wraps her arms around the shorter girl. Harper’s trying to hold back tears of her own, too. She feels Luke putting a hesitant hand on her shoulder, squeezing tight.

No one speaks for a long time, they just stand together, seeking comfort in each other.

Then Babs rolls her wheelchair to the center of the room, wiping at her bloodshot eyes. But when she speaks, she sounds surprisingly steady. She’s compartmentalizing, Harper realizes. Putting away Barbara and bringing Oracle back.

“Gotham needs her heroes, now more than ever,” Oracle says, head held high. “We must honor our friends by doing the one thing they’d have wanted— to keep fighting. Keep Gotham safe.”

She sighs, her face tight to fight away tears. “Luke. Batman’s contingency plan, in the Robins’ absence, was to pass you the mantle of Batman. Do you accept?”

Luke’s eyes grow wide slightly, but he straightens himself, looking away. “I… I accept. Dad isn’t going to be happy, but… Gotham needs Batman.”

“Thank you.” Oracle nods at him. “As per Bruce’s will, all Wayne assets, the Manor, and the Batcave are split between Kate, me, Alfred, and Lucius. I… Lucius and I are still figuring out who’s going to take over Wayne Enterprises, but on the vigilante side, I’ve got a plan.”

She turns to Ivy, Harley, Kate, Silena and Helena. “The Birds of Prey are needed here, now more than ever. Dinah— Black canary has offered to help us with Gotham, too.” 

Harley nods, sniffling. Beside her, Ivy speaks up, “The… Most Rogues aren’t happy about this. They’re not rampaging— Bane has fashioned his own version of the Batsuit, he’s going around ‘saving’ people, screaming that Batman never dies. The Joker’s searching for Lazarus Pits and Bruce’s body. Jervis Tetch and Nygma held a get-together yesterday, in the memory of the Bats. I… I think they might help us.”

Harper’s gotta admit, she’s quite surprised about this. Even Babs freezes, taking in this information.

“Gotham needs Robin as much as she needs Batman,” Izzy speaks up from beside her, her voice small but firm. “The Robins can come back, this time you can give us formal training so we can actually help.”

Oracle turns to Luke. “Taking on Robins is your decision, Batman.”

Luke winces at that title— it doesn’t feel like an honor to him, it just feels like an incessant reminder that he’s the last one left. Because his friends are dead. But he nods, anyway, not trusting himself to speak right now.

Then Oracle addresses Harper. “I… would you like to be Batgirl?”

Harper’s heart stops. Memories flash into her head— seeing Steph in the Batgirl costume, seeing Cass in the Batgirl suit, both of whom are now gone.

“N— No,” Harper stutters out, eyes tearful. “I can’t— I’m sorry, Babs. I appreciate the offer, but… Cass was Batgirl. I can’t take her place.”

“I understand.” Babs just nods, lips pursed, misty-eyed. “We will all need to work hand-in-hand until everything settles, we will need to be vigilant. Carry on Batman’s legacy, for as long as we may need to.”

No one speaks again.

They all just let it sink in, hearts heavy.

They’re going to have to do this alone now.

[aingeal98]

Steph for the ask game?

three facts about them from my personal headcanons

-The first woman Steph was ever attracted to was Zatanna. She didn't realise this until later on when she was dating Cass and it clicked that it hadn't just been platonic girl crush appreciation

-She did actually die. The body they put in the ground was actually Steph. Due to reality warping from various villains she ended up in Africa with Leslie who admitted that she hadn't actually let Steph die but tried everything and saw her bleed out regardless. They were both highly confused how she was alive again and they never did fully confirm why.

-She has all the autopsy scars and long lasting damage from Black Mask's torture. She used to play the piano but when she came back her fingers didn't stretch the way they used to and the first time she tried it gave her a panic attack.

a reason they suck

They were created and written by Chuck Dixon, which often meant being a part of his shitty conservative propaganda. She was more of a victim than a perpetrator most of the time, but I'd love to have modern Steph reflect on that and be like "Damn that internalized misogyny was kicking my ass sometimes huh."

a reason they are great

What if the entire narrative was stacked against you, what if your writers and editors looked down on you for being a teenage girl and treated you as nothing more than a pawn in their shitty sexist manpain stories. And what if you survived and triumphed and became loved enough to carve your own narrative. What if people have come and gone from the "family" that once excluded you maliciously but you're still here and kicking, a core part of it now. They put you in the Robin uniform as a consolation prize before killing you but you're still here and you're clawing your part in that history with everything you've got. For everyone that'll say Damian is the fourth Robin there's someone who'll reply "Actually that was Stephanie Brown."

a reason I relate to them

Being an isolated teenage girl who feels a deep anger at the injustice of the world and doesn't quite have anywhere to fit in or fully vent that anger? I was literally two bad days away from going out on the street to fight crime when I was a teen. I tend to relate to Cass more because the specific mentality and issues she have resonate strongly, but Steph also has plenty of material for me to dig into.

(what I consider to be) the top tier otp/ot3 for that character

Stephcass. It's gotta be stephcass. I could give a million reasons but I've yelled about this so much on my blog already. They bounce off each other so well, they've got the backstory and angst and complex dynamic while also being funny and cute together. The accidental romantic narrative they created is so damn good it barely needs anything to canonize it at this point.

five things that never happened to that character that I believe should have happened

A proper go at being Robin. An apology from Bruce. A discussion with Tim about what they did wrong and an apology too. A long talk with Cass after she came back from the dead with (you guessed it) an apology from Cass. Getting to talk to preboot Jason about what it means to be a sacrificial lamb to give Batman manpain and hype Tim up as the perfect Robin.

five people that character never fell in love with and why

-Dean. Even if she hadn't gotten pregnant it would have never worked out. He was simply too old and for all Steph hates herself she would have realized it eventually

-Detective Gage, for exactly the same reasons as Dean.

-Jason. He died before she came along and by the time he came back it would never cross either of their minds to be anything but purely platonic. They can bond but neither of them appeal to the other romantically.

-Kyle Mizoguchi. He's sweet and they could be something but unfortunately she's in love with Cass at this point. Like the entirety of Batgirls is just Steph and Cass being in love and not realizing it. Kyle had the wrong timing.

-Dick Grayson. The hypothetical age difference isn't a problem for Steph. But obviously, it's an issue for Dick. If she were ever to fall in love with him in an alternate universe and confess he'd be highly alarmed to find out why she thought things were possible between them. It might actually be nice for Steph to get an understanding ear and a shoulder to cry on, someone to tell her that it's not her fault and those men were wrong, but that's all. For one thing Dick is not a scumbag who creeps on young girls and for another thing that's his little brother's ex. In no universe could this ever be more than a one sided crush.