#this is shit but im posting this anyway

[stupidppenguin]

ok but spacedolls

have u heard of.. autistic bf x autistic gf.. (yes i dared to say this) i am posting this uhh because i can and because i love tjem -20/6/24

[phanfuckingtasmal]

im sorry but i cannot stop thinking about isha's pastel memories that play during her sacrifice scene.

look at how full of colour this beautiful fuckin shot is:

it's been well established in episodes 4-6 how grim and dark the undercity has become under cait and ambessa's new rule. but look at how isha sees/remembers it - because of jinx.

jinx, who went through a severe childhood trauma that has carried over into her present self - she covers extremely destructive weapons and grenades in bright pinks and blues, neons, childlike doodles, graffiti. (joy and destruction, powder and jinx, a contrast so striking it becomes like a signature for her).

and then we see the world through isha's eyes. when we meet her in episode 2, she's running through sewers, from goons dressed in black; it's grimy and grim. and then all of her recent memories are done in these childlike pastel, almost crayon-y sketches. because what isha saw was jinx covering a dark and grim world in colours.

and so isha covered her world in colour, too.

because jinx made her world bright.

isha looked at jinx and saw the child in her. she saw powder and she saw jinx. she saw joy and destruction. and that's why jinx gave isha so much hope. isha knew the world was grim and dark - but then she watched jinx, and she learned that you can paint over all that grim darkness with neon blue spray paint.

that's why isha believed in hope. that's why in her final moments - in a scene that is lit dimly and dramatically - she sees nothing but a bright world coloured in pastels.

never underestimate the hope of a child.

[so-very-small]

genie: so, you have three wishes-

me: i want everyone in the world to be able to size shift between two inches tall and fifteen feet tall, at will, in a totally safe manner, EXCEPT for my ex and anyone within a 100 meter radius of them. everyone they see or meet will be the exact same height as them.

genie: that’s…. specific.

me: they’re into size. imagine knowing g/t is now real and exists, and you will NEVER get to experience it firsthand. i cannot think of a worse fate for any size fan.

genie: ….y’know what, fuck yeah. let’s do this

me: YAY. so for my second wish, i’m thinking bigass sword

genie: NICE

[theartofmadeline]

wizard husbands go to the farmers market

[xxplastic-cubexx]

personal happiness or what the fuck ever

bonus:

[sadisthetic]

the madness frustration loneliness of the dissonance of a mismatch of the rotten heart to the rest

allosexual aromantic swag happy pride *peaces out*

[reichurine]

bodyswap au but a bit of a sad take oops, pt3

pt2 here

[sforzesco]

something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.

it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.

and love. it's also about love. even when you had nothing, you had love.

on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.

edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.

Perseus, Daniel Ogden

Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet

[sbeana]

the pool scene

[wynsomeart]

more old sally face art :)

[soadscrawl]

i already posted abt this somewhere else but i was infodumping abt voltron to my best friend last night and went to rewatch the "i cradled you in my arms" scene so i could remember it properly and i paused right after lance said he didnt remember anything and im fucking pissing myself this is a man that is truly defeated like he wanted lance coming out of the healing pod to be like every fanfic where they have a crazy romantic reconciliation post healing pod and it simply did not happen. if i were keith here id flee the country. the look of simultaneous pain and confusion and emptiness is impossible to articulate. going thru every stage of grief at once. how they managed to fit this much anguish in so few lines is beyond me. and all over a man who listens to weezer and uses axe

[lucabyte]

Olive Branch

Wrong Move

[arcanegifs]

[boarloved-art]

(ID on alt text) wangxian rgrk save meeeee

[dykealloy]

[shittysawtraps]

when your friend says “i’m becoming the joker,” reply, “well, i’m becoming jigsaw” to one-up them. do not elaborate on what this means