#this is my original song no stealing
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imactuallyagiraffe · 10 months ago
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you put all the blue in the sky with the surplus blue stored in your eyes
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theside-b · 1 month ago
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I'm caught up in the magic I see in you ♫
JACK & JOKER — U Steal My Heart (2024) ทำไมต้องเป็นเธอทุกทีเลยวะ
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sensitiveheartless · 7 months ago
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hey i just saw a tiktok video with the horrors comic and i couldn't find any credit (also the comments were turned off ://) and i thought maybe you should know (here's the link to it: https://vm.tiktok.com/ZGexd54Qx/ )
Ah, thank you anon! I'm not particularly surprised unfortunately, not the first time it's happened with that comic — sadly I don't think there's much I can do about it, especially since I don't have a tiktok myself. But thank you for letting me know! I do like to know whenever that happens, even if I can't do anything to get the videos taken down. At the very least, it's a reminder that I should really start putting some sort of signature on my comics 😅
...Also, in this particular case the video you linked actually made me laugh when I looked at it, because!! Quick storytime: the last time someone messaged me to let me know that a tiktoker had reposted the horrors comic, I went and looked at it and noticed that the reposter had put two of the comic pages in the wrong order. Somehow NO ONE in the comments had mentioned the fact that the order of events didn't flow right, it was hilarious.
Why is this relevant? Well, because this tiktok you've linked me to has the SAME EXACT MISTAKE, which indicates to me that this new person didn't even steal it from me directly, they stole it from the OTHER REPOSTER and also didn't notice the mistake in page order! The reposters are cannibalizing each other! I am both very entertained and utterly baffled by the lack of effort! They're not even stealing things well!
Anyway, all this to say: I have managed to find the humor in this kind of situation, but I still do not appreciate people reposting my stuff, especially without credit. And general PSA that if you see my comics/artwork anywhere that is not here on my tumblr, or on my AO3 account forest_raccoon, that is not posted by me, and it has been done without my permission.
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prosebushpatch · 7 months ago
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Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.
Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.
I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.
This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.
I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.
Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.
Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?
Simon.
Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.
Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.
Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.
Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.
Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.
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brookesophelias · 10 months ago
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RENEÉ USED ICON PHOTOS FROM “DON'T TELL MY MOM” IN REGINA'S CLOSET. BABY RENEÉ IS BABY REGINA AAAA
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francy-sketches · 1 year ago
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working on character designs for my final project ^_^ if they look a lil familiar mind your business
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missionkitty · 1 year ago
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[Image ID: a digital illustration of a large werewolf covered in dark brown hair closely holding and embracing a petite woman with light skin and dark brown hair on a dark grayish-purple background. the werewolf greatly outsizes the woman and his hand easily covers most of the woman's back as he holds her. they both look content with their eyes closed as they are close to each other. /End ID]
when i'm in that rare sleepy-but-not-tired state i always have to draw big cuddles...
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pan6ual · 1 month ago
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-Silent Scream-
-Silent Scream-
In the dying light where laughter fades to grey, A once bright heart now feels the sorrow's sway. Words like razors tear through my very soul, A silent scream echoes in an endless, empty hole.
In the scornful eyes of others, I confront my deepest dread, An abyss of pain, an unending river of tears I shed. Solitude, my lifelong enemy, holds me in its grip, Yet on the blackest night, a glimmer of hope won't slip.
Even as the world abandons me, turns away, I glimpse a new dawn, a future, come what may. With every harsh word, every brutal blow, I discover a reservoir of self-love that continues to grow.
In the depths of my being, I unearth a strength so real, A resilience that flourishes, unyielding and surreal. To all who tread this path of anguish and sorrow, Hold tight to this truth: your spirit will rise tomorrow.
Through the storm's rage, a flicker will shine bright, From the forge of suffering, strength will take flight. To all who endure agony, cling to hope's call, Your heart will find its rhythm, standing proud and tall. -A.K
I have no shame in my body count.
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llanekee · 1 year ago
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When you look upon the  Masses you slain
What lifeless face is painted On their bloody remains
Is it love? Is it pride? Is it your own strife?
The hubris that fuelled flames Subsequently put them out
This route that you’ve taken What you could’ve lived without 
Are you glad? Are you tired? Are you emptied by doubt?
Do realise, that the war trophies  Were meaningless
The only prize that had merit Didn’t need a battle
It is meaningless struggle For a one track tunnel Where at the end lays Your simple mistake
An ego too large to house love But enough to satiate a hero’s crowd
Yet
A purpose that you had achieved Long before the funeral pyre In the warmth of love and pride Now detached by strife
No gladness, no tiredness Just emptiness by the panging doubt
Was it worth it Achilles? Was it worth it to do? To break before death with impeccable grace?
The Gods had said it was all in good time The Fates had made it with such in mind The Poets had called you foolish and blind
Was it worth it Achilles? Was it worth it for you?
-by Lane Key :]
inspiration from The Song of Achilles by Madeline Miller
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idkone001z · 1 month ago
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☆girly cupid☆
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the characters are boys btw. the characters name are Yuki and Yukkuri -- which is the same person. idk should've draw Ame and KAngel for this lol. the title is based on a song
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vriskabot · 8 months ago
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it MAY be time to steal some more music on the internet
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thedeadthree · 2 years ago
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THE PRIMROSE OF PEARLSPIRE — LADY ALVA AMARANTHINE (ASOIAF)
praying for love, paying in naivety.
{TEMPLATE by the dear @unholymilf ♡ | ICONS}
#oc: alva amaranthine#lit: a song of ice and fire#asoiaf oc#a song of ice and fire oc#game of thrones oc#got oc#the dear girl has been the beholder of the braincell all week so i sacrificed sleep for her akdjkan <3 anything for the dear girlie!#a post dance roberts rebellion dearie !#one of these days i need to make pieces for the original houses !#her house claims trace ancestry of old valyria though the amaranthine have eyes of a pink shade!#a veer off from the violet eyes of their fellow valyrian counterparts <3#they're poets and artists! singers and actors/actresses! the arts is in their blood! romantics is the essence of their house <3#and like the bards in d*ragon a*ge their bards act as equal parts artist AND spy <3#their seat is in the stormlands! the amaranthines of the pearlspire is said to steal the kind weather of the stormlands hehe <3#excited to develop how the house fared in the dancee! they DID lose their only dragon in the midst :')#but! i am thinking one of the surviving dragons of my dragonrider dears from the dance bonds to her! nahviintaas maybe?#like calla's baby? a noble wyrm fit for the loveliest soul in all of westeros <3#SHE IS THE ONE WHO RAISED BABY DEAR R*HAENYS BC ELIAS BABIES ALL SURVIVE HEREE <3 its only right!#im thinking maaybe? she was one of her ladies in waiting? and alva and she were besties <3#e*lia wanted to marry enyas dad rhaemion but he was to marry sylvenna yronwood. and alva and was and still was the lover of ->#a particular name that not at ALL rhymes with whaegar <3 THE TRAGEDY THE LOVES IM HURTING FOR HER ALVAA BABYY <3#(and also rhaemion? bc like.. beloved taken from him the what could have beens if he had married her would she still be here u know?)#and the same for alva? like if a*erys HAD let them wed would he be alive? im on the floor SOBBING hehe <3#leg.edit#leg.ocs#*ocedit#*myedits#🍯: ash#unholymilf#TY TY DEARIEE FOR CREATING THIS LOVELIEST TEMPLATE THAT WAS THE CUTEEST TO USE! i can't wait to make more dears with it!
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pulquedeguayaba · 11 months ago
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Went to comment on that horrendous israelí rap song that became a hit
As long as they don't properly harass me
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explodingsilver · 1 year ago
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Just checked and I'm genuinely shocked to learn that I actually used Spotify enough this year to have a Spotify Wrapped. The results?
Oops! All CanCon
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dove-chan32931 · 1 year ago
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*Rainy Days With You*
Dreary, dull, bleak
I imagined they would be vibrant with you.
But instead I was disappointed.
I thought that we would remain forever.
But I'm no fortune teller.
So instead, as it rains, I imagine what could have been.
I remember the good times.
The memories.
The promises.
Our plans.
The love we had for one another.
My mind is pure static as it scrambles to envision you.
But you're gone.
Your face is blank.
How could I have forgotten so easily?
Did I ever love you?
Did I ever mean the words I spoke to you?
I erased all memories of you from my mind.
How could I forget?
The pain was unbearable,
As the rain dripped against the window.
To forget was easier.
To remember was painful.
My feelings were all over the place for you, similar to how this poem is.
Moments I loved you.
Moments I resented you.
Moments I never cared for you.
Moments that you were just a stranger to me before I met you.
Not the person I loved.
Is this poem even for the person I envisioned?
Or is it for you?
The woman I loved?
The man I loved?
Who is it for?
Is this poem meant for you both, to hear, to read?
I wish I could go back.
To show you my true feelings.
To choose the correct option.
The rain drops slide down this bleak window.
The drops race one another.
Just like how my feelings raced for you both.
One would be ahead of the other, until the other caught up and overcame it.
They would continue in this endless race, until they merged into one rain drop together.
A raindrop was just a metaphor for my tangle of feelings.
You loved the rainy weather.
You loved the rainy weather as well.
Rainy days with you.
I imagine them all the time.
Staring out the window, while in your arms.
While cuddled under the blankets.
I started this poem for you, yet I think of you both.
The both of you had a hold on my heart.
But you had a tighter hold.
The late night talks,
While the other slept.
I could never replace them.
The whispering of sweet words we shared while the other cried for the attention I always gave them.
I could never replace it either.
I was divided.
And would always be.
Or so I thought.
To you both, I don't love you equally.
I stopped loving one.
I continue loving one.
Who would it be?
The one who returned my feelings?
Or the one who never would?
I started this poem for you.
I continued it for the both of you.
Yet I finished it for me.
The sun would soon come out.
To take away these dreary, bleak, dull rainy days from me.
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vampiresuns · 2 years ago
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As They Covered The Sun With Swords They Had Bloodied, I Found Your Eyes Like A Worship Song of Old (Part 2)
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A Tamnana centric spin-off to @ilyamatic​'s pirate au. Tamryn & the Olenevs belong to @valhallanrose​.
You can find Part 1 here.
Series Summary: 16k words. Set during the first decades of the XVIII century, Aelius Anatole, or Inti Ankuwilla, as history might or might not remember him, meets a certain Tamryn Olenev when his family relocates from Poland to Venice. In meeting each other and falling for each other, the two of them will discover a kingdom of their own, where they can figure out what it is to exist despite all odds telling you not to.
Part 2: 6k words. After sharing a furtive kiss on a deserted alleyway in Venice, Anatole’s job catches up to them. With the promise of returning, Anatole sets off to the Caribbean and upon his return, he decides to face Tamryn’s parents before confessing his feelings to him. Meanwhile, Tamryn frets, prays and finds a strange form on solidarity in Milenko.
Content warnings: Minors DNI. This is a piece of historical fiction set in the early XVIII century, during the golden age of piracy. As such it may contain depictions, allusions and episodes of racism towards black and indigenous peoples, anti-semitism, islamophobia, and LGBTQ people, as well as legitimate aspects of colonial violence.
Footnotes can be found at the end of the piece if applicable. Check part 1 for the main references and background research used for this piece.
Late at night, Tamryn had been going over the same detail of his project over, and over again.
“Alright honey, I think it’s time for you to go to bed,” Evalina said.
Tamryn kept going over his project.
“Tamryn.”
His mother called his name again: “Tamryn.”
Only when she gently shook his shoulder, he realised she was talking to him.
Tamryn grew more and more distracted as days passed. Half agony, half hope, altogether dreading Anatole might regret what he did. He knew he had held his hand, he could still hear him promising he would come back but that wasn’t enough to calm his fears, especially when the fear of him changing his mind about him hid a fear much, much worse: that Anatole might not come back.
Tamryn hadn’t told his family what had happened between him and Anatole yet. Part of him wanted to, longing the familiar feeling of crying to his parents (as he had the honour to have good parents who understood him) and them comforting him about it. He could almost hear their voices telling him it would be just fine, he just had to be patient. For his own reasons he had opted not to say a thing yet, at least not to them.
His gut twisted at the idea it might end up in nothing, having a kiss under the golden light of the early evening to haunt him for the rest of his life. Tamryn didn’t know if he could forget that kiss, let alone the man who delivered it.
To no avail, he wondered often what Anatole must be doing. News of him was scarce. The Olenevs didn’t know a lot of details about what the Cassano did exactly. A House of accountants, some public servants, some scholars, musicians, artists, people of science, printers; at least on the outside. Eccentric as they were, they were good people. They also knew that was not all there was to them.
They helped people they knew as much, that’s how they have come to know them: another family that needed to make haste to leave Kraków, also for their own security and wellbeing, had been helped by the Cassano before. They knew their methods weren’t particularly straightforward, nor orthodox, but they got things done. Tamryn didn’t doubt Anatole was helping people, but ignorance wasn’t bliss, it was a torment.
The Cassano were also extremely private. During the five months Anatole was away, Tamryn learnt it was less due to mistrust (even if that was a considerable element) and more due to protection of their clients, closest friends, associates and collaborators.
Some of their clients were easy to locate and identify. The Cassano ran their business and lent their service with a public facade of acceptability and exceptional skill at plausible deniability. Plenty of people required help keeping account of their affairs for which they felt professional help was better than house servants.
Yet, Tamryn and his family had learnt that their most important clients had, for all effects and purposes, no names: they kept their identities with an iron grip. Even Anatole’s father, who liked to bounce ideas back and forth with Evalina on his own blueprints, never made explicit what they were for, if they were commissions or just silly drawings he indulged himself with. Nor did Anatole’s mother, Qhispi Sisa. She often talked about approaches to medicine with his father and Zelda, but now that Tamryn thought about it, she had never said what she used it for, nor who, beyond their usual house visits.
Tamryn had always missed Anatole when he was away, but at least the other times there had been letters. On this occasion there was none. Not even a note. He had tried to ask Amparo one day, when she came to see Zelda, only to be met with a gentle refusal to answer questions about her cousin, which differed from Amparo’s purposeful reluctance to explain herself.
Milenko was no different. Tamryn knew him and Anatole had been abroad together more than once during these last two years, so perhaps he would spare details about Anatole’s business. It wasn’t that Tamryn didn’t respect his privacy, it wasn’t that he didn’t understand Anatole not giving him information yet was a way to keep him safe (the thought that Anatole was taking care of him, no matter the distance, made him feel dizzy), but he just wanted something to hold onto. Some indication that he might be alright.
When he mustered the courage to ask him, Milenko knew what Tamryn would say before he even said it. “You’re in love. Nothing I say will ease your heart, Tamryn. You will worry anyway.”
“But you’ve been with him, while working.”
“Nothing that I say about myself in that regard will ease your heart either. Let it float away in the water. I like to think it carries my prayers so he is safe. There is life in water, Yhwh is the water.
“I know what it’s like when the heart misses the name spoken for it,” Milenko paused, taking just a little pity on him. He sighed. “Alright, it’s not news, precisely, but are you familiar with Rabbi Al-Harizi?”
“I’m afraid not.”
“Suspected as much,” Milenko said with warmth and an audible smile. “Part of my family lived in Spain before we were driven away from it. My nono’s family went there all the way from Aksum and Ethiopia; but mi vava’s family was from the peninsula, but you know what happened there. As it may, Al-Harizi could have some verses which you might appreciate. Would you like to borrow the book so someone else might read it for you?”
“I don’t mind if you do”
Milenko thanked him, and read:
If the son of ‘Amram had seen the face of my beloved, his ringlets, and his gloriously beautiful face blushing whilst imbibing alcohol, he would not have written in his Torah, “…and with a man”(1)
Tamryn would feel his face heat up. “I don’t think that helps. At all.”
Milenko took his hands in his, laughing as he squeezed them. “Be thankful I’m not pulling out The Conference of Birds or any Attar at all.”
“You’re worse than Amparo.”
“Believe me I am not, but What do all seek so earnestly? 'Tis Love. / What do they whisper to each other? Love. / Love is the subject of their inmost thoughts. / In Love no longer "thou" and "I" exist, / For Self has passed away in the Beloved!” (2)
All he could do for Anatole was to include him in his prayers. So Tamryn prayed for him, for his safe return, for more time. That Anatole may come back and kiss him again, or if not, at least that they could talk about it. Every time he said his name Tamryn felt the ghost of Anatole’s lips against his own. He hoped that too was a prayer. A prayer crowned with the sentiment that anything was worth it if it was for love, like his father said.
He should’ve expected Zelda noticing the way he muttered Anatole’s name between his prayers.
“That’s the third time you mention him. Did something happen? You look more lost than usual even since he left.”
“Hey.”
“I know you care about him, I just want to make sure you’re alright, and you’re not keeping anything inside that dumb big heart of yours, when it should be said out loud.”
His mouth became a waterfall of words. He had never been good at keeping things from his family, but he had always been notoriously bad at keeping them from Zelda.
* * *
Somewhere in the Atlantic ocean, Decimo Lemione’s body sunk and rotted in the water, his skull shattered with several pistol shots.
Anatole didn’t think he ought to be pitied. Yes, the ocean was big, but he wouldn’t be alone: he would have half his family to make him company.
* * *
Andrico was late. Of course he was late. Anatole had no time to waste. He needed to find the papers from the Casa de Contratación and get the fuck out of there. Decimo might have been dead, but that didn’t mean they couldn’t still be ambushed.
He heard someone approach the room.
“Oh, you’re not who I’m expecting.”
Anatole hated when things got violent for no reason (“It was just a little trespassing,” he muttered to himself after the second, third guard had come to check why the first, then second, person who had come to check on this room wasn’t returning). He hated it as much as he hated being inconvenienced. Only the fourth guard recognised him, but he was dealt with before he finished saying his name.
“Very rude, I am trying to keep a semblance of privacy—” a fifth person came in. “Oh, where the fuck is Andrico.”
He showed up 15 minutes after the fifth, and hopefully last guard had been dealt with, coming into the room with Jean-Marc, his Quartermaster, when Anatole was finding something to clean his sword, Dawn Piercer, with.
Anatole shot him a murderous look. “Glad to see the Solanaise II is sailing again, glad to see you’re in one piece. Far less glad to see you’re fucking late, El-Saieh. I’ve been waiting here for forty-five minutes.”
“Forty-five,” he repeated, hissing through his teeth.
“What are you doing here? I’m supposed to meet— No. You’re my accountant?”
“For someone who had the audacity to be three-quarters of an hour late, you have no right to be that irritated.” Anatole turned to Jean-Marc, walking over a dead body to hug him. “Marco! You, however, I am glad to see.”
Jean-Marc whistled. “I always knew you’d be one to watch out for.”
“Flattery will get you nowhere, but thank you.”
“So Zia Solange didn’t tell him?”
“She sure fucking didn’t.”
Anatole snorted, not even trying to hide how amused he was. Still, he was a professional, and the sooner he was done with this, the sooner he went over the Solanaise II’s accounts and routes, the sooner he could go back to Venice.
 “Look, Andrico I know last time we saw each other we didn’t part on the best of terms, but this is different. You know it is. I am willing to set that aside for the sake of the contract, if that’s alright with you. My plan is to keep you alive for long enough, and I don’t think Solange asked for me to see your accounts only to piss you off.”
“Put what aside?” Drico asked, cocking his head to the side, in the same way Anatole’s dogs did. “I apologised for that! You’re the one who hasn’t accepted my apology for offering you friendship—”
Anatole sighed. “You’re worse than dealing with Christians.”
“Excuse me.”
Jean-Marc pinched the bridge of the nose. “Andrico, Anatole, the contract.”
“He called me worse than a Christian!”
“And I’m going to call you something even worse if you keep making me waste my time where we could be easily ambushed. Again.”
Andrico eyed the dead people, then Anatole. In many ways, before him stood someone he had known forever; in many ways, before him stood someone he had never met before. “You changed.”
“If you say so.”
“You’re impossible.”
“Andrico, the contract.”
He grabbed Anatole’s hand and shook it, despite feeling like somehow this would come back to bite him on the ass. “Deal.”
“Excellent! First of all, as your accountant,” Anatole said with something akin to murderous politeness, “next time you’re this late, or late in any unjustifiable manner whatsoever, I’ll feed you to the Mami Wata myself. Second of all, I found the papers from the Casa de Contratación and I have this,” Anatole showed them a signet ring. “It's only a matter of leaving it in the right place now and to get out of here. And thank all Gods-I-don’t-have-contempt-for that you brought Marco with you. I know you’re terrible with accounts when you’re in a sulky mood.”
“I’m not sulking.”
Jean-Marc groaned.
Once they were back at the Cassano’s safe-house, while Andrico was too busy proving him right by being taciturn and ill-tempered about his circumstances, Jean-Marc made conversation with Anatole. He told Anatole about his travels, and Anatole told him about his. The sooner he was done here, he had said, the quicker he could go back.
“So soon?”
“I left some, hm, business unfinished, and I want to be done with that before I come back in a more permanent fashion.”
“I see. With this business you mention, that is. Or alone?”
Anatole smiled at him and told him nothing. 
* * *
It had been five months and a couple of weeks since he had last seen Tamryn, five months and a couple weeks since he had kissed him. Hadn’t it been because he wanted to wash his hair properly before he drove himself crazy and speak with his parents about what he was about to do, Anatole would’ve docked off in Venice and gone straight towards the Olenevs’ house.
His lips had haunted his every hour, as if the kiss itself had been as long as his exile. Yet, if the desire to see him again had pushed him forward, now that he was in the same place as him, his heart threatened to escape his chest through his mouth out of nerves alone.
What if he was angry at him for not writing? What if he had changed his mind? What if Evalina and Galen didn’t approve of him like this? Anatole thought they did, they both seemed to be both aware and protective of both Tamryn’s and Zelda’s choices in companions, as long as they were good for them.
It didn’t matter. All the reasons he had used to give himself hope and grit when he was away, all the beautiful things in nature, in his quarters,  in the island, in people; all those beautiful details  that he longed to show and tell Tamryn about were whisked away, as if they were trunks he had left on the ship and only now realised so.
The idea of being rejected made him physically ill. He knew his skin was intact, but he felt it crawl out of his body. Anatole hated this feeling. He hated how, despite feeling it all of his life, he still couldn’t get used to it, nor stop it, nor anticipate it. He had been learning, slowly, how to deal with it, but it made him overwhelmed and queasy.
The feeling itself had nothing to do with Tamryn and everything to do with Anatole’s mind. His mind has never known how to stop thinking, how to stop doing things, how to stop bouncing off the walls and digging his claws into certain things. For good or for evil.
He made a whining noise. His three dogs, three pomeranians he had “borrowed'' during one of his working seasons a couple of years ago named Duke, Zapa and Astrid, echoed it. His mapachitli tried to climb him, which Anatole had to stop by holding him in his arms, lest he damaged the fabric of his favourite suit.
Some of the people who had tried to capture Andrico (hired swords, privateers, bastards overall) when he was waiting for the latter had him in a miniscule pen. Before leaving, Anatole had released it, but it refused to go back to the wild, following Anatole instead. No matter how many times he tried to release it, the mapachitli came back.
The witty little thing even followed him to the ship. Anatole did the only thing he could think of: washing him, drying him, and taking care of it.
Now it was there, between his arms as Anatole was on the brink of a nervous breakdown. “I’m going to die.”
“No you’re not, Inti,” his father said as he kissed his brow.
“I am.”
“You are,” his mother said as she also gave him a kiss, “but not now. It will be alright, and we’ll be right behind you. Are you taking the dogs?”
“I think it’s more of a matter of the dogs not letting me get out of their sight.” 
If it weren’t because his grit and determination were stronger than his nerves, he would’ve never made it out of the house. He looked at himself in the nearest mirror one last time: instead of his usual working attire of boots, fitted trousers with buttons to secure the waist-band, a shirt and perhaps a cravat that had been embroidered by his mother, he opted for one of his more formal suits. A fitted coat that reached his knees over a vest, a carefully crafted white shirt with lace details. While he still wore fitted trousers that reached his calves (mostly because he hated the feel of breeches’ clasps around his legs), he opted for dress shoes.
He pressed his coat against his skin, where the inner breast pocket should be. Right, he could do this.
He still wanted to vomit, but it was better to do things while his bones threatened to vibrate out of his flesh than not do them at all. 
* * *
Evalina and Galen greeted Anatole in their foyer, exchanging pleasantries and asking him about his journey: if it had been good, if he was in good health, if the weather was agreeable for sea-travel  and if his nondescript obligations had been alright.
As he did every time he stepped inside their home, Anatole left his cane —the one that had a stiletto rapier inside— by the door. The Olenevs already knew his dogs, the three of them trained enough to be decent guests and not to bark at Pomarańczowy, Evalina’s cat. The mapachitli had stayed back home. It was too small still to roam by the dogs, and in case of an emergency, Anatole needed to be able to manoeuvre a sword.
Sometimes he thought paranoia and overthinking would kill him, but they hadn’t yet. He supposed there was something auspicious about that.
Evalina and Galen had never seen him like this. He looked pale, despite clearly having acquired a slight tan that made his skin deeper and more freckles when oversea. He was shaking and spoke in circles, with a nervous verbosity they had never witnessed in him. They had heard him talk to his heart's content about things he was passionate about, but the way he spoke in the throes of academic passion was not the way he was speaking himself into a spiral now.
“If you came for Tamryn, I’m afraid he’s not home, but you’re always welcome to wait with us.”
“It’s not Tamryn who I want to see,” he said, fidgeting with his own hands. “I mean I do, I just mean right now, as in right-now-immediately.” He sat down, he sat up, he circled one of their sofas, he sat back in it by swinging his legs over the back of it. “I,” he paused, exhaling a nervous breath, “I need to speak to you both, as a matter of fact.”
Galen and Evalina exchanged a look between each other that, in itself, was an entire conversation, in the way only people who had been together for years could. Evalina offered him tea, hoping it will give him pause so he may speak freely, saying they will be happy to hear what he has to say.
Galen, however, offered him a light teasing smile. “Oh no,” he said, “I wonder what it is.”
Evalina whacked his arm, chastising him in Yiddish. Anatole didn’t speak the language very well yet, so he only understood something along the lines of “tea”, “offer”, and “tease him”.
In the time he was away he had prepared a speech in his head. He had even written it down, afraid his mind would consume itself with something else and he would forget it. He brought it out of one of his inner pockets, only to fold and unfold the parchment as he read none of its contents.
The only thing he managed to say before crying was “I”.
This is it, I have ruined all my chances for not being able to be better, as I know I ought to be, he thought, forgetting his hosts felt nothing but kindness for him. How could they not when he was so caring of their son.
Galen brought tea, which Anatole tried to drink but one of his dogs had made it to his lap.
“No, Astrid, get down.”
Impervious to her human, she tried to lick his tears.
“We’ve never asked, what kind of dogs are they?” Galen asked, offering him a reassuring smile, hoping speaking about something else would help him calm his nerves.
Anatole managed to wrangle Astrid down, but now he couldn’t stand up as all three of his dogs decided to perch themselves against his legs, trying to comfort him. He appreciated the change of topic as he, shakily, took the cup of tea.
“We know you only like spiced tea.”
“Thank you,” he sniffled. “I’m sorry. They’re pomeranians.”
Evalina and Galen both raised a curious, alert eyebrow. “You mean Polish spitzes? Those Pomeranians?”
“Yes.”
“How did you even manage to get a hand on three of them?”
“If I want to be completely honest, I stole them,” he laughed. Before his nerves could undermine him any further, he stopped himself from thinking the watery chuckle sounded pathetic. He was trying his best. He wasn’t pathetic. He was brave and strong, and he was around people whom he trusted.
With slow breaths, he calmed down somewhat and took a tiny sip of tea. “In truth, I don’t think certain types of people deserve good things… but I didn’t come here to talk about my job, or my political opinions, at least not just yet.”
At the same time as Galen told him he could take his time, Antole said: “I’m in love with Tamryn.”
Silence fell on the room.
“So tell him that?” Evalina said, tentatively. Anatole stared at her as if she had begun speaking in tongues.
“That’s not the point, though. I mean, I do plan to ask him to m—, rather, I mean, tell him, if that’s okay with you. Please do let me finish before I ruin the impression you have of me again. I want to ask him but I refuse to ask him before I talk to the two of you, no matter if I cry or if my voice shakes. As long as you allow me the audience I need to speak to you before I do that.
“I don’t think there’s more important people in this world, to Tamryn, than his family and his community. Even if I didn’t know Tamryn as I do, I would know how important community is for you, not because it is also important for me and the likes of me, but because I see it in Milenko and Zia Aurora and her siblings. The Tesfaye are nothing without their community.
“My job is dangerous, my job involves travelling at sea back and forth. I will tell Tamryn, but you must know first: my family does a lot of things, but our most important guild is not the ones we make public, but those which we don’t speak of. We administrate and protect several pirate communities. These pirate communities actively sabotage Imperial ships. It matters not the empire: what matters is this. Justice.
“Conquistadores take African peoples from their land and lives, in vile kidnapping as if they didn’t deserve their freedom. They take our lands and exploit our people to die in mines like Minas Gerais and Potosí and Nueva España, like we were nothing but things to be crushed under their ambition and their cruelty. Things to be re-educated, when what they mean is ‘eliminated’.
“We refuse to let that stand. I refuse to let that stand. This is not something I will stop doing and you have to know it because I do not love Tamryn to leave him here while I have a life away from him. I want him to occupy every waking thought I have and share with him every waking hour. I want to live with him and love him as if he were my husband. I know you suspect I rather entertain men, and everything I have seen in you makes me think you also know it about Tamryn.
“Not only that but I can tell you respect it, that you even protect it, instead of pushing him into a union with a woman that would’ve made him unhappy or unfulfilled, not because there was something wrong with the woman in question but because he did not like women. If I could, were I allowed to exist and love as a man and to marry other men, I would’ve come here today to ask your son’s hand in marriage, hoping toI propose to him and that he said to me: ‘yes’.
“But,” his voice shook again, yet he kept on going forward, “I cannot. Not because of lack of wanting, not for lack of the most profound love I have ever felt for someone. But despite all my fears, nerves, overthinking or doubts, I am yet to find something I allow these people, who think they know anything about people like us when they do not, to rule over my life. So I ask, because I love him more than I have ever loved any other man, and I plan to love him from this day forward for as long as he has me, as long as he has me.
“I cannot swear or promise this on the same grounds of your faith in your God, not because it’s a problem to me, but because you see me as I am. I am a half Quechua man, and I please ask you to understand I want no religion to claim me, because the one which could’ve was taken from me when my mother was severed from her own people. Perhaps even before.
“But I will do whatever I must that I’m either allowed or obliged to do under it as long as it is custom, so I can show you I truly do love your son. I know a bit, but I also know you do things differently from my Milan, but I am willing to learn him, just as I know he is willing to learn me.
“I can offer him protection, and as long as I’m able nothing will be lacking if he wants it, and we will visit if he wishes to come with me, and I will do everything in my power to keep him safe, because if nothing else convinces you, please take my word when I say I would never forgive myself if something happened to him because of me.
“I do not want to deny myself the chance that he may love me as I love him, because I had been doing that ever since I met him, and I love him too much to hide it.”
Somewhere mid speech he had begun petting Zapa’s fur in self-soothing motions. Now that he had said his piece, he was still nervous but what was done was done: he had spoken truthfully, and few things were as important to him as his own word. Now he waited, moments seeming longer than they were as Galen and Evalina shared another of their knowing looks.
Without words, Evalina asked Galen if there was something he wanted to say. Without words, he indicated to her that she should speak first.
She sat beside him, gently ushering Anatole’s dogs so she wouldn’t step on them by accident. Just as gently he took his hands and just as gently she spoke: “It is said in the shtetl that Elohim calls out the name of the one a boy is meant to marry upon his birth, and that to find the one that he has willed for us is one of the greatest fulfillments of the divine will.
“It is a bond meant to endure forever, it is our joy, it is our completion when we find the one decreed for us by heaven. If Elohim has called you for our son, sweet boy, if you are the one to make him happiest in this world and the next, then we will not interfere - we will celebrate you loudest of all.”
He must be hearing things. He surely must become nervous enough for his mind to become delirious, surely that must be it. Yet, Evalina cupped his face and kissed his brow like she did with her own children. A dog barked, all dogs barked as Galen had to widen his steps because they insisted on walking between his legs.
Galen squeezed his shoulder affectionately. “But you should be telling our son. You are going to tell our son, right?”
Reality caught up with him. They were giving him their blessing to tell Tamryn what he felt for him. If smiles could dazzle and momentarily blind, like the sun the eyes after stepping out of a tunnel did, Anatole’s smile would’ve dazzled Evalina and Galen into seeing spots.
He tried to speak but all he could do was smile.
Evalina squeezed his hands. “I assume he will, won’t you darling? If you’re still undecided, I have more to say to convince you. I am very persuasive.”
“She is.”
“But if you don’t, we will need to have a conversation.”
Anatole frowned as he tried to think. “Wait, did he tell you something?”
Evalina and Galen exchanged curious looks. “Should he have told us something?”
Anatole’s cheeks lit up with a blush that felt alien on his cheeks. With a laugh, Tamryn’s parents said they didn’t need to know. 
* * *
Anatole’s heart stopped with the sound of the door opening. It remained suspended when it closed, frantically starting to beat again when Tamryn’s voice came through the hallway. That he was home, that Zelda would come back later because she had made way to the Cassano’s house, that the commission they had gotten was delivered with no problem. That he even helped one of their neighbours with a faucet that wouldn’t work.
Evalina and Galen smiled at Anatole, then called out to their son: “We’re in the drawing room.”
Anatole stood up, being unable to wait a minute longer, but Evalina ushered him to do so, whispering to him that it’ll be a nice surprise. In the foyer, Tamryn shuffled with his things, peeling layers of clothing and who knew what else. To him, it was another day of arriving home after running errands.
Anatole’s dogs weren’t as patient as their owner, three sets of paws announcing their way through the hallway, excitedly greeting Tamryn who greeted them just the same, in the most adorable cooing voice Anatole had ever heard.
“Why are you three paying us a visit? Are Vlad and Sisa at home?”
He was expecting his parents to reply to him, but it was someone else’s voice that reached him. A voice that felt like a dream or a memory, a voice that came with footsteps that stopped after a couple steps.
“No, no yet,” Anatole said. “They will later, but for now it’s just me.”
A sharp breath came out of Tamryn. He had been lingering around the docks, trying to get news of ships, but he must have gotten his information wrong because the sailors there told him the weather wasn’t in the best condition from timely arrivals. Tamryn had always liked the sounds of the waves against the shore, the sounds of birds flying up high —free and unrestrained— and the sounds of people who worked there going on with their daily jobs; but he wanted to think maybe the wind would carry news of his Anatole.
Not directly, of course, he knew as much. Anatole had been a ghost in the docks, his purpose hidden from official records or unwanted questions, but ships came carrying produce and people from the west all the time. He wanted to think that the auspicious news he heard was about him. Now he was here, close enough that all Tamryn needed to do was walk towards him.
Tamryn tried not to cry. He was unsuccessful.
“I’m sorry I didn’t write. There was a,” Anatole came closer to him, “a lead on a potential capture on Andrico, my Client. I didn’t want a letter to accidentally end in the wrong hands. Not when,” he was close enough to reach out to him now, “not when I would never forgive myself if harm came to you because of me.”
“What, what does that mean?”
“That I’m in love with you and if that’s agreeable to you, for as long as you’ll have me, I want to, I’d like to—”
Anatole couldn’t finish his sentence. Tamryn reached for him, holding him between his arms in the warmest, safest embrace Anatole had ever experienced. He held onto him as if he might disappear at any moment, lifting him and spinning him around in the tight hallway of his parents house.
“All I have wanted is for you to come back safe, and you’re here, you’re here.”
In their spinning Tamryn hit the wall with his back, making him tumble. He didn’t let go of Anatole, who managed to keep himself somewhat upright by freeing one of his arms from Tamryn’s hold and  frantically trying to reach the opposite wall.
“Solnishko, are you alright?”
With eyes closed, he buried his face in Tamryn’s chest. He never wanted to leave it.
“I’ve never been better.”
* * *
FOOTNOTES
(1) This is the source used for the translation here. Al-Harizi was an Andalusian jew and if there is one thing you can trust them with, is the gayass medieval poetry, everyone say thank you Rabbi Al-Harizi. One of the works referenced in part 1  (A Rainbow Thread) speaks more of him.
(2) Attar of Nishapur, "Intoxicated by the Wine of Love" as translated by Margaret Smith.
Because I am not really writing Milan if Attar of Nishapur does not make an appearance.
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