#this is just. me being stupid LOL

[mitcheechee]

uhh that pingus meme or whatever

[bixels]

tarpit site.

[rox-of-iu]

something silly from yesterdays evening class

...

[p0th]

[communistkenobi]

The deeply moralist tone that a lot of discussions about media representation take on here are primarily neoliberal before they are anything else. Like the shouting matches people get into about “purity culture” “pro/anti” etc nonsense (even if I think it’s true that some people have a deeply christian worldview about what art ought to say and represent about the world) are downstream of the basic neoliberal assumption that we can and must educate the public by being consumers in a market. “Bad representation” is often framed as a writer’s/developer’s/director’s/etc’s failure to properly educate their audience, or to educate them the wrong way with bad information about the world (which will compel their audience to act, behave, internalise or otherwise believe these bad representations about some social issue). Likewise, to “consume” or give money to a piece of media with Bad Representation is to legitimate and make stronger these bad representations in the world, an act which will cause more people to believe or internalise bad things about themselves or other people. And at the heart of both of those claims is, again, the assumption that mass public education should be undertaken by artists in a private market, who are responsible for creating moral fables and political allegories that they will instil in their audiences by selling it to them. These conversations often become pure nonsense if you don’t accept that the moral and political education of the world should be directed by like, studio executives or tv actors or authors on twitter. There is no horizon of possibility being imagined beyond purchasing, as an individual consumer in a market, your way into good beliefs about the world, instilled in you by Media Product 

[romanticatheartt]

People always be like "we want complex female character" but you bitches can't even handle Feyre, who has different sides and just because she's a mother now, you think she's completely disable to wield a sword...

She was a fighter long before turning to fae. She killed a fae wolf, 2 nagas, trapped a suriel several times (the very suriel Rhys tried to trapped and failed), killed an ancient wyrm and broke a 49 years curse all the while being a human. She has all the seven High Lords power and managed to kill many of Hybren soldier just to save Rhysand. She's mated to the most powerful High Lord and we all know 'like calls to like'. She went to the Summer Court and fight side by side with The Morrigan and never backed down.

But sure... she can't wield a sword now.

[remma-demma]

Thinking about people not liking what happened at the end of dawntrail like… hmm.

Did you not remember the stuff with the Yok Huy. Nobody is gone if you remember them. The phrase that’s been with us for nearly the entire game, “For those we have lost….” Emet Selch entrusting us not only with the legacy of humanity in general but specifically with the memories of the Ancients and Elpis.

Just because people are gone doesn’t mean they aren’t still with us.

But the people of Neo-Alexandria are kept from that. They can’t remember anyone they’ve lost because their memories were stolen and locked away in an eternal purgatory, unable to move on or be reincarnated. The quest where you go to the graves in Heritage Found was a big moment where I was like. Huh. This fucking sucks actually.

The endless are just computer simulations, and they exist because Sphene can’t bear to let them go. Can’t even let her living citizens mourn or carry on legacies.

And that’s not even mentioning the fact that she needs the souls of innocent *living* people to power this all.

I think it’s a really good metaphor for the digital age, becoming disconnected from our irl communities, uploading your entire life on social media. Profiles of loved ones who have passed on. AI chat bots providing temporary comfort but no real human connection. All of that technology requiring enough energy to slowly but surely contribute to the destruction of our planet.

It all seems pretty clear to me as an allegory but like, I guess some people just didn’t make that connection? Or maybe they just don’t think about all the AI stuff in the same way I do.

[darlingod]

QoN Ch.6

WAITTTT I just realized at the trial Cardan asks Jude “Taryn?” instead of stating it because he can’t lie & he knows its Jude oh how I love to see it

(I’m aware he later on admits knowing it was Jude when she walked in the room but STILL aweeee)

[yuwuta]

gojo would kill your work husband. but if he were the work husband, that's a different story

REAL!! he’s such a hypocrite because if someone mentioned you had a work husband, his entire world would stop and he wold devise the absolute worst plans to make sure that your co-worker, everyone at your job, and everyone in the next building over knew that he was happily committed to you 

but if he is the work husband, he’s very........ dutiful in his role. there’s a loose office/lawyer au in my head where satoru is your secretary, and for all intents and purposes, your personal assistant, and he’s good at his job, but mostly because he considers his job to be pleasing you. he has coffee for you when you arrive, he moves your schedule around without you asking, he has answers to questions before you can even ask them, he has fresh flowers on your desk weekly, pokes into your meetings to pretend to hand you a file that’s really just maybe a single document in a manilla folder with candy on top of it—he’s made himself your business, your partner; he’s made himself irreplaceable, and he loves to remind everybody of that fact. 

he’s also extremely loyal. sure, he could day a week’s worth of work done in about a day, but that doesn’t mean he’ll just use his talents for anybody. he’s your secretary, so he’s at your beck and call, and everyone knows it. they know he’s the best, but also that he’s off limits—not because you won’t share him, but because satoru won’t let himself be shared. 

he also extends his duties beyond work, of course. when he hands you a print out of your schedule for the day and you’re confused by the three-hour block of time you have in the middle of the day, satoru just helps you shrug your coat of your shoulders and smiles, “that’s for the lunch date you have with me, of course!” hanging up your coat in your closet for you, “i’m paying, see you soon, sweets.” and because you’re great at your job, and satoru helps you be great, nobody really questions when the two of you have time for a 13-course tasting menu at 1pm on a tuesday afternoon. and if they did, all satoru would say that you two had a lovely date 

[genericpuff]

hello 911 why are all the LO volumes classified as grades 6-12 except for the newest volume which is more appropriately categorized as grades 9-12

please no

[presdestigatto]

just saw someone call charles' career 'common successes' the pole to win ratio agenda is too severe because in no way is 26 poles without a championship winning car common at ALL

every time he wins it's after ten thousand trials and tribulations and his wins this year mean so much more to me than if he had a dominant car. i said it last year and i think so doubly now that he impresses me with every race like he is him and i truly think he is the best.

[a2zillustration]

I carried this thing for MONTHS with the EXPRESS PURPOSE of putting Raphael in it (knowing full well Larian wouldn't let me do that, mechanically) and I had one major miscalculation.

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[avatar-aaang]

Crystal is such a fantastic character bc shes missing her memories and one of the first things she does is try to be mean to Charles, who is just so delighted by her anyway, and when she realizes that she might have been disliked before, she kinda of just starts over.

and she starts off being by being so kind by demanding they help a girl half way around the world, and they oblige. and then! she wipes the girl's memory of the house so she'll never have to suffer the nightmares the way Crystal does.

she's working through some shit, but every time she comes out the other side having tried to be a better person and trying to help her friends and correct mistakes.

and when she finds out who she is? she is horrified by what she sees and wants nothing more than to get away from that. and she still thinks she's a horrible person bc of what she's done and how her parents react to her calling them. she doesn't realize that you're not your past actions, and just bc she was awful then does not mean she has to continue to be that way.

she wants away from charles and edwin and niko bc she doesn't want them to know her like that. even tho they've never known her like that, and they never will, bc Crystal has changed so much as her time as an amnesiac and she is constantly trying to be a better person.

anyway stan Crystal, she wants to be kind, and her journey from being a bitch to being That Bitch is so fantastic, I can't wait to see what she does next

[zevranunderstander]

number #1 tactic that people use to not sound as racist as they are when they talk to black people: 'uhh so you AMERICANS need to stop pretending everything is about YOU. why should i know this im not from the us :/' (= is talking about like. a phenomenally internationally well-known black artist)

[slavhew]

I wanna play OFF

[lucabyte]

*ignores the frag grenade i just threw at everyone* anyway,

can you believe this is the first time ive managed to draw a fullbody loop whos standing up.

i can finally express my headcanon-- not that loop has body horror inbuilt perma-heels-- but that they've just got perpetual barbie foot. they just got too used to wearing their little bootsies. a real "hey dude do you like, want shoes or something?" type stance. i dont even think its a concious choice i think if you pointed it out they'd get embarrased.