#this is also a generous interpretation of her.

[just-thoughts-no-vibes]

I knew we would eventually reach a point where masses of people would misinterpret Arcane, but I never imagined it would be this bad.

Yes, I absolutely agree that season 2 was rushed, especially Act 3, and it is undeniable that the series would have benefited from at least one more episode if not an entire act. However, the current discourse about the show is so superficial that it's impossible to have a conversation about anything deeper but a mere synopsis of the characters and story.

So many of you expected this series to hold your hand and dumb everything down so you can understand it. But when it wasn't the case, you all started rioting and calling the characters vague, the plot bad, and the ships underdeveloped.

The amount of people who value spoken text more than the actions of the characters is worrying. And more worrying than that is the amount of those who interpret the said actions so superficially. I can't believe it needs to be explained that it wasn't Vi's death that led to the "good" timeline, but the lack of hextech. The result would have been the same if either of them had died. It wasn't about Vi, but about the child that died because of dangerous technology and that therefore that technology must not be used. The mischaracterization of Vi in general is insane. Call me biased and unfair, but the moment I hear you don't like her I will assume you didn't understand the show.

Also, the whole discourse around Caitvi scene in episode 8 is giving brainsmooth. No, Vi didn't choose Cait over Jinx, quite the opposite. No, Cait didn't plan all of it to fuck Vi. No, Vi didn't do it because she felt forced or because she is a horny animal who doesn't care about her sister. No, them fucking in a cell is not about the class difference, but about the fact that Vi felt an insane rush of emotions after realizing that Cait would let go of her revenge and help Jinx escape, all for her. Yes, I do agree that it would be nice if we got a longer conversation between Vi and Caitlyn and it would feel great to hear Cait apologize, but I'll always value actions over words. Her talking to Jinx, recognizing that she is just as bad as her, and choosing to trust Vi that her sister can change, thus letting Jinx escape will always mean more than any verbal apology and I'll die on that hill.

Also, it was Jinx's decision to let go and walk away. It was not about Vi trying to get to Vander, but about Jinx being tired of everything. Even if that fight didn't happen, the result would be the same: Jinx would leave because she knows that Vi couldn't do that. She knew that the two of them couldn't have a normal life together and that Vi would never give up on her. Jinx didn't "die" because Vi pushed her or failed her, but because she loved her too much. Whether you believe that she is dead or that she escaped, it's her decision either way.

Again, I agree that too much happened too quickly, but stop confusing your stupidity and inability to read between the lines with the quality of the series.

Arcane is flawed but still brilliant.

[rinskazuu]

but baby, i don't wanna say goodbye ⋅˚₊‧ 𐙚 ‧₊˚ ⋅

synopsis. ꨄ︎ after a couple of lonesome weeks, the jjk men decide to finally break their silence to express how much they've been missing you. their attempt at groveling, yet again falls on deaf ears.

characters. ꨄ︎ fem!reader x gojo, geto, nanami, toji, choso, and sukuna (separate)

cw. ꨄ︎ angst, hurt/no comfort, swearing, pet names, groveling, slighty (?) ooc sukuna

notes. ꨄ︎ it seems i've confused a couple of people, so i'm going to write here that no, reader doesn't leave her kids. she leaves her partner. she doesn't break it off after one comment of "weakness." it's implied that this was the breaking point. if u feel like u'd forgive the characters that easily, that's ur interpretation, but i disagree with that, and last i checked, this is my smau. reminder that if u don't like what i post, scroll or block me!!!!!!

♪ song used. ꨄ︎ birds of a feather by billie eilish

part 1 | part 2 | part 3 | part 4

end notes. ꨄ︎ i know this is a little long, but i also feel like it's necessary, rather than jumping back into the relationship so quickly.

want to join my taglist? all that's required is for u to let me know in the comments! WARNING: i do post for different fandoms

tags. ꨄ︎ @starlightanyaaa @totallygyomeiswife @colorfulfestkoala @kirahaley @tillaboo @jaegerstan222 @lunasolac @cherriee-ee

reblogs, comments, and likes are all appreciated! <3

jjk masterlist | general masterlist

[notaplaceofhonour]

the average muslim just minding their own business in a random mosque in NYC or Christchurch isn’t “defining the whole world as the abode of war”, isn’t an Islamist, isn’t a terrorist, has nothing to do with bloody conquest, or raping, enslaving, or murdering anyone.

there is a very clear, significant, and stark difference between grounded criticism of antisemitic or bigoted elements within a religion, or opposing an extreme & violent interpretation/political movement within it (such as Islamism, which is not the same thing as Islam), versus grabbing hold of those elements to generalize them about an entire religious group so thoroughly that you deny that targeting 2 billion (more than one fourth) of the world’s population for hatred & violence on the basis of their religion could ever be illegitimate or bigoted.

treating an entire religious group as a monolith is irrational, and weaponizing that irrationality to target an entire group of people for hostility or violence is inherently hateful & bigoted. even if there exists something that it is rational to fear, giving into that fear in a way that makes you generalize about entire groups of people will make you think/act irrationally. lashing out at civilians whose only commonality with the militants & mobs you fear is existing under the same umbrella of culture/tradition that a quarter of the entire world exists under is often-if-not-always irrational & bigoted.

or do you honestly expect people to believe ripping hijabs off random muslim women just existing in public is a “perfectly rational” expression of fear? that the Christchurch shootings were “perfectly rational”? that people sending threats to do similar to mosques all across Europe & North America is “perfectly rational”? or could it possibly be that violence & hate against people on the basis of their religion is irrational & bigoted?

could it possibly be that fear—even the fear of things it may be rational to be afraid of (such as antisemitism, terrorism, and specifically Islamism)—can be twisted & cause a person to become irrational about it? perhaps so irrational that it can get a Jew to use a literal neo-Nazi ass alt-right dogwhistle meme about Jews controlling the world:

and for what? to mock other Jews & Jewish organizations for taking a breath between all their usual criticism of people attacking Jews to say something as simple as “shooting up mosques is also bad” “threatening random muslims isn’t okay” and “hey, if you see a woman in a hijab, don’t assault her either”? be so fr

you will not be surprised to learn that not only was the commercial spot in question not “about how we all need to stand with Israel”, but israel & palestine are not referenced or alluded to in any way whatsoever.

here’s the ad:

it’s not even an ad primarily about antisemitism. it’s a campaign called “Stand Up To All Hate” about standing up to racism, Islamophobia, homophobia, sexism, antisemitism, etc.—all hate, as the name suggests.

and, for a split second, there’s a kid wearing a kippah. that’s it. shaq appeared in an ad where a kid wears a kippah and that is what is getting him accused of “supporting genocide”

[frankingsteinery]

i’ve seen a lot of people in general agreement of the headcanon that victor is on the spectrum, but i’ve very rarely seen someone examine the why, and being the persnickety superfluous person that i am (and not being immune to projection myself) i thought i’d try my hand at it and break down his autistic traits!

disclaimer that this interpretation is speculative and is simply my unprofessional neurodivergent opinion + it’s based on contemporary understandings of psychology, which were not part of shelley's context, however autistic people have always existed even if there wasnt a word for it during that time period, etc etc. you know the drill

without further ado!

-- communication & social interaction

first and foremost, many autistics struggle with socialization. victor’s inclination to attach himself to a single friend (henry) and only talking to those inside of his close circle rather than forming many connections reflects this tendency, and he himself acknowledges his dislike and indifference of strangers. for example:

“It was my temper to avoid a crowd and to attach myself fervently to a few. I was indifferent, therefore, to my school-fellows in general; but I united myself in the bonds of the closest friendship to one among them”

“My life had hitherto been remarkably secluded and domestic, and this had given me invincible repugnance to new countenances… I believed myself totally unfitted for the company of strangers”

furthermore, he lacks relationship degradation (he does not require regular interaction or relationship maintenance to sustain a bond). during the creation process, he (presumably) goes months without writing to his family and friends, which clerval lectures him for:

“Very well, and very happy, only a little uneasy that they hear from you so seldom. By the by, I mean to lecture you a little upon their account myself."

yet upon his arrival at ingolstadt:

"...nothing could equal [his] delight on seeing Clerval."

victor also takes things literally several times and social nuances can fly over his head. he demonstrates this literalism when first meeting elizabeth:

"And when, on the morrow, she presented Elizabeth to me as her promised gift, I, with childish seriousness, interpreted her words literally and looked upon Elizabeth as mine"

and, of course, the infamous i will be with you on your wedding-night scene, when the creature obviously means he tends to harm elizabeth, not victor himself:

“It is well. I go; but remember, I shall be with you on your wedding-night.” I started forward and exclaimed, “Villain! Before you sign my death-warrant, be sure that you are yourself safe!"

he also goes nonverbal and groans/vocalizes instead of speaking when upset. there's several instances of this that i can recall (i believe another is with walton), but i could only find one, where elizabeth has to speak for him during their visit to justine:

"When she saw who it was, she approached me and said, “Dear sir, you are very kind to visit me; you, I hope, do not believe that I am guilty?” ... I could not answer. “No, Justine,” said Elizabeth"

and this is more of a sidenote but he gives walton every. minute. detail. of his story, including his childhood in-depth (which was not particularly relevant to the moral of victors tale, which was the whole reason he wound up sharing his story in the first place) which definitely feels like. Something. reminiscent of infodumping almost.

-- repetitive behaviors

victor shows both repetitive motions and repetitive language to such an extent that it'd be ridiculous to put them all here, particularly when he is distressed and agitated. some of these motions include clasping his hands, covering his face with his hands, and gnashing his teeth, which he does on walton's boat, after finding out about william's death, in his confrontation with the creature, during his time at the orkney islands, etc. the use of certain phrases/verbal repetition  include his many "great god!"s and "begone!"s, which he usually says in reaction to the creature or while grieving a loved one. these behaviors are arguably self-stimulatory (stimming) and done to cope with overwhelming, stressful situations.

-- fixations/spinterests

ths one's perhaps his most blatant characteristic. victor has a highly focused, intense interest, initially in in the workings of the world itself:

"It was the secrets of heaven and earth that I desired to learn... still my inquiries were directed to the metaphysical, or in its highest sense, the physical secrets of the world."

"The world was to me a secret, which I desired to discover;"

"I have described myself as always having been imbued with a fervent longing to penetrate the secrets of nature"

this is to the extent that his education is noticeably different from his peers, both in acceleration in the topic of his choice and neglect of other, more typical studies due to the intensity of this focus:

“I confess that neither the structure of languages, nor the code of governments, nor the politics of various states possessed attractions for me.”

“…but by some fatality the overthrow of these men disinclined me to pursue my accustomed studies.”

this early fixation eventually narrows into a special interest in ancient alchemy, after victor finds one of agrippa's works and a "new light seems to dawn upon [his] mind," upon which he proceeds to acquire all the works of agrippa and other authors:

"When I returned home my first care was to procure the whole works of this author, and afterwards of Paracelsus and Albertus Magnus. I read and studied the wild fancies of these writers with delight; they appeared to me treasures known to few besides myself"

this remains his special interest until he is a teenager, upon which, after finding out ancient alchemy has been disproven, he takes up mathematics until his arrival at ingolstadt. then, his interest shifts into a fixation on natural philosophy, particularly chemistry, which becomes his "sole occupation":

"He concluded with a panegyric upon modern chemistry, the terms of which I shall never forget... one by one the various keys were touched which formed the mechanism of my being; chord after chord was sounded, and soon my mind was filled with one thought, one conception, one purpose"

"I read with ardour those works, so full of genius and discrimination, which modern inquirers have written on these subjects... the stars often disappeared in the light of morning whilst I was yet engaged in my laboratory. As I applied so closely, it may be easily conceived that my progress was rapid. My ardour was indeed the astonishment of the students, and my proficiency that of the masters"

which, of course, develops into an interest in physiology and the structure of the human frame, which leads to his obsession over the secret of life, followed by being "thus engaged, heart and soul, in one pursuit" during the creation of the creature.

-- intense, volatile emotions; resistance to change

in general, victor is very emotionally demonstrative, and has difficulty managing these emotions. he also experiences quick fluctuations in emotion. this is something he has experienced since childhood, and is something he maintains as an adult, when he acknowledges that:

"My temper was sometimes violent…"

some examples of these shifts in emotion:

"My heart, which was before sorrowful, now swelled with something like joy..."

"Sometimes he commanded his countenance and tones and related the most horrible incidents with a tranquil voice, suppressing every mark of agitation; then, like a volcano bursting forth, his face would suddenly change to an expression of the wildest rage as he shrieked out imprecations on his persecutor"

hand in hand with his emotional dysregulation, he shows resistance to change and has strong reactions to this change. the most obvious example of this is during the animation of the creature:

"The different accidents of life are not so changeable as the feelings of human nature... but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart"

"Mingled with this horror, I felt the bitterness of disappointment; dreams that had been my food and pleasant rest for so long a space were now become a hell to me; and the change was so rapid, the overthrow so complete!"

but it also occurs when moving to ingolstadt, suggesting a discomfort with unfamilarity and a need for stability:

I threw myself into the chaise that was to convey me away and indulged in the most melancholy reflections. I, who had ever been surrounded by amiable companions, continually engaged in endeavouring to bestow mutual pleasure—I was now alone.

-- black-and-white thinking

this aspect is most clearly shown through the way victor thinks about, and drops and gains interests and relationships. he spends years studying ancient alchemy and it is his principle interest, and then drops it on a dime and suddenly looks upon this passion with contempt:

“By one of those caprices of the mind which we are perhaps most subject to in early youth, I at once gave up my former occupations, set down natural history and all its progeny as a deformed and abortive creation, and entertained the greatest disdain for a would-be science which could never even step within the threshold of real knowledge. In this mood of mind I betook myself to the mathematics and the branches of study appertaining to that science as being built upon secure foundations, and so worthy of my consideration”

later, he spends four years with his mind filled with "one thought, one conception, one purpose" studying the processes of life so intensely he forgoes adequate food, water and rest. this culminates in the creation and subsequent animation of the creature, which he again turns around and abandons this interest immediately, to the extent that he cannot bear to think of natural philosophy:

Ever since the fatal night, the end of my labours, and the beginning of my misfortunes, I had conceived a violent antipathy even to the name of natural philosophy.

it's a very polarized, all-or-nothing approach that is mirrored with his relationships, too, which he alternatedly neglects -- he cuts contact when he goes to ingolstadt but abruptly picks it up again when henry comes into his life; when the creature flees victor's apartment, victor treats it as if he never existed entirely; his family only comes to the center of the narrative again when he gets the letter from alphonse about william's murder, despite 2 years having been passed at ingolstadt, etc.

and finally;

-- low empathy

victor repeatedly focuses solely on his own internal emotional experience, and struggles to fully comprehend and understand the depth of feelings of others and respond with compassion in conventional ways. during justine's trial, for instance, he elevates his own suffering above justine's, even as she faces her literal execution:

I rushed out of the court in agony. The tortures of the accused did not equal mine; she was sustained by innocence, but the fangs of remorse tore my bosom and would not forgo their hold.

Despair! Who dared talk of that? The poor victim, who on the morrow was to pass the awful boundary between life and death, felt not, as I did, such deep and bitter agony. 

similarly, victor dismisses ernest's grief after william's death, he frames it in terms of how it affects himself -- telling ernest to "be more calm" to avoid causing his own discomfort:

Ernest began to weep as he said these words. “Do not,” said I, “welcome me thus; try to be more calm, that I may not be absolutely miserable the moment I enter my father’s house after so long an absence.

this detachment suggests not deliberate cruelty (victor very clearly loves his family, and he's said to be kind several times) but a limited capacity to process and respond to other's emotions. this is a detachment that extends to his views of the dead. during the creation of the creature, he refers to the corpses he utilizes as only "materials" instead of once having been fully-fledged human beings, and he does not contemplate the lives or dignity of the deceased.

aaaaaand thats it! thank you for indulging my. headcanon projection land. let me know what you all think...

[goodyordle]

An Analysis on Season 2 Vi

SPOILER under the cut

I have SO many thoughts about how they wrote Vi this season. So I get that they wanted to go with a more vulnerable Vi this season compared to the tough character we had in season 1. I was excited for this direction for her character, that’s why I’m kind of disappointed that she felt flat and more one-dimensional this time around.

Firstly, I felt like in season 1, Vi was such a centerpiece to the show. From her relationship with Jinx and following Vander’s legacy. She actively moves the plot with these two elements.

But in season 2, I barely see her do anything that contributes to the plot actively and takes a much more passive role. This time, Caitlyn and Jinx are taking the lead on shaping her goals (whether this is her becoming an enforcer or her saving Vander). As a viewer, I do empathize with Vi. We see time and time again that she is a character that values loyalty and keeping her loved ones close to her, and she keeps getting betrayed.

But we never see these arcs get resolved, at least in a satisfying manner. We never see her find strength in her vulnerability or regain courage to find herself again. And this is an arc that most, if not all, characters in Arcane had. All of them had some sort of redemption and willingness to make things right.

We never see Vi try to grow beyond her comfort zone (which is using her fists / brawling). We don’t see her use her vulnerability as a new way to show toughness to her character.

For instance, the argument with Caitlyn. Now I enjoy this ship as much as the next person but I felt like the conflict got resolved a bit too quickly? It’s clear that Vi’s trauma of betrayal and abandonment runs deep (man, I feel so bad for her tbh).

My interpretation of this last shot of Cait and Vi (after Caitlyn asks “are you still in this fight, Violet?), in my opinion, also reflects this lack of resolution, where Vi generally looks more closed off. There is no raw vulnerability that Vi displays. She never expressed how hurt she was with Caitlyn’s actions. Even when Vi says she is the “dirt under Cait’s fingernails”, her expression looks quite pained and tired.

Then we have the argument with Jinx. Their sibling dynamic is the key plot of Arcane and is a heavily emphasized theme but their resolutions feel underwhelming both times.

The first time was when Jinx locked her up in the cell. I mean the fact that Vi didn’t immediately go look for Jinx given that she was depressed felt a bit out of character for me. Like she gave no emotional reassurance to Jinx who was obviously guilt-ridden from Isha’s death. Again, no vulnerability. And the placement of the Caitvi *cough cough* scene was questionable, considering it was right after Jinx expressed her anguish. Yes, she wants Vi to be happy, but wasn’t Vi’s character this whole time shown as one who is happy when she can take care of the people she loves?

Like if I were to draw a parallel to Jayce and Viktor, where Jayce says that he just wants his partner back, they could’ve had done something similar between Vi and Jinx. Vi could have expressed that she just wanted her family back. She needed her sister, which is something she never expressed because the dynamic was always of Jinx needing Vi.

Anyways back to that scene, I felt like it would have been more impactful honestly if Caitlyn even encouraged Vi to find her sister since I think that is quite fitting to Caitlyn’s arc as well and adds more depth to her feelings towards Jinx. If they had a bit more emotional resolution, I feel like her final scene with Jinx would have been more impactful. (And probably would add more emotional weight and spiciness to the Caitvi scene too iykwim)

That brings me to the second scene when Jinx sacrifices herself. The aftermath felt too rushed for me. When we have Vi acting like “normal” right after Jinx’ sacrifice, it diminishes their relationship in my eyes. Granted, I doubt she’s normal. In fact, I think Vi looks really resigned in her final scene but again, this is a bit difficult to pick up if there are no context clues.

Like in terms of the concept, I get it. I believe the writers were trying to make a full circle moment where Vi, who was the protector of her little sister, is now the one being protected by Jinx, who is now all grown up. It’s just the execution that doesn’t sit too well with me. Maybe it’s the pacing because I feel like as a viewer, you have to digest so many emotional scenes at once.

I just wish we had more opportunities to see Vi be vulnerable and show that as a source of new strength and as a way to reinforce her relationships with Jinx and Caitlyn. But unfortunately, her character development ended up static. And honestly she’s such a tragic character that had that potential. They showed her trauma even in the final scene with Vander/Warwick and how she couldn’t even bring herself to move despite Jinx’ warning. Like show more of that!! Let her be the one that needs to be protected by those she used to protect, instead of just following them around and beating up their enemies. As a result, I felt like she didn’t really add much weight to the finale (low key Maddie had more of a plot). Like this show is still a 10/10 with solid writing but this, after processing the show, I believe is its weakest point.

They can never make me hate you, Vi, you deserved a better character arc :(

[hexite-nightmares]

My very unorganized thoughts on S2 of Arcane but only about Viktor

Alright I finally had time to think and write everything down so here we go. I want to preface that I have been weary about this season ever since I watched the act 1 leaks. Mainly because it was very clear he was never going to be a machine, and they didn't give him enough screen time to develop his motivations into ACT 3 Viktor being convincing enough

LET'S START WITH THE FALSE PROPHET VIKTOR

Alright so he has about 11 minutes ish of screentime. Aside from the glaring issue of Jayce reviving him and not destroying the hexcore, taking away agency from a disabled character. It was clearly a false prophet situation, but it was so fucking confusing on whether he could feel like a regular human, if he was under the Hexcore's control which makes the agency issue worse or just jaded. He all of a sudden starts speaking like he's reading Deuteronomy passages ?? We don't know for sure if he's aware that he's basically creating a hive mind now, did he start his plans of making everyone into one right here? Sky seems to encourage him to do this, what does she know about it since shes been in the hexcore ALONE for a little longer? (writers didnt confirm whether it was the real her or not) . Act 1 Viktor's issues are mostly about agency, and a seeming full abandonment of his identity as a scientist, his personality does a full 180. He doesn’t seem to question that the object that revived him and killed Sky is giving him healing powers, but he’s angry at Jayce so we have no clue if he’s being controlled or not.

The show doesn't seem to care to spend time with him bc Isha and Ambessa I guess.

Anyways lets move on to not even act 2, but ep 6, his only episode in this act.

I had huge gripes with this episode, mainly because whatever the fuck was going on with Viktor trying to "keep" Vander's humanity, when he clearly was taking it away from everyone he touched, does he actually believe what he's saying or is he under the Hexcore's control still?. Obviously the glaring issues of Sky being there without any actual input, they're cosmic friends I guess but with very generic lines, and the fandom has to fill in the blanks with whatever Amanda Overton feels like saying about Sky in the moment(if we don't see it in the show I don't take it as her development, sorry). So Viktor builds Colloidal silver drinking Joshua tree and ppl think it's fucking Eden, Jinx calls him a Machine Herald when there's NO SIGN OF MACHINERY JUST PURPLE MAGICAL METAL LOOKING FLESH. We get a whole ass different realm with no explanation other than, oh yeah Viktor is inside there. Jayce comes in and almost kills him. The only option there is at this point is for Singed to start his MH era. The choice of becoming MH is nonexistent now, other people have to jumpstart things for him. I know some people interprete this commune as Viktor achieving his dreams, thinking he was being himself, that he was in paradise with Sky and.. that wasn’t the case for me.. it was extremely sinister. Worst part of this Act, is that MH was seemingly a damn trial experiment for Orianna.

BONUS:

So it seems that Christian Linke has confirmed Sky was the hexcore using its influence to manipulate viktor into the glorious evolution. He said it was meant to be as a misdirect. So to everyone who got dunked on here for “wanting to be spoonfed” or “not reading into it deep enough” for thinking he was being mind controlled, you were right about it being the hexcore. Viktor has been confirmed to have no agency until episode 9 I guess. He also mentioned Viktor’s goal was getting the most power/influence… we never saw a fucking glimpse of this in season one I’m sorry.

ACT 3

First awful problem here is obviously Singed having to jumpstart things. Viktor is aware for his choice of whatever is happening with the egg thing. Yet....there's still no sign of machinery. We get a scene where Sky fucking dies again, he refers to her as Ms Young, which im guessing is a parallel to the other time he dismissed her in S1. But of course we get the double fridging in the show, cuz making female characters just for the sake of advancing her crush's plot line is sooo amazing. Here lies sky, the character who is barely a character. Well after that we get the sequence of his transformation and we get that butt ugly mask. His personality does another huge change again. So we know the hexcore is not influencing him anymore as the hexcore completed its goal of the glorious evolution.. so I guess viktor really does think this is the right way?

A huge issue I have again, is the lack of agency. In this particular scene Jayce goes "My partner died in this room" yeah..Viktor didn't fully choose to become this right? it all started with Jayce using the hexcore on him, it’s been manipulating him the whole ass season…Kinda wish there was some sort of acknowledgement from Jayce that he’s basically the catalyst of this.

He gets his laser because...fanservice. There's no way he went all the way to the lab and magically attached it to himself just to cut off a wall. He keeps going on that choice is false, but a few minutes before he said he’d evolve all of those willing?

In the cosmos, beautiful sequence. I don’t love Jayce’s dialogue choices(about his disease) here and then it all being about viktor hating himself.. since the hexcore was leading to all of this, his motivation for it all being self hatred feels a bit eh. The sequence is beautiful and Jayce and Viktor destroying the anomaly with the rune shard is nice, that part was cute. But then they kinda disappear and we only know that viktor is alive so far, no clue about Jayce. The sequence is touching towards the end and I’m a sucker for characters finding each other in every timeline/universe but it can’t make up for all the other things that are bothering me. This seems to be the one time Viktor has some sort of agency I guess.

Then obviously the worst part that will bother me forever. The thing that made me almost slam my laptop shut

This retcon is just awful I shouldn’t even have to say why, it makes things fucking weird and it’s frankly stupid. Also viktor can’t rock a beard like that.

Anyways this is very disorganized, fuck you riot I felt like an insane former this whole time but I was right.

[clonerightsagenda]

Kat's "I could fix him" Arcane post pt 2:

Yeah it's him this time.

The Jayce, Viktor, and disability storyline is where Arcane s2 gets the most incoherent, imo. I never got the impression in s1 that Viktor wants to "fix his imperfections". He just doesn't want to die. Also, his problems were caused by apathy and classism, not generic human emotion. (Blaming human emotion in general sure lets the rich and powerful off the hook, right?) At the end of s1, Viktor wants Jayce to destroy the hex core, but then in s2 he's embracing it. Also at the start of s2 he claims he's moved beyond affection, but then later tells Jayce he left without explaining himself because he was clouded by emotion. Viktor was upset about the idea of using hextech as weapons but then willingly helps Ambessa's army. We also have Viktor claiming "that's not Jayce" and Jayce having some visible arcane corruption, but that never goes anywhere. I'm still genuinely not sure how the show wanted me to interpret his s2 thought processes.

So, how would I deal with this? By leaning way way harder into the Horrors of Ableism and the Medical Model of Disability.

Viktor wanted Jayce to destroy the hex core. Instead, Jayce uses it to save his life against his wishes. After that, Viktor's affect changes, he goes into the Undercity, and non-consensually transforms someone else. Other disabled and chronically ill people come to him willingly, but this is a world where even one of the most powerful people in Piltover can't get a fucking wheelchair ramp. A quick fix is appealing, even if it means giving up some of who you are. You've already been unpersoned by society, after all.

Hextech is something Viktor and Jayce created together, and it seems to respond to intent and emotions, so let's take it to extremes. That's not Viktor. That's hextech, influenced by both Jayce and Viktor, and it answered Jayce's desperation. The man of progress, the herald of tomorrow, wanted to save his friend. He wanted to fix what was broken. Here you go! I made him even better. Now while I'm at it, I'll fix everybody else too!

Have purple disability Jesus!Viktor be embodied hextech on a well-meaning rampage. Meanwhile, mindscape Viktor debates it while it's wearing Sky's face. He feels betrayed by Jayce and guilty about Sky, but also he did want to bring better things to the Undercity. Is this the best way to do it? Is the only way to play the abled world's game abandoning who you used to be? He's not sure, and he starts to waver/get weaker as Sky/hextech gets stronger with more followers in its hivemind.

Following my last post, as hextech!Viktor helps Jinx with her shimmer issues, maybe he also tries to 'fix' her psychosis. (Side note, it would have been nice to make it clear that AU-verse!Powder still has psychosis, so it's not so clearly associated with Jinx's villain era. I'm sure stress and trauma makes it worse, but still.) He's unsuccessful at this, or perhaps Jinx resists it, and this can be something he reflects on later at the end when Jayce talks about our imperfections being important and part of who we are/the world around us.

Anyway, hextech!Viktor wants access to the gate to make everybody perfect and fully intends to doublecross Ambessa and remake her too. For her own good, of course. Real Viktor is exhausted in the mindscape. His partner wants to kill him, hextech is out of control, and even the downtrodden people he 'helped' have been destroyed. Then Jayce gets dragged into the mindscape and the hextech goes look, you created me and I've expanded on your vision. I saved your partner, I brought about the era of magic, I've created the men of tomorrow. And as in canon, Jayce can go no, Viktor, I didn't save you because I wanted to fix you, I just wanted you to live, there's nothing wrong with you. You don't need a glorious evolution, we just need to help people be better at being who they already are. And that encourages Viktor to overpower the hex tech possessing him.

Then they can still collapse into a gay singularity if you want I guess. Personally I think it's kind of a bummer that dozens of disabled people got obliterated and everyone would've been better off if Viktor had lay down and died of Limp And Coughing Blood Disease from the start but ymmv. IDK what my better ending of 'Jayce and Viktor embrace the social model of disability' would look like but if everyone gets sent to Zaun maybe it would involve coming up with assistive tech like they originally envisioned. And maybe Viktor still will die of lung disease. But he can do it on his terms if so.

[peatorice]

This will be an analysis of Arcane's conclusion mostly from a thematic standpoint, and stablishing one of the keys to this: Jinx is alive, if you also interpreted it like that you can skip to the next paragraph, otherwise here’s why I think that’s the case: Cait has the monkey head of the grenade and is looking at the projects of the place where Jinx blew up (implying she didn’t found a body) and has a little smile when she notices Jinx probably fled, and there’s also a pink trace right before the explosion. One of Powder’s first lines is saying "one day I’ll ride one of those" looking at an airship just like the one from the ending (a take that seems very random otherwise), and the "the end" card has her aesthetics, all of that right after a speech that ends with "Our story isn’t over yet", I don’t even see it as ambiguous to be very honest.

Jayce says that Viktor has always been trying to fix what he deems as "imperfections", characterizing his lack of self-acceptance as what fuels many of his actions, which is similar to Jinx: labeling herself with the nickname that reduces her to her mistakes, a self-destructive way to take agency over her own self-loathing, and as "Silco" puts it in her hallucination when imprisoned, it became a box that confines her sense of self. Jinx and Viktor can’t handle flaws, one reduces herself to them in desperation, and the other wants to sacrifice everything else for "cleansing".

Jayce and Ekko stand opposite to Viktor and Jinx as contrasting views about the core of Arcane, very clearly put in Viktor’s speech at the end of Act 5: The good and the bad often come from the same source, be it in the sense of emotions, intentions and the capability for them or in the form of cycles and causality, opposites are what enable each other, and this friction is what makes us human even in the most basic level, like trying to balance reason and emotion. Viktor and Jinx see this negatively in their own ways, while Jayce focuses on how this makes us human, and Ekko focuses on how even with this conflict there’s always space for the good to flourish, the basis is pessimism vs optimism in the face of the world’s inner workings.

Ekko here also stands opposite to Caitlyn’s words to Jinx, about how there’s no way to erase your mistakes (another unhealthy way of dealing with imperfection), which reenforced an idea Jinx already had and surely enabled her suicide attempt (that also carries her hopelessness for the state of the world in general, as framed in her hallucination with Silco saying the cycle started way before him and Vander).

When Ekko comes to stop her, he carries with him the fact that things didn’t have to be that way, that there’s still a human being beyond the storm inside Jinx’s head. She notices the monkeys on his device while he says that "it’s never too late to build something new, for someone worth building it for", just by that she at least understands that she has something to do with Ekko’s words, and that to him she is the one worth building something for, like Vi is to her, and ultimately it’s for Vi that she comes back (she tells her "Even worlds apart, I'll always be with you", implying that Ekko did told her what he lived and she's carrying all of it with her). As always human connection is the key to everything she does.

Her conclusion is bittersweet: She’s able to get rid of the "Jinx" identity, to take a leap forward while leaving some things behind, to search for a new path... But she doesn’t think she could do that in Zaun or Piltover, as she noticed Vi will never let go of her, and there she’s already a symbol with too much history and mistakes, she breaks the cycle of conflict not by dying in a literal sense, but by leaving her old life behind and starting anew, far from the rotten soil where she grew in.

This also parallels the alternate Powder’s conclusion, she says she doesn’t want to “lose what makes her herself” (talking about the life she had at that moment being what keeps her from using her talents for greater things), but when witnessing Ekko’s departure, everything they talked about resonates in her heart. To me the take of the gemstones she has kept implies that Powder will use them to fulfill her potential, accepting to take a step beyond the “identity” that became a box, and accepting reality’s imperfection of this step having a cost. “To take a leap forward you have to leave some things behind” really summarizes the conclusions of both of her versions.

Jinx’s decision of trusting her own potential to help (a direct contrast to her trauma of always ruining everything when trying to help) is what allows Piltover to resist, and for that and her bringing more zaunite forces, Zaun ends up receiving a seat at the council.

The social struggle isn’t over, it isn’t that simple (and to somehow end it the show would need way more seasons focusing solely on that, this is not a story about a cathartic revolution for a model society, even with the critiques of how things are being essential), but Jinx did manage to help Zaun get a louder voice, a better path to the future than by Viktor’s "cleansing", and politically a more realistic step considering the story’s scope and focuses (and how things work on our own world, with all the unfairness that comes with it. The final speech makes it clear that the remaining problems are treated as problems, they don't need to be thoroughly solved to be framed critically, one of the main messages is exactly how things will never be perfect but that doesn't mean that they're hopeless).

Viktor’s mistake was trying to erase everyone’s identities as a way to eradicate the existence of flaws, Jinx’s mistake was confining her identity to flaws, when both of them become able to accept imperfection as part of their own humanity and look at a possible future despite of it, they achieve the necessary balance in their hearts.

Arcane is bittersweet, full of opposites that rarely get everything their way, an ending that’s fully happy or fully tragic wouldn’t fit as well as this one did. I loved what we got and can’t wait for this team’s next project exploring this universe.

[rainbow-beanie]

Going back to shadow generations to talk about an interesting detail involving Gerald’s journal

After reading through all of it, on the back is the symbol of eggman, declaring it property of the eggman empire. Now when I first saw this my first time watching a playthrough, i could feel my heart drop. Cause even if death Gerald’s still getting things taken away from him. And yes I know eggman is also a robotnik, and Gerald’s nephew (or great nephew? I don’t understand the logistics of the robotnik family tree) but I feel like personally if Gerald had a say in the matter, he would have given his journal to shadow, since it’s shown he thinks of shadow as his son. While he sadly probably didn’t end up meeting eggman while on the ark.

But after seeing this specific memo in sonic frontiers, I can kinda understand why eggman would have wanted to take the journal for himself.

I have to wonder what it was like to be in a family with an ill family member, of course Maria would have gotten more attention since, for lack of a better way to put it, her health was more important to his family than whatever eggman was doing when he was…..what, in his teens and possibly in college? With his high iq, I wouldn’t be surprised if eggman got to go to college early at an early age. But perhaps one of the reasons he pushed himself was cause he wanted to show his family how great he was.

That is until his family inevitably got the news that Maria, his cousin, had been killed during the raid on the ark, and his grandfather was put into custody. So his family was now grieving the loss of Maria, and most likely wouldn’t have been in the best mindsets to listen to eggman once he came home to talk about the accomplishments he had done, only to be swiftly shut down, with them yelling about how selfish and insensitive he’s being after his cousin had been killed. Yeesh

So with all that in mind, I feel like the reason why eggman had stolen Gerald’s journal from G.U.N was so he could finally figure out what was so important about Maria and hs grandfather’s research. There’s looooooots of ways you could interpret this, and I think it’s rather fascinating from a lore perspective.

Also yeah, I feel like shadow would be beyond enraged upon seeing his symbol on the back of Gerald’s journal, cause to him, the journal wasn’t his to keep.

Hhhhhhhhhhhhh. How can just a simple detail say so much!? Without the egg memos, eggman having had possession of the book probably wouldn’t have had such an emotional impact.

[only4soo-won]

The irony is Soo-Won’s being called out as *selfish* by the 2 ppl who are way more selfish than him. Here's the thing: Soo-Won has never given a damn abt his own happiness or well-being. He's always ready to sacrifice his everything, literally everything for the sake of his ppl. That's why he sacrificed his relationship w the 2 dearest ppl he had after losing his parents. Now if u argue that Soo-Won did that for revenge than we also have to consider the fact that he's ready to accept any sort of punishments, be it his death for that deed. It's bcz even tho he understands that him killing Il was a necessity, he wasn't righteous for hurting Yona. A selfish person would never think of that way, they would hurt themselves, let alone sacrificing their lives.

Now for Hak, bro is like: "I'd burn down the whole world if it means my loved ones are happy". He never gave a damn to his surroundings when he was a general, as his beloved Yona & Il were living peacefully. Even now, he tells Soo-Won that he could never make sacrifice for the sake of the greater good but indirectly expects Soo-Won to do that. LoL

And for Yona...she literally damned thousands of ppl for 2k damn years just bcz she couldn't bear to lose her found family. And the last chap, when the dragon gods demanded her in exchange for ending the misery of the dragon warriors, she outright rejects to sacrifice herself for that.

Both Yona & hak can't bring themselves to sacrifice their own happiness even if it saves other...at least not till now. But Soo-Won got the selfish tag...LoL

I agree with @freewilllife that sometimes characters can be wrong or biased w their interpretation of a character, esp when the said interpretation clearly contradicts the already established fact in the story.

Ever since Su-Won made the decision to make Yona the queen and Yona heard of it from Hak instead of him, I've been quite curious about what they'll say to one another when they finally meet face to face again. I don't know, I feel like that encounter just going to be different from all the others, intense. Because both have acknowledged her as his equal, just not directly to one another yet.

First there’s a political side. Whether Yona wants the throne, whether Su-Won really wants to pass it down. There is also the emotional side.

Yona remained calm (though disgusted) when she commented that Su-Won was selfish, but that was still from a distance. Which is why I can't shake the thought that Yona could be absolutely livid if Su-Won actually manages to enter the chalice (especially if it's with some intention to "save" Yona and "sacrifice" himself like some fear).

If it happens, can we get a scene where she slaps his face? Tells him to snap the fuck out of it? Stop making all these selfish decisions for her? To not put her on a pedestal and be so suicidal all of a sudden? That she's not a damsel in distress who needs saving, that she'll find a way to make the dragon gods to understand? Because such a scene will actually be a good subversion of expectations. Kusanagi has done it before, so this would be a great opportunity.

I mean Yona's already said it in her mind. "Don't you dare die as you please. Rely on those around you." She even said it to Hyu-ri. She just has to actually say those words to Su-Won himself.

Yona did disappoint me in the recent chapter because she became quite literally a damsel in distress (how else are we supposed to describe her in that scene), but a hypothetical scene like this would make up for it. It would return her agency. And honestly I've been dying to see a scene where Yona just lets all the resentment out instead of constantly suppressing it for the country or because she wants to be the better person. The dragon gods said she was also selfish, so let's see that side show a bit more.

[scorndotexe]

not that my relationship with my mother has ever been particularly good and simple but i do think it's going to get worse soon

[kelocitta]

In honor of the @rw-ship-showdown I wanted to write about Artihunter as someone who jokingly slapped them together pre-downpour and still thinks they are actually very compelling. Just not in the super soft love wins kinda way (Although I get why people like that more) And the only way I know how to do that is talking too much so heres a far too long slug essay-

Obviously the slugcats don't offer a ton of characterization but theres not nothing to work with. Their stories, whether by their roles in it or the overarching themes do provide a backbone to work with. Even gameplay itself can provide a bit. (for some more than others) Hunter, to me, is ultimately a story about selflessness. The goal is to revive Moon, which is very much an act of kindness from both Hunter and NSH. But the weight of that action is much more significant for Hunter- Hunter is deeply sick. They're on the clock, and for all their skill in combat none of that will ultimately help them to survive longer than their body can hold out. Moon is a close friend of NSH but that means little Hunter- Hunter really gets next to nothing out of helping them, and ultimately pays quiet a bit spending their limited time alive fighting to deliver that neuron so that someone else can live.

To spend ones limited days on helping another, in a game that very much stresses the unwavering cruelty of the world and nature- is pretty notable. (And you could even say that Hunter being the Hardmode of Rain World adds another layer to this)

And then we have Artificer. A storyline that very much stands out to people as more… villainous (so to speak) than the other slugcats. Artificer's story covers a lot of things. Trauma, violence, revenge, etc. Revenge is a bit of a selfish desire- That need to see someone hurt as they have hurt you. A punishment that ultimately does not fix whatever harm was done- but feels good to see because you were hurt and now those responsible share that pain.

Artificer's actions are founded in that need for revenge, their pups killed for overstepping boundaries they didn't know existed. Is it not fair for them to be angry at that, to punish the scavengers for their violence with their own? Why should the scavengers ever be forgiven when they and their pups were not? And that's how you get that loop- Harm for harm over and over.

The original action has been lost in a spiral of violence for violence. And here stands Artificer- their very spirit scarred. Not just because they sought revenge, but because they never ceased trying to scratch that itch for violence as an answer. Artificer only has two paths for their story- killing the scavenger king (Someone who, really, has little to do with the original 'crime' of the scavengers, but represents an important individual to them- as did the slugpups to Artificer), locking themselves as karma one for good and spending the rest of their life chasing creatures that no longer even fight back in a warped sense of closure- or to dissolve themselves in the acids of the void sea because they're too far gone to find any real peace.

They can't meaningfully recover from that state, not alone, twisting in on themselves. Even if they halt their actions, they've been using violence as a feeble defense against their own pain- violence that no longer has any real direction or basis. Artificer gets no real closure from killing the scavenger king. All they can do is continue the cycle, or try to scrub it away. No real peace in a prison of their own making. So you have a creature, who even with a strict timer on their life- a body that will crumble to disease, spends its last bit of time on saving another. And another who was so caught up in the pain of loss that were eaten alive by their own anger, poisoned their own soul on such a deep level even self-proclaimed gods have no solution for them. What peace can they offer each other? For Hunter, its only a fleeting moment of happiness- of selfish love, before their own body fails them. A bit of indulgence in something for themself. For Artificer, its a single, comforting thread to ground them again, something tangible to protect and care about again. But thats a thread that will ultimately be snapped under the cruel indifference of the world. Hunters timer will tick down regardless of if it takes another with it. Its a tragedy- its doomed to end badly. Whatever good it offers to either of them to find each other will only provide the fleeting comfort of a band-aid that will be ripped away too early. But all that can be worth indulging in anyway, if only for the moment. It doesn't change the ending, but the ending was never going to be happy. Its can so yuri

[merilles]

LotR Ladies Pt.2 💍✨

[art-is-kayos]

Sight of a Star - Blue-ish Star Ryōshū and Don Quixote

[sincerely-sofie]

It’s Narilamb fankid hours.

[caligvlasaqvarivm]

Do you think if the trolls all came back, like everything in the main comic did happen and they were alive again. Do you think Feferi would actually forgive Eridan? Or want to even be his friend after everything? I don't personally like the erisol and fefertasprite interaction…felt rushed…..so I just wanted to know your opinion if things were different! :)

Yeah, I think they would be! Feferi is one of the trolls who takes dying the least badly (relentless optimism) and Eridan does genuinely feel bad, which means a lot when it's Eridan. I think she really is genuine when she says she wants them to be friends and also that she's really not the type of person to hold a grudge, and like... death is SUPER cheap in Homestuck, it's really not the horrific, irredeemable, irreperable damage that it is IRL - and if you're talking about (Feferi) and (Eridan), then they're both dead (and irrelevent) now, so the score is kind of even.

In general, the fandom - I mean, people in general, really - tend to have difficulty divorcing themselves from other people. We tend to assume that the people and characters they like will hold similar opinions to themselves. This is how people who like Karkat and don't like Eridan can mentally gloss over or even block out their clear, close friendship, or how people who dislike Cronus can end up overlooking that Meenah actually takes his opinion seriously and unironically defends his wizard thing. Feferi really isn't mad at Eridan or upset about dying the way we probably would be, because she's friends with the horrorterrors, relentlessly cheerful, comfortable with death in general, and death is also just not really that big of a deal in this setting. "I'm really sorry about that, that was shitty of me" is honestly probably all the apology she needs, especially if they came back to life anyway.