#this could have been so epic

[ganondoodle]

wait i just realized... the mastersword isnt even important enough to warrant zelda doing to such extreme lengths to repair it bc its NOT EVEN REQUIRED FOR DEFEATING GANONDORF

idk about you but the mastersword being not just this weak after all this but also not even required is like ... hurting the whole plot SO bad for all that zelda knew she was basically killing herself by doing the dragon thing ONLY for the mastersword, which isnt even needed to reach the end why do the dragon thing at all??? she could have put it in some other divine place for it to recover (she knew where the springs are, she knew where the krog forest is, heck she even knew where the forgotten temple is BC THEY WERE ALL THERE* and im not going to belive any of them came into existence afterwards), in botw it took 'only' a 100 years to regenerate the damage it took in botws past which, while not as extreme as in totk, was pretty bad! yeah it gets outright broken in totk but like ... really? far over 10 000 years to recover it? through ZELDA? one of the most divine being IN THE FORM of one of the most divine beings aside from the very gods themselves?? whats the use of it being able to regernate if it takes THAT long?? feels easier to forge a new one for that matter?? and the excuse that "it needed to be able to resist miasma" is like .. why tho? yeah ok fine i could do the entire bossfight with JUST the mastersword, but again, its not required! i can do it with anything else!! and its doesnt cleanse miasma either, like the sword did in tp when you could do away the twilight stuff when it got the super glow stuff so its really like ... she did that JUST for the sword? really? the fact that her becoming a dragon is the way to get her back into her time isnt something she could have known and it working out like that makes it feel like a massive fail of the writers bc it makes it feel less like an actual decision she made for good reason and more bc its a decision the writers made bc the writers already knew where it would end, the writers knew shed be turned back in the end no problem so they had her do the dragon thing despite it being pretty senseless from her perspective

(wouldnt it have felt more in character and logical to put the mastersword somwhere safe where it can recover over all those centuries and search for a way to return to her time herself? like in these two games ZELDA feels like the more important thing that the sword, -zeldas prone to sacrifice herself for other- WHY! its better for everyone if you are alive rather than dead! you got to this time by yourself and also somehow not jsut shifted the time but also PLACE bc you sure as hell didnt appear in a cavern in the middle of the land, you have wielded incredible magic before and are a researcher, surely theres some way for you to at least TRY to return on your own?? how cool would it have been to find little markers and spots where clearly she has left you some sort of message, maybe like a way for you to do something that helps her in the past, USE THE WEIRD ASS TIME BUBBLES FROM THE TUTORIAL AGAIN!! send back something she needs to return! go and talk with impa and purah to determine what shes trying to tell you, help her along the way and in the end she makes her triumphant return, having grown and learned with what she did instead of regressing her chaarcter to the big eyed maiden that you get as a reward at the end through unsatisfying bs reasons and hurray she doesnt even remember, perfect little fairytale of no consequences wahoo- im salty about this let me be salty-)

you can absolutely combine a free to explore open world with good story without restricting it by much, like locking the bossfight behind aquiring the mastersword doesnt feel like that big of a change and its not making it a whole lot more linear, most people do it anyway right?

(also a thing im doing in my rewrite of it is locking certain things for some parts, it just makes sense if you are trying to tell a story, but its pretty clear now they werent trying to do that, just throw you into a box of virtual toys, and i think thats just sad)

*yeah actually whats up with the sonau/rauru putting their little nuclear super weapon storage room inTO THE ANCIENT RELICT OF THE FORGOTTEN PAST TEMPLE BEHIND THE BIGGEST STATUE OF HYLIA IN EXISTENCE?? you cant tell me all those ancient ruins (springs, forgotten temple) were made AFTER all of the shitshow that went down in totks past; putting it behind that statue? building it into there feels incredibly disrespectful, maybe it makes more sense if you just see it as the devs wanting to put somethign new there, but if you consider it in universe its just ??? also HOW is any of it in such a good shape??, it looks like they buried sonia there a year ago, the structures look like they just came out of a 3d printer despite supposedly being older than their recorded history??

on that note ... how does the room with the order and location of zeldas tears make sense .. are you telling me someone of the past ran around after dragon zelda recording where her fucking tears went down and what markings it made on the ground and then built a room next to the nuclear weapon storage room with the laughably unceremonial grave of the fucking queen just to put all that into statue form? also none of the geographical things changed in ALL that time?? the castle is drawn on there too so i guess that was super fresh then since it "was built above ganondorf as a symbol of royal blahbla" at least in botw you had the photos on your SHIEKAH stone to recover them once you found the place they were taken in, it felt so organically integrated ..

[letsplaythermalnuclearwar]

Homer!Odysseus and Epic!Odysseus would try to kill each other if they ever met

[ilynpilled]

still love the way grrm decided to write this so damn much. other than the obvious romantic undertones of it all the “so he did” is so terse and simple and blunt as if it is the most straightforward and obvious thing in the world for him. jumping unarmed into a pit with a live bear to try save this woman is the most sound thing in the world. wanting her is the most sound thing in the world. doing the right thing is the most sound thing in the world. there is no justification for even a blink of hesitation. so he did.

[hinata-boke]

tiny birthday boy doodle!!

[crystal-lillies]

honestly the fact that sam's voice was watery and wavering, and matt started to lose his composure and started tearing up because HE KNEW like we all knew too what sam was planning on doing and then. g o d . that last speech.

everyone fuckin crying. all of us behind the screens crying. god fucking damn it sam you fucking did it again but

I want to SCREAM!! not FCG!!! BABY BOY ONLY JUST FOUND OUT WHAT BEING ALIVE MEANS AND HE PULLS AN IRON GIANT AND AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA SAM FUCKING RIEGEL YOU TRAGIC HEARTBREAKING MANIACAL GENIUS

[brbarou]

she moves around!! she's real!!!!

[kattortillas]

actually so obsessed with odypen like. wdym you havent seen each other for 20 years and have no way of even knowing if the other is alive or not. wdym you two are so desperate to get back to each other nonetheless - each pushing their limits of what their morals are and what their duties should be. because they are just that in love like SHUT UPPPPP

[sasakisniko]

Veronica Mars could have started with Veronica vowing never to get married and ended with her marrying Logan Echolls. That is, if Rob understood the beauty of the story we were watching and weren't so desperate to force it to become the grimdark story he couldn't tell on the UPN.

[nightmarearian]

blood dripped from Poseidon's mouth, red.

red.

the day they overthrew Kronos, child-eater (stomach acid crawling around them, after maw of teeth grazing his small, child body), his golden ichor bled red.

god blood, degraded into a mortal's.

the day Typhon, father of monsters (as big as their father was, as big as the Titans with sharp claws and teeth) ripped out Zeus' tendons, his blood was red.

Poseidon, god of the tides, son of Kronos, looked up at the dark shape stood above him, his own golden trident in his hand, the teeth like prongs drenched in red.

Odysseus is a mortal. was a human.

sharp webbed ears spread out on the side of their head, scales grew around their neck and arms, shining like a coral reef, illuminated by their growing red eyes, that were shrunken to slits.

Odysseus' teeth glinted in the lightning, showing their unnaturally sharp point.

monster.

[seeminglyseph]

Apollo's entire vibe in God Games feels like "Dad Said I Had to Be Here" and I feel like that's so Golden Child of him

[sea-buns]

I truly cannot believe Scylla when she says ladies never come to her shows. Hell—not even when you lured mortals? You're telling me you never drowned a single woman? Bullshit.

And on that note, a hades protag has never been less relatable than Melinoë's distaste for Scylla. Catch me belting along with every battle. Odysseus knows what's up.

[babyloniastreasure]

something that kind of bothers me about modern feelings toward the epic of gilgamesh is how it's been COMPLETELY watered down to being "gay". Bear with me as I explain.

this is more of an extreme example, but I see this take all the time (not the yaoi part. the gay lover part). it's boiled down to the fact that it's gay over literally anything else in the epic. Gilgamesh's lament to Urshanabi about Enkidu's loss is overshadowed by the fact that Gilgamesh is mourning his gay lover. Gilgamesh is on a journey because he lost his gay lover. Gilgamesh and Enkidu were gay.

Now I understand that with a modern lens, people tend to lock on to how unabashedly Gilgamesh mourns Enkidu, because it's gay and because it's the oldest written epic in human history. People feel deeply connected to the idea that people like them have been around since the dawn of literature. But placing exclusive focus on the nature of the relationship as gay, rather than why the relationship or its loss was important, erases the story the epic is trying to tell.

The Epic of Gilgamesh is a story about love, yes, but it is not a love story. It's about the fear of death, coping with loss, and desperation to stave off the inevitable. It's about the bonds of friendship, about hardship, coming to terms personal change and losing pieces of yourself as you learn and grow. It is about consequences, arrogance, death, second chances, mourning, yearning, loving and LIVING. The Epic of Gilgamesh is about the entire human experience and one man's struggle to accept it. What does it mean to have lived? What does it mean to have loved, and lost? What does it mean to die, and to be remembered? What does it mean to be human?

It is perfectly okay to find appreciation for the Epic because of Gilgamesh and Enkidu's relationship. But also understand that the world's oldest story is not about two gay men who loved each other. It is a story about being alive.

TLDR;

[weapon-xox]

may i request a cherik drabble?

en sabah nur doesn't recruit erik to his cause, he recruits charles, who is still heartbroken after the beach divorce. Charles follows en sabah nur, erik and raven find out and they're devastated + worried + want to bring charles home.

💕

Charles was his messenger.

Arguably, he was the strongest of the horsemen, but Apocalypse was using him as the fucking delivery boy. To send a message out to the people, spoken from his lips, transferred through Charles. Threats, warnings, to the people that their lives were about to become the survival of the fittest.

Let the best man win.

Magneto had been panicked, searching everywhere for Charles with Raven by his side. Thankfully, Hank had caught wind of where Charles was located, and the pair headed there immediately.

"Why would he do this, Erik? It just... It doesn't make sense. This isn't like him. Think he's brainwashed?"

He's still upset, Erik thought, but he kept that to himself.

When they'd reached Charles, Erik felt so many things. Relief, pain, anger, betrayal. Ironic, really, that after all this time Charles would be the one to turn his back on the mutants, the humans.

On him.

"Charles!" Erik cried out, thankful to see Apocalypse was seemingly no where in sight. He wouldn't have long to convince Charles to come back to him, to remind him that this isn't who he was, that he was still the same man that not long ago wanted peace and prosperity between both human and mutant alike.

Charles must've heard his thoughts, because suddenly Erik couldn't move, frozen in place, forced to plead with Charles from a distance.

"Let him go!" Raven yelled, running towards him, but Charles picked her up and threw her hard against the ground, far away from the two.

Charles focus on Raven had made him slip from Eriks mind, and he used the moment of freedom to move closer, quick and quiet, and by the time Charles noticed he stopped him again.

From this close, just feet away, Magneto could see that Charles was crying. Those brilliant eyes, red and puffy, his cheeks colored a spotty red from how hard he'd rubbed at them previously to hide the evidence of any tears. Erik wanted to hold him, soothe him, and tell him it'd all be okay.

Can you hear me, Charles? Erik thought, then added,

nod if you can hear me.

Stubbornly Charles didn't nod, but his eyes flickered away, and that was enough for Erik to keep going. He wanted to look back at Raven, make sure she was okay, but he still couldn't move.

I know you're hurt. I hurt you, I took away something very important and for that, my old friend, i am sorry. From the bottom of my broken heart. I did a lot of bad things, and I can admit that.

Charles wouldn't look at him, but Erik could feel his mental hold on him slip. Good, this was good. He kept going.

But please, my love. This isn't the way to get your revenge. If you want to kill me, then do it, if it will keep the entire world safe from you either getting them killed or killing them yourself, then please. I'm begging you. I hurt you, not the world, me. Kill me, Charles, do you undertand? Fucking kill m-

"ENOUGH!" Charles screamed with a sob, letting go of Erik with his eyes squeezed tight, gripping and clawing at his head, as if that could get Erik out of his mind.

"Charles," Raven coughed, holding an arm to her chest while limping towards the two, her blue body looking roughed up. "We love you, we miss you. Please, let us take you home... Let us help you stop this guy, is this really worth it?" Her voice was broken and rasped, and she coughed again, taking a deep breath in but finding it hard to do so.

"Everything you worked for. Everything we all fought for. What, does that mean nothing to you now? You're angry so you're going to take it out on the people weaker than you?"

Charles groaned, shaking his head rapidly, sobbing. "Get out of my head. Get out of my head!"

Raven shook her head, taking a single step, and Charles had her pinned flat to the ground with a thought.

"She's not in your head, Charles." Erik growled, growing angry, and Charles didn't stop him from stepping in front of him. He didn't stop him either, when Erik pressed a hand over his heart, and leaned in close. Charles let go of Mystique.

"Raven needs you, Charles. Your X-Men need you. The world and, if it still matters, I need you. I know I fucked up, I do, and I can never fix this. But if you come home, with me, and Raven... I will try, so hard, to get you to forgive me. And if you don't, I will leave, Charles. Forever. You won't ever have to see me again, but please. Spare everyone else."

Something switched inside of Charles. Maybe it was Eriks pathetic begging.

No.

No, it was Eriks pleading, for Charles to do the right thing. To remember who he was, what he stood for. Erik was right, he knew this, that if anyone were to be punished it should be him. For all the wrong he's done in this world, for all the people he's killed.

Despite all of Charles' begging. Pleading, for him to stop. It actually made him laugh now, and Erik looked hurt.

"Funny, isn't it? Why, I feel like I've got deja vu..." It didn't take a genius to understand what he meant.

"This is different."

"Is it? You believe that?" Charles laughed louder, throwing his head back to add to the theatrics. "Because actually, I don't think it is. Not one bit."

"I can't kill everyone with a single thought," Erik reminded him, and Charles just smiled, still so pretty despite how ugly he was acting.

"No, but if given the chance you would."

"Not everyon-"

"Ah! Silly me," Charles snorted, tapping a palm against his head in mock disbelief. "That's right, just the humans. That makes you so much better than me, darling, you're absolutley right."

"Don't-" Erik tried, but Charles brushed him off, literally, a flick of his hand had Erik flying back away from him, landing on the ground with a hard thud. Mystique crawled over to him, put a hand over his, and let out a small whimper.

"I think we lost," she whispered, and Erik closed his eyes.

"I think you're right."

[tumblingxelian]

Fox Miraculous - Reimagined:

This is inspired by the fact its "illusions" cannot be seen by cameras. Rather than this being a weakness, its a reflection of the fact most users do not understand the fox.

Name: Trixx Animal: Vulpes Era: Caveasphaera Domain: Mirage and Manifestation Kindred: Horse (Action & Migration) & Butterfly (Transmission & transformation)

Mirage: The Fox is often mistaken for creating illusions, but this is not so, in truth it creates what can be described as hallucinations within a certain range, altering the perspective of those within it to match the imagined perceptions of the user.

Manifestation: The power to manifest one's innermost thoughts, an image, ideas, or more via the Fox can also be applied on others. Just as the Turtles Shield can encase the user or a foe, so two an the Fox manifest a mirage based on the perceptions of someone other than the Holder.

Some Mages Thousands of Years ago: ... and this one lets the handler place hallucinations in someone else's mind, or even externalize their targets thoughts, manifesting them as a sort of shared mirage. Useful for trickery and interrogation.

Trixx, who just got here: Yeah that sounds about right.

(Maybe) Lila/Alya thousands of years later: So what you’re saying is I can use this to make people see the world as I do. That I am essentially eroding the barrier between my perception of the world and theirs, imposing my thoughts, feelings and visions upon the target. Which could allow me to steadily warp and erode their sense of self and view of the world until its either the same as mine, or simply whatever I sculpted them into. Essentially allowing me to steadily overwrite an entire personality and perception of reality? With all it costs me being the risk of my own slower erosion of self as all those around me join together in a panopticon like hivemind?

Trixx & Some Mages Thousands of Years ago:

Note: One can try and reshape people over time, but one cannot always predict the results. So it could go really, really badly.

[backpackingspace]

Do we think odysseus's thoughts are almost stuck in quick thought from how often Athena popped up into his head? Because I absolutely do

[knight-of-aether]

Hyrule's gilded hero (who are you, really?)

Happy 10th anniversary to the most insane LoZ game ever conceived ⚔️✨

(shoutout to @crazylittlejester - your warriors stories and headcanons have fueled my mental illness for the blorbo in so many ways, this is dedicated to you <3)