#this can be before or after the last arc of the comics

[mobianresistance]

Claire had kept to herself throughout most of the holidays, the time-displaced Diamond Cutter opting out of the festivities to reflect on her current place in the world, and her old friends who hadn't been so fortunate.

Currently, she was sat opposite a memorial for those lost in the fight against Eggman's forces, remaining quiet as she read the list of names inscribed upon it. Her focus would eventually drift to one name in particular... her own.

Claire was so lost in her thoughts that she didn't notice the person approaching her...

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[unnamed-atlas]

Finally finished sweet tooth s3. Having incredibly mixed feelings

[angstandhappiness]

VERY INTERESTING

One thing I did like about the ending of Gotham War is that I feel like there's some potentially interesting analysis of Bruce's character to be had here, because I find this whole thing 1000% more interesting viewed through the lens of Bruce backsliding on his core classic issue: He's terrified out of his mind at how much he loves these people around him and he struggles with having relationships with people who have fundamental differences to him. I keep thinking of that Tini Howard quote about this arc and about how it's not about whether or not Bruce and Selina can get together, but that he doesn't really know how to agree to disagree with someone he loves when it comes to something deeply foundational to him. And I think that's the entire point of including everything with Jason--that it's Bruce at a low point, after too much stress coming too quickly, too many major psychological pummelings over the last several arcs, and hitting a point where he can't deal with shoving aside his fundamental disagreements with Jason anymore. But he can't just write Jason off either, because Jason is his son, so his ten simultaneous mental breakdowns all get together and decide that the only option he can live with, is to try to force Jason out of this life. That's why he tries to talk himself into forcing Dick and Tim and Damian to be caught by the police, so they'd be forced out of this life. That's why he crumbles in an alley and tries to talk himself out of loving these people. Because he doesn't know how to agree to disagree with them and still keep loving them, keep having a relationship with them.

Because everything that happened with Selina, that he really let himself believe that he could be with her, marry her, and still be Batman, that really fucked him up and I think Gotham War is more of the aftermath of that. That's how I'm (admittedly doggedly) interpreting the bit about Selina and him being the "parents" of this group, despite that Selina was never in that role--I think Bruce wanted them to be the "parents" of the group and let himself believe in it and, when it went pear-shaped, something in him backslid terribly and now we're all here. "I'm okay with me not having happiness." is a direct call-back to Bruce in the car with Alfred on the way to the wedding, asking with surprising vulnerability, "Am I allowed to be happy?" He opened his heart and got hurt again and it's been stewing for awhile and so much has happened since then--Zur-En-Arrh, Tim getting his throat cut, Dick coming to cheer him up after Selina and getting shot in the head and Bruce almost losing him, Failsafe, Insomnia, everything that's going on over in Gotham Nocturne, etc.--that it fractured something in him and the cracks have finally grown deep enough that it fell apart in this story. So now all of this is just mounting tragedies to him. Which means he can't stay connected to it because he's too afraid of losing them and he's unwilling to try after what his fracturing led him to do. He can't stop them from living this life, despite everything he tried. He can't stop loving them, despite how hard he tried. So, all he can do is walk away before he gets hurt again, trying to leave everything in Dick's hands. Dick who is "better than Batman", who is better than Bruce. That he wants Dick and Barbara to be the "parents", because that's what he was trying to be and felt he failed at it, like to me this ending isn't really resolution, this is a low point for Bruce as a character in his bigger arc, because I think Batman's character arc always has to come back to his trauma of losing his family when he was young, working to let a new family in, coming to love them, and struggling against how much it terrifies him that he might lose them, too, because he doesn't think he can survive that kind of pain again. He'll still be in Damian's life, still be Batman and Robin there, but I think he's making an exception there because so much of it comes back to being able to live with fundamentally disagreeing with someone--Dick and Jason and Tim are adults, he can't tell them what to do anymore. Damian is young enough that, even if they clash, he's still directly in charge of raising him.

Zur-En-Arrh does hang over this entire storyline, he's part of what's taking up too much space to allow Bruce any mental breathing room, but fundamentally I see this storyline as part of Bruce's issues: That he's terrified of losing those he loves, but he can't control them, he desperately tries to and it doesn't work, and he can't live with them taking different paths from his ideals, so he walks away, rather than get hurt further. Bruce is probably going to dig himself further down into this hole and he's being incredibly dumb about it, but I can see how this fits all things that he has always struggled with--and sometimes he loses that fight against himself. This event wasn't really about fighting with Selina or Vandal Savage or even his kids--this was Bruce's love versus his fears, and today his fears won.

[tiredsmashbros]

SMG34: LIPBITE COMIC WIP UPDATE

oh boy... i know a bunch of folks are hyped for this comic... and boy oh boy are ya'll's prayers going to be heard... kind of... butt for the celebration milestone, and granted majority are from this comic, i thought it was best to give EVERYTHING that i have currently.

starting off STRONG with what you freaks most want: the completed pages. andddd yep that's it that all that i have done LMAO. i've been fixated on my own smg4 oc: tsb, and during the end of my summer was unfortunately fucked over by some personal issues that fortunately got resolved last minute good grief the anxiety prevented me from drawing the gays sigh... aNYWAYS LINEART WIPS!!!!

here are linearts i have completed / in the progress of!! want to aim like i did in the past by finishing up lineart first, and then speed through with color + minor rendering. the reason i have a few colored is to test out what it would look polished and my god... i have improved A LOT. THESE GAY PEOPLE GIVE POWER I AM NOT KIDDING BELIEVE ME IM NOT CRAY- anyways onto wip pages!

jumpscare: tsb stickman sketches. oh yeah. this is how i sketch and i blame sensei eiichiro oda /j. and in case anyone is unable to understand it {i don't blame u LMAO}, smg4 wakes up from the dream and is startled to see mario by his bed. they have a short convo before mario leaves, and we get a job to smg4 in the bathroom trying to put up a brave face. until the moment he leaves he's stunned due to seeing smg3 at his front door. will i elaborate more on specifics or unwritten dialogue? NOPE! gotta keep secrets to make it even more enjoyable at the end!!

currently at 13 sketched pages total, but this is probably gonna be reaching towards 20-ish pages, surpassing part two, but it will depend on how i come up with how to end it. additionally to confirm there will be a PART FOUR / chapter 3, to end this story. my goal is to have it done before i finish my senior year, or at least during the summer after i graduate bc good lord who knows whats gonna happen.

and lastly, before i end this crazy update, SCRAPPED PAGESSS!!!!!

CONTENT WARNING : NSFW SKETCHES !!!! PLEASE LOOK AWAY IF YOU ARE A MINOR OR DON'T LIKE THIS TYPE OF STUFF!!!

oh boy... dont draw comics while sleep-deprived at 6am... idek what i was even aiming with this ngl other than just for fun, but i scrapped it due to not being what i had in mind for the story. if it doesn't serve a purpose or narrative, its bye bye YEAH BYE BYE THIS IS THE CLOSEST NSFW UR GONNA GET FROM ME HAHAHAHAHA- i say that despite writing a nsfw jojo wattpad smh im only confident doing it in words good lord. btw not watermarking these bc i gen don't care since they're legit scrapped {left top part was kept and completed} so idk what to do with these. im just throwing it and walkin away

now to end with this update, i can hear your question, "when will this be done?" and to answer that question: i'm not entirely sure due to my heavy focus on my smg4 oc: tsb, but my best chance is postponing my oc lore a bit and complete this before november UOIYGJDSIUHJKDWSXYUGHJKCS but we shall have too see...

if you want to join the ping list comment on this post LMAO [click]

ignore below if you're not from the tsb birthday partydddjdhdhdjd

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thurs: smg34 is canon in the tsb universe / au. though most of their encounters are platonic or best-friendy-way, they eventually express their feelings to one another and start dating 3/4’s way of the tsb storyline arc. tsb is a supporter of his friend's relationship and admires and takes inspiration from their relationship heavily to input his future love life. yearning to be in a similar position... to learn what is to really love someone... or what it's truly like to be loved...

[theallyandhisbeast]

About bucktommy and 911 in general

You know, in the end, this just feels extremely cheap and cruel.

Showing bucktommy be incandescently happy in all the episodes but 8.6? Even in this ep you can feel how much they care and genuinely love each other. Audience was largely optimistic and excited about them, in a way we have never seen for other buck's LI.

Only to what? Throw it all away because you can't be bothered to write a satisfactory arc for them? Because Buck is the epitome of the guy who dates a lot but always gets broken up with? That to be able to decide if you want to be in a committed relationship if you are bi you have to explore first or else your decision is null and void?

What a way to waste potential and your characters arc.

The special thing about Tommy was that he was beloved by not only bucktommy fans, but GA, and most importantly he was a sort of representation we don't see all that much in media. People loved him because they saw themselves in him, they could connect to his journey and they were genuinely rooting for him to find love and family with Buck. To waste it all away, and to do so by basically throw at us all that we loved about them is unnecessarily cruel.

What hurts the most is that even buck and tommy themselves didn't want to break up. but instead they "must" because bowing down to harmful stereotypes about bi people who are "confused and so they must experiment before settling" is more important than telling a compelling story.

Even without bt break up, I feel like this season took a sharp dive for the worst about well thought storylines in a way that baffles him. Gerrard was reduced to a joke, as was Ortiz, both pgs that could have been used to create compelling arcs that intertwined the 118 even more but instead we got this cheap throwaway joke of a Gerrard, Ortiz was basically throw out of office in a single ep. Hotshot sl could have been fun but instead it's just.... there. And coming back too just for funsies, cause apparently that sl was more important to develop instead of a interesting queer relationship.

Athena once again doing copaganda. Bobby coming back to the 118 without any particular struggle or even guilt about dropping the bag. Things said in interviews that we expect to happen and never even made it to the screen (Eddie's loneliness? Chim and Hen having conflict over Mara? Buck feeling guilty about injuring Gerrard?).

The way Maddie cannot have any sl that is not either tied to a man or about motherhood. Madney having another surprise baby instead of them choosing on purpose to expand their family. Hen & Karen gaining trauma after trauma about their children and not having any other sl that is not tied to that. Josh just existing in the periphery and only becoming important as the "insightful token gay" but not having any type of meaningful screen time since Carson.

The other side characters like Sue, Ravi, Linda, Carla completely disappearing without anyone mentioning them. Ravi has not been given any important sl ever since he talked about having cancer and ever since reduced as a comic relief without anything to add to his character but he's a "landlord".

Chris is out of the picture for who knows how long, and is basically kept around to be traumatized over and over again. Eddie hasn't gotten any character development until first s5 and seemingly now, but i'd argue that the whole thing just felt rushed because what do you mean it takes one chat with a priest for him to do a 180° while he still isn't talking to Chris? And Eddie was the one who got the best treatment of all of them this season.

It's the way this show is slowly chipping itself away. It's the way they start a queer story line promising it would be impactful and handled with care and then half-assing it a best. It's the way the other queer characters are never explored and able to breath and revel in their queerness in the first place. Because, really, when was the last time Hen and Karen kissed on screen? When was the last time they went on a date? When was the last time their arcs were not about children or getting hurt, but just about them as individuals? And on this thread what about Maddie? Or Josh? Or Chim? Or Eddie?

Everything feels reused again and again and again without no real development than then starting the circle all over in half a season.

What a waste.

[thewertsearch]

The two last trolls alive, blood of rust and royalty, will make each other pay for the crimes against their race. Their payment will be mutually dealt in the currency of punishment and reward at once. The Condesce will be rewarded with the power and immortality her new service entails, and punished by the grueling slavery for which it is synonymous. And you, young lady, are to be punished by death at the hands of your replacement. And so too will this be your reward.

As a villain speech, this goes pretty damn hard.

There’s also a smug air of detached satisfaction to it. Scratch is the one who really deserves to pay. He’s the one who's been perpetrating crimes against their race since its inception. But he’s completely untouchable, so he’s free to sit back and narrate the fight he goaded them into.

It also illustrates another parallel between Scratch and Hussie. Technically, Hussie is the ultimate cause of all the suffering in this comic – but at the same time, he can’t be ‘held responsible’ for it. That wouldn’t make any sense.

Similarly, if Scratch was called out, he’d say that he’s not causing any suffering, he’s simply 'facilitating the inevitable'. It wouldn’t make any sense to blame him, would it? He's only the narrator of Homestuck's plot, after all.

...speak of the devil.

I've been watching Hussie's progress through the mansion, but he hasn't done anything noteworthy so far. He did refer to the Ancestor backstory as ‘fanfiction’ at one point – but for my own sanity, I’m going to assume that was just a tongue-in-cheek meta joke.

Perhaps you wish to know the history of the clock, and how I came to possess it? Yes, I can see the sparkle of curiosity in your eye. It's a marvelous tale, one almost as long as it is verbosely told. Where do I even begin…

Looks like Hussie’s about to attack Scratch before he can explain the clock’s backstory - which isn't quite as bad as if he'd interrupted the Ancestor lore, but I was still hoping to learn about the origin of this artifact. A God Tier resurrection monitor seems like it’d be useful to have around.

If I have to put up with one more smug meandering interlude in my own story I am going to crack your head open and serve you a heaping bowl full of your downy soft puppet ass. How do you like that for hospitality, Doc?

...I’m having a little trouble interpreting what’s happening here.

What does it mean for a story, when the metaphorical author is accosted by the actual author? Is this just Hussie’s way of signaling that the Scratch Narration Arc is over, and we’re going back to regular programming?

Furthermore, is this even a ‘real’ event? Is Scratch’s grand plan seriously being foiled by Hussie, and not the actual characters of Homestuck?

And what the fuck does Kid Handmaid think about all this?

How do you react, when your invincible, immortal abuser is finally brought low by some random alien who appeared out of nowhere, ranted about puppet ass, and proceeded to dance a little jig?

[tizeline]

Ahhh waiiit!!! Is this some really fun like foreshadowing stuff (though we already know the foreshadowed stuff) where you put Leo and Raph facing away from Draxum to symbolise them turning on his ideals first????? And like Leo is in the shadows cause I guess he‘s really formed his own opinion about Donnie and destroying the humans while Raph doesn‘t share his beliefs but still follows him!! And Mikey is facing Draxum symbolising that he and Drax are still gonna pursue their dreams of getting rid of the humans?? Is that what this is?????✨

You're like the third person so far to point out the potential foreshadowing in this panel, which lemme tell ya, is very funny considering it was basically entirely unintentional on my part! XD

BUT!!! I am a firm believer that the audience can find meaning in a piece of art regardless of whether it was intended by the creator or not, and I'm honestly loving your analasys because dammit it works!

That being said, I drew Mikey looking to Draxum for reassurance, while Raph remains more internally contemplative because I thought it fit their personalities. Then again, their differing personalities obviously also effect their actions later on in the story when they're forced to confront their flawed ideology, so in that way this panel kinda naturally parallels their whole character arcs?

NGL, I very much threw Leo into the panel last minute haha. In the panel before, he was still sitting on the ground-

-and the way I drew the perspective in the following panel led to Draxum blocking the view of him. But then it felt weird that he was the only one not visible so I squeezed him into the background right at the end lol (I guess he decided to stand up or whatever). As a result, he's not as clearly visible, but it does kinda work in my opinion. Both in the way that you pointed out, him being turned away from Draxum foreshadows to him turning his back on their mission. But my own thought process when drawing him this way was less metaphorical and more focused on wanting to portray Leo's current emotional state. Leo is arguably the most upset about Donnie rejecting them, which is why he after this starts acting so hostile towards his estranged brother, and while I'm not putting a ton on focus on Leo's reaction specifically in this part of the comic, I still wanted to include it. All of this is to say, Leo is standing with his back turned towards the rest of his family and obscured in shadows because he's being angsty. Lmao.

ANYWAY, that was my actual thought process while drawing this, but I want to make it clear yet again that I absolutely love that you guys are coming up with your own interpretations because fuck yeah!!!

[thr0wnawayy]

Imo the League of Villains should have never existed from the main story of MHA. They were utterly unbalanced and were so flawed that no attempt of fixing could fix them.

I get where your coming from. I

I honestly believe the LOV really needed was time to grow away from the spotlight.

Think of the LOV as leftover pizza (I know, just stick with me for a minute)

Too long in the microwave/oven/pan and it tastes like hardback, too little and it becomes soggy muddled. There's a very specific way you need to do things and that's by not overthinking it.

Hori kept the microwave on too long and the LOV's potential evaporated.

From what I can tell, MHA worked best when it had a 'Villain of the week's type of thing going on.

This was most prominent and best set up with Stain, Stain's character/arc not only expanded the world of MHA but also brought up deeper questions about Hero society

What's most important here is that Stain didn't overstay his welcome. He rolled in, made every panel count and then went out like a champ. Affecting the protagonist and those around him.

He had an impact that's felt throughout the rest of the series (There is no Internship Arc in Ba Sing Se) not inspite of his short lived presence but because of it.

At some point, Hori lost this concept and the plot went with it.

I think the main problem with the LOV started after Kamino. Before this, every member has solid, or at least tangible ideals.

The Vanguard Action Squad was the LOV at it's most raw, not perfect but functional. They felt like people, when Spinner stops Magne from pursuing Midoriya, it feels real for the world.

Simply put the LOV (much like 1A) worked best as individuals, differing worldviews and all.

So when Hori robbed the LOV of their autonomy by practically wrangling them to Shigaraki, it in turn killed the LOV, because now nothing was individual about them.

If you want an example, how about Magne's death. Her last words are the very last time anyone in the LOV asserts any belief besides Shigaraki's own.

After this the LOV barely give any resistance to Shigaraki's plans no matter how short sighted or convoluted.

Kurogiri is outright sacrificed by the narrative so that Shigaraki finally has to step up.

Shigaraki's reaction to Toga's rage and grief follwing Magne's death can be amounted to: "Trust me bro, we're doing this for us bro, please believe me bro."

It's absurd.

As for being flawed, I'll assume you mean their motives.

What needs to be understood is that the LOV (Pre Kamino) and the PLF (Post Kamino) are not the same characters

Flanderisation is the phenomenon of a characters worst traits being exacerbated over a period of time until said character is unrecognizable from their original self.

This is what Hori did the LOV and he did this intentionally.

At some point he realized that the Villains actually had more of a point than the heroes, this likely occured after the MVA arc when fans began rooting for the LOV.

To counter this Hori sabotaged multiple characters and plots in a desperate attempt to justify his woolies and unfortunately for everyone who's isn't an abuser-stan (Enji and Bakuo). The rest of the cast and world suffered greatly.

What you ended up with are characters so detached from their origins that they might as well not even be the same characters at all.

There's an image somewhere that encapsulates this perfectly, it's a 4 panel comic with two stick figures (one black and one blue). If I ever find it or someone links it I'll be sure to upload it here

[biconickyoshi]

Been wanting to do some updated character model sheet thingies for my ongoing longfic The Avatar and the Fire Prince, so here they are! :) Up until now I'd only drawn Zuko and Aang, but I thought it was about time I added Iroh and the Water Tribe siblings to the lineup as well. Right now all I've done this for is Books 1 & 2, but I really want to get started on the Books 3 & 4 versions so I can add Toph and Suki (and possibly Azula, Mai, and Ty Lee) to the lineup!

As usual, for anyone who has not read my fic but is curious about the premise: this is an AU in which Zuko and Iroh discover Aang in the iceberg just 3 months after Zuko is burned and banished at age 13 in 96 AG, 4 years prior to the return of Sozin's Comet. It is also an enemies to best friends to lovers slowburn in which Zukaang is endgame (since Aang was released from the iceberg 3 years early in this AU, he is only one year younger than Zuko). This fic is heavily based in canon, so I try my hardest to ensure that everything is canon-compliant at least when it comes to lore and character behavior despite the different circumstances.

Book 1: Air's premise: after finding and capturing Aang, Zuko and Iroh are forced to escape with him on Appa when Zhao interferes with their plans to return to the Fire Nation. This Book focuses on Aang desperately searching the Air Temples for any remnants of his people he can find, dragging Zuko and Iroh along in the process. Eventually, Zuko starts to question everything he was raised to believe, while Iroh is forced to face the mistakes of his past.

Book 2: Water begins with Aang, Zuko, and Iroh traveling to the South Pole after Aang starts to have recurring nightmares about an impending attack on Wolf Cove (Sokka and Katara's village), and eventually follows my adaptations of several storylines from canon Book 1 before ending with the Siege of the North in Agna Qel'a. During this Book, Zuko begins to realize his feelings for Aang are more than friendship, while Aang remains oblivious (lol).

Book 3: Earth is the Book I am currently working on (the most recent chapter was my adaptation of "Avatar Day") and so far follows Aang, Zuko, Iroh, Katara, and Sokka as they search for an earthbending teacher for Aang - so far, it has followed the general canon plot of Book 2, though of course, as always, there are differences due to this being an AU. No spoilers, but I have some really interesting things planned for this Book, particularly as we get closer to the Ba Sing Se arc. I also have a lot of fun stuff planned for the Zukaang romance in this Book.

Book 4: Fire will be the last Book of the fic, and will of course revolve around the Gaang in the Fire Nation. This is all I will say for now since I don't want to spoil the plans I have for the previous Book (which will heavily influence what happens in Book 4, obv).

When I finally finish this fic (I'm about halfway through at 33/65 chapters), I plan to start writing a direct sequel that adapts the events of the comics, as well as a Korrasami-focused Legend of Korra rewrite fic that is set in the same AU as TAatFP.

[1000sunnygo]

People get really mad about this, but WHAT IF Corazon is alive?

I know I can really sound delusional after so many time (saw someone saying that if he did were alive, he would reappear in Dressrosa, but I think it would b too on top of the loop. Not Oda style). But WHAT IF!

There is a plothole for him to come back, we all know that. One piece characters don't die so easily. And when Doffy shoot him, what if he shoot the right spots so he brother doesn't die? Just like in One Piece Academy?

(probably failed not sounding delusional but)

So if there's a really tiny chance he's alive somewhere, with little memories maybe, wouldn't be a fun last challenge to Law?

Fight ur not so dead dad and get the One piece?

I think a heart wrenching aspect of Cora's 'uncertain' passing is that Law might've subconsciously waited for Cora during his stay at Swallow. Maybe 'silence' was dispelled because Cora san passed out? Maybe he survived gunshots like the countless wounds he survived before, and he was right about Doffy not having it in him to kill his brother? I've loved this comic for exploring this idea.

What if Cora is alive, though? I can indulge you a bit so people will think twice before calling you out next time 😎

Here's one in courtesy of Japanese YouTuber kayokky-ch. Back in chapter 49 during Baratie arc, the cooks described a customer like this, and it was never addressed afterwards :

Aren't these some wicked coincidences? Red eyes, wine addiction, bursting in flames - all points click.

Add Oda's tendency to keep people alive. Theories write themselves.

We have seen Whitebeard and Ace's fruit re-emerged, but Cora's is yet to return. Oda has a knack to work with old bits of information he spread around, especially with Saul's comfirmed survival, you can speculate other possibilities.

At least, the possibility isn't at 0%, so if Oda wakes up one day and decides Cora's incredible popularity deserves some attention... it'll be controversial but not a complete retcon.

A definitive proof in favor of Cora's death was the mariner's report and the image they attached to it. At least, Sengoku was supposed to know.

Unless you have a case where Cora was clinically dead for some time and then returned to life, and now Sengoku is keeping his survival a secret.

The theory above speculates that he might be "The man marked by flame", and that's why Law was particularly focused on when this mysterious person was brought up. I'm not sure what sort of agenda Cora would have if he returns. What's your theory behind Rosi possibly confronting Law, anon?

Personally, I've come in terms with the fact that Cora has died. Although, It's a shame that Law never got to return his "love you." Since Oda was somewhat involved with One Piece Odyssey, I like to imagine that Law's words to Cora here are checked by Oda himself. I thought they were very sweet.

Thanks for the ask!

[vaxxman]

Oh I'm sad to see people didn't like comic 7, I thought it was very well done.

This isn't an invitation to an argument, I just want to say my opinion because I'm seeing a lot of people criticising the last chapter.

We got a lot of answers and everything that seemed conveniently placed for plot was completely in the scope of how the previous stories have worked before. I thought it was funny that soldier lived in a cave of Australium. It's just as convenient as Medic having a deal with the devil and the mercs being unable to die. Or Grey Mann having a daughter who no one wants to punch in a fist fight. Or Sniper's parents coincidentally being involved with the sinking of New Zealand.

I think it was a very good choice to not let the mercs do anything plot driving in this chapter, because this conflict was never a conflict that could have been ended by the mercs. They wouldn't even have cared, heh. We've known that everything was carefully orchestrated by the Admin, so it could only have been resolved by those who are part of the bigger conflict. Hence Miss Pauling, the Admin and Saxton do most of the plot. Everyone else already had a lot of screen time in the previous chapters, but none of their stories were truly contributing to the actual conflict at hand, so the story can't come to an end until we actually see the person who's been pulling the threads actually come to terms with what she was doing. I'm very happy that her ultimate plan turned out to just be a pointless act of revenge, since we've all known from the start that the gravel wars are pointless. This is just one more dimension deeper into how pointless it is.

Managing to resolve the story and making sure all characters receive a happy end the way they did was more than I had hoped for comic 7. But just to summarise how I think everyone received their peace of mind across all comics:

1. Sniper: Finds out he's adopted -> figures out his step parents were his true family after all

2. Spy: Really wants to tell Scout that he's his dad -> actually manages to say the words, even if he wasn't honest with his appearance

3. Soldier: Delusional hater of commies -> marries a Russian woman and stops claiming racist things, because Zhanna as a person was more important to him than whatever he believed about Russian people. Still weird, not with less delusion but genuinely a sweet father and husband. Exaggerated and maximally silly way of how to actually change people's racist opinions in real life.

4. Scout: Upset that he can't get laid and thinks he has to be More Man -> glows up by becoming a dad who steps up and is less preoccupied with getting the girl of his dreams. His kids are what matters to him now and he becomes like his mom

5. Heavy: Worried about his family in Siberia -> his sisters show him they don't need him to protect them all the time and everyone moves to America so he can be with them. His sisters get to live freely.

6. Engineer: Is involved with the conflict since his grandpa, and is contractually unable to stop it -> tells Miss Pauling to sink all Australium in a trench so this never happens again

7. Saxton Hale: Wants to go back to the time when he was still actively doing things, gets his company stolen -> gets his company back but realises it doesn't make him happy. Leaves his company and joins Maggie again because fighting alongside her was what he's always wanted since we got glimpses of his past

8. Miss Pauling: Thinks the Administrator has a great plan that desperately needs her -> learns the plan was nothing at all and decides on the spot to end it by not giving Admin any more Australium because she realises she has been feeding into the conflict

Medic, Demoman, and Pyro never had a personal conflict to resolve. Medic had his moments to shine by sabotaging TFC and being in hell then coming back. Demoman had his arc with his liver leaving him and defeating the robots due to the alcohol in his blood. Medic scooped out parts of his brain to keep him unquestioning about his eye. Pyro is just a very simple character, and I say that with no judgement at all. Pyro is happy with arson, but also with a Dalmatian as their pet.

Everyone is still friends with each other and have their own little families. They come together to celebrate Smissmass at Scout's place. I think Saxton's last line "or do you want to live forever" was so well placed, being a nod to the meme from Expiration Date, as well as pointing out that, obviously, things have to come to an end we should embrace that ending when we see it's time.

And as always. If anyone doesn't like that any of these things, we are still free to make our own stories and reinterpret characters.

[hoippu]

Chronological ZoLu Fanfic Masterlist [improved]

Guide for people who want to avoid anime spoilers

you can check out the google doc for more updates on this list (There is a total of 53 fanfics on the google doc so far)

Hey Lover! by clouddq

-takes place when zoro is recruited -soulmates AU (pre-timeskip)

I’ll Take This Piece of You by lucerile

-One Piece Live Action -Pre-arlong park but post baratie -(pre-timeskip)

Definitely, Spontaneously by croissantmusain

-One Piece Live Action and regular one piece anime/manga -no spoilers -pre-timeskip

last year i abstained by Augment

-part 1 of a series -(pre-timeskip i think) -No major spoilers

this year i devour by Augment

-part 2 or companion fic of last year i abstained -(pre-timeskip i think) -No major spoilers

I Don’t Talk (I Kiss Things) by lostmagician

-One Piece Live Action -I guess there aren’t any major spoilers -(pre-timeskip)

to fail you would be to fail myself by yinyu_ink

-One Piece Live Action -(pre-timeskip) -takes place after Arlong Park

Found in the Crack of your Palm by The_Furthest_City_Light

-(pre-timeskip) -takes place from the beginning until somewhere after alabasta

catching butterflies by aquietdin

-(pre-timeskip) Takes place sometime between Skypiea arc but before Long Island arc. -You should also watch the G-8 filler arc because I think it’s referenced, but it’s okay cuz it is honestly the best and only filler arc worth watching. (G-8 is right after skypiea)

Gold-Tinted Days by needchocolatenow

-indefinite time period but brook’s there. there’s no spoilers

Ode to an ocean by novks (thychesters)

-(pre-timeskip) -Takes place right before water 7.

Chimes by drcalvin

-(pre-timeskip) Contains spoilers from Water 7/ Post-Enies Lobby.  -Takes place shortly after marineford I think. Maybe wait until the timeskip begins before reading this one just in case.

Unable Are the Loved to Die by BasicallyACat

-(pre-timeskip) post Enies Lobby up until sabaody -part 1 of a series

a Losing Game by Angelgotchi

-right after water 7 probs pre-thriller bark -(pre-timeskip)

greed by species_baby

-(pre-timeskip) Thriller Bark

Feelings, what a mess! by drcalvin

(post-timeskip) Very early into the timeskip. I’d say you can read when they’re on the way to fishman island.

Let me carry your scars by arkhamsjason

-DO NOT CLICK ON THE LINK UNLESS YOU’VE BEEN THROUGH MARINEFORD BECAUSE TAGS CONTAIN SPOILERS -(post-timeskip) at some point after return to sabaody arc

Heliotrope by LostInClouds

-(post-timeskip) -As long as you reach the timeskip and have made it more or less to when they are sailing to Fishman Island, you should be fine.

The Things we do for Love by LostInClouds

-(post-timeskip) - It’s recommended that you reach the timeskip for this one too and probably before fishman island is also good enough

Feed your plants a little sunlight by swordsmans

(post-timeskip) indefinite time period tho i think Inspired by this comic

Of First Mates and Duty by Whatev3rs

-(post-timeskip) takes place at an indefinite point in the timeskip after return to sabaody arc. -kind of part 1 of another fic

Look at this! by nuftda

-(pre-timeskip and post-timeskip) takes place from the beginning up until some indefinite point in the early timeskip

���Til You by Whatev3rs

-Post-timeskip -no real spoilers -it’s KIND OF a continuation of Of First Mates and Duty by Whatev3rs

Kizuna by YokoHogawa

-(post-timeskip) after fishman island

His Captain, Captivating by jirachi

-a sequel to Unable Are the Loved to Die -(post-timeskip) takes place up until the end of dressrosa i think

The Five Times Luffy Kissed Zoro, and the One Time Zoro Kissed Luffy by EclecticIsMyMiddleName

-This one takes place throughout the story up until the end of Wano arc. -It’s preferable that you’re fully caught up because it’s so good you might wanna binge it.  -see google doc if you want a more detailed description of where each chapter takes place in case u cant wait that long

To the ends of the earth (I'll follow you, worship you, love you) by lunarblossoms

-(post-timeskip) occurs when luffy awakens gear 5

Carnelian and Gold by kermit_coded

-Post timeskip  -No major spoilers

I Do the Dumbest Things for You by it_is_i_a_simple_nerd

-(post-timeskip) -Takes place somewhere between wano and egghead

Loyal Till Death Do Us Part by StygianHeart

-(post-timeskip) -takes place after wano and does have some spoilers at the beginning -it takes place in a fictional arc n stuff so its cool

I'm gonna make another masterlist later for the AU fics or maybe add them to this list but you can still find them in the google doc

[opal-owl-flight]

Welp cue Neo 3 getting themselves in so much danger that 3 has to save their dumb a*s.

HAPPY BIGGEST RUN!! Guess it kicks off the high action segment of the Neo3 arc :)

(this ask has been sitting in my inbox awhile.)

Neo3 refers to working with Agent 7 and going undercover in Grizzco during the biggest run.

more notes on what transpires in the biggest run below!! Id draw more of this out but Im v tired wdkefk

Before the comic above, there is the matter of pre-biggest run preparations.

"|We'll have to protect right on our home base.|" signs the captain, their eyes steely and cold. "|We have to evacuate everyone.|"

"Aye aye. But I beg to ask -- how are we supposed to protect our identities?"

3 clacks their beak.

"|Dont wear the uniforms. Let us appear like a legendary team taking initiative.|"

"I-if I must suggest, Captain."

They turn to face the newly recruited Agent 7, whos shaking as he spoke. "...I-I can loan us all some Grizzco gear. Itd hide our identities really well."

"Ah, so we play into their game." Says Neo3, anger barely hidden in her half-snarling voice. "Id rather die than wear that."

"Then you can help Three find the root cause of that song theyre hearing." Says 4, "Since you can hear the dirge as much as the hordes can."

3 is so proud of their agents being so capable...

They nod their head. "|Sounds like a plan. Four, join Agent 7 in evacuating the citizens.|"

4 rolls her eyes, grabbing 7s arm. "I wont let you down. And Ill make sure Agent 7 here doesnt, either."

"Hey! Ow! Thats uncalled for! Raaain!!!"

--------

The comic takes place after the source(s) of the so called "Death Dirge"s locations are found (so its 3s next set of commands after the blurb above).

For context, Inkadia and the Splatlands had built infrastructure on migration routes for economical reasons or whatever and thought the salmonids a nuisance. Think of dams being built on irl salmon routes. Or cities being built on dangerous areas (volcanoes, fault lines, etc) and adapting to the danger. The mindset for big runs is "we'll deal with them when it happens." Instead of. Making room for them.

This biggest run is the biggest migration that uses a route thats been hasnt been used for several hundreds of years.

In the middle of the CITY.

Not only that, The Death Dirge is actually Grizzco using devices emmitting magnetic fields to attract BIG numbers and to make them all gather as close to the city as possible (like, attracting even the ones using the other migration routes/the other turf stages).

3 and Neo3 had found these sources and 3 set about dismantling them (alone for the first two, with Neo3 in the last since her task was accomplished). The last one however involved a mechanical defense system that includes a mech (which 3 had to use a well-placed special on to destroy, and as a consequence is very worn out after) and a harpoon trap system thats meant to catch whatever is messing with the devices without the permission to (Grizzco expected that some clever salmonid might get ideas). Thats why 3 gets GOT there...

Theres also 3 mentioning Neo3 getting caught. Grizzco has been interested in Neo3 awhile because of her salmonid-like adaptations.... but thats all I can say for now :)

As for Agent 8, shes in the Memverse by the time the biggest run happens. Having her own anguish abt the platoon being resolved separately before she returns in the middle of the chaos to help out. And also say what she needs to say to 3 and 4...

[autisticshadowthehedgehog]

yes the plants take the gem but what does that have to do with sonic and tails can you explain I'm very intrigued

i'm assuming you're referring to this post!

In the anime Sonic X, the third season was dedicated to a completely original story. (also obligatory "please watch the subbed version, the dubbed version got censored heavily" mention) The spoiler-free version is that group of aliens in fucked-up robot armor, led by Dark Oak, descend on Mobius to try and steal the Chaos Emeralds. In attempt to save the universe from these freaks, Super Sonic scatters the emeralds across the galaxy before crashing to the planet (he's fine tho). The aliens, known as the Metarex, then attack the planet and steal something from its core, causing the plants to slowly wither and die.

Around this time, a refugee from space crashes on the planet, looking for Sonic. An anthropomorphic plant, her name is Cosmo and she is the last survivor of her race after the Metarex attacked her ship. She knows Sonic as the only person who can control the chaos emeralds, and begs him to help defeat the Metarex. Turns out these guys have been planet-hopping and genociding as they go, but their main goal is to steal the Planet Egg, which is a magic thing at the core of each planet that keeps it alive and thriving. She currently doesn't know what they're using them for but it's not for anything good. And, well, now they're hunting chaos emeralds... and, as we find out later, making fake ones.

Tails happens to have a spaceship so the whole gang goes into space to fight the Metarex. This takes up the entire season and it fucks severely. Again, the English dub was heavily censored; the og Japanese has constant death and shit. In the last of the spoiler-free bits, I will say that if you have ever heard of "Dark Sonic"... this is where he appears.

The entire season is extremely dark but extremely well-written, which makes it very popular in the fanbase. Ian Flynn has previously stated he wanted to adapt this arc to comic but Sega wouldn't let him; us seeing the Chaos Emerald surrounded by plants, along with fake chaos emeralds and Dark Sonic-implications, is making us wonder if Sega's let up and we might get this arc after all.

Now, spoiler version, though I really do suggest you watch the subbed version of this season bc it's a fucking masterpiece:

We find out late in the season that Cosmo and the Metarex are the same species. In this species, the sexual dimorphism is a different "final stage" of their life cycle. The "male" plant-creatures enter their final stage as basically a kaiju, in order to defend their society from threats; the "female" final stage is turning into a giant fuckin tree in order to reproduce with seeds. The downside is that once you enter this final stage, it is FINAL, and you die shortly after.

However, when their planet was attacked by an unseen threat (it's never clarified, but a lot of people theorize it to be the Black Arms considering Shadow 05 was about to drop), they were all about to get wiped tf out. Dark Oak started experimenting with the Planet Egg in order to stay permanently in kaiju version without dying. His wife, Earthia (or "Ashia" in Japanese, but it just translates to "Earthia") is fucking horrified that he's fucking with the life of their planet like this. While he convinces the "males" to join his side, Earthia escapes with the girls and bombs their planet to kill Dark Oak and his new monsters. They survive though, and Dark Oak starts leading them to steal more planet eggs.

Turns out their plan is to use the power of the eggs and chaos emeralds (fake or real) to do a full-scale attack on the entire fucking universe, which will kill all animal-people and turn every planet into overgrown plants. We actually see some characters from a Shadow one-off episode being killed and violently turned into trees in one scene. Fucked up. That's what they want to do to everything.

And Cosmo? Well she didn't just happen to be a survivor; turns out Dark Oak spared her from the attack on her ship, semi-possessed her in order to spy through her eyes and ears, and yeeted her down to Mobius. He's been using her to spy on the Sonic Crew this entire time, against her will and without her knowledge. It fucks everyone up a WHOLE lot.

Anyway there's like a three-part finale where Super Sonic and Super Shadow are desperately trying to keep these fuckers from Mass Genociding. Finally, Cosmo realizes that she's the only one who can stop this and sacrifices herself; she goes into her Final Stage, turning into a tree but trapping Dark Oak in there with her (it's a long story, he kinda turned into a meteor). She then appears to Tails, the ship captain, and tells him to fucking shoot her to kill both her and Dark Oak, saving the galaxy.

The problem is, Tails and Cosmo have had a bit of a romance over the course of the season. It's been fucking adorable, and Tails became extremely protective of her after Shadow tried to kill her (long story). There's an uncomfortably drawn-out scene (and I mean that in the best way) where Tails is like. Emotionally broken and trying to figure out any way to do this without killing Cosmo. Eventually, he has to give in and fucking shoot her, blowing her and Dark Oak up. It saves the galaxy but traumatizes the hell out of him.

Super Sonic and Shadow contain the blast, and Super Shadow chaos-controls it away and disappears (this is likely bc they were setting up for the Sonic Heroes arc, where Shadow would have to appear out of nowhere again). When Sonic returns to the ship, Tails meets with him, desperate for him to say he saved the day last-minute and brought Cosmo back. Instead, all Sonic could find was a single seed– considering how the Metarex reproduce, it's probably Cosmo's child, but it's never clarified. This causes Tails to have a complete fucking breakdown.

The season p much ends there. They show everyone starting to heal on Mobius, have a bit where the anime-exclusive character Chris has character development and leaves to go home, and then go "and now we're going to have more adventures!! yay!!" before panning to a potted plant in Tails's workshop, showing that the seed has sprouted.

As I said, it's very dark, but VERY good, and thus we all really really hope that it's what Sonic IDW is building up to. They've been building up fake Chaos Emeralds, Tails blaming himself for things outside of his control, and Sonic being 110% done. I didn't even get into the Dark Sonic stuff, cause it only appears briefly in one episode and then is never mentioned again, which you'd think would be bad writing but no it just raises so many questions and you know that was what was intended by it.

The arc is really beloved but because it only appeared in a 2005 anime (which was heavily censored in English, and the og Japanese didn't air officially until a couple years ago), not a huge chunk of the fanbase knows about it. Which means we really want to share it and get more people into it and how good a character Cosmo is. So yeah that's what we're excited for.

[casscainmainly]

Duke Thomas and the Robin Mantle

There's been some minor discussion about whether Duke counts as an 'official' Robin or not. While that discussion is interesting, I actually don't think it's the crux of the Duke and Robin issue. To me, the question is whether or not he should be Robin. And, to me, the answer is definitively yes.

This is purely my opinion, and I haven't read every single Duke comic so it's possible I've misread/missed things. Any Duke fans, absolutely feel free to add or disprove anything here!

The Changing Robin

The first thing to understand is that Robin, as a mantle, has shifted with each person it's been passed to. Tim's Robin doesn't mean the same thing as Jason's Robin, which doesn't mean the same thing as Damian's. A mark of a true Robin is the ability to shift the meaning of Robin by wearing the colours.

Duke absolutely fulfils this criteria. In fact, him and his We Are Robin crew are the biggest shift in the meaning of Robin since its creation.

Cover from We Are Robin #1. The phrase "We're not sidekicks. We're an army!" signals the shift from Robin as individual to Robin as collective; from Robin as tied to the singular Batman to Robin as a wider movement, a socio-political force. The last question, "are you ready?", is vitally important as well. Duke as Robin is meant to be different. He's meant to be non-normative, a groundbreaking turn in what Robin looks and feels like.

At the end of the first issue, a disguised Alfred (who started We Are Robin) thinks the following:

Alfred infuses the phrase "of color" with two meanings: the Robin colours, and People of Colour. By explicitly linking Robin to POC, the comic is suggesting that not only can kids of colour be Robin, but that they should be Robin. Robins of Colour are the "future of this city," and Duke is the vanguard of this future. It's no coincidence that the Robin before (Damian) and the one after (Maps) are both POC. Duke, however, is the Robin that gives the mantle an explicit direction towards diversity: him and WAR use Robin as a social movement, and in doing so transform the colours of Robin into a symbol for the diversity in Gotham and the world.

Robin as Collective

Duke doesn't change Robin alone. The point of We Are Robin is that Robin is a collective, and it's important that Duke doesn't start WAR (as much as people like to say he did). By joining late, the comic demonstrates that Duke is part of a bigger movement.

The Robin community represents POC solidarity, the necessity and ability of the oppressed to band together. Lee Bermejo ends We Are Robin's final issue with "stress on the word "we"" - Duke's arc, in one sense, is learning to rely and work with others (he initially mistrusts basically everyone). The WAR community is essential to both Duke's character development and his tenure as Robin.

So to have this page, affirming his loyalty and love for them, to be followed immediately by them being written out is... something.

Duke appears next in Batman: Rebirth, where Bruce gives him the yellow suit and tells him he's not looking for a Robin. As soon as he stops being Robin, the community around him quite literally falls apart. Izzy sticks around for a bit but fades into obscurity, Riko and Dax turn evil, Dre ends up in Arkham - all of these fates are antithetical to these characters and genuinely tragic.

Batman: The Secret Files: The Signal is possibly the worst Duke story in existence, but it's important to understanding why Robin!Duke mattered. Riko calls Signal 'Bat-Signal', highlighting his sudden reduction to a Batman acolyte. His friends turning on him shows how, by losing Robin, he also lost the community formed by WAR. In every way, his transition into the Signal was saturated by loss.

Robin Doesn't Need A Batman

Bruce giving Duke the Signal suit is borderline insulting. He already had an identity predicated on the fact that he didn't need Batman.

From Batman (2011) #45, Batman: Rebirth, and Night of the Monster Men. "Robin doesn't need a Batman" is an inversion of Tim's 'Batman needs a Robin' - in many ways, Duke is the opposite of Tim, who's rich, White, and whose Robin is the most focused on helping Batman. If Tim is the ideal Robin-as-partner, Duke is the ideal Robin-as-individual. His idea of Robin is not, and has never been, associated with Batman.

People who say Duke isn't an official Robin since he was never Batman's partner miss the point. He is Robin because he was never Batman's partner. That's what Robin means to him - a mantle free from Bruce and all authority.

"Batman is on the gargoyle. Robin... Robin is on the street." Robin is the person on the ground, who lives and belongs to the people. When Duke becomes Signal, this ground aspect - as well as his separation from Batman - is gone.

In this cover from Batman & The Signal, they gave him a Bat symbol and put him on a gargoyle. They erased every single part of his Robin philosophy.

The Original Robin

Post-We Are Robin, Bruce becomes the Batfam member Duke interacts with the most. Besides the insult of Bruce withholding Robin, this fact also strips away one of my favourite aspects about early Duke - he was tied to the Batfamily through the Robins (especially Damian and Dick), not by Batman.

It's Dick, the original Robin, who chooses him.

Dick recognises that him and Duke have a lot in common. He tells Duke in Robin War that he's "got it," and that he's a natural leader - Dick knows Duke has what it takes to be Robin, and explicitly endorses him.

Not only that, but when Dick sends Duke to jail (along with the other Robins, official and unofficial), he tells Duke that he "take[s] care of [his] family". He basically inducts Duke into the family then and there!

Dick's endorsement of Duke makes it more interesting that Bruce doesn't make him Robin. Despite Duke's disillusionment at the end of Robin War (dispelled soon after in WAR), the events in RW confirm that Duke can and should be Robin. Bruce not making Duke Robin is defying both Duke's potential and Dick's right to choose Robins.

Robin as Family

On the rooftop in Robin War, Dick tells Duke that Robin is about family. This is the fundamental connection between them both: Robin acts as the link to the families they've lost and gained.

For Dick, Robin keeps John and Mary Grayson alive, while also symbolising his connection to Bruce. For Duke, Robin is the intersection of three families: the heroic legacy of his parents, the tight-knit community of We Are Robin, and the newfound friendship of the Batfamily.

In Batman (2011) #45, Duke tries to give his friend Daryl a Robin badge. He says, "you and me, we came up together. We're fam[ily]." Even before Dick, Duke associated Robin with family, and Daryl implies in the next issue that Duke became Robin because of his parents' inclination to help. Signal, of course, also comes from his mom; but unlike Robin, Signal isn't a legacy mantle. As Robin, he constantly inducted people like Daryl, Riko, Damian, etc. into his family. As Signal, his circle shrinks immeasurably, until it's really only the Batfamily and the Outsiders if we're being generous. (Daryl also turns evil - a really unfortunate pattern for Duke side characters).

Lark and Conclusion

I'm going to end with this panel from Batman & The Signal #1, which is emblematic of the way DC has treated Duke and Robin as a whole. Bruce tells Duke that Lark is "too soft" a name. DC was probably debating between Lark and Signal, but it's telling what they went with. How is Lark too soft, exactly? How is it any softer than Robin?

By overtly dismissing the bird-like name, Bruce - and DC editorial, or whoever decided this - is definitively moving Duke away from Robin. And it's a shame. In Duke's transition from Robin to Signal, he has next to no agency. Bruce tells him he's not Robin, Bruce gives him the suit, Bruce tells him not to be Lark, Bruce gives him another suit. It's a stark contrast from his induction into Robin - though Alfred arranged it, he gave Duke a choice. Duke chooses Robin.

Duke being disallowed the Robin mantle is, to me, on par with DC stripping Cass of the Bat symbol during the New 52. The racism behind both these decisions cannot be overstated - both Cass and Duke redefined their mantles, and their mantles defined them. At least Cass' mistake has been corrected, and lots of writers and fans acknowledge how horrible that period was. For Duke, he was never given a real chance. And it's unlikely he ever will be.

This is not a knock against the Signal identity or any writers. However, it genuinely saddens me to think that all of this story potential - Duke's redefinition of Robin, his relationship to Dick, his connection to We Are Robin, and above all his ability to choose who he wants to be - has been neglected and cast aside. Even if they never acknowledge his role as Robin, I hope future stories centre him once again, because it's what he deserves.