new ballets russes
ngl if i ever ended up with a ridiculous amount of money i'd probably found a ballet company, i'd wanna do something new and interesting like the ballets russes did back in the early 20th century- minus Diaghilev being a strange and quite frankly gross individual- I feel like so much of ballet has gotten repetitive, in the sense that we've focused to much on perfection we've forgotten that we are a performing art form- so often we get hung up on body proportions and things like hyper extension and body shape that we end up losing the emotion of the dance completely. I've recently watched dying swan- the og version with anna pavlova and now i can't help but feel newer versions are overly santized, like the concern is to look beautiful and not the real tragedy that is happening on stage. I think it's not only a disservice to audience members but to dancers as well as we are robbing them of developing their creative expression. That and it would also help with the fact that many ballets are quite frankly dated- for example the bolshoi black face scandal for their production of la bayadere (this happened in 2019 btw).
I would love to see a new fantastical adaptation with elaborate costumes, choreography, sets, and music- (bring back camp!!). Plus there are so many myths and cultural things to chose from a ballet could be done on Sappho's life, or on La Maupin (if you don't know who she is PLEASE look her up- she's unhinged and my hero), or even take from more myths like eros and psyche, or apollo and hyacinth, or a full length version of orpheus (i know balanchine did a short version with music by Stravinsky but imagine an entire set for the underworld- like fully fleshed out costumes for hades and persephone- it's actually a shame how minimalist balanchine's sets and costumes are given the inspo (bc they weren't originally!!- look at old apollo costumes vs the more recent ones- like bro HOW did we get here???) or we could start adapting Dostoevskyballet and Kafka like we've been adapting Shakespear (METAMORPHASIS BALLET GUYS- I MEAN COME. ON.) and these are just the ones off the top of my head.
I think now would be a good time to reinvigorate the artform especially with increased interest due to the overall ballet core trend- it could be a great way to bring in more people not only as those who take classes but also as viewers. Also ballet company's have shitty marketing- ofc if you only push the nutcracker for the entire year then you're only going to get people to watch the nutcracker and your other repertoire is gonna flop. duh. By investing a bit in marketing instead of lining the artistic director's pockets (be so fr do u really need a second vacation home?) the company would be more successful overall-( more people to come in and see shows, more artistic outreach, more outreach means more tickets means more money so hopefully better conditions for the dancers, etc. etc.)
tldr. people only say ballet is boring bc y'all have made ballet boring, the lack of artistic expression, lack of new creative sets and costumes, elitism, racism, homophobia, etc. etc. etc. are what have made people less engaged with the art form over the years NOT the actual style of dance itself.
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i keep thinking about hobbies and how i often spill over myself to pick up new ones. i have adhd, i end up trying something for like a month and then just getting far enough in it that i move on, satisfied.
and that should be fine; but it's never fine.
i am a pretty decent artist; but i can't just make art for my dnd campaign, i should be selling dnd maps and character designs and scene setting pieces. i can't just make my friends matching earrings, i need to get an etsy and ship them internationally and take bulk orders. i make pretty good props and decorations and use them to throw my friends parties - but i should be running a party planning business and start taking paying clients and networking and putting my skills to actual use.
for some reason, i never figured out the specifics of pottery. it was a fun class and i enjoyed myself - and still, i'm embarrassed, years later, that i put in all that useless effort. everything i make has to be stunning. stellar. i should have applied myself more. maybe i'm too lazy. maybe i'm broken and selfish and needy. actually creative people would have kept going; they would be bettering themselves at every possible opportunity.
we find ourselves in this trap, even accidentally: we need to commodify our time, because it is a commodity. if we spend our efforts and our time not earning, isn't that the same thing as burning free money? and god forbid you ever take up a hobby that ends up being more expensive than you thought. you sit in your car and you look at the receipt and in your head you hear a conversation that isn't even happening - your mom or your friend or your partner all saying oh great. not this shit again. it's always something with you, and it never actually means anything.
i have realized this horrible thing, recently - i'll get excited to start a project, pick up a new hobby. and then i just... stop myself. i start thinking about the amount of time it will take, and how it'll look in my monthly budget. what if i can't even produce a good enough final product. sure, it's exciting to think about how i could make my friend her own custom dice. but i'm just polluting the earth if i don't get it right. better not bother. better not try.
restless, i get caught in the negative space. the feeling that oh god, i want to create. and that horrible sense - yeah, but i don't have the time to just put to waste.
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Core Gems
So when a ghost becomes injured, they have a last ditch defense where they retreat into their core. And I mean, injured badly where their body is rip apart to the point they can’t hold a solid form anymore. And they basically go into a hibernation state until they are strong enough to form again.
Ellie, Danny, and Dan are all injured in a final battle against the GIW. The organization was destroyed and the ghosts were safe but the halfas ended up being so injured that they reverted to core form and then went to sleep for a bit. When they woke up, they were still weak but at least recovered enough to gain consciousness. And realize…they are in some kind of auction…in the middle of a heist. It appeared that two furries (one in a bat costume and one in a cat costume) were ducking it out. And they…they were a necklace. All three of them had been turned into a necklace with their cores as gems accompanied by sapphires, pearls, and opals. And frankly gorgeous craftsmanship as the metal was crafted around their cores as if to cradle them and the other gems.
Unfortunately, they were too weak to take a form properly, they could still feel the strain on their bodies. But at least they could still communicate through their auras. Then the cat lady punched a hole in the glass container surrounding them and grabbed their necklace.
However, the bat grabbed the other end and it resulted in a sort of tug-a-war. Meanwhile, Danny, Ellie, and Dan were having a back and form commentary on the situation and what they should do. Completely unheard by the other party.
In the corner of their eye, the three halfas finally noticed a third contender. Some kind of clown who was…hold on…holding a gun?! And it was pointed straight at the two fighting furies who had yet to notice him. The ghosts’ protective instincts went into overdrive and they frantically tried to shout, yell, move. Just do something to warn the two but their cries fell on deaf ears. All they succeeded in doing was faintly glow which immediatly caught the attention of the fighting duo. The two turned to look at the strange necklace but right at that moment, the clown fired and a gunshot rang throughout the auction room. Having no other options, Danny and the others poured every ounce of ectoplasm they had to try and phaseshift, making the two furries intangible as the bullets passed right through them, but in their shock, the two jumped away in opposite directions and accidentally ripped the necklace apart. Gems and pearls went flying and the three cores bounced along the ground.
Luckily, the two finally noticed the clown and went to deal with him and his minions who had appeared. Seemingly putting their fight on hold and forming a temporary truce. The three halfas could only watch as the battle finally wound down, ending with the cops barging into the place and arresting the clown and his grunts, the cat managing to escape with half the scattered gems and pearls from the broken necklace along with a few other jewelry pieces (none of their cores though) and the bat leaving through a skylight.
The auction continued and in the end, despite being broken, their necklace seemed to have caught someone’s interest. A man named Bruce Wayne bought up every piece of the shattered jewelry wear. The auctioneers appeared relived that the item managed to sell in the end and gratefully gave it to him.
Bruce had no idea what happened at the auction, but he could have sworn that some of the gems faintly glowed right before he and Selina were shot. If the necklace was some sort of magical item, then he needed to understand exactly what has been brought to Gotham. It was unfortunate that Selena had taken some parts of the necklace but he utilized his vast wealth to make sure all the other parts ended in his possession. Now he would take them back to the mansion for examination.
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I’m watching one piece, and now I’m wondering do you have any hcs on the world building in the fairy tail universe ? Do you think theirs some crazy kingdom’s , advanced technology in some lands ? Love to hear your thoughts 💗
hmmmmmmmmmmm kinda a bit of a deep question tbh.
Structurally FT has good bones for its world. And that's kinda it lol
There's a fleshed out map of all the countries within the continent that fiore is found on (Ishgar, which has 16 named countries apart from fiore itself) and expanding wider than that we know that there are about 3 named continents (Ishgar to the east being a peninsula connected to the mainland that we know nothing of, Alakitasia to the west where Alavarez is and Guiltina to the north) and a fourth unnamed continent further east that exists within earthland.
But while we have all this info, nothing in particular comes into play as the series had progressed, the majority of the series' arcs all more or less take place within the same country, which for a series that has it's characters constantly travelling for missions looks particularly bad, especially when even the known locations all visually seem indistinct from each other in terms of stuff like architecture. It's a reason why I appreciate edolas in particular because it at least offered something that visually stood out and an insight into how that culture functioned. (and in Phoenix Priestess for the small montage the squad in the city of Rose Garden and showing a bit of the country Veronica)
Like it is frustrating to me whenever I think on it because the solution would be just to change the locations of where they travel to just to expand the background of the places travelled, wouldn't even have to change arc structures or anything to give some life to the named countries like:
Joya despite its small size as a country is the main manufacturers of trains and exports the majority of the transportation other countries use as well as weapons. Wizards are less found here, with treasure hunting being a more popular job choice.
Sin, despite the ironic name, is a deeply religious and faith driven country. Magics that have connection to nature and celestial bodies are particularly revered here.
Desierto mostly deals with trade, having constantly active shipping ports. Enchanted items such as brooms and carpets are popular and easy transport choices within cities and are more widely used than vehicles.
Iceberg's largely uninhabited due to the weather with most of the population sticking closer to the country's borders.
Like this is all just purely flavour text examples to just try and bring some life to these otherwise lifeless locations but you get the general gist of it.
There was clearly this effort to establish these locations by giving then names (and drawing a full on map) so it always boggled me that they were never properly used as a backdrop for the arcs within the story. (Tower of Heaven? Move that arc to Sin, Lucy's arc with Loke? Takes place in Stella, That arc with the giant village? Put it in Minstrel).
Like shifting around major arc locations would easily open up avenues to naturally expand the world as the story moves. And not even just big arcs, but smaller less grand filler arcs (which jesus christ did ft rlly need because it defs need breathing room between all the big events. It's why the story moves at such a breakneck speed without things really feeling as though they've changed in any meaningful ways) would do wonders to make earthland feel like a genuine lived in world (like how it is within the world of one piece that you cited as an inspo for this ask.)
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