#the way I fucking BOOKED IT

[thedevilsfamiliar]

Me: oh wow, this person likes the same ship as me :) I should follow them!

Twitter: Hey, remember that person you followed? Here’s some of the things that they’ve been liking recently

Me:

Me: is that fucking incest fanart—

[adriles]

they are Cancelling me for dealing with my grief as best i can . also for the vicious war Crimes

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[krysmcscience]

I have some questions about karaoke night, Alex Hirsch. Very Important Questions. Which I will happily scream at a poor hapless baby triangle who can have no answers for me, and possibly also does not have object permanence yet.

Follow-up that is I guess suggestive, but let's be real here, Bill's a fucking triangle:

Dude slipped right into his birthday suit, lmao

this is so stupid :D

Anyway, I don't care what anyone says, this brilliant individual knows what's up - Bill is absolutely way more of a monsterfucker than Ford could or ever will be, full stop.

[owlbelly]

so. i understand where the sentiment "listening to an audiobook is the same thing as reading the book" is coming from - i mean, yes, the bottom line is you are taking in the same words in what is possibly a more accessible (or maybe just more enjoyable) format for you! and i'm 100% in agreement that "book snobs" who say "no you didn't really read it" if you listened to the audiobook are full of shit. ofc you should engage with stories in whatever way works for you, there is no moral or intellectual superiority to reading words off a page vs. listening to them

but it also is different? an audiobook is a performance. choices a narrator makes about line readings can drastically influence the meaning of the lines. even just different voices, accents, etc. - there are creative choices being made by the person delivering the words to you, and that affects your experience of the story in a different way than if you were making those choices in your own head. it might even change the way you visualize what's going on!

this isn't a bad thing it's just An Actual Thing & i think it's worth talking about. it rubs me the wrong way when people act like accommodations (and for many people audiobooks are an accommodation) always result in a completely identical experience, or even that they should, & if you suggest that people accessing media in different ways are having different experiences it's somehow ableist

anyway on rare occasions i really enjoy audiobooks but mostly they are much less accessible to me than words on a page (i need to be able to reread, flip back and forth, go at my own pace) & i also just really strongly prefer to encounter a text on my own before hearing someone else's performance of it, if possible! again i don't think it's "better" to read a physical book i just think it is a Distinct form of experiencing a story & acting like the two things are entirely the same is sort of doing a disservice to both

[ithinkdogshouldvote2]

The people saying billford was entirely one-sided are just blatantly wrong. "My muse" "You can call me anything except late to dinner" "I have missed you- but my aim is getting better" BRO COME ONNN

[journey-to-the-attic]

"karasu search how 2 cheer human up"

"karasu search difference between sad human and zoning out human"

"karasu search how long is it safe for humans to zone out for?"

(+ a longer look at each scene:)

[trans-axolotl]

one of the reasons it's really hard for a lot of intersex people when intersex topics are on the news cycle is because the public's reaction reveals how little anyone knows or cares about intersex people, including people who call themselves our allies. almost every time intersex topics are trending, the discourse surrounding them is filled with misinformation. people who only learned today what the word intersex means jump into conversations and act like an authority. endosex/dyadic/perisex people get tripped up over things that are basically intersex 101, with tons of endosex people incorrectly arguing about the definition of intersex, who "counts," DSD terminology, and so much more. i've seen multiple endosex people say today that they've been "warning intersex people" and that we should have known that transphobia would catch up with us eventually, which is an absolutely absurd thing to say given the fact that consistently over the past ten years, it has often been intersex people sounding the alarm on sex-testing policies and also the fact that many, many intersex people are also trans, and already are facing the impacts of transphobia. there is an absolute failure from the general public to take intersex identity seriously; people seem not even able to fathom that intersex people have a community, history, and our own political resources. instead, endosex people somehow seem to think they're helping by bringing up half-remembered information from their high school biology class which usually isn't even relevant at all.

and this frustrates me so fucking much. not because i want to deny the impacts of transphobic oppression--i'm a trans intersex person, trust me when i say i am intimately aware of transphobia. this frustrates me because there is no way we can achieve collective liberation if our "allies" fail to even engage with basic intersex topics and are seemingly unaware of the many forms of intersex oppression that we are already facing every fucking day. if you are not aware of compulsory dyadism, if you are not aware of interphobia, if you are not aware of the many different ways that intersex people are directly and often violently targeted--how the fuck do you think we're going to dismantle all of these systems of oppression?

if you were truly an intersex ally, you would already KNOW that this is not new, and would not be surprised--interphobia in sports has been going on for decades. you would know that we do have a community, an identity, a history--you would have already read/listened/watched to intersex resources that give you the background information you need for allyship. you would know that although there is a really distinct lack of resources and political education, that intersex people ARE developing a political understanding of ourselves and our oppression--Cripping Intersex by Celeste Orr and their framework of compulsory dyadism is one example of how we're theorizing our oppression. It's absolutely fucking wild to me how few people I've seen actually use words like "interphobia" "intersexism" "compulsory dyadism" or "intersex oppression"--endosex people are seemingly incapable of recognizing that there is already an entrenched system of oppression towards intersex people that violently reshapes our bodies, restricts our autonomy, and attempts to eradicate intersex through a variety of medical and legal means.

you cannot treat intersex people like an afterthought. not just because we're meaningful parts of your community and deserving of solidarity, but also because intersex oppression impacts everyone!!! especially trans community--trans people will not be free until intersex people are free, so much of transphobia is shaped by compulsory dyadism, the mythical sex binary, all these ideas of enforced "biological sex" that are just as fake as the gender binary.

it makes me absolutely fucking livid every time this shit happens because it becomes so abundantly clear to me how little the average endosex person knows about intersex issues and also how little the average endosex person cares about changing that. i don't know what to say to get you to care, to get you to change that, but we fucking need it to happen and i, personally, am tired of constantly being grateful when i meet an endosex person who knows the bare minimum. i think we have a right to expect better and to demand that if you're going to call yourself our ally, you actually fucking listen to us when we tell you what that means.

okay for endosex people to reblog.

[egophiliac]

do skully have pokemon?

Pumpkaboo is the obvious one, but y'know, sometimes the obvious one is the right one! (we'll say SUPER SIZE Pumpkaboo, just for fun. big pumpkin for big skeleton boy.) and another person actually also suggested Greavard, which I somehow hadn't considered, but feels so perfect that I feel like I should have. dangit.

(they can also have little Nightmare Suit costumes :D)

[wu-does-art]

thinking about Nico adjusting to letting himself miss and long for the people he loves. based on these bits from the sun and the star:

" As Nico and Will followed the trogs, he thought about how much he missed Hazel. He was learning to make peace with that feeling. It was okay for him to miss people because that meant he wanted them around in his life. That idea was *very* new for him- he was used to either pushing people away or watching them recoil from his presence." *

" That was the most surreal thing of all... Was he happy? Nico wasn't very familiar with the sensation, but he couldn't deny that he felt wonderful in Will's presence. He even longed for the son of Apollo when they were apart. A funny thing had happened as the two grew closer: Nico suddenly understood all those cheesy, sappy love songs he'd always hated."

[questionableholidayreally]

you think dipper and mabel have experience deescalating fights because of their parents

[benevolenterrancy]

honestly. if you decided to create giant fucking corpse-head-spiders to populate your world with then this is exactly what you deserve.

[vaguely-concerned]

are. are you telling me that if the romanced mage warden dies and alistair is king, he deadass stares greagoir down over her dead body and grants the circle of ferelden its autonomy after ordering it rebuilt somewhere safer. first you have to deliberately leave him behind so he won't die for you and then he does that for you once you're gone, even when you're broken up??? absolute and literal king behaviour of the highest order????? the actions speak louder than words of it all??????? I think I hauve covid

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[looney-mooney-studio]

Thinking about that one joke in the Book of Bill that implied Bill might be the biological father of the Flynn kids. Thinking about how Linda Flynn had a secret career as a famous astrophysicist at one point. Thinking about how we don’t know exactly what Bill was doing in the 90s, and how he seems to want to skim over that part of his life, after Ford broke up with him for good but before the twins showed up in Gravity Falls.

Thinking about how Bill frequently hung out with famous musicians. Thinking about Linda, a brilliant young woman fresh off a bizarre pop star career, wanting to make a name for herself that ISN’T Lindana, might have found a new direction with an old friend (before he showed her his true colors.)

Thinking about Bill, fresh off a devastating breakup, trying again one more time to get SOMEONE on Earth to make him a portal. Trying to make the plan WORK. Trying to get a home for his friends in the face of a home dimension that was being destroyed (again). Having someone who’s COMPLETELY DIFFERENT from the man he was obsessed with, but who was no less brilliant and no less capable. (But, unfortunately for him, MUCH less gullible.)

Thinking about how Linda doesn’t want people to know about her former career as a famous astrophysicist. How she keeps this secret, even better than she did her past as Lindana. How she keeps the lid on this even TIGHTER. How she’s almost bitter about it. As if something HAPPENED.

I’m not saying Bill Cipher WAS Linda’s partner of at least five years, even going so far as to start a family with her before she saw his true colors and filed some sort of Uber-effective inter-dimensional restraining order against him, one-upping him so hard that he doesn’t even wanna think about it, but. Holy shit. Imagine

[zivazivc]

this came to me in a dream

Floyd's emo ass and a techno troll could make scene kids...! Do you see my vision??? . . . Ravin is Happy Hardcore and Eddy M is Synth-Pop, that's how troll genetics work, right?

anyway...

i don't think floyd leads a proud life