#the truth of this is so real

[abookblog]

[myhiddenquerencia]

Look at you, Wiping your own tears With the same hands That long to be held

Ayesha Zahra

[criticalrolo]

are you guys ready to admit that ofmd, good omens, and what we do in the shadows have Extreme SuperWhoLock energies or do I need to wait another year to post this take

[marzipanandminutiae]

quotes by Victorians about the 1920s view of their generation's women

"We are frequently told that the Victorian woman...generally behaved like a pampered and neurotic infant. This is all moonshine. I do not think that I ever saw a woman faint before I came to London in 1869, and not often after then...they enjoyed a hearty laugh, and a good many of them a contest of wits with any man." -Nineteenth Century, a Monthly Review, 1927 (written by a man born in 1850)

"What queer ideas the girl of 1929 has about the Victorian period- they are not a bit true...Marriage was by no means the end and aim of our existence. Oxford and Cambridge claimed quite a few of us after school days were over. We had great ideas about 'life' and what it all might mean to us." -St. Petersburg Times, 1929 (written by a woman born in 1853)

"True, debutantes were chaperoned at balls. But that fact did not prevent them from dancing as frequently as they chose with their favorite partners. The idea that girls in the Victorian era spent their days sewing seams and practicing scales is another fallacy." -Gettysburg Times, July 1, 1927 (quote from the Dowager Lady Raglan, Ethel Jemima Somerset, who lived from 1857 to 1940)

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[magicpiano]

DCxDP AU where Dani fakes being an alien.

Dani's obsession with travel also left her with a desire to know more about the places she couldn't travel to, like Krypton and Mars. Considering the vast majority of both those populations are dead, it was easy enough for her to befriend some ghost aliens. From them she learns about their culture and language.

At some point one of her new friends jokes that her ghost powers kind of function like a mix of Kryptonian and Martian biology. She laughs. It is just a joke.

At least till she is in danger. The GIW finally found her. She is scared and desperate and tells a lie. Dani screams out, "Superman, if you can hear me, I am Kryptonian too and they are trying to capture me. Please help."

She doesn't actually expect this plan to work. It was a last ditch hail Mary. She figured she would (fully) die here, but even if he was on the other side of the earth he hears her and comes to her rescue.

But see, actions have consequences and now that she is safe she needs to keep the lie going. It is a good thing her alien ghost friends are willing to help her create a fabricated story about how a Martin and a Kryptonian managed to get to earth, have a child, and for some reason aren't around anymore.

It is not an ideal situation, but being an alien is legal while being a ghost isn't, so what's a girl to do? If there is one thing a child who travels the world alone knows how to do, it is lie and bullshit their way through any situation.

Meanwhile, Clark and J'onn are thrilled and fighting each other for custody.

[vaguely-concerned]

can't believe garak went from 'hope you have fun following my little breadcrumb trail of maybe-truths doctor it builds character ;)' at the beginning of the show to '*sigh* fuck it here's the whole loaf. the entire fucked up bakery of my soul. if you somehow still wanna have sex with me after this you know where I am, yours in infinite longing etc.' in a stitch in time. has anyone ever been so pathetically horrifically enduringly down bad as garak is for julian (laudatory)

[thessaralka]

the most romantic thing about the solas romance is how much love there is for lavellan in the act of breaking up with her.

solas breaks up with lavellan because it is objectively what is best for her. not because it's what he wants. not because his mission is just more important than she is. because he loves her.

it is in lavellan's best interests that she know who she falls in love with and has agency in that decision. solas breaks up with her because he is not entirely truthful about who he is. she can't make an informed choice about being with him without the truth. and because solas isn't ready to tell her the truth, he backs off.

whether we like it or not, fen'harel is part of who solas is, even if solas is part of his genuine character, the face he shows us in DAI is not all of him.

what is so sexy about solas showing his love for her in this way is he sees the clear power imbalance between them (him with all his secrets), and he chooses her well being over his desires, he puts the power back in her hands - by breaking up with her. he says, "it isn't right of me to continue with this when you don't actually know me". only his reveal in trespasser opens the door for her to accept him, or deny him.

ultimately, it is up to lavellan to decide what is in her best interests. does she accept solas, now knowing the truth, or does she say "wow yeah i actually can't live with that" and walk away?

[saragrosie]

As promised, incredibly stupid s4-5 drawings

[blueberrymilkcookie]

wombo combo'd his ass

[poorly-drawn-mdzs]

Bare skin, bare feelings.

[First] Prev <–-> Next

[lesbianrobin]

ok so here is my pitch for my dream buddie catalyst:

eddie and maddie are trapped in some sort of likely-fatal time sensitive situation together (drowning related probably because it's Them) (have they overused it yes is it still thematically appropriate YES) where one person could potentially sacrifice themselves for the other to survive. i want eddie and maddie using their combined experience and ingenuity to survive together and discussing who should be prioritized which means they talk about parenthood and how they both feel they've failed their children by "running," how their lives have been so defined by trauma and they don't want to scar their children any further by leaving them again. of course they're doing everything they can to get out together, but as the situation deteriorates throughout the episode(s) (c'mon something like this could be at LEAST a two-parter) they can't help returning periodically to the world's most morbid debate.

i want buck and chim on the outside both going out of their goddamn minds. they know that eddie and maddie are stuck (wherever), know that they're probably alive, but aren't sure in what condition and if they'll stay that way. rescue operations begin as everybody walks on eggshells around buck and tries to comfort chim, who wants absolutely none of it. time is running out.

eddie says that he couldn't possibly let maddie sacrifice herself for him and look buck and chim in the eye afterwards. maddie says that she couldn't do that either. she says that at least jee-yun would still have her father, and eddie says that christopher would still have buck. maddie says that of course none of them would just abandon christopher if something were to happen to him but—

and eddie cuts her off and says it's in my will. if i die, christopher will have buck. buck will have christopher.

they just look at each other for a weighted moment. maddie makes a decision. she says ...i meant it, you know. that i couldn't let you die down here (wherever here is i don't KNOW okay i'm not here to think up convoluted emergencies i'm here for drama) and look my baby brother in the eye knowing that i could have changed it. eddie says i know, okay, but it's different, you're his sister, and maddie says, yeah, but you're his... and she pauses. and eddie says what? best friend? partner? that doesn't—

and maddie says you're his. eddie, you're his.

and eddie... i want to see something slot into place. i want to watch him understand as maddie spills everything she's been suspecting since the day that buck came out to her and maybe since before she and eddie even met. maddie says you know, when i first came to california, you were all he talked about? you're still all he talks about. you and christopher. you're his. i couldn't... eddie, you're out of your mind if you really don't think that losing you would break him just as much as losing me. he would forgive us both, because he's buck, but i couldn't... i'm no saint, eddie, i want to survive. i don't want my daughter to grow up without me. but i can't do that to him. i don't know if he'd survive it. even if he did, the guilt would eat me alive.

meanwhile. buck is barely holding on to his sanity as rescue efforts are underway and time is running out. chimney is keeping it together as best he can but there isn't much that he and buck can do. he can't let himself fall apart because buck is already a stiff breeze away from clawing his own skin off and somebody has to keep their cool. something goes wrong—suddenly, their short amount of time has gotten shorter, and they may only have enough of a window to get one out before it's too late for the other. buck, who has been ranting and arguing and screaming this whole time... is silent. he is silent, and he stares straight ahead at nothing in particular, and we know that no matter which way the scales tip, his soul will be destroyed all the same.

eddie regards maddie for a moment. grief, heartbreak, anger, all flicker over him, but what settles is determination. he says that neither of them are going to leave again. that they'll survive together, or not at all, or leave it to the universe to decide.

of course they make it out. by the skin of their teeth, they make it out, working together, clawing their way back to life and love and possibility. maddie makes it out first, and eddie sees buck as she falls into chim's waiting arms. he watches as buck sees his sister, and reaches out to take her hand with trembling fingers and white knuckles, but there is no relief, no happiness in his red-rimmed eyes. just a deep, unspeakable grief, until his eyes slide past maddie and meet eddie's.

finally: relief. and then he is in buck's arms, a perfect parallel to chim and maddie, and we see eddie's face over buck's shoulder, and we know. he is in love, and buck is in love, and eddie knows, and he sinks into his partner's embrace with joy and acceptance.

after that, who knows? maybe a grand confession. a moment of quiet understanding. a passionate post-rescue kiss. a chaste, tender kiss in some kitchen or other. maybe eddie panics later, or maybe he's found peace for once. maybe buck has realized something and he makes the first move. maybe it happens immediately. maybe it takes a while, takes discussions about how it'll affect work and christopher and whether it's worth risking all that they have for all that they want.

and maybe they'll ask whether it's even a risk at all.

[dansemacabre]

i’ve been thinking about “sixer, it would eat you alive” since i read it and. man. every layer you peel back makes it worse. im not a bill apologist but. shit

if you (1) take it at face value, it paints bill as an apologetic murderer in his single (and maybe sole) open moment of regret. he doesn’t let his walls down often- only with ford do we even get to see the remnant of his galaxy, see the “actual remorse” ford describes, get just a hint of his origins. but he does it, because he thinks ford should know.

if you (2) take it from ford’s point of view, as something he committed to journal three, like. wow. imagine being so committed to a being that you’d hunt down and kill the monster that destroyed his home, only to (assumably) figure out later that that being was the monster. the small moments of trust, the “good times”, are so key to manipulation. how long did ford hold onto that one shred of vulnerability? no wonder ford stayed for as long as he did. in his eyes, bill was a survivor. ford wanted to survive too.

(slight tw below for unreality- any time i mention our reality, i mean “our reality” as a narrative device used in the book of bill as a proxy for the idea of bill being in our reality, since he can’t actually be in our reality. all of this is a fictional theory about a show/book with fictional contents!)

but if you (3) remember that “even his lies are lies” and absolutely Nothing bill says should be trusted. Whoo boy. if i read tbob right the book itself is being created in the theraprism (even tho it shows up with the ciphertologists at some point? idk that’s a whole other post). it’s meant to show what the reader wants to see; it manifests in our reality as what the collective fandom wants to see. so if we want to see truth, if we want to see where bill ended up and who he actually is, there’s a non-zero chance that the whole interaction was a complete fabrication.

imagine bill, stuck in the actively harmful, probably earth-illegal theraprism, once again being forced to be “fixed” and molded into something more palatable, being forced to conform no matter how much it hurts. (i know natural uncontrollable mutation ≠ just so much murder and destruction and chaos, but. you can’t ignore the similarities. bill has obviously been thinking about those silly straws.)

he looks back on everything that went wrong, back on his relationship with ford, back through every dimension where he wins. would that one moment, that one truth amid centuries of lies, have saved him from purgatory? if he had just been open? shown his damage? maybe he did think of his parents, or his henchmaniacs (especially the oracle). people who he might have once opened up to. maybe he just wanted to open up to someone again.

so in his own weird way, stuck in a cell, he reshaped reality again. in this reality, for this fleeting moment, he had been someone worth believing. and ford had listened, hell, ford had wanted to help. looking back, knowing how he treated ford, knowing how ford ended up because of it, maybe bill would have said the most honest thing he’d ever told ford: i am the monster, i am not worth your time or belief, and i will eat you alive.

[faelapis]

alright so re: my greg/pearl “discourse” post, i need to say another thing. calling out biphobia is important, yes... but apparently, i really should have stressed more how non-canon this is. like. i keep seeing people on twitter being like “wow, i had no idea pearl was canonically bi the whole time” or similar sentiments, and i’m like… no? she’s not? not as far as we know?

guys. random crew doodles are not… canon… 😭 there’s crew art of young greg, rose and 13-year-old STEVEN hanging out. which is impossible for several reasons.

i have yet to see anyone react to those whatever doodles with this response of “wow… this made me reconsider their relationship… it really Makes You Think.”

if a new SU spinoff/sequel came out, and pearl was openly like “i am bisexual and also in love with greg”, sure. i would get why people would have feelings about that. THEN we could discourse about biphobia vs lesbian representation.

but that… hasn’t happened. literally nothing canon-altering has occurred. at MOST, this was an earlier idea that got scrapped. that appears to be the story. but that’s about it.

calling out biphobia is important... but facts also matter? this is a non-story. yet people are out here writing essays about how this is Reframing All of Canon. 😭

this is crew art! by hilary florido!

so again, i ask you: where are my discourse essays about how greg is secretly still in his 20s, his balding is a lie, rose is alive AND they're both hanging out with steven? in alone at sea, of all episodes?

[rikkivoid]

a pawn twice over

[valiantsaber]

woe, princely butch mitsuru be upon ye (ft yukamitsu doodles)