#the ship itself is fine

[the-shark-is-a-mammal]

One day I will enter the Wally West tag and b*rdflash won't be the majority of posts there

[clockworkslegacy]

i heavily edited this and rewrote it upon thinking

There’s something in BCSTWT that is fueling some kind of weird harassment and toxic ass behavior from a specific set of fans on a specific ship within the show & it’s mostly from major accounts I’ve noticed

Those people tend to go after people who do yumeship & go against them and their art and their friends just because they feel ‘threatened’ because someone decided to ship an oc with their favorite character who they think should be with someone else, etc ..

They also tend to go after people who are fans of characters who have wronged certain ship, whether it be the ship itself or one of the characters & if you dare to dislike the ship or one of the characters you’re immediately subjected to harassment & you’ll be mocked and it’s honestly weird as hell guys

^ no , this isn’t even really about Howard only like people probably think it is. It’s just the weird strange toxic behavior from major accounts that focus around mcw.xler (censored so it doesn’t get under the tag) especially

Bcstwt has also been split into two for a while and there’s just .. yikes. It’s usually the big accounts too. I don’t have anything against this specific ship nor any of their writing etc but the fans seem a little toxic as times and don’t seem to pay attention to the show if it’s not about the ship or one of the two characters — just an opinion, not looking to argue. Plenty of other people have said this too

[alonesova]

Thinking maybe I should mute farcille tag

[purenguyening]

I'm going to chalk this up to as another weird writing decision in a long line of weird writing decisions.

....is the kaishin fandom okay....?

[queeniehostapasta]

Erm….ermmmm..guys do you think they were really fighting in the Majin buu saga…

I WAS TRYING TO DO A GRADIENT MAP BUT THIS HAPPENED??? HELP???

Ok but all seriousness here this painting reminded me of them actually, had to do this one.

[starcurtain]

Hear me out. I know it's unlikely that Ratio would ever have been foolish enough to directly get taken in by a scam, but considering that we know:

One of the groups specifically tricked by Kakavasha before he joined the IPC was the Intelligentsia Guild

What he tricked them about was Tayzzyronth's Swarm remnants, the exact same thing we see Ratio investigating in his very first appearance in the game, and

The researchers were described as "extremely cautious"

I am surprised that "Ratio was at least somehow connected to the Intelligentsia Guild team fooled by Kakavasha before he was ever even a Stoneheart" isn't more popular with the Ratio and Aventurine fandom.

Like imagine being Dr. Ratio. You tell your colleagues, "This seems like a scam. Are you sure you should trust this 'local guide' you've made contact with? Tell me about him. A picture? Does this even look like an Egyhazan native to you? I won't save you fools from making idiotic decisions." (You end up having to clean up the aftermath of their idiotic decisions anyway. There is sand in places on your body you didn't even know existed before this. How mortifying for the Guild. For you, by association.)

Then, next thing you know, you get a mission briefing slid across your desk from your IPC connections. They want you to work with their new Stoneheart. You open the packet to see... that little bastard with the enthralling eyes who had your moronic colleagues scrambling in the dirt on a backwater planet for months. Apparently he's made a career out of fooling you your supposedly competent guildmates.

You run off to confront him. You never met him personally back then, but you deserve compensation for the idiocy you were subjected to nonetheless. He deserves to know how much of a pain in the ass he's been in your life already without ever having met your eyes--

He proceeds to shove a gun into your hands and tries to make you an accomplice to a suicide. Apparently, this is normal behavior for the man now called Aventurine. Somehow, it's supposed to prove to you that he is a sane and reliable individual.

Absolutely nothing in your life has been normal since Egyhazo.

You would like to have mundane problems, sometimes.

How do you keep ending up in this beautiful manic clever conman's orbit, and why, like binary stars, can you not escape the gravitational pull?

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[altschmerzes]

i just. really wish people would realize it's possible to reblog a post about platonic relationships and expressing an appreciation for them or defending their legitimacy and capacity for depth and complexity and intimacy etc without feeling the need to talk in the tags about how much they love romance also or how much they also think 'a secret third thing' is great. like. you don't need to do that. in fact, please DON'T do that.

[luck-of-the-drawings]

POOR GABRIEL MONTEZ! YOU NEVER SAW THIS COMING DID YOU? ALL YOU WANTED WAS POWER. SECURITY. SAFETY. & THATS EXACTLY WHAT YOU GOT! JUST IN EXCHANGE FOR YOUR BODY. LETS JUST HOPE NO ONE FUCKS THIS UP. LETS JUST HOPE YOU WONT HAVE TO CLEAN UP THE MESS.

[spop-romanticizes-abuse]

i was thinking about how ariel from the little mermaid is criticized so harshly for "giving up her voice and family for some guy" when there was definitely a lot more to it than that.

ariel had dreams outside of eric. she wanted to see the world, she wanted to get acquainted with humans and human traditions and she wasn't satisfied with her life underwater. that was the whole point of "part of your world", she barely mentions eric in it. he was just a bonus in her new life, not her entire purpose.

why am i talking about a random disney movie? it's because i was thinking of lumity, and how amity also rebelled against her family for a new life. except.. amity really only mentions luz (and "the others" because let's be real, she did not give a shit about willow and gus at that point). amity's sole reason to go against her family's values was luz.

this, if anything, could be considered "giving up everything for a love interest" but people don't see it that way because amity's parents were shitty to begin with. but if you look at the little mermaid from a different perspective, you could argue that king triton wasn't a very good parent either.

he literally throws a temper tantrum just because his teenage daughter has a crush on a guy. ariel is legit terrified in that scene, and regardless of whether triton had good intentions or not, he made his daughter feel unsafe and turn to an impulsive decision in a moment of emotional distress.

all of this to say, you could argue that ariel had no reason to stay with her family either, given that her father lacks emotional sensitivity and does not sit down and try to communicate with his child, instead of destroying her collection and scaring her away.

coming back to amity, i can understand that luz inspired her to actually do something about her abusive parents, and that's sweet. but we never get to see what else amity wanted. since they never established a friendship arc between amity and gus or willow (she apologized to willow, sure, but the rekindling of their relationship happens much later on), all we know is that amity is tired of being abused and she wants to be with luz.

from an abuse victim's perspective, amity standing up against her parents was powerful. but unlike ariel, amity doesn't seem to want anything besides luz. and she never explores what she wants to do, now that she has successfully cut herself away from her mother's influence. her whole life revolves around luz after that.

there was that abomination brawl episode but even that ended up being about luz. the brawl was just a quick montage, it only existed for the emotional drama that came later on. in fact, even when the plot was focused on amity, it was more about her relationship with her father rather than her autonomy and personal interests.

there's a reason why a lot of people liked the mean girl version of amity. she had personality, she had interests and goals, she had CHARACTER. it was all fake and a result of trauma, but it was there and it helped flesh out her character. but after she is redeemed? there's nothing left of the old amity, not even the more positive/neutral traits, and her only personality is "luz's awesome girlfriend".

amity's arc should have been about exploring what she wanted outside of her parents' wishes. abuse often turns you into a shell of a person and recovering from years of trauma isn't as simple as getting a romantic partner. it takes therapy (and that is canonically an option in the boiling isles, let me remind you), it takes self-reflection, it takes giving yourself the permission to choose your own destiny and explore yourself outside of your abusers' expectations.

and amity gets none of this. her trauma and arc was resolved too quickly, even for a show that was cut short. they just gave her a makeover, got her into a relationship with luz and called it a day. the only reason people aren't giving her the ariel treatment is (probably) because lumity is a queer ship.

[clickityweasel]

this is a fantasy dnd game i SWEAR

[vang0bus]

im an aro tim truther. maybe YOU wouldnt blow up a moon over your best friends death but he would

[grimalkinmessor]

So tired of all the fics that have Harry enjoy reading but it turns him into a snobby cynical asshole. Like reading would turn him into a different person completely. Shut the hell up maybe I just want to see him gushing over the latest fantasy series he stole from the nearest library and going absolutely fangirl insane when he sees a dragon for the first time, all while simultaneously backing as far away from his textbooks as possible and charging headfirst into a fight with a basilisk without researching a damn thing about it. LET HIM CONTINUE TO BE AN IMPULSIVE DUMBASS PLEASE I JUST WANTED HIM TO HAVE SOME COMFORT IN THE CUPBOARD LIKE DAMN 😭

[duncneydivorce]

don’t get me wrong pietro and namor fucked and if marvel weren’t cowards they’d canonise it already but I don’t understand why people want them to actually get together though. narratively its one of the worst things you could do to pietro. He already did the ‘struggling to assimilate’ thing for like 40 years. that’s what his storylines in America and Atilian were all about and it made for a really interesting character evolution for pietro and was a great way to explore the trauma of displacement but he’s long outgrown that by now. He shouldnt be isolated from everyone else in his life again. Shipping him off to Atlantis to go through the same exact thing all over again would regress his character by DECADES just to recycle a storyline he’s already done! Its bad writing that would ruin his character and just boring 😭

[ask-artsy-oncie]

I think, what I've just never understood when it came to shipping wars, and how I think you can identify someone who's Taking Things Too Seriously, is when someone cannot even bare to acknowledge canon friendships between characters because they feel it actively threatens their ship somehow. When someone goes out of their way to explain that "these characters aren't actually friends, of course. If you read between the lines you can tell." or "actually this friendship is toxic so naturally they'll break it off soon for their health. They just don't belong together, yknow?" or "oh yeah I'm writing an AU. Yeah. Of course in this AU it's circumstantially impossible for these two characters to be friends. How sad. Oh well."

It honestly fucking gives insecure controlling partner vibes, and every time I see it I just know the person in question is getting into the most vile discourse I've ever heard of lol. Genuinely, do you even like these characters (or one of the characters or whatever) outside of the context of shipping? Do you even enjoy the source material? What's wrong with friendships?

[sandy-shocks]

Hoyoverse: has multiple jokes about Veliona being romantically interested in Seele.

Compares Vel to the prince and Seele to the mermaid and tells the story of them falling in love as a parallel to what happened in chapter 39.

Has Prometheus say this about them????

90% of the fanbase: you're a freak if you ship them, they have a sibling relationship