#it’s literally a completely different character made up of the worst parts bad fanon and poor adaptational choices | Explore Tumblr posts and blogs

sketching-shark · 3 years ago

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LMK fandom: Oh, what do we do about this guy who has nothing but hurt Xiaotian, tried to replace Sun Wukong and his crew, hurt Tripitaka and ordered servants to cannibalize a monkey? Oh I know! We’ll turn him into our little meow meow~ he’s so innocent and Sun Wukong is obviously the villain!

What doesn’t help is this idea is perpetuated by multiple fan fic writers and artists for some reason. Especially some aus they make that turn SWK into a bastard for the sake of the story rather than considering cultural context and thinking they should be respectful.

And almost everyone lets them get away with it just because the art or fanfic is good and they get so popular that no one can point what is actually wrong without feeling like they’re going to get attacked.

I'm starting to feel like my blog is the one anons go to specifically to vent their frustrations about the Six Eared Macaque in his lego monkey show form & the associated fandom lmao. But I guess this makes sense, as I’ve had fun quasi-dragging him before & will in fact use this anon submission as an opportunity to have my own, to put it academically, bitch fest about not just this fandom's favorite protagonist-traumatizing meow meow, but about the way villains are often treated in not just fanon, but increasingly in canon works as well. But same policy as with the last anon; I'll post my opinions below the cut, and as fandoms love to say, don’t like don't read if you don't want to see me dunking on the six eared simian & common fandom tendencies towards villains.

Oh man I would say where would you even begin with this but anon you’ve pretty much started yourself with my main gripe with a lot of ways that the Six-Eared Macaque is portrayed in fandom; there seems to be this unspoken agreement that his acts of violence towards Sun Wukong, Qi Xioatian, and Qi Xioatian’s loved ones are either to be framed as somewhat or totally justified, to be immediately forgiven/excused, or to simply & completely be ignored. Like friends maybe this is just me not seeing the proper posts but while the fandom is inundated with art and fanfics of Macaque as a generally decent individual & a true member of team good guy, I have yet to see one person address the fact that this monkey literally kidnapped & mind-controlled Xiaotian’s best friend and father figures & forced them to brutalize Xiaotian while ol’ Six Ear looked on and laughed (X_X). Like this kind of fandom villain treatment is definitely not something that’s solely at work for Monkie Kid, but it is kind of nutty how fandoms will swing between yelling that people should be allowed to like villains without even mild critique, and then will just flat-out not address the villainous behavior, and will even bend over backwards to frame even characters who committed genocide as just poor innocent widdle victims who need a hug. At its worst, I’ve even seen tons of people in a fandom get really angry at other people who don’t like a villain, and will even start accusing those people of hating real-life mentally disabled or abused individuals all because they don’t like the fandom’s favorite literal war criminal. The Monkie Kid fandom is FAR more chill & better than a lot of other fandoms I’ve come across in that regard, but that is an exceedingly low bar, & the tendency to woobify certain kinds of villains-- as with Macaque and the extreme emphasis on his bad boy/sad boy thing--is very much at work.

I’ve also talked before about a kind of monoculturalization of certain character interpretations and story beats in fandoms, and one of the more popular ones that seems to be applied to Macaque a lot is the “hero actually bad, villain actually good” cliche, as observable from the general fandom assumption that Mr. Six-Ears he wasn’t even slightly lying or remembering things through a rose-tinted or skewed lens when he gave his version of his and Sun Wukong’s past. Like at this point it seems the possibility that people WILL NOT even consider is that Sun Wukong never did & still doesn't care that much about the Six Eared Macaque (in JTTW they weren’t sworn brothers & in Monkie Kid the only thing the monkey king really said to Macaque before attacking him was a pretty contemptuous "Aren't you ever going to get sick of living under my shadow?," & responds to his "beloved friend" getting blown up with "You did good, bud" to Qi Xiaotian, who did the exploding), or that their original fight may in fact have mostly been instigated by Macaque. After all, to repeat what this anon summarized & what I've said before about their original JTTW context (& in an example of the things that do feel like it's often lost in translation) is that the Six Ear Macaque was a villain not just because he beat up the Tang Monk, but because he wanted to take over Sun Wukong's entire life and identity so he could have all that glory, prestige, and power for himself. To quote the macaque himself from the Anthony C. Yu translation, "I struck the T'ang monk and I took the luggage...precisely because I want to go to the West all by myself to ask Buddha for the scriptures. When I deliver them to the Land of the East, it will be my success and no one else's. Those people of the South Jambudvipa Continent will honor me then as their patriarch and my fame will last for all posterity." And in order to do this, the Six Eared Macaque had apparently made Sun Wukong's "little ones," his monkey family, his captives through either trickery or force, and gotten a number of them to take on the appearance of Tang Sanzang and the other pilgrims. It's also made clear that in very direct contrast to Sun Wukong, he doesn't care about these monkeys beyond how they might serve him. In fact, after Sha Wujing kills the monkey posing as him the Six Eared Macaque not only all but immediately replaces him with another, but also "told his little ones to have the dead monkey skinned. Then his meat was taken to be fried and served as food along with coconut and grape wines." So this monkey is not only willing to risk the lives of a lot of other monkeys for his own personal benefit, but is also a literal cannibal. And yes yes, I know a lot of people have argued that Monkie Kid shouldn't be considered a direct sequel to JTTW & that's fair enough (for example, Sun Wukong probably shouldn't be smashing anyone into a meat patty in a children's cartoon lol). And of course, it needs to be noted that there are a buttload of really out there & really cursed pieces of media based on JTTW & that were created in China. Yet the above description is the oft-ignored in the west original facet of the Six Eared Macaque's character. And it is this selfishness, entitlement, and treatment of other individuals as tools for his own self-serving ends that is, from where I’m standing, still very much present in Monkie Kid. Like besides repeatedly going out of his way to physically and psychologically traumatize Xioatian, with the last episode Macaque seemed to be going right back to his manipulative ways. I’ve seen people frame their last conversation as Macaque softening to Xioatian a little bit, but personally that read a lot more like that common tactic among abusers where even after they’ve hurt you they’ll dangle something you want or need over your head (in Macaque’s case, the promise of desperately needed training and information about a serious looming threat), with the implication that you’ll only get it if you do what they want you to, such as, in this case, Xioatian going back to Macaque as his student even after having been so terribly hurt by this monkey, which would give Macaque power over Xiaotian and probably Sun Wukong as a result. And it is this violence and manipulation that it seems the fandom at large has tacitly decided shouldn’t even be addressed, instead leaning more towards a (and this is an exaggeration) “Six-Eared Macaque my poor meow meow Sun Wukong has always been bad & has always been wrong about literally everything” reading.

And while it is the case that I am not Chinese and feel that as such it would be best left to someone who actually comes from that background to provide more context into how common interpretations of the Six Eared Macaque from China may clash really badly with the stuff the western fandom creates, it also must be noted that, as much as we all want to have fun in fandom & in spite of all the out-there versions of JTTW from China, we westerners should recognize that there is a very long and very ugly history of western countries stripping other cultures’ important religious and literary works for parts & mashing them into their own thing while implying or even insisting that what they present provides a true understanding of the original piece. And while I trust most individuals in regards to Monkie Kid are able to step back and think “this is a lego cartoon and not a set guide for how I should understand JTTW” (especially given the insistence that JTTW and Monkie Kid should be considered there own separate works) there does nevertheless seem to be something of a tendency to take the conclusions people come to, for example, about Sun Wukong’s characteristic in his lego form & then assume that’s just reflective to Sun Wukong as a totality. I imagine a good portion of this is due to people not reading JTTW & especially to not having easy access to solid information or answers about JTTW’s many different facets (like geez awhile ago I was trying to get a clear answer on what is considered the most accurate translation of the names of Sun Wukong’s six sworn brothers & got like 5 different responses lmao), but that tendency to take a western fandom interpretation & run with it instead of doing any background research or questioning said interpretation is still very much at play. As such, & as made prominent in the way people have been interpreting the dynamic between Sun Wukong and the Six Eared Macaque in the lego monkey show, tbh it does seem kind of shitty for western creators & audience to sometimes go really out of their way to ignore all of this original cultural & narrative context for the sake of Angst (TM) in Macaque's favor, demonizing Sun Wukong, and shipping the monkey king with his evil twin (X_X).

And speaking of which, even beyond the potential inherent creepiness & revulsion that can be inspired by this specific ship given common interpretations of the og classic's original meaning (again, it's my understanding, given both summaries of translated Chinese academic texts I've been kindly provided with, my own reading of the Anthony C. Yu translation of JTTW, & vents from a number of Chinese people I've seen on this site, that the Six-Eared Macaque is commonly interpreted in China as having originated from Sun Wukong himself as a living embodiment of his worst traits, hence why only Buddha can tell the difference between them & why the monkey king is much more slow to violence after he kills the macaque), I'd argue that in the face of all the uwu poor widdle meow meow portrayals lego show Macaque is, especially if you include JTTW's events, still in the role of “Sun Wukong but worse” as he is very much a violent & selfish creep. Like he was basically running around in JTTW wearing a Sun Wukong fursuit, but there he had the sole reason of wanting to replace Sun Wukong wholesale so he could have all the good things in the monkey king's life without actually having to work as hard for them. But if you combine that with Macaque now claiming that he used to be best friend with Sun Wukong in his pre-journey days (something that's made funny from a JTTW context given that that status actually belongs to the Demon Bull King lol), his original violence has now blown into this centuries long and really unhealthy obsession with the monkey king. Like he's apparently gone from wanting to literally be Sun Wukong to being so obsessed with getting revenge on Sun Wukong that he's got basically nothing else going on in his life. Like he's only appeared in two episodes but...does he have any friends? Any family? A career or even a hobby that DOESN'T center the monkey king? Anything at all outside of his "get revenge on and/or kill Sun Wukong/use his successor as my personal punching bag” thing? Like dude! That is extremely creepy and extremely bad for everyone all around! As I’ve said before, this seeming refusal to see beyond the past or to do something that doesn’t involve Sun Wukong in some capacity is a trait that makes Macaque an interesting and somewhat tragic villain--he even seems to be working as Sun Wukong’s reflection in a mirror darkly, with lego show Sun Wukong pretty clearly not being able to heal from his own past which is hinted to be defined by one loss after another, and with Monkie Kid even kind of having these two characters somewhat follow their JTTW characterizations in that in the latter half of the journey Sun Wukong often gets sad & starts crying in the face of what seems insurmountable odds (& Monkie Kid Sun Wukong does seem to be hiding some serious depression behind a cheerful facade), whereas the Six-Eared Macaque retains a worse version of Sun Wukong’s pre-journey characteristic of getting pissed and lashing out if things don’t go his way--but it’s also what would make any current friendship or romantic relationship between these monkeys horrific. Although to be fair even the fandom seems to recognize this in an unconscious way, in that a lot of the art & fanfic seems to swing erratically between them kissing & screaming at each other in yet another example of bog-standard fandom adulation of romanticized toxic relationships lol.

At the end of the day, of course, this is nothing new. You'll find versions of this dynamic across a ton of fandoms and now even canonical work. And as such, I can only look at this kind of popularized relationship dynamic with a kind of resigned weariness whenever it pops up, & my frustrated question with the popularity of this kind of pairing is the exact same one that I have for a multitude of blatantly toxic villain/hero ships, given common fandom discourse & the tendency to either ignore or justify the villain's actions & demonize the hero: if you're THAT convinced that everything is the hero's fault, if you believe THAT much that the hero is the one in the wrong for the villain's pain and their subsequent actions, then why are you so set on them not only becoming a romantic pair, but framing this get-together as a good thing? Like I know we contain multitudes but that's waaay too many contradictions for me to wrap my head around. And it definitely doesn’t help that one branch of underlying reasoning behind this kind of pairing seems to be the ever-present “you break it, you fix it” mentality, where the assumption is that if you’re in a failing, abusive, and/or generally toxic relationship (platonically or romantically), if you put in enough time and effort & attempts to compromise, you’ll be able to restore/have the relationship you dreamed of, even with someone who hurt you really badly. And this assumption isn’t limited to fandom: I’d even argue that it’s everywhere in the culture, hence why a lot of people feel like they “failed” if they have to get a divorce or make the choice to leave an unhealthy friendship. Personally, I feel like people could really benefit from more stories about how it is not only the case that the people you hurt don’t owe you their forgiveness & you can still become a better and happier person without the one you hurt in your life, & that while it can be really hard it can also be a good thing to leave a relationship, even if it’s one that once meant a lot to you.

But in all honestly, from my own perspective this kind of pairing is starting to read far less like enemies to lovers and far more like a horrible fantasy where you can pull whatever shit you want, even on the people you "love," & never be held accountable for your terrible behavior or even have to consider that maybe you were in the wrong. It's another facet that makes me larf every time I see people insist that fandom is an inherently "transformative" or "progressive" form of storytelling like friends you are literally just taking status quo toxic monogamy & rebranding it as somehow beneficial & romantic (X_X).

But as to anon’s last frustration, it is hard to know what is the appropriate response with this kind of thing...like for my own part I’m keeping my frustrations to my blog & now increasingly to posts that you would have to click on the “read more” button to see what I have to say, but I totally get the hesitation to give even a mild critique to big names in a fandom. Like I've now seen it happen repeatedly where someone who has a big name in a fandom will make something that's kind of shitty for one reason or another, someone will message them with some version of "hey, that's kind of shitty, you shouldn't do that," and the typical response is either to blatantly ignore the issue completely, or more popularly to make a giant crying circus that seems deliberately geared towards stoking emotions on both sides of the, for example, fiction does/doesn't affect reality issue so that something that didn't even have to be that big a deal gets blown out of all proportion, with the big name often framing what often started out as a very mild critique into a long crying jag about how the initial response to their kind of shitty thing was so mean/cruel and they're just a poor innocent & that YOU'RE the true racist/sexist/bigot etc. if you don't agree with their opinion. It must of course be noted that there have also been numerous instances of people taking it too far the other way & sending not just big names but smaller creators literal deaths threats over stuff like innocuous ships which like holy hell bells people that’s a horrible thing to do. But for the big names at least, the end result of all this fighting is usually that once the dust has settled they have more attention/fame/money/power in the fandom than before, and with anyone who might have a problem with their stuff feeling afraid to voice their opinion lest they be swarmed by that person's fans. In that way fandom does often seem to increasingly be geared towards presenting an “official” fandom perspective about various facets of a piece of media instead of allowing for a multitude of interpretations, and with criticism, no matter its shape or form or how genuinely warranted it may be, being hounded out of existence. I feel like a lot of this could be made less bad if there wasn’t this constant assumption & even drive to think that a different interpretation of or criticism of your favorite work of fiction or your fanwork isn’t a direct claim that you are a thoroughly loathsome individual (& maybe also if people cultivated an enjoyment of learning things about important works from a culture outside their own, even if what you learn clashes with your own initial understandings), but I guess we’ll see if that ever happens.

So these are my general thinks about the Six Eared Macaque’s current fandom meow meow status & some of my bigger gripes with fandom tendencies as a whole. I stand by my idea that the most interesting & beneficial route for Macaque moving forward would be a kind of “redemption without forgiveness from the ones you hurt” arc--as I think was done pretty excellently with the character Grace in Infinity Train--and if for no other reason than gosh dern this monkey really needs to cultivate some sort of identity beyond his “Sun Wukong but worse” persona.

#lmk macaque #monkie kid macaque #6 eared macaque #monkie kid #lmk sun wukong #qi xiaotian #lmk monkey king #sun wukong #monkey king #journey to the west #jttw #fandom criticism #lmk

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thinkingisadangerouspastime · 4 years ago

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Hi, first off I ship Zutara and I come in peace. I was pointed your way by a friend when I asked for people who ship kataang who are nevertheless willing to hear different views. I have lurked on blog a week and finally got up my nerve to ask how you or any other Kataang can deny that the last part of book 3 was completely Zutara but then stopped abruptly with no buildup? You can finesse tone on text so I'm not being sarcastic or bitchy, it is a serious question (1/5)

In The Southern Raiders, Katara realizes she has been wrong about Zuko. In Ember Island Players, she realizes Aang is not as mature as she thought he was, and in the finale, Katara does not care a whit that Aang is gone. I am serious and as someone who is no Aang stan but likes him, I’m actually annoyed by how little anyone cared about his disappearance. It went from “Aang’s gone!” to “Okay whatever, let’s find Iroh so he can kill Ozai.” (2/5)

Katara was all over Zuko (honestly, again not being a jerk) in the finale until for whatever reason, she wasn’t. She was giving him a pep talk about Iroh, she was going with him to Azula, she was healing him and saying he saved her not the other way around. I genuinely don’t get why this isn’t seen as romantic. I will grant you that Zuko would not have allowed Azula to kill anyone but I feel the point here was Zuko realizing his life was pointless if Katara was killed. (4/5)

And then literally at the end, Mai shows up after Zuko not talking about her at all for six episodes and declares herself Zuko’s girlfriend. And Katara kisses Aang after being annoyed with and by him arguably since The Southern Raiders. I get that Kataang “won” and I’ve made peace with that, but ... I can’t understand why Kataang shippers are okay with such a crap story. I swear on my gmom [sic] if they’d done this for [Zvtara], I’d be mad as hell. So I don’t understand, I really don’t. (5/5)

As always, I shall begin with a disclaimer: anon, you do not have to agree with this post. No one has to agree with this post, as it is strictly my own thoughts on the subject matter raised here! As per usual, I will not be putting this in the main tags - much less the Zvtara tag! - because I have basic fandom decency, lmao. If you (the general you, not anon specifically) do disagree with this post, that is totally fine, I simply ask that you are polite in expressing your disagreement (if you choose to do so at all! no one is expected to, lmao. i promise).

Alright. Formalities are out of the way!

I’ll admit I giggled a little bit when you say you lurked on my blog for a week, because I’ve actually talked about this subject numerous times in the past! I just found it funny you hadn’t stumbled across any posts about it yet, lol. So, as a heads up, know that I will be providing several links in this post since - again - this subject and related subjects have been analyzed a multitude of times before. I highly recommend reading them all! Mostly because I don’t intend to spend forever restating what’s been said over and over and over lmaooo. I will provide the resources, but it is up to each individual to take advantage of them.

To begin: your ask actually contains a few logical fallacies, anon! I do not mean this as shade or to belittle you - I fall victim to this issue all the time myself. Anyone who writes analyses or participates in debates does! Humans are imperfect and often like to cut corners to reach a conclusion. It is nothing to be embarrassed or ashamed about because - as the existence of your ask in inbox indicates - you are willing to learn more. So kudos to you, my friend!

Alright. So what logical fallacies am I talking about here? (For the record: specific definitions of logical fallacies were taken from here.)

1. Hasty Generalization.

“A hasty generalization is a general statement without sufficient evidence to support it.” Numerous claims are made in this ask that I have absolutely no doubt you believe to be true, anon, but there really isn’t any concrete evidence to support it! I will go into more detail later, of course, but let’s quickly look at one example:

“In Ember Island Players, [Katara] realizes Aang is not as mature as she thought he was…”

For the time being, I will ask but one question: from the show itself, not fanon, how do you know this?

2. Causal Fallacy

Ah, this guy. My own worst enemy, tbh! “A causal fallacy is any logical breakdown when identifying a cause,” of which there are several types. “One causal fallacy is the false cause or non causa pro causa (‘not the-cause for a cause’) fallacy, which is when you conclude about a cause without enough evidence to do so.” In your ask, you claim:

“I will grant you that Zuko would not have allowed Azula to kill anyone but I feel the point here was Zuko realizing his life was pointless if Katara was killed.”

Again, for the time being, I will ask only one question: from the show itself, not fanon, what led you to believe this statement?

“Another kind of causal fallacy is the correlational fallacy also known as cum hoc ergo propter hoc (Lat., ‘with this therefore because of this’). This fallacy happens when you mistakenly interpret two things found together as being causally related.” In your ask, you claim:

“Katara was all over Zuko (honestly, again not being a jerk) in the finale until for whatever reason, she wasn’t. She was giving him a pep talk about Iroh, she was going with him to Azula, she was healing him and saying he saved her not the other way around. I genuinely don’t get why this isn’t seen as romantic.”

I will ask one question: from the show itself, not fanon, why would you believe these are indicative of romance? (Consider the context the show is situated in, too - e.g. the war, Katara being Azula’s only available match in skill, etc.)

The reason I bring up the issue of logical fallacies is again not at all to make you feel bad, anon!! You were simply trying to express your point to me and I greatly appreciate you taking the time to do so. See, your ask actually presents a larger fandom trend:

Misconstruing fanon as canon.

What you have offered to me, anon, are fanon conclusions. To clarify: there is absolutely nothing wrong with fanon. I adore fanon interpretations (an example I have used in the past is Kuzaang - like, I don’t care that there’s no canon basis! I do what I want lmao!), but a line has to be drawn between exploring fanon interpretations and expecting everyone to take that fanon as canon. Again, anon, this is not your fault! It is not any one person’s fault, lmao. It is an issue of fandom as a whole, and all of us fall victim to it.

With that in mind, I will break down the different components of your ask. I will also do my best to be brief - as aforementioned, I and others have analyzed this issue numerous times before, lmao. To avoid confusion, it would be best to read through each or at least most links as they are provided!

Firstly, there are two posts I have made in the past that almost directly answer your overarching question here in this ask. Please read them prior to continuing, as I will occasionally reference them:

This post explains how Zvtara was not built up from TSR/EIP-onwards, and how their supposed “canon enemies to lovers arc” is a completely fanon construction.

This post explains the issue of the “canon Zvtara” rhetoric from rabid zkers (and you, anon, are absolutely NOT one, in case you were worried).

Alrighty. With that out the way, let’s get into it!

“In The Southern Raiders, Katara realizes she has been wrong about Zuko.”

Gotta start by saying that TSR is not about Zuko. TSR is, first and foremost, about Katara. Katara does not realize she was wrong about Zuko, because here’s the truth - she wasn’t wrong about him. Zuko did horrible things to the Gaang. Katara was not wrong to hold him accountable for that. What Katara does realize is that holding such rage so close to her chest is bad for her. This rage was not solely anger against Zuko, either; it was of course about Yon Rha, too, but it was also anger towards Kya and Katara herself. Essentially, TSR is where Katara realizes she has to forgive herself. Zuko is only one part of her journey (similar to Aang’s role in the episode, if a different end of the spectrum).

This post explains how TSR was fundamentally about Katara.

Additional resources about TSR:

This post explains Aang’s comments to Katara in TSR and how Katara herself recognized their validity.

This post explains why both Aang and Zuko were important to Katara in TSR.

This post is an extensive breakdown of Aang and Katara’s relationship within TSR.

“In Ember Island Players, [Katara] realizes Aang is not as mature as she thought he was…”

You provide no context for this claim, so I’m going to work with the assumption this is about their reactions to the play itself and the infamous kiss!

There is something important we must keep in mind when discussing EIP: the play they watch is literally imperialist propaganda. It is meant to demean the entire Gaang, and indeed it does exactly that. You mention Katara and Aang specifically, so I will recap what I have explained before about their depictions in EIP: Katara, an indigenous woman, is hypersexualized and portrayed as overly emotional (and thus “irrational”). This reinforces the Fire Nation sentiment that women of the Water Tribes are less intelligent and less suited for “responsibility” than Fire Nation women. Aang, a pacifist and the sole survivor of genocide who is also canonly the male character most comfortable with femininity and spirituality, is portrayed as a flighty, airheaded woman (this is a well-known imperialist tactic meant to emasculate the target, seeing as masculinity was often equated with power in fascist regimes; thus, they effectively belittled Aang before the FN audience). This reinforces the Fire Nation sentiment that the Air Nomads were foolish, weak people who deserved to die.

In other words, of course Aang and Katara were upset about how they portrayed in the play. It is understandable that tensions would be running high and consequently that mistakes (we all know the one) would be made.

This post explains how EIP belittles each member of the Gaang (and why the play is not indicative of Zvtara).

This post talks specifically about EIP and their portrayal of Aang and Katara.

Now onto the kiss. As everyone knows and no one has ever disagreed with, Aang was wrong to kiss Katara. Point blank!

But what people do misunderstand is Katara and Aang’s feelings regarding the kiss. Given your above quote, I assume you believe Aang kissing Katara supposedly made her realize that Aang wasn’t as mature as she once thought. On the surface, this seems like a logical conclusion! But digging deeper reveals… well, there’s nothing that indicates this conclusion at all. Even jumping ahead to the finale, when Zuko has doubts over Aang’s return, Katara demonstrates her faith in Aang (although of course she’s nervous - I won’t deny the obvious, lmao) as she says, “Aang won’t lose. He’s gonna come back. He has to.”

In other words, nothing in canon suggests that Katara believes Aang is immature because of what happened in EIP. She still trusts in his return, as she did even before she knew him (and arguably is more confident in him now, given the 60~ episodes of them growing closer). Furthermore, when Aang does disappear, Katara doesn’t have an outburst about how “immature” it was for him to “run away again.” The viewers know Aang didn’t run away, of course (fans who insist he did are not worth arguing with, anon - they don’t understand the show, rip), but that is a luxury the rest of the Gaang is not afforded. And yet even though Aang has vanished off the face of the planet, Katara still believes he will save the world. If anything, that signifies the utmost confidence in his skill and maturity!

To go back to the kiss itself, this post explains the true source of Katara’s conflict in turning down Aang (hint: she says it herself in the episode! you know, the whole war going on) and why the EIP kiss did not sink Kataang’s relationship.

Additional sources about EIP:

This post explains how the EIP kiss was resolved through narrative parallels.

This post explains how the EIP kiss is so often blown out of proportion.

“… and in the finale, Katara does not care a whit that Aang is gone. I am serious and as someone who is no Aang stan but likes him, I’m actually annoyed by how little anyone cared about his disappearance. It went from ‘Aang’s gone!’ to ‘Okay whatever, let’s find Iroh so he can kill Ozai.’”

As I already touched upon, Katara didn’t need a soliloquy to emphasize her connection to Aang once he disappeared. She trusts that he will return. She says so herself. I guess I just don’t understand how you got from Point A, Katara has consistent faith in Aang, to Point B, Katara and the rest of the Gaang didn’t care about Aang’s disappearance. It’s honestly a bit more like Point A to Point Z, lmao! If you would like to expand on your logic here, I would love to hear more!!

There are a few specific aspects I want to note about your rationale, though. You argue the Gaang moves from ‘Aang disappeared’ to ‘let’s find Iroh,’ but the Gaang actually went from:

1. Aang disappeared!

2. They search the entire island for him.

3. Okay, they couldn’t find him, so they track down June and have her try to find Aang.

4. June says to them, “No, I mean he’s gone gone. He doesn’t exist.” (And she clarifies to Sokka that she doesn’t mean dead, either - she means Aang has totally blinked out of their world.)

5. Only after all of this do they decide to track down Iroh.

The Gaang cares immensely about the fact that Aang is gone, and you could actually argue they waste time by trying to track him down. They don’t give up until June essentially tells them that some Spirit World shenanigans were involved. Even if you don’t think they reached that specific conclusion, I have to ask: What else were they supposed to do? They were told Aang didn’t exist! How are they supposed to fix that?

Well, they can’t. So they do the next best thing: they find Iroh, the man who knows Ozai better than anyone and is also one of the most talented firebenders in the world. In my opinion, that’s a very logical step to take.

I’ll be blunt here, lol: in my opinion, nothing of what you listed in your ask is inherently romantic.

Okay. I am going to assume you’ve read the first two posts I linked earlier (“Zvtara did not have an E-L arc” and “the ‘canon’ Zvtara of rabid zkers has issues”), because I do not intend to rehash everything they contain, lol. Consequently, I presume you realize by now that there was no canon romantic interest between Zuko and Katara.

And as I always say, just because there wasn’t a canon romance doesn’t mean people can’t take fanon routes! Of course they can! That’s the entire point of fanon! But fanon is not canon, and I am strictly referring to canon in my discussions.

You claim Katara was all over Zuko, which in itself I don’t think is an accurate assessment, because she doesn’t really do anything with Zuko outside the three points you bring up (other than the June gag, which I addressed in one of the aforementioned linked posts). So I’ll go ahead and break down each instance you provide!

1. “[Katara] was giving [Zuko] a pep talk about Iroh”

Katara asked Zuko if he was okay. She asked him if he was genuinely sorry. She reassures him that Iroh will forgive him. That’s… all. Not to diminish the significance of this conversation, but it’s not exactly an intimate, romantically-charged discussion (unless fanon-ized). But on that note, let’s tackle the canon significance of this moment!

Katara knows firsthand the challenge of forgiving Zuko. And she knows that Zuko understands how hard it was for her to forgive him (note: Katara’s anger was totally justified, and anyone who disagrees is probably a rabid Zuko stan lmao). She also recognizes that Zuko is terrified it will take Iroh the same struggle to forgive him that Katara went through. This scene is not related to romance at all. It’s about compassion. It’s about Katara and Zuko’s friendship having progressed, slowly but surely, to the point where she’s not afraid to extend empathy to him anymore (seeing as the first time, beneath Ba Sing Se, did not go so well; you know - Aang died and all). It’s about Zuko recognizing his own fallibility (and the audience recognizing how much he’s grown). He questions how he can even face his uncle after all he’s done to the man, which is a far cry from his entitled attitude in TSR, where he demanded to know why Katara didn’t trust him when everyone else had forgiven him.

To make this moment, this moment about Zuko’s relationship with his uncle who is all but a literal father to him, this moment of vulnerability, of guilt, of remorse, of growth, to claim this powerful moment is about a nonexistent romantic relationship? In my opinion, that is incredibly reductive to what this scene is supposed to signify. And again, there is nothing wrong with people exploring such a possibility in fanon, but in canon? Nah. It doesn’t track.

2. “[Katara] was going with [Zuko] to Azula”

Don’t forget that at first, Zuko planned to take on Azula alone. He doesn’t request Katara to accompany him until Iroh tells him that he’ll need help. As such, Zuko’s immediate agreement with Iroh is reflective of his personal growth (Book 1 and 2 Zuko would have argued and insisted he didn’t need any help). It also demonstrates, however, that Katara was not obsessively on Zuko’s mind. He doesn’t choose Katara until Iroh points out that Zuko will need assistance in taking Azula down. This means that Zuko’s choice of Katara to join him is a tactical decision, not an emotional one. And by all accounts, it’s a damn good decision! Zuko witnessed firsthand beneath Ba Sing Se a) how powerful Katara was (e.g. that wave after Aang died) and b) how Katara was the only one who could take on Azula*.

Of course, besides the fact that Katara was the only match for Azula, who else was Zuko going to choose? Sokka and Suki, while talented in their own right, were no competition for Azula. Toph, while the greatest earthbender in the world, was needed to metalbend the airships. Katara was the only (and the best!) option.

Also, on their trip to face Azula, the only thing they talk about within their three lines of canon conversation are Azula and Aang. Not exactly a romantic flight, lmao.

*Zuko never saw Aang fight Azula on the drill.

3. “[Katara] was healing [Zuko] and saying he saved her not the other way around”

Actually, this is what the transcript says:

Zuko: Thank you, Katara.

Katara: I think I’m the one who should be thanking you.

You’re right about how their lines refer to them saving each other, but you posit it as a romantic moment, when the lines are actually pretty straightforward. Zuko thanks Katara as she heals him from the partially-redirected lightning strike, and Katara thanks him for trying to redirect the lightning away from her and in doing so saving her life. In terms of canon, there’s nothing romantic about this, lol! (Which I talked about extensively in the E-L post, if you need to reference it again.) The reason being is that you have to take the show itself into context when you do analysis. If there was no canon romantic buildup between Zuko and Katara, why would these lines in canon (not fanon! fanon is free rein, lmao) be interpreted through a romantic lens?

Well, they wouldn’t be interpreted as such. Plain and simple.

“I genuinely don’t get why this isn’t seen as romantic.”

Because looking through a canon lens, they aren’t romantic. That’s all. You are of course welcome to view them as such through a fanon lens!! It’s just about recognizing the line between canon and fanon.

“I will grant you that Zuko would not have allowed Azula to kill anyone but I feel the point here was Zuko realizing his life was pointless if Katara was killed.”

I asked earlier what content in the show itself led you to believe. I have wracked my own mind, and I cannot think of anything that would point to this conclusion. Zuko was in Katara’s good graces for 5 episodes. That’s 8% of the show. Not exactly a lot of time for Zuko to start believing his life would be pointless if Katara was killed, is it?

This post explains the improbability of Zuko having a crush on Katara within canon.

This post explains how Zuko’s racism towards the Air Nomads in TSR and the finale is, well, exactly that - racism (and not a sign of a crush on Katara).

And, of course, as has been said a million times, Zuko taking the lightning for Katara out of romantic interest would completely undermine his redemption arc. Since it has been said over and over and over, I will be brief: Zuko taking the lightning is significant because it is a selfless act (one of his only in the series), and it directly parallels his selfish act of choosing not to intervene when Azula killed Aang with lightning beneath Ba Sing Se. This moment demonstrates Zuko’s growth, how he has learned to accept unconditional love from Iroh and the Gaang and Mai and even Ty Lee and sure, even from Appa and Momo, too. To make this moment of pure selflessness about a nonexistent romance? To force a fanon romance in replacement of canon redemption and canon platonic significance?

Such a decision speaks wonders about a person’s priorities, in my opinion, as well as how amatonormativity impacts them.

Furthermore, Zuko’s choice cements Katara’s position as his surrogate sibling, as she is Azula’s primary foil. Zuko chooses the sister who heals over the sister who harms. I won’t go too much into it here, because it has already been talked about extensively before! Thus, I offer you this post that explains how Zuko and Katara - in canon - are positioned as surrogate siblings as well as Azula’s role in this matter. I also offer this post that lays out through screencaps how Zuko and Katara - in canon - treat each other like family.

Additional sources about the final Agni Kai:

This post in part discusses fanon misinterpretation of the final Agni Kai and why such a lens is not true to canon relationships.

This post explains why the final Agni Kai is not intended to be romantic.

This post explains how the final Agni Kai is primarily about Azula and how reducing it to be a big Zvtara moment is detrimental to both her and to Zuko and Katara themselves.

“And then literally at the end, Mai shows up after Zuko not talking about her at all for six episodes and declares herself Zuko’s girlfriend.”

This point could probably get a post of its own, lol, but fortunately I and others have already written a few! I will link them below - first, however, I question your choice of “declares.” Technically, yes, Mai does say outright that it doesn’t hurt how the new Fire Lord is her boyfriend, but your phrasing implies Zuko resisted her proclamation. When… he doesn’t. In fact, he embraces it, asking if that means she doesn’t hate him anymore (read: he asks if they’re back on good terms again). Zuko clearly doesn’t have a problem with the girl he loves wanting to be with him again - so why do some parts of fandom so adamantly insist he does? (Not you, anon - I am referring to the rabid fanoners, lol.)

Also, regarding how Zuko hasn’t talked about Mai for six episodes, we’ve gotta be realistic with this assessment in terms of canon:

1. It was the crux of the war. They were either going to live or die. There was no time for romance at this point! Sokka and Suki weren’t professing their love on the battlefield, lmao, so it’s not exactly strange that Zuko didn’t bust into a monologue about how he missed Mai. I think they were just a little bit distracted by the possible end of the world, lol, and all that jazz.

2. Zuko probably thought Mai was dead. He knows what Azula is like. He knows his sister doesn’t have time for people who get in her way (Aang can testify to this, lmao). So can you blame him for not wanting to think about how the girl he loved had died (to his knowledge) to save him?

You gotta cut the kid some slack, lol. Anyways! Additional sources about Maiko:

This post breaks down the notion of Maiko and “deserve.”

This post rationalizes through a canon lens why Mai’s arrival at the palace surprised Zuko.

This post is the mother of Maiko metas, explaining in tremendous detail why their relationships works, is relevant to canon, and was well-implemented for what its role was.

“And Katara kisses Aang after being annoyed with and by him arguably since The Southern Raiders.”

What in canon has led you to the conclusion that Katara was annoyed with Aang? What specific moments from TSR to the finale made you think Katara was annoyed with Aang and remained annoyed with Aang? Are there any, or are you thinking about fanon interpretation? (Canon vs fanon strikes again!)

In TSR, Katara explicitly thanks Aang for understanding her perspective. Nothing there is indicative of annoyance (and as in the links provided earlier, she was not angry at Aang/Zuko/etc. so much as she was at herself. well, she was a little bit angry with Zuko, lmao). In EIP, Katara is understandably angry at Aang’s decision to kiss her, but Aang completely backs off, and we see in the part 1 of the finale that there are no hard feelings or weird tension between them. Katara in fact actively expresses concern for Aang after Zuko sporadically attacked him when she demands of the firebender, “What’s wrong with you? You could have hurt Aang!” Even when Aang and Katara do butt heads later in the episode as Aang tries to think of a way to defeat Ozai without killing him, Katara doesn’t stay frustrated. Like I said - when she and Zuko are flying to Azula, she demonstrates her unwavering faith in Aang through her belief that he will return. So… where is the annoyance that you feel was present?

With all this mind, i.e. looking strictly at canon, Katara wasn’t annoyed with Aang during this time. Thus, Katara kisses Aang because she loved him. Because he backed off and gave her the space she needed to make a decision about if she wanted to be with him (hence Katara being the one to initiate the kiss). Because the issue was never about if she reciprocated his feelings (they both knew they loved each other) but rather it had to do with the war. At the end of the finale, the war is over, and there is nothing that prevents them from being together. Simple.

This post explains how Katara’s feelings for Aang develop throughout the series (and were not neglected, as rabid zkers like to claim, for some reason? again - you are not one of them, anon).

This post also covers Katara’s interest in Aang throughout the series.

“I can’t understand why Kataang shippers are okay with such a crap story.”

I mean, you definitely don’t have to ship Kataang. It may not be your cup of tea, and that’s totally okay! But as the above links demonstrate, Kataang was a fantastic story. It was well-implemented into the narrative from Day 1. The soulmateism is unparalleled!

Also, it’s worth noting that A:TLA itself was essentially pre-written. The writers knew how the story would end from the get-go, including that the show would end with Kataang. A few Zvtara gags were thrown in to add a sense of “who will Katara choose?” drama as the show aired, but Zuko and Katara were never planned to end up together. One reason so many newer fans are fine with Kataang from the start is that there’s no tension of waiting a week for a new episode when you can watch all 61 episodes straight through on Netflix, lmao. It’s even more obvious now than when A:TLA was airing that Aang and Katara will end up together, if that makes sense. (Although I talked about this in the E-L post linked earlier, so you probably understand this point already, as it was explained in detail there!)

All of this is to say that Kataang is not a “crap story” in terms of writing (again, personal taste is a different matter) because it was woven in from the beginning and had powerful narrative significance! (Kataang represented numerous complementary components of the series, such as yin and yang, push and pull, air and water, Oma and Shu, etc.)

Now. If you really and truly want to understand why Kataang shippers like Kataang, anon, consider reading some Kataang fanfics or exploring some Kataang headcanons. I read fics involving Zvtara more regularly than you might think, lol, because… well, it’s just a ship. I understand the appeal of romantic Zvtara and I can actually appreciate it when it’s well-written! I’m sure if you’re willing to put in just a little legwork (you don’t need to go the whole mile, lmao - ‘tis just fandom), you’ll realize why people like Kataang, even if it isn’t exactly your thing. You have the range, anon!! You got this!

I hope I managed to answer your questions, my friend! As always, you do not have to agree with anything I have said here. It is totally fine if you and anyone else disagrees! Everything above is simply my own perspective on the matter. Thank you for taking the time to read my response and all the different links I provided! I hope it has expanded your understanding of the subject at hand!

#i spent all day writing this lmaooo #TWO WHOLE HOURS SPENT COMPILING LINKS #amy answers #anon #amy analyzes

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sheriff-caitlyn · 3 years ago

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I started this blog in 2014, as the first Caitlyn on tumblr, and obviously I’ve been through a lot of retcons and changes myself, not only adapting to Riot’s own public retcons (from the minor, like her aesthetics, to the major, like the removal of the Institute of War as an integral part of their lore) but also to my own. That’s the thing about playing a character as complex as this, is that you learn more as you go. In your interactions with others and the creation of backstory, history, and other bits of worldbuilding to better understand the world you’re in, a character goes from a handful of images and some in-game voicelines to a fully-fledged person with a complex narrative. Sometimes things change, and that’s fine. But there are some changes which... aren’t.

For all the fingerprints I’ve put on her, she is still not my character. But I care. Sunk-cost fallacy, maybe, but I care about this character I have been involved in and I care about the direction she has been taken. So, without further ado, I’d like to delve into:

The Recent Caitlyn Update In Piltover’s New Context or, We Gotta Fetishise Police Violence, I Mean, Look At Her, She’s So Hot

Back in August 2015, I went, ‘Oh No, they’re going to try to turn Piltover into Gotham City, aren’t they?’, and lo and behold, suddenly we have Poison Ivy now. But I will get back to that, later. In this particular thread, I noted that many of the characters in Piltover seemed destined for a revamp that would rob them of what originally drew us to them in the first place, and that Piltover seemed destined for a rework that would wash out much of their character. Piltover and Zaun were always meant to be polar opposites, but suddenly we were seeing glimpses of Piltover being ‘not as good as everyone thinks’, which hinted that Piltover and Zaun were destined not to be polar opposites in the future, but indistinguishable from each other. It worried me that the only thing telling these two fascinating cities apart would be the sunlight.

So, when we have so much potential for a clash between Zaun and Piltover, between ‘Science No Matter The Cost’ and ‘We Must Advance The World With Care’, why change Piltover to some murky middleground, turning peace and security into wartime capitalism? A world where the people are shitty, where weapons and profit come first, and the only ones making a stand are the ones who are so embittered they have nothing better to do?

Because it has to be ‘interesting’. We’re going to lose bits that we like, that we’re familiar with. And that’s why I’m concerned.

This was before Piltover and Zaun were squished together in an ugly - and utterly ham-fisted - method of showing How Complex The Future Is. There’s layers, guys! Literal layers to this one single city! That means it’s deep! But when I say ‘bits that we like, that we’re familiar with’, I’m not clinging to a fanon interpretation. I’m saying the things that drew us to the world and to the characters to begin with. I could adapt from Caitlyn turning from brown-haired and brown-eyed to black-haired and blue-eyed, because even through I had been doing art, at that point, the change gave me an opportunity to express and discover more about her character (her eye colour being influenced by her mother’s magic, for one). But some of the more stark changes - to family, to job, to personality, to the city of Piltover itself - these result in a character changing completely. I was worried that the cool detective who literally made the world a better place would be chopped and changed into something unrecognisable. I even expounded on my concerns in November 2016, where I could see some of the ways the writers at Rito might make adjustments in the direction of their lore updates.

All this to say, I’ve been working on her for a while, and I was bracing for some bad news. This? This is kind of the worst.

Caitlyn has always been the Sheriff of Piltover, an authority figure, a representative of the law and order that Piltover is famous for. Piltover’s peace and financial prosperity has been directly linked to Caitlyn’s concerted effort to eradicate crime (not criminals, crime! Which, as I have mentioned particularly in this post from 2014, means she upended and reformed the justice system, from the legal process to the prisons to how people are treated as citizens). The city is safe, people have greater access to personal wealth and development, classism is erased, society is flourishing. Zaun, as Piltover’s polar opposite, is a corporate nightmare, with ‘do as thou wilt’, private bodyguards for the rich and powerful while the poor scramble to survive in a system that barely treats them as human. Vi, as a Zaunite, brings a lot of her ‘violence as a problem-solver’ methodology to Piltover’s law-enforcement, though she seems to have no intention of returning to Zaun and seems to have bonded with Caitlyn (‘teamwork!’) to Get Shit Done. And, apparently, there is still shit that needs to be done, though nowhere near as much as there had been in the Bad Old Days.

Vi was, at the time, the awkward-grit-teeth-grin-ha-ha-um-yeah representation of police violence. ‘Resist arrest’, she cries gleefully, as she beats people and breaks down buildings, and we are supposed to go ‘ha, isn’t that funny’ with varying degrees of sincerity. Of course Piltover is going to have problems: anywhere that has wealth and stability is going to be targeted by the envious and the needy. Peace needs to be protected. The problem lies in how that protection is enacted.

So now we have the recent Legends of Runeterra update to Caitlyn, an update which looked at the context of Piltover needing protection, as well as the modern context of Riot’s California location in the Years of Our Lord 2020-2021, and then decided ‘you know what we need? Police violence, everyone loves police violence’.

MAN I thought the stripper-cop skins were bad but here we go!

Her Yordle Snap-Traps (which I envisioned as from the Yordle Military, rather than a racially-profiling weapon as, y’know, they work on human-and-larger-sized people as well) have now been replaced by electroshock grenades, the intent gone from incapacitation and observation to outright paralysis and destruction. Her net-short is now apparently electro-conductive (admittedly, I have had one (1) single RP where that happened, but it came at both a cost to Caitlyn and to her weapon’s efficiency as a result, a last-resort against a dangerous opponent). Caitlyn’s cards in LoR take her from being a detective coordinating ideas and people and putting together a case to a SWAT team leader. This might be the biggest problem in working for a non-combat-oriented character in a MOBA, or in any fighting game: the game needs to find rationalisations for all of their characters being there, being combatants, being able to kill (even if, as Riot says, the lore is separate from the game). We have monsters and soldiers and ancient powers who of course they know how to spill blood and relish in doing so. But pacifists, like Karma or Bard? Explorers like Ezreal? And a sheriff, a peacekeeper, a law-keeper, someone mindful of responsibility and the importance of saving every life possible, like Caitlyn? They’re stripped of that depth and complexity in-game, but there was always the lore that backed them up. But they’ve done away with that completely. Caitlyn was never special operations. She was never military. But now she is, because she had to be changed to fit better into a fighting game. They had to make her violent, and as a result, they have undermined not only everything about the character that made her interesting to begin with - turning her now into a representative of police brutality, but with long hair, pouty lips, and a thigh gap - but they’re also re-writing the context of Piltover. It was bad enough to squish Piltover and Zaun together. But now, Caitlyn’s update is proof that Piltover has gone from a steampunk utopia to a violent, oppressive and cynical post-industrial world. The depiction of Caitlyn as a SWAT team leader (complete with special-forces beret, because hat! Caitlyn wears a hat! Nevermind the fact that she’s no longer wearing a distinctive tophat but instead a symbol of extreme state-sponsored force!) shows us that Piltover’s ‘army’ is not designed as a defence against outsiders, but as an offensive force against their own people. Caitlyn is supposed to be the representation of how peace and order is maintained in one of the largest factions in League of Legends, and if her method of maintaining order is straight-up police violence against their own citizens, then it’s not really peace and order. It’s authoritarianism at best, and facism at worst.

Piltover was different from every other nation in Runeterra because it didn’t have a military. It had defenders, and it had a powerful economy, and it had a democratic political system. But the Piltover update retconned Caitlyn’s hard work. The gangs were back - though now they’re big powerful families like Clan Ferros - and Caitlyn has been de-aged so that she’s still new to the force, that she hasn’t even had her chance to change anything. Her importance to Piltover is minimised... and why is Vi even there? (Oh boy I guess you’re going to have to watch Arcane to find out! Coming to a Netflix near you soon!) With a younger Caitlyn in a violent society, she has no choice but to be violent herself... even if that undermines everything previously established about Piltover and about Caitlyn. This update has made Piltover just as ugly and oppressive as Demacia, Noxus, and Zaun. It’s just another army equipped to do violence, but now that violence is turned inwards. This isn’t protection, it’s control. It’s fear. It’s oppression. Caitlyn is no longer a peacekeeper. She’s a monster. Chopped and changed, as I feared, into something completely unrecognisable from how she began in a world that no longer looks like what it had been... or should be.

It’s hard to tell what came first, the change to Piltover or the change to Caitlyn. Either way, the changes are inextricably linked. Caitlyn was integral to Piltover’s modern state, and Piltover is integral to Caitlyn as a character. Her (original) drive was to make the city and all its people better; Piltover was a utopia because of the effort of Caitlyn, and of people like her, people who wanted a better world. This new iteration of Piltover - full of fear and violence and hypocricy, layered over Zaun in such a way that makes ham-fisted commentary about the wealth/class divide - undermines the value of the individual. It removes agency. It removes hope, which had been integral to Piltover. Piltover is no longer the CIty of Progress... it’s the City of ‘you better be rich and pretty if you want to progress’. And Caitlyn is no longer a force for good or a representative of responsibility, because those things don’t exist in Piltover anymore. Legends of Runeterra has turned Caitlyn into a bitch, someone to hate. She has a marked lack of respect for people, as demonstrated in her new character traits of ‘casually-racist’ (her lines to Veigar), ‘condescending’ (her lines to Viktor), with some added pride in her violence (’here’s my calling card *shoots gun*’ and ‘I aim to win and my aim is excellent’). She is a representative of her city, and she is a terrible person now. Piltover is terrible. Piltover is ugly.

But Caitlyn avoids that last part. And she’ll get away with it, because she’s a hot twenty-something.

In 2015, I drew Caitlyn-as-Swain, as an AU for what might have been. The overwhelming response at the time was ‘aaa she’s so hot I’d follow that leader of Noxus’, prompting a good friend Swain RPer to comment that Swain - who was, at the time, the withered man in green and gold who needed a cane - was just as smart as Caitlyn if not more so, a proven capable leader, but when it comes down to it, sex-appeal will always trump characterisation and storytelling, and that’s disheartening for someone who puts so much work into stories, to context, to something deeper than ‘Just another MOBA’. And here I am, in 2021, looking at how Caitlyn has been stripped of her fascinating and complex characterisation while maintaining her long legs, long hair, and corsetted figure. Now, I do appreciate the fact they’ve given her a better costume than miniskirt and boobtube. She deserves so much better. I even commissioned back in 2015 for a Better Look for Caitlyn; Tom aka FaerieFountain went on to make her new look canon. But she’s supposed to be a detective. She’s supposed to be careful and methodical and mindful of her status and power. Instead, she’s been made gleefully violent, leaving a lot of depth behind in order to become just Hot Cop With Gun. (As an aside, was anyone else uncomfortable with Caitlyn’s high-school skin? Especially when the writer actually tweeted ‘step on me’? Hello? Ma’am? That is a high school student, that is a CHILD you are talking about? But Caitlyn is hot so it’s fine! Sexualise a child! it’s fine, she’s hot, it’s fine!) Almost everyone who has contacted me about Caitlyn’s LoR cards has been excited to see her. Good! She’s a great character! Or, she was. But the enthusiasm about her is tied to how she’s so violent, how she uses her power to abuse those who don’t conform. But she looks great, smoking hot, you know? And when she’s smoking hot, her dangerous and abusive behaviour and attitude are completely excused. An update to a character needs to take into account characterisation as well as the visuals. Her update, sadly, has focused on the all-too-prevalent problem of the viciousness of state-sponsored violence, rather than the complexity of detective work, of puzzle solving and intellectualism, but because she looks hot and speaks in that British accent, no-one’s going to care. Hot ladies can get away with so much, because legs and pouty lips, but I guess she’s also a cop or whatever.

And, as a momentary aside, why is an eco-terrorist suddenly Caitlyn’s longtime foe? It makes zero sense for Piltover and for Caitlyn that someone who plant-based powers is her biggest rival and the city’s biggest threat. Zero sense, until you take into account that Piltover has been stripped of its character and made into something more aligned with modern authoritarianism than the hopeful vibes of steampunk. Environmentalism? Not on my watch! Deploy the police (the good guys!) to silence the protesters (who are obviously the bad guys becase they’re protesting)! Because Piltover and Zaun are one city now, and therefore indistinguishable, we have a fucking Poison Ivy character causing enough trouble in Piltover to warrant entire fucking SWAT teams opening fire within the city limits and around peoples’ homes! Not Zaun, which is the environmental nightmare, but Piltover! With its fresh air and open skies! Yes, that’s a great place for an eco-terrorist to blame and/or try to fix! The whole thing is honestly so backwards! Like they’ve decided to make a cool character in the form of Corina and just shove her into the story, rather than finding a place in the narrative that suits her. The idea that Corina is C makes no sense. Caitlyn vs C is supposed to be Sherlock versus Moriarty, Ganimard versus Lupin, ACME versus Carmen Sandiego, world’s greatest detective against the world’s greatest thief. It focused on the intellectual battle, the need for self-improvement, and - most importantly! - that this was a fight that didn’t result in gunfire or people being put in bodybags. But we can’t have that in our fighting game! We can’t have people thinking, because that’s not the kind of game we have, it’s left-click-shoot out here on the Rift or in the cards. So now we have a woman with plant powers bombing Piltover, and a policewoman kicking down doors and opening fire. And she’s right there, in Caitlyn’s new splash art, within reaching distance of the sheriff!

She’s right there! In hot pink with a flower in her fucking hair! And Caitlyn doesn’t even notice? Looks like one of my major gripes about Caitlyn being updated - Incompetence - is rearing its ugly head. She cannot even see someone not five feet from her. Oooh, look out, Piltover, no-one can figure out why this single eco-terrorist is causing problems for years, but Caitlyn will figure it out! With her gun! Because she’s a cop with a gun, and cops with guns never cause more problems than they solve, right?

Look... I know. I know she’s not my character. I know that everything I’ve done is fan-interpretation. But I’ve worked for so long and hard and done so much research, and things I’ve done have even been seen by - and used by! - the company itself (not just in the ‘oh what a coincidence’ sense, either, I know my link on Hextech as a form of magic made it to several of the writers, some of whom later contacted me). I might be too jaded by all the disappointment to take it personally anymore, but that doesn’t mean it doesn’t still happen. We know Riot Games could be and should be better. So many people in this community - and people who have since moved on - put so much love and effort into the characters and the world, building up from scraps and guesswork and extrapolation. It wasn’t our world, but we enjoyed playing in it. We enjoyed struggling in it, because it pushed us to be thoughtful, creative, to be engaged and interested. Critical Theory doesn’t have to be negative... but this recent update to Caitlyn’s character and to Piltover as a whole is... it’s a step backwards. They’ve gone for the ‘ooh isn’t this gritty and dark’ approach, and swept away so much of what made the original so interesting, creative, engaging to begin with. They’d rather have controversy than people genuinely enjoying the thing that they’re opening their wallet for.

Caitlyn was a detective who focused on responsibility, intellectualism, and care. What she is now is not the same Caitlyn they started with, and expresses a set of values that I do not support. This blog will continue to be focusing on the old lore, on what Piltover has been and what it should be: a hopeful utopia, a place for people to grow and be responsible and thoughtful and mindful of their place on the world stage. It’s not going to be perfect, but there’s hope, and there’s people here who want the world, and everyone in it, to be better than it is. I hope you join me, no matter who you are.

#oops I essayed again #Not Your Piltover #caitlyn #riot please #character development #piltover

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immaturityofthomasastruc · 4 years ago

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(Accidental 150 Follower Special) IOTA's Top 10 Worst Episodes of Miraculous Ladybug (Part 1)

If you saw one of my earlier posts, an anon asked what my favorite and least favorite episodes of Miraculous Ladybug were. So, I decided to make a little list explaining the best and worst this show has to offer.

A few quick ground rules here. I'm not going to list any episodes I had previously talked about in some of my other posts. This includes “Kung Food”, “Animaestro”, “Syren”, “Reflekdoll”, “Chameleon”, and most of the episodes relating to Chloe's “damnation arc” that Astruc planned since he first created the character (“Despair Bear”, “Queen Wasp”, “Malediktator” and “Battle of the Miraculous”). Also, I'm not counting the specials, mainly because aren't listed as episodes, and because I don't want to talk about them.

Other than that, anything goes, so let's get things started with the worst list.

These are the Top 10 Worst Episodes of Miraculous Ladybug (in my personal opinion because your opinion is also valid)

#10: Stormy Weather 2

“Stormy Weather” was the very first episode of the show, and it really made a good impression on new viewers. So naturally, when it was announced that Stormy Weather would return, fans were excited. Then when the episode aired, Hawkmoth gave her even more powers, including the power to create a volcano big enough to potentially knock the planet out of orbit when it erupts. So Ladybug and Cat Noir have no choice but to stop the villain once again.

What does this plot lead to?

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Yep, this episode is nothing more than a clip show. I understand that clip shows and bottle episodes are a necessary evil, but why would you set up something this awesome with a fan-favorite Akuma like Stormy Weather, and then not even bother to show it?

This episode is yet another attempt at showing that the show totally has character development. The whole reason Aurore is Akumatized into Stormy Weather again is because Chloe says that people can't change because Astruc (who was one of the four people writing this episode) is determined to make you hate this teenage girl more than the main villain of the show.

So of course, everyone spends most of the episode talking about how much they've changed, which is represented through clips of past episodes that do a horrible job at actually conveying any development.

According to Marinette, Adrien has “become a friend she can talk to about anything, except when it comes to her feelings for him”. Ah yes, you can tell they're friends by the fact that they barely hang out together, much less share a conversation because the writers are going to drag out the whole “Marinette stammering in front of Adrien” until they get tired of it. So basically, never.

All Alya and Nino talk about is how Ladybug helped them become a couple, and become superheroes, even though neither of those are actually related to character development. Though that is a fitting metaphor for the way both of their personalities have basically devolved to “the couple”.

Chloe talks about how nicer she's gotten, while footage of her doing awful things is played. I wonder who wrote that part in...

Even Ladybug and Cat Noir talk about how much they've grown and how stronger they've gotten, as opposed to focusing on STOPPING ANOTHER ICE AGE FROM HAPPENING. How can Hawkmoth even think this will get him the Miraculous? Yeah, sure I guess he can get them from the frozen corpses of our heroes, but what then? He still doomed humanity, and I don't think he can reverse the damage like Ladybug.

Towards the end, the clip show becomes slightly interesting, as Adrien mentions an unsigned card he got for Valentine's Day in “Dark Cupid”, and how similar the handwriting looks to Marinette's.

Does this lead to Adrien figuring out Marinette has feelings for him? Is the sky bright red? Both of these questions have the same answer.

Yeah, out of nowhere, Adrien just mentions Luka, who wasn't mentioned at all in this episode, and immediately thinks Marinette is in love with him. And that's how the episode ends.

I put this at the bottom of the list because I don't think it's completely fair to judge clip shows, but even some clip shows at least try to put in some effort and justify the clips, like what The Legend of Korra and some seasons of Power Rangers did. And the fact that the whole point of the episode is a poor excuse to claim that there's character development in the show only makes it even more infuriating.

Oh my God, this is only Number 10...

#9: Oblivio

While I already talked about “Cat Blanc”, this episode shares a similar theme as that episode: Giving viewers what they've wanted for three seasons, Marinette and Adrien finally learning each other's identity and starting a romantic relationship... only for the reset button to be once again slammed, making the entire episode pointless.

The only difference is that unlike in “Cat Blanc”, where there was an actual love confession that made sense, here, Marinette and Adrien find out the other's identity when they get their memories wiped by the Akuma of the week, Oblivio.

From then on, it's just fanservice. Instead of actually developing the relationship between Marinette and Adrien, the writers just decide to cram an entire episode worth of Adrienette content into a single episode just to tide fans over. Marinette and Adrien seriously fall in love despite only knowing each other for like, an hour at most. And the fact that the writers undo all the romantic progress of the episode makes it come across as pointless.

But the ending is what really cements this episode's spot on the list. As soon as Oblivio is defeated, Alya takes a picture of Ladybug and Cat Noir kissing without their consent and then rubs it in Ladybug's face.

Even though Ladybug doesn't know the circumstances (she has no memory of the events of the episode), this was still an invasion of her privacy, and she looks horrified by the picture that Alya is obviously going to post on her blog.

And of course, Cat Noir is more than happy to see it, ignoring how Ladybug feels and claims that they'd make a great couple. Because everyone knows good couples are formed by someone gaslighting the other into going out with them.

But wait, it gets better! In the next scene, we learn that Alya and Nino were akumatized into Oblivio... because they were caught in an embarrassing situation by their peers.

Alya: Remember when we visited Montparnasse Tower? Well, we went and hid to play Super Penguino, but Ms. Bustier caught us, and...

Nino: And you guys made fun of us for playing that game, saying it wasn't our age and all.

Alya: We were totally embarrassed at getting caught.

This was my thought process when I first heard Alya and Nino's explanation.

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How can Alya claim to take a compromising picture of Ladybug, ignore how she feels, and not realize the similarity from when she and Nino were akumatized? This is what completely killed Alya for me in canon. This was the point where I couldn't care less if Marinette was friends with her or not. Sure, there are still fanfics, but those actually portray her with some kind of conscious. So to summarize, Fanon Alya is awesome, but I hope Canon Alya's 4G plan runs out.

This episode is just forgettable, but the ending made things worse. Apart from, I guess the action scenes and some funny jokes, this episode has no redeeming qualities. Like, literally the best thing to come from this episode was @miraculouscontent‘s LadyBugOut AU, as it actually addressed the hypocrisy of Alya's character, among other problematic aspects of the show.

#8: Oni-Chan

Just a heads up, most of the episodes on this list are from Season 3. Just want to give you an idea of what to expect.

This episode is about Lila tricking Adrien into helping with her homework, when she is only doing it to get closer to Adrien. Marinette tries to spy on the two and stop Lila from hurting Adrien... even though she knows Adrien is aware that Lila is a liar, and is visibly uncomfortable around her.

And because the episode spends so much time on Marinette following Adrien and Lila, the buildup to Kagami getting akumatized is incredibly rushed. Seriously, she gets a single line of dialogue before she gets akumatized, and the motive is ridiculous too. Lila sends a picture of her forcing a kiss on Adrien, and Kagami immediately bursts into tears at the sight of it.

But wait, it gets better! When Kagami is akumatized into Oni-Chan (the writers know that's a term used for males in Japan, right?), she turns into a psycho hellbent on killing Lila because “Adrien doesn't deserve her”. Most of her dialogue is her saying how much she loves Adrien, making her come across as, for lack of a better word, a yandere.

This episode just destroys Kagami's character, making her as unlikable as Katie Killjoy in the process. If it wasn't for “Ikari Gozen” actually treating her like a human being (obviously Astruc's planned character development from the beginning), I'd completely hate her.

It also shows how much of an evil genius Lila is, as she has the brilliant idea to convince Oni-Chan to kill the only person capable of saving her from the Akuma's wrath. And this somehow gives Hawkmoth the idea to forge an alliance with Lila. It's also another reason why I believe in Darwinism.

This episode is low on the list because it does have a few redeeming qualities, like Lila facing consequences for lying, however brief they may be, and it has a great character moment with Adrien realizing on his own how terrible Lila really is, a far cry from what he was like in “Chameleon”.

Other than that, it's pretty bad, and still deserves a spot on this list.

#7: Antibug

HA! I said MOST of the episodes involving Chloe's “Damnation Arc” wouldn't be on this list, but not ALL OF THEM, so this one counts! Take that, convoluted rules I made up for some reason!

What was I talking about again? Oh right, “Antibug”. Oh crap, “Antibug”...

This is one of of several episodes in Miraculous Ladybug that really should have been a two-parter. It tries to be daring and includes two Akumas in one episode, but both of them are poorly executed.

An invisibly entity starts harassing Chloe, so Ladybug and Cat Noir start an investigation. It turns out to be Chloe's lackey Sabrina, who was akumatized after a falling out between the two. Well, I say “falling out” lightly, because what actually happened was that Chloe and Sabrina were cosplaying as Ladybug and Cat Noir, Chloe pretended to be the real deal while crashing an interview with Jagged Stone before Sabrina accidentally blew her cover, causing Chloe to be humiliated on TV and end her “friendship” with Sabrina.

Ladybug learns this from Chloe's butler, while Chloe never mentions the incident. So when Ladybug and Cat Noir engage the Akuma, Ladybug ignores Chloe's advice on where the corrupted object, naturally not trusting her judgment. And this is portrayed as a bad thing.

This episode is the start of a long-running trend in Miraculous Ladybug: Marinette needing to learn a lesson, while Adrien/Cat Noir is the one to help teach that lesson.

Chloe did nothing to help, only made things worse, and lied about why Sabrina got akumatized. It's kind of obvious why Ladybug wouldn't trust her word. The whole point of The Boy Who Cried Wolf wasn't to trust the liar after all.

But if that was all the episode did, it wouldn't be on the list, because now, the narrative wants to make the audience feel bad for Chloe before she gets akumatized into Antibug... who is just a lazy palette swap because new character models are expensive.

This part of the episode isn't nearly as bad as the first half, but like “Oni-Chan”, Chloe's akumatization is incredibly rushed, and we don't really get a chance to sympathize with her before she goes full Antibug.

Even Antibug herself isn't that interesting of a villain. The whole idea of an evil doppelganger is that they're a perfect match for the hero, but we only see Ladybug and Antibug fight for a few seconds, while Cat Noir does most of the fighting with her while Marinette's Kwami recharges. I like that Ladybug and Cat Noir show their teamwork to defeat Antibug, but I feel it would have been more interesting to see Ladybug and Antibug duke it out before Cat Noir helps turn the tide.

Again, this episode really needed to be a two-parter to better expand on the story presented here, because it had a really interesting premise. I'd personally read the version of “Antibug” in @justanotherpersonsuniverse‘s “The Adventures of Panthera Noire” (an AU fanfic where shy girl Juleka gets the Cat Miraculous instead of Adrien). Not only does it have two separate chapters for Vanisher and Antibug, it also does a good job of setting Chloe on an actual redemption arc, unlike Astruc's “damnation arc”.

#6: The Puppeteer 2

As much as I've ragged on Adrien/Cat Noir in some of my other posts (and will continue to do so in this list), that doesn't mean I think Marinette has problems too, and this episode is a prime example.

Marinette and Adrien go to a wax statue museum with their friends (and Manon), but because of a poor choice of words by Nino, Adrien thinks that Marinette hates him. So he does something that everyone loves, practical jokes.

Adrien seriously thinks that pranking Marinette will improve her opinion of him. Even the prank is ridiculous, pretending to be a wax statue to make her laugh. And it leads to... Oh God... This is easily the contender for one of the worst moments in the entire show. Marinette goes up to the statue and... gets close to it. Yes, we, the audience know that this isn't a statue, but putting that aside, just look at what Marinette does to the “statue” (AUTHOR’S NOTE: I made a gif from the episode, but it wouldn’t go through, so I recommend you check out the episode and watch the statue scene for yourself if you don’t value your sanity). Even Adrien, as dense as he can be, is a little unsettled by what Marinette does.

If the scene was about Marinette talking about her feelings for Adrien, I'd be more lenient on it, but this? This is just uncomfortable to watch.

Even the dialogue makes Marinette sound incredibly creepy.

Marinette: Wow... it looks so... real. The wax is nearly as hot as skin. It even smells exactly like him...! Oh, beautiful statue of Adrien, your wax is so soft! Your yak hair is silky. Your eyes are so green. Oh, shall I be a statue, too! Everything would be so much easier. Why haven't we been molded together in the plaster of destiny? Marble to marble, wax lips against wax lips, entwined for eternity...

I think Gilbert Gottfried said it best.

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This scene alone put this episode on the list, and the Akuma doesn't make it better. I really liked “The Puppeteer”, and I thought her ability to control past Akuma victims was incredibly fun to watch. And when she returns to take control of the wax statues of past Akumas they... don't use their powers (with the exception), and serve as cannon fodder for Ladybug and Cat Noir to plow through, making the return of the villain very underwhelming.

Even the end where Adrien tells Marinette that he is in love with someone and only sees her as a friend. This should devastate Marinette, but in the next scene, thanks to some fortune cookie nonsense from Tikki, she's still unsure about her relationship with Adrien, and that's how the episode ends. Seriously. Because just need to keep the status quo consistent, right? It's not like Marinette doubting her crush on Adrien and worrying that she's just wasted her time would have been interesting to see, right? Play that happy ending theme already!

Of all the episodes on this list, this is the one I was dreading talking about the most because of some of the moments here. And yet, there are still episodes that are worse than this one...

Here’s Part 2

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codevassie · 4 years ago

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Superpower TS Fic Recs

[***Let me know if I’ve missed anything on the Content Warnings!]

[**Do Not Ask Authors for Updates!]

[*Leave these authors Comments, please and thank you!]

What You Can Stand by manyfandomsonelog

Status: Incomplete, Work In Progress

Summary: Virgil tried so, so hard to avoid becoming a supervillain. He really did. But when your superpower is literally manifesting a person's worst fears, it's a hard thing to avoid. Still, he really, really tried. Even when his own parents feared him. Even when the whole school feared him. Even when he hated himself and his Propensity so much that he wanted to give in. He might've succeeded, if he hadn't met him- Roman Reyes, AKA Roman Spectacular, AKA The Prince, AKA the worst thing that has ever happened to him (which is saying something).

Relationships: Prinxiety, Logicality

CW: Psychological stuff, nightmares, bullying, physical harm, spiders, panic attacks, suicidal thoughts, brief discussion of racism, self-hatred, bomb, explosion, blood, injury, bad/abusive parenting, imprisonment, fire, homophobia, pedophilia mention, discussion of child abuse, evidence of physical abuse, sexual innuendo, anxious thoughts, death, funeral, flashback, reference to sex, fairly aggressive arguing and yelling, public speaking, secondhand embarrassment

My thoughts: My quarantine savior!!! I started the fic like a week into quarantine, so I really mean that literally. The characterization is absolutely fantastic--I love seeing all of them interact. It’s so natural and fun and interesting. The plot is also just wonderful--one thing keeps happening after another and these guys just cannot seem to get a break. The pacing is awesome, and whether it’s a character or plot chapter, you just can’t look away. Log is such a fantastic writer and a wonderful person, so if you like awesome prinxiety, superpowers and secret identities, trust and betrayal, humor and angst, you really need to read this one!

Rewind by ravenclawicecream

Status: Incomplete, Work In Progress

Summary: When a group of superheroes show up to kill him, it's just another Wednesday for Virgil Messana. After five years of being on the run, he's used to the idea people want him dead. That fact is just an unfortunate side effect of having the power to destroy everything you touch. What does surprise him, however, is when he finds himself agreeing to join those superheros and become part of the team. It's not long until Virgil learns that all the heroes have chapters of their lives they'd rather keep unpublished, along with events they'd rather not relive. And, as he spends more time with the team, he realizes that he may know certain members much better than he'd originally thought. Virgil longs for a moment to figure everything out but by then it's too late. He's already caught up in a bigger scheme; one where they no longer have the power to control their own destinies. With every movement monitored and every action proven to be calculated, the lines between allies and enemies blur, leaving Virgil caught in between. When the stakes are inevitably raised, the remaining heroes must do all they can to change the future of the world. But time has always been a cruel master, and sometimes the only answer is to rewind.

Relationships: Loceit, Logicality, Prinxiety, Remile

CW: Major Character Death, Murder

My thoughts: Gosh, I wish this one got more love. It’s probably the MCD tag, so understandable, but also take into consideration the time travel tag and perhaps give it a chance? I feel like this fic is setting up for so much, and I cannot wait to see how it all goes down. I have so many questions for this fic which is always a good sign (so many that I may have freaked the author out with my WALL of questions on chapter three don’t worry about it /j). Please. Read. This.

Powerless by patentpending

Status: Complete

Summary: “People like us,” Logan had once remarked to Virgil. “Are statistical anomalies.”(Almost) Everyone in the world has powers. As for those who don’t, well, they’re such a small part of the population - only 0.04% - why would anyone care about them?Ever since he realized what people mean when they call him Powerless, Virgil Sanders has tried to fight back against the system that oppresses people like him, Patton, and Logan. When Patton’s bakery is targeted in a hate crime, he finally snaps. With the help of a mysterious sponsor, Virgil becomes a villain, ready to remake a broken society. The only thing standing in his way is the world’s most Powerful (and infuriatingly charming) superhero: The Prince, who is hiding the fact that his gilded life isn’t as perfect as it may seem.

Relationships: Prinxiety, Logicality, Roman/Female Fanon Character

CW: Classism, Unreliable Narrator, Thinly Veiled Criticism of Society, emetophobia, violence, gun mention, implied suicide attempt, dub-con, mentions of blood, graphic depictions of a riot, non-graphic description of a wound, possessive and abusive behavior, kid being kicked out of the house by parent, kidnapping, kinda torture (?), body horror, gore, graphic descriptions of injuries, emotional abuse, police brutality, pain and injury, burning building, swearing, vomiting, murder, panic attack, dysphoria, misgendering, minor character death, major character death, self deprecating talk, mentions of suicide

My thoughts: Well, doing a TS superhero rec without Powerless is just treason. I don’t know--I’m trying to figure out a way to describe it and instead launching up to pace around the room with an instant replay of different scenes in my head. I mean, the grocery store chapter?!?! This stuff lives in my head rent free. The characterization, the banter, the tension, the motives--I can’t describe it y’all. Just, if you love yourselves (love yourselves, please <3) then just go read it. Or reread it. Do that for yourselves.

Waterspout by Greenninjagal

Status: Complete

Summary: "Hail!” The boy says all smug smiles that Virgil immediately hates. “You’re Recluse aren’t you?”As if there was some other spider themed weirdo who clung to buildings in their free time.“No,” Virgil says, because he can. *** Virgil finds himself stuck on the side of a building in a rainstorm and is helped by an annoying-admittedly attractive-guy.

Relationships: Prinxiety

CW: Mild cursing, storms

My thoughts: This one is very cute. Virgil is a spiderman-like hero who went up a waterspout, and down comes some rain trying to wash him out. Roman comes to help, they banter a bit, and, maybe, there’s a little surprise at the end. I would not mind more of this AU. In fact, I would love it. But that should not discount how wonderfully made a oneshot it is either. The author wrote it perfectly for the length it is, presenting the charm of the characters, great plot and symbolism, and left me wanting more at the same time. Definitely go check this one out.

Technically. It’s A Secret by supervillain

Status: Incomplete, Work In Progress

Summary: Virgil Storm, the adopted son of a reality TV star with telekinesis was born without a power. That's been a problem for him all his life. His only friend is Patton Vega, his only chance at romance the irritating Cros Corson--until he gets a job at a top-secret facility, playing babysitter to a bunch of kids with dangerous powers and even more dangerous minds. Kids who happen to be exactly his age.Yeah, this is going to be a piece of cake, especially when the enigmatic villain Believe (aka Roman Torres) takes a liking to Virgil. And even worse, when Virgil starts to more than like him back. Pull in some evil mad scientists, a plague created to decimate the world, a murderous villain, an obnoxious stalker, and the greatest Kinetic the world has ever known, and you're in for a hell of a ride.

Relationships: Prinxiety, Logicality

CW: Anxiety attacks, arson, murder, minor character death, blood, spiders, being eaten alive, falling, death, sleeping, fighting, cop mention

My thoughts: I’m behind on this one, and I wanted to catch up on it before I posted this rec list. Today is the last Friday of the year though, so I decided to just go ahead and do it. I love this fic a ton so far, and I can’t wait to read more. I can tell the author put a lot of thought into writing the world and characters, and that the plot is interesting and deliberate. There’s mysteries unfolding which intrigues me So Bad. It’s a super interesting one, so I’d say go read it!

#fic recs #sanders sides #ts #friday fic recs #prinxiety #NOTE: the two that have a wall of CWs are mostly just warnings from the beginnings of chapters #which means they can be skipped over fairly easily #so today is the last friday of the year (holy snit) so i wanted to get this out #i've been trying to make this list since like may but i don't read a whole lot of superpower aus #hope everyone is having a great one!

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ruusverd-fandom-blog · 4 years ago

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I started this as a reply to another post, but it got super long and went in a bit different direction so I made my own. It probably needs a "read more" but I'm on mobile, so oh well.

Note: I'm talking exclusively about what we see on the screen in the Netflix show here, not the information from the books or games or fanon interpretations.

I think it's interesting that Geralt's supposed emotional constipation and weak social skills only seem to get mentioned in relation to his interactions with Jaskier. Geralt gets along fine for the most part with pretty much everyone else he meets if he wants to (except for his fight with Yen about the wish) and even though he isn't as chatty as his book counterpart, his emotions are generally very clearly conveyed and not inappropriate to whatever situation he's in at the time. There's definitely a lot of trauma and trust issues going on there, but all things considered he's actually a surprisingly functional adult.

I think people assume Geralt is emotionally repressed and socially stunted because he doesn't act like he likes Jaskier or wants him around, but that's only a sign of emotional repression if it isn't true. Watching the show... it looks to me like Geralt genuinely doesn't like Jaskier and doesn't want him around. I'm not going to analyze every scene because this is already going to be really long, but Jaskier gives Geralt very little reason to trust him, let alone like him. It's not a crime or a sign of bad social skills to not want to be friends with someone, particularly someone who doesn't respect you at all. (It definitely is a really bizarre writing choice for both characters since they are supposed to be best friends, but I digress.)

In the very first episode Jaskier is in, he sees Geralt in a tavern, decides all on his own he's going to make him his muse, completely ignores that Geralt isn't interested, gives him some "help" that Geralt didn't ask for and actively objected to, then in later episodes acts like Geralt owes him friendship (and favors, and actual money) in return. He constantly treats Geralt like an idiot who needs Jaskier to run his life. And he does this for literal decades. What part of that was Geralt supposed to interpret as genuine friendship? That's not how a friend would act, even if Jaskier's intentions were good.

And for once let's not pretend his actual intention in writing the song(s) was a selfless desire to help Geralt, at least not entirely. Netflix Jaskier isn't book Dandelion the master poet, celebrated graduate of Oxenfurt and independently famous bard. Netflix Jaskier when we meet him is a young guy who can't even busk in a tavern without having things thrown at him, his songs are that terrible. He latches onto Geralt of Rivia the famous witcher as a potential career boost for himself before he knows Geralt doesn't like to be called the Butcher; he was equally happy to write songs about the Butcher of Blaviken before Geralt punched him. (Also a strange writing choice by the way, Geralt isn't generally the type to punch random strangers for being accidentally insulting. Or even purposefully insulting for that matter.)

People like to talk about how Jaskier made Geralt famous and improved his reputation (which is debatable, I'll get to that in a minute) but I seldom see anyone point out that Jaskier's own professional reputation was entirely built on songs that he attached Geralt's name to without his approval, capitalizing on Geralt's already existing fame to boost his own.

How much the song(s) really helped Geralt is, as I said, debatable. He was clearly already pretty famous if Jaskier recognized him on sight, and the worst instance shown of human prejudice against witchers occurs in episode 1 before the Butcher of Blaviken came to be. In the tavern in Posada he's sitting alone, but he's clearly visible to the whole room and not hiding in his hood like he was in Blaviken, and no one seems hostile towards him for being there. The farmer isn't scared to approach him with a job, and even pays him up front. The Blaviken incident doesn't actually seem on screen to have made Geralt's life noticeably worse than it already was in a practical sense, he just really hates that memory and doesn't like being called a butcher.

The only major difference I can see for Geralt after Jaskier writes his song seems to be that occasionally he gets called White Wolf instead of Butcher (though Butcher is still far more common, at least on screen), and that he now also has a reputation for slaughtering elves, as shown by Calanthe's banquet. Granted the latter likely doesn't hurt his popularity with humans, but Geralt obviously (and rightfully) hates it.

I say again, what part of this is supposed to make Geralt so incredibly indebted to and fond of Jaskier?

There are a lot more instances I could mention, (grabbing the djinn right out of Geralt's hands, trying to use the wishes all for himself and what he chose to wish for, immediately lying about Geralt's feelings to bolster his own reputation when he thinks Geralt just died, I could go on) but the overall impression is that this relationship is really heavily slanted in Jaskier's favor, and Jaskier engages in a lot of controlling behaviors to ensure that he continues to benefit as much as possible, frequently at the expense of Geralt's physical, emotional, and moral comfort. I'm not sure why it's considered "emotionally constipated" for Geralt to be unhappy with this and pretty bluntly tell Jaskier to go away and leave him alone through the whole show.

It's not until episode 6 that Geralt finally snaps and phrases his oft-repeated "go away and leave me alone" so harshly it finally gets through Jaskier's habit of filtering out everything Geralt says. Too harshly maybe, but Geralt has been saying essentially the same thing at every opportunity for 22 years and Jaskier doesn't listen or else just doesn't care. No wonder Geralt finally blew up. It's actually very telling that after so many years Jaskier doesn't even know Geralt well enough to read his moods or warning signs. Maybe Jaskier is the one who actually lacks social skills and/or emotional awareness?

Regardless, I was super turned off by Geralt and Jaskier's relationship in the Netflix show. I wanted so much to like it, but frankly I was relieved when Jaskier finally left in ep 6, for both their sakes. And I felt so bad that I was relieved, because it could have been so much better. If these two are supposed to be friends, the script should have been written so that both Geralt and Jaskier actually like and respect each other and want to be friends, because so far they're just two completely incompatible people. I hope season 2 is better, but given how tv shows usually work my hopes aren't high.

Tl;dr, I don't think the travesty of Geralt and Jaskier's relationship in the Witcher Netflix is due to Geralt being socially inept or emotionally stunted. It's due to the fact these two characters, instead of being written as opposites that attract, are written as a man who deeply hates being taken advantage of, and another man who ceaselessly takes advantage of him. It just doesn't work. Jaskier can't just force or guilt-trip Geralt into being his friend if he doesn't want to, and he's given Geralt precious little reason to want to.

#the witcher #geralt of rivia #jaskier #the witcher netflix #i promise to quit complaining about this #as soon as it quits making me mad

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edwardslostalchemy · 4 years ago

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the thing that kills me about bakugou is when the plf go "having a powerful quirk means i'm better than you"and basically advocate for eugenics, it's horrible and corrupt, but when bakugou does it, it's lol funny and 'oh that gremlin.' in a recent chapter he made fun of the past OFA holders for having 'weak' quirks and dying and he said these things in front of Toshi, who has himself given so much. just...what was the point of him knowing about OFA if he was just going to be a disrespectful ass?

I have no idea why it was necessary for him to know, tbh. I think it was a waste of an opportunity to give him growth by NOT telling him. And honestly, I agree that k*tsuki and the plf have similar ideals because they’re elitists. :/ They think they’re better than others. Unironically, the lov wanting k*tsuki on their side would have been like, them all sharing this same thought. Idk, I just don’t like him. The things he says and does are played off as comedic relief now and it’s honestly so annoying. He needs to be brought down from his pedestal.

(I have multiple messages so I am putting them all in one post under a read more, I hope it works, but if somehow it doesn’t, I’m really sorry. My computer says it works, but mobile doesn’t show it. This will be a long post.)

Anonymous said:

You know... I wouldn’t mind Bakugou winning vs Ochako so much if his blast had simply redirected enough rubble for him to make it though the pelting, and the fight had ended with an actual visible inflicted injury on his part, like a cut on his face, that stuck around for the rest of the tournament. Make the close call have more concrete, visible consequences for him then his arms aching a bit.

I agree with this completely. That thing about his arms aching doesn’t show much of the consequences at all. And he gets over it rather quickly. I hate that he has so much plot armor.

Anonymous said:

Ngl i dont ship Todo/deku (dont really ship Izuku with anyone lol) but its such a nice ship like?? People can ship what they want but why ship Baku/deku when Tododeku is RIGHT THERE. I would rather have todo/deku be the twin stars like.. Todoroki having to overcome his fathers legacy and be a better hero then his father ever could be while Izuku perpetuates all mights legacy and carries the legacy of One For All?? Poetic cinema

+ I SENT AN ASK ABOUT PREFERRING TODO/DEKU TO BAKU/DEKU AND I WANTED TO ADD SOMETHING SKSKS. we could totally have an "its your power" moment. Izuku getting Todo to accept his left side and Todo getting Izuku to remember that OFA is his power now.

Todo/deku is really the poetic cinema we need and deserve. Idk why people like b*kud*ku, that’s what they prefer, but the ship itself is not healthy in the slightest and I find it pretty disturbing. I agree with you, nony. Everything you said is correct.

Anonymous said:

If I'm gonna be honest the whole "he was raised in a household of screaming and abuse" isn't a good enough reason as to why Bakugo has no chill. Like we've seen people like Todoroki raised in a household much worst but he didn't come out as a jerk or bully. I'd like to see more of Bakugo's interactions with his parents but for the most part the dad seems like a pushover and his mom is just loud at times. But no where close to Endeavor. So yeah Bakugo shut up challenge

Yeah, idk how their dynamic works, it’s just mitsuki screaming at k*tsuki while his dad tries to intervene, but doesn’t do a good job about it. I don’t like that she smacked his head. But I think people really stretch it to give him a tragic backstory when in reality, he doesn’t have one. He is a spoiled brat. Shouto has proven how to be a better person. He’s just a better character in general.

Anonymous said:

This might be long but I want to get something off my chest and I love your blog so I used to like bk//dk. If you asked me why. It's because I was enamored by the fanon ver of this pair with a better bkg and the whole appeal of childhood 'friends'/reconciliation trope it had going on and some fans have convinced me that their relationship wasn't as bad as it's portrayed before UA and that bkg was only like that because of society and thinking Izuku was "looking down" at him. 1/3

Thinking about it. it's really stupid and the verge of victim blaming but anyways. What stopped me from liking it and instead hating the pair is that after dk vs kc 2 I was expecting the improvement in their relationship, for a moment I thought we got it. But in reality it's just bc we haven't seen them interact much after the overhaul arc and before the joint training arc.Then the joint arc came and the 2nd internship arc came and whoo boy, I feel like I was cheated on. 2/3

Rather than making bkg's behavior improve towards Izuku, He's still as much of an asshole who belittles him, mocks him ,acts like he can't stand him but less threats of killing him combined with Izuku who just takes it because he's a nice person. But the narrative acts like their good friends now and I have been feeling so frustrated with this, I wanted a mutual relationship with mutual respect on both sides and bk//dk hasn't reached that part and it shouldn't take this long for it to be. 3/3

Thank you for sharing this with me, nony!! I appreciate it. It’s really sad that their relationship hasn’t improved at all. It’s so long overdue and now things are played as comedic relief like him hurting Izuku with his spike and also being extremely disrespectful during the ofa meetings. Their relationship isn’t healthy and it isn’t friendly, no matter how canon wants to paint it that way.

Anonymous said:

the only reason bkg gets to know OFA is because he guilted Izu into telling him a half truth in S1 then guilted AM and Izu with his tantrum in S3 He also had the privilege to know Izu since childhood and saw AFO so he had the advantage Izuku would have never told him otherwise. Same time Izuku's friends don't "deserve" to know about OFA, rather, Izuku deciding to tell them himself will make the revelation to them more special since its Izu deciding to tell a piece of himself than being forced to

HOT TAKE

@havocsss said:

i just wanted to say i appreciate your opinion on bnha about bakugo (bc someone finally said it 👀) and you put into words for me how i feel abt that character - and that's partly why i just can't watch it. he's the bully that everyone idolises and gets let away with murder and naaaah mate that's not how it works

Thank you, I’m glad to hear it. I don’t like that he, a literal bully who has suicide baited Izuku and has hurt him with his explosion quirk, is the fandom’s favorite and the most popular character. Literally any other character would have been better to stan than him. He’s everywhere and I can’t enjoy part of the series because of him always being there. It’s so annoying. I will continue to yell about why he is not a good character until horikoshi gives us the development he desperately needs AND an apology to Izuku for being so abusive to him. And yes, bullying is abuse.

Anonymous said:

I know that feeling. I also greatly dislike Bakugou. He almost ruins the manga for me at times. I can't even think of a plot with Izuku where Hori won't try to include him in some way. I tried reading metas abt him, tried to look at him in a different light but I realised that I really hate his personality, combined with his overhyped popularity just makes me can't stand him. I wish I could even just be neutral for him but that's being a challenge.

Yeah, he’s not a good character. Very infuriating and annoying. We do not stan him in this house.

Anonymous said:

I feel like if Aizawa actually knew that Bakugou used to bully Izuku he'd probably whoop Bakugou's ass

OOF I’d like to see him expel him.

Anonymous said:

I like how it's framed like I'm supposed to feel sorry for Bakugou because he feels manpain for not being the strongest in the class. Like the dude went from a regular school to the best of the best and he still expected to be the strongest person there is with no challenge?

Awww, is the spoiled brat sad? Good. He can die mad about it.

Anonymous said:

If Aizawa did the combat training instead of All Might he would've stopped Bakugou the first time he used his gauntlets and automatically failed him and I really wish that would've been the outcome

Tbh he should have been expelled for trying to kill a classmate.

Anonymous said:

Oh yeah I remember that character entrance when he just basically I insults his partner for training. Look I love the kid but if I was a teacher I would've flamed him so hard like there could've been a hostage, that weapon could have went off, his partner could've been captured. That's how you ended up failing the license exam

OOF. When will he learn.

Anonymous said:

Um excuse the ever living fuck out of me but I just saw a fic that was bakugou/consequences where Izuku attempted suicide and you know what the ship was?? My pure green son who deserves the world and his literal bully/abuser are you SHITTING ME???? I try very hard not to hate ships I do really try but I just CAN'T with this ship it disgusts me

It's not a healthy ship. I am disturbed by this fic and I don’t even know what it’s called and I don’t want to know. Eww.

Anonymous said:

I see myself as Izuku cause I relate to him a lot and I just read something where Bakugou does what my abuser did to me to Izuku and now I'm having a very hard time stomaching the thought of him and like I really loved kiri/baku too but now I can't even think about it cause someone who shipped my notp thought it would be a good idea to make Bakugou an abuser and give Izuku Stockholm syndrome ☹

Oh nony…I’m so sorry to hear about that. That really sounds rough and I hope you’re feeling better. That sounds awful. I’m just…I’m appalled. Also giving Izuku Stockholm syndrome with this ship is just. Wow.

#anti bakugou #anti bkdk #iamtypinglike98madmen #havocsss #anonymous #tw abuse #if anyone needs anything tagged let me know

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therodrigator6 · 4 years ago

Text

Well, hello there fellers.

You can ignore this text post if you want, it comes straight from me, completely outside of Drawings or Proyect updates.

I just really felt as though I needed to take the time to write up my thoughts into a, very possibly, LOOOOOOOOOOOONG post, since I have a LOT on my head right about now.

So, my melancholy, rather depressing, but perhaps amusing, musings, under the cut.

Right, so my whole string of thought was sort of just... proppeled out of me reminiscing about the past... 2 years, maybe year and a half.

I got thinking hard about She-Ra again, LMAO. and I know, I KNOW, why am I even thinking about that damned show again.

BUT, I was really thinking hard about how much I went through, positively I mean, how much growth I had (Around my art and my vocation obviously) with She-Ra.

And really, if you were to scour through my blog, if you went back all the way to... maybe it was late 2018, early 2019, when I posted my first fanarts around She-Ra, you’ll see how far back I was, skill-wise. I mean I wasn’t exactly a beginner, but I weren’t no Grade A artist neither.

And PRIOR to all of that I had more or less drawn fanart intermitently.

Anyone who followed me back when I made RWBY stuff, specifically Whiterose fanart could attest to that. I wasn’t consistent at all, and I experimented more often than not with every single drawing I was making. And don’t get me wrong, I really enjoyed drawing stuff for RWBY, I sort of miss it now LMAO.

But I can certainly see just HOW POWERFULLY drawn I was to She-Ra, because my output of content and the growth of my skill as an artist was EXPONENTIAL. I suppose in a way I owe it really to MY sudden... obsession? Fixation? on that show.

VERY HONESTLY, at this point in time, I feel like I could REALLY speak on what things drew me to She-Ra, and precisely what things KEPT me there. IDK I think it used to be a very special little show.

On one hand? I really had just decided to watch it because I was starting to fall out of love with RWBY.

RWBY WAS a show I’d also loved, and which also meant a lot to me, but the things that MEANT a lot to me, were just not given the story I would’ve been interested in. That AND the small fandom space I’d carved out for myself was getting even smaller. Smaller AND very... toxic? Uncomfortable? I felt as though... my efforts and my involvement in that fandom were neither welcome nor appreciated at one point, let alone the fact that on the SHIPPING side of things, it stopped being fun.

So there I was, starting She-Ra up. I’d known about it for some time before, and I’d *Heard* that it was a fun good show, and most specially... *With an active, HUNGRY fandom, raging about a very popular Ship*. So I thought to myself, YAY, I’ll watch this show and I’m REALLY gonna do my best to go for everything popular.

I was tired of unwelcoming fandoms, tired of enjoying the very little measly, *Unpopular* things about shows, this was all about having a GOOD time. And maybe finally getting my works out, really finding a motivation to create stuff.

I mean in hindsight, now I know I fucked myself over MANY times.

You see because, as soon as I started watching She-Ra, I TRIED to do something different about the way I consumed shows.

In the past I used to be VERY ship-centered about my show experiences, to the point were FANON-Ship-centric relationships with shows would make the stories I was watching really boring and bleak in comparison. I had been afraid at the time, that THIS would also ruin She-Ra for me. So I really thought about... NOT tainting my vision and perception of the show with... Fandom stuff, Fanon or Ship-centric views, NOT EVEN CREATOR INTERACTIONS. I really tried to watch it blind and enjoy it for what it was.

Fool I was, I should’ve done the opposite.

It’s a tired old story, and a really redundant thing for ME to talk about. But I really felt a DEEP disappointment with She-Ra. Akin to LOSS almost.

Cuz you see, for a year and a half I ended up CENTERING myself on She-Ra, on more than one level.

On one hand, I TRULY believed She-Ra was a show with a story that I loved, there were plenty of characters that REALLY spoke to me. Characters like Glimmer? for example? And her storyline? for me are *one in a million*.

Of course I’m... REALLY compacting my She-Ra experience. I had come to appreciate MANY things about it. It’s world, it’s story, the characters, the comedy, the animation, the people who loved it and grew because of it, etc.

Furthermore, once my initial *doubt* about the show had passed, I really immersed myself in the fandom side of things. And I gotta say, I really enjoyed it for as long as it lasted. I think I experienced a new level of feeling like I *belonged* in a community, and a feeling that people LIKED what I did for it, and that people wanted MORE of ME in it.

Alongside that, and going back to animation. Geez, She-Ra came at the best *or worst* (depends on how you wanna look at it in hindsight now, LMAO), time of my life.

Literally on the verge of me finishing up with Prepschool and having to chose a career for University.

Prior to She-Ra, I really was trying to pinpoint my vocation, and animation had been in my mind for a LONG time, since Steven Universe really.

AND... Idk, AGAIN, THERE WAS SOMETHING ABOUT SHE-RA... which told me... “This is important”. Animation is important, being able to tell tales for people is important. Telling tales for people who need it, or people who don’t often get to tell tales is important. This medium is BEAUTIFUL, I MEAN, LOOK AT EVERYTHING IT CAN SPAWN OUT OF PEOPLE.

So it helped me make THAT decision.

Also alongside these things well... I go back to all of that about “Belonging”, and “community”.

Boy I met some of the most amazing friends I ever have in my life. People whom I respect, people who I admire, people who thought like me, liked ME, enjoyed this show, etc.

OF COURSE, at the time, and I really should’ve known better. We met out of our mutual LOVE for Glimmadora, LMAO.

ME? FALLING IN LOVE WITH AN UNPOPULAR SHIP? Who’da thought.

AND I DID SO, *DAMN NEAR DIVORCED FROM FANDOM* LMAOOOOO, you can see how my “I’ll learn to love whichever aspects of this show I’m *gonna* love, outside of fandom influence” policy really just fucked me in the ass.

AND GOD, DID I *LET IT* BE A PART OF ME.

That comunity, those friends, that ship, that show, those creators. It was all I thought about, and it DROVE me. so much so I put up with so much shit from my University. I put up with so many bad things in my life that were going on because of that show.

And I see now that many of those friends I mentioned did too. GOD, how I wish... we just hadn’t.

I think... for most of us things had already been pretty shit, not gonna lie.

There was the pandemic, for a start. Prior to May the 15th I had an uncle of mine die of COVID, which shook me to *my* core, but dear old She-Ra and the Glimmadora fandom gang were there to cheer me on. (This was around the time really horrid people in the She-Ra fandom, whom LOATHED Glimmadora with a passion were making “Glimmadora shippers must have Covid, since a symptom of Covid is a lack of taste” Jokes btw.)

And I think of my friends also, who have always spoken to me about their problems and their lives. For all accounts I think, they’d always had it harder than me, and they found themselves a WILL and a DRIVE to go on... through this, through She-Ra, and our friendship.

Then May the 15th came and it’s all been going downhill from there HSEBRGJKSEHRBGKJSERHGBJK.

I mean... I understand NOW, just how DAMAGING for myself it was to... cling so much to that show, to all of it. NEVER should’ve connected the drive of my vocation to it.

Cuz yanno... even if I HAVE continued to grow and get better the past few months, some things haven’t changed for the better.

For instance, I basically LOST my entire space here, in fandoms, in ejoying shows. I LITERALLY ONLY CREATE NOW... Either out of spite, or for my friends.

There is a VERY DEEP loathing now within me about stuff like... Catradora for example. I hate it, it makes me feel disgusting, simple as that. And THAT kind of feeling isn’t welcome here, also simple as that. So I’m out of a space and that hurts.

PFFT, basically all the pieces I produce now, which I still do with a She-Ra theme. Nobody’s gonna wanna consume MY content anymore, and they don’t. I made sure they couldn’t because I knew, I wasn’t going to be able to stomache this She-Ra fandom anymore.

That’s been another thing too. I don’t like being a contrarian, I don’t like being the guy who thinks the thing everybody loves is bad or wrong, and if I could SO HELP ME GOD, I’d change my entire view of it all. I don’t really care about being right or wrong anymore, I just want that peace of mind back.

HELL, there were people I knew since 2016 almost, who kinda just told me...

Shut the fuck up or leave.

On some cases I shut my mouth, on others I just left.

And yanno... I do feel miserable about it. But it also makes it all the harder when I think of my friends?

GOD DAMN, EVERYTHING THAT *COULD* GO WRONG, WENT WRONG FOR THEM.

ALWAYS, for all of my friends. And even through the hurt, I sit here and think, well I think I still have hope! I think I still have a drive to go on and persue animation and tell good stories.

But I understand now... that *I* have a priviledge over my friends. The priviledge of support. I’m not REALLY alone, there’s people helping ME.

My friends don’t have that, and I can’t give them that, how I wish I could.

And it does just HURT only being able to tell my friends, “HEY! Have hope things’ll be better!” And then we all turn to the only beacons of hope we shared, and seeing them all dull and out of light. No Glimmer of hope.

Like, how do you tell people to hold out, to keep fighting, to keep trying to STILL CHASE THEIR DREAMS... When you can’t even help them keep their heads high when they’re trying yo get a damned job. When no matter how much THEY try they keep getting knocked down.

When there’s no longer a space were they feel confortable sharing their creations, because everyone they had ONCE tried to please with them? suddenly decided they were of no value.

So here we are.

I’m starting up a new semester in a couple of days, hopefully building myself up more to chase MY dreams... whilst all my friends suffer and can’t chase theirs.

Shit’s fucked. I wish I could do more.

PFFT, I guess, long story short:

Life unfair, Me Sad.

Me Angery, Me Bitter

Me Lost, They Won

Boohoo I guess.

SO ANYWAYS... I really just... needed to put these thoughts out in words. Scream to the void as it were.

I can’t wait to go back into discord or twitter or tumblr and see how my friends can’t catch a fucking break.

And how things will continue to get worse before they get better.

God I hope they get better, for all of us, if not atleast for them. They’ve already gone through enough.

#Just some personal stuff #Take care everybody

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wakraya · 5 years ago

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What makes you interpret it as playful dicking around rather than mean spirited? I'm hearing "I know this hurt a lot of people and I'm going to make light of that without taking their pain seriously" from them which feels mean spirited to me. I'm TRYING not to interpret it in the worst light I can, but it's hard to see the playfulness when I'm feeling this bad. I know the writers get a lot of shit but considering the power imbalance between author and audience its not really the same.

The actual good they’ve done, mostly? The messages of gratitude to the Fandom by the WP Team for the support of Pesterquest, the “I know I teased the people that really nitpick details with Aradia’s route, but the core of Pesterquest is, in fact, that we’re nothing without you, the Fans, so thank you very much”, their attempt at validating Fanon Interpretation and Works with theirs being just One Take of how they’re doing the Timeline. Again, what makes one interpret Hussie laughing at the Character Deaths as playful dicking rather than mean spirited? New characters had been presented, half of the Troll Cast was dead in gruesome and really dramatic ways, and in comes the author like “HAHAH, HERE’S ME LAUGHING OVER ALL OF THE CHARACTERS THAT HAVE DIED!”, but then you get deep talk about the way this loss affects the characters and shapes them and keeps them pushing forward and fighting and striving for a better ending for the sake of those that gave their lives, and suddenly you realize, hey, the author is not actually a dick, there’s just a back-and-forth going on there between the audience and the creators.

Feeling bad at an update is okay! Disliking the direction of the story is totally okay! Voicing your dislike of these things is okay. What happened with this latest update? That was not okay. I have seen the Fandom twisting the words of queer authors, literally calling them evil, and calling for physical retribution. I have been subject to pretty nasty messages merely for defending the update. And you know what? YEAH I would like to tell this people to fuck off! At one point you stop caring about this hurt, if people are using it to hurt others in turn. Another part of the commentary was about how people had added this to the list of reason Jade is bad, right under ‘is a woman’ and ‘has sex’.

Fandom can be extremely critical, volatile and nasty and spin some very fucking regressive rhetoric in its apparent attempt to ‘not be problematic’. So laughing a bit at the expense of this Fandom that has been pulling worse and worse shit since the Epilogues? It’s like saying “God, men are awful”. Of course not all men. That is implicit. Of course if you’re not doing anything bad you’re not part of the collective being mocked. “God, Homestuck is awful and so are its fans”, is a sentiment that has been made popular over the years within the very own Fandom, “Homestuck sucks and I am trash”, and I feel like in a situation like this, the writers going “Yeah you are kind of trash you know”, isn’t even that controversial.

Also I should mention that I’m not sure exactly about how much of an ‘Imbalance’ there really is? Again, considering the WP Team to be a small indie group and the Fandom being a very loud and often very aggressive horde of hundreds and thousands of people. They control the direction the story takes. You control whether you want to continue following it or not, though. “The ride never ends” “We truly are stuck at home” memes are all well and good, but, you can... Distance yourself from things that are causing you distress. This also comes particularly coming from THIS update in specific. Adultery, hiding things from your partner, a breach of trust, that is messed up! I get the upset, there is a lot of drama! But also, this is a timeline that has dealt with rape, abuse, a fascist dictatorship, suicide, and a complete loss of hope, despairing at irrelevance and lack of purpose.

It is not... Light. It’s adult, unpleasant, and hard when it gets to the nitty-gritty of things, and often mixed with absurdism and parody that clashes with these dark themes. It is thematically VERY different from what Homestuck was, while following in its legacy with similar topics. Things are going to hit darker tones and are going to, specially, hit some very personal things for some people. Personal and unpleasant things that happen for real, and we’re at the very start of an uphill slope towards things getting better (Which they have).

It’s just. Bleh. A lot of talk about, a lot to discuss, and a lot of nuance. Hot Trigger Topics that rile people up, a general sense of negativity, an overall push on the Internet towards a sense of having to Be Mad and Lash Out and Seek Retribution towards other people, exhausted Authors that deal with said negativity, the Homestuck-brand teasing between Author and Fan, the exploration of new topics. If the authors wanted to hurt the Fandom, they would have made Rose and Kanaya split because of Yiffy, rather than Kanaya seeking to repair this breach of trust and not letting go. If they wanted to hurt the Fandom, they would have made Rosebot and Kanaya not miss each other, instead of wanting to see each other again. They would have let John stay down in the dumps, they wouldn’t have let Jake stand up in the end and begin to work, covertly, to take Jane down, they wouldn’t have given Jane a chance for redemption in Meat, or painted Dirk in such positive light in his Pesterchum route. And if you cannot see the obvious Good and the interesting beats and pushes of this story, then I am sorry for you, for having lost the vibe of a content that you used to enjoy! But that’s where Authorial Responsibility ends. They are putting out content they find interesting and want to explore. You can choose whether you want to keep going with this, or if after giving it a try, you just do not want it anymore.

#Discourse #HS^2 #homestuck^2 #Homestuck #Ult Dirk #Hussie #Bonus Upd8 #Bonus #long post #longpost

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it-will-not-last-the-night · 6 years ago

Text

Blegh

In terms of Persona 5 I’d been riding high mostly since P5D. I’d been positive mostly over it because P5D and fan-generated content had been lovely overall and really engaging and enjoyable. It had helped me forget that the main game itself seriously does upset me at times and I have a less than ideal opinion of it.

*Sigh*

Now I’m starting to feel like that again. Both announcements of today have left brought back to mind some of my biggest problems with Persona 5 and the way Atlus writes in general. What are they? A bit of a lesson then in me;

For myself there are three events in Persona 5 that I really REALLY just consider outright despicable. In no order they are; 1) Two homosexual adult males being negatively stereotyped as child molesters targeting Ryuji 2) Ryuji’s friends responding to one of the greatest acts of selflessness in the entire story by physically abusing Ryuji and 3) The Valentine’s Day event making Canon that Akira/Ren is horrible, Sojiro is horrible and that Atlus thinks all the girls are vapid idiots.

‘Magical Valentine’ raises an issue I’ve always had but makes it even more forceful. You see in the game the Valentine’s Event is only ‘optionally’ canon. You can play a canonical run-through and not have it occur. So you can, legitimately, without needing headcanon or fanon, just have your own canon playthrough in which the girls are not vapid idiots. The anime however, now, makes it that, for the Animation, it is canon that Akira/Ren is an awful person and that the girls are vapid idiots. Oh and that Sojiro is just literally the worst like...like he is scum in this event. As bas as Akira/Ren is (and he’s bad in this version!) the bigger problem I think a LOT of people forget about the Valentine’s Harem Route is that it literally casts Sojiro as a Guardian of Futaba who would lie to conceal her boyfriend’s infidelities...even when said infidelities LITERALLY CAUSE FUTABA TO CRY!

So the animation is now making it canon that; 1) Akira/Ren sees no reason he has to be honest or forthright with any females in his life 2) Sojiro holds such low regard for his daughter he will aide Akira/Ren in an ongoing deception and emotional manipulation of her RIGHT AFTER SHE OVERCAME A SUICIDAL PHASE OF HER LIFE and 3) That Ann, Makoto, Futaba, Haru, Takemi, Kawakami, Ohya, Hifumi and Chihaya all fall in love with the exact same person and are literally when confronted with incontervertible evidence of his infedilities not only tricked into instantly accepting that them all bringing him chocolate on Valentine’s Day was a ‘misunderstanding’ but, in the case of the Phantom Thieves members, this has so little impact on them that mere days later they have no reaction.

AKA the ending Valentine’s Harem Route basically says: “Akira/Ren successfully cheated on all the girls in his life, and is free to continue to do so since they are so stupid that they could be convinced to assume it was a ‘misunderstanding’ even under the most blatantly false of pretext,” the ending basically gives carte blanche to say that Akira/Ren will probably keep cheating on the women in his life because, well, they’re so stupid that even if they all end up right in front of him, confessing their love for him to each other’s faces...they somehow think this was a ‘misunderstanding’?

That’s gonna be canon now for the animation. Not ‘optional’ canon, just...just outright canon. Literally everything in the Canon is soured now. Did you like Ren’s bond with Ann in the foregoing episodes? Well bad news; Ren literally is willing to commit to an intimate relationship with her and then emotionally cheat on her with several different women at once. Did you like how Ren played a pivotal role in building Futaba’s character and helping her grow out of her emotional turmoil? Well sucks for you cause Ren is literally willing to lie to this girl’s face and tell her he loves her whilst carrying on behind her back with numerous other women.

It sort of goes without saying that this kinda wrecks P5A completely since, canonically, Akira/Ren is now just an irredeemable asshole and the female characters are reduced to stock harem-style idiot love interests with basically 0 individuality because everyone has to love the Protagonist (self-insert!).

But when you think about it even in the original game...this was a problem. Sure you could choose not to do it...but you could also choose to do it. This means, technically, as far as Atlus’ writing is concerned, canonically Akira/Ren has it in him to be a complete asshole with no respect for women or his friends...and the females in the game are all vapid idiots. That’s technically canon since that’s required for the Valentine’s Route to work.

Oh, also, that Sojiro is the worst. The worst.

The Valentine’s Harem Event, like the Ryuji abusing event post Shido’s Palace. does irrevocable damage to the characters and the content itself, kinda ruining it since for it to be canon...well it means the characters are terrible people or stupid. Why I sort of have to choose to ignore them to actually like the story.

Of course what does all this writing have in common? It’s a JOKE! Haha! Ryuji’s being abused, isn’t this funny? Haha! The girls are all vapid idiots and Joker’s such a chick magnet they have no varying tastes in partner at all! Haha! Gay men want to force Ryuji to undress for them!

Isn’t this funny? I mean, no, of course not. In almost all these cases the ‘humour’ is...someone suffering. A common retort I then see is; it’s not canon, its just for a joke.

But the problem is it is, all, strictly canon. I could definitely understand if these things were packaged as clear ‘not canon’ events.

Here’s an example; the Blazblue game series has ‘joke’ endings which are explicitly not canon but usually feature bizarre or ‘funny’ scenes. One of said scenes is a reoccuring bit in which the protagonist Ragna is made to wear glasses that causes the female cast to all fall in love with him. Putting aside the fact for the moment that, to me, this still isn’t funny since its treating the Mind Rape of the entire female cast as a ‘joke’ the fact remains that it is, however, not canon. The creators make sure that nothing that happens here technically infringes on or diminished the canon character content by making it explicitly non-canon.

Persona 5, both the game and now the Animation, take no such efforts. There are no efforts to make clear that Ryuji being beaten up is a ‘comedic non-canon overreaction’ or that Akira/Ren being a womanizing prick and Sojiro being the WORST are just ‘comedic non-canon skits’ all these are played as explicitly, irrefutably, canon. That is how the characters are, as far as Atlus is concerned. That is their opinions, their beliefs etc.

Is it weird that P5 Dancing has the best, most wholesome, most healthy characterization of the entire Persona 5 Franchise? I suppose maybe the mangas are good to, I must admit I’ve never read any of them since from what I can tell Ryuji is basically ignored in all of them in favour of focus on the girls.

Atlus has a writing problem and that problem is centered I fear on a simple fact; the protagonist is a self-insert who is assumed to be a self-insert for a very specific formula; a young male who sees female characters as things he wishes to collect for himself and wants to feel adored by. Almost all of the major writing problems stem from this; Girls seem exploited or turned into vapid haremettes? Well, obviously, gotta appeal to that ‘chick magnet’ fantasy. Homosexuality is cast as negative or frightning? Well, obviously, the fantasy being appealed to is explicitly heterosexual in nature, everything else is ‘icky’. Other males seem to constantly be the butt of a joke or consistently shown up compared to the protagonist? Naturally since the fantasy is about making the player feel like ‘the man’ and all other men are simply lame by comparison so that the girls will only love the protagonist (the self-insert).

What really bums me out about all of this is that Atlus can write such amazing scenes as Ryuji’s ‘the place I belong is next to you,’ but then in that same game or anime have the Valentine’s Event and the Ship scene. I imagine in part this is due to it being a game first, story second, so they feel there are ‘beats’ that need to be there (the loser must be made fun of, the protagonist must get all the girls) even if, from a storyboarding point of view...it just makes the characters look A) Very inconsistent in personality and attitude (Ren’s infamous standing up for a stranger being assaulted but then instantly refusing to step in to help Ryuji in Shinjuku) or B) Like massive asshats (The entire Valentine’s Event from Ren and Sojiro’s perspectives.

It is just...its sad. I want to like this story because there is legitimately good characters and writing but...in the name of appealing to the lowest common denominator it gets weighted down by stuff which is explicitly canon and makes the characters awful.

It really makes it tough to like it at times.

*Sigh*

At the end of the day I don’t know how to handle this. Accepting its canon makes a lot of people awful or stupid. Headcanoning it away is fine but...then I gotta accept I don’t like Persona 5 per say, I like what I, or other fans, create from Persona 5.

Also can we please just be able to date Ryuji. Please Atlus. We don’t need another female character to be another fangirl for Joker, to be another vapid idiot who can be duped by the WORST Sojiro, please Atlus, please. Please. There are ENOUGH love interests Atlus, please try perhaps instead stop treating women like little toys for a protagonist to effortlessly collect and dupe.

Watching all the Persona 5 Girls (sans Sae) in the Valentine’s Event is painful. They are characters I like, many of them have good writing...and then they are reduced to props to make a player feel “Oh yeah! Such a chick magnet! They all want me! Women are simply a commodity by which I inflate my own sense of self-worth since having multiple of them attracted to me and betrayed by me makes me feel as if this is a positive development and not a negative one!”

And I do mean that seriously. Look at most content or statements around the Valentine’s Event. They frame it positively. The ‘harem’ ending, Joker is such a ‘chick magnet’ and so ‘alpha’ etc. etc.

Terrible emotional betrayal? Deep seated trust issues? Sojiro treating his own daughter like garbage? Ignored because ‘Joker is a PLAYER! WOOO!” And this is overall seen as a positive development.

By now I’ve rambled on ridiculously long but if I must have a conclusion it is thus; Please give us a Female Protagonist who can date the other boys and stop selling this sexist approach where non-protagonist males and all females serve the same purpose; inflating the ego of the player character.

#persona 5 #p5 #persona 5 the animation #p5a #akira kusuru #kusuru akira #ren amamiya #amamiya ren #joker #phantom thieves of heart #phantom thieves #sojiro sakura #sakura sojiro #sojiro

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wolfenm-marveling · 6 years ago

Text

There are three big reasons I have not and don’t want to see Endgame ....

For one, I wrote a lengthy article about that will run in June at Sequential Tart (I'll update this post with the link when it goes live *EDIT* Here it is: The Subject of Character Death, Revisited - http://www.sequentialtart.com/article.php?id=3362 ). The other two, I'll talk about here; they involve Steve and Bucky.

I know what you’re thinking: Wolfie, how can you form an opinion on a movie you haven't seen? Well, I do have mental health issues (undiagnosed and untreated because I have no insurance or job, yay), so when the film was released in China, I found someone to spoil me so that I might make an informed decision as to whether or not I could *handle* seeing it, given some worries I had (and especially since 3 hours without a bathroom break was not going to work for me or my companion). I determined from that convo that it would be a Very Bad Idea for me to see the film.

Even seeing the constant posts about it -- especially ones that called it a “beautiful” or “perfect” end, etc. -- was triggering anxiety and mental anguish / circular thoughts (admittedly in part because there were similarly “bad” things happening in other fandoms of mine -- it was too much at once). And I'm STILL having massive issues with circular thoughts about it.

This essay isn't meant to tell anyone they’re wrong about how they perceive / feel about the film, BUT, while I know I shouldn't care what other people think, the sitch still makes me feel how I feel: frankly, a bit disturbed that people are loving things that are making me so awful. I feel like I've stepped into some sort of Bizarro world -- like I'm somehow in the wrong universe. It’s very distressing. (I mean ... they call it mental *illness* for as reason, right?)

In this franchise where I once found such great joy, I now find little more than anguish. It’s actually been making me physically ill to see the posts -- or to look on my massive Marvel collection; I've had to box much of it away for now. Hopefully some day I can enjoy it again. (I can't exactly stop using my $60 Captain America backpack I begged for, for my birthday, though. :/)

I find that when my thoughts get like this (like I'm on a runaway train that keeps revisiting the same stations), the only thing that helps even a little is to sort out my thoughts on the page -- even if I’ve done it before, as I have with this in the comments section of friends posts. (You may have seen other people express similar thoughts, too.) And really, I don't want to rain on my friend’s parades, so I figure I’ll post it in my own space, and then if people ask me my thoughts, I can just point them here. And hopefully this post will help others who are similarly struggling (I know there are at least a few).

As for the old chestnut “It’s just a story/ a fictional character”, well, for one thing, let me repeat: mentally ill here. If I could control how I feel, I wouldn’t BE mentally ill. But also, I'm a writer who feels writing is a sacred calling, so when I feel a story is badly told, I tend to take it personally. Yes, I know my opinion is not the be-all, end all -- if you think it’s a good story, yay for you. Me, I feel betrayed by this story in a way I have rarely felt before (the other biggest instance having happened the week before the film's release, so double-whammy, yay).

Warning: if you read any further, I assume you either saw Endgame or don’t care about Spoilers.

(*edited to add* If you need some solace too, check out @antiendgame to find other people who are upset.)

The first upsetting points for me were the Noble Deaths (and, in Loki’s case, lack of resurrection) -- I hate that trope with the fire of a thousand suns. But that’s what I wrote the article on (including how 2012 Loki’s escape doesn't make me feel any better), so no more on that here.

Now, let me preface the rest of this by saying no, I wasn’t expecting a romantic presentation of Stucky. And as hard as I ship them fanon-wise, I don’t actually hate Steggy -- I adore Peggy in her own right (and like the idea of them being a threesome with Bucky).

What I DO hate is that Steve abandoned Bucky for her.

Aside from Steve’s moral compass, Bucky was the impetus behind pretty much *everything* Steve did in his trilogy. He found the missing soldiers because Bucky was amongst them. Bucky’s death broke him -- and finding him again in Winter Soldier seemed to give Steve, who was clearly depressed, new life. Despite Sam insisting Bucky was Gone, Steve wouldn't kill Bucky to save the world. And in Civil War, Steve fought other dear friends, and was willing to throw away his own freedom, to protect his best friend. So how the FUCK is them being *separated pretty much forevermore* a satisfactory end to that story???????

TL;DR, the Captain America movies were about the repeated separation and reunion of Steve and Bucky … and yet we barely got to SEE them together before Steve said sayonara to the man he’d been best friends with for over a for over a decade, to go be with a woman he’d known for about a year.

A woman who’d already had a family without him.

Yeah, we can say her family still exists in the original timeline -- but I have seen soooo many different explanations of how the time sitch works out, it’s not even funny.

Really, that’s the third reason I don't want to see the movie: I HATE time paradox, and this movie sounds riddled with it. Also, as I understand it, the writers and the Russos are saying different things, with the Russos saying it’s a different timeline (which apparently Steve would be going *back* to after the shield pass, for some reason, and yeah, that bothered me, that he didnl't even give his best friend that momento, and sent their last onscreen moments together talking to SAM), and the writers saying no, the alternate timelines were only a thing when the Stones were in play. So yeah, Steve could spend the rest of his life with Bucky then ... but that means he also would have erased Peggy’s family (and maybe her work). Unless he was the man she married all along.

Either way, it would mean that Steve let Bucky suffer, and let HYDRA infiltrate SHIELD, neither being things I could see him doing.

And if it IS a branched-off timeline, I LOATHE that time theory, because it means NOTHING WE DO MATTERS. There’s always a version of us that’s our worst selves, and people who suffer because of it. That’s hella depressing. (Even if it would explain why I feel like I'm in the wrong world.)

At any rate, the ONLY end I really wanted was to see Steve and Bucky get to be together, no matter how -- “just friends” would have been fine. It was literally the thing I wanted most in the whole damn MCU franchise (aside from seeing Loki be redeemed and then fight alongside the Avengers. *sigh* At least I didn't have high hopes there ...). I would rather Steve had taken Bucky back in time WITH him, even if Steve still married Peggy; time paradox issues aside, I could have lived with that -- yes, even if it meant we didn’t get The Falcon and the Winter Soldier. (And honestly, how much am I supposed to look forward to that anyway, when Sam has been such an *inexplicably* uncompassionate asshole to Bucky in WS and CW? A guy who runs meetings for people with PTSD holds a grudge against a guy who was brutally mind-raped? It's like they made him OOC for the lolz!)

As for “Oh, but Bucky knew and he was okay with it!”

Uh, if he was okay with it, it's just because the writers *wrote* him that way for their own convenience, so they could do this ending. I have been besties with someone most of our lives. We broke up a few times, but we managed to keep finding our way back to each other. We don't live in the same state, so we rarely see each other, but at least we DO sometimes, and we write each other. If this person said they were going to go live somewhere with no way to communicate with me ever again, so they could be with someone they loved, of course I wouldn't want to say don't leave, because I'd want them to be happy, and wouldn't want to stand in the way … but that doesn't mean I'd be “okay”. in the slightest. And I wouldn't WANT other people I care about to go through such pain, much less think it beautiful to watch.

Plus, as I always say, this is fiction -- I don't need *that much* “reality” in my escapism. Temporary angst is my bread-and-butter -- it’s cathartic -- but I need a happy ending to be the payoff. To me, A TRULY happy ending for Steve -- and the one that would have been the best payoff for the narrative we’ve spent a decade watching -- would have been for him to not have to choose between the two people he loved most.

Edited 5/11/19 to add: For all those who are all “Oh, they’re just friends, they aren't gay”, I am more or less fine with sexual Stucky staying fanon; they still love each other platonically, are SOULMATES, ACCORDING TO THE SCREENWRITERS THEMSELVES (Christopher Markus and Steve McFeely), who wrote this as part of the intro to the graphic novel Captain America: White - “…Of course, this is still a rollicking adventure tale, and no adventure is complete without a love story. And yes, these books have one – the longest, most tortured one in Marvel history, in fact. We’re talking about Steve and Bucky, without smirking or innuendo or raised eyebrows. Platonic though the relationship may be, from the meet cute to the tragic separation, their bond has all the elements of a classic romance. These two men love each other – as any pair of friends who faced exclusion, combat, inhumanity, and death would. Their bond stretches across half the twentieth century. The loss of it gnaws at Steve throughout the modern day, and it slices his heart in half when the Winter Soldier rears his tormented, homicidal head. Just as Jeph and Tim’s earlier Daredevil: Yellow, Spider-Man: Blue, and Hulk: Gray all dealt with the major love interests in the heroes’ lives, so too does Captain America: White. Steve and Bucky are each others’ soulmate, if you will, because no one on Earth understands what either of them has been through as well as the other does. The book deals deftly with the strengths and weaknesses that relationship engenders. As the Red Skull himself says to Bucky, “The captain has a … ‘soft spot’ for you. A spot I intend to put a bullet through this very evening.” Soldiers fight for their country. They fight for themselves. They fight for each other. And sometimes they die for these things, too. The ones who don’t carry the memory of the ones who did for the rest of their days. Steve Rogers is no different.”

So he's gonna leave his soulmate (no matter the nature of their love) behind forever? FUCK THAT NOISE. I am completely baffled ow two writers who see Steve and Bucky that way would go on to give them that ending.

And retouching the whole for Bucky “knows and is okay” thing, the Russos also said that Bucky is too damaged still to be Captain America. Uh, THAT DOESN’T SOUND LIKE THEY REALLY THINK HE’S OKAY.

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miserabull · 7 years ago

Note

I wanna ask what you think about Reigen, Shou, Shinji Kamuro and Minegishi :D

Thanks so much and sorry in anticipation for how huge this ended up getting! To tell the truth, I don’t blame anyone if nobody ends up reading through it, I just have lots of thoughts and a big love for meta. for this meme

note. I changed hotness level to cuteness level for the children, uh

REIGEN

…I don’t know, I think on a conventional beauty scale Reigen would be neutral-to-meh, but he’s charming on his own way

hogwarts house: gryffindor | slytherin | ravenclaw | hufflepuff

he falls close to slytherin I think, but the hufflepuff side is stronger

best quality: Reigen’s loyalty and commitment to his role as Mob’s father figure is astounding. I mean, we know he has loose standard when it comes to the law and deceiving people and he’s not the most put together guy, but the length he’s willing to go to protect and guide this child is amazing and makes him a big hero in my book.

worst quality: The worst for me is that he tends to talk out of his ass, like, his words have a really big effect on Mob and I understand what he’s going for but being so adamant about the kid not using his powers against people ever was…not ideal I think, considering circumstances. Also, due to his own personal failures his lessons sometimes are not the best or just hypocritical(but it still means a lot that he’s trying).

ship them with: Serizawa, and Dimple though that one is a little harder to work logistically, can you even smooch a ghost?

brotp them with: If mentor/father-son relationship type counts, MOB(and to a lesser extent, all the esper kids). Dimple.

needs to stay away from: uuuh…Mogami? but everybody does, really.

misc. thoughts: I think Reigen is one of the best handled characters in the story and I don’t talk about him enough or draw him or just appreciate him as I should. He’s precious and I’m really glad Mob has someone like him, and also the funniest, most extra guy ever.

—

SHOU

he’s a cute kid who is going to be a handsome little(yes) man someday.

hogwarts house: gryffindor | slytherin | ravenclaw | hufflepuff

to be honest, I kind of want him to be a slytherin and he has the cunning and tenacious part down, but he also has a lot of gryffindor(brave, brash) and I think in a hogwarts AU Toichirou would definitely be a slytherin, so when his own turn on the sorting hat came Shou would never accept being the same.

best quality: Hm, strong morals and sense of responsibility is a big one(I mean, it would be understandable if he wanted to take his dad down just out of personal grudge, but he’s clearly disgusted by his philosophy and arrogance. unlike Toichirou, he has a good heart and shows concern and interest on other people’s well-being). But well, I guess, most of all, I just love how spontaneous he is? How he says what’s on his mind for good or bad and is creative and quick on his feet, willing to innovate/take risks and make the most of whatever is thrown his way. He’s independent, unapologetically rowdy and free and I love him for it.

worst quality: The negative of being so spontaneous, too impulsive. Facing his dad head-on like he did was noble, but ultimately a very bad strategy and really reckless. That combined with his complete lack of awareness on how to deal with people and a one track mind also makes for a dangerous and fiery combination. …I also love him for it, to be honest.

ship them with: RITSU. Yeah…and Teru, a little bit, but mostly I like them being buddies that at one point made out but decided to not go that way. …in fact, I like thinking that Teru is Shou’s first kiss somehow. Just, out of curiosity and solidarity, you feel me?

brotp them with: Ritsu, but if I have to pick another then, well, Teru. They would get along so well and be a force to be reckoned with… I also would very much like for him to have a strong bond with Serizawa, but would understand if he never completely forgives him for standing by his awful dad for so long.

needs to stay away from: Crystalware and stuff that he can easily break, which on second thought, with his power, is most things. And on the opposite end of that, Toichirou, of course.

misc. thoughts: WHEN WILL HE COME BACK? He has so much potential as a character both with his past and what he’s doing now and he has so much to contribute and he JUST DISAPPEARED without even a proper goodbye. If he’s not back before the story is over I’m going to be really disappointed, but my hope is strong. I love this wild punk kid so much, and I desperately want a confirmation that he’s happy and doing well, and it would melt my icy heart to know that he’s still in Ritsu’s life after everything.

—

SHINJI KAMURO

well I wouldn’t want him to actually get away from me and he’s a child still, but I like to think he’s pretty greasy and not pleasant looking.

hogwarts house: gryffindor | slytherin | ravenclaw | hufflepuff

bordering on slytherin. He’s very focused, somewhat academically successful and knows how to work rules, but he’s also cunning and plays by his own set of morals.

best quality: …well, it would be a lie to say I like Kamuro primarily for his qualities, but that said, he does have them. He’s a kid and he’s learning and struggling with a very toxic home environment, and even though he literally had to have his senses knocked onto him to correct his path he ultimately did and isn’t a bad person.

worst quality: The bitterness is too strong on this one, and he’s unscrupulous. His frustration at a bad situation and self-loathing makes him want to hurt others to feel that he has at least some control over things. Unfortunately, along with that he also has actual power, which ends up being a really bad combination for Salt Mid School.

ship them with: I don’t know. Tokugawa maybe? Why not.

brotp them with: Ritsu and Tokugawa. Now that I think I feel like most of my responses to ‘ship with’ will inevitably show up as brotp too, hm.

needs to stay away from: His piece of shit brother. He may have changed or something, but as far as I know, him, yeah

misc. thoughts: I’m really fond of Kamuro! I tend to pick favorites who are villains or at least very morally ambiguous, and I kinda feel like Kamuro could be up there if there was more of him. Breeding negative feelings and acting out due to frustration and trauma or feeling helpless is a thing I relate with and I tend to feel close to characters that have this kind of thing going, be it in a way that makes me feel like they’re something I should strive towards being like or the complete opposite. I think this ends up being one of the main reasons I love Ritsu, the main difference here being that we keep following his story along with his brother’s and getting to know him better while Kamuro fades into the background almost completely after the big clean up arc(…but he’s still relevant in my heart).

—

MINEGISHI

More like, maybe kind of too creepy to be traditionally good-looking, but SO ELEGANT. Graceful. Ethereal. Don’t judge me

hogwarts house: gryffindor | slytherin | ravenclaw | hufflepuff

my slytherin kindred

best quality: He’s changing into a kind and nurturing person, and is willing to grow. Remember to support your local weird psychic plant person on their path to redemption.

worst quality: He’s pretty selfish. Willing to go along with Toichirou’s plan as long as it would put him on the theoretical winning side, and only making a turn when he felt like he owed Mob personally. However, as I said before, he’s growing to be better and we’ve seen him be somewhat caring now.

ship them with: Nobody really, but I can roll with Shimazaki as I’ve seen some people shipping.

brotp them with: The big 5, especially Hatori and Shimazaki(because they’re all so different and it’s funny).

needs to stay away from: Toichirou and Mogami, as everybody should. But to be completely honest, I don’t mind him staying away from Shou as well, but that’s for the kid to decide what he’s fine with.

misc. thoughts: I’m getting used to non-binary Minegishi and I really like that fanon, so I was unsure about what pronouns to use here, hahaha. They were my favorite from the super 5 since I laid eyes on them and I’m really glad they’re still around, I’m a sucker for atoning ex-villains.

#zerozerostuff #ask meme #long post

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