#the other three are jokes

[yokyoaaa]

apology for my apology for my apology for my apology for my apology for my apology for my apology for my apology for my apology for my apology for my apology for my apology for my

(Original)

[chloesimaginationthings]

The more circus babies in FNAF the better,,

[bertoyana]

X-MEN: FIRST CLASS (2011) dir. MATTHEW VAUGHN

+bonus. erik looking up and down at charles and charles looking smug as hell. which could mean nothing.

[reunitedinterlude]

dnp's best friends club

[sonknuxadow]

[blorbologist]

Y'know, I think I figured out why the Hells still feel like a new low-level party to me, even though they're level 13 and almost 100 episodes in.

I don't quite think it's the lack of conversations, or the fact half the party's plot hooks are big ties to past campaigns - though that definitely plays a part.

... Bell's Hells still primarily rely on quest givers.

Most of their goals are given to them and do not feel organic to the party, and constantly remind us that the Hells are pretty much never the most powerful people in the room. Which is usually something you see with a low-level party.

NPCs offering jobs is not a bad thing; it's a very common plot hook. Matt has been extremely skilled with using NPC quest givers in those two campaigns. Not only do they provide an obvious plot thread, but they can put the party in the path of others (say, the Nein running into the Iron Shepherds while doing a job for the Gentleman and everything that came of that). And the Hells had a solid start with it too - Eshteross was an excellent quest giver!

The problem is that Bell's Hells have never really not had a quest giver.

Maybe it's a byproduct of the more plot-heavy structure of this campaign? But while prior parties have felt like they decided on their course of action and what they prioritized, Bell's Hells feels less like level 13 (13! Level 13!) experienced adventurers and more like an MMO group clicking on the exclamation point over an NPC's head. Where does the plot demand we go next? Who do we report back to?

They're level 13.

At level 13, Vox Machina had just defeated a necromantic city-state to clear their name and Percy's conscience. And, you know, the Conclave just destroyed Emon. No one was explicitly telling the group to gather Vestiges and save the world (though Matt guided them there), and they were usually among the most powerful people in the room. They chose which Vestiges to prioritize, which dragons to tackle when, even if the over-all plot was pretty clear.

At level 13, the Mighty Nein were celebrating Traveler Con (another PC goal, I'll note) after brokering peace between two nations, accidentally becoming pirates and heroes of the Dynasty. The Nein regularly chose what to do based on personal goals, not grand ones. Though definitely smaller fish than Vox Machina at this level, they were very independent and gaining solid political clout.

While we're at it: level 13 is one level lower than the Ring of Brass, who had a huge amount of sway over Avalir. They ended the world, and also saved it, while in the grand scheme of things being only a smidge more powerful than Bell's Hells are now.

Can you really see the Hells wielding that amount of influence, when they're constantly being told what to do next?

The god-eater might be unleashed, so Bell's Hells have no time to do anything but what is asked of them. No time for therapy unless stolen from Feywild time, no travel on foot and late-night watches. They haven't even had time to grieve FCG. Percy was grieved in the middle of the Conclave arc. Molly was grieved when half the party was still in irons.

Matt is in the very unfortunate spot of not being able to give the Hells the same agency as the other two parties. Not only because of the world-ending plot introduced so early on; they are surrounded by characters they know (and the cast knows) are stronger and wiser than them - the familiarity of the past PCs and NPCs is to their disadvantage.

Why would the party reasonably ignore Keyleth's task that will help save the world and go off on a romp? Why would the cast when they know well Keyleth has to be sensible and with the best intentions in mind? The stakes are just too high.

It means that the Hells still feel like they're running errands instead of pursuing their own destiny. Their accomplishments are diminished as just being parts of a to-do list, and any stakes feel padded by several level 20 PCs/NPCs standing 5 steps away ready to catch them.

This isn't Bell's Hell's fault, nor is it Matt's. It could be amended, I think, if the Hells are really left to their own devices for a long period of time without support and shortcuts (like during the party split)... which would be really tricky to pull off at this point in the campaign.

They're level 13. They're big fish, but they're stuck in a pond full of friendly sharks, so they don't feel big at all.

[quikyu]

Vivian do you know that I would take one hundred thousand million and one bullets for you

[mukoda]

I made this stupid thing back in like January and I've finally decided sure i'll post that. Congrats on the transition

[spacebubblehomebase]

Shit post!

Don't take this too seriously, but LMAO XD. -Bubbly💙

[tiredwriter2003]

Halloween Dancers

I had an idea, I'll probably write it properly later but for now I'm getting it out of my head. I was reading a post a out Dash being a talkshow host and leading to them outing Amity and this came to mind.

A cousin of a citizen of Amity heard all about all the crazy stuff going down, they keep them updated in their weekly phone calls, but thought they were making it up. Eventually divolves into an argument and they decide to look to prove them wrong. And find the internet oddly sanitised, which makes them look deeper. Eventually they get others involved wondering tf is going on over in Illinois. They manage to break through but mess up, instead boosting the signal so much that the halloween livestreams take over a large chunk of American media. T.v. s, computers, phones, etc all playing the phantom streams, where someone sees phantom just chilling and starts streaming. this time it's Samhain and the place is eerie. Blue tinged fog covers the place, it's dark out, no living person in sight and the camera pointed to the sky. In the sky you see glowing figures dancing to music coming from nowhere. An ageless youth in regal clothes spinning his partner, white hair drifing like he's underwater, his partner dressed like the pharohs of old spinning alongside him. A woman dressed in victorian ballgowns joining their dance. Other etheral beings coming out of the woodwork, spinning in the sky alongside their king. The dead dancing in the starlit sky as the veil becomes thin enough they can all come through with no major issues. And this haunting scene taking over every screen within the signals range. As the hours go by the sun begins to rise and the fog fades. they bow and begin to fade back into the realms, leaving the original three waltzing in the sunrise as the stars fade before leaving themselves and the stream cuts off.

Turns out their cousin wasn't lying, wierd stuff is going on in Amity, and no one, including the JL, knew about it. Someones head was going to rule for the lack of info. This stunk of a coverup.

[starry-bi-sky]

*points at bruce and danny in 'late at night when the nightingale sings'* THESE TWO MFERS MEAN SO MUCH TO MEEEE

no thoughts head empty just these two socially inept fools finding family in one another. like yes you go you funky little death omens stole that one from a comment on the fic, so if you see this you know who you are, discover that family isn't only tied in blood.

bUT onto less mushy stuff: these two being shenaniganizers; tomfools. Bruce realized that Danny didn't actually know he was Bruce Wayne and instead of going "oh actually im bruce wayne" he went; "hrm... how long can i keep this going until he realizes...."

like. i think they deserve to be the sillies. just utter goobers the both of them. like, danny makes the wittiest side comments, dry quips, under his breath towards Bruce while they're out in public (Danny covering his face with a face mask) and Bruce is trying not to laugh. Meanwhile if Bruce makes one sly comment about someone to Danny, Danny's gonna collapse with laughter.

Bruce plays straightman in most of their bits, he has the best fucking poker face. But also I firmly believe he does actually enjoy Danny's puns. Look me in the eyes- look me in the eyes. Try and tell me that a man that willingly agrees to call a car "the batmobile" even after his eight year old ward grows up (thus negating the need to go along with his antics) doesn't enjoy a good, well-placed pun. Look me in the eyes and try to tell me that. That's right you can't.

He's gonna spit out a well-placed pun in the driest, most boring Batman Voice Ever one day while he's getting ready for patrol, and Danny's gonna fucking die of laughter. He's gonna lose his mind. Bruce is going to have a half-dead sickly teenager laughing his lungs out in the chair. That's a new core memory right there, every time Danny thinks about that he's gonna start giggling.

just!!! these two making each other laugh! That's so important to me. So so much. I nEED Danny to get Bruce to smile and laugh and I need Bruce to make Danny do the same. Danny's all snark and sass and Bruce is all deadpan and dry quips. Do you all see my vision.

[littlebittyhollowbugs]

I will never love any interpretation of Ghost, Hollow and Hornet more than I love the interpretation of them being ultimately good, fighting for peace for everyone around them, caring deeply for Hallownest (or what remains of Hallownest at least) and caring deeply for each other and peace for their family at last.

I love kind Ghost.

Ghost who goes out of the way to gift flowers to lonely bugs.

Ghost who will rescue Zote whenever given the opportunity, without thanks or any form of reward.

Ghost who rescues grubs because they are trapped and crying to be freed.

Ghost who despite having limited ability of expression, will find some way to convey appreciation for others. (Sitting beside them. Listening to them talk or sing. Bowing out of respect.)

Ghost who is excited when in the company of good friends.

Ghost who spares the life of the nailsmith.

Ghost who mourns the loss of those fallen.

Ghost who eventually remembers their past, remembers being abandoned by their sibling, and still chooses to fight, to do everything that it takes, to free the hollow knight. To put an end to their suffering. To take Hollow's place, or to die.

There is no reward for this. There is nothing to gain. Ultimately Ghost is willing to suffer forever or to die in order to give others peace.

Ghost makes many many mistakes, and can make selfish or reckless decisions, but ultimately, Ghost is forgiving and loving.

I love Hollow who genuinely wants the people of Hallownest to be at peace. (Ironically just wanting that alone made it impossible for Hollow to grant them that peace.

But still, Hollow wants that.)

Hollow who loves Hallownest. Who loves their father and who loves his kingdom.

Hollow who is relentless in protecting it. Who would suffer for over a hundred years protecting whatever there is that can possibly be saved.

Hollow who has had the radiance influencing it all that time. The radiance who hates the king, who hates his people. Who tried to convince it to hate them to.

Hollow who loves them regardless.

Who feels empathy for everyone. Who understands their suffering more than anyone and wants nothing more than for them to have peace.

Hollow who, after finally being freed, chooses to live a kind life. To be understanding and gentle.

Who has every right to be bitter and angry and closed off, but who, after finally receiving the opportunity to live, to actually live, chooses to find everything good left in the world that they fought so hard for.

Hollow who learns to love openly and to no longer be afraid.

Hollow who is eventually excited to be able to express love in small ways.

Hollow is stalwart and just. But kind.

Hornet who, despite everything that she went through, despite losing so much, nearly everything, continues to stand and to fight for life because it still matters to her.

Hornet who fights to honor those that she lost, especially her mother.

Hornet who is hesitant to be hopeful, but is hopeful anyway.

Hornet who is hesitant to form any friendships out of fear that she will lose them, But who longs for friendship, for family..

Hornet who is proud of her siblings, who loves them despite not wanting to, who feels guilt knowing that the fate of the kingdom must rely on them.

Hornet who will rush in to assist her siblings in their final battle, knowing that she may very well die.

Hornet who, after given the opportunity to be with her siblings again, wants nothing more than to help them heal. For them all to heal.

Hornet who loves and is loved in return.

Ghost and Hollow who love, and are loved in return.

A little broken family that understands each other, understands that nothing that happened to any of them was fair, and who forgive each other, who love each other because after all this time..

They finally can.

Not one of them is without their (sometimes severe) flaws. Not one of them isn't damaged after everything that has happened.

And still they choose love.

This quote by Mary Shelley captures my interpretations of the siblings perfectly.~

"Life, although it may only be an accumulation of anguish, is dear to me, and I will defend it”

[wingsofhcpe]

actually there's a huge difference between queerbaiting/"Hey guys look how gay these two are haha they're definitely gonna end up together, give us views uwu oh- never mind oops they're going to superhell" and "Hey it's 2004-2012 and there's no way we can get away with having our protags/main couple be two gay men but we really want to show these two are soulmates so we'll do it through subtext and underlying messages and by literally telling you over and over again their relationship is the most stable and important in the entire show, and the ending will imply they lived and died together", and it's insane that some of yall don't see how these two are not the same fucking thing.

[lady-of-the-silver-lakeatron]

Bridgerton Season 3 Incorrect Headlines Part I

[miusato]

Honestly the main attraction for Shinjiham is how contrast their personality is and it is always funny for me to think about how people around them would react if they found out they're dating in this AU lol

[johnslittlespoon]

i just finished the prologue of the mota book and i don't know how i haven't seen a single post talking about how after john and gale's stalag reunion, they were then separated for another four months.

my heart is aching so bad. imagine being reunited (after almost three weeks, oct 8–26th) and having that tiny feeling of 'everything is going to be okay' and then being ripped apart again for four fucking months. 120 more days of not being able to be at each other's sides.