#that was cute! I loved the analysis

[fifi-goes-to-hollywood]

idk if you answered something like this already but:

What was their first impression when they met for the first time? In both senses, I mean, what did they think the first time they laid eyes on each other, but also what did they think when they started talking and getting to know each other a little?

Okay so, let’s dig into those feels.

Jan was suspicious at first. His heart was still broken after Martin’s departure. He couldn’t make himself like Nace. But when they started spending more and more time with each other, around the first JO gig in current lineup it finally clicked. Jan found a true friend, felt so comfortable with Nace. Suddenly, around recording CD something sparked. Jan understood he’s not just comfortable around Nace. He was in love. He felt comfortable in his queerness, even tho he was in good terms with his sexuality.

Nace was on the other hand excited, but shy. He knew the band was still gluing their broken hearts. The shyness didn’t let him reach Jan either. He felt like a teenager around their crush, thinking “what a cute guy”. He had sometimes harder times with dealing with his queerness, even tho he knew he’s not only into women (some family members being homophobic) and tried to shut his true feelings towards Jan, making it platonic. But after a few meetings and seeing, how Jan opened up, he felt more confident and finally embraced his sexuality fully.

Still, both were too shy and too scared to make that first move so they fooled around, flirted, had a few flings in pre-ESC season. They were scared that the feelings were one-sided. They weren’t. JO, their friends and chosen family members had enough with their whining “what if he doesn’t love me?” and motivated them. And as stated in previous asks, Nace made the first move.

[wwillywonka]

rewatching where no man has gone before and it's wild how different spock's characterisation is in this versus the rest of the series. like i know logically (haha) that the episode was so early that the show and nimoy didn't really have a grasp on the character yet (made evident by the "one of my ancestors married a human woman" line), but it also strikes me that this is technically kirk's first episode in timeline (production) order, meaning jim and spock have barely started to get to know each other. it's obvious from the chess game that they're already very close and likely have been joined at the hip since their very first meeting, so i like to think that spock is almost, ya know, giddy at this point, adjusting to the comforting warmth and joy and security he feels just by being around jim all the time because it's all so new, because he's never had anything like this before. spock likes jim so much and so immediately and wants to get to know him better and feels safe enough around him to let jim get to know him better, too. the interaction at the end, "i felt for him, too" and "there might be some hope for you yet, mr. spock." followed by a very not-subtle, fond smile from our dear vulcan first officer, just stands out so much against the rest of the series. young spock and his brand new blossoming crush for his captain and he hasn't gotten to the point where he's afraid of those feelings yet, just basking in how nice it feels to have a proper friend. so damn cute. it fills me with butterflies.

[psykopaths]

In the Mood for Love (2000)

Dir - Wong Kar Wai

[kennytheworkingclasshero]

There are so many great things about the episode “Put it Down”, establishing Tweek and Craig as a legitimate couple (in a cute, elementary school way) by having Craig use pet names like “Babe” and “Honey” for Tweek when no one else is around. Craig trying his hardest to get Tweek to calm down by trying to rationalise the problem away/distract him from the issue at hand, then realising that is not what he needs and going back to help him talk through his feelings even after they had an argument. Tweek having a moment of calm when he realises what Craig is doing, smiling at him sweetly and stops shaking, finally relaxed because of Craig. Hand holding, doing musical duet together, Craig’s introducing Tweek to fidget spinners to help calm his mind and anxious jitters. It’s all sweet and lovely, but my absolute favourite part of the episode is when Tweek wakes up early in the morning, walks to Craig’s house, is let inside and up the stairs by Craig’s parents and then storming into his room and waking up up with a scream. Craig wakes up and is completely relaxed after his initial shock because he knows who it is, replying with a “Hey Tweek” meaning this isn’t the first time it’s happened. He knows who it is, and he doesn’t mind because he knows he needs him. It was a great way to establish who they are as a couple and how far they’ve come from their initial episode, because you see how comfortable they are with each other, being able to hold hands, call each other nicknames and go over to each others houses easily. There is also no pressure on them being a “gay couple”, from the show or from their friends. They just are, and it’s sweet.

[spiralstatic29]

teen devzel DEFINITELY not getting distracted and DEFINITELY not flirting while they're supposed to be baking 😋🫶

[turtleblogatlast]

“Haven’t You Noticed (I’m a Star)” from Steven Universe works so ridiculously well for Leo

[tasty-littl-snack]

Ryan comparing Shane's mental strenght to a foundation of a house, 2024 colorized (also the subtitles being funny)

[anethiawoods]

playing slay the princess as intended (watching your friend stream it and then roleplaying as improvised ocs for each of ur runs)

[cheekinpermission]

I wanna talk about the scene in the museum with Azul...

(SPOILERS FOR BOOK 3 AHEAD. ALSO LOTS OF RAMBLING! :D)

During Ch. 38 of Book 3, Azul and Yuu have a short conversation post-overblot in the underwater museum place. I always felt that this bit of dialogue was weirdly charged? The whole scene felt very intimate to me (and the soft music in the background doesn't help lmao), but I never knew WHY since nothing said was inherently romantic.

So, I went back and re-read through every post-overblot and realized that Azul is the only who who has a one-on-one conversation with Yuu after their overblot??

It's rare enough to have one-on-one conversations between Yuu and another character, but then Azul goes a step further. He's the only one to open up to Yuu about his problems:

Some of the other overblot boys talk about their problems, but not to Yuu specifically. It's more of a declaration than confiding in someone, you know? (E.g. Riddle talking about how he prefers milk tea even though the rules stipulate lemon tea)

We, the players, are shown flashbacks of the overblot boys to explain how they reached this point but I can't recall if Yuu is privy to this information as well. (It's theoretically possible since Yuu already has visions / dreams of the Great Seven, but no one ever mentions it so who knows. I'm personally on the side of Yuu NOT knowing because it feels a bit invasive that they'd have this knowledge of people who weren't ready to share it.)

Regardless of whether Yuu can or cannot see those flashbacks, Azul is the only one to willingly talk about his motivations to Yuu. For Azul, this is especially important as he's so protective of his image as a clever and upstanding housewarden, and yet here he openly admits to Yuu that he was a bit of a loser as a kid (his words not mine!).

I guess you could argue that he felt there was no reason to hide it anymore since Yuu already saw him as a chubby octopus baby, but he didn't have to talk about it at all if he didn't want to. But he did. On his own. With no prompting. (Really, though. Yuu can either say they want to make sure he puts the photo back or that they're worried about him, and either way he drops his lore on them lol) And then Yuu tries to help him feel better??

To my knowledge, Yuu doesn't do this with any of the other overblot boys, either. I could have missed it during my research, but if they did it wasn't nearly to the same extent as with Azul.

I still don't know why Azul felt like opening up to Yuu. He didn't have to, but maybe he wanted to? Maybe he wanted to try his hand at being genuine for once and felt Yuu was the least intimidating person to do it with (the magicless human that they are). Who knows? I wish there were more scenes like this. It makes Yuu feel more included in the story. I also think it shows a lot of growth on Azul's end to open up about his problems to Yuu of his own volition.

I'm not sure what I wanted to say with this post, only that I wanted to get my thoughts out there about this scene because it always stood out to me. I felt there was always an undercurrent of something and I think it's because this was the only post-overblot private conversation we got with Yuu and an overblot boy, plus the added encouragement from Yuu at the end.

I'm curious to know if anyone felt the same way about this scene or if I'm just imagining things. I'm also interested in hearing any theories why Azul suddenly felt the urge to open up to Yuu, if you've got them!

Thanks for enduring my rambling!

Bonus!

Azul's so funny for trying to play it off all cool like he isn't doing flips and princess twirls in his head rn. Yuu laid it on THICK. We all know he's freaking out internally.

[chubphoe-linkclick]

I'm still not over how ridiculously intense Cheng Xiaoshi's words were when he first met Lu Guang. Like sweet Christ, was he having to bet a kidney on this amateur basketball match to make rent?

I get that he's like 16 here, and 16 year olds say the awkwardest of things because that's the age most of us haven't realised we're not the next great philosopher of our time. But Cheng Xiaoshi, boy, TONE IT DOWN HERE, YOU'RE COMING ON WAY TOO STRONG!!

What hole in Lu Guang's life caused him to hear this and go "...Yes." He heard this and then looked like a newborn baby deer staring in awe at something calmingly delightful like HOW DID THIS WORK???

Lu Guang later said what drew him to Cheng Xiaoshi the most was how sincere he was.

Was Lu Guang experience of trying to call Cheng Xiaoshi cringe, and Xiaoshi's response of "I am not cringe, but I am having fun because I got to hang out with you," so powerful that it just shattered some deep-rooted, jaded attitude Lu Guang had been fostering up until now?

Like was this Lu Guang's equivalent of Nagi's awakening in Blue Lock?!

PEOPLE PLEASE SCREAM WITH ME I'M GOING INSANE

[sefusian]

The beauty of Marvin and Jason's relationship (an analysis)

was reading a post-breakup falsettos fic and one of the chapters was abt Marvin fixing his relationship w Jason; Marvin telling him that he loves him no matter what is literally one of my favourite things ever abt them.

If u rlly think of it, Marvin never speaks ill of his son or treats him badly throughout the entirety of Falsettos (him mocking Jason during "Everyone Tells Jason To See A Psychiatrist" barely counts). Out of everyone in Act 1/MoTF, Jason is the only person he loved unconditionally and knew he loved.

And it's not like it's "implied" or "hidden between the lines:" he clearly cares abt his relationship w his son, as evident in "Marvin Sees a Psychiatrist" (J: I love my mother / M: Why not me?") and, obviously, "Father to Son." And him pushing him to see a psychiatrist? Jason is his pride and joy but he can see that he is also very much like him, especially when compared to his younger self (see: In Trousers). He tries to help his son solve any problems he may have now, in fear of having him grow up to be like his father - Marvin states this sentiment explicitly in "I Never Wanted To Love You:" ("I never wanted to love you / I only wanted to see my face in yours / Jason's wild, save this child").

The cherry on top: my absolute favourite detail ever abt them (especially the 2016 revival version) is the contrast between the way they look at/interact w each other at the end of both Act 1/MoTF and Act 2/FL. In MoTF, during "Father to Son," they're sitting across each other and don't hold prolonged eye/physical contact. Yes, they make up in the end, and even hug, but there's still some tension and uncertainty (which is to be expected, especially after such a strained past history).

But in FL, during "Jason's Bar Mitzvah," Marvin holds him gently and sings to him abt how proud he is of his son ("You hold my dreams / Kid, I burst at the seams / 'Cause of you"). And Jason, in return, looks up at his father in adoration and pure love, smiling fondly because Marvin, too, has grown up to be someone he's proud to call his father.

~~~~

Anyways, ty for attending my ass-o-clock TED talk again abt Falsettos. I love this show too much for my own health and sanity !!!!

[ultrakillmmmyes]

i wanted to get better at drawing creatures and then hakita’s iconic ultrakill character got involved???

[philosophicalpug]

Ship whiteknight?

Why white knight? Well let me show you

So, we will start out with the obvious: beacon. why would I ship this annoying dork with a girl that is clearly not interested and has rejected his advances multiple times? It’s simple, I don’t I ship the jaune that helps people,

See he’s a dumb teenager, they both are, but the key here is that jaune matures, sure the intended comedy left more than a little room for sour interpretation, he stopped and saw that she wanted to be with another, and promptly ceased his advances, this is very key to his characterization that we must forget, he genuinely wants her to be happy. And when Neptune beefs it because of his own insecurities? Jaune doesn’t come in for the rebound or any opportunistic sense, no, he confronts him and makes sure Weiss has a good evening.

Not only that, he follows up on his promise to Pyrrha at the dance, this once more highlights his good qualities, he may not be particularly clever or insightful at times, but when he gets it, he gets it

At his heart, he’s someone who tries his best and wants only the best for others. Rocking the dress while played for laughs, still shows that he will go above and beyond because people matter to him

(Also doing this in front of Weiss is important too, he’s not afraid of acting the fool to his crush, not at all! Hes been setting aside the macho bravado, which is a good thing if he’s ever to be in a real relationship) Now onto some Weiss analysis from the beacon era, pompous, classic rich girl, doesn’t have time for all this nonsense and is a career girl through and through- and though she would never admit it, she’s just as much of a dolt as those that surround her,

But we know she’s come from a terrible household, cold was putting it nicely, her fathers a terrible man who doesn’t love anything except money, her mother is an alcoholic that didn’t love them enough (if at all) her older sister being the only member of family where she’s had  a consistent positive relationship, and she ended up running away to the military, leaving behind all the eldest daughter shield duties and trauma to her, which, boy that was a lot. And her little brother, her father’s favorite, she’s not anywhere near mature enough to confront, separate and acknowledge her feelings for said brother who is being raised to be exactly as detestable as the man that sired him. And what choice does Whitley have? He was so young, and he was left behind. Its safe to say she wants a normal, loving life. Desperately. It’s easy to see it in things like Zwei, how over the moon she was for the little guy, and in winter, how she comes to idolize her and seeks her approval over anyone’s. This girl is STARVED for affection.

With beacon being her chance to spread her wings a bit, it’s also natural to see that she would be interested in pursuing a romantic relationship, at her own pace. It’s no wonder that at first early volumes Weiss didn’t like Jaune-she doubtlessly dealt with the bravado of a dozen boys trying to gain her favor because of her status and wealth. Additionally, jaunes impostor syndrome ultimately bled into his interactions with Weiss as well, he was faking it all in beacon, what’s a little more to impress a girl? it’s not like shed like the real him, right? This and Weiss’s self-image of needing to be this pristine, perfect princess is also a huge factor as to why white knight wouldn’t work at beacon, its simply too early, Jaunes attempts were at the height of both their respective character flaws/failings. There's no WAY it would have worked.

Which is why she gravitated to Neptune, I think it was her trying to get out of her shell and try new things, yet still in the trappings of the “need to be pristine” persona. Thinking about this, seriously, yeah of course she was going to get a crush on Neptune, it’s what she knows except she’s convinced herself that its “different”. This suave guy that’s well dressed, knows what a perfect contrast to jaune doing is. It’s not like Weiss really knows Neptune but she thinks she does, at this stage of her life she’s really ruled by her first impressions of people (Ruby Pyrrha Jaune are some examples)

Back to the dance, an entire night worrying, feeling all sorts of emotions after what is likely the first time she opened herself up to a relationship and she’s been left behind. But of course, she must act like it doesn’t bother her, she’s Weiss Schnee, she’s above little insecurities like that. And along comes Jaune with the dress, she saw him make himself the fool in front of everyone laughing along it was a good time for all.

Lo and behold! When Neptune came back she started asking what happened, that she thought he was too embarrassed, Neptune says that it was Jaune that convinced him to come. The boy she’s rejected time and time again, the one she likely thought no more than a nuisance at best, took it all in stride and made sure she had a good time, he definitively proved himself as someone trustworthy, especially with how “an arc never goes back on their word”. It’s no wonder that at this point many people think it could potentially work out, they both have matured, and Weiss finally sees that while Jaunes attempts were annoying and grating, they were always sincere, especially when you consider he had no idea the significance of the Schnee name before.

This is all a solid foundation to work with, they’ve matured a decent bit from where they started, both now able to see each other in a better light. Its not that they are head over heels for each other, but you can’t deny this works as a solid foundation for a possible relationship down the line

But of course, it’s not all gumdrops and Weiss-cream

FALL OF BEACON Moving onto the fall of beacon the first person jaune calls for help with Pyrrha is Weiss, in his most vulnerable moment he reaches out to her, now could this just be how the writers decided the order of things would go? Sure.  But consider this

I think he believes Weiss to be the best among them, someone who he sees as levelheaded and skilled to do something about it, since her semblance is the most flexible one of them all. If theres anyone who can do something, it’s her.

POST FALL  

They’ve both are in their lowest point, truly where the new versions of themselves are put to the test, and oddly enough, both share a parallel with returning home both wouldn’t choose to go home, but one of them was forced to. Jaune decided to persist with his dream and followed through to help his friends, his loyalty is almost second to none: he was a hack, a fraud, no business being amongst his heroes, a dork at the best of times. The easiest thing he could do is return home. No one would blame him. But he didn’t.

Jaune is loyal, astoundingly so, he has a family, with 7 sisters, he could have gone home after the fall, no one would have thought twice about it. Instead, he stuck through, traveling for weeks through monster infested terrains for his friends with whatever they needed. At this point has been steadily improving, no longer just some punk that doesn’t know what they are doing.

(mans stopped a whole ass charging man-devil-horse -hybrid dead in its tracks, noodle boy has been promoted to Pasta with Beef) And yet...he’s still very affected by the fall, mourning. In the battle of haven he was recklessly pursuing cinder, he’s someone with a lot of pain, someone who clearly doesn’t think themselves as important as those that surround him.

Meanwhile everything in the Schnee manor is shit show, Weiss is back in the middle of her family dynamic, looking to be free once more. She ends up struck by her father, disowned and generally treated with scorn, then she gets kidnapped by bandits afterwards. Theres really nothing Weiss wouldn’t do to find real family. By the time they are all reunited, I think she will notice just how the members of Team J_NR are people to trust and confine in.  Knowing what we know, Nora and Ren  didn’t really have anywhere else to go given they are orphans, so it would make sense for them to follow ruby to haven. But once again, Jaune demonstrates true courage and chooses the hard path. That means something for sure. Skipping to the haven fight again, this is another heavy moment, particularly when Weiss-

Well, Weiss was nothing less than struck down. And what is Jaunes immediate response? The only one he seems to have, to be there, no matter what. And in that instinct to protect, in caring for others, he unlocks the mystery of his soul.

At his core he only wants to help, a selfless desire so strong, so literally suffused in his very essence of being that it actively manifests itself in the world.   

You can’t tell me this means nothing to her. For a girl that has lived in a stifling coffin of a home. To find someone who’s so selfless and caring, despite never once needing to. Finding someone that manages to see her for who she is, who cares for their happiness without asking anything in return. Someone whom despite all they have suffered, still pushes forward to be there every moment they can in service for others. Someone who reached out with their very soul to halt the hand of death, fueling your own to give you the strength to come back, to your loved ones, never once even mentioning it. Is it any real surprise that love is in the cards for these two?

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ What makes this ship work is all the post beacon stuff, they both have suffered terrible losses yet they still need to push through, they both have matured and see each other for what they really are,  they can both look back on their beacon days and reminisce, laugh about how stupid they were, mourn lost friends and in that, they find comfort.  They have both been given the space to improve and be better, and it’s not hard to see the qualities they would see in each other Jaune is a loyal and loving person, he knows about family and would sooner suffer ills before ever breaking a promise, someone who WILL love someone to the fullest. Weiss may be cold, but she’s a sweetheart under all that, she’s been hurt and desperately wants to love and be loved, something jaune wouldn’t hesitate to do.

[snikt111]

hi hi hi hi I found out about Hal Jordan TODAY and am going so autistic over him it’s insane can you please give me a rundown on what his deal is I think you’re the Tumblr Green Lantern guy

omg hi, insane compliment btw, tysm! i'm glad to give you a rundown!! also definitely check out @katmaatui for more hal info, red is SUPER knowledgable abt him. @rillette, @catboyollie, @halcarols, @starsapphire and @yellowcorps (along with so many others that i cant think to tag off the top of my head) have some great hal takes too! (edited the post just to tag more ppl)

apologies if this is a bit rushed/messy, i'm doing this while i smelt stone in minecraft LMAO

that being said... i think this will be a long one, so more below the cut :3

(cw for light mentions of pedophilia, abuse, canon typical violence)

okay, so hal jordan is the first human green lantern of the GREEN LANTERN CORPS. it's important to note that there was technically a human green lantern before him (alan scott, originally from earth two/the justice society, but integrated into main DC canon after crisis), but his power comes from a different source- which is a whole different ballpark that would take ages to explain, lol, so i'll move on from that.

hal was originally introduced in a showcase issue in 1959, but ended up getting a solo run in the mid 60s because of his showcase issues doing well. he's been a test pilot, middle brother, compassionate, rule follower (although being surprisingly liberal for the time) with an interesting relationship with star sapphire carol ferris since those first appearances. for the first 20 odd years of his appearances we had no information on his parents, but we got a lot from other family members, such as uncle titus, cousin hal jr (aka airwave), younger brother jim jordan and older brother jack jordan. through the 60s and 70s those members of his family were developed along with him; with the audience learning that jim's wife sue thought jim was green lantern, rather than hal, and hal himself training his cousin, hal jr.

the most known version of how hal got the ring in the first place is probably based off of geoff john's rewrite in the mid 00s, reiterating the original story of abin sur crashing onto earth and dying, leaving hal with his ring to be trained by sinestro and the rest of the glc, while also changing miniscule details that had been developed in emerald dawn 1 & 2 (which was released in the 90s, more on that later). the main premise of abin sur's crash has stayed the same, but the story around hal's current life, job, family and stability keep changing. for instance, the original comic with abin sur in showcase only showed hal getting the ring, the guardians choosing him. the first rewrite i can think of was emerald dawn volume 1, published in 1989 and continued in emerald dawn v2 (1991). here we get the classic hal watches his father die in a plane crash with carol ferris beside him as a pre adolescent, and some of the biggest implications of the mistreatment from his father. we also get introduced to hal, despite his stick to the rules, straight edge attitude, making some serious mistakes and putting people in danger and even death- with the implication of alcohol abuse. the audience HAS known hal used to be in the air force since sometime in the late 60s or early 70s (sorry, i don't remember the exact issue!), but emerald dawn shows us that hal's moved on from the air force and into test piloting, and that his mother keeps having to bail him out for making mistakes. emerald dawn vol 1 shows the abin sur moment, followed by fights that cost hal's friends life, and is followed up by sinestro training hal in emerald dawn vol 2, where we get to see the iconic scenes of hal finding out about sinestro and his... dictatorship.

along with that; how the guardians and rings are treated and hal and the glc's perception of them is vastly changed over time. in the early days of gl in the 60s, the guardians were really never to be seen. hal was repeatedly summoned to them and then had his memory almost fully wiped- only leaving a vague notion of his orders. the guardian's called hal to them at seemingly the worst times, ending up with him almost getting injured, getting in trouble at work, and even ending up jobless and homeless. the chaos of being a green lantern has been around the WHOLE time, but originally, the green lanterns didnt really... fight it. the guardian's were their masters (and even father figures, to hal) and not to be questioned. the rings in the 60s were also much more powerful, despite the yellow weakness (the yellow weakness is the notion that from about the 60s to the mid 90s the green lantern rings were completely unable to be used against anything yellow). time travel, phasing, teleporting, etc were all very viable and common things- as well as forceful shapeshifting, invisibility, mind control, mind reading, etc etc. these days, writers have dampened these powers down to mostly shooting light and constructs.

okay, it's parallax time. the emerald twilight arc from the mid 90s wasn't an arc that was as thoroughly planned out over a long period of time as it probably should have been. a lot of fans at the time (and even now) hated what happened there, and claimed it ruined hal's character entirely. i can understand why! but, at it's core, the parallax arc is a story about a broken man pushed to the limit, fully grieving his home and family (originally, he lost his brother jim in the destruction of coast city, along with a lot of other family members) and being goddamn fed up with how his "masters" treated him and the rest of the corps. the so called "perfect lantern" (no, he wasn't that much of a rebel, despite what johns wants you to think) snapped and essentially tried to gain as much power as he could to bring back coast city. when the guardians stripped him of his powers so he couldn't, hal became enraged and took down every lantern in his path, just to get to the guardians and that power. long story short, he kills the guardians and absorbs all the energy from the central power battery on oa, becoming parallax- essentially a god. this marks the start of zero hour, an event made by dc to restructure and reset; giving the comics a new generation of heroes. hal destroys the world and remakes it, but is ultimately taken down by kyle rayner, the new green lantern, with the help of the jla, jsa and associates. there are a few more run ins with parallax after this, before kyle convinces parallax/hal that he can make up for all of this by reigniting the sun after it went out- aka killing himself. hal does it, is stuck in limbo for awhile and then becomes the spectre to continue to make up for the horrible things he did as parallax. the spectre is the spirit of god's wrath and vengeance, a weapon used to drag sinners to their very own, self made hells, and scare the shit out of people. the spectre, from it's very first appearance, is a ghost like spirit that takes on a host, and is primarily described using christian terms and is used in a very... christian ideology. HOWEVER, the spectre 2001 confirms that hal is jewish (jewish mom, catholic dad) and that belief system, plus his personality as a whole, literally makes him change the spirit of vengeance into the spirit of redemption, for at least as long as they are bonded. the whole parallax to spectre arc is about grief, pain, cycles of abuse and terror, redemption and guilt. it is NOT about a fear bug that possess hal. (im so serious though, the spectre 2001 is one of the best comics ive ever read. amazing. changed my world view) but... geoff johns changed all of it, decanonized the spectre, and ruined the legacy of parallax and hal's growth as a person by releasing green lantern: rebirth in 2004/2005. this retcons hal's breakdown and journey through grief into him BEING POSSESSED BY AN ENTITY CONTROLLED BY SINESTRO THAT FULLY CHANGES PREVIOUS GREEN LANTERN CANON AND IMPLICATIONS. also, fucks up the importance of kyle becoming ion, but whatever. geoff johns writes hal (and even more so, carol) so very wrong, and change their stories so vastly in ways that go against the stories very meanings.

SIGH.

now... time to get started on some rougher stuff. hal jordan misconceptions. i'm saving that arc for last.

- hal jordan wasn't much of a rule breaker or rebel until the 70s/80s, where he BEGAN (very slowly, mind you) to be radicalized by oliver queen during denny o'neil's green lantern/green arrow. hal was painted as more of a conservative during this period (which, admittedly, kind of goes against previous canon... he's always been relatively central to liberal, not to any extremes like ollie though, lol) but gets more and more understanding of how power structures work and how lower classes are mistreated during this time- which ends up opening his eyes a bit to how shitty the guardians are. (this is helped by the guardians literally just. leaving. the green lanterns and kind of disbanding them so they can go fuck the zamarons, lmao). geoff johns tried to change this narrative into making hal a very... maverick-from-top-gun type of character, who punched his way out of the military (when, in reality, the original story during emerald knights in the late 90s was that hal had been framed for stealing a jet and was dishonorably discharged, which he took the punishment for because he knew someone had to) and hits on women constantly and gets ladies and allat (which, funnily enough hal was awful at getting carol to like him for a long time, since carol fell for green lantern rather than hal. not to mention the awkwardness of carol's proposals or hal's many, many failed relationships). hal has always been insecure and lowkey boyfailure, he is NOT a top gun maverick tom cruise sorta guy! fuck you jeremy adams!

- hes not that much of an idiot asshole. hal can be a real dick, he's had that going for him since the beginning, but he isn't what you read in batfam fics. he's not stupid and shouldn't be the laughingstock of the justice league. i assume this idea started from the obsession with batfam and the fact that the jla has quite the history of ignoring hal and his issues (as well as. all of their issues. theyre not so great at work life balance), but it's gone too far. hal isn't making fun of the robins and pissing bruce off bc of that. hal isnt fooling around on the job 24/7 (he takes being a gl and pilot VERY seriously, although he does enjoy some danger and high stakes) or slacking off to get girls. again. not top gun maverick.

- hal has not been a creep since the beginnings. hal was not weird with carol in the 60s. things were weird between them, yeah, but that's based off circumstance and the craziness of star sapphire and green lantern. he was NOT being horribly sleazy! i hate that i even need to say this, but i see this take too much not to

- going off of what was said above, lets discuss the arisia arc. if you want to be a real hal fan, this is unfortunately something you need to know about. in action comics, after crisis and the guardians left to go fuck the zamarons, most of the green lanterns fell apart and seperated. a small group went to earth- led by hal and consisting of hal, john stewart, katma tui, kilowog, salaakk, ch'p and arisia rrab. (also sometimes guy gardner, but that's complicated) previously to this arc, hal treated 14 year old arisia like a beloved little sister, welcoming her and leading her into the corps just like everyone else. things started to change once the timeline gets closer and closer to crisis, where arisia starts showing that she has a crush on hal (who is roughly 30s at this point). any advances made by arisia are shut down by hal at the beginning, because she's a child. now, it's unfortunately a common thing to just call hal a "pedophile" because of what happens in this arc- but it really isn't that simple. still weird and icky, but definitely not to the degree of which some fans like to act like it is- esp to attack hal fans for, which is... an odd choice regarding how many fucked up things every character (esp male characters) did back in the day. arisia ends up using her power ring to artifically age herself up, making her body AND MIND into that of a young adult (the comic makes this very clear). once this happens... hal stops rejecting her. they get together, they kiss. the only person in the group of green latnerns who actually has an issue with it is john (salaakk is meh about it, but he just doesn't like human-esque romance no matter what), and katma even directly encourages their relationship. kilowog ends up crushing on arisia as well, and guy gardner hits on her repeatedly throughout the whole period. eventually, hal and arisia break up, but this legacy (thank so much englehart, for wrtiting this. /sarc) is a big controversy among the comics crowd. "is hal jordan a predator?" personally, and i know a lot of friends/mutuals/other gl fans choose to erase the arisia arc entirely (versus how canon ended up retconning it to be 14 earth years is equal to that of an adult and she didn't really get super ages up, or whatever) and go with the familial relationship between hal and her. that's my preferred version! i know red (@katmaatui) has explored that version as well as an alternate version where the arisia arc did happen, and how it affects arisia in particular, which is really depressing but super interesting. anyway, it's complicated and weird and nuanced, but that whole occurence doesn't mean hal's a bad character or person (cause yk. retcons) and it's certainly not bad to like his character. (definitely ignore any guy gardner fans who try to bitch about this arc. cough cough. guy was ALSO into her and hit on her repeatedly. smfh) most people who bring this up to demonize fans didn't even read the arc, and don't know the nuance or the other weird shit that happens in it. (hal is not a horse, sigh)

OVERALL NOTES!

hal jordan is a super complicated character with an extensive history spanning from the 60s to his worse written appearances in modern age. it's okay to like any version of the character, but it is important to note the changes that have been made, the storylines butchered and lost, and more. he has quite the legacy, and he's particularly interesting as from a moral standpoint. hal's a real sweetie though, when it gets down to it! he's neurodivergent coded (imo at least.. his dad very much gets onto him for being disrtracted, hes kinda shit at social interaction (and then amazing at it the other half of the time) etc etc. "spacecase") and his dad is an abusive asshole, who he desperately doesnt want to be like but thinks he NEEDS to be like!

[hermitw]

Ok so we get itafushi, we get miwamaru, etc. in this page. It seems to be telling of relationships.

And Ui Ui / Mei Mei...

Ui Ui's arm - it looks like he's trying to break away from someone. Higuruma? Is Ui Ui... Struggling w the complicated messy feelings that arise when you begin to accept that you've been abused, but it's so hard when you've been groomed for so long and you don't want to face that reality?

Mei is on the opposite side of the page. She and her brother could not be further apart. Her eyes are closed, and she's smiling the way she does when exploiting people for money. Maybe her subscription service ambition was given to Mei as a distraction - to focus on that instead of exploiting her brother.

Maybe we didn't need Geto to come back to life and kill her - I really overlooked Hiromi and his sense of justice, haven't I? Mei probably thinks that she can get out of any scandal, as long as she has money. She isn't facing anyone, and no one is looking at her. Shoko is looking up at nothing, pretending she isn't there.

It looks like Hiromi's also facing Gakuganji - he's keeping watch over jujutsu headquarters and the victims. I love him so much. Looking back now, Hiromi rly is the next generation Geto - protecting the innocent without discriminating. Oh, you're in a position of power to exploit the weak? He'll kill you anyway. Good luck.

Also shokohime seems like.... There? Shoko's looking off in the distance like she's happy, waiting and giving privacy. She's facing Utahime, whose arm is reached out toward Shoko and to her student that she has to worry about first.

Idk what's up with Ino, or if Inumaki is looking at the reader.

And who are the two people in the back, that you can't rly see? Thought one was Todo but he's already on there. (edit: my friend says one is Hajime Kashimo, & they're right. I guess the other is Haibara, or maybe the sugar CT guy... Oh god is the jacket most like Junpei's?) Though it could just mean there are more strong and intelligent allies than we know.

Here's my reaction to the end of the manga btw (forgot this page was part of 271 smh)

[the-crooked-library]

I noticed something near the end of Dracula when Jonathan and Mina separate for a final time (so she can go to Dracula's castle), that a difference between Harker and Hutter is also near the end.

For context, several chapters earlier Jonathan gets two weapons “put these flowers round your neck”—here he handed to me a wreath of withered garlic blossoms—“for other enemies more mundane, this revolver and this knife;.

Then when Mina and Van Helsing are about to depart for their ride to the castle, Jonathan keeps the knife and gives the revolver to Mina. Even for me a large-bore revolver; Jonathan would not be happy unless I was armed like the rest.

I know the phallic analysis of the weapons in the book are overstated in scholarship but I think it's telling that Jonathan insists Mina to be armed with a big gun while he lets her go do what she wants without him. Thomas didn't arm her and likely wouldn't even it were suggested imo.

omg yes! That is definitely another detail that really stood out to me during my watch, and yet another reason I genuinely start getting annoyed whenever people conflate Thomas with Jonathan - because frankly, that is allowing Thomas to reap what Jonathan sowed, so to speak. I've seen a lot of people absolutely in love with him, and yet the traits they list as the reasons are none that he possesses; in fact, the great majority of them are in exact opposition to his canon personality, and this is one of them.

Don't get me wrong, I love Thomas as a character. I think he is quite sympathetic - and, on the Watsonian level, really trying his best; but at the same time, I think it is essential to acknowledge that he is deeply flawed, if only because on the Doylist level, these flaws are fundamental to his arc in the story. It is purely a question of structure and function; because, at the end of the day, he is a fictional character, and thus, a narrative component, rather than a person.

In this case, his choices prior to the vampire hunt provide the viewer with further evidence -> of an aspect of his characterization -> that acts as one of the driving forces behind the plot of Nosferatu. Specifically, he does not notice that Ellen is lying to him; he leaves her at home as he goes off to "fight"; he doesn't even consider arming her; and he does all these things because, even though he does care for Ellen, he never really thinks of her as a person.

Thomas doesn't notice that Ellen is lying, even though she is clearly nervous when she does it, because he doesn't know what she looks like when she's hiding something (I personally think it is because she masks around him, at least to some degree - throughout the film, he is uncomfortable every time she's honest). He doesn't bring her to the hunt because it doesn't occur to him that she could help with tracking down Orlok - despite him being aware now of her immense psychic abilities, despite Von Franz describing her as a native in a world he is only visiting. And, exactly as you said, he doesn't even think to leave her a weapon; because, even as he sets out on his "quest," even after she's told him of Orlok's obsession, even though the point of the hunt is apparently to "save" her, he doesn't consider the possibility of Orlok going after her.

Contrast that with Jonathan - who knows Mina so well that they can get concerned over three lines of writing, who works with Mina's brief psychic connection to Dracula in order to track him, and who arms Mina before the final fight, because he is not satisfied unless he can do everything in his power to ensure her safety. When it comes to their relationship, Mina's revolver, while not exactly phallic (seriously, why is that topic so overwrought?..), becomes a narrative symbol of his thoughtfulness.

The difference here is that, while Ellen is important to Thomas, this importance only extends insofar as she is his wife. He sees her as a responsibility, but never as herself; and, ultimately, he never actually considers her a factor that could conceivably affect his - or anyone's - decision-making. He plans their life without even asking what she wants from it, he neglects her emotional needs, and he leaves her like a sitting duck during the hunt, without a weapon or anyone to guard her. She continuously slips his mind, utterly inconsequential beyond whatever their surrounding society defines as her role and value; and Thomas, tragically, is unable to overcome this ingrained, rigid set of rules.

This is an essential aspect of his character - because, as stated previously, the plot wouldn't happen without it. If Thomas took Ellen's wants into consideration, he wouldn't have been so hell-bent on chasing a promotion, and he wouldn't have left her right after their honeymoon to go to another country, especially if she begged him to stay. If he knew her better, he would've picked up on the plan she made with Von Franz - or she would've told him!.. Most certainly, if he saw any real personhood in her, he wouldn't have dreamed of leaving her unarmed and undefended.

Nosferatu is about Ellen's continued systemic dehumanization. The point of the story is that every single human character contributes to it on some level, despite whatever love and best intentions they might have for her. It's about the inherent monstrousness of being othered by humanity, and Thomas is - inherently, narratively, crucially - human.