#that someone could in fact not give a shit even if they say they do

[postcardsfromheapside]

No. I wasn't missing the point of most criticism. Literally, I saw post after post of people saying they wished the characters could be mean to each other. Some posts were more specific, like "I don't like Taash," (and I'm sure you can imagine what THAT'S about) and some were more ambigious but cited DA2 and how everyone was bitchy toward each other.

I honestly don't care where you work and what you do, because hopefully most of us after the age of 30 have experienced an adult job where we have to be reasonable with our coworkers, even if we strongly disagree, or outright dislike them. I had the suspicion that most people who think that there is "no conflict," or "low conflict" or "bad writing" in this game haven't experienced this kind of setting in any capacity. What I'm now hearing is that you might have, but you didn't absorb any of the dialogue, or switch out your party to listen to banter, which is an essential function for picking up information in any DA game.

I walked around Arlathan with Lucanis and Harding, and they have a whole ongoing conversation in which she threatens him with one of her special arrows. And he agrees that if Spite should take him over, she should do something about it. Harding isn't frightened, because Harding isn't a pushover, but she's not taking any shit either. Did you walk around with just the two of them right after recruiting Lucanis? Did you frequently visit the rest of the companions so that you could see just how much Lucanis and Davrin *didn't* get along? Neve mentions what sounded like a knock-down drag out fight.

**Just because this isn't explicitly mentioned to you doesn't make it bad writing - it means you haven't had the time we had with Inquisition to play the game over and over and switch out your party so you can see everyone's interactions with each other. You will actually have to play the game multiple times and switch your party out a fair amount in order to see these interactions. Or wait for people to post them to tumblr. You can complain about how unfair this is, or remember that Inquisition has 10 years on this game, and it's been out for just shy of a month.**

Why in the absolute fuck would Davrin manufacture conflict between himself and someone he could easily conjecture isn't pro-slavery based on the fact that within five minutes he could find out she's from Dock Town, she's a private investigator working with the Shadow Dragons, and LITERALLY WHEN YOU GET ONTO THE DOCK WITH HIM, her first priority as she's running back to Minrathous is to say "if the dragon wrecks havoc, the Venatori will take over." Davrin isn't an idiot, he could pretty well surmise that she's not "pro slavery" with only the barest of interactions and Rook saying "yeah Neve's cool."

Why would Neve yell at you? Why is it bad writing for the writers to give Neve a personality you don't agree with, because you're uncomfortable with how she reacts? Neve's an adult who is used to working on her own and people not showing up for her - she says this MULTIPLE TIMES - it's actually a large arc of bonding with her, as a friend and a lover. She's not going to scream at you, she's so far past the point of being loud about disappointment, she's on the other side, for one, and for another, she does in fact understand that the entire North of Thedas is on fire and blighting Treviso is pretty fucking bad when it has no major defenses. Rook doesn't endlessly apologize. She came back after a short pause and while I didn't have her healing abilities after that, it didn't take long for me to boost my bond with her back up and feel like we were friends again.

This honestly feels like you're having a personal reaction that you need to examine, and it's not something to do with the writing, since the game mechanics and the dialogue don't actually bear out what you're putting down here.

All of the companions who have conflict initially have to figure out how to trust each other and it sometimes takes most of the game for them to do that. If you didn't spend the time listening to their banter as they work their way through it, that's not Bioware's problem. That's you. And...I don't want to have repeated conversations where I go into Emmrich's (my romance) room and "vent"? I didn't do that with Cullen. I didn't do that with Anders. Why would it suddenly be a thing here? But if you listen in to people's conversations, they do express dismay and doubt and fear about the various quests they've been on. Again, it feels like you didn't spend the time eavesdropping or taking people out and listening to banter.

I have no idea what you're talking about with flirting. I flirted with every companion at first even though I knew I was running for Emmrich, and all of them responded according to their personality. I romanced Cullen in Inquisition, and he was pretty quiet initially, until you get to Skyhold, and similarly, most of the companions here retain a certain reticence until the game progresses. But if you're looking for people who get flustered - Lace and Bellara absolutely do! And Emmrich isn't flustered, but he's taken aback a few times before he collects himself and flirts back - though whether you'd actually recognize it for flirting, I'm starting to wonder. The fact that you can't tell with Neve is actually making me tilt my head at the screen, and I say this as a self-confessed disaster who is very very bad at knowing someone is interested. Even I can tell what's going on in DA romances.

This is probably a lost cause, but I urge you to either spend time playing the game again, or watch someone else who really loves DA (and is Veilguard positive) play so that you can watch without being in the thick of it, and hopefully experience more dialogue and different choices.

No, I'm not done yet, I'm house sitting and she left me snacks and soda and not even god could keep me from venting my spleen at this point.

"I wish the companions were meaner to each other in this game, like in DA2."

While I think there's a larger argument to be made discussing the similarities between DA2 and Veilguard, I need everyone to get so close to me right now about a glaring difference:

DA2 involved a ragtag group of assholes with their own agendas coalescing around Hawke's personality or exchange of favors. There was no larger "goal," except maybe Varric's expedition - everything else is encountered as circumstance. You wend your way through your companions' stories while a city winds ever tighter into itself, a spring about to literally explode.

There's zero reason for these people to be nice to each other. They have no point in being around each other except Hawke. They can bitch at each other all they like.

Rook becomes Varric's second in command (I've seen one post say it's about 6 months before the events of the game) with an explicit purpose: find and stop Solas. Harding and Neve are recruited as experts in their respective fields for this particular goal. When it all goes to shit, Neve recruits another expert, Lucanis, to deal with the fallout, and Harding finds Davrin, *also* an expert in his field (monster hunting). When Rook has to make a particularly consequence heavy decision, two more are added to the crew: Emmrich (Fade expert) and Taash (dragon expert). All of these people are extremely competent, and know from the jump that they have one particular goal in mind.

They join ready to work together on Day 1 because if they don't, there's simply no other alternative. It's lights out. Even when they mistrust each other, the direness of the situation is not lost on them. Infighting serves no purpose. That's why the struggle is directed inward: clean up your own house, so we can move as a single unit.

Honestly the fact that what people took away from this game was "I wish my friends were meaner to each other" and not "wow, I wish we all worked together to keep evil dictators from taking over" is fucking mindblowing when I sit back and reread this.

[ir-abelas-vhenan]

I've been thinking a lot today about how easily people condemn Solas for making the choices he did or for so regularly refusing the help and love his friends or a romanced Lavellan extended to him and how that's a very easy thing to do from behind a screen in a fictional game where you are able to (with very few exceptions) curate a world in which your allies are loyal and your decisions will go the way you'd like them to.

And yeah, it's a game and that's kind of the point, but if I were to look at it a little more deeply (and who am I kidding, I got back on this website exclusively to process the aftermath of Veilguard) I'd say that there's so much to be found in wondering if the protagonists in any of the other games would have fared better in similar conditions.

Apparently I can't stop making long posts, so buckle in.

What would Morrigan have become in a world where the Warden never stumbled upon her cottage with Flemeth, if she never got the chance to see more of the world and decide what she wanted out of it? With just her mother (who, coincidentally in this Solas-y discussion is also kind of Mythal) and no support, who is to say what she would have unleashed upon the Korcari Wilds one day when the confines of her cage became too much?

What about Leliana? She, too, suffered at the hands of a very controlling abuser who tried to convince her that one lifestyle was all that her future held. What do we think she would have become if not for a chance meeting in Lothering with someone who could help her face down the woman that molded her?

Fenris, a character MANY people are just fine with was incredibly ready to kill a mage on sight if need be, no questions asked. Where do we think his story goes if he doesn't have someone in his corner early on enough in the game? If he doesn't get caught by Danarius, he's almost certainly going to end up on a murder spree, and he doesn't even have Justice whispering in his head to do it.

Cullen. Just all of him. It's an absolute miracle he hasn't snapped by the time you encounter him in Inquistion, and even then you get the benefit of intervening at a critical point in his story several times over.

Almost every other character could face this analysis and I think we'd reach a result that suggests perhaps the only thing keeping them lovable is your playable character's investment in their well-being.

Enter Solas. We don't meet him when he's twenty to thirty something and on the precipice of falling down a dark path. He's been there for literal millennia already, and with the exception of one close friend he's been alone. And not even Felassan is enough because of the years Mythal had prior to that friendship to make Solas exactly who she needed him to be.

I've had shit friends before that aren't just good at isolating people, they're naturals. I barely made it through high school with my mental health in place (in fact, looking back, it almost certainly wasn't). When you think you've got a true friend and they need something of you, it's so easy to blindly follow them because you think your love is enough to mark someone's soul as trustworthy. Solas doesn't learn that lesson until it's too late, and even when he does he can't turn back: the spirit that was once Wisdom has been exposed to several of the worst ancient elves to ever exist and now he has to stand his ground rather than let it all fall, because that is what Pride would dictate. Admitting that the person you gave your love and labor and time to is a monster is hard. And he was alone.

Give me Morrigan after centuries with her mother. Show me Leliana after the years have become a blur and the only voice whispering in her ear is Marjolaine's. Show me the innocent mages that don't make it through if all Fenris has for years and years and years are the scars Danaris left him and the means to make more. Show me Cullen if he stays in a chain of command under a Knight Commander who knows exactly what he fears and holds it over his head for so long he forgets what it was like to be an excited kid begging the templars for training because he just wants to keep people safe.

We get companions in these games who are broken by the time they're twenty. Solas has spent thousands of years in servitude to a cause of a woman he believed to be his only friend. He doesn't know who he is without her influence, anymore, only exists physically in the first place because she asked it of him and then asked again and again and again. He doesn't have a witty band of merry fools to pull him out of that cycle. He has Felassan, but he has him during war after war after war in the hopes of freeing others from the very situation that torments him.

Trauma from war affects everyone touched by it, nevermind the fact that Solas is actively responsible for saving the lives of thousands and feels each life like a weight around his neck because maybe he can save them like he cannot save himself. We should always be worried about the people trying to do the most good. Who is looking out for them? Why are they so determined to help others? Could it be that it's something they wish others had done for them?

Solas certainly feels comradery with Felassan from working together to free slaves from the very people he helped put in power because Mythal told him it would be okay only to leave him with the pieces, but even the Solas that Felassan knows has been turned into an attack dog shying away from the touch of the very person it desires to be near above all others by the time their relationship forms.

The fact that Solas is able to try and show the Inquisitor who he is at all is a miracle as far as I'm concerned, a sign of a peaceful spirit of Wisdom who loves knowledge for the sake of it finally sensing that there might be a chance to embrace its nature again.

Yeah, if you give him what he has come to expect from people with power, if you let near-absolute power over the masses corrupt you, he's going to bristle and try to shut your inquisitor down.

But if you show him even the smallest bit of kindness? If you treat him like the starving wolf he talks about and feed him instead of fighting him? God, it shatters his entire existence.

It's called a cycle of abuse for a reason. Finding friendship, finding the love of your long-ass life can be the first step in realizing there's better out there. But the time it takes to learn that? When you're too weary to even reach out for help in the first place and afraid of every kind word or gesture because you've never known such tenderness (on a platonic OR romantic level, both matter so so much) before?

Part of the compelling tragedy of Solas is that it's almost Orpheus-like how he knows what he has been made into and still cannot stop himself from yearning for more, from turning around to see if just this once something has changed. You can't convince me that he hasn't spent years hoping that someone will hear the legend of the Dread Wolf and see it for what it is, a leash the Evanuris created for Mythal's whipping boy to ensure that even if he ever escapes them, the people he fought to save will hate him. And I cannot blame him for the shock and terror that consumes him when he realizes someone finally has.

You give me any of dragon age companions after the amount of time Solas spent under Mythal's thumb without your character's intervention and you tell me how that looks.

You tell me if they're able to change at the first sign of something that feels too good to be true.

And then, I want you to tell me they're any less worthy of trying to save, especially when you know how good their best can be.

Solas might be hard for some fans to love, but it's only because he serves as the perfect representation of the beast we are all capable of becoming when the love that sustains us, assuming we receive any at all, is laced with poison.

The journey out of that place, out of a literal prison of regret, is brutal, and I'm thrilled that even with the many things about Veilguard I'm still struggling with, we have the chance to let Solas try again with the help of those who love him not because he never fell down, but because they believe in the beauty of a future where he gets back up again.

[soupinaboot]

I know I said Steve is more math smart than english smart and that he'd have a hard time in history as well... but he should also be very political and know what the fuck he's talking about.

Punk Steve is rather popular, yet the ideologies and politics that are associated with the punk movement seem to be forgotten whenever he's brought up, which is a real shame cause I think he'd really agree with it. Like, let's say before he discovers punk, the clothes or the music, or the hair, he reads a lot of books.

His dad has a bunch of history and law books lined up on his self in his office, and ever since he was young, Steve would pick one up and read it hiding in his room before Richard got home. He wasn't supposed to touch the stuff in his office, but he just got curious. The more he reads, the more he learned about the government and the system and the police and so on.

Then, as he got older, he just kept reading. Not just older books, but newsletters and articles. He kept up with the news around the world and in America, and the more he learned, the more pissed he got. All his friends were joking about how hot Ronald fucking Reagan was, that they just didn't even give a shit about how bad he was as a president. Every time he brought it up, people acted like he was overreacting or some crazy liberal that they didn't want to associate with.

So he stopped bringing it up. Clearly, people didn't want to hear his opinions on the current War on Drugs and the police. Plus, everybody got this weird look when he talked about it. Some of his friends would scoot away from him, others would awkwardly chuckle and stop talking for a while, like they were scared someone would over hear him.

He wasn't stupid, he knew Hawkins was a conservative town. If he wanted to keep his peace, he'd shut up when he knew when to. Which just so happened to be all the time. But that doesn't mean he stopped paying attention, in fact, he started paying a lot more attention after the whole "Oh there's a weird hell dimension under our town where people could be killed in and the government is covering it up to protect their asses? Typical"

But he still doesn't talk about it as much as he wants to. Around Robin and Eddie, he'll mention things once or twice, but they don't really pay attention to Steve's opinions on those types of things, or if they do, they believe he learned that stuff from them.

So anyway, yeah. This headcannon comes from the idea that his dad is a lawyer of some kind, and Steve was raised surrounded by political talk all the time.

[nohoperadio]

It was just a small piece of arbitrary dumb luck that put an end, around age 14, to the long-standing tradition of me spending alternate weekends at my dad's place--I would certainly not have had the confidence to make the first move re cutting that off myself, not for some years yet--and I still occasionally feel a swell of gratitude for that happenstance. The years immediately following were by no means happy ones but they could have been so so so much worse.

[edwinisms]

it’s actually so wild to me that this fairly quirky YA type show gave both of its main characters deaths that can, in one way or another, solidly be considered hate crimes. they were both flat out murdered as a result of being A) gay and effeminate or B) brown (south asian, specifically) and you could argue whether or not those kids thought of it that way in the moment or whatever but the bottom line is that they would not have been in the situations that killed them if they weren’t of their respective minorities. like legitimately that is a ballsy choice for this kind of netflix show, let alone for the two Main Characters, and i respect it big time

[camgoloud]

you ever just. become overwhelmed by a sudden out-of-nowhere wave of tenderness and affection and longing for reconnection directed towards someone to whom you no longer speak for Very Good Reasons

[sunoflegend]

i love being obsessed with metalhawk and starscreams dynamic despite the fact it happens so early on in RID and he's barely a character who's there

[devotedlystrangewizard]

i dont like saying astarion is my least favorite of the companions because it makes me feel like im such a "look at me im so special" guy but he honest to fucking god. is my least favorite. i cannot keep silent on this matter. i think hes a good character, i think neil did a fantastic job with him, but also hes committed the unforgiveable sin of annoying me and for that he gets one thousand years in brain jail

[476b]

.

[constellationcrowned]

((I want everyone to keep something in mind in regards to this blog and this is going to sound like a general, common sense post (and in a way it is) but it's also hi I'm in your house, whispering into your ear, telling you to call ga//amestop and ask them if they have bat//tleto//ads---, blah blah, basically it's personal too:

With me, regardless of blog or content, both communication and engagement go hand in hand. Communication and engagement needs to go both ways.

I love posting and reblogging memes and calls and will continue to do so but you folks---old mutual or new mutual doesn't matter---need to take the initiative yourself sometimes too. Be enthusiastic. Be spontaneous. Be proactive. I don't want to ask people to write with me all of the damn time nor do I want to chase after people all of the time because if I have to do that constantly over and over again it starts feeling incredibly one sided even when it isn't (because ofc people have lives, specific interests, anxiety, and whatever else which are all things that I deal with myself and I understand how that can stop someone from doing something, but that's how it feels especially over an extended period of time) and I don't need to explain how disheartening and draining that can be.

My seeming to interact with only one person---and for both of my blogs it's @magioffire and we all know that---it's not because we're being stuck up, elitist or whatever inane and incorrect term people want to throw at our feet it's because we engage and communicate. The give and take between us (both from an ic and ooc standpoint) never feels imbalanced or even transactional (I really hate using that word but, again I gotta stress this, that's how this makes me feel) and I have never felt like I needed to chase them down for an interaction or had to fight for a scrap of their time---which feels like a feat bc Blair has a lot of people scrambling at their door---and I cannot tell you how huge that is. That sounds like a huge sweeping thing to say, I know, but I mean it in all of the little ways too. I could post some stupid bullshit on here; not a starter or a meme just a little random muse thought or observation, and 100% of the time here comes Blair telling me what they think or adding on to it or just...whatever. They're here for both me and my muses for the big and small things, whenever I've asked and, more often than not, when I haven't (or couldn't) and that's incredibly important. It's that kind of stuff that makes what we have special and that's putting it super lightly. And yes, our relationship both as friends and as writers has developed over a long time, and we did click immediately that's true, but there's never been any doubt to cast upon the work and effort both of us have put forth.

And this post isn't to say that I'm demanding constant or immediate attention from you all---because, again, we all have lives, health issues, etc, etc, and all of that takes precedence over a hobby as I've said before and will say again and again---but....put some effort into it when you have the capability. Yes, like the calls that I post or send a meme in, absolutely, but also message me on your own and ask a question or shoot a muse a random prompt or just @ me in a post. Show me some enthusiasm and engagement on your end because right now it feels like I'm doing all the work all of the time and that's tiring. I'm tired of handing stuff to people all of the time---I'll keep doing it, obviously, because I need and want to engage on my end and love throwing stuff at people and providing opportunities---all I'm asking for is understanding and reciprocation.

If you can't reciprocate for whatever reason? Tell me.

If you're unsure about something, no matter what that something is? Tell me.

If you need help or even a specific kind of accommodation in order for us to start interacting or continue interacting? Tell me.

Don't just assume that I don't want to write with you or that you can't ask me for things. Don't assume that I'm being a snob or whatever else just because I seem to be paying attention to a certain mun full time because do you know what that actually is? That's friendship. That's effort. That's me giving back what I've been given. That's me reciprocating the enthusiasm, love and creativity that I've been handed, nothing more. There's nothing unobtainable or gatekeep-y about that either, you just need to be earnest and forthcoming with me and I can assure you that I'll return the favor in kind.))

[elytrafemme]

everyone please manifest that i wake up a normal person tomorrow because i am treacherously close to going on a fucking warpath

[kavehater]

Every time my mum throws yet another hissy fit although I can understand she’s being stupid and I let her yap to her hearts content cause she can never quit complaining, for some reason I’m so mildly bothered that the irritation makes me angry at every other thing.

For example : the fact that so and so hasn’t responded in 51 years, fifty more people haven’t even given so much as a single darn to ask why I haven’t replied yet or use those two brain cells of theirs currently fighting for third place to realise huh, maybe she’s going through a hard time ! Maybe you know like a decent fucking human being I could leave her a little note saying she can answer whenever she feels fit enough to do so but that I care for her, and the fact that I am irate by how care and compassion is offered on a silver platter to so many yet for me I have to beg and do the most absurd and pathetic displays to achieve even the slightest speck of kindness, and if I DONT do all of that in the one in a trillion possibility of me receiving kindness for free it makes me so disgusted and afraid because why the fuck would you do that, in fact why the fuck would anyone even do that even if I gave them my whole heart and soul anyways. All I am is less than dirt by way of reason given how I have been treated, and although I’m unsure as to why I am and that I can never fully understand the reason for why I’m not worth a single thing, and why I am worthless, i understand that that’s how the world works and I ought to adapt to my role and take it because nobody will stop for me

[insanechayne]

~ ~ ~

[streetcornertwoam]

think I might be going through a depressive episode AND my birthday is a in a few days...

COINCIDENCE???

[edwinisms]

I really don’t wanna be that guy but completely honestly why does anyone think that a petition is going to do anything

[neo--queen--serenity]

It’s incredibly important to me that the anime decided to include this scene that wasn’t in the manga. In the manga, Maomao does pass out in Jinshi’s lap after saving him from what was obviously an assassination attempt.

HOWEVER, the manga cuts off at this point, keeping strictly in Maomao’s perspective, and cuts straight to when she regains consciousness in bed after being treated for her injuries. The manga doesn’t show how she got back. They SAY how, and she briefly mentions, “wow that must have been embarrassing; he carried me back,” but we don’t SEE it. We don’t get to feel the true impact of what that means. But the anime DID show us, and holy shit.

They SHOW us how taboo this is. They show Jinshi carrying her out of the temple, after a public attempt on his life.

They show us the shock and horror on Lakan’s face as Jinshi silently walks past him. Horror at the state his daughter is in, horror at another man—a man with a status he could never dare to question—staking such a public claim over his child, horror at the fact that he could never have this level of closeness with her (as Maomao would never allow it).

Everyone hides their gazes, as is their custom when someone of his rank passes by, but the air is different this time. Jinshi is furious, he’s terrified, and he could not give a single shit about how inappropriate it looks to these palace officials.

The shot that slowly follows her trail of blood—even though it’s a small detail—that in particular leaves such a intense impression of how poignant this is for him.

Maomao talked about this scene in the manga like it was nothing to her. She did what she set out to do: she saved the person who was targeted by the attack. She didn’t even know the target would be someone she knew. But she has no idea that this happened afterwards as a result of her bravery. To her, it likely wasn’t even an act of bravery at all. She acted on impulse; she did what she knew was the right thing to do.

The anime didn’t need to include this, because the manga didn’t show it. But damn, I’m so glad they did.