#make a stupid ass post on this stupid ass website

[fuck-customers]

I'd honestly prefer that we just disconnect our store phones and customers are not allowed to call us ever. (I had one shift a few years ago where the phones were down due to a malfunction caused by weather and it was the best shift I've ever had)

BUT if you absolutely must call the store (spoiler alert: you don't. Every stupid ass question you have can easily be answered on the store website) make sure you have like 1% of phone call etiquette and make sure you're in a quiet place and even though you should not be on the phone while driving (it's dangerous and illegal) if you absolutely must call, roll up the damn windows! All I can hear is the noise + wind in the background.

Posted by admin Rodney

[streetcornertwoam]

think I might be going through a depressive episode AND my birthday is a in a few days...

COINCIDENCE???

[springcatalyst]

My dearest, tell me about your conlang scripts, please❣

Yeassss thank you beloved I will now kill for you <3 Ask me to kill for you.

I truly do not know how long this is going to end up but I'm just gonna go for it.

Montaran

Montaran is fauns' native language: it is alphasyllabic (rather than alphabetic), made up of character 'blocks' that are themselves composed of syllabic components. It's based off a mix of Korean and Sanskrit (mostly Brahmi script).

⬆️ "This is an example sentence" written in Montaran. Pronounced "Bavna mōskadatōk nin."

Components are arranged in blocks of three max, with spaces between words. It's written and read top to bottom, left to right. In three-component characters (called full blocks or complete characters), the arrangement of the components tells you where the syllabic emphasis is.

Here's the same sentence but with the components split up. The first word bavna has it's emphasis on the syllable na, and you can tell by reading because it's alone, as opposed to the other two components, which share space on the top of the block. The second word, Mōskadatōk, has its emphasis on the first and fourth syllables mō and da- the ones that are alone in their vertical placement. For partial blocks, like the last word nin, you can't tell emphasis by reading it.

Montaran is an abugida, which means its alphasyllabary is made up of consonant letters and small, diacritic-like additions that determine vowel sounds. Consonants can exist alone, but vowels must be connected to a consonant.

Where vowels are connected to a consonant can vary- usually there is a standardized method, but handwriting can alter it.

Montaran doesn't use any articles or particles, is written subject-verb-object (though the verb to be is considered an implied verb and therefore not actually written or spoken in sentences which would need it in other languages). Adjectives and adverbs are placed before what they alter.

Homonic

Homonic is humans' native language. It's alphabetic, made up mostly of vowels. The consonants are just 6 'base' ones, the sound of which changes with the inclusion of diacritics. It's based off of mostly English and Japanese.

⬆️ "This is an example sentence" written in Homonic. Pronounced "Goa ja ikaruth zonosh hfow."

Likewise I had more explanation for those weird phonetics but once again I am going to joker out so what the fuck ever. The r is a tapped r though.

Consonants base form is considered the default, while the diacritics change what sound it makes. The handakuten indicates a harder sound (P to B, F to V, L to tapped R), the tilde indicates a softer sound (hard G to Y, L to R, F to a sort of harder H that's not quite an english H), and the dakuten indicates a much softer, sometimes voiceless sound (P to W, F to H, T to Th). I should say now that I wrote out the phonetics of these in a way they make sense to me, so they might seem like nonsense to you. Because I don't understand international phonetic alphabet. But I digress. Vowels are never given diacritics.

Homonic uses both articles and particles, but particles are mostly used for action and subject indication. It's written subject-object-verb: Adjectives go after the noun they alter, but adverbs go before the verb. It's written left to right.

Paitarō

Paitarō is ipotanes' native language. It's an abugida, but unlike Montaran, consonants cannot exist alone. Instead, letters in their 'default' state are assigned the inherent vowel a, and all alterations from that indicate different vowel sounds. It's based mostly on Ge'ez and Eastern Cree.

⬆️ "This is an example sentence" written in Paitarō . Pronounced "Roujih myudae ba raisakō louhayka".

Paitarō has a bunch of different versions of verbs depending on context. They have general vs current forms, constant vs transient, beginning vs ending, and some verbs have a gladly vs reluctantly form. I gave examples, but this is my third time trying to edit this and I can't be assed to write it all out again without becoming the joker.

Rotation and diacritics determine the vowel sound of a letter. It's very consistent, so while it looks like there are 8 million letters, really there's just 12 that are altered slightly for different forms. A clockwise rotation 90 degrees will always result in the vowel ay, an macron will always result in the vowel i, etc.

It's written left to right, subject-verb-object, and uses no particles (but does use articles). It's also one of the harder languages to learn from an outside perspective, because many of the vowels (particularly o, oo, ou, and ō) sound similar to the untrained ear.

Arbor

Arbor is satyrs' native language. It's alphabetic, and has the largest alphabet of any language, with 42 letters (Paitarō beats it only if you consider all rotations and diacritics separate letters, which I don't). It's based mostly on Russian and Japanese.

⬆️ "This is an example sentence" written in Arbor. Pronounced "Shleya bouk dzyañen aotal voh."

It's written right to left, verb-subject-object. It doesn't use articles, but does use particles, which make up far more of the grammatical structure than of any other language. Particles indicate time, possession, location, direction, vocatives, pragmatics, formality, connectives, and conjunctions. For example, in the above sentence, the particle voh indicates certainty- what is being said is fact- not up for debate.

Formality particles are something that is mostly unique to Arbor: Homonic uses some, but they are loanwords from Arbor, and not used near as often. The only circumstance in which a satyr would not use formality particles is when speaking to children (or if the speaker is a child). Because of this, for an adult to speak without these particles is perceived as immature or patronizing or both. There are generally four 'levels' of respectful particles: familiar (for friends and family), peers (for acquaintances and strangers), respect (for superiors or elders), and higher status (for governmental or religious leaders). There are also degrading particles that are only used explicitly as insults, but are naturally not used in everyday life.

There are no true diacritics in Arbor, similar letters (like eh, ih, and uh, or v and fh) are considered distinct, not the same letter but altered).

Shotali

Shotali is nightlings' native language. It's syllabic, written calligraphically from top to bottom. It's made up of common humanoid phonemes as well as a clicking sound that is unique to their physiology. It's mostly based off of Khoisan and Vulcan.

⬆️ "This is an example sentence" written in Shotali. Pronounced "Sikosha taori niloth zhoi."

Here's the same sentence twice, one with the letters and other aspects of the sentence pointed out. The letters are designed to run into one another, where one letter ends another begins. Words are separated by a small open circle at the beginning and end to make clear the joint between the two.

It uses only two diacritics: a handakuten and a macron. In natural Shotali, they are used sparingly, but their usage has since expanded to allow for other sounds to be transcribed into Shotali. The macron traditionally changes just a few letters from an i vowel sound to an e (ri->re, ni->ne, li->le), but now can also be found to alter any letter with an i to an e, even if it was not originally allowed. The handakuten, in natural Shotali, indicates a click, made as part of the syllable alongside the voiced pronunciation, and is not actually considered a diacritic in this form. It's present only on hard consonants (k, v, d). These consonants can be written/spoken without the click and therefore without the handakuten, but only in very specific words or it is incorrect. Some words only define meaning by the presence or absence of this click- this makes things tricky for any other species trying to learn/speak Shotali.

Now, though, the handakuten is also placed as a diacritic on some other letters- not to indicate a click, but to harden the sound (Th to T, P to B, Zh to Z, J to hard G). These characters are not included in the base alphabet as they are considered adopted characters, meant to transcribe sounds from other languages- Shotali has a lot of technically allowed ways to write/speak that arent included in the 'official' alphabet.

Only d, j and th (or t with a handakuten) can exist as a consonantal sound without a vowel, considered a whole syllable by themselves in Shotali. It's written verb-object-subject, and uses no articles or particles. Adverbs and adjectives go before the noun or verb they alter.

Bonus: Chimerae's sign-morse

The chimerae, which live in the depths of the ocean and thus do not interact with any other humanoid species, converse with a form of sign language that utilizes their bioluminescent abilities. It is untranscribable, and so doesn't have a proper name. It's made up of similar signs as that of shallower merfolk: large, slow movements of the hands and caudal fin, but is additionally altered by light. Light carries meaning in: where on the body it is located, how quick the flash is, and what physical sign it accompanies.

Chimeraes have two distinct dialects of this language: a distant and close dialect, both used in conjunction with each other depending on context. Because detail gets much harder to see at distance, and the deep sea is big, the type of sign-morse used when far away from your conversation partner is different than that which is used when you are right next to each other. The former is vaguer, but more obvious, while the latter is more intricate and specific.

[textfromthelookout]

Did you hear of the news?

I have. :(

Everyone else has their tributes so, here, a summary of my experience with Dragon Ball.

I was in fourth grade art class. A kid had the February 2005 issue of Shonen Jump, back when Shonen Jump was still physically printed here. I recognized Atem on the front cover because the Blockbuster around the corner from our house had DVDs (I think they were DVDs and not VHSs then since I distinctly remember it having a menu and special features) of some of the later episodes of Duelist Kingdom and my brother and I watched them on repeat. So I was like oh, hey, what's this? They make books of that stuff? I don't remember the conversation but the kid ended up giving me that issue, and I took it home with me.

There were a LOT of significant, groundwork things happening in that issue, now that I think about it. We were just beginning to see Sanji truly in action against Pearl. The Dark Tournament was in it's early stages still with Roto fucking around and finding out against Kurama. Sakura shears off her hair in a move that rearranged sexualities the world over. The reason Atem was on the cover was because Yu-Gi-Oh Millennium World was just debuting its first and second chapter. Bleach wasn't even serialized yet. And Dragon Ball, of course, was also there, about a hundred and fifty chapters ahead of everybody else.

Keep in mind that this was my first experience with manga, period. So my very first experience with Dragon Ball opened on this:

and ended on this:

Yeah. Truth be told, at the time Yu Yu Hakusho piqued my interest more than Dragon Ball (a guy fighting with plants? how creative!) but I never did forget these chapters. I thought the art style was so different from the others.

At some point after this, probably between several months and a year and a half, the TV happened to be on one evening when Toonami was airing Dragon Ball Z. Oh hey, I said, I recognize that art, I know those characters. So I hung around and watched some of episode 281. Two things about watching that episode stick with absolute crystal clarity in my mind to this day. Firstly: Buu choking Vegeta out with his arm freaked me the FUCK out as a child. I could not tell you why I had a fear reaction to it but hey, there you go. The second is this:

Specifically I remember 'You died once. If anything happens to you now, you won't exist anymore. There'll be nothing I can do to bring you back.' Not precisely word for word over the years, but Schemmel's tone of voice on this particular lineread. If I had to guess I'd say it was because at that point in my life, uh, death was kinda permanent? So wait, what do you mean died ONCE. Doesn't that apply to everyone?

This still wasn't enough to get me super invested in it though, it just didn't seem like something that would appeal to me that much. So a couple years go by, I don't think about it all that much, and then of course, TFS hits the scene and drops DBZ Abridged. So you know. As a shithead middle schooler with a shithead sense of humor I thought it was the best damn thing since sliced bread. (My biggest character flaw is that I still think a lot of Season 1 is genuinely funny)

And that was really the extent of my interaction with the franchise for the next several years. Say what you will about DBZA but they did manage to put it all together such that someone who had a nonexistent concept of what the original context was could grok it with not a lot of effort. Some time in high school, I think I was around 15, I decided to bite the bullet and read all the manga, as much to increase the funny factor of DBZA as sheerly for the sake of being able to say I had. Stick it to the other weebs, y'know. Now they can't say I didn't know anything about good anime. This was unfortunately at a time when all that was available online were dirty poor-quality scans and questionable translations, but read it I did. I went 'yep, that sure is about what I expected', and proceeded to get on with my life. GT came and went, I looked up and saw Battle of Gods coming out and went 'oh hey that's still a thing huh', kinda was peripherally aware of all the divisiveness of Super as it was happening, didn't really pay it much attention, just stuck to DBZA and quite a lot of wiki-ing.

And then, this time of year about three years ago now, in the middle of conversation with @prophecydungeon, Dragon Ball somehow came up. Something to do with 'Even though I'm not hugely into DBZ's story or whatever Toriyama does have some great character designs' (yes I was referring to Vegeta and Future Trunks at the time, no i will not stop being predictable, yes i am a parody of myself). They eventually brought up the DBS Broly movie and said, and i quote: 'that was a solid 1.5h of unbelievably fun and wacky animation'. Having seen the Gogeta vs Broly part of it on twitter and been like 'damn that animation's kinda off the hook actually, good for them good for them', my response was to be like. Oh word? I've got a spare hour and a half to kill, sure, fuck it, why not, time to watch DBS Broly.

I think that movie was precision crafted to hit me in the hyperfixation, if we're being honest. Opening on a solid 20 minutes of Lore and Worldbuilding and then having most of the rest of the runtime being mindless slobberknocker fun by way of some of the hardest animation flexes ever? I was done for.

In summation. I have been aware of Dragon Ball for a lot of my life, in that its presence was pervasive and enduring as I grew up. I may have been late to the game of actually wholeheartedly enjoying it, but enjoy it I do. Dragon Ball is the roots of a vast tree of anime, and in reading it I began to understand why that is. I respect it for that, and I love it for that. My current fixation may have shifted, but as far as time devoted to one individual thing goes... it took me a year and a half to watch my way through all of the anime and read all of the manga. ALL of it. So there's something good in there, I'd say.

[graythursday]

this is the worst day of my life

[basically-fabulous]

u "don't vote" motherfuckers r stupid as shit

[cobwebbed-crow]

If your institutionally mandated "diversity survey" doesn't include a 'prefer not to say' option for every single question, congratulations, I now know better than to believe that your institution is safe for minority students.

[toytulini]

getting real fucking fed up with hulu :)))))))))))))

[syn0vial]

i know tumblr is the home of "we piss on the poor" reading comprehension, but really, at least we're all still lightyears ahead of fucking reddit

[dreamcast-official]

ugh

[lttm]

ok how do i change this. 2 for size

[clubpenguist]

friendly reminder that even if youre open about something on your blog, even if you think its so obviously right in your about/description/pinned/whatever, most of the people who will interact with you are not even looking that far at your blog. they dont know your name or your pronouns or your disabilities or your interests or your credentials or whatever you think is just *so obvious* that they *must* be intentionally ignoring it just to hurt you. ESPECIALLY not if theyre a random stranger who youve never interacted with once before, has never interacted with you once before either, and has absolutely zero reason to care about you. its not a personal attack, its just a fact. this is literally the internet

[dashiellqvverty]

there’s stuff i’m actually mad about re: tumblr rn and the MAIN one that pisses me off is the prev tags chain thing. like even before ‘prev tags’ took off and became a hot topic it was still common to just click back through to see other people’s tags. and while there is now a way to click back through to OPs post or the previous post by clicking the right part of the post, you can’t then go back to the blog BEFORE that one. which fucking sucks (actually i haven’t updated the app since this started and i’m using xkit on desktop so idek what state this is all in rn)

but anyway i don’t even hate it as much as other things it just makes me the angriest bc there is NO reason for it, and no reason not to listen to the userbase and switch it back. and it frustrates me when i see complaints about it on staff posts right next to complaints about tumblr live bc like… you know that’s never gonna change right?? obviously no one uses tumblr live, everyone wants to be able to turn it off permanently and not have to snooze it every week - but given all of that, i think it’s pretty clear that it’s executive-level decisions that tumblr is being made to implement?? like, the fact that there is a “snooze” option at all, to ME, says “we know none of you want this so this is how we compromised”

and similarly the fucking new viewer for pictures/gifs (why anyone thought it was a good idea to include images and gifs in this rather than just videos, i don’t know). that’s probably what i hate the most but i can see why there is pressure to do something like this and i don’t think feedback is going to make a difference. the reblog chains thing just fucking baffles me and i hate that they haven’t listened on that one - they did with the marketplace icon!!!

[goldenandhappy]

Man, Twitter sucks.

[sharpenote]

there's not always going to be an option to make things immediately better, but there will always be options to stop things from immediately getting much much worse, and you will always owe it to people less fortunate than you to keep things from getting worse, no exceptions

[utopians]

sorry to keep harping but the thing is. like. people pretty much universally have profoundly complex and richly textured lives outside of the internet. like everyone you'll ever meet will have their share of complicated relationships, personal struggles, identity issues, et cetera. and these people will likely have deep inner lives and senses of self that an outsider is not easily privy to yk. but then you get all these Posters with a superiority complex who log into the fandom blogging website, see a fandom blogger blogging about fandom, and for some reason forget that other human beings have a rich inner world and assume that this little niche interest site somehow represents the totality of the fandom blogger's life and that they can deduce some sort of damning portrait of a Life Consumed by Media from the fact that they sometimes blog about fandom on the fandom blogging website. and then they make stupid ass posts like the aforementioned. it's so pretentious and self important and mean spirited with zero substance. Banished to the salt mines for 10000 years