connections between naerys and sansa?
There’s plenty! She’s very much in a Naerys/Aegon scenario in ASOS & ACOK, where she has no ability to leave the capital, no one doing anything meaningful to protect her, and a King that is obsessed with sexually humiliating her. There’s a lot of romanticism and chivalry surrounding her character and how other people react to her character, the same as Naerys.
But also, Sansa makes the comparisons to Naerys herself, and she does it before she realizes what kind of person Joffrey is! In fact, it starts with her very first chapter where she compares Joffrey interrupting Ilyn Payne & Sandor Clegane to Aemon demanding a trial by combat against Ser Morgil:
A whole day with her prince! She gazed at Joffrey worshipfully. He was so gallant, she thought. The way he had rescued her from Ser Ilyn and the Hound, why, it was almost like the songs, like the time Serwyn of the Mirror Shield saved the Princess Daeryssa from the giants, or Prince Aemon the Dragonknight championing Queen Naerys's honor against evil Ser Morgil's slanders.
She will compare Joffrey to Aemon and herself to Naerys again later, to Ned:
"Father, I only just now remembered, I can't go away, I'm to marry Prince Joffrey." She tried to smile bravely for him. "I love him, Father, I truly truly do, I love him as much as Queen Naerys loved Prince Aemon the Dragonknight, as much as Jonquil loved Ser Florian. I want to be his queen and have his babies."
(lowkey she’s so fucking funny for that “i only just now remembered” comment, idk how ned kept a straight face for it)
She then uses Aemon (and the Cargyll twins) to make Tommen feel better and dunk on Joffrey:
Prince Tommen sobbed. "You mew like a suckling babe," his brother hissed at him. "Princes aren't supposed to cry."
"Prince Aemon the Dragonknight cried the day Princess Naerys wed his brother Aegon," Sansa Stark said, "and the twins Ser Arryk and Ser Erryk died with tears on their cheeks after each had given the other a mortal wound."
"Be quiet, or I'll have Ser Meryn give you a mortal wound," Joffrey told his betrothed.
Again, there’s a focus on Aemon’s romantic relationship with Naerys because that's what appeals to Sansa. But when people say "Sansa sees the world through stories" it's not just about how she romanticizes or idolizes knighthood, nobility, and chivalry - she thinks through information by comparing it with similar historical events or stories and analyzing it. She clearly sees the problem with Loras protecting Margaery from Joffrey by comparing him to the Toynes instead of Aemon, and Joffrey (once again) to Aegon the Unworthy:
She is so brave, Sansa thought, galloping after her . . . and yet, her doubts still gnawed at her. Ser Loras was a great knight, all agreed. But Joffrey had other Kingsguard, and gold cloaks and red cloaks besides, and when he was older he would command armies of his own. Aegon the Unworthy had never harmed Queen Naerys, perhaps for fear of their brother the Dragonknight . . . but when another of his Kingsguard fell in love with one of his mistresses, the king had taken both their heads.
Ser Loras is a Tyrell, Sansa reminded herself. That other knight was only a Toyne. His brothers had no armies, no way to avenge him but with swords. Yet the more she thought about it all, the more she wondered. Joff might restrain himself for a few turns, perhaps as long as a year, but soon or late he will show his claws, and when he does . . . The realm might have a second Kingslayer, and there would be war inside the city, as the men of the lion and the men of the rose made the gutters run red.
She’s also not wrong in her assessment here because the Tyrells (my guess is Garlan and Olenna) are so worried about this outcome they just murder Joffrey and install Tommen; like Bethany Bracken, Margaery is groomed (with all the implications that are included in such a loaded term) to be sexually available to the King because her father wants power and doesn't care if his daughter is sexually abused to get it. Like Terrance Toyne, Loras is considered attractive, skilled, and has several brothers more than willing to start a war to avenge his death. I think it's incredibly intuitive that Sansa ultimately comes to the same conclusion as two seasoned political players like (presumably) Olenna and Garlan come to, and she makes this judgement call very quickly!
And Sansa also hits on a lot of (correct) similarities when she makes these comparisons between Joffrey's court and Aegon the Unworthy's court; Aegon and Joffrey both have wild, violent temperaments while being notoriously difficult to control. It’s not just Naerys that attempts to get Aegon to stop marital raping her; Aemon’s useless tears aside, Viserys does do the bare minimum here in sending Aegon away so Naerys can heal from her miscarriages, Daeron got shitty with the Brackens about being tacky over Naerys' marital rape and ill health, Baelor fasts himself to death over Naerys’ miscarriages, etc etc. All of the “authority figures” around Aegon think his behavior is wrong but Aegon proves stubbornly difficult to control or kill. Joffrey falls along these same lines - Cersei, Robert, Tyrion, Tywin, and even Varys all struggle to get some control over Joffrey but like Aegon, he knows once he’s of age and has that crown he doesn’t have to answer for SHIT and stubbornly resists every attempt to curb his behavior. Joffrey is a hell scenario waiting to happen because like Aegon, he’s petty and petulant enough to pull the stunts Aegon pulls like pitting his true born kids against his bastard born ones and causing another violent succession crisis. I say this as like, the ultimate Joffrey Apologist here, lmaooo, he has reasons for being a nasty piece of shit but the Tyrells are right to look at him and go “oh that’s trouble” because he is a ticking time bomb. And the crazy thing is, it’s not just Sansa who compares Joffrey to Aegon the Unworthy:
"A king can have other women. Whores. My father did. One of the Aegons did too. The third one, or the fourth. He had lots of whores and lots of bastards." As they whirled to the music, Joff gave her a moist kiss. "My uncle will bring you to my bed whenever I command it."
Sansa shook her head. "He won't."
"He will, or I'll have his head. That King Aegon, he had any woman he wanted, whether they were married or no."
Joffrey makes the comparison himself. He's a piece of work just like his hero and he is directly threatening to rape Sansa the same way Aegon raped Naerys and poor Bethany Bracken. He is directly admitting he is "unworthy" and practically daring all of KL to overthrow him for it because he thinks they'll blink before he does (and he is unfortunately deadly wrong in this assumption).
And when you extrapolate out from there, you can see other, similar patterns between Naerys' life and Sansa's, beyond the Joffrey-Aegon, Margaery-Bethany, Loras-Terrance, and Sansa-Naerys parallels. Tyrion himself aspires to be a sort of Viserys II type player (see: "It should have been called the Lives of Five Kings" rant he gives to Oberyn); a power behind the throne directing his crazy family to do what's right or smart or proper. There's an interesting echo in Viserys taking direct action in sending Aegon away from Naerys and Tyrion stopping Joffrey in his assault of Sansa - like Viserys, he can see the monster in the king he is raising, makes an attempt to stop it, but fails because he underestimates just how dangerous and erratic his little king has become. Like Viserys, Tyrion is suspected of poisoning his own nephew in an attempt to get closer to power and the throne (and Viserys, like Tyrion, is probably innocent - the sort of fasting that Baelor was doing regularly is hard on the body!).
I don't think any of this is coincidental or accidental either, because of that haunting scene where Joffrey destroys the gift Tyrion got him. Here's the scene, excuse the wall of text, but it's important:
He plays the gracious king today. Joffrey could be gallant when it suited him, Sansa knew, but it seemed to suit him less and less. Indeed, all his courtesy vanished at once when Tyrion presented him with their own gift: a huge old book called Lives of Four Kings, bound in leather and gorgeously illuminated. The king leafed through it with no interest. "And what is this, Uncle?"
A book. Sansa wondered if Joffrey moved those fat wormy lips of his when he read.
"Grand Maester Kaeth's history of the reigns of Daeron the Young Dragon, Baelor the Blessed, Aegon the Unworthy, and Daeron the Good," her small husband answered.
"A book every king should read, Your Grace," said Ser Kevan.
“My father had no time for books.” Joffrey shoved the tome across the table. “If you read less, Uncle Imp, perhaps Lady Sansa would have a baby in her belly by now.” He laughed … and when the king laughs, the court laughs with him. “Don’t be sad, Sansa, once I’ve gotten Queen Margaery with child I’ll visit your bedchamber and show my little uncle how it’s done.” Sansa reddened. She glanced nervously at Tyrion, afraid of what he might say. This could turn as nasty as the bedding had at their own feast. But for once the dwarf filled his mouth with wine instead of words...
[Joffrey gets a Valyrian sword and figures out a name for it, Widow's Wail, it's a few pages, it's not relevant here]
Joffrey brought Widow’s Wail down in a savage two-handed slice, onto the book that Tyrion had given him. The heavy leather cover parted at a stroke. “Sharp! I told you, I am no stranger to Valyrian steel.” It took him half a dozen further cuts to hack the thick tome apart, and the boy was breathless by the time he was done. Sansa could feel her husband struggling with his fury as Ser Osmund Kettleblack shouted, “I pray you never turn that wicked edge on me, sire.”
“See that you never give me cause, ser.” Joffrey flicked a chunk of Lives of Four Kings off the table at swordpoint, then slid Widow’s Wail back into its scabbard.
“Your Grace,” Ser Garlan Tyrell said. “Perhaps you did not know. In all of Westeros there were but four copies of that book illuminated in Kaeth’s own hand.”
“Now there are three.” Joffrey undid his old swordbelt to don his new one. “You and Lady Sansa owe me a better present, Uncle Imp. This one is all chopped to pieces.”
God I love that passage so much. There's a lot there but what's relevant is a) both Oberyn and Garlan are trying to get a measure of who Joffrey is, and have some child murdering plans potentially in the works during this scene. Watching Joffrey destroy a priceless tome of history given as a well thought, well meant, incredibly generous (and pointed) gift from his uncle is more than enough proof for either man to decide Joffrey is not worth the headache, and please note Garlan is the only person to call Joffrey out to his face, and Oberyn is a few pages later the only person to acknowledge this was a fantastic and kind gift from Tyrion that Joffrey reacted absolutely deranged towards for no reason. and b) Tyrion is almost literally saying to Joffrey "I can be your Viserys, I can make it so you're remembered as a great king the way Daeron II or Baelor are, or a great warrior like Daeron I, but you have to understand the reason why I'm worried about your behavior" and Joffrey does the most destructive, unworthy thing he can possibly do - he quite literally destroys priceless, useful historical knowledge and wisdom with his bare hands, in favor of senseless, petulant violence. As Catelyn would say, Joffrey's real bride is not Margaery, but the war he's fighting and the crown on his head.
All of this to say - there's a lot of parallels between Sansa's situation in KL and Naery's life and these parallels are drawn not only by Sansa herself, but also by several people around her. However, I hope for better things for Sansa than what poor Naerys got - I hope for an Aemon the Dragonknight that will do more than just cry while she's raped, but actually step into that room and defend her, or else give her the power to defend herself. Despite the long wait for The Winds of Winter, I also think it's likely we will get some sort of Dragonknight, devoted sworn sword for Sansa and this person will help protect her, and Sansa will have agency that Naerys could only ever dream of.
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Autumn fun to-dos
Okay, I'm not going to get all of this done, but here's my current list to play/read/watch my way through.
Play
Night in the Woods (replay)
Oxenfree (replay)
Oxenfree II (first time)
Beacon Pines (replay)
Animal Crossing (play more)
Wytchwood (first time)
Coffee Talk (first time)
What Happened to Edith Finch? (replay)
Brothers (first time)
Mutazione (first time)
Pumpkin Jack (first time)
Cozy Grove (play more)
Read
Dracula (reread)
Twilight (first time)
Harry Potter 1-7 (reread)
The Witch of Blackbird Pond (first time)
Other witchy books I find
The Night Circus (first time)
Weyward (first time)
The Flavia de Luce mystery novels (reread)
The Graveyard Book (reread)
The Secret History (first time)
The Secret Life of Bats (first time)
Watch
Watcher/Buzzfeed Unsolved
Old Gods of Appalachia (a podcast, but I'm tossing it in here anyways)
Nightmare Before Christmas
Hocus Pocus
Hocus Pocus 2
Midnight Mass
The Haunting of Hill House
The Haunting of Bly Manor
Halloweentown
Harry Potter series
Twilight
The Exorcist
Gilmore Girls (maybe?)
ADDED: Over the Garden Wall (thanks for recommending it!)
I'm also open to suggestions!
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Hi! Friends at the Table question for you. I tried listening to them a couple times early on but the songs quality was so, so bad for me. Is there a safe jumping on point--a certain episode/arc/season--where the sound quality has improved and I won't be horribly lost not having heard earlier episodes?
hello! welcome aboard! it's not just you--this is a common problem people have when trying to start fatt. i recommend checking out the fatt info carrd for a quick way to get started, but for my personal recs:
- marielda is the tried and true intro season for loads of people - short (14 eps), devastating, won't need prior information. it's the prequel to autumn in hieron, but it's meant to be totally stand alone, so you won't need to listen to aih to understand. it's got weirdo criminals, the divorced gods, sad sons, and funky clarinets. sound quality 👍
- i started the show with counter/weight, which is the first of their sci-fi divine cycle. the divine cycle is the fatt take on What if robots... were also gods? and it's loads of fun. c/w has more weirdo criminals but it also has cool mechs, han solo if she were a kpop idol, sad fish princes, and some fucked up robots. iirc the sound quality here is not the greatest at times still, so if that's a barrier but you still wanna go sci-fi, go to ->
- partizan, which is the third in the divine cycle but one of their more recent seasons. this starts off with the road to partizan, a series of live games they did looking at how the world got to where they are, but it's not crucial to know, just super fun. (i'm obligated to link the really cool partizan trailer amv built up from clips from the road.) this one has got weirdo robot criminals, one bitchy sad blonde princess, a really fucked up planet, and some sad ass alien guys. i love this one. their currently airing season, palisade, is a direct sequel to partizan, so if you want to get caught up to listen to things as they air, listen to this first!
i also don't want to go without mentioning bluff city and sangfielle. sangfielle is their western horror season, separate fantasy universe from hieron or the divine cycle. bluff city s1 was previously a patreon-only show, but is currently re-airing every sunday on the fatt twitch, and you can listen to the VODs of that on their youtube. it jumps genres because each arc is a different game with different characters, but it's a fun lil urban warped twist on atlantic city.
ok this post is long as is. to wrap:
fantasy divorced god seasons: marielda -> autumn in hieron -> winter -> spring
sci-fi mechs seasons: counter/weight -> twilight mirage -> partizan -> palisade
sangfielle has more coming but is just that one goth cousin right now
bluff city is a new jersey anthology
ok uhh i hope this helps. whatever sounds most interesting to you!! it's all for everyone baby check it out!!
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WAHOOOOOOOOOOOOOOOOOO🥳🥳🥳❤❤❤
The third and final season of “Good Omens” will begin filming soon in Scotland.
“I’m so happy finally to be able to finish the story Terry and I plotted in 1989 and in 2006,” Gaiman said in a statement accompanying Amazon’s “Good Omens” Season 3 renewal announcement Thursday. “Terry was determined that if we made ‘Good Omens’ for television, we could take the story all the way to the end. Season One was all about averting Armageddon, dangerous prophecies, and the End of the World. Season Two was sweet and gentle, although it may have ended less joyfully than a certain Angel and Demon might have hoped. Now in Season Three, we will deal once more with the end of the world. The plans for Armageddon are going wrong. Only Crowley and Aziraphale working together can hope to put it right. And they aren’t talking.”
Amazon MGM Studios head of television said Vernon Sanders added: “’Good Omens’ has checked every box for a clever, witty, and funny comedy that not only made it a success on Prime Video, but also made ‘goodness’ watchable and fun thanks to Neil and Terry’s immense creativity. The final season is sure to be packed with the same dynamic energy that our global customers have come to enjoy.”
Gaiman, who has a first-look deal with Amazon MGM Studios, where he is currently working on his “Anansi Boys” TV series, continues as executive producer, writer and showrunner for “Good Omens” Season 3. Rob Wilkins of Narrativia, representing Pratchett’s estate, and BBC Studios Productions’ head of comedy Josh Cole also executive produce.
“Good Omens” hails from Amazon MGM Studios, BBC Studios Productions, the Blank Corporation and Narrativia.
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