#sweet things in life

[brownsugar4hersoul]

[pinkbulletins]

Harlequin - Sweet Things in Life (Official Audio)

[catgrandpa]

I need a fic where Bruce realizes this kid who shoved his way into his sidekick roll will not be leaving anytime soon, and instead of emotionally distancing himself he becomes a combination Helicopter Mom and Shotgun Dad.

☆彡

Tim: Bruce, I’m headed out to meet my friends at the mall.

Bruce: Is that Kent boy going to be there?

Tim, rolling his eyes: Yes, Kon is going. And so is Bart, and Cassie, and maybe Bernard if he can make it.

Bruce: Hnn. Do you have everything? Coat, scarf, keys, wallet, tracker, pepper spray, dagger, kryptonite shard, emergency beacon, first aid kit, fire starter, extra pair of-

Tim: Yes, Dad! I already went through the list with Alfred. I’ll be fine.

☆彡

Kon: Hello Sir! I’m here to pick up Tim!

Bruce: Follow me.

…

Bruce: Sit down.

Kon: In your study? Is Tim on the way, or…?

Bruce: I just thought you might need reminding of the fact that I have a vault downstairs full of items specifically designed to take down a Kryptonian.

Kon: Whuh?

Bruce: You should probably ask your father about the time I was slightly annoyed with him for encroaching on one of my cases.

Kon: Why are you telling me this?

Bruce: Now just imagine what would happen if someone were to hurt my darling little boy.

*door opens*

Tim: Hey Bruce, Alfie said Kon was here, have you seen him? Oh! Hey, why are you two in here??

Bruce: Oh, hey sweetheart, we were just chatting. Have a good time at the carnival!

☆彡

Dick, pouting: I don’t understand, you’re not this protective over who Jason or I date.

Bruce: Don’t be ridiculous, Jason and I may have our problems, but he would never betray me by gallivanting off with someone I disapprove of.

Dick, who covered for Jay sneaking out to visit Roy Harper just last night: Mhm yeah, sure. And you’re not worried about me?

Bruce: Chum, I’ve known who you were going to marry since you were 12 years old.

Dick: WHAT?

Bruce: I have the whole ceremony already planned. I’ve got Gotham’s best wedding planner on standby. You have a very nice house waiting for you both, 20 minutes from here. A modest 7 bedrooms on 5 acres of land.

Dick: I’m not even dating anyone?!

Bruce: I can’t wait to meet my 3 grandbabies:)

[reunitedinterlude]

phil: whenever i see an ambulance, i like to think there is a baby being born, rather than a death (1, 2, 3)

[plumadot]

Your art is like honey and marshmallows. It makes me feel so giddy! I love it! If you don’t mind can you do desert duo?

can we still be friends?

[moon-suki]

✦ I will be back one day, and I’ll find you there by the great big lake ✦

[julicity]

. . .

Silver, wake up! ...Let's go home.

[unpersoniverse]

Skén:nen sá:sewh

as promised, here's Precious boy™ getting kissed by Precious wife™ because he deserves all the love in the world :cc

translation: Get home safe

[shinysobi]

"it was awkward to see colin flirt and behave like a rake" "he gave me the ick" yes ! that is the fucking point!! congratulations! you have the media literacy skills of a fucking monkey because my 4-year old niece could understand it better than you do.

we are supposed to find colin cringey and annoying and get the ick because that is not who he is. he is not anthony, or simon, or even benedict. colin (apart from gregory) is the sweetest of all bridgerton brothers (i'm going by book canon) and his most identifiable character trait is the fact that he values an emotional connection above everything. he runs away to the continent because he wants to feel that emotional connection. he has meaningless sex in brothels because that is the example he has seen growing up, that is the norm. he tries so hard to fit into the norm. he goes out drinking, adopts an entirely new personality, learns flirtations because that is how he thinks he will fit in. he's got armour on, as violet said. he puts everyone's needs above his own, he stops rambling on and boring his family with details of his trip because he knows no one cares. he doesn't talk to anthony or benedict about his heartaches because he knows they still, somewhere in their heart of hearts, view him as the annoying younger brother. he's so devastated by his closest friend not responding to him that he adopts a new personality in the hopes that it might mask the hurt better. he runs after penelope in episode one because he is so attuned to her emotions that he knows she's hurting, and tries to comfort her even when she's spiraling and lashes out. he must have been hurt by her words in the "good night mr bridgerton" scene but he puts it aside to genuinely apologise to her when literally no one else in that family would do that. colin, instead of brooding over his own feelings, goes and corners penelope in her family's garden and apologises to her, disregarding his own hurt at being cruelly dismissed by his close friend.

penelope asking colin to kiss her is not a mark of how "pathetic" she is. she has written and shamed herself in a manner that is almost entirely unsalvageable. she is at her lowest point, and then portia comes in and reminds her of how undesirable she is, and she sinks even lower. she asks colin to kiss her because she sees it as a final act, after which she can quietly wave goodbye to her dreams of ever getting married and leaving her mother's home. colin kisses her because he is also keenly aware of how she's feeling. he knows how hurt she is, he wants to do anything to alleviate that. be it cracking a joke, or kissing her. he is gentle, because he wants it to be something she can dream of when she's by herself. penelope, at this moment, has no hope for herself, and their kiss is an act of letting go for her. no, it's not a pity kiss, no he did not like her after her glow up, he has always loved her. him being struck dumb is a reaction to her physical transformation, nothing more. he does not flirt with her in that ballroom scene, he only approaches her when she's in distress. he's not flirting with her. i can assure you penelope could wear the frumpiest most neon yellow gown of all time and colin would still go "<333 my pen" for her.

colin jumps to catch the balloon's ropes because he sees that penelope is in danger, he does not give a shit about anyone else lmao. he feels temporary relief when he sees eloise run to safety, but the moment he sees penelope in immediate danger, he rushes to take action. afterwards, when he sees that she's being comforted by debling (all my homies hate debling, even if he is aro/ace coded i do NOT claim him) he does not approach her. it would be easy for him to do so, but he does not, because he respects her boundaries. colin bridgerton is the only man in the ton who respects women (the featherington sons-in-laws are too pretty to have a thought) he calls out fife and his friends for treating women like objects and calls them cavalier. the only way he would have been more explicit about his demisexuality was if he tap danced on the club table (entertaining thought, luke newton please)

colin also rapidly takes action, something which no one in the show has done so far. simon would have died instead of accepting his feelings for daphne, daphne would have been content with a loveless marriage forever instead of asking for help. kate would have pushed edwina down the aisle and gone off to india instead of confronting her own feelings, and anthony would have married edwina if she hadn't been brave enough for the three of them to run from the altar and ruin herself. penelope stood on the sidelines for years and loved him quietly because she had no hope of him loving her back. colin, the moment he is assured of his feelings, runs to penelope, almost kisses her in the middle of a ballroom. when he hears that debling is about to propose, he goes to the ball, just to dissuade penelope one more time. he cuts into their dance because he's desperate. when he runs after her carriage, he asks her if she has been proposed to, because he would not have touched her otherwise. he confesses his feelings to her only when he knows that she hasn't gotten engaged to debling, and when she says "but we are friends" he moves away. nothing more. he would have let her go, if she did not return his feelings.

idk whether i should be flattered or offended at people misunderstanding this season because on one hand it is offensive, but on the other hand, it means only smart people get polin. seriously. your minds have been rotted by insta-love and enemies to lovers that you can't even appreciate the innate beauty of friends to lovers. being friends with someone and then holding all those feelings for them. the trepidation of possible rejection. the fulfillment of being loved by the person who knows you the best of them all. the privilege of loving someone whose feelings you know better than your own. love is gentle and kind and yes it is a violent, uprooting force but above all, love does not hurt anyone. it does not hurt you. i could love someone quietly for years and it wouldn't bother me if their feelings were requited or not because my feelings are none of their business and i consider it a privilege to love and be loved by them, even if it is not in the way i would want it to be. polin are privileged in the highest sense. they know each other better than anyone else, they know how to love each other better than anyone else. to think they are rushed or they dont deserve each other is a disservice to both of them. they would be miserable with anyone else.

in other matters, if i see one more person talking smack about luke or nicola behind the safety of their screens i will personally get a bazooka.

[brownsugar4hersoul]

[erinwantstowrite]

hey guys as a reminder to y'all: i literally can not put more tags on LoF. i would have to nuke some tags to put new ones. there is a limit on how many tags to put and i am not gonna panic to add a tag right now and i'll do it when i feel like sitting down and figuring out what to keep and what to throw out. i know i need to put a wally/dick tag (to the nice people that reminded me, this isn't abour you i promise, y'all were very sweet!). that being said. stop leaving homophobic comments on LoF or i will go crazy 💖 while we're at it, stop leaving transphobic or other hateful comments on my fic too. IN GENERAL you should not be leaving hate comments on a fic. i don't delete hate comments unless they're actively being homophobic/transphobic/racist/etc. but it is not chill to tell me you "loved the story until it got gay." or "too woke." honestly? you can kiss my ass. obviously the story wasn't meant for you. move on and do not comment

[sunnibits]

“the kids chose protective mom izzy in the divorce” is literally my new favorite joke to come out of s2 so far I’m utterly obsessed

[heuhuewaves]

short n' sweet writing challenge

since short n' sweet has taken over my life (i mean i even themed my tumblr after sabrina) I thought why not write some little oneshots about some characters i'm known for and some new ones i've gotten into themed around the songs on the album!

basically request through my inbox on the character and song you would want me to write and i'll do it!

FULL CREDIT goes to @idyllcy for this idea. its so creative and wanted to do it for one of my favorite albums right now!

request away! :)

taste - steve harrington

please please please - deadpool

good graces - eddie munson

sharpest tool - nathan prescott

coincidence - billy loomis

bed chem - peter parker

espresso - sean diaz

dumb & poetic - jason todd

slim pickens - saiki kusuo

juno - bruce wayne

lie to girls - billy hargrove

don't smile - finn mcnamara

posting will start november 1st!

[cordiallyfuturedwight]

hyung line + chokers for @epiphanytear (cr. namuspromised)

[newdestination]

Life's a pecha

[ruporas]

bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]