#suicide mention tw

[support]

Everything okay?

If you or someone you know is struggling, you are not alone. There are many support services that are here to help. For 24/7 peer support and other resources, message KokoBot on Tumblr.

If you are in the United States, please try:

National Suicide and Crisis Lifeline or dial 988 or (en Español)

The Trevor Project (LGBT crisis intervention) or dial 1-866-488-7386

Trans Lifeline or dial 1-877-565-8860 (en Español)

The National Domestic Violence Hotline or 1-800-799-SAFE (7233)

Rape Abuse & Incest National Network or 1-800-656-HOPE (4673)

S.A.F.E. Alternatives for Stopping Self Abuse or 1–800-DONT-CUT (366–8288)

National Eating Disorders Association

If you are outside the United States, visit IASP to find resources for your country.

For more resources, please visit our Counseling & Prevention Resources page for a list of services that may be able to help.

[moonlayl]

I hope no one who supported Israel, I hope no one who said “Israel has the right to defend itself”, I hope no one that stayed silent, I hope no one that stayed neutral, I hope no one who cried “both sides”, I hope no one preaching “nuance”, EVER gets to experience another peaceful day again. I hope every last one of them suffers for the remainder of their lives. I hope the guilt eats at them every single day to the point they can’t take it anymore and they choose to do the world a favour and off themselves. I hope every last one of them pays severely for their crimes and for their support of genocide. I hope their very existence is plagued with nightmares. I hope they experience what it’s like to have never ending bombs rain over their heads.

Whatever happens in Gaza tonight or tomorrow or after, know that we won’t forget and we will never forgive.

[infizero-draws]

i love sonic adventure 2

[appleflavoredkitkats]

who are you, fundy? (a collection of things i wrote + other people wrote that somewhat answer the question)

sad-ist's the fall / honeydowo's banks of newfoundland / love of the fox by me / @kqluckity's tags on this post / my little champion by me / anonymous' inherited / @goldstarsforall's post / @mellohii's post / okarnell's deleted post / readinglass's there is a quiet passing into silent, desolate pain (and no one is allowed to see) / @desthesleepdeprivedwriter's late night shift / neg_nancy's be my home / rabbitsntheclouds' pandora's box / my post / my post

[spaceistheplaceart]

still thinking about what wouldve happened if that phone call went through. constantly thinking about it.

TRANSCRIPT AND ID UNDER CUT:

Young Stan stands in a blizzard. He's clutching his duffel bag strap and looking down.

Stan: "and then I woke up one morning and I had this voicemail."

Young Ford stands on his porch, leaning in the doorway with a hand over his face. He's unshaven, sweaty, and has marks on his hands.

Ford: "Look, I-I wasn't in the--"

Stan bitterly grins at Ford.

Stan: "you were happy on the voicemail. You sounded happy."

A shot of Ford, possessed by Bill, at a payphone. The cord is twirled around his fingers and he's grinning very wide.

Stan: "or smug or proud of yourself, or whatever you wanna call the thing you get that's the closest to what normal people call happy."

(the actual dialogue used in this scene/heard says "or lightly sardonic or glibly nihilistic or however you'd describe that thing you get that's the closest to the emotion that normal people call happy.")

Ford looks apologetically, tiredly, down at Stan.

Ford: "I'm sorry."

Stan: "And you were talking about swimming. I'm going swimming, you said."

We see Ford possessed by Bill at the payphone, leaned up against it casually and grinning.

Stan: "Since nothing matters anyway and you ruined my life, I might as well go swimming!"

A camera, recording, is seen. The shot zooms out to see that the camera is recording possessed Ford at the payphone. He's looking at the camera, smiling.

Ford: "I'm so sorry."

Stan: "I might not ever come back, so if you don't hear from me, I just want you to know it's because I never loved you."

We see Stan yell the last few words at Ford, face flushed and upset. The shot zooms out to show the two of them, Stan in the snow and Ford on his porch. There is distance between them. They are in a blizzard. It's silent for a few seconds.

(the actual dialogue used in this scene/heard says "Since nothing matters anyway and nobody cares about me I might as well go swimming, right? Call me back if you don't want me to go swimming! Otherwise I'm just going to assume you don't care.")

Stan looks down. Ford looks away.

Stan: "I thought you were dead."

END ID/TRANSCRIPT

audio from the final episode of Bojack Horseman

[asgardian--angels]

Izzy Discourse Masterpost

Hey all, given the amount of awful splintering and wank happening in ofmd fandom rn regarding Izzy's death, including the flat-out immature and unacceptable harassment of David Jenkins and Co, I wanted to just make this one all-encompassing post to address the various grievances and complaints I've seen (almost entirely on Twitter). If I've missed anything, please feel free to add on. I'm putting most of this under a read-more for length.

Please be aware, I say all of this as an Izzy fan. I've loved his character since season 1, and while I was sad to see him go, I completely understand and support David & Co's reasons for concluding his arc, and I think it was done respectfully in a way fitting to his character. So let's break down some of the takes I've seen. I am not referencing specific posts or people here, I just want to address the general themes that I keep seeing about why some people are upset.

Izzy's death served no narrative purpose.

Look, this is one that I'm sure fans will debate for the rest of the hiatus. It's completely within your right to disagree with this writing choice, but Izzy's death did serve a narrative purpose in the story that David Jenkins is telling - and he has spoken to this end in several interviews already. I can only summarize here, and fans may find other perspectives in time as well. What we need to remember is that Our Flag Means Death is, at the end of the day, Ed and Stede's love story. That has been made abundantly, explicitly clear. The show has been fantastic at fleshing out the other supporting characters, but that's what they are - supporting characters. They often have their own subplots but ultimately the narrative seeks to move Ed and Stede's story forward and they are tools to spur Ed and Stede's growth or mirror their struggles. Izzy has been a wonderfully complex, multifaceted character but we must remember that all characters are vessels through which stories are told, lessons are imparted, and metaphors are established. He's not a real person who 'deserves' any particular fate. David said he's always intended for Izzy to die at the end of his arc.

Firstly, Izzy (now canonically, through his own dying words) represents part of Blackbeard. He enabled and encouraged Ed's darker side, they were mutually toxic forces to each other. Ed is attempting to cope with and move on from this phase of his life, and like Stede in season 1, set out a free man, unshackled by expectations and loose ends of those he's hurt and been hurt by (though we realize this is an ongoing process that takes time). This lovely gifset sums it up nicely, with Izzy being the Mary parallel, and making s2 mirror s1. Blackbeard is both Ed and Izzy; Ed cannot be free of Blackbeard while Izzy is in his life, and when Izzy is gone he will never truly be Blackbeard again. They are each other's rotting leg!! Yet, they love each other - and David has said that for Ed, this has developed into a mentor and father relationship, and where Ed has previously despised his father figures (his actual father, Hornigold) he does not want to lose Izzy. This time, Izzy brings out Ed, not Blackbeard - and that's where we get the callback to 'there he is', bringing their impact on each other full circle, freeing Ed, getting approval of sorts that he never had, to be soft, to be loved (and there are parallels to Zheng and Auntie here as well that others have made) from that force that drove him to stay in line all this time. David has said in multiple interviews now that he was going for the idea of the mentor/father figure dying and the hero living on and trying to do justice to them.

From Izzy's side, Izzy cannot be free while Edward remains either (Mary cannot find peace while Stede remains). The scar never truly healed, the leg will always be a reminder. At this point the argument becomes 'yes, but why did he have to die? Why not just sail off with the crew of the Revenge?' David has stated that he feels they've done everything they can with, and for, Izzy; he's come leagues from season 1, he's found community, he's found hope, he's found new parts of himself, and he's made good memories. He's found worth outside of what he can be to others. That's more than most pirates could hope for. Where would his character go from there, when the Golden Age of Piracy he belongs to has burned to the ground? Would he stay around and whittle on the Revenge? If he were a real person, yes, that would be lovely, and he'd deserve all the quiet peaceful happiness in the world. But as I explain several points below, he's not interested in being a captain. He's not up for the hard physical labor of regular crew, and he's extremely overqualified for that besides. He has served his narrative purpose, and symbolically, to enter a new age, everything must go. He's connected to the old age of piracy, to the Republic of Pirates, that is now demolished. To him, fighting for what he believes in, for the family he's found, bringing down an army of British twats in the process, is how he should go. It's a pirate's death, and as Izzy's said, he's a pirate - unlike Blackbeard who's succeeding in breaking away from piracy, Izzy never wanted to stop being a pirate, throughout his arc. To me, that's why Izzy remains trapped in the narrative, trapped in history, whereas Ed and Stede will escape history. They leave piracy, and canon, behind, while Izzy was content to remain a pirate and face a pirate's fate.

Burying him on land, right next to Ed and Stede's beach house, shows that his sacrifice was not in vain - they start this new life together, thanks to Izzy's mentorship, his role in their lives that sometimes for worse, sometimes for better, made their love what it was and made their breakaway possible. The new age is built on the foundations of the old age, and is stronger for it.

As we're well aware by now, David tweeted that there's no version of ofmd without Izzy. Whether that's literal or not, symbolically it's true. Izzy's arc of growth affected everyone on the Revenge. Jim fondly remembered fighting for a time when life meant something on that ship; the crew helped give Izzy new meaning in life, and he helped them in return. When he dies, they mourn and have a funeral; that wouldn't have happened under Blackbeard's watch in episode 2. His life meant something to them. He influenced Ed and Stede immensely, and they will take that with them. As David's said, they're all a family, and Izzy was a part of that family, and his loss unites them and brings them closer to continue to fight for that family they've built. It's a tragic, sudden death of someone they've all grown to care for, and that steels their reserve to keep the torch lit. They literally sail off into the sunset to hunt down Ricky to avenge Izzy; he will always be a part of this show. And, of course, with the brief appearance of seagull Buttons, the door is left open for anything.

If this was The Izzy Show, then sure, we'd be content to see him simply engaged in shenanigans every episode. But the plot, and therefore the characters, need to keep moving forward, and Izzy got his growth and development. He got what he needed for his character to have closure, and he served his symbolic narrative purpose in Ed's (and Stede's) story. You may have your own ideas and perspectives, and that's great - that's what fandom is for. But we cannot say his death was pointless when David Jenkins and the writers clearly had a well-defined motive for pushing the narrative in this direction. I actually think the narrative around Ed and Izzy is the most well-developed in the entire show. I for one am so happy we got such an interesting and complex character, and had the brilliant Con O'Neill to portray him.

Izzy's growth & healing arc was rendered pointless by his death.

As this post so eloquently puts it, it's pretty bleak to have the outlook that taking steps to heal and find meaning in life is worthless if it's later lost. Seeking happiness and self-actualization is worthwhile for its own sake; no one knows what's down the road, and we all die eventually. Find meaning in life now. Would you rather have had Izzy not miss with his bullet in ep2? He was given the chance to experience joy, freedom, and hope for the first time in potentially a long time, and when he died he did so with those happy memories. As mentioned, Izzy's death was decided long beforehand given the narrative, and the point of storytelling is to make you feel emotions. We were given impetus to connect and relate to Izzy's character through his process of healing, so when he did die, we felt it keenly. That's how stories work actually! We felt what Ed felt. It moved us. It's not a bad thing that Izzy's arc made him more likeable to fans before his death. It's not a bad thing to lose a beloved character - guess what, it happens constantly in stories - and it's not bad to grieve over it either, but to say that it made his journey pointless is just not true. People saying that Con must be upset that they snatched his character away from him after getting to develop him so much - again I say, would you rather him have died in ep 2 before he had the chance to grow? Or how about in s1, when the crew tried to mutiny? How'd you feel when Stede killed him in his dream, in the very first scene of the season? I think Con's probably glad for the opportunity to have explored this character so much in season 2. Ask him if he thinks it was pointless.

Killing off Izzy was bad for queer rep/burying your gays/"Izzy was the queer heart of the show"

I'm putting 'bury your gays' on the top shelf so people can't use it when it doesn't actually apply. Most of the main cast of characters in this show are queer, and it's a show about pirates with a good amount of violence. Ergo, chances are a queer character will die in the course of Things Happening In Stories. Izzy didn't die because he was queer, and he wasn't the token queer rep. Please turn your attention to the boatloads (literally) of queer characters that are happy and thriving (how about the LuPete wedding immediately afterwards??). As for Izzy being the "queer heart of the show," this is literally the Ed and Stede show. You know, the two queer leads whose queer love the show revolves around, per David Jenkins himself. I'm glad folks connected with and derived joy from Izzy's growth and especially his performance in Calypso's birthday, but he is not the main character of the show. The queer heart of the show is in fact, the entire show, all of their characters and the community & found family they create aboard the Revenge. Not to mention the fan community as well. Izzy was never carrying the show's representation on his back, and frankly that's an absurdly wild take to have (esp when he spent most of s1 actively working against the main queer relationships in the show, attempting to maintain the oppressive status quo of pirate society).

It was bad and irresponsible to have a suicidal character die

Are we forgetting the entire first half of the season where Ed, who was suicidal, kept trying to passively kill himself because he felt he was an unlovable monster, only to be shown that he is in fact loved unconditionally and it gives him the strength to fight for life and triumph against his own self-doubt? The show has spent quite a lot of effort telling viewers that despite feeling damaged or broken you are worthy of love and that you are loved even if it may be hard to see it when you're in a bad place. That you don't need to be fully healed to deserve love and care, and that love and support will help you along your journey. It's incredibly wild to disregard this major plot point and fundamental message of s2 to try and spin this the opposite way for Izzy's character.

Secondly, where are people getting 'Izzy is suicidal' from? Are we going back all the way to episode 2, when he's at his lowest point and fails at his suicide attempt, only to be figuratively reborn after removing the metaphorical rotten leg? By the time of the finale he's shown to be in a good place, thanks to the arc of healing and growth he's gotten, through the support of the Revenge crew and his 'breakup' with Blackbeard allowing him to find his own way in life, realizing he doesn't need a purpose to have value and enjoying his time on the Revenge and the bonds he's made with Stede and the crew. He is, in the words of Ivan, "the most open and available I've ever seen him" by the finale. To take episode 2 as evidence he's suicidal is to erase his whole season of growth, which is an ironic thing to do in the context of these arguments. There's no canon evidence Izzy Hands was suicidal post-'Fun and Games'.

As for 'irresponsible,' once again I say, David Jenkins is not your therapist, he's not 'Dad,' and has no responsibility to tell his story any other way than he intended to tell it. Please find media that gives you what you want or need, and if the death of a fictional character causes you this much distress please seek help. I mean this kindly but seriously.

Killing off Izzy was ableist/bad for disability rep.

I point once again to the rest of the characters, several of which are disabled in varied ways. There are literally multiple other amputee characters specifically. It's not good storytelling to wholly avoid killing off any character that is disabled/queer/poc/female or [insert marginalized group here], especially when a) it makes sense narratively, and b) there's plenty of representation of these groups in the media in question. The answer isn't making such characters invincible and immortal, it's increasing the number of these characters in shows so it's not devastating when some do die in the course of natural storytelling.

OFMD was my comfort show/safe space show, now it's ruined for me

I am not trying to be insensitive here when I say that's a problem that is yours and nobody else's. David Jenkins created this show with a three-season vision and a story in mind, and he is telling that story to the best of his ability the way he wants to. It's already been said that he and the crew did not anticipate the fandom becoming as large and passionate as it has. The plot of the show was never intended to be 'fan service,' and it's ironic that there were people complaining this season that there's been too many fanservice tropes, up until David and the rest of the writers room made a narrative decision they did not like, then the complaints changed to not coddling the fans enough.

We as viewers can derive joy from this show, it can be a comfort to us, it can be important to us. But it was not designed specifically for that purpose, therefore it cannot fail in that respect. We do not have the right to harass writers for not steering the ship in the direction we want - it's their work of art, and we can choose to either come along for the ride or not. It's rare to see creators actually given the chance to tell their story the way they intend (budget cuts aside), so let him do that. He should not cater to fans, or cave and change the story to appease us. Respect his right to create his art, and remember you have the right to create your own. That's what fanfiction is for - write fix-its to your heart's content, but keep these realms separate. David Jenkins and Co hold zero, and I mean zero, responsibility to you. He could not please everyone no matter what he did, it would be fruitless to try, and it would certainly compromise the quality of the story he set out to tell.

You are absolutely allowed to dislike choices made in any show. Curate your media experience. If this show no longer brings you joy, stop watching. But it was never David's purpose nor responsibility to juggle the mental health of millions of fans. Trying to put that on him will only make him less enthusiastic about interacting with fans or continuing to make this show. This isn't rocket science. You're responsible for yourself, not this guy you call 'Dad' that you've developed a parasocial-therapist relationship with.

Izzy should have become captain of the Revenge.

Really?? Firstly, we did actually get that already in s1. He was tyrannical and the crew mutinied. But even if you think 'well after his character arc he'd be better suited to it,' it goes against the point of this arc. He's found value in not having a distinct role or purpose on the ship, decoupling his worth from the job he's expected to perform. He's found his place amongst the crew, not commanding it. There's no narrative reason to put him in charge when he's expressed no further interest in slotting himself back into a role full of pressure and expectations.

Con O'Neill was only told halfway through filming, it's cruel to just kill off the character he loves so much.

Guys, he's an actor. More than that, an actor with a theater background. I think he's used to characters dying. You don't need to look out for him. Con and David spoke one on one about it at length so they were on the same page, and David even said that Con took it well. I'm sure Con had input, just as other members of the cast have influenced their characters' stories, costumes, backstories, etc. Do you really think David Jenkins hurt Con's feelings or something? The writers (remember, it's not just David, it's a whole team of hard-working people coming up with these ideas) gave Con such a chance to shine this season, really developing Izzy beyond what he was given in s1 and letting Con show off his full acting range. Why are you only focusing on the destination rather than the journey? Sure, Con's probably sad to see Izzy go, but please do not project your distress onto him or try and accuse David & Co of being 'cruel' to their cast. That's really ridiculous. It's constantly evident how close they all are.

More importantly, do you actually, seriously think that Con O'Neill would want fans to harass each other or the writers over his character? The man who preaches being kind above all? There is no better way to make an actor uncomfortable about a show and its fanbase than to start treating fictional characters like they're more important than real people. He would not want you to bully people over Izzy Hands, and it's mind-boggling that some of you have convinced yourself otherwise.

Lastly, I just want to talk about the fact that some people are holding OFMD to absurdly high expectations.

Our Flag Means Death has been a pioneer series for its diverse representation, earnest storytelling, and themes of hope, community, and love. It's fine to discuss aspects of the show with a critical eye, but so much of the discourse has truly felt like folks are trying to find fault in a show that is leagues ahead of the average tv series that we still enjoy. How many fan favorites are killed off all the time? How many plotlines are scrapped, or drawn out without closure, or contradicted the very next season? How many shows are indifferent or actively hostile towards their fanbase? How many have any queer characters, or actually do bury them? The bar's so low, and OFMD has risen above to give us so much. Some are holding the show to astronomical expectations, waiting for it to fall from the pedestal it's been placed on. If something you don't like happens in the show, it's not suddenly ruined or demoted to being ~just as bad as those other shows~. Give them some breathing room, have some perspective on how progressive the show is, and that perfection is impossible, especially meeting every single viewer's idea of it. This is basically a repeat of the recent Good Omens drama, with an absurd number of people harassing Neil Gaiman for breaking up Aziraphale and Crowley and leaving the second of three acts on a very predictable cliffhanger. Let stories be told, let them unfold as they may, and you are free to leave anytime. It's so wonderful that more queer love stories are becoming popular and even mainstream, but let's not shoot ourselves in the foot by tearing them down when they don't go exactly the way you want it, which often seems to mean no drama, no character deaths, and therefore no conflict or even plot!

Just, please be civil human beings, and while this seems to be a difficult thing for so many fandoms to do, just keep your fan opinions in the fan space. Never bring your grievances to the writers, never bully them and persecute them for telling a story that you opted into viewing. That's something that goes entirely against everything this show, and this cast and crew, have imparted onto us - the importance of kindness, support, community, and love. I'll say it again because it bears repeating: the fate of a fictional character is never more important than how you treat real people. Just be kind in real life, which includes the internet. Thanks.

Now please, let's work together to ensure we get a season 3. There's so much more story to be told, and if you want to see Izzy back, whether that's as flashbacks, as a ghost haunting the inn, or in the gravy basket, we'll need more episodes! #RenewAsACrew

[infizero]

my brain just made a really fucked up connection

i know the main reason shadow didn't let sonic save him at the end of sa2 was so he wouldn't fall too, but this (considering shadow's general suicidal tendencies) was probably a part of it too.

everyone might be waiting for sonic back on earth, but who does shadow have? no one, in his eyes. there's nothing for him to go back to. so what reason does he have to do anything but let himself die?

[trans-axolotl]

content note: discussion of suicide.

this next monday will be the six year anniversary of losing one of my friends to suicide.

when he died, my high school barely mentioned his death, even though for other students who died by things like car crashes or illness, there were so many public expressions of grief. they believed that having any memorials for a student who died by suicide would encourage other people to die the same way. in their rush to erase the circumstances of his death, they erased the memory of his life.

there are so many things i am angry at that high school about in terms of how they treated mental health (mandatory reporting and collaborating with cops, their refusal to recognize the ways in which that system led to peer-to-peer crisis support, their refusal to recognize the ways that trying to keep each other alive through trial and error was scary and exhausting, carceral disciplinary policies, etc etc etc). but i think one of the things i am still angriest about is the way they enforced shame around his death. it felt like they were retroactively blaming him for the constellation of circumstances that made suicide an option in his life. it felt like they were blaming those of us who missed him and cared about him and wanted to grieve him. it made those of us still there who were actively suicidal feel even more scared about the reaction if we did reach out for help from one of those mythical safe adults.

as an adult now involved in psych abolition/mad liberation work, it makes me so fucking mad to see the ways in which he was discarded by people in authority positions. and the older i get, the more options i have found in my life for making sense of the world and finding healing and community and support which were never available to him because he died when he was 16 and the only things offered to him were a carceral psychiatric system that blamed him for his own fucking death. it feels so incredibly unfair.

i miss him and i think i always will; i can't remember his laugh or the sound of his voice or his favorite color any more and that aches. this grief is so heavy and it feels harder in a new way each year, when i become older than he will ever be. sometimes meeting new comrades or seeing new anticarceral suicide support models hurts because i wish so fucking bad that we had that back then. i remember how close we came to losing even more people that year and i know it is simple fucking luck that i'm still here when he's not.

i remember another letter (never sent) that i wrote to a friend while they were in an ICU bed after a suicide attempt when i didn't know if they would live or not. i have spent so much time in the past 10 years begging for anything to keep me and my friends alive, but even in that letter i knew that there is so much fucking violence that is hidden beneath psychiatric logics of cure and safety that promise a "solution" to suicide. I knew that institutionalization, coercion, and shame would not have helped build a life more liveable for him or **** or any of the people i've loved and lost since.

there needs to be more fucking options for care and support that aren't so incredibly cruel to suicidal people. i know so many people doing incredible work in alternatives, peer respite, a million different frameworks for healing and liberation. but it makes me so mad every day i have to live in a world where there are still people restrained, locked up in psych wards, having all autonomy and personhood taken away from them. knowing there are dozens of people every day getting blamed for their deaths the same way he was blamed for his.

i miss him. i cared so fucking much for him. and he died by suicide, and all of those things are true. he has been dead for 6 years and he lived before that and the people who loved him want to remember all of him; our celebrations of his life should not require hiding the way that he died.

Image description: [1000 origami cranes in all different colors and patterns that are tied together in strings of 25]

(these were the 1000 cranes we made to give to his parents, in memorial and recognition of how much he meant to us.)

[dailyflicks]

There's a crane I can see from my cubicle, and sometimes I think about hanging from it. Not 'cause I want to, but because I wonder how it could feel. Sometimes I Think About Dying (2023) dir. Rachel Lambert

[writing-is-a-martial-art]

Conversations to have with yourself at four in the morning

I ask the god living inside of me why they're here, seeing how I never had faith in anything but humanity and of course they say that's all there is to it. Swallowed sunlight stored for the winter. The way when you see the most horrible thing humans have done and think the world would be better without us the voice in the back of your head tells you no, no. You love better than that. And all there is to hope is knowing ten years from now it will be just another morning and you'll eat breakfast and watch the sunrise and smile because it's almost summer, and the you from now will still be writing poems on the walls of your mouth. And I tell the god I hope I look like a tranny, I hope I look like I redefined the shape the world decided I should be in some violently frivolous freedom. I hope some of the words I said too earnestly to strangers land right. I hope a kid ten worlds away reads a poem and puts down the knife, gives life a chance to be more than terrible. Doesn't have to be my poem, or even a good one. I hope we rebuild all the cities and mourn all the loss. I hope we dance every dance to songs in languages half-butchered with faux unity. I hope we make more benches for sitting and sleeping and people watching and I hope we're kinder to pigeons, after all, it's not their fault. We said we wanted them here first.

[uncanny-tranny]

Choosing to be alive is a hard task sometimes, so I'm always so proud of people who choose to live for "weird" reasons.

Like, yes! Live to watch your favourite show for the millionth time! Yes! Live to hear rain against your car windshield! Live to laugh, to cry, to make Naruto proud! Do all of this to live, no matter how strange it is. You enrich this world, and no matter what you are living for, it is good enough. I am so incredibly amazed at your resolve, and your sheer willpower. I hope you never forget that part about your spirit because it is spectacular.

[daisy-mooon]

Bo Katan's vibes are so rancid (affectionate)

[blimbo-buddy]

you criticize a male character for how poorly written their character is in the books and then oh boy here comes WC twitter acting like that male character is a real human being and is now on suicide watch because of you

[dailywoc]

MEGAN THEE STALLION — Cobra (2023) dir. Douglas Bernardt

[teacup-captor]

Sherlock & Co. fandom, this is serious

This latest episode of Sherlock & Co. (a case of identity part 2) has wronged the DID community. Severely.

I'll make it brief.

In a podcast where the title character has DID, you'd expect we'd get good representation.

Instead, we get a scene in which a character is revealed to have flirted with his step son under an alias for money, this character then proceeds to hold a knife to someone's neck and then attempt to commit suicide, all the while struggling with falling in and out of character as this persona.

In a podcast where the title character has DID, the first tangible piece of representation we get for this disorder, is in a scene with an incestuous scammer threatening violence.

The first tangible piece of representation we get for this disorder is from someone fucked up, unstable and scary.

This is what's called "demonization." In this episode, Joel Emery is demonizing dissociative identity disorder.

[theloveinc]

Which BNHA guys do you think try to eat ur ass first time you guys fuck?

My man Kiri has a dick so fat that he's beyond prepared and, in fact, READY to put all his effort into foreplay because he knows that schlong isn't going anywhere without a little prep beforehand.

The first time you fuck, clothes only just having been removed, he mentions foreplay and it's kinda funny because you don't expect such a... manly, big, jock-type looking guy to mean more than just fingering you for a minute or so. You practically think he's joking about it when you're moving to lay down, except -- suddenly he's flipping you right over to press your head into his pillow (gently) so he can eat you out in doggy. From there, it only takes about three or so licks before he's trying to stick his tongue in your ass.

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Deku... wants to be classy and take things slow SO badly, yet... can't help himself if he's eating you out (which he does on the first date because... classy or not, he's a gentleman who gives head) and is putting his tongue everywhere it can reach.

Especially in your ass, given that he's somehow able to get your knees besides your cheeks with how seriously he gets into it.

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And Dabi, without question, of course (which gives us Shoto by extension, probably because this asshole told him you can't give head without eating ass, but... whatever, given the circumstances of their relationship)!!!

He's just not about to waste his time going down on you if he isn't able to cover all bases; that means clit, hole, taint, AND rim. PERIOD. Another guy who manages to fold you in half so well you practically can't stand up straight up again, after. He might be a jackass but he's not a slacker when it comes to top.

I also feel like if you told Dabs he was bad at eating cat he'd add that to the list of reasons to k-himself. King.