#still it's a bit sad :/

[irlplasticlamb]

kazia parkerowska aka spider star is an 18 years old polish doomer art student who got bitten by a radioactive spider and then convinced (khe khe forced) into a superhero role by her kooky hippie auntie majka. woohoo. nothing better than to save the world when you don��t give an absolute shit!

prints + merch + commission info

[ministarfruit]

yuri month day 13: I want you to treat me ♡

(femslashfeb prompt list)

[ryllen]

(jamil said, no forehead kisses 😔) [x] [x]

[wardingshout]

Zelda goes mushroom girl

[xandrikart]

Happy belated Father's Day to Chetney Pock O'Pea! The father of Orym? Scanlan?? Fjord??? He is someone's father for sure.

[apostaterevolutionary]

Okay can I be a bitter Anders fan for like. Just 2 minutes here lmao

Cause bioware released some game stats for veilguard and apparently 72% of players redeemed Solas which is like. Okay yeah the game kinda pushes you towards that. But when I think of all the shit I used to have to put up with just for enjoying Anders like at all and…

(This is not me being anti-Solas, I do not care if you love or hate him, but I am gonna say what he’s done is like. Objectively worse than literally every other companion so lmao. And that’s fine! You can still enjoy him! I’m not saying you can’t and it’s important to me that people understand that! I’m just saying he did in fact do objectively morally worse things in game than Anders did and I don’t think that’s really debatable. And I can’t really make my point here without saying that but I do want to make it clear this is not some moral condemnation of Solas enjoyers cause it’s not)

Getting anon hate on the regular, being told “oh you’re allowed to like Anders as long as you regularly talk about how much he sucks”, people gleefully describing how much fun they have killing him ON your posts about the fact that you like him, the devs making jokes about shitty fates for him when fans asked innocent questions about him, the absolute audacity of his writer to say half the shit she did in interviews (about bisexuality and mental illness, most critically), and then being beaten over the head again in inquisition about how Anders is the worst character to ever exist and there’s no redemption for terrorists who lie to you one time in the entire game and he deserves death or worse and that’s it

And now… 72% of people are down to redeem the guy who lies to you for 2 games straight and who did a lot of questionable things that includes creating the fucking blight and. Like. I guess I’m glad that Solas fans can live in a world where they aren’t constantly harassed and can give their ship like. A pretty damn good ending all things considered. And that the devs love Solas and actually give the option for that happy ending and have characters go to bat for Solas throughout the game and the most annoying thing they have to see are people making scrambled egg memes. I would not wish anyone to have to deal with the shit Anders fans had to put up with back then cause it sucked. It really sucked. And I’m glad it’s not being repeated with a different character, if nothing else

But like. Man there really is a difference when the writers actually like the character who does the thing, huh

[13mary-gold]

PART 5

Part 1 | Part 4 < Part 5 > Part 6

[c-kiddo]

thinking abt this .. the panic :( the way he just holds onto himself :( just tells himself theres work to do : (

also look at the little beetle carapace belle left for him :(((((

[stiffyck]

I WISH ARO HEADCANONS WERE MORE POPULAR IN FANDOMS

[wasyago]

the brainrot won

[arolesbianism]

Oh god is that a comicfrin drawing where they have whimsy quick someone throw that guy into a decades long timeloop

[nellasbookplanet]

The tragic idea that the Betrayers loved their siblings so much that it ended up being what drove them apart. They didn't want to settle for anything that could hurt their family, and mortals were doing so, either directly (a mortal usurping one of them) or indirectly (emotionally hurting them during the Schism by just. dying so much). To the Betrayers, it wasn't worth it. They wanted their beloved family to leave and go somewhere that wouldn’t hurt them.

To them, it's the primes who are the betrayers. The primes were motivated by more than just love for their immediate family - they loved their creation, too, and more than that, felt a responsibility for it. They would rather fight their own siblings than leave it.

We saw all the gods love and protect each other during the opening of Downfall. The Betrayers were not uniquely evil from the start. They wanted to save themselves and their family from hardship and suffering, even if it meant leaving their creation, their game, and in response their siblings locked them away. Not only do they not love mortals, they view mortals as this corruptive force that somehow turned their family against them. Do they think that, if they succeed in exterminating them, the Primes will be freed from their influence? Maybe - perhaps some of them are waiting to forgive and embrace their siblings, but far from all, I suspect. Asmodeus certainly expressed during Calamity that he didn’t so much want to be reunited with his siblings as he wanted to punish them. He was betrayed by the ones he loved most for the sake of a game! Maybe togetherness and forgiveness was once an obtainable goal, but not anymore. Even if the Betrayers succeeded in ending Exandria, the Primes would never forgive them, and they would never forgive the primes. Their family can never be whole again because of, as they see it, the toxic influence of mortals. So they hate mortals for this influence, but more than that, they hate their siblings for being so weak as to fall for it.

[casscainmainly]

What I find interesting about Cass and ballet in Tynion's Detective Comics (2016) is not so much the communication or artistic expression aspect, but what it means for Cass' relationships to women.

From the beginning, Cass + ballet is heavily tied to her relationships with women. In Batman & Robin: Eternal #7, she first watches the ballet with Harper Row:

Ballet isn't just about "understand[ing] everything" (as Harper says), but about the physical and emotional connection Cass forges with Harper in this moment. The way their hands grasp onto each other symbolises the potential for ballet to form women-to-women bonds. Since this is N52, Cass' relationships with Babs and Steph have been sadly obliterated, so this is her very first connection to another woman.

Then, in Detective Comics #950, we meet Christine Montclair:

Christine is a ballerina who has been "handed" a key to the main stage by "the late Elaine Torsky," and who hopes to hand "that key to another young girl." Ballet becomes linked with a feminine legacy, one tied to "know[ing] exactly who she wants to become." The ideas of a female legacy and coming into one's identity strongly echo Cass' relationship to the Batgirl mantle, and the importance of female relationships to Cass' sense of self.

Ballet is, also, a storytelling medium - Tynion emphasises the importance of storytelling through #955's scene between Christine and Cass, where Christine reads her a story. She mentions that her mom used to read this to her. This is clearly an allusion to Shiva (since this arc is about Shiva), but more broadly this scene points to matrilineal connection through stories, something that Babs and Cass actually do in DC First: Batgirl/Joker. In that issue, Babs tells the story of her first encounter with Joker, which inspires Cass to do the same. Cass' mimicry - something she also does with Christine, copying her movements in the ballet school - showcase her desire for connection with other women.

(The book is also written by Carolyn Wu-San, another connection between women, stories, and family.)

And it's this connection to women that allows Cass to say her name, harkening back to Babs giving her her name in NML. This scene is also funny to me because Tynion created Orphan but he's aware the name is not something Cass actually likes - if anything, 'Orphan' feels like a punishment Cass imposed upon herself (especially in this arc, which doesn't reference that Orphan came from her dad).

It's just interesting that ballet and storytelling are mediums in which Cass finds an expression of herself, but it's not because of the communicative aspect - she never actually performs in front of anyone. Instead, it's the feminine community and legacy that allows Cass to discover herself beyond Orphan.

All this to say it's a shame Cass couldn't be Batgirl here because I really like the parallel of female legacy between ballet and Batgirl, but it gets lost without acknowledging Batgirl (2000) and DC First: Batgirl/Joker. But conceptually, Cass and ballet is about so much more than her 'communicating' via dance, and the role women and stories play in her love for ballet should be acknowledged more.

[cthaehart]

Tumbledown

[macaronsintrees]

friends with benefits but the benefits are holding hands

[broareweabouttoviberightnow]

"We need cash." Two, Soda, Steve, Dallas, Pony, 'n Johnny crowd the living room in a loose circle like mourners at a funeral. Between them, the shattered, stacked, 'n swept together corpse of what had once been their TV.

"We? Ain't my fault it's broken." Dallas kicks at a shard of glass 'n Pony narrows his eyes at him. "Blame it on the kid 'n call it a night."

"Hey!" Pony stomps a foot before he can catch himself, crosses his arms. "It wasn't me!"

Steve scoffs, rolls his eyes. Pony's face darkens murderously. "Was too."

"No, it was not! You were the one who fuckin' threw me!" Soda 'n Two's eyes ping pong back 'n fourth between the two of them.

"Did not! 'N if I did it was only 'cause you started the fight."

"Bullshit!" Pony's voice hits a shrill high note 'n Steve smirks at him, self-satisfied. "I only started it 'cause you were fuckin' callin' me names you asshole."

"Well, I wouldn't have been callin' you names if you hadn't been actin' like a brat." Pony lets out an indignant wail 'n Soda has to fly across the group to snag him by the waist so he doesn't start right back up again.

"Ok, ok. Enough you two." Pony writhes around like a fish on a hook for another moment before Soda jabs him in the ribs 'n he howls but stops fightin'. "This isn't solvin' our problems."

"I don't see how this is an us problem." Dallas tries again, hooks an arm around Johnny's shoulder 'n pulls him close. "I just got here, Johnny wasn't involved, 'n neither was Two. Soda bites the bullet for not stoppin' 'em 'n Darry can string the idiots up as he so pleases. What's the problem?"

Steve 'n Pony both turn on him, united for the first time that afternoon, fingers pointed 'n accusin'. "'Cause Two was bettin' on us-"

"Hey! Look, all's fair 'n love 'n war or whatever they say. Nobody asked ya to start rumblin' in the livin' room of all places."

"Yeah, 'n Darry'll love to hear that." Steve grabs his hip, wags a finger in a pretty damn passin' imitation of Darry. "Two-Bit Mathews you're how old now? Glory God almighty when are you gonna get any sense- OW!" Steve hollers at the comic Two's rolled up 'n thumped him over the head with.

"Ok, Ok fine. But I wasn't fuckin' bettin' against myself!" Two glares pointedly at Soda who rocks back 'n forth on his heels, suddenly findin' the floor real interestin'.

"Soda!" Steve stops nursin' his head to glare at Soda with wide eyes.

"Hey! Look! I'm sorry!" He blinks, tries his best tip-earnin' grin. "It was all on you, Stevie."

"SODA!" Pony whips on him quick as quick, quiverin' with as much indignance 'n outrage a fourteen-year-old can manage. Soda swallows back a snort, grabs Pony's face in his hands. "I'm sorry-"

"Well. Tough shit for y'all. But I don't see what this has to do with me or Johnny 'n I'm of the mind to beat it before Darry gets home 'n raises hell."

"Uh, Dal." Johnny clears his throat 'n tries to ignore the pointed stares of the rest of the gang hot on his face, runs a hand up the back of his neck, blows out a long breath. "IhadfiftycentsonPonyboy."

"Johnny!" Dallas drops him but doesn't sound half as annoyed as he does impressed.

"Well at least someone was in my corner-" Pony shoots Soda an aggravated glance 'n Soda throws his hands up placatingly.

"Yeah, speakin' of which." Two whips his hand out, palm up, 'n makes a grabbin' motion. Both Soda 'n Johnny huff but reach in their pockets 'n pull out quarters, dumpin' into Two's waitin' hands. He hoots his laughter 'n shoves the dollars' worth of change into his pants.

"Wait, who were you bettin' on Two?" Steve crosses his arms at the same time Pony plunks his hands on his hips, both glarin' accusingly.

"Me? I wasn't playin' for neither of ya! I bet y'all were gonna break somethin'!" Two cracks himself up, howlin'. It doesn't last for long 'n Pony 'n Steve turn succinctly on him, draggin' him down to the floor 'n landin' jabs wherever they can reach.

"Good lord. Well, y'all have fun with that one. I'm peelin' outta here."

"Oh no you don't." Soda catches one hand deftly in the collar of Dallas' jacket as he turns to leave, hefts him back. "You even think about wormin' outta this I'll tell Darry about that time you smoked all that pot 'n threw up 'n I had to carry a bowl a soup down to Buck's for your scrawny ass."

"Yeah, or that time you got picked up for shopliftin' 'n when the cops called I picked up the phone 'n never told Dar." Steve pauses in his onslaught of Two-Bit to throw his hat in the ring. The moment he's not focused Two wriggles out, flips him easily onto his back.

"Or that one time with Tim-"

"OK. Goddamn! No wonder Darry's goin' grey. Y'all are enough to send a man to an early grave." Dallas scowls 'n throw his hands up, shakin' Soda off. "So what now?"

"Now we need cash." Two says plaintively 'n they all stare down at the wreckage again.

"Ok. Thanks, genius." Steve rolls his eyes, clambers back to his feet, offers Pony his hand 'n hauls him up. "What are we lookin' at here? Like what? Twenty bucks?"

"Twenty bucks? Steve, what world do you live on where a TV is twenty goddamn bucks?" Dallas toes at the the box 'n it sparks. "Jesus Christ, none of you unplugged it? Hurry up 'n yank the plug out before we gotta by Dar a new house too."

Both Soda 'n Johnny dive for the cord 'n Johnny pulls up at the last second so they don't crack their heads together.

"So what, like fifty?" Pony 'n Soda exchange a glance, avert their eyes.

"Uh, try more like eighty, man." Soda plops down on his ass, looks desolately at the hunk of plastic 'n glass again.

"EIGHTY? Guys. We're dead. More than dead. Dar's gonna kill us, bury us, 'n then dig us back up again." Steve chews at his thumbnail, paces quick back 'n forth.

"Naw, Steve. Be realistic." Two grins, stuffs his hands into his pockets. "He'd never go through all that work for us. I think just killin' us the first time around'll do it."

Pony groans, presses both his palms into his eyes 'n collapses back into the armchair. "Not funny, Two."

"Aw, not even a lil-" He's cut off by the throw pillow Steve beams at his head, hittin' him square in the face.

"Man focus. We got cash, right?" Dallas refocuses the room, looks at them each in turn. The silence is answer enough, the celin', floor, 'n walls becomin' real fascinatin'. "Man, y'all've got to be jokin'. Steve, don't you have some money from the DX or your da put away?"

"Uh, well, no. Not really. Kinda, uh, lost it. All." He twiddles the bottom of his vest between his fingers, refuses to look up.

"Whatta ya mean lost it?"

"Look you lose one goddamn drag 'n suddenly everyone's crawlin' up your ass! How was I supposed to know that? 'N hey, what about you, Two? I don't hear you offerin' anythin' up."

"Ha! What money? I didn't have anythin' to start with don't look at me. Ask Soda, he's employed."

Soda throws his hands up guiltily. "Don't look over here. I got six bucks to my good name."

"Yeah, good 'n broke-" Soda pulls a face 'n kicks Dallas hard in the shin before he can duck outta the way.

"Where'd your paycheck go, Soda?" Johnny prods at him with his foot 'n Soda playfully catches it, yanks at him.

"Hey, I keep the lights on in this place!"

"And the rest of it?" Johnny pulls back 'n, when he realizes Soda ain't lettin' up, reaches down to jab at the ticklish spot on Soda's ribs.

"What? A man can't be afforded a lil' fun?" Soda yowls 'n drops his foot, wrigglin' backwards to get away. "How was I supposed to know a guitar was twenty-five bucks?"

"Soda!" Pony's jaw drops open. "You can't even play!"

"Hey! Yet! Gimme some credit! Plus I don't wanna hear anythin' from mister no job over there." Soda crosses his arms dramatically but he's grinnin' the whole way 'n all of them know he doesn't mean it.

"That ain't fair! Darry won't let me get a job. 'Course I don't got no goddamn money. Look at Dal. He's got a job!"

"First of all, I didn't even break the fuckin' TV. Second of all, how much money I got is none of your damn business." Dallas scowls, turns his nose up. Steve groans, drops down to the couch with his head in his hands.

"God so we're all broke."

"Hey-!"

"Shut up, Dal." Two cuts him off 'n Dallas' shifts his glare, damn near murderous. "Johnny Cakes?" He tries, weakly hopeful.

"Uh, I got three bucks." Soda quirks an eyebrow up 'n Johnny plops his hands on his hips.

"Where did you-"

"Ya gonna ask questions or are ya gonna take it?" Soda studies him for a moment, arms crossed still 'n doin' a cartoonish impression of a fussin' hen.

"Boys, we got a real hood among us here today." He hoots 'n Johnny kicks him in the hip, both of them still howlin'. "So that brings us up to, what?"

"Uh, nine bucks. Ten if someone can wrestle that change outta Two's pocket." Pony leans forward, elbows on his knees, 'n sizes Two up like he stood even a single chance.

"Man. I want lillies at my funeral. Can I put that out there? Should we do last rites now or-"

"Aw, hush up, Steve. Look, we just gotta scrape together a little money before Dar gets back. We can get, uh, what was it?" Soda frowns, counts absently on his fingers.

"Seventy more bucks." Pony dead pans 'n Soda's self-assured smile wavers a bit.

"C'mon, that's nothin'! We just gotta put our heads together." Soda climbs to his feet, rubs his hands together in thought. "How do we get our hands on some quick cash?"

Dallas 'n Two open their mouths 'n Soda throws out an accusin' finger to each of them. "'N nobody's doin' nothin' illegal 'cause if Dar has to pick one of us from the station before he comes home to no TV he's gonna start inventin' cruel 'n unusual punishments, y'hear?"

Dallas rolls his eyes 'n mutters 'n Two nods absently in agreement but they both don't offer any other ideas. "Anythin' else?"

"Uh, pawn shop?" Pony offers.

"Yeah, great idea, Pone. Anyone have any expensive jewelry they've been keepin' back?" Steve drawls, dryly, apparently resigned to his fate.

"Well, it ain't mine but I got, uh, a Singer we could sell." Dallas leans back in the doorway, waits for the onslaught of questions. They don't disappoint.

"A Singer? Dal, you've been watchin' me hafta hand hem 'n you had a Singer?" Soda howls, goes to kick him in the shin again but Dallas is prepared this time 'n dodges it.

"Where the hell did you get a Singer-?"

"Why-?"

"Look! It was Sylvie's, right? When I kicked her out she didn't get the chance to take it or nothin'. It ain't mine." He throws his hands up defensively, eyes Soda still standin' close enough to wallop him if he decided to. Soda glares back like he's still makin' up his mind about goin' for round two.

"Aw, man. We can't pawn off Sylvie's stuff." Johnny backs outta the way as Soda decides to give it another go 'n jabs at Dallas. "She mighta been a lil' mean but she don't deserve to have her shit sold off."

"The bitch- Soda get offa me- two-timed me? Remember?" Dallas knocks Soda's hands deftly away 'n Soda sneaks in on more solid kick before retreatin'.

"Oh, yeah." Johnny rocks back 'n forth on his heels, still clearly uncomfortable with the whole idea.

"Maybe Soda 'n Steve could pick up some extra shifts for a bit?" Pony tries again, clearly not as willin' as Steve to lie down 'n take his medicine.

"Yeah, another winner, Pone. 'N when Darry comes home to no TV tonight?" Steve scowls at him 'n Pony glares back, the two still dangerously close to another all-out scrap.

"Well, at least I'm comin' up with somethin'."

"Doesn't help if it's all stupid-"

"Alright you two, knock it off. We can't afford to have to buy anythin' else y'all broke 'cause y'all can't keep your traps shut." Two cuts in 'n they both round on him, glarin'.

"Look who's talkin'!" Steve mutters 'n Two grins 'n flips him off.

The laughter 'n bickerin' trail off, lapsin' into silence again. Each lookin' guiltily at the disaster, eyein' each other. "Well, uh, is anyone not above beggin'?" No one says anythin' 'n Two clicks his teeth, nods. "Yeah, didn't think so."

"Hey, guys." Six heads turn to look at Pony, suddenly ashen 'n lookin' past them up at the clock in the kitchen. "Is this a bad time to tell y'all Dar told me to tell y'all he'd be home early this afternoon?"

"Pony." Steve flies to his feet, grabs Pony by his shoulders. "How early?"

Somehow, Pony manages to pale even further. "Uh. In like. An hour?"

As if it had heard, the TV hisses, flashes, lets out one final death rattle 'n falls silent so it's just the seven of them, eyein' each other like men at the gallows.

"Dallas?" Johnny gives himself a shake, grabs his jacket from the back of the sofa.

"Yeah, man?"

"Let's get your girlfriend's stuff."