#sounds like an INCREDIBLE time

[piesafterdark]

I hope riot drops arcane 2, the longer, not cut version of arcane. All deleted scenes, the originals of shortened scenes, extra episodes if need be. It's such an incredible world and it sucks they had to cut things down, especially since this may be the last we ever see of these characters.

[xxplastic-cubexx]

personal happiness or what the fuck ever

bonus:

[edwinisms]

george rexstrew deserves awards for many things but i have to say. edwin’s bloodcurdling scream as niko gets killed deserves a whole award unto itself. like. that scream did not feel at all like a tv show scream. to a somewhat jarring degree. and i can’t express how much I respect that

[teacupsandcyanide]

Something I miss from earlier eras of the creative side of the internet was things just being unabashedly low-budget. Just all unashamedly amateur, unprofessional, ‘I don’t own a good camera but I have a story to tell you’, ‘I can’t afford a good mic but I have a song to sing for you,’ ‘I don’t have any kind of background in editing or lighting and I only just picked up this guitar last Tuesday but here’s an entire musical me and my friends wrote about our favourite book, we filmed it on a potato and put it up on YouTube in ten minute segments because we thought it was pretty funny.’

[toxx-apex-727]

If you do it I wanna fucking watch

You better not do it without me or even record it. Pls <3

Hey while in the castle, maybe see if you can find the team plasma musical. The script should still exist.

Early on into their 'campaign', they wrote a musical about the two brothers who first partnered with Zekrom and Reshiram. The thing was apparently bullshit, leaving out Kyurem and glossing over the war and that they killed each other, and of course the whole thing was a thinly veiled propaganda piece about the one true king and the tyranny of Pokeballs.

Nimbasa theatre threw them out as soon as they saw it, but I heard from a friend Team plasma kept the original copy. Could be worth finding, either for a laugh or to burn, depending on the feeling I guess.

if we find that script, we're getting blasted and putting on the show of a lifetime

[iseetheisland]

Earlier I was at the shop to get myself a treat and this super friendly guy was chatterin toward me and another person and I really need to share the last part of this conversation as accurately as I can.

Guy: "we are all here in this place at this time for the same reason, you know?"

Me (squeeky): "yummy treat?"

Guy (serious tone): "my, my, my, yes. And in these times, we all need it. A reliable joy at the end of our troubled days."

Me (even squeekier): "it's treat time!"

Guy: "amen! Amen?"

Third person who seems tired and not into treats: (confused mumbling, clearly trying to not be included in this)

Me: "amen!"

[al-luviec]

something simple to try to get out of art block (it didn't work)

[badnewswhatsleft]

i uploaded the america's suitehearts stems fob released for their remix challenge way back when here!

there are also a few other song stems from the rockband games here - i guess those are compressed/mixed pretty differently and are def not studio stems BUT theyre still amazing for hearing some instrumentals/vocals only !!!!

import the tracks into an audio editor (i used audacity) and have fun!!

[protectorsoftheearth]

The clearing was incredible throughout. But my God did the sound design at the end when the marching drums of the citadel and the brass and the metal of it all swelled make me giddy with horror and understanding.

[lexreadsdiversely]

"If you can get through the first 60% of the book, I promise it gets good after that!" You want me to power through 60% of a 400+ page book before getting anything good? Buddy....

[yujeong]

The Score of 4 Minutes - Episode 2

Since the first post had a few people interested, I'll proceed to make another one for episode 2's soundtrack this time. Once again, this is some of the music I managed to find and only YouTube links will be included: - Gravity Fields by Hampus Naeselius: The opening scene, in which Tonkla seems to be killing someone - Lightness Falls by Craft Case: When Ms. Manee talks to Tyme about her son committing suicide - Song for a Stepdaughter by Christian Andersen: When Tyme overhears the nurses gossiping about him - Fear Me Not by Kikoru: When Dome catches Title and View arguing and intervenes (it's actually super cool how they managed to mix this with Song for a Stepdaughter to transition from one scene to the next) - Between The Mirror And Me by David Gould: When Dome and Title have their talk (There are actually two tracks playing here, one after the other, but I couldn't find the second one) - After the Fall by Max Anson: When Great sees Title has Dome at the back of his car and they argue about what to do with him - Legendary Myths by Jay Varton: When Great brings Dome to the hospital - Curiosity Kills by Stationary Sign: When Tyme is checking himself in the mirror - Window Weepin' by Lennon Hutton: When Tyme is checking Great's injury - Entering Multiverse by Christian Andersen: When Win gets introduced - Mosaic by Hanna Ekström: When Tonkla sees his brother's body - Dickie and the Gang by Roy Edwin Williams: When Tyme and Great talk in the park ! Tonkla's smoking montage also has Song for a Stepdaughter by Christian Andersen playing, but it's a violin version which I can't find - Tvivel by Hanna Ekström: When Korn meets Fasai and her father - Viljan by Bladverk Band: When Korn and Fasai are on their own

[elbiotipo]

If I made a parody about the United States like I dunno, a Simpsons episode where the characters had to use their driver's license as a national ID, people would say come on, be serious. And yet, from what I understand, you need to have a driver's license in the US or you're basically undocumented.

[thevegetablewhichnoonedaresname]

no one FREAKING understands jo march and friedrich bhaer the way i do

[softspeirs]

gosh, these prompts are just so fluffy, it makes me want to cry! 🥹

maybe these for whoever you're feeling in the moment:

❛ what, am i not allowed to look at you? ❜

❛ seeing you happy is all that matters. ❜

A/N: First, you asked for this so long ago, I'm sorry it took so long! I wanted to explore a lil reunion for Rosie and Grace after (one of the times) his plane goes down and he makes it back. I did a smidge of research for this, but to be clear, this isn't the time he lands in Russia that we see in the show. This is an earlier mission where he crash lands in France - p422 (? I think?) in Masters of the Air if you want to read more. I tweaked the dialogue of that second prompt just a tiny bit, hope that's okay. These Heartbeats Clear Masterlist

Seven. Wounded.

When Robert Rosenthal opens his eyes, for a moment he doesn't remember where he is. There's a brief unsettling moment of sheer panic where he tries to get his bearings, tries to sit up and tries to remember what's happened to him in the last 48 hours.

"Whoa, whoa, slow down." A voice says. American. He sighs in relief.

An unfamiliar worried face swims into his vision. "Major Rosenthal?"

"What--" His throat hurts, his entire body hurts, and he stops trying to talk.

"You've been asleep for almost two days."

"Where am I?"

"Please, try to relax. You're safe. You're in Oxford."

Now that he hears the words, he remembers loud, urgent voices, he remembers flashing lights and the feeling of being manhandled around. It doesn't do much to quell the fear rising in his gut. "My crew."

"They're fine. Some wounded, but everyone's going to be okay." She moves around the bed with quick, sure steps, checking his chart before meeting his eyes again. "You've got a broken arm and a few broken ribs, Major. Now that you're awake, we'd just like to monitor you for a few hours and then we can talk about a transport back to your base."

He nods, thanking her, and she smiles before disappearing down a corridor, leaving him to his thoughts. His mind is slow, fuzzy, but there's one thought blaring like an alarm louder than anything else - he needs to find a way to call Grace.

He swore to her a long time ago that he'd never give her a reason to think he wasn't coming back. He has no idea if anyone knows he and his crew are here.

He also has a panicked thought that he won't be able to fly again, not if they were helped the French resistance. He forces himself to take deep breaths and tries to beat back the anxiety fluttering in his ribcage.

"Rosie?" A familiar voice breaks him out of his thoughts, and he tries to sit up before pain laces up his spine, making him wince.

"Croz?"

Harry's worried face peeks around the curtain. "Jesus." He says, making Rosie wonder what he must look like.

"What are you doing here?"

"We got a call. Wasn't going to let you guys walk back to Thorpe Abbotts, was I?" He takes a few steps closer, scraping a chair closer to the bed before sitting down. He looks exhausted. "I volunteered to come get you."

"How long--"

"It's been five days since the mission." Harry rubs a hand over his face. "Can't begin to tell you how lucky you were, Rosie."

It starts to hit him, how close he was to not coming back. He doesn't even remember the plane going down, not entirely. He has no memory of being rescued. He feels strangely guilty. He's the one that's supposed to lead and help his crew when he can.

"Have you talked to a doctor?" Harry asks.

Rosie shakes his head. "Not yet, just a nurse. Obviously I can't do much with this--" He struggles to shrug with his injured arm in a sling.

"It'll be fine. Desk duty until you're well."

"Croz, you know I hate--"

"You can't fly like that, Rosie. Technically you should be pulled from duty altogether."

Rosie clenches his jaw, takes a deep breath and tries to calm himself down. It's not Harry's call, even though he knows he's right. He's going to do everything he can to get back in the seat again, even if he has to get demoted to do it.

.

He discharges himself so he can leave with his crew and with Crosby and hitch a ride back to base. The doctor fixes him with a stern look as he does it, but he must see the determination on Rosie's face, and just tells him to take it easy for the next few weeks.

Fat chance of that.

"Stop looking at me like that." He grouses to Harry as they bounce along the road back to Thorpe Abbotts, Rosie biting back a wince with grit teeth as the road jostles his muscles uncomfortably.

"I'm not looking at you like anything."

Harry has long stopped trying to convince Rosie of anything, just like Rosie has stopped trying to tell him to get more sleep or eat more. They're all just doing whatever they can to survive at this point. The cost of it all is secondary.

"I'll save the lecture for Grace." He mutters.

Rosie's head snaps up. "Is she--"

"Worried sick? Probably, but you know her. Once she knew you were alive, she went from worried to furious."

"Not like I had any say in the matter," Rosie counters, voice dry. "Didn't try asking them not to shoot at us, though."

Harry smiles, shaking his head. "You know what I mean. Angry at the circumstances. Frustrated with herself for being emotional. That's Grace."

That's Grace. And isn't that the truth. Rosie can't help but smile softly, because he knows Harry is right - he's going to get an earful when he gets back. But he must be a masochist, because he's almost looking forward to it - it means she cares. Not that he's ever had any reason to doubt that.

The truck rumbles along for miles. Rosie hadn't thought about how long it would take them to get back to the base, but he tries to close his eyes and get relatively comfortable until they arrive.

He hears the noise of the gates and opens his eyes to find the sun nearly down. There's a big commotion as they enter and he takes a deep breath to try to get his bearings.

"We'll go to command first, and then to the infirmary. You'll probably have to sleep there." Harry says groggily.

They're let out in front of the command building, Jack Kidd already there waiting for him along with the Colonel. Both look like they haven't slept in days. A few paces behind them is Grace, and the sight of her softens Rosie, makes his shoulders lose their tension. He meets her eyes and tries for a smile, but he thinks it comes off as more of a grimace.

Grace, for her part, is restraining herself. She feels a mixture of relief and anger wash over her at the sight of him, arm in a sling and bruises and cuts littering his handsome face. He looks exhausted, and she's sure she looks much the same.

She knows being angry is the wrong thing. It's not his fault he got shot down, after all. Really, she's angry at herself. She's angry at her heart, at the way it plummeted to her feet when she heard the news that his plane didn't come back, and she's angrier that every day since confirms to her what she already knows: she's in love with him.

And that's as terrifying as it is liberating, because there's a very real chance he could break her heart, whether he means to or not. (She knows that Robert Rosenthal doesn't have a cruel bone in his body, but sometimes, in war, the choice isn't his)

"Jesus Christ, Rosie." Jack says quietly, voice heavy. "I--" He takes a deep breath, and seems to remember what he needs to do. "It's good to see you back. We need to go to interrogation."

"The crew isn't ready--"

Kidd shakes his head. "I'm sorry, Rosie, but the quicker we do this, the better. It's already been a few days."

"Who's back?"

"Maddox, Rubick, Palmer, and Hartos. The others won't be back until tomorrow, but we'll debrief them then. I don't want to wait an extra day."

Jack looks over his shoulder, and Rosie is sure he catches an apologetic look on his face that's there and gone quickly as he sees Grace there. "Twenty minutes, then go to the infirmary." He says as he turns back to Rosie. "Let's go."

The interrogation is as grueling as Rosie expected. He's glad to see some of the members of his crew again. Despite his brain telling him that none of this is his fault, his heart can't help but beat wildly, flooding him with guilt as they give their account of what happened after they went down, when Rosie was knocked unconscious.

It feels like hours before he's trudging towards the infirmary, luckily only a few steps away from the interrogation hut.

The door is opening before he arrives, and Grace's worry-filled face fills his vision. "Grace." Her name leaves his mouth without his permission, his tone exhausted, but full of emotion.

She swallows hard. "Major." Her tone is relieved and... frustrated. He's not surprised, but he hopes she'll spare him Nurse Grace and instead give him the Grace he's been dreaming of for days, though he knows it's selfish, knows that she has a job to do.

He sees the doctor hovering behind her. She opens the door wider so he can come through.

All he wants is to be alone with her. He wants to tell her he's sorry, he wants to tell her that she was on his mind every second, that she is one of the reasons not only that he gets in the seat, but the reason he comes home.

Home.

The exam is quick, thankfully. They took good care of him in Oxford. The doctor leaves Grace to administer pain meds and do the paperwork, and it's only when they're finally alone that he sees the emotion on her face, though she's trying valiantly to hide it.

With each injury she catalogues, her face hardens. Her eyes meet his as she tilts his face up to dab a cooling salve on a bruise forming on his orbital bone.

"You have a look on your face." He says quietly.

"What, I'm not allowed to look at you?" She asks, and he can see how she's trying so hard to hold it together. Pretending. Pretending this is all business for her. He wishes she wouldn't.

"I'm sorry." He croaks, throat dry from overuse.

"Please don't apologize," she says, expression suddenly stricken, as if she realizes what she must look and sound like. "You didn't--" She stops herself, eyes closing for a moment as she gathers her professionalism. "I'm just so relieved you're alive." She whispers. "I'm not angry at you. I'm upset... I'm angry at the war. At these circumstances. That you're hurt--" She stops herself.

He wishes more than anything he had the use of both his arms. He settles for reaching out with one hand, thankful when she doesn't hesitate to take it, lacing their fingers together.

"I never want you to worry." He says, and it's the truth, even though they both know it's pointless.

She shrugs. "Comes with the territory, Major." She squeezes his hand. Her voice lowers to a whisper. "Worry happens naturally when you love someone."

His pulse pounding in his ears is all he can hear. He feels like the world tilts on its axis and then rights itself, all at once.

"Maybe it's too soon or too big for me to say it, but I don't want you to fly ever again without knowing it." She says, voice strong this time. He loves her for it.

He loves her.

He tugs her a little closer and she seems to understand, her face softening as she stands as close as she can, leaning down to meet him halfway. He tries to tell her how he feels when he kisses her gently, mindful of the black eye he's sure he's sporting and the soreness of his cheekbone. His hand leaves hers in favor of cradling her jaw, and the sigh that leaves her is music to his ears.

"Of course I love you." He murmurs, barely a centimeter between them when they break apart. "Probably have for a long time, Grace."

She pulls herself away, just for a moment, and starts to tidy up the triage area where he sits with her. He recognizes what she's doing and gives her the space she needs to gather herself, to come to terms with whatever she needs to. He's relieved at least that the smile hasn't left her face.

"Winning this war and seeing you happy are just about all that matter to me anymore." He admits, and watches as she stops what she's doing to turn back to face him.

"I just want to be sure I'm not a distraction for you."

He shakes his head. "No."

"Rosie, I'm--"

He shakes his head again, cutting her off. "Grace, you don't think I'm going to let you tell me you love me and then push me away, do you?" He tilts his head to one side.

"That's not what I'm doing. I promise."

"Then come over here and let me kiss you again."

She smiles, and he swears to himself that he's going to be responsible for that smile on her face every day, for as long as he can help it. He has no doubt that they have some trials ahead, but they have each other, and sometimes the will of the heart is stronger than anything else.

[freebooter4ever]

old article i read during lunch ...

[k1tty5]

hello :D please tell me more about your mezalian (is that how you spell it??) smalletho I will forever be indebted to you

(they are gorgeous I love them sm)

hey hi !! it would be my pleasure … (and I’ve been spelling it mezalean ??? but i have no idea LOL. there might be a canon spelling but i havent watched joels esmp1 since… probably since it ended. i will have to check sometime)

apologizing in advance because i will probably get very ramble-y!!

ummm. Oh god. How to start. Lets see. WELL. In this silly little au (i guess it has become a bit more than just me doodling designs LOL) in my head they have like this sort of zelink dynamic? obviously without all the zelda lore & stuff, just that kind of … okay forgive me I haven’t brushed up on my zelink lore for a good many years but. Like the princess and her personal knight that doesn’t really talk much sort of thing.

this made more sense in my head. But yeah. They have the vibes of zelink ? At least if i remember zelink right, I have a really bad memory :’) not exactly the same, i do think etho talks to joel (whereas if iirc link never really talks) - especially after getting to know him a bit - but just. they have the Vibes. You know?

I reckon Joel’s definitely very into sculpting in this au, maybe dabbles a little in painting - I imagine mezalea to be very heavy on art and expression in general. think you’d especially see lots of pottery and textiles all around the place. He probably also has an interest in some form of like. um. whats the word. Some sort of … fighting. lmao. Specifically thinking of fencing, i had this idea in my head that he’s watched Etho practice outside the palace at some point and is just absolutely fascinated and enamored. by both the practice and etho himself haha.

and for etho… talented swordsman? he is Not washed. i dont really have many ideas for his character in this au To be completely honest, mostly just of his personality. Although, I alsooo think he’s probably not actually from mezalea? I like to draw him with those pointy elf ears, and i think mezaleans are just humans. I cant remember if thats canon or not but um. mezaleans have human ears, so i’d imagine etho’s probably from like.. rivendelle? Is that. What it’s called. The elf guys? Are they elves??? Goodness I cant remember. Grimlands would make sense too since i THINK they’re kind of like. technical engineer guys? but i dont know what species they are um so ,,, yeah,,,,

i think joel’s probably a bit put off by etho at first, mostly just because he’s not super enthused about the idea of a personal guard, but also because the guys a bit odd, you know? but he’s also probably suuuper intrigued by him. he wants to figure this new guy out, and when they start talking a bit more, i think. They are both incredibly charmed by the other. head over heels? possibly.

most of my ideas of this au are just little scenes that are cute and silly but dont follow any main plot. I would love to write some one-shots of some of the ideas i have in the future, but as of right now im experiencing a bout of creative burnout and am busy with the holidays - spending time with family, so… not right now lol!

hopefully this is what you wanted,,,, i tend to get very ramble-y when talking about literally anything, so i do apologize for that haha, i am Not good at explaining things in simple ways, as i’ve said many a time before.