#sorry this got away from me lmao

[the-eyes-of-andyserkis]

Andy discussing his film "Breathe" at Build Series in NYC.

[varsity-sportsbeing]

Growing up my slightly richer aunt and uncle would always talk up Silverwood nd try to pitch my parents on a group trip (never happened) (we still got hella wound up about the idea of going to a theme park)so these ads about don’t you want to go to Silverwood *but not now* are especially funny to me. Silverwood isn’t a very mid regional theme park, it��s a symbol of… something. You can never go there. Maybe you were silly to ever want to. Anyhow, buy a season pass now!

[crazymecjc]

but can you imagine Jace from Act3 end up seeing Viktor from season 1 and BECOMING absolutely crazy, careful, obsessed with staying with him all the time/making sure he doesn't get evil/corrupted by the Hexcore and still with the knowledge that this man saved him countless times from death, that he chose him in all dimensions and possibilities and that Old jace from the past DIDN'T realize it.

HI ANON. IM IMAGINING ‼️‼️‼️‼️

(I’m taking jayvik drawing requests! send me an ask!!)

[flysafepapi]

Oscar Tully said "I accept you as my vassal, Willem Blackwood, but I am Lord Paramount of all Riverhouses and there is only one answer for the crimes you have visited upon your neighbours."

But all I heard was "You stand accused of murder. You stand accused of treason. How do you answer these charges, Lord Baelish?"

[b4kuch1n]

siren

[padmesbox]

You love to bring up our record. Our record is 4 and 1 after you beat me at WrestleDream, and you beat me, I will give you that.

[a-most-beloved-fool]

If Spock and Jim merged into one being (no euphemism here lol) like Tuvix, what do you think the personality of the new being would be like? What impact do you think that would have had on the lives of both of them after they separated again? I love your headcanons, thanks for the answers!

thanks for the question!! <3

Hmmm... I think they would work pretty well as one being, actually. I'm thinking about all of those quotes from Roddenberry about how Kirk and Spock were supposed to represent two halves of a whole person, so I have to assume that they would be quite content. Though, disclaimer as I continue: I have not yet seen any of Voyager - there might be aspects of Tuvix's combination that I don't take into account because I don't know they exist. If so, uh, sorry. My bad.

For the sake of avoiding confusion, I'll call the merge Kirok (after the name Kirk chose when he lost his memories in The Paradise Syndrome). (Also, I fear that calling him "Kock" would have... deleterious effects on the readability of this post... for no reason at all...)

I do think that Kirok would, overall, have the best parts of Kirk and Spock. Combined, they are tactically fearsome. With Kirk's intuition and understanding of people and Spock's knowledge of statistics and science, Kirok is brilliant. However, I do think that Kirok would be a worse captain in practice than if Kirk and Spock simply had a mental bond. Part of the brilliance of Kirk and Spock as a command team is that, while they very much respect one another and take the other's opinion into account, they do also. regularly ignore each other's advice. And this is usually to their benefit! They each take risks that the other wouldn't, and, often, it saves them (in part because they always back each other up, even when doing things they don't agree with. Spock will be like "this is unwise" and Kirk will say "maybe, but I'm doing it anyways" and Spock will just... go with it.). But, if they were one person, I think that impulsiveness would be tempered. The Kirk part would have a brilliant idea, the Spock part would say "wait, there is too much risk, we can make a better plan," and then Kirok would lose his chance to act. When they're separate people Spock is ride-or-die for all of Kirk's decisions, but when they're one person, the Spock half won't always allow those decisions to be made at all (and also won't necessarily be able to tell when he does need to rein things in a bit). (Also Kirk and Spock both tend to be reckless, and then rely on the other to save them - as Kirok, who would back him up when he needed it? Bones would, but he's a medical officer. He simply can't do everything they would have. And, no matter how good of a first officer Kirok got (probably Sulu?), they couldn't be that good.)

I also think that Kirok wouldn't be quite as at ease with his position on the ship as Spock and Kirk individually were. The Spock part of him loves science far too much to just abandon it. He wants to spend time in the labs! He wants to make discoveries! Likewise the Kirk part of him can't truly be anything but a Captain. So, Kirok stays a captain, but he's less passionate about it (or, rather, more passionate about things that aren't it). This doesn't actually affect Kirok's satisfaction - it just affects his performance and relationships with others. He might spend off-duty time working on science experiments (which he can no longer do during shift, due to captaining) and neglect forming bonds with his crew, and he might place more focus than usual on scientific discovery missions.

As for the crew... Well, it's not as weird of a change as they expected. As expected, Kirok is less outwardly friendly than Kirk, and more outwardly friendly than Spock, but he's - cohesive. He still feels like their commanding officers. His humor tends to be a bit drier than Kirk's was, but he's a very compassionate and reasonable captain. (Tbh I tend to think that Kirk is actually more of a hardass than Spock (people just assume Spock is worse due to being Vulcan), so some crewmembers are surprised when Kirok is more lenient about certain things than Kirk would have been. Not lenient about cruelty or anything genuinely important to the safety of the ship, but about other things.) But, he's still not as good at making personal connections as Kirk was, and he's still inclined to spend too much time in the labs, so things aren't perfect.

Really, I think that the person having the worst time of things would be Bones, lmao. He'd have to deal with his Best Friend suddenly being the same person as The Guy He Affectionately Antagonizes (totally not a friend no how could you even think that). I think he'd be more lost than anyone else about how to address Kirok. Is this Kirk, his old friend, who he can be truly comfortable with, or is this Spock, who he snipes at and who snipes at him in turn? Who can he turn to, when the man he normally approaches for comfort is now the same being as one he doesn't want to seem too weak in front of? Does he turn to anyone else, in the meantime, or does he weather it alone?

Kirok himself, though, is actually pretty okay with the change. The different parts of himself simply - mesh well together. It's very satisfying for him, if not for his career and those around him. There's some minor bits of tension, especially regarding changes in biology and telepathic status, but, for the most part, he's doing well. The things you might expect to be major points of tension somehow... aren't. They compromise remarkably easily. (No meat, yes logic, no emotional suppression, yes casual touching, no casual relationships, yes meditation, etc.) And the Kirk and Spock parts of him both enjoy the closeness, the sense of knowing they now have for one another. They're one person, and know themself completely as they've always longed to know each other completely. (he does miss playing chess against someone who could beat him, though!)

Now, because I am Spirk-brained, I also think there's potential for Kirok to have Very Confused Feelings about discovering that the two parts of himself each had secret feelings for the other prior to the merge. There could be this odd sense of loss - like, yes, they are now technically one with one another, but they also completely missed out on their shot at a romantic relationship. They mourn what they could have had. The Spock part, especially, mourns the potentially for a telepathic bond (because with how smoothly they've integrated with one another, it surely would have been a strong one). So, as much as Kirok does enjoy existing as Kirok, I think he might be more willing to attempt separating back into two parts than I believe Tuvix was.

And, when they're two separate people again, they both feel like they're missing some part of themself, even once they've begun their new romantic relationship - but quickly discover that a mental link between them fills that hole. (And then, of course, because they are hopeless and in love, the "medicinal mental link" very quickly just becomes a marriage bond. They're like "well, we've already been one person and liked that well enough... a marriage bond is hardly anything different!" To Spock's endless pleasure, they are highly compatible and have a remarkably strong bond.) The mental link also allows them to have the same quick reaction times and combined brilliance of Kirok without the negative side effects of their own individual strengths being tempered. (they're also like. annoyingly codependent for a bit after Kirok's separation. oh boy are they always touching. "it gives them emotional security." bones looks at them in disgust (he loves it).)

Or, if we wanted to be McSpirk-brained... I'm enjoying the imagery of Kirok (who both had crushes on Bones as well as on one another) just directing all of that missed romantic potential onto Bones, who is... like, he's not not into it (Kirk was hot, Spock was hot, ergo Kirok is hot), but he also misses and loved his Original friends, and so he is very torn between accepting Kirok's advances and trying to find a way to split them apart again. (Flustered Bones, flustered Bones!! I do love flustered Bones!! He is blushing and stammering and having multiple ethical crises all at once. They never covered this in Starfleet Medical...) He also doesn't quite know whether Kirok's feelings truly belonged to both Kirk and Spock or not, and doesn't think that Kirk or Spock would truly act on it if they were in their normal state, so a small selfish part of him wonders if that's the only chance he has to be with them (even if it's not quite the same 'them' he fell in love with). And then, of course, there's the fear that trying to get back the original Kirk and Spock will actually just kill them! Yeah, poor Bones has a rough time of things. But, when everything is fixed, he does still wind up getting two boyfriends out of it. It all works out in the end?

[wundrousarts]

Something I’ve noticed for awhile is that I often get comments from people about how they are surprised how I always come up with theories and try to guess what might happen and they “could never do that” themselves. I want to say: yes you can! There’s honestly a shortage of Nevermoor theories and ideas and speculation and etc and I want to see MORE!!!

Want to talk about how Morrigan’s mom is actually secretly alive? How the Scholar Mistresses are a Wundrous Act? Do you think the Tempus Divinity looks like an owl, or do you think Weaving and Ruination would be met together? Or have you ever thought about how this one line, from Chapter 19 of Nevermoor, about Betram Crow actually means he was a Cursed Child? Whatever it is you want to talk about: GO FOR IT!!!

I personally find it very fun to go sort of “English class mode” and look at the text in front of me and think about what different things might mean and analyze it and even overthink it to an unnecessary (but fun!) amount. But that’s just me and how I like to approach things! You don’t need to make long posts and quote specific lines if that isn’t your style. The big thing to remember is that so much can happen in the next six books, so throw any idea out there! You never know what twists and turns will be thrown at us. I think it’s fun to share these ideas and discuss with other people— sure, maybe there’s just something you missed when reading, but perhaps some new ideas spawn might from it. Some speculation could even serve as inspiration for fics!

There are some theories and thoughts that I’ve posted that have been “debunked” when I reread a book, or when someone pointed out something, or even just when something had a real-world basis that I as an American didn’t catch. But it was still fun to think about it all, and there’s some bits and pieces that I see as notable and worth considering. I think most of the Silverborn Masterpost is going to be “wrong”, but if just 1% of it is “correct”, even indirectly, I will take that as a win. I know it feels like during the hiatus everyone’s talked about everything, but I hope that the incoming communal reread (fingers crossed) and obviously Silverborn brings some speculation back to the fandom because I want to discusssssss!

[tsutsumi-kurose]

Do you have any Tsukasa analyses?

hi!! thank you sm for the ask!! i love tsukasa analyses, so i was really excited to get this!! there is a small/specific thing i've been thinking about with regards to a couple tsukasa moments recently, and that is:

tsukasa and some not-so-rhetorical questions

there are two specific instances i've been thinking about recently of tsukasa asking typically rhetorical questions in a genuine way. the first time happens in chapter 91. when hanako and nene ask tsukasa how he got to them and why he was there, he asks "who cares?"

i find it really interesting that this question comes before tsukasa asks a long series of hard hitting questions about nene's lifespan, hanako's wish, and destroying the yorishiros. he's asking very real, actionable questions! and this question is grouped in with them! so while "who cares?" is typically a very throwaway question, coming from tsukasa in this moment, i read it as having much more weight. i think tsukasa is experiencing the feeling of that in a very real way. especially given the context of more recent chapters ("he doesn't come when i call," "if you want out, you're going to have to do the best you can by yourself," etc.) while this question may come across as flippant, tsukasa must truly be wondering: "genuinely, who cares where i've been? how or why i'm here? genuinely, do either of the two of you care what i'm up to? you're worried about nene's lifespan and the yorishiros. who he cares about how i got here or why? i have no reason to believe you do." i don't think it's a stretch to think that a boy whose calls for help don't get answered would genuinely wonder: who cares?

and with all the context of 91 up to now, i love to read this question in 110 as a genuine question from tsukasa that hanako hears as rehtorical, and flippant:

"so?" asked so briefly and bluntly is often a rhetorical question: more a statement of "that doesn't matter" or "i don't care." and from hanako's perspective, he has just poured his heart out. he's just said, "yes i could have anything in the whole world, but then i wouldn't have you." to him, this surely must seem like a logical fill in of, "I wouldn't trade you for anything."

but this is tsukasa. tsukasa, who has spent god knows how many years calling out for amane with no response. tsukasa, who knows the following to be fact: 1) hanako knows tsukasa is his yorishiro. 2) hanako has been working to destroy all the yorishiros. thus, the logic from the facts tsukasa has would say that hanako prefers to be without tsukasa. of course he'll be confused that hanako's words suggest he doesn't want to be apart when all he's done with his actions is keep tsukasa away from himself!

it's not surprising, then, that he would want an explanation of how these things connect. the facts tsukasa has say amane doesn't care about him and is prepared to destroy him. so of course amane saying "i wouldn't give you up for anything" is not going to compute, that seems like almost an exact contradiction to the facts tsukasa is working with. the "so?" here is the same question tsukasa's been asking since 1968 in chapter 101: "you'd prefer it if i stayed here, right, amane? or would you rather me gone?" tsukasa thought he had the answer, but now amane's saying the opposite.

i love this panel, because it reads as so hopeful. i really read this as tsukasa wanting to know more about why amane is hung up on never seeing tsukasa again. how often does tsukasa ever want anything for himself? other than to know how someone is feeling? and this moment feels significantly softer than other times he's asked similar things. tsukasa's always asking: what are you thinking? what are you feeling? amane, are you happy to see me? so i think he's genuinely asking here: why would that be a problem? i interpret this panel as tsukasa really, genuinely asking amane to explain that he cares about him, that he wants to be with him. because he has nothing to go off of to prove that that's the case. are you happy to see me, amane? so what if you can never see me again, amane?

to get really specific, i love the lighting in tsukasa's eyes in this panel. his eyes are mostly in shadow, but there's just a bit of light at the tops of them; his irises are almost all black, but there's a little bit of light flooding in at the bottom. because i love to torture myself with tsukasa angst (lol), i like to interpret this specific lightning choice as representing understanding beginning to dawn for tsukasa. a literal flicker of hope. maybe... amane does care about him? maybe amane does want him around? he might just be starting to understand that amane cares, but he needs it explained more, needs it spelled out. hanako's actions have not suggested this is true, so all he can go off of are hanako's words. he needs more words from hanako to make it make sense. so? why would that matter? he's starting to get it, but he has to ask, especially since it goes against all the other signs he's been given.

but, of course, hanako is hanako/amane is amane (i love him but he does win worst communicator for more than fifty years running <3 lmao) so he takes this as a rejection, and doles out his own in return, not hearing the request tsukasa is making, thus affirming what tsukasa already thought: that he hates tsukasa.

the mix of light and dark is gone from tsukasa'a eyes after hanako says "i hate you so much."

his face and eyes are flush with light--with clarity. i know you hate me, amane. no more doubt, no more questions, no more hope.

i'm obsessed with the angst of this entire interaction, and tsukasa asking, "so?" is the hinge it all rests on. the moment of suspension.

here's their chance. here is tsukasa wanting to understand why hanako isn't going through with the plan just because the two of them would never see each other again. here is hanako's chance to explain that he cares.

but it can't line up, not expressed like this. not with "do you love me?" tsuakasa and "of course!" amane. not when they're both so sure their love for the other is obvious, not when they both hear rejection in everything. not when they've both come to expect loneliness as a default, to the point where the other caring about them is never the logical conclusion in their eyes, no matter how obvious their love for the other seems to themselves.

here is a beginning, here in tsukasa's eyes, in his question. but both of them are only ever expecting an end.

(this analysis of tsukasa's eyes in this interaction also connects to the seed of a larger theory i want to explore more soon, which is the possibility that tsukasa's eyes going black isn't necessarily--or at least not exclusively--about the entity's powers taking over, but rather/additionally a reflection of his emotional state... but then that also ties into the really long post i'm trying to wrangle into coherence about tsukasa being genuinely tsukasa... so i may have to elaborate on that another time lol)

thank you again for the ask!! i really love diving into all the possible meanings behind specific/small moments, so i had a lot of fun with this!!

[eefaevie]

✨ my official good omens s3 prediction post ✨

which accidentally I guess comes with a side-order of analysis and a soupçon of meta because I can’t shut up

The quote "The plans for Armageddon are going wrong. Only Crowley and Aziraphale working together can hope to put it right. And they aren’t talking." is intentionally misleading.

I think with Aziraphale gone, Crowley is going to become Grand Duke of Hell. He’s hurt, he’s tired, he’s got nothing to lose anymore. He’s also a bit of a dramatic petty bitch (affectionate), and after suffering what he considers the ultimate betrayal from Aziraphale, he wants to hit him where it would hurt equally by joining the “bad guys” fully. Crowley thinks of himself as unforgivable, and since (in his mind) Aziraphale refuses to “see” him for who he really is, he’s going to force him to by acting out like this (beside the fact that we know that this isn’t actually who Crowley is, but he’s injured and lashing out, even if it hurts himself, too.)

So, that quote. The plans for armageddon are going wrong. as in heaven can’t get it to start. And the only way they CAN get it to start is to get the Grand Duke of Hell and the Supreme Archangel to work together, which they are refusing to do. Think about all those meetings between Gabriel and Beelzebub — those definitely didn’t start off as dates, they were business meetings. And so Aziraphale and Crowley REFUSE to speak to each other (with MAXIMUM pettiness and passive aggressive comedy) because they’re both mad at each other for their mutual miscommunication, but also because they KNOW that if they do work together they’ll end up fucking it up somehow (and actually set the second coming back on track, which they obviously don’t want). The one thing that is a common thread through Good Omens is that Aziraphale and Crowley are actually kind of useless at their jobs, and they usually end up accomplishing the opposite of whatever it is they are supposed to do. Aziraphale is still in the grip of heaven, and can be manipulated — while Crowley is probably still terrified of Satan, and now that he’s kind of recklessly agreed to such a big promotion, that’s now his immediate superior.

(So really, if you’re useless at your job, and consistently do everything wrong, and you’re trying to stop a massive project — the best place to be would probably be in charge of that project, no?)

So anyways, cue Muriel being used for the most immature go-betweens (“Muriel, dear, please tell the Grand Duke that I won’t be able to make our dinner reservation this evening because he is a lying snake.” “Muriel, tell the Supreme Arseangel that I never made the reservation anyways and his holiestness was presumptuous to assume so.” etc etc)

I’m also betting that the Metatron orchestrated his offer to Aziraphale very intentionally, because he knows that they’re each other’s most precious thing, and he knew that raising Crowley would be the best possible offer to get Aziraphale to agree, but also, he knew that Crowley himself would never agree to it. Which left Aziraphale in a tricky position. He’s still too afraid of heaven to back out, and by separating him from Crowley, the Metatron thinks he has succeeded in both eliminating the biggest threat to the second coming (the earth’s only professional apocalypse-thwarters with extremely powerful joint miracles) and planted (what he believes to be) a huge pushover of an angel in the seat of power — essentially a puppet for the Metatron’s commands.

(I’m not even going to get into the alleged threat of the book of life at this point, but that’s it own big bag of worms)

Problem is, the Metatron severely underestimated how much these two are idiots, how far they’re willing to go for love (or how far they’ll go when they believe their love has been scorned), and again, I cannot stress this enough — how much they’re both idiots.

Crowley accepting the position of Grand Duke seems out of character, until you realize it absolutely is not. (The same thing goes for Aziraphale accepting the position of Supreme Archangel, btw.) With everything else happening, it’s going to be effectively Crowley’s only option — Aziraphale is gone, the second coming is coming, and there’s a convenient little vacancy at the top of Hell’s hierarchy. He’ll take it because he’s upset and hurt by Aziraphale, but he’ll also take it because he’s angry, and it’s the only way he can possibly have any impact on what happens next.

I’d go so far as to say that Crowley loves Earth primarily because he loves Aziraphale, and Aziraphale loves Earth. Crowley is always the one to suggest running away when the going gets tough, because his top priority is always Aziraphale’s safety. If the Earth ends up a casualty, well, boohoo, at least he’s got his Angel with him. Now, though, he’s got no Aziraphale — so what’s the point in sticking to Earth? Remember how he pretty much immediately gave up on stopping the apocalypse when he thought Aziraphale was dead? Yeah. (In fact, he probably realizes very quickly that if he wants any hope of having Aziraphale back and sharing their lives together — this time for real — he has to take drastic measures to make sure Earth and humanity survives. He’s an optimist, and he’s also selfish.)

So, surprise, Metatron! You just took these two will-they-won’t-they eternal virgins and made them business partners. Which is an issue.

Because remember, for one supreme archangel to fall in love with the grand duke of hell during dubious business meetings makes a good story. For it to happen twice makes it look like there is some kind of… institutional problem.

We’ve taken the “workplace” in “workplace comedy” and dialled it up to 12. Now it’s not two salarymen from rival companies just kinda begrudgingly doing what they’re told until they don’t, it’s two high-ranking executives from rival companies who’ve decided they’re in love with each other, they’re done with this shit, and they’re taking the whole industry down from the inside.

Never forget that Good Omens is, at its core, a comedy. I believe we will get the romantic south down ending, for sure, but the path to get there is going to be a farce. They’re not talking — perhaps only in the business sense — so who knows the hijinks and shenanigans and making out they’re going to make everyone around them put up with this season. Aziraphale orchestrated an entire Jane Austen ball for Crowley before they’d even touched mouths. They’re going to be insufferable and I’m praying for Muriel’s sanity.

Finally, the final element of my prediction: Jesus will be there, probably. Maybe even Adam, too! Maybe it’ll even be lost celestial baby pt. 2: electric boogaloo. (as you can see my priorities are mostly regarding what happens with Aziraphale and Crowley lmao)

(and also, you know that dinky little half miracle they pulled together for jimbo? They were a couple of nobodies then. Imagine a full-powered joint miracle between a Supreme Archangel and a Grand Duke?)

(…Imagine a full-powered joint miracle between two supreme archangels and two grand dukes? 👀 ok ok who knows but also I’m not convinced we’ve seen the last of beez and gabe)

ok bye ❤️

[wikiangela]

wip wednesday

tagged by @diazsdimples @tizniz @daffi-990 @bidisasterbuckdiaz @fortheloveofbuddie @hoodie-buck 💖💖

i wasn't gonna post today but I'm currently writing another one of Buck and Taylor's arguments and I'm having so much fun lol (there's gonna be only one more conversation between them after this haha) I keep having new ideas for the in-between of what I had planned, and I hope all of this turns out coherent, I'm probably gonna have to do so much editing lol I'm so determined to post it this month and I'm actually inspired!

prev snippet

___

“I don’t know what to tell you.” he sighs, averting his gaze, as he’s trying to think about anything to say, but his mind is blank. 

“How about the truth? I really just want to know what the hell is going on with you. Because this-” she throws her hands out, vaguely gesturing around. “This isn’t a life together, and I don’t know how many more times we can have this exact same conversation.”

“Taylor…” he starts, hoping more words would come. “I’m sor-”

“Is there someone else?” she blurts out, angry tears welling in her eyes. He feels his own eyes widen in surprise, and his cheeks burn.

“What?”

“I mean, are you seeing someone else?” she doubles down, her tone a little shaky, but still determined. Suddenly, he feels his heart in his throat, and he has to make a conscious effort to breathe. Fuck, fuck, fuck, fuck.

___

no pressure tags: @elvensorceress @gaydiaz @thebravebitch @shortsighted-owl @eddiebabygirldiaz @watchyourbuck @eowon @loserdiaz @evanbegins @ladydorian05 @wildlife4life @diazpatcher @lover-of-mine @monsterrae1 @thewolvesof1998 @puppyboybuckley @weewootruck @loveyouanyway @spagheddiediaz @rainbow-nerdss @epicbuddieficrecs @pirrusstuff @spotsandsocks @alliaskisthepossibilityoflove @nmcggg @rogerzsteven @hippolotamus @giddyupbuck @sunshinediaz @honestlydarkprincess @underwater-ninja-13 @exhuastedpigeon @911-on-abc @jesuisici33 @steadfastsaturnsrings @theotherbuckley @buddieswhvre @dangerpronebuddie

[oceanwithouthermoon]

ive been unhealthily fixated on kubosai for the past few weeks, i just have no idea how to put it into words. kuboyasu aren and saiki kusuo are in love btw

[lokh]

Im gonna need your like, whole musical rec list, bc literally every song you have posted has not flopped once, give me your faves i need to eat them

OUGHHH YOUVE UNLOCKED THE BEAST ARGSHHFHJDF....

in the interest of making this both easily accessible but not stretching the dashboard, im embedding bandcamp links when i can, otherwise linking to youtube when unavailable

in no particular order, inclusion based mostly on what im still actively into LMAO but also just things you should give a go at least once:

list of artist recommendations

zeal and ardor: described as a mix of african-american spirituals and black metal. try devil is fine, you aint coming back, wake of a nation or church burns

bloodywood: indian folk metal, literally nobody is doing it like them. recently featured in monkey man (2024), try chakh le, yaad or dana dan

stromae: if youve never heard any of his songs WHAT ARE YOU DOING..... incredible lyricist, described as a blend of hip hop/electronic. papaoutai made the rounds on tumblr a while back, but you should also try santé and l'enfer

alamat: pinoy pop. a youtube commenter described them as sounding like 2nd gen kpop which probably also explains why i took a shine to them LMAO, notable for the amount of filipino culture on display and the diversity thereof (singing in different languages, themes). first heard them thru kasmala either here or on twitter lmao, try aswang or maharani

andy bull: alt-pop. a lot of poppy and upbeat songs with a melancholic undertone imo. an australian artist, try it's all connected or keep on running

cosmo sheldrake: electronic, wikipedia also lists him as folktronica and baroque pop. you may have heard the song come along on an apple ad - hes known for sampling sounds from nature. pliocene for example features sounds from endangered ecosystems.

if you like cosmo sheldrake, you might like hidden orchestra (electronica, ambient). also making use of field recordings, i really love the archipelago mixtape but its a hard sell at about an hour lmao. if you like the following song then i implore you to give it a go

son lux: experimental, you may have heard from them in the entire soundtrack for everything everywhere all at once (!!!!!). try dangerous, dream state (brighter night) or live another life.

ammar 808: electronic/world fusion, also behind bargou 08 (folk rock you should also listen to). i just cant get ain essouda out of my head, but i also love geeta duniki

miyavi: j-rock, used to be a visual kei artist. these days he might be known more for anime openings like flashback (kokkoku) or other side (id:invaded), or for work like snakes in arcane (or actually inspiring and voicing a character in it), but ive always been partial to his early work like sukkyanen myv or ashita, genki ni naare

songs/albums

'threads' album by now, now (indie rock).

'dream to make believe' or 'what to do when you are dead' by armor for sleep (rock, emo). here's the truth about heaven from the latter album

i already posted about it but denzel curry's 13lood 1n + 13lood out mixx (rap, trap) is extremely good

the guilty gear soundtracks and im so serious im not fucking joking. different kinds of rock and metal and all sorts of influences put in, a genuine labor of love. xrd and earlier games are mainly instrumental with some vocal tracks (try give me a break or big blast sonic), while strive pretty much always includes vocals (of course i need to rec rock parade, but also try requiem. its genuinely hard for me to pick and choose lmao)

not an album and not an artist

coke studio pakistan and coke studio bangla knocking it out of the fucking park, im particularly a fan of harkalay and kotha koiyo na. you could try the other coke studios too (tamil, india, etc)

triple j like a version is when the radio station triple j brings in artists and has them do a cover of a song (artists choice). i liked denzel curry's cover of bulls on parade and flume's shooting stars (video for this one is incredible, man had a vision you just have to stick it out), but you get a lot of interesting interpretations like the wombats' running up that hill, gordi's in the end or, infamously. the wiggles' elephant

ive DEFINITELY missed out some, but thats what my music tag is for LMAO i hope someone discovers something they like here!!!!

[adiraofthetals]

Jett keeps on sneaking in candy in engineering, and Paul has no clue how she does it anymore. Just to taunt him, she keeps on putting candy on his desk. Then he gives it to Adira most of the time because Adira has a sweet tooth. Sometimes when he sees it he will see the candy and just angrily eat it if he had a long day.

[skyafied]

if you are still taking requests, could you draw heavy surrounded birds like a disney princes and medic looking lovingly from the distance

Hey anon how does it feel to have an absolutely massive brain, like just ginormous

[barbreypilled]

can I say she’s the Prim of The Dragon Books or will y’all put me to the sword

don’t tag as racebending