#sorry please excuse all of this.

[vigilskeep]

SORRY this is MORE dialogue from lucanis’ recruitment quest i just need people to be going through this with me

[contagious-watermelon]

Why do I keep seeing transmascs and trans men insisting or implying that all trans men are "female socialized," or "understand the female experience," or "navigated the world as a woman." Because yeah, sure, that can be true for some people. especially if you weren't gnc at all as a kid and didn't crack your egg until well into adulthood, it makes sense.

But they don't stop at saying they had that experience. It always comes with an addendum that trans men, as a group, all can relate to this experience. I don't know about the entirety of my demographic, but I never got even a little bit of what some of them talk about. I didn't even believe that women were scared of going out at night until I kept consistently seeing them say it, online or wherever, for years. I never realized catcalling was a thing until I saw some women complaining about it on reddit.

But they posit it as some sort of, you're safer than cis men, right? You know what it's like? Which, on top of being patently, demonstrably false in the case of myself and many other trans men, holds some unpleasant and often outright hostile implications about trans women. And they always deny it, but if you can't even conceptualize someone like me who grew up gnc, and never got the bulk (or any?) of whatever we consider to be 'female socialization,' what does that say about what you think trans girls went through, growing up? I don't want to speak for them, as I've never experienced that firsthand, but I can guarantee that (if you're even a little bit obviously trans) people don't treat you like a cis kid of the opposite gender. By and large, they don't get treated like cis boys.

It just makes me mad that we're taking this inaccurate framework that (ever so conveniently) puts trans people into the box of our assumed birth gender, and trying to fancy it up and use it with a faux-progressive veneer; never mind the way that transphobes use it to bar trans women from being athletes, or using the bathroom, or having access to any gendered resources they need. It would be bad enough to try and dust it off and use it even if it were largely accurate, due to the aforementioned connections to outright transphobia, but it literally is patently false. Not in all cases, obviously, but why are we trying to revamp this untrue, inaccurate generalization and pretend that we can make it 'trans-inclusive?'

[ganondoodle]

(OC Lore and design time!)

(it got longer again ... sorry ... idk how to make things short, i just need to talk, but i guess if you can read the written stuff in the pic thats the barest bare bones of what i wrote here)

i was asked what new lore story stuff i had thought about that made me sad which i mentioned a bit ago, and while that is too hard to explain given all the missing context i thought i could at least talk about lore having to do with it :D

so, (Lord) Eadrya is one of my fav OCs (big blue lad, here a rough sketch in humanoid form) they are both one of if not THE most powerful demon alive and the most battle trained;

at the mid point of the story the demon world gets invaded by the celestials (the angel inspired things i talked about in the previous lore post with Xaror) and Shargon, as the king, should be their first and only frontline, but at this point his life is only being sustained by maschinery after being mortally wounded, he cannot fight (he realizes what is going on, rips himself off the maschinery to get at least his youngest child to safety, barely managing it before dying- the guardian, the demons god, takes over his body to attempt to fight against the celestials but cant keep itself alive long enough since its host is already dead) Eadrya takes the role of the frontline fighter (despite being very full of themselves and aggressive they care about their 'job' of protecting their own, also giving them the chance to show off just how strong they are); the fight was going well for them all things considered, but when the guardian activates it drains the power of all elemental lords (which Eadrya is one of, and since they have the most strength it also takes the most from them), so much so that they lose the fight and suffer deadly wounds (the worst being a spear through the chest made of a material that grows hard, root-like formations when in contact with demonic blood like a fungus but worse, also stopping any self healing processes) after the guardian falls apart it creates a huge shockwave of energy that stuns every living thing within a certain distance and possibly more-

Eadrya (in true demon form, so like a blue whale in size at least) was likely taken through an active gateway to the human world in a large tidal wave also created by the guardians fall; they wash up in the harbor of a small secluded village, the head of which is 'lady 13'; although never having seen a demon before and everyone being afraid (largely thinking its a strange hurt animal, only she suspected otherwise), they still gather all villagers to pull out the celestial spear, which is diffcult and brutal given that its already taken root, but the village lacked both knowledge and means to help any other way- doing so damaged their heart which is how they were able to collect samples of all three demonic blood types ('normal' -red like humans-, energy -essentially purely magic- and heartblood -highly concentrated energy only found within the heart of a demon and the only one to contain genetic material) (this is the start of Eadryas character arc, having to deal with the fact that their world is likely destroyed, them failing what they didnt think they could fail, having lost a battle so badly (even if not really their fault) for the first time and not knowing if literally anyone else has survived .. also being now stuck in the human world, which they dont like)

Lady 13 (placeholder name? stands for experiment 13) is a human that was tricked by demon hunters to enroll into a series of experiments trying to create hybrids of demons and humans, which they hoped would be powerful and easily controllable tools for their endeavours, though the two are inherently not compatible, they tried grafting body parts of demons on humans to make them compatible- all experiments failed except for her, more or less, though she never got to see the hybrid she carried and was then told it had died too, they threw her out believing she wouldnt survive much longer either and all such experiments were cancelled due to the high cost of human life, research material (demons are still rare) and upkeep with no successful results Lady 13 survived though (perhaps even via the pirates picking her up?) and she ended up living in said small village far away, hiding her half demonic body, though most know there soemthing 'wrong' with her (her being this tall when it doesnt fit the rest for one), only few know the full extent; she enjoys the life she has now, perhaps on the more poor side but safer and more loved than ever before; she largely lead the efforts to try and help Eadrya when they ended up in the harbor, though there wasnt that much anyone could do it was still enough- they leave immediately after waking up, but return after really having nowhere to go and struggling to deal with everything that has happened; over time (probably years) they start to open up towards the people there (though not .. very much) enough to get rather close with Lady 13 too- she actually falls madly in love but after Eadrya (extremely aro/ace) rejects all her attempts quite clearly she respects their boundaries

However, after hearing news of potential demon sightings Eadrya decides to leave in hopes of not being the last demon left after all; Lady 13 then decides to reveal her secret to them (though hearing and seeing what lengths hunters would go to for their experiments makes them absolutely seething with rage- she insists on not being out for revenge) and asks if they would be willing to donate a small amount of heartblood; shes always wanted to be a mother but is now incompatible with humans too- through things she picked up back at the experiments facillity, hers and her doctors research she is sure that is all that is needed, she dares to ask since she does not know when, if ever, she will meet another demon, much less one she could actually trust enough for this though Eadrya hesitates (why would she want to go through the same thing again that didnt work and threatened her life, if it does work, do they want to be involved with any of this? what if hunters find out it worked after all?) but after her ensuring that they would have no part in it other than giving up a little blood and would not be considered a parent in any way, nor made responsible for anything that might happen to her, but considering it all in the end they agree to it

only for her to reveal shes had a small bottle of it already, along with multiple samples of the other types, which she collected when Eadrya was bleeding out into the harbor not knowing if they will survive, though not wanting to make use of it without their consent either way (they are actuallly rather touched by this)

alot later the main group returns here and it turns out to have worked (though she is unable to walk/bedridden for a long while bc it did alot of damage to her body, which can heal since its demons parts, but only really slowly bc she does not have a full functioning system and no demonic blood of her own -she uses the other samples for the healing process-) though its a little awkward to explain, especially considering that 13.1 took alot after Eadrya xD (their theory as to why it worked so "well" that time is that even though the sample was already taken, them giving their consent for it still made it less likely to be rejected; demons dont need partners to have offspring, and all can do it, they just have to decide to- so them agreeing to it, even though its long been outside their body, still had an effect on the blood sample)

[letoscrawls]

new episode of the most unserious show tomorrow

[swiftmitsu]

hello!! hi guys, this is important

(and no i’m not a proshipper. that’s all im going to say.)

please don’t ever fucking dox ANYONE.

you don’t like a certain person’s content?

just block and forget.

you don’t like a certain person?

just block and forget.

there is no reason you should be actively exposing the location of people that you don’t like.

absolutely nothing GOOD has ever come from doxing anyone.

you have no idea how dangerous things like this can be.

the internet is permanent.

whatever you put up on the internet will BE PERMANENT.

be careful what you do on the internet. please.

look, i get that many people don’t like the works of proshippers.

and that’s FINE. you can have your opinion.

there is SO MANY OTHER THINGS ON THE INTERNET THAT SO MANY PEOPLE DISLIKE/HATE THAT ISNT PROSHIP. and it’ll stay like that for a long time!!!

you can’t really do anything about it.!!

so don’t TARGET AND DOX THEM. OR ANYONE ELSE FOR THE MATTER.

just fucking ignore them. BLOCK them if you don’t want to see their content.

you’re not gonna be some sort of ‘hero’ for getting rid of someone you dislike.

you are putting so many people in danger.

please. just be nice. it really isn’t that hard.

i love you all, please stay safe and be nice to each other. we need more kindness in this world. 💛💛

edit: if you want to assume things about me. don’t. talk to me privately first. don’t spread rumours please.💛

[lazylittledragon]

right now i'm very torn between "taking critique is important as an artist and it's not an attack on me personally" and "people commenting about my same face syndrome under my posts upsets me an unreasonable amount and i wish they would stop doing it"

[agentofanarchy110]

MICROLABELS ARE VALID

MICROLABELS ARE VALID

MICROLABELS ARE VALID

I AM NOT

AND I REPEAT NOT

USING THEM AS AN EXCUSE TO SHIP AROACE CHARACTERS

IM DEMIROMANTIC ASEXUAL

I SHIP RADIOAPPLE

PEOPLE WHO DONT SHIP IT ARE ALSO VALID

BUT HATING ON EACH OTHER FOR IT ISNT

AAAAAAAAARRRRRRRRGGGGGHHHHHHHHHH

[blueskittlesart]

being in art school and having basically 0 knowledge about christianity whatsoever is so funny at this point i think you could tell me literally anything was an allegory for jesus and i'd just believe you

[arudoe]

cloud watching ✨

[notbecauseofvictories]

a wild moment at work today, when my boss (at the end of quite a long speech about why I should track my work better) essentially said, "but you're not getting any credit for your accomplishments!" and I realized I genuinely didn't care.

[andy-clutterbuck]

Bts of TWD-5x01

[miraculouslbcnreactions]

Sorry if this seems confrontational, but for the life of me I can’t get into your “Chloe has no growth” point when the show itself retracts growth from everyone and is inconsistent with everyone. You saying “The show just lays down basic character traits in Chloe” doesn’t make sense when her basic character traits are supposed to be her being selfish and spoiled.

S2 built off of that and despite what you say, had Chloe doing things that in S1 she wouldn’t have done. She apologized multiple times to the people she wronged, she willingly put herself in harm’s way to help the people she cares about and she was openly vulnerable to Ladybug in “Malidiktaor”. Something S1 Chloe wouldn’t have done. If there’s a distinct difference between a Chloe back in S1 and a Chloe in S2, then growth HAS taken place. But it doesn’t stay because of the formula (and the writers just don’t want her to keep that growth)

So what I’m asking is…what do you mean “Chloe doesn’t have growth”?

I can understand the “No arc” argument because an unfinished arc feels like there’s no arc at all (even though they are fundamentally not the same)

I wouldn't say that the show retracts growth from everyone. It's more that no one is ever supposed to grow. Every episode resets the cast. That's just how pure formula shows work and Miraculous is being sold as a pure formula show. The characters are meant to be static (one of the writers literally compared Miraculous to Dora the Explorer).

That static nature is why pure formula shows normally avoid giving their good-guy characters major flaws. It's the wrong medium for that type of thing specifically because the characters cannot change in meaningful ways throughout the show. They can learn little lessons that don't really change them and maybe have big change between seasons via a special or movie, but that's about it. Thus things like the season four conflict working so poorly. It's just a terrible choice for a formula show! The conflict is literally not allowed to develop properly because of the chosen format.

But sure, let's talk about Chloe and why I will die on the hill that she never demonstrated meaningful improvement even with the issue of the inconstant writing. In fact, seasons-one-to-three Chloe is one of the most consistent characters in the show. For this discussion to work, we need to start off by discussing character development and the two main forms it can take: character establishment and character growth.

Character Establishment

When the audience meets a character, they know nothing about said character. It's up to the writer to guide the introduction process. To choose when to reveal already existing elements of the character's personality, skills, and backstory. This is called character establishment. It is the writing telling you who the character is on a baseline level. Those reveals don't need to happen at the start of the story, though. They can be - and often are - held back for when the time is right.

When these reveals are delayed, it's important to remember that these elements were always part of the character. The reveal isn't changing who the character actually is. It's just changing how the audience views the character.

For example, we spend a good chunk of season one uncertain why Gabriel is doing what he does. Then, in Origins, we learn that it's all for Emilie. This is new information that adds depth to Gabriel's character, but it doesn't change him in any way. This is who he always was. We just know him better now and can recontextualize past events with our new understanding of his motivation.

Character Growth

Character growth is when writers take a character's personality or world view or even just their skills from point A to point B, allowing the audience to watch the character change and become a new better - or lesser - version of themself. This is usually part of a larger character arc where all the moments of growth add up, but it can take the form of small moments of growth that don't fit into a bigger picture, too. I'd probably still call that an arc, but we'll use the word "growth" a lot in this post, so let's just call it growth to be consistent.

Miraculous doesn't really have either arcs or growth because - once again - formula shows don't allow characters to meaningfully change, so I'm going to have to make up an example here. I'll use one that illustrates how character establishment and character growth can and do intertwine as that's an important thing to acknowledge to help guide this discussion.

Let's say that we have a character who lost their family at a young age. We'll call this character Mary. Mary's loss guides her character throughout the entire story, but the other characters and the audience are never told that this is what's going on. We just know that Mary acts in seemingly illogical ways at times and that she trusts no one.

Throughout the story, Mary learns to trust her costars, leading to a big, dramatic scene where she finally tells them - and the audience - about her past. This big dramatic scene is both the culmination of a character arc and a piece of baseline character establishment that allows us to understand Mary's character better no matter what part of the story we're reading.

Because these combo growth and establishment moments are so common in stories, it can feel like character growth when we learn new things about a character in a dramatic moment, but that's not always what's happening. Sometimes dramatic moments are just there to reveal what was always there by forcing a character to act differently than they usually do through the power of extenuating circumstances. These extenuating-circumstances moments are not character growth because, once the moment is over, the character resets to their normal self. The moment wasn't there to let them grow. It was there for the sake of the plot.

This is actually a really important thing that writers need to know how to do. Figuring out what circumstances will make a character say or do a thing they generally wouldn't say or do is part of how stories work. I have started stories with characters acting wildly "out of character" because I put them in the a situation where the behavior suddenly was in character!

Oh, you don't want to talk to this total stranger because you're an introvert with social anxiety who has yet to learn how to love yourself and open up to others? That's nice. Your leg is broken now and you're stuck in the middle of nowhere. What you gonna do sucker? Lie there in the dirt or talk to the nice lady who wants to help you? Your choice! (Spoiler: he talked to the nice lady. He even let her physically support him when he'd usually never let a stranger touch him!)

As soon as that scene was over, the character reverted because it wasn't growth. He didn't become a more open person. He just did something he normally wouldn't do because the situation demanded it. It was extenuating circumstances so that the freaking plot could start.

This is what happened with Chloe in season two. Everything that people call growth is really just extenuating circumstances that reset by the end of the episode or even by the end of the scene.

Let's Talk About Chloe

Chloe does not have a character arc, aborted or otherwise. She is never taken on a journey where we watch her change. All we get is delayed character establishment via extenuating circumstances, but it's given in ways that make some people feel like she was being given an arc. Let's talk about why that is.

Season one Chloe is a one dimensional mean girl. She has almost no depth. She's just here to be petty and cause akumas. She is not a fully realized character.

Season two takes those traits and keeps them, but also gives Chloe a lot more depth to round her out and make her feel like a real character. She's just as petty and mean as she always was, but we're finally allowed to see her in some moments that make her feel like a well of potential to become something more, which the writers basically had to do if they wanted to let her be a hero. The audience needed to feel like Chloe could be good in the right situation.

The feelings evoked by her newly discovered depth are why people go "oh, she had a character arc! My feelings about her changed in a big way!" But she didn't have an arc. You just got to know her better by seeing her in moments where she was forced to be vulnerable. That's not growth. Growth is meaningful, lasting change, not situational change. Everyone changes based on the situation! It's why the "True Selves" stuff is such nonsense. It implies that there's one set way that we're supposed to act in order to be authentic and anything else is some kind of lie which just isn't how the world works.

Let's look at some examples to drive home what I mean.

Season one established that Chloe idolized Ladybug. It's why we get things like this moment from Evil Illustrator:

Ladybug: Fine! You stay! Later! Cat Noir: What do you mean later? Ladybug: I mean, you're the one who wants to protect her, so you don't need me. So, later! (swings away) Chloé:(looks over balcony) Ahhh! Ladybug! Text me! OK!

And this confession from Antibug:

Ladybug: [Chloe] pretended she was me?! How often does that happen? Armand: She idolizes you.

So Chloe adores Ladybug and wants to impress her/be her best friend. Cool. Got it. That never goes anywhere in season one because season one doesn't see Chloe and Ladybug interact much. The most we get is Ladybug saving Chloe from akumas, which doesn't allow for deep conversations. I don't think that they're ever alone in a moment where they can actually talk.

That changes in season two. In season two, they get to interact a lot and it's often in moments where there's a big threat and no one else is around, letting us see a new side to Chloe. But that's not Chloe changing. It's just the writers revealing that Chloe has more to her than the mean girl stuff because of course she does! Pure mean girls don't exist. Everyone has depth. We simply never saw that depth before because Chloe was never put in a situation where she needed to be open. We can't say that season one Chloe wouldn't confess things to Ladybug or chose to sacrifice herself to let Ladybug win because she never had the chance to do those things!

In fact, I'd go so far as to argue that season one Chloe probably would have done the same things as season two Chloe because season two Chloe doesn't really contradict season one Chloe. Antibug showed us that Chloe was pretty desperate to be loved and welcomed the way that Ladybug is loved and welcomed:

Chloé: Jagged Stone! Jagged: (thinking she's the actual Ladybug) Ladybug! What are you doing here? Chloé: Um… when I find out you were here, I knew you'd wanna see me! I had to come say hello. (Sabrina waves at Jagged)

and Chloe has always been a stubborn girl who stands up for what she wants even if what she wants is something bad. Antibug also showed us that Chloe can be genuinely nice to the people she cares about. Her and Sabrina's relationship is shown to be complex with them often having a lot of fun together.

Similarly, Origins sees Chloe showing her father genuine affection after she's saved from Stoneheart:

[Image description: Chloe and Andre hugging and looking very happy to be together]

Origins is the baseline episode that tells us who the characters are on day one, so I never once doubted that Chloe loved Andre, but Andre didn't get akumatized because of Chloe's actions in season one. He didn't even get akumatized for something that Chloe had nothing to do with! His first akumatization is in season two, so it's not shocking that we don't get a Malidiktaor type scene until Malidiktaor.

Chloe was vulnerable with her personal hero when her beloved parent was in danger, but not before? Shocking! Who would have guessed?

Me. I would have guessed. I didn't even realize that people were reading it as some sort of character growth because it clearly wasn't. Malidiktaor didn't feel like something new for Chloe's character. It just felt like the writers were leaning into things that we'd always known about Chloe and using them to better establish her character as someone who genuinely cares about select people. She just doesn't show most of the time.

The same thing goes for Chloe's sacrifice and apology in Zombizou. Chloe only sacrifices herself when there's no one left but her and Ladybug. When the choice is to let the terrorist win or take the hit and let you personal hero save the day. Brave? Sure, but also not growth. Chloe is team Ladybug for all of seasons one, two, and three! She wants Ladybug to like her! Plus even a petty brat can have moments of goodness where they pick a hero over a literal terrorist.

This honestly would have been a damming moment if Chloe didn't sacrifice herself. She functionally had no other choice here. The entire episode builds itself to the self-sacrifice moment so that Chloe is forced to make that choice even though she's been her petty bratty self throughout the whole attack. It's genuinely solid writing.

Then, in the heightened emotions directly after the Zombizou win, we get this:

Miss Bustier: But I hurt a lot of people... Chloé: No... I did... I forgot your birthday, once again. And when I saw everyone had prepared a gift for you, I totally lost it. Because I, too, would've liked to offer you something. I'm sorry, Miss Bustier. Miss Bustier: Thank you, Chloé. Those words are the best possible gift you could ever give me. (hugs Chloé) (Chloé hugs her back, forgetting herself for a moment.) Chloé: Huh?... Uh, yeah. Okay then, we're all good.

A brief moment of vulnerability that quickly ends and does not stick around because Chloe's change was situational, not true growth. The next scene of that episode starts with Chloe being her usual self:

Chloé: Me? You want me to apologize to the entire class? Ridiculous! They should be thanking me for saving everybody.

And ends with the reveal of Chloe's gift to Miss Bustier, which was given in private via a note.

Once again, nothing new for Chloe's character. She acts as she always has, being mean to everyone while having moments of vulnerability when things get tense. Remember that hug between her and her father that we talked about earlier? Same concept. She had just almost died from an akuma attack and so she needed some emotional support, leading her to act more openly loving than she usually does when he's around. Once the moment is over, she reverts to the petty mean girl default.

Giving gifts to placate people is also something that we've seen before. A pretty similar thing happens at the end of Evil Illustrator, it's just played less sympathetic towards Chloe because the writers weren't giving her depth back then:

Sabrina: Too late. Chloé and I are doing the project together. Marinette: You mean, you're doing the project? Sabrina: Well, of course! After all she's been through... Marinette: Ughhh.... Nice new beret, by the way. Sabrina: I know, right! Chloé lent it to me. She really is my BFF! Chloé! Your geography homework's ready!

For any of this to be character growth, we need to see Chloe act differently over time. For her to be put in similar situations and get different outcomes, but we don't see that in part because Chloe didn't change and in part because season one didn't do much to develop Chloe's deeper side. We rarely see her alone or in moments of extreme vulnerability, but you need those moments to show her depth. That's why Despair Bear had Chloe crying alone after Adrien threatened to end her friendship and not before. Chloe is very reluctant to openly show depth. You have to force it out of her, which perfectly fits the character we met in season one.

Even her standing up to Hawkmoth and rejecting the akuma isn't character growth in my opinion. Chloe has always stood up to authority and demanded whatever she wants. She has wanted to be Ladybug's friend and be seen as a hero since season one, so it's not shocking that her extremely strong will would allow her to defy a terrorist. If there is anyone in this show who can stand up to a terrorist on shear "no!" power alone, it's little miss I-always-get-what-I-want. I could see a variation of this happening at any point in the show, just change Chloe's reason for defying Gabriel to match the situation. Rework these lines to be about a party that she wanted to go to and I'd still totally buy it:

Chloé: No, Hawk Moth! I am a superheroine! I am Queen Bee! Ladybug will come and get me when she needs me! I WILL NEVER JOIN YOU! (throws her photo onto the ground as the akuma exits it... and pants)

Chloe acted like a hero here because she wants all the perks of being a hero and can't believe that Ladybug would actually bench her. That's impossible! Ladybug wouldn't do that!

As soon as Chloe accepts that she won't be a hero again, Chloe stops acting heroic because acting heroic wasn't growth. It was her playing a part the same way she played a part in Despair Bear. She was doing what she needed to do to be Queen Bee again and not because it's the right thing to do. This would only be real growth if she rejected the akuma after accepting that she wouldn't be Queen Bee again, but that's not what happens. As soon as she accepts that she's out, she no longer has any reason to play nice. She never grew into a character who did what's right for the sake of doing the right thing. It's always been about getting what she wants or being seen how she wants to be seen. Until that changes, she hasn't changed.

So no, Chloe didn't have an aborted arc. They didn't start to redeem her and then change their minds. All they did was make Chloe one of the most complex characters in the show only to then not do anything with the character they wasted our time establishing, ignoring the complexity they gave her while also cranking her mean dial up to the point of absurdity where she's not even fun in her original role anymore.

I get why it feels like she had an aborted arc. The fact that the character establishment was delayed makes it feel like something shiny and new about Chloe. There's also the fact that the character establishment we get in season two is the kind of character establishment that you'd do if you were setting up for a redemption arc, but that doesn't change the fact that it was all establishment work. None of it was a true arc where we watched Chloe grow. We just saw her put in situations that revealed hidden depths.

Her showing depth is not her growing because when in the world does she show off this supposed growth? She only acts differently in the type of scenes that we've never seen her in before or around characters that we've never seen her truly interact with before. When she's around the established teen characters or in her usual scenes, then she acts the same way that she always has. We never see her be genuinely nice to Marinette or something like that. She's only nice to Ladybug and she's still rude to Chat Noir. That's not character growth! That's character establishment that can then be used to guide character growth!

Same thing goes for the stuff in Despair Bear. We learn that Adrien can push Chloe to be better, but he never does it again and she reverts as soon as he lets her off the hook, so it wasn't character growth! It was just Chloe establishing that she can play nice when she needs to. This means that she could grow if the story chose to take her down that path because we've established that she knows what being nice looks like. Fake it til you make it plot go, go, go! But the plot never went, went, went so meh?

Add in the fact that season one was a bit of a test season with lots of elements that got dropped and the fact that characterization in this show has always been wildly inconsistent from episode to episode and I'm really not seeing a strong argument for Chloe having an intentional arc that somehow got aborted. People just saw the potential for her to have one and argue that potential is the same as an aborted arc when it really, really isn't.

To give an analogy, Chloe's story is like walking into the kitchen and seeing grandma laying out the ingredients for her famous chocolate chip cookies. We get excited because, hey, cookies! Then we come back an hour later and there are no cookies. Nor is there some other sweet that uses the same ingredients. There's just ingredients, sitting unused in their original packaging, making us wonder what the heck grandma was up to. At the same time, she never really started making cookies. She just set out ingredients. They're still there, totally unused, waiting to be made into something, so we can't call them a failed cookie attempt. That implies a level of commitment that was never there. She didn't even say that she was making cookies! We just assumed she was because we, understandably, wanted cookies and wanted to believe that grandma had a purpose to her actions.

[skyward-floored]

..... does Warriors successfully arrest his family? (Downfall IAU)

fearfully, - hero-of-the-wolf

@hero-of-the-wolf BUCKLE UP MY FRIEND!!!

Comes after the Ravio fic and the Warriors fic :) the first one definitely helps for context.

...

It wasn’t until dawn that anything happened.

Legend and Wind both stayed up all night watching for any threats, keeping a largely silent vigil. They camped out on the roof, watching all corners of the yard and street, and Wind didn’t sleep a wink, anxious and full of a shaky worry for everyone. Sky hadn't responded to any of their messages, which wasn't too unusual since it had only been a few hours, but Wind was worried anyway.

Malon and Four stayed inside and prepared for the worst, readying supplies in case a quick escape was needed, and still occasionally trying to contact Sky. Ravio pretty much just slept, mumbling hazily about low prices and pretty birds.

But when the first rays of sunshine poked over the horizon and Wind and Legend had still seen nothing suspicious, everyone relaxed a little. Malon brought out some food for them to eat, and the two of them took it gratefully.

Wind was still worried, but things seemed less scary with the glimmer of dawn on the horizon, orangey light warming his face. Legend looked a little more relaxed as well, and they began to eat, both feeling lighter.

Wind took exactly three bites of his bagel before he froze, staring out across the street.

A man stood in plain view from his and Legend’s standpoint, one who hadn’t been there before. The sun shone off his white and blue outfit like sunlight on a frozen lake, and a mask covered part of his face, but Wind knew immediately who he was and why he was here.

He just didn’t want to believe it.

“Legend,” he whispered, and Legend immediately turned and looked, the color draining from his face.

“Wind, go warn them,” he whispered, but Wind remained frozen in place, staring at Warriors. “Wind.”

Wind couldn’t make himself move, gaze locked on Warriors. His uncle didn’t move either, silently watching him and Legend, and even though the distance was pretty far, Wind almost thought he could make out regret on his face.

Legend’s elbow to his side snapped him out of his daze, and Wind scrambled down the roof and inside a window, almost wiping out on a rug as he ran.

“Malon they’re coming!” he cried, and he heard a sharp intake of breath.

Malon appeared around the corner as a harsh knock came from their front door, and Wind gave her a panicked look. The knocks quickly turned into pounding, and Wind heard a thud on the roof, along with a shout.

“Go wake Ravio,” Malon said, and Wind ran off into the living room. He was worried about Legend, but he knew he could handle himself. Hopefully.

The pounding on the door seemed to have already woken Ravio up, and his green eyes were looking fearfully at the door as Wind ran in.

“They found me,” he said in a panic, and Wind nodded.

“Yeah. You and us. But they'll have to fight to catch us, c’mon.”

“I can’t run very well like this,” Ravio said nervously, and Wind pulled his arm up around his shoulders, helping him stand.

“No problem, we’ll help you,” he replied, and winced as another shout came from outside. “Where’s Four?”

“He said he needed to do something,” Ravio said as they hurried out of the living room.

“He what?”

“I don’t know, he didn’t explain!”

Both of them yelped as something shook the building, and Malon suddenly went flying back from the front door, hitting the wall beside them with a grunt.

Wind shouted in alarm, but Malon was unhurt, quickly standing up with her fists raised. Wind looked at where she’d come from, and saw the door broken with a group of people gathered in the doorway, all dressed in dark colors and protective gear. He didn’t see Warriors anywhere.

“Malon Forester, you and all the occupants of this house are under arrest,” the one at the front said, and Malon’s face creased determinedly.

“I don’t think so. Get Ravio out of here,” Malon directed towards Wind, but before he could move, he heard a wild yell.

Four suddenly burst from the hallway, dressed in his super suit that he’d been wearing when he and Wind first landed here. It was bright blue though, and Wind wasn’t surprised when three other Fours ran out behind the blue one, all looking determined.

Blue threw himself at the group in the doorway, and the others followed, all yelling as they lit up their powers. Chaos reigned as the colors swept through the squad, and Malon pushed Wind to get going.

“I’ll help Four, go,” she urged, and Wind and Ravio hurried off towards the back door, trying not to listen to the yelling from behind them.

They made it to the door quickly, but Wind could see even more of the scary soldier-people rushing towards the house, and he quickly locked the door and shoved a couple heavy chairs in front of it for good measure. They... weren't making it out that way.

“Now what?” Ravio asked a little hysterically, and Wind suddenly remembered Malon mentioning something about an emergency hatch in the basement room he and Four had been sleeping in. She’d only brought it up briefly, and he’d forgotten about it in the rush.

“Downstairs, c’mon,” he urged, gathering some winds around them just in case. They were on the opposite side of the house from the basement stairs, but the shouting had died down a little, so he was hopeful.

They hurried back the way they came, Wind eternally grateful that the house had tough windows and good locks. It didn’t seem like any of the scary-looking soldiers had gotten in yet, except for the ones at the front door, but it sounded like Malon and Four were handling them.

Wind and Ravio rushed past the front door, and saw Malon and all four colors braced against it, Malon having replaced the door and now struggling to secure a lock on it. Wind set Ravio down for a moment, and shoved a heavy-looking table over to help block the door. Malon realized what he was doing, and briefly abandoned Four in order to help him shove the table, as well as several other heavy pieces of furniture.

“Will that hold them?” Green asked in an out of breath voice.

“Hopefully long enough for us to get away,” Malon replied as they finished, rubbing her shoulder a bit. Wind squinted at her, but he couldn’t tell if she was truly hurt or not.

“How are we getting out?” Red said in a somewhat panicked voice as the men on the other side of the door began to bang at it again.

“Basement,” Malon replied, then shooed them along. “Hurry.”

The Colors finally moved away from the door, and though the banging began to increase, the door didn’t budge, locked and barricaded as it was.

They rushed down the hallway, Wind almost dropping Ravio when he heard a window shatter somewhere. He cast a glance at Malon, and saw that her face was surprisingly calm.

Though maybe that wasn't too surprising. It seemed to Wind that she'd been expecting something like this to happen for ages.

“I gotta grab my bag,” Vio said suddenly, stopping in his tracks. The other colors stopped as well, and Wind looked back at the different colors of his brother. “All our bags, we left them in the kitchen, there's important stuff in there.”

“Go fast,” Wind said worriedly, and the Colors nodded and bolted away.

Wind heard another window shatter somewhere, and drew some wind tighter around himself, wiping his sweaty palms on his shirt. He really wished he'd at least had a nap last night. The lack of sleep only made his nerves feel even more shot.

“Where’s Legend?” Ravio huffed as they continued to work their way across the house. He was looking paler again, probably from the strain on his leg as well as the situation at hand. Wind couldn’t blame him.

“He was on the roof, I don’t know whe—”

“Right here.”

Legend flickered into view beside them, and Wind was glad he was used to it and didn’t shriek like Ravio did.

His alternate-brother looked a little ruffled, but unhurt as far as Wind could tell. Legend opened his mouth to say more, but Malon abruptly grabbed him away from the stairwell, some kind of energy blast hitting the wall where his head had been.

More of the armored men were coming from upstairs, and Wind blasted a gust at their feet, making them all trip and fall into a pile. Their group rapidly turned the corner towards the basement, and Wind started to believe they’d maybe make it out.

Then he saw Warriors standing in the hallway, blocking their path.

Wind stopped short, and Malon and Legend bumped into him, all three of them staring at the super in front of them.

“Warriors,” Malon began, firm, but soft regardless. “Let us through.”

Warriors looked at them, but his expression stayed the same, smooth and emotionless. “I can’t do that. All of you are under arrest. If you come quietly, this’ll be easier for all of us.”

“Easier for all of us? Or just for you?” Legend snapped, and Wind thought he saw hurt flash in his uncle’s eyes.

“Legend, Malon, I don’t want to do this,” he said in a quieter voice. “Please. Come quietly.”

“You know we can’t do that,” Malon said firmly.

“Dad wouldn’t want us to,” Legend spat.

Warriors flinched, but didn’t say anything in reply. He simply lifted his hands, frost forming threateningly on his gloves.

Nobody moved for several tense seconds. Legend glared silently at his uncle, Ravio looked nervously towards the door, Malon kept a steady eye on her husband’s brother, all while Wind watched and wondered what to do.

Warriors couldn’t be serious... could he?

Wind had only spoken to this version of Warriors once, but... he loved his family. Wind could tell that beyond a shadow of a doubt.

Why was he doing this?

Why was he working for the bad guys?

Footsteps came up behind Wind, and he turned to see Four run up, looking winded and shaky. He’d reformed into one for some reason, holding several bags in his arms, and Wind caught his shoulder. Four stumbled to a halt as he looked around at the situation, and frowned.

And then Warriors locked eyes with Four, and his face went white.

That moment of distraction was what they’d been waiting for, and Malon threw herself at her brother-in-law, successfully knocking him to the ground.

“Go boys!” she shouted, and they scrambled to obey, Legend and Wind grabbing Ravio, while Four ran behind. Legend ran ahead of them and flung open the door to the basement, hurriedly gesturing them inside.

Wind couldn’t help watch Malon grapple with Warriors, her eyes alight with protectiveness. He winced as she punched him, the two rolling around as they fought, and Wind gasped when Warriors’s hands glowed with ice and he tried to freeze her arms.

The soldiers Wind had tripped came around the corner as well, and began shooting more of the energy beams that Legend had narrowly avoided. Wind was a little surprised they didn't have bullets, but he supposed he shouldn't complain. At least being shocked wasn't as instantly life-threatening.

Four suddenly stumbled against Wind, having trouble with the ice rapidly coating the area. Wind grabbed his arm and ended up supporting him almost more than Ravio, Four still shaky from being split and struggling to hold onto the bags all while avoiding any blasts.

“Guys come on, we— Mom?” Legend said, his commanding tone suddenly slipping. Wind turned back to look again, and saw Malon with one arm pinned to the ground with ice.

Warriors was panting, blood dripping from his nose, and despite Malon getting her lasso around one of his legs, she hadn’t been able to pull it tight. Warriors stood and turned towards the basement door, his hands glowing again, and Wind hated the closed-off look on his face.

He raised his hands, but then Malon shouted, wrenching her arm free of the ice and yanking the lasso around Warriors’s leg.

He lost his balance with a cry, and Malon kicked him backwards, sending him sliding down the hall a bit.

“Boys, go now,” she said, making no move to join them as she tried to get the rope around Warriors’s other leg. He shot some ice at her again, and it froze some of her hair as she dodged.

“But Mom—!”

“I said go! That’s an order!” she shouted, cutting Legend off.

“We’re not leaving you here!” Wind said, wanting to rush to her side, but still supporting both Four and Ravio. He couldn’t even use his powers to help, the hallway too narrow and Malon and Warriors moving too fast for him to do anything.

Malon gave Wind and Four a complicated look, then threw open a closet door that opened into the hallway, blocking a shot from Warriors. The ice froze it in place, and Wind could hear Warriors trying to break through as energy shots rattled it, but Malon didn’t press the sudden advantage. Rather she used the brief break to look back at the four of them.

Her expression softened, and she locked eyes with Legend, his face pale and frantic.

“I’ll keep him busy, you four go ahead. The hatch downstairs opens with the triforce tap combination, you know it Legend.”

Legend’s expression looked like pure agony. “Mama I can’t—”

A loud crack came from the closet door, and Malon swept forward and grabbed all of them into a hug, even Ravio, and she quickly kissed Legend’s hair.

“It’ll be okay, honey. Go!”

She gave them all a pointed shove through the doorway as Warriors broke through the ice, and Legend shouted a warning. Wind caught a brief glimpse of Warriors standing behind her, his hands raised with grief on his face, and Malon slammed the door shut behind them.

Then the tell-tale sound of Warriors shooting his ice rang out, sealing the door shut.

“No!” Legend screamed, slamming his shoulder into the door.

Wind stared at it in horror, but he could already tell the ice was too thick for them to break through. The door was totally sealed off, thick ice sealing all around the edges, and even the sound from the other side was muffled.

Nobody would be getting through that door for hours.

“Legend we have to go,” Wind said in a shaking voice, hating that he had to be the one to say it, and Legend banged a fist against the door, breathing heavily.

“Mom!” he yelled, but there was no reply, only muffled shouts.

Four gave Wind a frightened look, Ravio’s expression pure shock, and Wind took in a deep breath as Legend slammed his fist against the door again.

“Legend,” Wind repeated quietly, and Legend gripped the door handle so hard his knuckles turned white.

Wind managed to brush a slight breeze over Legend’s head, meant to be comforting, and Legend stilled, only his shaking shoulders belaying his emotions.

“I can’t lose her too,” Legend finally whispered in a terrified voice.

“You’re not losing her. This isn’t over,” Wind said, choking back the knot in his throat. He had to focus, he could cry later. “We’ll get her back Legend, I swear, but we can’t let what she did be in vain. We have to go.”

Legend pressed his forehead to the door, and didn’t move.

Then he harshly breathed out, and leaned back, a murderous expression on his face.

“We’re going for Sky’s place. It'll be safe there. And then we’re getting her back,” he said in a harsh whisper.

Wind and Four both nodded determinedly, and Ravio gave Legend a light nudge, looking like he didn’t know what else to do. It was telling that Ravio had stayed quiet almost this whole time— Wind knew his version of him could be a bit of a chatterbox sometimes— but now it was like he just didn’t know what to say.

It could’ve been the pain he was in, but Wind had a feeling it was more due to shock.

“Come on,” Legend muttered, nudging Wind forward, and they all hurried down the stairs, nobody speaking as Legend opened the secret hatch, then closed and locked it behind them.

Nobody spoke as they crawled through the tunnel, Legend leading the way and helping Ravio with his leg. Wind glimpsed tears on Legend's face from the light of the flashlight, but he didn't say anything about them, knowing it wasn't the time. They needed to get away from here first.

Four finally distributed the packs so he didn't have to carry them all, though Wind took two because Malon...

Wind swallowed, and shook his dark thoughts away. They'd just wanted to arrest them, not kill them. Malon would be captured, but he had to hope she would be fine. Especially with Warriors there, he wouldn't let them do anything bad to her...

...Right?

An image of Warriors shooting ice at them with an emotionless look in his eyes shot through Wind's brain, and he held back a shudder, Four brushing his side.

Malon had to be okay.

She would be okay.

Wind swallowed again, and focused all of his energy on crawling through the dusty tunnel, not thinking about Warriors, not thinking about Malon, and trying his best not to listen to the quiet sound of Legend's tears.

(...)

Malon was silent as she was surrounded and handcuffed, though she still struggled and kicked like the horses she spent so much of her time with. Finally she was restrained though, and the man who was technically Warriors's superior grinned as he proudly announced she was under arrest for treason, participating in illegal ventures, aiding and abetting known criminals... the list went on.

Warriors held her silently while the man prattled on, and glanced at the basement door, still frozen solid. He tried not to let the hope show on his face, but he was overwhelmingly relieved inside.

He'd given Legend and the others some time. His nephew may hate him now, but it was worth it.

Malon stumbled suddenly on some of the ice, and Warriors automatically caught her, her head ending up rather close to his.

"Thank you," she whispered, so soft Warriors thought he'd imagined it. She gave him the smallest of nods when he looked at her though, and Warriors returned it, his throat tight.

She knew he'd helped Legend get away.

The man finally finished his list of alleged crimes, and Warriors prodded Malon to her feet as gently as he could manage while still putting on a show. She didn't resist, and they marched out of the house, Malon with her head high and undefeated.

I'm sorry Time.

[mint-termsandconditions]

Rope MF is a first stage in his evolution next is Chain MOFO

About that…

Rope MF is to much of a rope purist to touch anything that isn’t a rope

but you know who isn’t much of a rope purist?

THAT’S RIGHT! MIR-ROPE MF!!!

But I’m going to steal the name Chain MOFO because that’s a better name lol

Bonus doodles because I had to much fun with the design:

[lethality-of-dual-strike]

perirep drawings I also have on my Twitter - lil thing I’ve been working on and off where Dev wishes that Peri and Irep would switch places so they’d understand each other better, before everything derails into madness

really just an excuse to make fairy irep and anti-fairy peri teehee

[bg-anon]