#whatever you’re going through

[swiftmitsu]

hello!! hi guys, this is important

(and no i’m not a proshipper. that’s all im going to say.)

please don’t ever fucking dox ANYONE.

you don’t like a certain person’s content?

just block and forget.

you don’t like a certain person?

just block and forget.

there is no reason you should be actively exposing the location of people that you don’t like.

absolutely nothing GOOD has ever come from doxing anyone.

you have no idea how dangerous things like this can be.

the internet is permanent.

whatever you put up on the internet will BE PERMANENT.

be careful what you do on the internet. please.

look, i get that many people don’t like the works of proshippers.

and that’s FINE. you can have your opinion.

there is SO MANY OTHER THINGS ON THE INTERNET THAT SO MANY PEOPLE DISLIKE/HATE THAT ISNT PROSHIP. and it’ll stay like that for a long time!!!

you can’t really do anything about it.!!

so don’t TARGET AND DOX THEM. OR ANYONE ELSE FOR THE MATTER.

just fucking ignore them. BLOCK them if you don’t want to see their content.

you’re not gonna be some sort of ‘hero’ for getting rid of someone you dislike.

you are putting so many people in danger.

please. just be nice. it really isn’t that hard.

i love you all, please stay safe and be nice to each other. we need more kindness in this world. 💛💛

edit: if you want to assume things about me. don’t. talk to me privately first. don’t spread rumours please.💛

[foreverppl]

Orla’s liberation comes at the price of the merc’s. The further they entrench themself into being used as an implement for her to use to her ends, the more divorced they become to themself (though, even that’s a bit complicated. Who is the merc without Orla? Her guiding hand. Her crook shepherding. Her word governing.) She’s building her empire; the merc’s shoveling their grave. But at the same time, her empire doesn’t necessarily guarantee her own (true) freedom and is, in fact, a kind of gilded cage in its own right. You painstakingly build yourself a palace behind enemy lines, with all the luxuries you can scrounge together. Give yourself every comfort, loud music to drown out whatever ghosts you’re still trying to outrun, good sex, good food, people who will jump to murder for you without blinking an eye… yet it’s difficult to truly allow yourself to relish in any of it for more than a couple fleeting moments when you know there are serpents slithering just right outside the gates. Doesn’t matter how much you fortify your house of cards, it can still all come crumbling down with a gust of wind. And what then? One king (queen) deposes another, Vapolis continues on. No one will mourn. Orla knows this. Orla is terrified by this.

Anyway.. @vapolis sending you my therapy bill as I type this.

[bb-eb-db-bb-eb-b-ab-f-b-ab]

FINALLLYYYY

at last they give my son a GUN

[enrapture]

[centaur-dreaming]

Happy birthday fellow gays and queers of other flavours <3

[cloudabserk]

warning for discussing potentially upsetting content about creepy guys dating their adoptive sons. skip this post if u don’t wanna see it

so banana fish has this scene which obviously stuck out to me (that’s his adoptive father)

the focus is not on the opera itself, but the name of the composer. is the name amadeo/amadeus a reference to something else? the only thing i can think of is like… the relationship between mozart and salieri? the film amadeus came out in 1984, 1 year before bananafish began in 1985 (idk when these panels were drawn but i estimate around 1986-1990). but 1985 is the same year the vampire lestat was published, the book in which armand reveals his name was amadeo and provides most of the initial detail about his relationship with marius.

i feel like i’m missing some cultural information on why anne rice and akimi yoshida are making similar comparisons at similar times. i know wolfgang amadeus mozart was big in pop culture at the time, and maybe yoshida was just referencing salieri trying to destroy mozart out of jealousy, but the portrayal of “amadeo/amadeus” as a teenage sex worker in an unbalanced and harmful relationship with his wealthy and all-powerful adoptive father (who saw him as already “damaged” due to his history of abuse and then turns him into a literal killing machine) seems REALLY specific and completely unrelated to mozart.

it’s possible it’s totally a random parallel, and a throwaway scene, but given the timeline i feel like it’s also possible yoshida read the vampire lestat and is referencing the character armand.

thoughts? just a coincidence? is there something im not considering or does my timeline not add up?

[cecoeur]

I need daniel to get over himself actually.

[sunkissedliterarylightofchrist]

Wake up babe when I say I am begging Tyler and Josh to even release just a single song like this to finally commit to Christ openly and publicly directly in their music I mean it

[mars-ipan]

Hi, it's me again. I decided to follow your advice and try to seek out your 'actually serious' analysis, which led me to your komahina bible, the most easy to find compilation of this supposed analysis. Here are my thoughts-

1) Overview

- Most of this 'analysis' isn't analysis but a summary/overview of the game. It's not so much a 'bible' as a children's book summary of the bible, which at that point it would be better to play the actual game itself. It's clear it was made for a presentation on the 'uninitiated' if you will, but if that's the case, you shouldn't be advertising it as the literal bible on the subject.

- When you are not regurgitating points from the game beat by beat, the screen is halfway filled with either manga panels or fanart. My gripes with manga panels are, that even though they do depict the events of the game, the way they can be depicted by the artist can be pretty subjective due to the freedom of the medium in comparison to sprites, and that the role of one character can differ depending on whose pov manga it is (chiaki vs nagito). Fan art therefore should be scrutinized even more since it fully depicts abstracted and even the fandomified version of events, leading to situations where it's either unclear what is actually happening or betrays your more shallow view of the characters (i talk abt this later.)

- When you do use pictures directly from the game it's either a possible screenshot from a memorable moment or dialog from the wiki, limited almost exclusively to the freetime events. This leads me to believe that you haven't actually played the game(there are other factors hinting towards this) or watched a Let's Play of it, but going off of merely information that's already widely known and circulating within the fandom, and easy to search on the wiki.

2) Incorrect/Questionable information

Here I'll compile a lot of information that's either plainly wrong or baffling to having come to that conclusion , leading more credence to the theory that you either haven't actually played the game or your memory of it isnt as good as you think.

-"if Nagito's plan went off of without a hitch, he would have killed anyone that was closes to him at the time" plainly wrong. Komaeda's goal from the start was to make himself the victim, so by dying this way his death could have meaning and help the others. For somebody that keeps talking about Komaeda's "Martyr complex" this is truly a weird take to have.

-"Nagito...got the nurse for sure sick" is there any proof that specifically points to Komaeda for this? I believe the takeaway should've been that Mikan got sick because she was around all of them AND she overworked herself trying to take care of them. Is this just an awkwardly phrased attempt to make more of a connection between Tsumiki and Komaeda? I don't think you needed more than the ones that already existed.

- "he helps Junko brainwash a bunch of students" Kamukura at neither point in the anime or Danganronpa 0 was ever specifically implicated in the brainwashing. He never 'helps' Junko, especially in that way. If you meant, participates in the student council killing game, you should've said that, but even then his agency and influence is limited.

-"they found the Remnants and captured them!"...no, they didn't. The Remnants presented themselves as survivors and the Foundation took them in. They handed themselves over willingly. It was a pretty big piece of the final part of the game...

3) Komaeda and Komahina

- "Nagito's habit of putting people on pedestals" Where. Sure, he certainly parrots the belief that the "Ultimates" as a unit are at the top of the food chain and should be prioritised, but its clear that doesn't exactly carry over to his classmates like teruteru, Kuzuryu and even Souda sometimes. Just because of a few positive comments refering to them as Ultimates and the trial which he literally breaks down in, this is a hard position to support.

-"Nagito manipulates Hajime into playing the game" How. He literally just told him to play it. How is that manipulation. Also, isn't it a bit unfair to put the blame on Koizumi's death to him as well? I think they were multiple factors playing into this, but sure, how else are you gonna convince people that Komaeda is a twisted fucking cyclepath that loves leading people to their deaths.

-The way that you say the Kuzuryu/Pekoyama relationship mirrors Komahina as 'I will give up my agency for you/ I just want you' is also confusing. Unless of course you mirror Peko's struggle with her agency and harmful beliefs the clan enforced on her with Komaeda's own belief system, in which case, idk man, i feel like you are giving a bit too much credit to the supposed severity of Komaeda's views and trying too hard to make Hinata the 'rational' and 'grounding' one in the relationship.

- Again, the amount of times you refer to Komaeda as a freak for doing something 'weird' or even being drawn weirdly doing it , mostly in the manga, makes me belief this isn't just an affectionate tongue in cheek joke as you claim, but an actual way in which your interpretation of Komaeda is colored.

-"it doesn't excuse his nonchalance towards tragedy and murder but explains it" what needs to be excused here exactly? Komaeda doesn't need to immediately bawl his eyes out when someone gets killed or else he's suspicious and...bad? I am confused with what you mean by this. If you mean that Komeada shouldn't be so nonchalant about murder because he's constantly trying to kill someone else, that is plainly incorrect and i explained above why.

-Posturing about Komaeda's 'black and white thinking' while in the next exact slide you show fanart of him smugly explaining he has Borderline. First, i want you to explain to me the black and white thinking in a way that isn't "oh, the friends and classmates i previously liked turned out to be fucking terrorists". I think that's a pretty justifiable situation for your thinking to go from white to black. Also, if that is enough credence to assign Komaeda BPD, you really don't know how BPD works, especially since you assigned it to the one character you constantly talk about being a freak (and also lust...pseudo lust? after).

- The insistence with Hinata not really understanding Komaeda and running away, even if he wants to understands him is pretty suspect, especially when compared to the game. Hinata is confused and overwhelmed yes, but it's not just that he wants to understand Komaeda but that he still feels fondness for him, he still follows his advice and puts his faith in him and the way he mourns him in Chapter 5 is also pretty indicative of this. It's just another part in the pattern in you making Hinata the confused, rational, 'morally pure' man that's 'tempted' by 'corrupted' manic pixie mentally ill demon Komaeda. Something tells me your priest AU isn't so much playing with dolls as much as...what you actually believe these characters dynamic is.

- The whole page where Servant is basically made into a joke about how hot and sexy and freaky he is doesn't help your point either.

-The most damning evidence of course is a drawing in the second to last slide, wherein Komaeda is supposed to be analogous to 'guy who has something wrong with him' (distorted, freak, mentally ill) and Hinata is analogous to the guy that 'is the only one that understands them' (the rational one, the relationship of understanding doesn't go both ways).

- Your slide with sources is pretty vague and unclear. Also the way that you credit "Your superior mind" before the game itself when all you've been doing is repeating and misinterpreting the plot of the game is ...ironic

So yeah, that's all I got. Feel free to 'debunk' my observations as much as you please, I just want to know if there's actual basis behind everything you just said or I should go digging for 'the actual serious analysis' yet again.

i think you forgot that fandom is meant to be fun

[tojiscrack]

the dancing scene in the most recent chapter of liar, liar, MEGUMI BLUSHING FOR THE SECOND TIME AS HIS HANDS COLLIDE WITH HER WAIST, i’m crying so much rn. i have NO ONE to speak to about this fic, maybe it’s my period but i can’t get enough of them.

i don’t want them to go through angst, i just want it all to be fluff fluff fluff y’alllll. someone needs to make a fanclub or SOMETHING because it’s killing me how i have no one to speak to about this 😭😭😭

‘liar, liar’ masterlist here:

ik this message was sent in as early as yesterday, but i’ve been out all day and i’ve finally got the time to respond to it. apologies if i’ve left you waiting ☹️💓

i wanna start off by saying you’re literally the sweetest person to ever grace this planet. as i write this slice of life rom-com, i was hoping for the rom part of this com would take over in that scene, and if it’s got you squealing and giggling, ik my mission’s been accomplished 😇

“i have NO ONE to speak to about this fic” — YOU HAVE ME!!! 😤

message me, send me your theories, comment, like, reblog your thoughts, SPAM ME IF YOU MUST, i encourage all of it 😩 !!! i want to see long and juicy comments. small ones are amazing too, but ofc, the more, the merrier! it’s the best part about writing — and it helps me piece out what you like and don’t like so i can make this ride as enjoyable as ever 😗

you beautiful anon, this is the fan club. it’s a small little family of liars we have rn, but still a family nonetheless. don’t forget that 🥹 it does seem like a wonderful idea to talk about ur theories with each other so i can just spectate and laugh to myself about it all, but if you’re shy, you always have me, the writer, who will always respond to ur silly comments and goofy thoughts 🩷🩷🩷

[hana-bobo-finch]

i hardly ever mention Glad for some reason. you. you know the one. the cousin. the mouthless one. bellona’s cousin that I have probably only mentioned once but she does actually do stuff in the plot. yknow. i only have concept sketches of her but uhhhhhhhhhhhhhhhhh

[kiwi-luminaryofthestars]

03/05/2025 Progress Update:

TLDR Kiwi did mostly tweaking today cuz she’s easily distracted and muses about what helps her write. (Am I doing these in the third-person now? Shit idk I’m sleepy)

Uhhh small-ish update today cuz I didn’t get a lot done. Connected some more pieces, rewrote some dialogue because I wasn’t feeling it, and just did some overall tweaking. Not much though, lots of fucked shit at work and then got distracted by tumblr the rest of the day lolll.

I think I need to sit down and do a character motivation chart for this chapter because I’m having some troubles keeping the dialogue in-line. Which hey, sometimes ripping yourself away from what you’ve got and starting back at square one with “wtf do these people WANT right now” can really help, so perhaps I will do that tomorrow. I think I need a change of music, too, it’s just annoying me lately. Soooo if you have any recommendations, I’m all ears 😏😏😏

External environment affects the internal environment, so experimentation with my position may also help. I think I’ve said this before, but I’m a HUGE believer that where your body is at greatly affects how you write. Having a specific place where you go to write can really help the brain get into the right spot. And, on the flip side, changing where you are or how your body is positioned can get the juices flowing. Sometimes I write on the floor lmao, and sometimes I’ll write out in the rain, and sometimes I’ll go into my car, and guess what??? It works!!!! ‘Course I can’t say that’s universal, cuz shit idk you, but it does for me, and maybe that can be helpful to someone else.

Anyway I’m just hopeful to get some hella writing done this weekend. It’s been really loud lately and that also doesn’t help my writing. I need absolute quiet, other than my music and perhaps some ambiance like the rain, so I’m gonna try and shut myself in this weekend and WRITE DAMMIT!!

Hope you have a lovely night!!! Time to wake up and do it all over again tomorrow 🫡 Grossss.

[tariah23]

wait aren’t rin-tezuka and/or rui-cifer also in the antiblack communist crowd like i could have sworn i just saw rin-tezuka straight up imply that racism against us can be overlooked Recently on one of riotbard’s posts

Ohh I’ve had rui-cifer blocked for a long while now (or this could’ve been a differ rui, I forget-) (these ppl keep slipping through the cracks unfortunately. If this is the same person, I think they were one of the losers making light of black ppl talking about black genocide a few years ago as well but I still see people reblog from them) and I’ve never heard of the other person before but they’re one of those people crying about that “if someone watched these anime, would you think that they’re pedos-“ poll (sm ppl that are crying about it has either been weird about kids or has loli or whatever in their bios, at least from the few I’ve blocked in passing...)

[rosicheeks]

🥺

[grabby-smitten]

[booksandmore]

losing my mind deku as a hero and as a charchter defined by his desire to help others and being helped in return… kindness can be repaid… never hesitating to help even if its a villain, always saving other people even at risk to himself… but also, that kindness comes back to him - kota and eri and his classmates refusing to let him suffer by himself. forever reaching out and offering a helping hand… ONE for ALL a power that was meant to be shared, in contrast to ALL for ONE a power that was meant to put one person above the rest… something something deku never stood alone because he never let anyone else stand alone do you understand