#sorry it’s late I was very busy

[alevolpe]

happy holidays to ya!!

[twinkle-art]

oh, my daddy said shoot

[pastellpeachz]

Talya as Circe <33

[north-noire]

so, uh, i got confirmation that i'm on the spectrum recently so i drew this as a silly joke art ft. my sona, henry and charlie because i also headcanoned them to be on it long before i even got assessed

[chocodile]

I put on my robe and wizard hat...

Someone asked why Hyden does not wear a wizard hat.

He'd look quite stylish in a one! He'd like how it looks, too. +3 to wizardly intimidation for sure.

The canon reason he doesn't wear a wizard hat: He is a 7'1 man in a time period where the average height was 5'6"-ish. His life is already an unending series of doorway and ceiling-related frustrations without also having an enormous hat constantly getting knocked off his head.

The real life reason he doesn't wear one: His original design did, in fact, have a wizard hat. 19 year old me thought it would be easier to draw than a forehead, but 34 year old me finds the opposite to be true. His above-eye area has too many cluttered design elements vying for space as is!

...But maybe he can wear it sometimes, for special occasions.

[ohno-the-sun]

I am perhaps a bit late on this

But birthday present for @head-in-the-icloud !

I hope that you had a wonderful happy happy birthday!

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[codypunk]

[checks calendar] happy totally on time birthday seth

[sleepis4theweak]

Little doodle of April 2012 because I've been thinking about her a lot recently...

[dreamsy990]

some of the less nice thoughts about being aroace

extras below the cut

sketch

closeups on my favorite panels

bonus: adios

[pigswithwings]

hiii can you do web weaving about being cursed?

Sources: Wikipedia (Justice), Wikiquote (Justice), Wikipedia (Curse), Wikiquote (Curses), Wikipedia (Minotaur), Wikipedia (Pasiphaë), Wikipedia (Mother), Wikipedia (Mirror Test), Wikipedia (Fear), Wikiquote (Love), Wikipedia (Child Development), Wikiquote (Children),

[linkedin-offficial]

random bullshit

[haveihitanerve]

Guess who!! Yes I'm back, tis been a while

A video of Bruce singing gets leaked and his kids find out he's an amazing singer, and now they won't stop pestering him to sing for them

okayyyyy- see i am one of the firm believers that Bruce will sing only for his kids- so Dick was raised on Bruce singing him to sleep, sometimes on patrol when Dick would burst into song, Bruce joins in and harmonizes, all of his kids have been serenaded by him, either for bed or like hospital visit or just because bruce sings at home sometimes/while hes working... but i do likey-

It wasn't even something that he had done on purpose. It was just natural, sometimes, to sing. He would hear a good song on the radio and hum along. Play music while working a case. He didn't make it obvious he could sing- cough cough dick cough

But Selina. She had an obsession with it. Trying to catch him singing. Trying to record it.

"You're so good!!!" She would gush when he cut off whenever he spotted her recording. Bruce would shake his head. Wave her off.

But she must have caught him at some point. Because now there was a video. Bruce bit his lip to stop his scream as the late night host showed it off. This would not end well for him.

"Yo! Guys! Get in here!" Tim bellowed through Wayne Manor. He was already on the phone with Barbara and Dick, and they were heading to their apartment as fast as possible to watch.

"What's up?" Jason asked, entering the den where Tim was sitting on the couch.

Tim gestured to the TV. "B's on." Jason rolled his eyes, but flopped onto the couch next to his brother. Tim was the only one who consistently watched every Bruce interview. A habit that never died from his obsessive stalker observant stage before Robin, and now was even more prominent as he was actually connected to Bruce. Wanted to check he wasn't getting asked stupid questions.

Jason snickered as he spotted his brothers laptop open to the hosts persona information. Any wrong move, and Tim would destroy him for Bruce.

"Why did you call Drake?" Damian sniffed, entering the den with Cass. Tim shushed him, pointing to the screen.

"Just watch- I went back." There was a scream as Steph fell from the window, breaking in as always. She straightened, landing with the ease of someone who had trained with both the Batman and Catwoman, and hurried over.

"Did you see it?" She gasped excitedly, taking a seat next to Tim.

"I'm showing them." He hushed her hurriedly. Intrigued, the others took their seats, Duke strolling in last. He cranked the volume up higher and they leaned forward, eager.

"Now, recently, a particular video has taken Gotham by storm," The host was saying. Jason cocked his head, tugging his phone from his pocket to search for said video.

"Just wait." Tim coaxed, hands rubbing together like an insane man.

"We're watching." Barbara mumbled through the phone.

"Oh dear, I do hope it's not that one." Bruce was saying, chuckling, fake nervousness and smile on his face. The host laughed along, waving his hand to gesture the video play.

Jason choked on his tea and Steph's fingers dug half moons into Tim's arm as she watched with baited breath.

The video was of Bruce, in the manor, light instrumental music playing in the background. The video quality left something to be desired, crouched behind the couch, blurry, and audio a bit scratchy, but it was undoubtedly him.

"Am I blue? Am IIII Blue? Ain't these tears in these eyes-" The video ended abruptly, most likely because the recorder had been caught, but the damage had been done. Bruce looked near the tears he had been singing about.

Steph's grin was blinding. Dick's cackle erupted through the speaker of Tim's phone. A slow smile spread across Jason's face. "Oh this is going to be fun." Damian murmured.

"Damn it!" Jason cursed as his foot connected with the table.

"Language." Bruce immediately responded, more impulse than actual chiding.

"Yeah yeah." Jason grumbled. "Sorry. It's just... I've been a bit blue lately. Can't think straight."

He hurried out of the room before Bruce could see his grin. Bruce, on the other hand, was gripping his spoon tightly.

"Man," Dick complained, scrubbing at his eyes underneath his mask. Bruce frowned at him from the nearby roof, leaning closer.

"You okay?" He rumbled, reaching for a tissue or something to offer his son. Dick waved him off, dabbing at his eye with his gloves.

"Yeah- I'm fine. There's just something in my eyes. Probably tears." He winked, falling backwards off the roof. Bruce's jaw cracked from the force with which he was clenching it.

"Fu-" Steph grunted as she slammed into the floor, hands reacting too late to protect the hard landing.

Batman landed a step behind, hands moving immediately under her arms to lift her. "'m fine." She grumbled, wincing as she attempted to put weight on her left foot.

"Clearly." Bruce agreed, wrapping an arm more firmly around her waist to take most of her weight.

"B!!" She whined, but let him take it. "I can walk." She muttered. Bruce huffed a laugh, herding them both back into the cave.

"Of course you can. Think of me as a cane." That got a laugh from Steph, even as she let out a yelp as he let go to grab some gauze. "Sorry," Bruce murmured, helping her onto the med table. She waved him off, letting him prop it up and feel around.

"Sprained. Should be fine in a few days." He started to wrap it and Steph let herself recline, letting out a heavy breath as his fingers brushed a little too hard against her ankle. "Sorry." He mumbled again, but she just nodded back.

"You gonna be okay?" Bruce asked, helping her sit up. "Your room is still set up. It won't ever not be. You're staying here tonight, at least." Steph nodded her agreement, not willing to fight over it. Besides, she wanted to stay needed to torment him.

"You know what would really make me feel better?" She asked as he carried her up the stairs after they had changed back into civvies.

Bruce raised an eyebrow. "What?" His voice was flat, suspicious.

Steph smiled sweetly, wrapping her arms around his neck so he couldn't drop her and escape. "If you sang for me."

Bruce groaned, and as suspected, his arms relaxed marginally, prepared to drop her and make a run for it, though of course he didn't actually let her go. Steph grinned.

"Its really your fault," She pointed out. "If you had just told us-"

"I never kept it a secret." he grumbled, bringing her into the den, where, as planned, the rest of the kids sat. Dick smiled at his father, accepting Steph from his arms and setting her down next to Tim. He smiled, wrapping an arm around her shoulders and tugging her closer.

Jason cleared his throat, holding up a microphone from Dick's twelfth birthday. No one said a word, just blinked expectantly at him.

Bruce sighed. They'd all gotten those damned puppy eyes from Dick, he was sure of it. As if to confirm, his eldest batted his eyelashes extra, and Damian even rubbed his eyes, sticking out his bottom lip. Unfortunately, being aware of the source did not lessen its effects in the slightest.

He snatched the mic from Jason, cleared his throat, and began.

@jellynber

[proteidaes]

Happy book birthday to THE GRINCH TAKES A VACATION!!! 🥳🎉 A brand new DR. SEUSS graphic novel starring The Grinch, Max, and many colorful Whos!

It's vacation time in Whoville but The Grinch doesn't understand...what is a vacation?  Determined to learn what the Whos seem so excited about, The Grinch decides to give a vacation a try! Unfortunately the mountains are too snowy, the beach is too sandy and the theme park is too loud . . . vacations just might not be something that Grinches do? Thankfully, his dog Max isn't letting the Grinch give up that quickly! Will there be some fun in the sun for everyone's favorite Grinch or is the Whos' favority grumpy neighbor doomed to stay home?

The Grinch is determined to take THE BEST vacation ever, but how can he relax when things don't go his way??? Thanks for reading along, and I hope you'll enjoy the rest of the story! 🥳🎉 Learn more here ⤵️⤵️⤵️

[justarandomart]

Veeeee~

Image description: digital art of Vee from The Owl House in her basilisk and humanoid forms. Her hair is long, as it appears in the timeskip. Both Vees are gazing towards the viewer, and her basilisk form is smiling widely, curling her tail around her humanoid form.

The humanoid Vee has her arms crossed with a slight smile, and slightly raised scale-like freckles on her cheeks. End description.

image description by @anistarrose

[calciumdreams]

i lost the ask :-( but to the person who said they liked my cropcircles art i love u so much!

this was supposed to be for the 14 but uhhh it's march now i guess (sosorry)