#sorry it takes me a while to respond
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weisscoldglare · 7 months ago
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Since you like drawing (and with good reason) Catalin "Schnitzel" Haze, here's one more excuse for the road: Ruby's first meeting with Catalin? Bonus if you tie it into the Master Thief verse. Yes? No? Just me? Maybe my cat? Okay then...
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The master thief universe is just so funny now, I can't take it seriously even at a huge stakes trade-off
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asheanon · 1 year ago
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Twenty seven thousand smiling Sal faces and it still isn't enough. Ffs...
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kyonshi-8610 · 14 days ago
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omg saw the tags on the lolita dress reblog. i love toshiro my babygirl... i already drew one of those, but i think it'd be lovely to see him in outfits that falin disliked? like. her gifting them to him instead
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employee052 · 5 months ago
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turns out a brief moment of feeling ok doesnt mean im done grieving
anywho, heres a vent doodle with a pose i saw online, might not reblog the road trip thread posts for a bit (i feel bad for not being able to participate in my own trend but as long as people enjoyed it then i dont mind all too much)
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i dont wanna call it a break bc i cant help but be on tumblr, but things might go quiet in terms of art or me talking.
hope yall are doin well today/tonight/timezone n ill see yall when i see you :3
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deoidesign · 4 months ago
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Hello! I just discovered your blog and I immediately became captivated by your webcomic, but I'm unsure where to read all of it. I know it's on Webtoons, but I can see it hasn't been updated for a while, and you still post about it.
Are your physical novels just prints of the webcomic? Are they a continuation? Is the story complete? Thanks in advance!
Hi there!
Glad you found me and are enjoying my comic!
It's only on webtoons, and the story is not complete yet! We're 2/3 of the way through right now. It's currently on hiatus, and it's scheduled to come back in about 2 months!
I'll explain why it's been so long if you're curious, but also for my followers who might also be wondering about it under the cut. Sorry, it's pretty much just me complaining haha
I took a month off I took 2 months to get the books printed I took a month to prepare my next comic and I took 2 months to write the rest of the series (I knew the character arcs I wanted, but not the time periods or mysteries!!!) I've been working on actual episodes since then
I had to take some time off because of some pretty extreme burnout due to the sheer amount of work it was to draw over 800 pages and write 6 complete stories in a year and a half... I was getting sick almost weekly due to the overwork, it was really really bad honestly. I was having to work 60+ hours every week just to keep up...
The nature of the comic itself is also difficult... Each of the arcs is a complete, self contained story which can be read (ideally) without context, and my arcs need to be about 10-13 episodes each... And since I have an exact number of episodes to work with, it's even harder.
It takes a ton of planning and a ton of refinement, and working week to week with no breaks I was forced to put out second or even first drafts, so I just wasn't happy with the work I was doing... And to do that for the rest of the series? I wouldn't be proud of the work I did.
Plus... To be entirely honest, webtoon has treated me quite badly IN MY OPINION... They deprioritized me before I launched (I had to beg for more promotion, I'm not exaggerating), they outright denied me the opportunity to even ask for a raise, I don't make any money on fast pass and they pay me less than my partner makes working at trader joes. My first editor left me completely hanging, my second editor (who I loved) was fired... And they told me I wouldn't get a third season before my first season even finished. So it was just repeatedly completely demoralizing.
I'm sorry it has taken so long, it'll have been 10 months by the time I come back. But I realized... I won't get promotion either way. I won't get more episodes either way. I won't get more money either way. So to finish everything, to make it feel good, to make it something I'm proud of, I chose to take longer to make it better.
I am fully aware I will lose a significant amount of my readership for this and it might genuinely affect my career moving forward. But it's what I had to do! So I'm sticking to my guns on it, and I'm confident long term it'll be worth it. It never could have been this good if I didn't take this much time.
#asks#steakandpeanutbuttersandwiches#I'm SO sorry youre new and you asked me such a benign question and I responded with... this... LMAO#I swear to god I tried to make it as short as possible#theres just a lot auauuaghkhgjk#basically. way too much work. not enough money.#so it either is gonna be good and take longer or be worse but come back faster#and I chose to take longer#so.#I'm really sorry and I wish that this decision didn't also come with the... pretty much guarantee that it will negatively impact my career.#I will lose readers. I will lose potential readers for my future work. it looks bad on me as a creator to take such a big break. etc. etc.#but it's good. it's so good. you have to trust me it's like the best stuff Ive ever written#it. ok well to be honest#it'll probably feel extremely simple and extremely natural#but it's been SO much work LMAO#I am not exaggerating I have written over 200 pages of scapped ideas to get to where it is#I'm sure it won't make sense why it took so long while reading but you gotta trust me LMAO#ideally it doesnt even 'feel' different right. cause its gotta be cohesive with the whole thing#but there is SO MUCH TO WRAP UP#THERES SO MUCH#and to make that feel natural in this little space oh my GOD it is so hard#ok omfg I'm doing it again I'm going on way too long again IM SO SORRY#YOURE NEW HERE AND IM DOING THIS IMMEDIATELy#this is like 90% for my followers who I know are curious about this and I'm just using you as a jumping off point to talk about it#cause I don't really like to make standalone posts very often#I likely will make some kind of official announcement about it when the date is extremely set in stone#right now I think it's still only tentatively scheduled so it could still change#and I'll say something more... refined and restrained... then.#but for now this is like. actually everything. I think#I'm sure I forgot something but whatever lmfao
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phvntomess · 2 months ago
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schorry ab my absence i took a very schmall hiatus cuz i bave not been feeling hreat lately but i think i’m good now
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batsplat · 6 months ago
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more thoughts? PLEASE
okay I'm gonna assume this is about my tags on the sete post and well when I was editing I cut out a lot from a bunch of different sections so there's not necessarily... uh. this isn't going to be a coherent addition. but I have a few more thoughts I might as well rattle through
1. reinvention
idk I just enjoy what he's doing with his style changes during that time... like in 2002, 2003 and 2004 you've got a different vibe going on each year. the whole point of that brno hair colour thing was that it was almost a step back into the past, of re-embracing the fun and the whimsy and escaping the constraints and pressures of the present. very much embracing a more youthful vibe when you compare it to 2002, getting back in touch with his inner teenager, all while he's plotting his crazy move to yamaha. and then 2004 obviously he inevitably changes up his colour scheme, but he also lets his hair grow out and it ends up nicely emphasising that this is a New Era for him. not really an original point but there's just something fun and playful to how he uses his cute lil visual storytelling elements, from the hairstyles to the celebrations... he makes it fun to analyse him, y'know? always thinking about The Narrative
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2. the symbolism of it all
this bit was too vibes-based to make it into the post but it's basically linked to these bits in the conclusion:
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and following on from the reinvention thing, I do think there's something narratively rich to how valentino had to change his approach as a result of the switch to yamaha. you have this... I wouldn't call it a regression necessarily but maybe a recapturing of this playfulness in the middle of 2003 with the whole brno thing, but then there's something a little tougher and hardened about him in his yamaha days that kind of comes from necessity because he just didn't have that margin for error anymore. from the mat oxley reference book:
Some racers think motorcycle racing is a high-speed ballet, others think it's a petrolhead's wrestling match. Valentino always had the killer instinct, but it's significant that he only became known as a warrior rider after he left Honda. Without the technical advantage of the RC211V, he needed to find another way to beat rivals. He found that way at the 2005 Spanish GP, where he battered into Sete Gibernau at the final corner to win the race. He used similarly aggressive tactics to beat Casey Stoner at Laguna Seca in 2008 and Jorge Lorenzo at Motegi in 2010, and to deal with Marc Marquez during 2015. It has been said that Vale invented this kind of racing, although a deeper look into the sport's history reveals that this isn't true. And yet there's no doubt that he loved the thrill of the chase and the thrill of the kill.
and yeah, crucially, he did always have it in him. he was a proper menace in his rookie 125cc season, to the surprise of absolutely no one. but it's a very valentino thing, isn't it... you've got this clown prince persona, you have this exuberance and joie de vivre and all of it, and it's not like any of that is a lie. it's also not like his friendliness to other people is a lie either: the anecdotes about this are pretty consistent in telling you about how he does take genuine interest in his fellow human beings, which is hardly something you can take for granted with the kind of socially isolated egomaniacs competitive sports tends to produce. (though he does also benefit in that regard from coming up through an era in which the sport was still a little less professionalised and he was afforded somewhat more time to develop into a generally more well-rounded character, not a bad thing lbr.) but then, back against the wall, the fangs come out. and in a way that's what the entire 2004 season was about for him - this period where he was actually facing real challenges, a period of transition and transformation where the winning was a little less easy and he changed as a competitor as a result of that
and there's just something... idk, fitting, about how it was sete specifically who ended up being the victim of this, the guy who had always been seen as a little too carefree and nice and soft to cut it at the sharp end of the sport. who valentino had befriended: he'd been happy to blur that line between competitor and friend back then, though obviously that friendship started before sete became a serious threat. if you really want to go off the deep end with this, you could say valentino ended up exorcising the softness within himself by crushing sete. he wasn't going to allow any weakness in his own competitive make up, not when it could actually cost him. and in a way he really did have to understand sete really well, to know how to get to him in the way he did, to know how to play all those little moments in front of the cameras... those moments where he's cold to sete and knows it will unsettle sete, where he extends his hand and knows sete will accept, all of it. targeted cruelty, based on a thorough understanding of sete's character. again, this is a bit of a reach but you could say the two feuds where he went the furthest with his cruelty were against the two blokes who were the most similar to valentino. and, well, sometimes you do have to understand someone to truly know how best to hurt them
the whole episode also ended up signalling something to his competitors, almost like a warning. it's not like his relationship with everyone else in the paddock changed from one day to the next and he still had good friendships with other guys after that - even those he was actually competing against, like nicky hayden or loris capirossi. but inevitably, it will have also shifted perceptions of valentino. after the feud with biaggi you could say he was really young and also a lot of people had problems with biaggi. but gibernau? if you need concrete evidence people took notice of valentino's behaviour, take casey in 2007 saying to valentino that he didn't want their relationship deteriorate the same way it had with biaggi/gibernau. one feud can happen to everyone, two starts looking a little suspicious - three was where it became a pattern
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3. rivalries
y'know, I've seen that casey quote about valentino and gibernau and biaggi thrown around a fair few places over the years, but the thing I've always been kind of curious about is what valentino thought about casey telling him that. if this is a pattern of behaviour, then what's happening there is valentino being confronted with that pattern, right? I think an underlying question you have to address at some point with valentino and his rivalries is how aware he is of what he's doing. like, is he consciously engineering feuds or is he doing it subconsciously? and I think it can be a bit misleading if the first valentino feud you come across is the marc one, because it'll prime you to read all the other ones in certain ways that might not be entirely accurate. I've not quite figured out how to express this yet so bear with me here - but marc is the one who valentino felt the most hurt by and continues to feel the most hurt by and as a result it's the most emotionally charged feud from his perspective. but what that also means is it's the feud where he's the least consciously aware of how he himself has contributed to this whole nightmare situation they've got going on. because from his perspective he did treat marc differently from... well, basically from any post-sete major or even minor rival. he offered marc all that kindness and generosity and good will and graciousness in defeat as well as victory and had it thrown in his face
which makes it easy to assume this is all just... well, not just twenty years of feuding but also twenty years of self-delusion. and it's not quite like that - he has more self-awareness than that I think. when you read how he talks about biaggi in his autobiography (who he is kind enough not to completely erase from his narrative), even in 2005 he seems to have a pretty good handle on what that feud really was. okay, maybe he does somewhat shirk responsibility and somewhat overemphasises the role of the media as opposed to his own malice, but there's an awareness of how stupid and silly and mean-spirited the whole thing was. it was just a kind of nasty rivalry with a guy valentino didn't like much - but who, for what it's worth, wasn't exactly going out of his way to be nice to valentino either. sure, it ended up being torture for biaggi, and sure valentino did maybe relish inflicting said torture a little more than is morally appropriate. but y'know, in some ways, it's quite straightforward, this honest mutual dislike. uncomplicated, even
and this I did not include in the actual sete post because it's just complete and utter speculation, but I wonder to what extent the sete experience did end up changing valentino's approach to his competitors. whether he deliberately embraced that side of himself a little more and was a little more considered and calculating in how he treated his rivals, more in touch with his inner bastard, if you will. even if he just had in the back of his mind that something like with sete could happen again, even if he was just a bit more careful about keeping certain blokes at arm's length. because, remember, from his perspective this was also the first time a relationship with a rival deteriorated this drastically - now you can say 'yeah but it was his fault', but that doesn't change how it was a new experience for valentino too! he was also learning stuff about himself in the process, going through an important journey of self-exploration, etc etc. love crushing my enemies on the path to self-actualisation
and valentino did learn a lot from that whole experience on-track, he did learn useful skills in terms of managing rivalries - so maybe he also looked at what worked on sete in the psychological warfare department and, y'know, consciously made a note of it. when casey delivered that little spiel to valentino about not wanting their relationship to deteriorate, I assume valentino responded perfectly pleasantly in the moment... but I do also think he was extremely ready to deliberately sour their dynamic if he had to. zero self-delusion required
he's quite calculating with casey and jorge I feel... especially with casey, he really didn't waste his time feeling emotionally slighted or coming up with reasons why casey was the devil and needed to be destroyed. he wanted to destroy casey because he wanted to win, and was comfortable enough in his own skin to use the full bag of tools and tricks to do so, no complex internal narratives to justify the whole thing needed. for him, that was all just part of the game. it wasn't for casey, which is a topic for an entirely different post, but... well, casey and jorge in particular are the ones who have spoken about this valentino desire to create enemies, to give himself someone to hate etc. and in a way, ironically I would say they're the two for who that was the least true. yeah, they gave him a helpful target and he was perfectly happy to whip up drama where needed. but I don't really think he was going to any particular lengths to invent reasons to hate them (even his 2010 dramatics were really just faffing about). he found them both kinda annoying and he wanted to beat them. that's it
4. these photos of valentino and sete at sepang 2004
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idk I just like photos that have nebulously bad vibes if you know the context. it would have been quite funny if they'd consistently used the same shade of yellow in sepang press conferences over the years
5. marc
all of the stuff above does to me really emphasise how... god. this is the thing about valentino and marc, right, as a tragic narrative - it feels inevitable in many ways that this had to somehow go wrong, but then at the same time the exact way in which it did end up going wrong was reliant on so many things playing out the exact way in which they did, that it feels like if you could have just slightly changed things... like, let's say for a moment my baseless speculation about valentino is correct and he did become a little more careful and deliberate in how he approached his relationships with his competitors after the sete experience. there's so much that had to come together for him to lower his guard around marc to the extent that he did. again, injuries, ducati, how he wasn't really competitive in 2013, how dominant marc was especially in the first half of 2014... all these things that came together to lull them both into this false sense of security, spurred on by genuine interpersonal chemistry - all of which allowed them to even become friends in the first place
think about what the early marc and valentino relationship looks like if you're casey (who, bless him, certainly wasn't paying close enough attention to motogp to be aware of 'press conference vibes') or jorge (who, bless him, was unfortunately unable to avoid said press conference vibes). isn't there a little part of you that goes 'what the fuck is all this then' when you see valentino act like marc is god's gift to motorcycle racing after spending years enacting elaborate hazing rituals any time particularly promising talent had come through? casey's little 'yeah he was fucking with me in practise in 2006' line, jorge... okay in valentino's defence, it's worth pointing out that their 2008 relationship was more cordial than literally anyone had expected, and things only really soured in 2010. but still, their camps did already start up a healthy habit of sniping at each other in the press in 2009 and they did have the whole cold war cosplay situation going on, so. jorge certainly wasn't being given the kid gloves treatment
and sure, 2014 was a pretty drama free year for everyone because the general consensus was 'what would be the point', and I suppose if you're jorge you might also just assume the old man's washed and has gone soft in his advanced age. but still! I think I'd be a tad peeved myself, especially given valentino immediately fell into a lovely little habit of taking marc's side in controversies from the very start of marc's rookie season. but that's kind of the point - valentino's entire approach to marc required that past history of feuding for him to fall back on, for him to imitate/echo when the moment arrived (as I talked about here)... but it also required valentino to have gotten enough distance from all of his past misadventures for him to not have that sort of mindset from the outset when it came to marc
which, another thing I feel like maybe can get obscured a little if you're looking back on past rivalries with the marc-lens - this concept of valentino 'switching up' towards his opponents. because I do actually think there is something categorically different between the sete + marc rivalries when compared to any of his other ones - and it's how deliberate that switch-up is from valentino's perspective, vs to what extent it's driven by 'genuine' emotion. I just think there were rivalries (for a given value of the word if we're including melandri here) between sete's era and marc's era where valentino decided he was going to create a little distance there - but it was all part of the game. he didn't hate those guys. he just wanted to win, and understood as much about himself
but he does hate marc, because that rivalry was never supposed to be like the other ones. which, in the end, is what made it far far worse
6. che spettacolo
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'he was so happy after sealing his first yamaha title :)' I go, knowing he had just pulled off a pretty fucking nasty spite win against a bloke he'd recently put a curse on. he really did risk quite a lot in the penultimate round of the season, just because he could not bear to see sete win that race. revealing, isn't it? obviously he'd always try to win the race, but... at times he just couldn't help himself in how far he went
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anyway, it's my favourite of his title-winning shirts. a deliberate departure from tradition - he told his team he didn't want logos or any other decoration or even any mention that he was world champion again. the reasoning he gave was that nobody would expect it from him, which... well, yeah, it's what that whole year was about, wasn't it? about doing the unexpected, about proving everyone wrong - and, in the end, about putting on a show. like all the best valentino celebrations, it gets the message across and explains to you quite clearly what he thinks the story of his victory was. memorable in its simplicity but tells you everything you need to know
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one of his career highlights <3 it's in character that the whole thing was just a little bit evil
7. film
I cannot for the life of me remember when this was except it was post-2015, but one time in a presser valentino was asked which rivalry of his he'd make into a movie and his answer was biaggi. obviously it's hard to argue with the dramatic appeal of that particular story and it's certainly got a lot of very memorable moments, but my hot take is that the sete rivalry has got it beat by virtue of having a far clearer narrative arc. it's a slightly unusual, slightly odd story for a sports rivalry... like I said in the sete post, people aren't typically all that compelled by sports rivalries where you know from the outset which one of them is better. what's the point then, right? very much the indie flavour rivalry, a little more niche and philosophical and inscrutable and, y'know, darker. this is a feud that centres around a curse, after all. this one's for the girls who get it etc etc
valentino's erasure of sete is interesting for a lot of reasons, but it's a shame because it really is such a good narrative arc that adds so much to the transition to yamaha. the transformation valentino himself went through as a competitor, how he responded to real threats emerging, revealing your true nature in extremis and all of that... I'm not entirely convinced by how sete says valentino didn't need to do what he did against sete - he said it specifically about jerez, which I suppose is debatable, but I imagine he meant it more broadly too. there was a moment valentino could have lost that 2004 championship. and he'd already decided he would do anything to stop that from happening, which things like that assen last lap nicely symbolised. the thing about judging valentino for the foibles and the spite and the dishonesty and the competitive paranoia and all of it - well, at the end of the day they are key aspects of his make up as a competitor for a reason. you can judge him as a person... but as an athlete, more often than not they worked out in his favour. that's what's so interesting about sepang 2015 in a way - it's the only time the whole thing well and truly backfired
(I know casey has drawn the comparison between himself and marc before and argued valentino's biggest mistake was in making enemies but... well. was it? it wasn't against casey - valentino did not lose anything by making an enemy out of casey and he very well may have gained a lot, depending on what your read of the 2008 season is. very much a topic for another post... but this is the thing right, I think it's perfectly reasonable to object to valentino's behaviour on moral grounds, less reasonable to ignore why it was such a big part of who he was as a competitor and how it helped him succeed. I completely understand why casey wants to draw that comparison, but - perhaps unfortunately - it's a little too nice to be true that valentino's malice cost him as much as casey suggests it did)
valentino learns a lot from the sete rivalry in terms of his storytelling and self-mythologisation, not least in how he plays up the theatre of the sepang presser. one aspect that really stands out to me is the pointed cruelty of his celebrations after sepang. from the sete post:
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revisiting his whole 'character arc' from the 2003-05 period here, you've got this reversion in 2003, right, this throwback to the antics of his teenage years, and then you've got him getting meaner in 2004... and these things are married here. the whimsy and fun inherent to his celebrations is being wielded in the name of humiliating his competitors, of making a joke out of them. there's this thin line between joy and malice, where throughout his career he seems so endlessly capable of both - even at the same time, clearly. he's obviously already shown himself capable of mocking his opponents in the biaggi days, but, I don't know, it really does feel like there's something to how deliberately the humiliation is incorporated into the theatre of victory here. what a spectacle indeed
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8. rage and panic
but then again, I really don't want to pretend like valentino is perfectly rational or calculating in what he's doing here. remember where all this started - in qatar, a race where he well and truly lost his cool and he knows as much. I included the relevant autobiography section in this post, but just to put the bit here that's bit about qatar itself:
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he knows his brain fucked him over! I also think it's interesting that this reads slightly differently from his immediate post-race quotes, which I included in the sete post:
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was he angry or was he relaxed or, somehow, both? was that unfortunate moment of relaxation caused by the inevitable letdown from the anger - was it unsustainable to ride like that? either way, the key bit to me is the heightened emotions involved and how usually he has it under control, usually he can use all of this in his own interest to spur himself on... except when he can't. as I pointed out in the tags of the qatar post, there are elements of that race that do remind you of another 25 year old rider who had received a penalty he felt was unfair and was working his way through the field while running hot on emotion. it's all fun and games and smiling assassins etc etc, but if you get them really angry...
and, y'know, in a way there's an element of panic to his post-qatar media rampage. okay, sure, he was clearly furious and the whole thing did end up working out in his favour, but in the moment he must have also been scared he was going to end up losing a championship he'd thought he basically had wrapped up. it's funny because if motogp were a sane and normal sport, valentino (allegedly) vowing his title rival would never win a race again on live tv should have been a moment of foolishness and hubris and should have been remembered as such. it should have been him losing it for a moment there and saying a bunch of stuff he'd need to gloss over and hope everyone moves on quickly from. it is absolutely bonkers that it all played out the way it did post-qatar and it just like... all went in his favour. it could not have gone better for him. there's a world in which 2004 is remembered as the title valentino squandered. but sometimes hubris gets rewarded, I suppose
9. margin
sane and normal sport, huh? the thing about sports is that none of it is sane and normal. if you actually go through the races one by one and look at all the instances sete could have won a race post-qatar, it does feel just incredibly improbable that sete never won a single one of those damn things. I mean, there are five races where he's literally going into the last lap(!!) with a chance of winning. (in the name of journalistic integrity I do have to point out sete's fuel ran out in the last lap of brno so he didn't really have a chance of winning, but that just brings us back to the 'does motogp exist in a parallel universe where black magic is real' question.) in three of them, sete is ahead of valentino at some point of that final lap
one of the worst things about sports is that sometimes it can trick you into thinking the final outcome is in doubt when it actually kind of isn't. the fact that these two blokes are arriving at the last lap together fools you into thinking that both of them have a decent shot of winning. but obviously it doesn't actually work like that. call it skill and the extra margin of error a decisive performance edge will provide you, call it a clutch factor, call it how 'broken' sete was - it really was just the illusion of proximity, the illusion of tight margins. maybe it really was a test of wills. in two of those races, valentino risked quite a lot to win. phillip island for obvious title arithmetic reasons, jerez because he's literally throwing his bike against sete's in his desperation to prevent sete from beating him. in some ways, it feels unfair to judge sete's mentality too harshly - firstly because this is an insane person sport and I do think he has a point when he says it's maybe not a great idea to laud crash-happy riders for their 'bravery', and secondly because he was just fundamentally the worse rider, which obviously means it was always going to be harder for him to beat valentino than vice versa. but, and this is without any judgement, sete's problem was that valentino always would have been willing to go further than him in his desire to win. to be good at the insane person sport... you do unfortunately have to be insane
10. momentum
I'm not going to be able to do this justice here so I'll only address it very briefly. but I've referred quite a few times to what valentino 'learned' from those years and the sete rivalry and how it helped him acquire tricks he'd be able to use for his other rivals in the future, and there's one aspect of this that kind of stands out to me. you know this bit, right:
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this is the thing to me, he becomes so much more proficient at managing momentum. take his 2001 season, he was just kinda doing stuff... panicked a little bit when he had a bad race at the sachsenring until jb talked him off the ledge and reminded him that neither him nor the bike were all that great there. poor thing. and then 2002 and 2003 didn't really have title fights, though I guess 2003 did have a mid-season turning point of sorts when valentino just decided he'd had enough of losing races. which is a nice thing to be able to do, I suppose
but yeah, obviously I already addressed at length how valentino did his whole show at sepang to stop sete's momentum cold, and then how he fatally undermined sete's self-belief and hope and conviction in jerez a few races later - basically stopping that title bid before it even got started. which is all well and good, but... okay, how do you actually manage to make your three most famous overtakes so meaningful? obviously the cause and effect relationship is a bit muddled here - just because they're his most famous overtakes, they're not necessarily his best, and we remember them particularly strongly because they had such a strong impact on his fortunes. but still, when you think about it... sepang was only a turning point that season because of the theatre and not because of the race itself, his overtake in jerez was 100% last minute desperation... but laguna and catalunya? he literally could not have scripted those races more perfectly
both happen at a time when he really, really needs a big win. in 2008, he might have had the points on his side but he sure didn't have the momentum, with casey's three consecutive wins on a ducati that finally seemed well-settled enough to fight for the title and with a lot of strong casey tracks to come. like, he basically wasn't the title favourite any more going into that race - even at the end of laguna one of the commentators still referred to casey as "the man to beat" for the rest of the season. in 2009, the situation was similarly dire. from here (I say like I'm citing something more substantial than my own tumblr posts):
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they were both races that valentino went into at a time when he was in serious trouble - but on the flip side they also presented a serious opportunity. both laguna (a race casey must have felt completely certain he would win) and catalunya (jorge's home race) were ones where he could really hurt his rivals. at some point that weekend, whether before the race for casey or before the final corner for jorge, both of them would have been 100% confident they'd win... and valentino stole those victories from right under their noses. and the thing is, right, he couldn't have planned exactly how those races went. first of all because, contrary to whatever the italian public may believe, he is not literally a god. and second of all, the specific overtakes everyone remembers are also ones that inherently had a lot of risk attached to them you'd obviously prefer to avoid. at laguna you have the excursion into the dirt where he needed skill and also quite frankly luck to not crash. catalunya was a last corner overtake - and as we've established, valentino by this point had learned his lesson about leaving it that late if he had any choice in the matter
still, it's not like it was just fate or coincidence or any of that. obviously, he did get lucky that these races unfolded in such a perfect manner for him... but athletes do have a hand in creating their own luck. for laguna, and this is so very much a topic for another post, valentino deliberately deployed tactics to fuck with casey in a way that ended up generating that overtake - without getting into it too much, he basically knew he couldn't allow casey to be ahead going into turn 10 (the corkscrew's turn 8). so if you've decided in advance that come what may, you'll stick your bike in front of your rival's bike in a certain corner... well, if you get lucky, then maybe you can create a little magic. with catalunya, he said afterwards that he'd been imagining that overtake for the whole week before the race. incidentally, according to the commentators jorge had told them that if you're ahead going into the last two corners, you've won the race (which is obviously the kind of thing you should never say, are you insane??) - and that's the key, isn't it. here too, there's a meeting of skill and luck and jorge maybe not being as diligent in protecting the inside line as he should have been (a fact that casey, always polite, full of tact, ever helpful, was willing to repeatedly point out to jorge) and it could have very much ended up with two bikes in the dirt and some awkward conversations within yamaha that evening... but still, at the end of the day, you've got to "invent something" as the commentators put it, you've got to come up with that move and decide it's possible and visualise it again and again before eventually turning it into reality. both of those wins and both of the overtakes everyone remembers were at least to some extent built on tactics and prior planning and valentino deliberately producing something special when he really needed to
the other key bit is, okay, obviously it's not that remarkable that valentino immediately clocked they were important wins, given he'd intended them to be important wins going into the respective races and he knew full well how dramatic the duels had been... but he was still very adept at leaning into the theatre of it all. the idea that valentino came up with the idea of kissing the corkscrew during the race is very funny to me, but it is pretty plausible given he will have had time to do so while coasting at the front after casey's fall. and it's just very memorable, isn't it? sure, that corkscrew overtake helped him win the race, but so did the first lap move into turn 8 or that nifty move on the outside of turn 3 on the lap casey went down. the battle still continued for another twenty odd laps after that corkscrew overtake, but valentino had the shrewd showman's acumen to immediately pinpoint that as the moment of the race, the thing everyone would remember, the defining image, and paid tribute to it in his celebrations to ensure the association would stick in everyone's minds
obviously, he also goes for all kinds of over the top celebrations in catalunya, including wildly ecstatic fist pumping on the bike and breaking out of parc fermé to soak up the adulation of jorge's home fans and all that stuff. and he's a huge fan of the fact he got his 99th career win beating the number 99, because of course he is
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also obviously he does that annoying thing where he goes up to both of them while they're doing their interviews so their reactions will be recorded for posterity. so yeah, that's the thing, right... it's about knowing immediately the wins are special and meaningful and signalling with your overblown celebrations how meaningful they are to everyone else so that everyone else is extra sure to remember them and talk about them forever and ever... obviously he got lucky here, obviously it's a little crazy that both those races worked out that well from his perspective. but, y'know. got to hand it to him, I guess. something pretty neat about how both times he went 'yes I am going to change the momentum of the season today'... and he did. plus you've got to give him credit for the fact that he actually capitalised on his momentum, which isn't always easy, and basically took control of both seasons from that point onward (if in different ways and to different extents). he knew he had to take advantage of how his rivals were on the back foot after his daring victories, and he did. you could almost say, right, he knew he had to bite harder when his opponent was already bleedi- *gunshot rings out*
bonus: valencia
so the thing about this whole 'back to back wins with different manufacturers' business is that, understandably, everyone focuses on the welkom side of the equation. very spectacular, very unlikely win, really shouldn't have been possible and somehow valentino did it anyway. but, y'know, that other side of the equation is noteworthy in its own right! he really was crap at valencia. eighth place in his 1999 250cc campaign, his worst result all year when he finished the race (1 dnf that season)... his 2000 title campaign died there when he crashed... eleventh place in 2001, his worst result all year when he finished the race (1 dnf)... in 2002, he got second place there, one of only five races that season he didn't win
but he really, really wanted to win that race in valencia. now, personally, my assumption has always been it was kind of supposed to be a 'fuck you' to honda, which I still completely believe btw. but this is how he himself frames it:
I was the one who worried. Saturday night I took pictures of myself hugging and embracing the RC211V. I wanted to say goodbye to my bike because I knew that tomorrow we would race our last race together. Leaving the RC211V was what hurt most. In fact, I now believe the reason it took me so long to say yes to Yamaha was because I was so attached to that bike. As I looked at the RC211V and thought that we would soon be separated, I genuinely feared that it would take a very long time before I once again tasted victory. That's why I decided I had to win that last race of the 2003 season. It would be a great way of saying goodbye of course, but also I wanted to stock up on victories, I wanted to have the taste of triumph fresh in mind because who knew when I would win again with Yamaha?
which, okay, setting aside for a minute what a freak he is about these bloody bikes, there's two underlying reasons he expresses here for why he's so desperate to win this race. first of all, yes, he really loves that bike and wants to give it the farewell their partnership deserves. and second of all, more poignantly (for the non-bike fuckers anyway), he really did not know when he'd win again. I don't know, it's something that stuck with me... I think we can talk all we like about how big a risk it was and what a step into the unknown it was and nobody believed he could do what he did etc etc, but to me this is just the most straightforward way of capturing that uncertainty. valentino wanting to remember the taste of victory, because he knew he might be giving it up for a long time. he loves winning so, so much, he's done so much over the years to win, he's never been able to stop chasing the high... and yet he walked away from that bike
"I decided I had to win that last race" is in itself funny because obviously a lot of people can't just 'decide' to win races. which, yes, it's just a thing people say, but it does capture the essence of that type of valentino win where it feels like he's won it through sheer force of will. a lot of the times, these are his spite wins - the phillip island 2004's and jerez 2005's of this world - hey, speaking of sete duels, we should include le mans and sachsenring and brno and qatar 2005 as well. various biaggi wins, perhaps most memorably the middle finger race in suzuka 2001 and his last lap overtake in phillip island 2001, where he won his first premier class title. when he beats spaniards in dramatic battles at catalunya like 2004, 2005, 2009, 2016. his fury at his penalty at phillip island 2003 that results in that spectacular fifteen second margin over the field. his desire to fuck with jorge in motegi/sepang 2010. let's throw in his dominant win in jerez 2016 in enemy territory, the first race win he'd had of that nature since... oof, let me have a think, maybe assen 2009? (incidentally, the race that directly followed catalunya.) like, man, this is not how he was winning races post-prime, it was always one hell of a struggle - with one glaring exception
which makes it worth pointing out that the second and indeed last time he won in valencia was in 2004, when he was in the process of dismantling sete. now, given sete ended up finishing fourth, it wasn't strictly necessary to get the win to ensure the curse continued doing its thing. but, y'know, there was a point where sete was in front of valentino on-track. then sete tries to overtake biaggi, pretty firmly it has to be said, and pushes them both wide allowing valentino to sweep right on through, which I found pretty funny icl. anyway, the best way to ensure your rival doesn't win a race is to win it yourself, right? after the frustration of qatar, he reacted by winning the last three races of the season spurred on by sheer spite. no wonder he took notes and learned a little something about how to best motivate himself
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bonus 2: things that aged badly
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october 2003, mind you. he really got those guys good
bonus 3: dovi
I mean, come on. it is a little bit funny that both valentino and marc acquire a new rival at age 24 seemingly out of nowhere who was their main rival for three years. (I don't care what the championship standings say, marco melandri was not valentino's main rival in 2005 - sete might have been extremely cursed but those were still The Battles that year.) said rival was 6-7 years older than them, known for being a particularly smart rider and a wet weather specialist, and announced themselves as a major threat in large part through winning two dramatic last lap duels against the all time great in the first year of that rivalry. both rivalries were (well, initially in valentino's case) notable for being significantly warmer on an interpersonal level than the ATG's previous major rivalry
both had previously been hrc riders but had been fired by the team. gibernau had one premier class win before 2003, dovi had two before 2017, and all three of those wins came in the wet. ofc dovi did have a bit more pedigree - the 125cc title, stronger results in the premier class, considerably more podiums. but both dovi and gibernau weren't really supposed to be the main rival to the ATG, not even within their own team - though, obviously, the reasons why they ended up assuming that mantle couldn't have been more different. with both of them, people said they'd changed their approach to riding, mainly in terms of their mentality - and that it had helped them grow into their new role as the primary challenger
there's not really a point here... I just think it's neat. obviously it is a little funny how differently those respective relationships unfolded, but I also wouldn't say it's fair to entirely pin that on the personalities involved, as opposed to circumstantial factors. that being said
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ryanthel0ser · 1 year ago
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Care to share some stuff about Howls Moving Castle? I haven’t been able to fully comprehend Howls dynamic/style/personality yet.
FINALLY I CAN ANSWER THIS ASK (midterm season is awful)
While book and movie Howl are very different I do think they share a lot of core traits that define both as Howl instead of it being two different characters.
Both Howls have a level of mischievousness to them and like to have fun at times when everyone else is distressed. We don't get to see it as much in the movie but the two most prominent moments are when they escaped Suliman and when Howl takes down the ship in the flower garden. You can see him making fun out of the situation and causing trouble in a way that feels akin to someone who would pull pranks or tease. This is inline with his book counterpart who we see get to be a menace and constantly pester and annoy Sophie, doing various antics both plot relevant and "I just want to be a menace today."
Both Howl's also have a lot of heart and care for others, although book Howl does not show it as much like his movie counterpart. The whole reason the pact is made between Calcifer and Howl was because Howl pitied the shooting stars because they died upon impact with the ground, and we see him take in people from the street like Sophie and Markl (or Michael in the book). The movie though has Howl's affection being more open and clear to the audience because we don't get to spend time just with the characters like we do in the book, book Howl puts on the "I don't care I'm gonna go be a womanizer now" front but by the end of the book when it's revealed he is in love with Sophie and has been his actions become much more obvious.
In terms of vanity, Howl is a vain person when it comes to his own appearance. We only get to see it through his hair freak out and his fashion in the movie, but in the book we get a lot more of it especially when he's trying to be a womanizer. Book Sophie in the second book Castle in the Sky states "And he's sly and selfish and vain as a peacock and cowardly, and you can't pin him down to anything" (which she doesn't say out of malice for him in the moment, they're literally looking for Howl in this scene and her and Howl already have a kid) so in the book it's undeniable. However, in the movie, the Howl we see is much more noble (something the author even stated) and we only get that one moment when it came to Suliman that shows any level of cowardice from Howl.
Overall, the major difference between the movie and book Howl is that book Howl is very clearly a bad boy womanizer with a heart of gold while movie Howl is more of a mysterious guy who's a little bad but still has that heart of gold. I do think that we could've seen more of the Howl from the book if the movie was longer and we got those months Sophie was just living with them, but that probably would've killed the animators and Miyazaki movies don't tend to have moments like that in the film.
Both Howls are down bad for Sophie from the very early on though and I think it's safe to say he knew Sophie was the old woman in the movie from the start like he does in the book. In the movie, he's been looking for Sophie because of what she tells him when she goes back in time and I believe that not long after he starts to get to know her as old lady Sophie he falls for her (the scene where he watches her sleep literally has a track called "Unspoken Love" so he had to be falling by then). In the book, he sees her and thinks she's pretty when they first meet but it takes a bit for him to fall for her once she's old Sophie and then he falls hard and going back through the book it becomes very clear that he did when you look at his actions instead of his behavior with Sophie. Him and Sophie in the book have the "arguing is their love language" dynamic.
I hope this was sufficient, feel free to ask more, this was what I could pull from the top of my very exhausted brain but I know I could delve a little bit more into Howl himself, I just need some leading questions to get the gears going :]
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ruushes · 3 months ago
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Hello, I came across your Dragon Age OCs and was overcome with a violent urge to sketch out Pax so here she is, shes so damn cool :]
I love your artstyle so much btw, wish I could draw like that haha
art for me?????? 😭😭😭😭😭😭 THANK YOU i love her so much, it's so crazy wild to me u would just draw one of my ocs, for fun... 🥺🥺🥺 im so glad you like her!!! i should post abt her more, i was surprised how interested ppl seemed (tho i guess i probably shouldnt have been on the Intimidating Woman website)
and thank you!! that's another type of comment that is wild to me haha bc i'm too close to it ig and don't rly see it as a conscious style it's just how i draw stuff... not to offer cheesy and unsolicited advice but play around with techniques and processes and stuff and see what is most fun for you! that's how i developed the way i draw anyway (':
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justkillingthyme · 4 months ago
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Alright. Letting everyone know that the posts will be as scheduled, but I’m going on hiatus for a few days. Not sure when I’ll be back
(If you’re new, here’s my usual pinned post)
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autisticlee · 7 months ago
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that feeling when you get advice from someone who you know is well-meaning and has good intentions....but it's just the most allistic, neurotypical, and/or abled advice you have ever heard and completely invalidates the point you're trying to make about why you struggle to do the thing in the first place.
they're telling you to "do it in this specific way that is completely opposite of how you physically/mentally work" for example, make eye contact/read people's facial expressions and intentions! but you're autistic. initiate verbal conversation and don't be shy! but you're nonverbal or semispeaking. get out of the house more and participate in these physical activities! but you're physically disabled. Just Be Yourself! but you have DID/OSDD/other personality disorder. etc.
i'm sorry. I know you're just trying to help. I appreciate it, really. but it's all things i've heard before and none of it helps me specifically. I have tried (maybe even still try out of habit) and learned I can't just do those things. they don't work for me or cause more issues. practice isn't the issue. not everyone can simply willpower through everything. but thanks for trying 😔✊️
#autistic#autism things#autism#actually autistic#adhd#audhd#neurodivergent#disablity#disabled#too tired to tag other thinhs sorry thats all you get#lee rambles#that feeling when you also just have to pretend to accept their advice and move on because people get so upset when you dont take it#i lesrned if i tell people their advice doesnt suit me and my unique circumstances then they feel bad that they didnt help#they want you to do it anyway. even if you cant. pretend you do or say thanks and move on. but it gets annoying hearinf the same stuff#over and over. more expectations on you. more pressure to do things in ways everyone else can but you cannot...#when will the advice be lee shaped? when will it be just for lee and consider all my circumstances?#why is telling the person giving advice their advice wont work fkr me bad? why cant they change their advice to fit the issues i face?#when im asked for advice and someone hits a deadend while working it out i try to help solve that so they can find a way around#but everyone else expects me to grow a bulldozer out of my head and ram the wall down instead of helping me work around it#i crush their fragile ego by saying their advice doesnt work and they get upset instead of adjusting it to help solve the specific problem#its exhausting because they become one of the many problems i have to deal with then 😒#no im not “making excuses/dismissing you/not trying” im trying. your advice sucks try again. and my problems are valid!!!!!! accept it!!!!#anyway. genuinely appreciate people wanting/trying to help but sometimes its such inappropriate advice i dont know how to respond
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lampochkaart · 4 months ago
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I think it's weird the hoops people jump through to say the v3 cast aren't minors. "it would be illegal for a teenager to be bound to a contract that allows them to be on a killing game tv show". yeah it's also illegal for a killing game tv show to even exist in the first place.. obviously danganronpa is above the law somehow. Also the fact that they were all in school uniforms in that pre prologue scene and kaede literally said she was kidnapped on her way to school.
Hi, anon!
Well, I think with drv3 we can't say for sure what their ages are. They can be young adults or teenagers.
I agree that Team DR definetly could've casted actual teenagers. We don't know anything about how much obsession with Killing Games affected the world and it's laws. And I really don't believe that the world that is obsessed with KG would be "peacefull" in any way. So it's really not that hard to believe that Team DR could make a death show with actual teenagers.
Plus, you're making a good point about the prologue.
But I think it's also technically possible for the cast to be young adults. They could think they're younger because of their fake memories (and their appearance could've also been altered if we believe in the simulation theory). Because the thing about those fake memories, is that they feel real and, I think, generally they're made in a way that prevents people questioning them too much. There were a lot of weird things in them, so making people think they're a little younger than they really are is not that big of a stretch. Also, I'm pretty sure this also was introduced in the previous games.
In short, I think this might be possible but there's no good way to say anything for certain because the ending messes with everything and it's making my head hurt whenever I try to dig into anything with it in mind.
I personally think that drv3 characters are 16-17, maybe in some rare cases 18. Definetly not older than that. But I can't see them much younger either because I can't imagine some of them to be younger than 17 (like Kaito for example).
I don't really get people who make them older than this, but I don't think we can say that they're totaly wrong, because, again, V3 is a mess. Although the arguments that are usually used to prove this are often debatable and I don't really agree with some of them.
Also, if we take in consideration non-despair games (summer camp and talent development plan), there we see v3 characters are roughly the same age as people from previous games, save for the fact that they're in different grades (I think). So I think it's far more possible that v3 are really teenagers in their own game too.
In conclusion, I personaly think they're around 16-17 (and definetly not older then 18), but I don't have anything against people who make them a bit older
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millipedegf · 11 months ago
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like it's true but also. i've known this guy for like 3 months so like who the fuck does he think he is .
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silly-lil-scribbles · 5 months ago
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i only just learned how to take compliments, now i have to take concerns too?? how do i respond without just making my silly jokes????? help???
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carnivalcarriondiscarded · 1 year ago
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the desire to do comms vs my inability to remember that i got a message FIGHT-
#its like 'oh a message! i will respond later'#and then later never comes cause i have no damn object permanence Or working memory#then its like... what do i even say#'hi sorry i ghosted your simple question for two days i forgot you messaged me' AGH#or especially lately#i mean to do things and then i get a New piece of distressing information about the way my life is going#which then consumes my thoughts and leaves no room for anything else#ahaha thanks! ill claw my eyes out now!! wow!!! FUCK!#trying to keep up the things i enjoy is. so tough rn#but ill flounder w/o em so! hard work that i am mostly failing at but i Keep Trying#yes i wanna do comms. yes i wanna draw. yes i wanna talk to people. can i? mmmmm......#can't wait for this chapter in my life to be over. goddamn.#ive been in a perpetual state of intense stress since early childhood#but my fucking duck things lately have been taking the cake#absolutely unprompted#oh no this is turning into a vent post Look Away#well my mother called again last night and was all 'im getting you a car'#and uh. i started physically shaking while profusely thanking her (lying through me teeth)#GIRL!!! I DONT NEED A CAR THATS TOO MUCH RN!!!#she's always mentioning how the collective We are tight on money#and that rn i need to focus on making decisions and getting a job ill hold for like. a month#and then she slams this down outta left field??? thats so much extra stress i dont need right now???#now i gotta worry about parking and maintaining it and gas money i dont have And And And-#i cant exactly tell her Dont Fucking Do That bc then she'll blow up in my face and call me inconsiderate & ungrateful again#me and my stepdad dont have the fucking TIME to get one! and then she was like 'oh i can always come down to help'#please dont. do not do that. i cant deal with you in person right now that sounds hellish#anyway. case in point#cant even think about messages and stuff i Want to think about bc all this bullshit is taking up my entire mind#metaphorically slamming my face into a brick wall till theres nothing left. aaaghhahsbkjadadj#its too much its Too Much everything is so much and its too much and can i be let be for two fuckin seconds please
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mollymarymarie · 2 years ago
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just read the ask and actually it’s nice to see you don’t disapprove of fem sirius. i knew you had written fem sirius fic but, i can’t be sure if i saw the same post as the anon said but, i too thought lately you’re aggressively against sirius being fem whenever i’ve seen you agreeing with some people saying sirius “have to” be tank, given it seems like the people in this fandom particularly wolfstar folks are kinda weak on their own thoughts like someone says fem sirius is wrong and heteronormative then people start to shit on it although the same people like it just a few minutes ago. i thought you’re the similar case - liked fem sirius, but hate now it as you’ve been influenced by other people. glad it’s not since i was a big fan of the only living boy in ny.
Okay, so. Again, I'm not sure where I have been "aggressively" against anything except outright bullying. If you're referencing the post I commented on yesterday by @theresthesnitch, the post literally said "Give me tank Sirius" which is in no way AGAINST fem Sirius. It is simply someone stating a want to read a particular thing. No different than saying "give me a coffee shop AU."
I'm sure this post wasn't intended to be rude, but I haven't "been influenced by other people." I write whatever I want and right now, that is Sirius as a big dude (and just fyi, Remus is referenced as being "just as tall").
Again, the only opinion I have on this is LET PEOPLE WRITE WHAT THEY WANT. if I want to write Sirius as a slender figure skater, I will. If I want to write Sirius as a guy with an imposing stature, I will. That's all there is to it.
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